Lot # : 90 - CHRISTIAN WHITE, NORTHWEST COAST, Sgaan (Supernat
Live Webcast Auction
Price Realized:
12,000.00 CAD
Shipping Not Available
Price Realized | 12,000.00 CAD |
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Date Sold | 2024-06-10T00:00:00 |
Date(s)
5/20/2024 - 6/10/2024
Bidding Notice:
The auction will run with Live attendance, by telephone, and online through Hibid & Liveauctioneers.
Information
Lot # | 90 |
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Estimate | 12,000.00 - 18,000.00 CAD |
Group - Category | Art - Paintings |
Lead | CHRISTIAN WHITE, NORTHWEST COAST, Sgaan (Supernat |
Description |
CHRISTIAN WHITE (1962-) OLD MASSET, HAIDA GWAII
Sgaan (Supernatural Being), 2007
argillite and catlinite, 9.5 x 7.75 x 4.75 in (24.1 x 19.7 x 12.1 cm)
titled, signed with artist's stylized initials, dated, and inscribed, ‘“Sgaan” / Supernatural being / CW 07 / Haida Gwaii’.
Provenance
Acquired directly from the artist by the present Private Collection, UK, accompanied by a photo of the artist holding the work.
Christian White has titled this piece Sgaan or Supernatural Being, referring not to one particular story but the many stories where the natural and supernatural worlds interconnect. The Haida were exceptional ocean travelers and navigated some of the most treacherous waterways in the world – traveling great distances for trade, ceremony and warfare. There are many stories of encounters with the real and supernatural creatures of the sea – ones that dictated adverse weather, tides, currents, and giant swells – smashing canoes and transforming humans into sea creatures. One of the most classic stories is of Nanasimigat and the Whale: a killer whale becomes infatuated with a human and lures her into the undersea kingdom. Her rescue is dictated by Kugann Jaad (Mouse Woman), who often provides knowledge of the supernatural world to humans to help balance the scales.
Christian White is one of Canada’s most celebrated artists. It was obvious from a young age that he was a gifted carver; a collection of his carvings – all produced before turning twenty – was donated to the Saahlinda Naay Haida Museum in Skidegate, and a Raven Dancer sculpture carved when he was twenty-one was acquired for the permanent collection of the UBC Museum of Anthropology. His pieces are defined by elaborate use of inlays and narrative depictions of Haida myths that capture a specific moment in the story. In this sculpture, the female figure is riding on the arched back of the killer whale, clinging to the exaggerated dorsal fin as it is about to plunge to the ocean depths, merging together the lives of creatures from two distinct worlds. White’s sculptures are meant to be experienced both in the hand, understanding the tactile decisions made by the artist, and visually, with many carved details such as the human face in the blow hole and a few carefully placed inlays of catlinite to add to the visual experience.
White’s work is included in many museum and private collections. He continues to live in Haida Gwaii and contributes to the cultural fabric of the Haida, including producing totem poles, canoes, and a ceremonial longhouse. In January of 2025, The Bill Reid Gallery in Vancouver will open the first retrospective exhibition of his art with an accompanying catalogue. This exhibition will be the first opportunity to see a larger collection of his work, and the first time that the Haida will have the opportunity to see a full collection by one of their master artists.
References: The work of Christian White can be found be in the following publications: Totems to Turquoise – Native North American Jewelry Arts of the Northwest and Southwest, Harry N. Abrams Inc. in association with the American Museum of Natural History; Challenging Traditions – Contemporary First Nations Art of the Northwest Coast, Ian Thom, Douglas & McIntyre Publishers; Mythic Beings – Spirit Art of the Northwest Coa/st, Gary Wyatt, Douglas & McIntyre Publishers; Manawa – Pacific Heartbeat, Nigel Reading and Gary Wyatt; Seekers and Travellers – Contemporary Art of the Pacific Northwest Coast. He is also featured in numerous solo and group gallery exhibition catalogues.
Gary Wyatt
The absence of condition does not imply that an item is free from defects, nor does a reference to particular defects imply the absence of any others. Our team can provide thorough and comprehensive condition reports and additional images. We welcome your enquiries at info@firstarts.ca or 647-286-5012.
NOTE
Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported.
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Auction Information
Name | Spring 2024 | Inuit & First Nations Art Auction |
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Auctioneer |
First Arts
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Type | Live Webcast Auction |
Date(s) | 5/20/2024 - 6/10/2024 |
Auction Date/Time Info |
Monday, June 10 | 7:00 PM ET
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Preview Date/Time | Friday, June 7 | 10:00 AM - 5:00 PM Saturday, June 8 | 10:00 AM - 5:00 PM Sunday, June 9 | 10:00 AM - 5:00 PM Monday, June 10 | 10:00 AM - 6:00 PM |
Location |
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Buyer Premium | 22% Buyer's Premium |
Description |
We are enormously pleased to present our Spring 2024 auction catalogue, featuring a remarkable collection of art created by North American Indigenous artists. For months we have worked with these extraordinary pieces, embracing the opportunity to delve deeply into their stories and significance. It is with great pride that we now offer them for your discerning consideration. This sale, featuring 146 lots, offers a wide range of outstanding works. We invite you to explore and appreciate the profound cultural significance, artistic excellence, and historic relevance of these works, each a testament to the enduring spirit and creativity of Indigenous peoples across North America.
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Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 inquiry@pakship.caLocation