Lot # : 15 - MANASIE AKPALIAPIK, INUIT, Bird Shaman, 1990
Live Webcast Auction
Price Realized:
24,000.00 CAD
Shipping Not Available
Price Realized | 24,000.00 CAD |
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Date Sold | 2024-06-10T00:00:00 |
Date(s)
5/20/2024 - 6/10/2024
Bidding Notice:
The auction will run with Live attendance, by telephone, and online through Hibid & Liveauctioneers.
Information
Lot # | 15 |
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Estimate | 12,000.00 - 18,000.00 CAD |
Group - Category | Art - Paintings |
Lead | MANASIE AKPALIAPIK, INUIT, Bird Shaman, 1990 |
Description |
MANASIE AKPALIAPIK (1955-) IKPIARJUK (ARCTIC BAY) / ONTARIO
Bird Shaman, 1990
whalebone and walrus tusk, 18.75 x 6.75 x 12.5 in (47.6 x 17.1 x 31.8 cm)
unsigned.
Provenance
Images Art Gallery, Toronto;
Acquired from the above by the present Private Collection, Toronto.
Exhibited
Winnipeg, Winnipeg Art Gallery, Manasie: The Art of Manasie Akpaliapik, 1990, cat. 49, fig. 5.
Verona, Italy, Galleria d’Arte Moderna e Contemporanea di Palazzo Forti, Immaginario Inuit: Arte e Cultura degli Esquimesi Canadesi, 19 March – 9 July 1995; catalogue 107, as Double Vision.
Published
Darlene Wight, Manasie: The Art of Manasie Akpaliapik, (Winnipeg: Winnipeg Art Gallery), 1990, cat. 49, fig. 5;
Palazzo Forti, Immaginario Inuit: Arte e Cultura degli Esquimesi Canadesi, Galleria d’Arte Moderna e Contemporanea di Palazzo Forti, (Palazzo Fort: Verona, Italy, 1995), cat. 107, p. 188, as Double Vision;
Harold Seidelman & James Turner, The Inuit Imagination: Arctic Myth and Sculpture, (Vancouver: Douglas & McIntyre Ltd., 1993), fig. 19, p. 45, as Double Vision.After a restless and rebellious youth, during which time he occasionally carved, Manasie married and started a family, only to have his life turned upside down when his wife and children died tragically in a fire around 1980. He moved from Arctic Bay to Montreal and began carving professionally, learning from artist-friends in that city. After a brief stint back home in Arctic Bay in 1985 he moved to Toronto and began to carve feverishly, encouraged by the gallerist Harold Seidelman. Bird Shaman is one of a group of remarkable sculptures carved in preparation for an important solo exhibition of some fifty works organized by Darlene Wight at the Winnipeg Art Gallery in 1990.
In his essay reviewing the Winnipeg Art Gallery solo exhibition of Manasie’s sculpture in the Spring 1991 issue of IAQ, George Swinton insisted that Manasie be discussed as a sculptor first, one who “just happened” to be an Inuk. He wanted us to appreciate Manasie’s art through its “visual form” rather than its “verbal content.” [1] It could be argued that Manasie Akpaliapik captured the essence of Karoo Ashevak’s spirit with his own modernist vision, his inventive use of whale bone, and his brilliant technical skill (see Lot 39), even though Manasie’s personal style is quite different: his figures and faces are naturalistically rendered, and he carves bone as a monolithic material rather than “constructing” figures. [2]
While many of Akpaliapik’s sculptures are dramatic and exhibit a high degree of emotional or psychological tension [3], Bird Shaman exemplifies the softer, more serene current that runs through much of his oeuvre. The figure’s face is exquisitely lovely, and even the forms of the more roughly textured, porous bone feel gentle rather than raw. In contemplating this masterpiece, we come back to Swinton’s thoughts. It really matters not whether the figure is male or female, shaman or other human or spirit, carved by an Inuk or not. It is an extraordinary and profound work of art, created by a brilliant and sensitive sculptor of the first order.
1. George Swinton, “The Art of Manasie Akpaliapik: A Review Essay” in Inuit Art Quarterly (Spring 1991:42-45).
2. In her 1990 catalogue Darlene Wight points out that Manasie is an admirer of the whale bone sculpture of Davie Atchealak.
3. See First Arts, 13 July 2021, Lot 7; and Ingo Hessel, Inuit Art: An Introduction (1998), plates 56 and 109.
The absence of condition does not imply that an item is free from defects, nor does a reference to particular defects imply the absence of any others. Our team can provide thorough and comprehensive condition reports and additional images. We welcome your enquiries at info@firstarts.ca or 647-286-5012.
NOTE
Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported.
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Auction Information
Name | Spring 2024 | Inuit & First Nations Art Auction |
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Auctioneer |
First Arts
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Type | Live Webcast Auction |
Date(s) | 5/20/2024 - 6/10/2024 |
Auction Date/Time Info |
Monday, June 10 | 7:00 PM ET
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Preview Date/Time | Friday, June 7 | 10:00 AM - 5:00 PM Saturday, June 8 | 10:00 AM - 5:00 PM Sunday, June 9 | 10:00 AM - 5:00 PM Monday, June 10 | 10:00 AM - 6:00 PM |
Location |
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Buyer Premium | 22% Buyer's Premium |
Description |
We are enormously pleased to present our Spring 2024 auction catalogue, featuring a remarkable collection of art created by North American Indigenous artists. For months we have worked with these extraordinary pieces, embracing the opportunity to delve deeply into their stories and significance. It is with great pride that we now offer them for your discerning consideration. This sale, featuring 146 lots, offers a wide range of outstanding works. We invite you to explore and appreciate the profound cultural significance, artistic excellence, and historic relevance of these works, each a testament to the enduring spirit and creativity of Indigenous peoples across North America.
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