Lot # : 921 - Marvin Lipofsky Art Glass Vase Sculpture
Live Webcast Auction
Price Realized:
375.00 USD
Shipping Available
Price Realized | 375.00 USD |
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Date Sold | 2024-11-02T00:00:00 |
Date(s)
9/22/2024 - 11/2/2024
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We will make every effort and put forth our due diligence to attempt to properly describe and represent items, however all items are sold on a buyer discretionary basis. Once a lot has been purchased, there are no returns or exchanges of any kind. Local pickup begins the first Tuesday following auction weekend. All firearms are shipped in house.
Information
Lot # | 921 |
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Estimate | 600.00 - 800.00 USD |
Group - Category | Art - Glass Art |
Lead | Marvin Lipofsky Art Glass Vase Sculpture |
Description |
12 1/4" by 7" by 4 3/4"
Marvin Bentley Lipofsky (1938 - 2016) was active/lived in California, Illinois / Czech Republic. Marvin Lipofsky is known for Studio blown glass, biomorphic shapes, teaching.
The following obituary is from The New York Times.
Marvin Lipofsky, Ceramist Who Elevated Blown Glass to Fine Art, Dies at 77
By William Grimes, January 27, 2016
Marvin Lipofsky, a founder of the studio-glass movement, which took blown glass from the realm of interior decoration and functionality and showed its potential as a fine-arts medium, died on Jan. 15 in Oakland, Calif. He was 77.
The cause was complication of diabetes, his studio assistant, Jeanette Bokhour, said.
At the University of Wisconsin in the early 1960s, Mr. Lipofsky was a student of Harvey K. Littleton, a ceramist who created the first glassblowing classes in the United States. "He asked me if I was interested in glass, and I said, well, I’ve never heard of it," Mr. Lipofsky recalled in an interview at the Oakland Museum of California, describing his first day in Mr. Littleton’s ceramics class.
After experimenting with the medium, Mr. Littleton set up glass programs at the University of California, Berkeley, and at the California College of Arts and Crafts in Oakland (now the California College of the Arts).
In his own practice, he worked glass into small-scale biomorphic shapes with a dazzling array of surface textures produced by cutting, grinding, sandblasting, acid-washing or flocking — an idea that came to him when he saw a hot rod with a peach-fuzz exterior at an auto show.
Marvin was especially important in working with blown glass in a sculptural way, said Tina Oldknow, the recently retired senior curator of modern and contemporary glass at the Corning Museum of Glass. He stretched it, he ripped it apart, he hot-worked it — he did whatever he could to make it not a container but at the same time retain the characteristics of blown glass.
Marvin Bentley Lipofsky was born on Sept. 1, 1938, in Elgin, Ill., and grew up in nearby Barrington, a Chicago suburb where his family owned the local department store. After earning a degree in industrial design from the University of Illinois in 1962, he pursued graduate studies at Wisconsin, concentrating on ceramics and metal sculpture as well as glassblowing.
Almost immediately after receiving his master’s degree in fine art in 1964, he was asked to join the decorative arts department at Berkeley and create a glassblowing program. He taught at Berkeley and in 1967 also began teaching part-time at the California College of Arts and Crafts, where he became a full-time teacher in 1972 and remained until 1987.
In 1967 he started the Great California Glass Symposium, an annual event that he organized for the next 19 years. In the 1970s he also helped found the Glass Art Society and the Glass Art Society Journal.
In the late 1960s and early 1970s Mr. Lipofsky explored his new medium restlessly, applying decals to glass, painting the surface and creating opacity with fuming metal salts.
In the California Loop Series, which he began in 1969, he stretched glass into thin necklike shapes that ended in bulbous pods, often with rayon flocking applied to impart a matte finish. He then turned out hamburgers and hot dogs in his Great American Food Series (1973).
Often he traveled to foreign glassworks, working with local artisans to produce an initial form that he completed at his studio in the United States. The brilliant colors used by Gianni Toso at the Venini Glass Factory in Murano, Italy, for example, inspired his Venini series (1972-1978), delicate, dimpled doorknob forms with wavy horizontal stripes.
Mr. Lipofsky returned many many times to the Crystalex-Hantich glass factory in Novy Bor, in what is now the Czech Republic, to make the complex seashell forms of his Crystalex-Hantich series and his IGS series, named after the annual International Glass Symposium held in Novy Bor.
He was the subject of a retrospective exhibition, Marvin Lipofsky: A Glass Odyssey, at the Oakland Museum of California in 2003.
Mr. Lipofsky, who lived in Berkeley, was twice married and divorced. He is survived by a daughter, Lisa Valenzuela; a sister, Barbara Marsh; and two grandchildren.
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Auction Information
Name | 5th Annual Montana Big Chief Auction - Day 3 |
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Auctioneer |
Davis Brothers Auction
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Type | Live Webcast Auction |
Date(s) | 9/22/2024 - 11/2/2024 |
Auction Date/Time Info |
Day 1 - October 31st, 9am MDT
Day 2 - November 1st, 9am MDT
Day 3 - November 2nd, 9am MDT
Day 4 - November 3rd, 9am MST
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Preview Date/Time | To arrange a private viewing please contact Davis Brothers Auction. |
Checkout Date/Time | Local pickup begins the first Tuesday following auction weekend. |
Location |
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Buyer Premium | 25% Online Buyer's Premium |
Description |
Day 3: The Big Chief Main Event
Featuring Art by the Following Artists
Albert Bierstadt, Fairfield Porter, Jaune Quick-To-See Smith, Maynard Dixon, Edward Willis Redfield, Ralph Albert Blakelock, Mark Eberhard, Andrew Dasburg, Charles M. Russell, Rubert Clunie, Peter Voulkos, Len Chmiel, Thomas Hill, John Fery, Clyde Forsythe, Martyn Richardson, Ralph Pallen Coleman, Logan Maxwell Hagege, Val Paul Taylor, Nicholas Richard Brewer, Rachel Harvey, Bob Scriver, Francis de Erdely, Cassilly Adams, Jack Roberts, Tim Shinabarger, Richard Greeves, Daro Flood, Jay Contway, and Will Rogers
Native American Indian Art Pottery and Beadwork, Fine Jewelry, Bisti Trading Post Navajo Rug, Kwakiutl Raven Mask, Artifacts from the Dick Flood Collection, Colorado National Forest Porcelain Sign, Inuit Snow Goggles, Antique Chinese Jade, Navajo Jewelry, Montana History, and So Much More
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Payment Terms |
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Local pickup begins the first Tuesday following auction weekend.
All firearms are shipped in house.