The vases showing hand-painted floral decorations, adorned with floral inspired bronze mounts, marked to the underside with a blue mark centered by a "D", and a blue dot below, measuring 16 1/2" h (including lid) x 7 1/2" w (including handles), base 4" x 4".

The small vase showing a hand-painted floral decoration, adorned with floral inspired bronze mounts, marked to the underside with a blue mark centered by a "D", and a blue dot below, measuring 5 1/2" h x 6" diameter.

Italy, mid 19th century, a classically inspired, carved giltwood mirror, the oval plate surmounted by a central cartouche showing a bust under an urn with wheat sprigs, a nice example, measuring, 49" h x 25" w.

Mid 20th century, a pair of gilt brass classically inspired two-light wall sconces with bellflower decorations, measuring 19" h x 9 1/2" w.

Early 20th century, a good kingwood Directoire style sideboard, with concave glass panels on both sides centered by a glass door, adorned with brass banding and inlaid decoration showing scrolling acanthus leaves and griffins, a fine example, measuring 36" h x 40" w x 14" d.

The finely cast bronze cupid, measuring 13" h x 7" w.

19th century, a carved giltwood mirror in the Louis XVI style, the rectangular plate adorned with acanthus leaves and foliage, measuring 28" h x 25" w.

Three-piece group of embossed sterling silver marked Tiffany & Co., to include a lidded dresser jar, a long neck bottle (7" h.), along with a nail buffer. Total weight of three items, 464 grams.

A very fine large Art Nouveau tapering green glass vase decorated with heavy silver overlay representing flowering lilies, monogrammed central cartouche "Caroline", likely Gorham, measuring 14" h x 4 1/2" w.

Three clear glass bottles with elaborate silver overlay, likely Alvin, larger bottle measuring, 12" h. Condition noted to clarity of the glass.

Untitled, trees - yellow leaves, oil on board, 8" h x 12 3/4" w.

Untitled, cherub, oil on canvas, inscribed "Carring” on canvas verso, 9 1/2" h x 7 3/4" w. Condition noted, pin hole, top right corner. There is a vertical tear, right side of the face, hence the black tape verso, and another condition below the left wing, hence the tape verso.

"Evening", oil on board, initialed lower right, artist name and titled verso, 7" h x 6 1/2" w.

France, late 19th century, the hexagonal shaped vase with hand-painted flower blossoms on pink ground and reticulated medallions, supported by gilt bronze mounts (minor verdigris), measuring 12 1/4" h x 12 3/4" w x 10 1/4" d.

Early 19th century, the stand in the Regency taste with front panels showing alternating strips of inlay, measuring 36" h x 17" w.

The light decorated with four porcelain flowers, stylized branches and ribbons, centered by a large bronze cherub, measuring 25" h x 19" w.

Early 20th century, the oval mirror surrounded by pink brocade, suspended in a frame ending with a patinated zinc ribbon, measuring, 35 1/2" h x 14" w. Condition noted, ribbon damaged.

France, early 19th century, a very good group of parcel gilt bronze and ormolu sculptures, each depicting a putto wistfully moving forward, instruments on their sash, stepping through scenes of gayety on the ormolu base, the sculptures are possibly by Auguste Moreau, measuring 17 1/2" h (to top of sculpture) x 8" w. Condition noted, now fitted for lamps.

Late 19th century, a fine pair of Louis XV style giltwood fauteuils, each with scrolling crest rails and acanthus leaf decoration, loss to upholstery, measuring 38" h x 23" w x 23" d.

A very good, elaborately carved gilt and gesso leaf and berry garland, centered by a finely caved bow and ribbon over a carved round frame, measuring 26" h x 49" w.

A group of fourteen various metal picture frames, largest measuring 9 1/2" h x 6 1/2" w.

The figure carrying a basket and flower wreath, excellent quality as you would expect from Meissen, minor loss, marked to underside, measuring 20 1/2" high.

France, a good silver plated standing mirror, the beveled oval plate encased in a finely decorated frame, surmounted by an armoral crest that reads “Victorieux de Tous Lous Hazar”, pertaining to the marriage of Bernard de Bonneval and Elisabeth de Quinsonas, 7 April 1904, the frame rests on a bow at the base, measuring 22" h x 17" w.

France, circa 1900, a very good bronze and enameled standing mirror, the dark green enamel surmounted by finely cast bronze decoration of garland, acanthus leaves and rosettes, measuring 20" h x 15" w.

One mirror with a heart-shaped brass and green enameled frame, the central window set with crystal stones (condition noted to enamel, 4 3/4" h x 3" w), along with a smaller Art Nouveau bronze frame (4" h x 2 1/4" w).

The large ornate mirror showing scrolling acanthus leaves, some loss to gilt, measuring 46" h x 54 1/2" w.

Hungary, the oval platter with dark orange flower and bow decoration, measuring 16" x 11".

The table with an inlaid top decorated with a seashell, painted bellflower decoration to the legs, base with X shaped stretcher, measuring 30 1/2" h x 27 1/2" w.

American Aesthetic Movement, two night tables (one slightly higher) by R.J. Horner & Co., in the faux bamboo style, with birdseye maple veneers, marble top and marble lined compartment, measuring 32 3/4" h x 14 1/2 w x 15" d.

American Aesthetic Movement, a very good bedroom low dresser by famed American furniture maker R.J. Horner & Co., the three-drawer dresser in faux bamboo style with birdseye maple veneer, measuring 31" h x 48" w x 22" d.

American Aesthetic Movement, the outstanding bedroom tall dresser with a swivel mirror by R.J. Horner & Co., the five-drawer dresser with a demi-gallery in the faux bamboo style, with birdseye maple veneer, measuring 74 1/2" h x 31" w x 18 1/2" d.

The head board in the R.J. Horner & Co. style, measuring 48" h x 58" w.

A bamboo and wood music stand along with an Aesthetic Movement bamboo and rattan magazine stand, magazine stand measuring 36" h x 15" w x 22 1/2" d.

The turned maple frame with aesthetic backrest, ball finials and hand-caned seat, measuring 36 1/2" h x 18 1/4" w x 17" d. Condition noted, frame reinforced with screws.

Continental, a finely executed carved oak architectural fragment showing an angel’s head flanked by wings over a large rose and leaves (minor loss to leaves), carved from a single piece of oak, measuring 12" h x 24" w.

Continental, a finely executed carved oak architectural panel showing five angels amongst stems of roses, carved from a single piece of oak, measuring 20" h x 15" w.

Japan, 19th century, Aesthetic Movement, two lacquered panels showing scenes of orchids and fauna (one with bird, the other with butterfly), made from natural material, set within their original bamboo frames, each signed and measuring 22" h x 15" w. Condition noted, loss to the panel with the bird and dislodging of carved blades of grass.

Untitled, lady with a basket of fruit, oil on canvas, signed lower right, 18" h x 12" w.

Untitled, lady with a bouquet of flowers, oil on canvas, signed lower right, 18" h x 12" w.

"Homewards", oil on canvas, signed and dated 1881 lower right, 13 1/2" h x 11 1/2 w. Walter Wallor Caffyn was born in England. He specialized in river scenes and harvesting landscapes. Caffyn exhibited at the Royal Academy for over twenty years from 1876 until the year before his death. He also exhibited at the Suffolk Street Galleries, the Royal Society of British Artists, and the Royal Institute of Oil Painters.

European school, likely English, portrait of a young girl, oil on canvas, unsigned, 11 1/4" h x 9 1/4" w.

Untitled, the cutler, oil on hand-hewn panel, signed and dated 1666 lower left, measuring 12" h x 10" w.

Tides Out, oil on canvas, monogrammed lower right, 9 1/2" h x 17 1/2" w. Myles Foster was born in England. Noticing his son's talent, his father secured an apprenticeship as an illustrator for "Punch" and the "Illustrated London News". Later on, Foster became an Associate of the Watercolour Society (later Royal Watercolour Society) in 1860. He exhibited some four-hundred of his paintings at the Royal Academy over more than two decades.

France, circa 1890, the good pair of small urns very finely cast and decorated, measuring, 7 3/4" h x 3" w. Condition noted, one urn requires straightening.

Norway, eleven David Andersen enameled sterling silver spoons, measuring 3 1/2" long. Condition noted to purple spoon (minor enamel loss backside).

The ink stand's boarders decorated with a twisted rope design, showing two Wedgwood Roman portrait busts on the plat, raised on shouldered bottle shaped feet, measuring 4" h x 9" w x 4 1/2" s.

19th century, the swiveling round mirror adorned with cornucopia, a maiden and floral elements, tightens in place as desired, 14" h x 4 1/2" w.

19th century, the candleholder now lamp with a gilt bronze cherub embracing two cornucopia candle holders, resting on a marble, measuring 26" h (to finial) x 9" w.

The kingwood desk adorned with hand-painted swags and flowers, the oval top fitted with a leather insert, fronting a raised gallery over four drawers, measuring 37" h x 28" w x 42" d. Condition noted to veneer, losses.

France, pull a pin and the glass plateau’s pivot within a bracket and lock in place to provide a flat surface to support the porcelain of your choice. Beautifully cast and very elegant, measuring 36 1/2" h x 23". Condition noted, lower plate is cracked.

France, the kingwood vitrine with a large single-glass door fitted to a well shaped top, the interior with two glass shelves, the exceptional veneers decorated with cast bronze classical motifs of acanthus leaves, roundels and floral accruement, all over an equally embellished base, showing cross band and herring bone inlays, retracting rolling doors, resting on beautiful Louis XIV style cast bronze feet, measuring 73" h x 35" w x 15" d. Condition noted to fabric, minor inlay loss front-bottom.

Possibly American, circa 1710, the remarkable open armchairs with front legs showing carved knees and claw feet, the front rail with a central carved element, the elegant rear legs terminating in the form of a hoof, the walnut frames showing classic elements of early hand-made construction. The wear and patina beautifully consistent with their age. Measuring, 40 3/4" h x 26" w x 27 1/2" d. Provenance: purchased in New York City.

Untitled, Cliffs of Dover, oil on canvas, signed lower left, measuring 10 3/4" h x 19 1/4" w.

Untitled, bucolic life, oil on canvas, unsigned, early 19th century, 20" h x 14" w.

France, the octagonal kingwood table top opens to reveal a storage area, tapering legs, measuring 28" h x 13" w x 19 1/4" d.

Circa 1900, the inkwell in the form of a hen with four chicks in front of a stylized box, the chicks form a quill rest, measuring 2 1/8" h x 4" w x 2 1/2" d.

A brass harlequin sculpture (6" h. with a black marble base), indistinctly signed, along with two small brass busts.

A girl holding a book by A. Julius Paul Schmidt-Felling (1835-1920), and a boy holding an umbrella by Richard W. Lange (1879-1944). Both with a marble base and signed, girl measuring, 5 1/4" h x 1 3/4" w x 1 3/4 d.

"RinTinTin", chryselephantine bronze sculpture on a stone base, measuring 6 1/4" h x 2" w.

To include, a lidded urn (on right, 5 1/4" h), a bronze mounted ewer, and a small vase with touch marks underside, all showing scenes of classical life.

19th century, the fuel lid stamped 553, raised on a large talon, measuring 9 1/4" h x 6" w.

The bust of "The Diane", the Goddess of wildlife and hunting, signed and dated 1930 in the bronze, raised on a green marble plinth, measuring 9 1/2" h x 2 1/2" w.

The kingwood table with hand-painted floral motifs and a central portrait of a maiden, measuring 28" h x 27 1/2" w x 15 1/2" d.

The small two-light lamps with white glass shades and brass eagle finials, measuring 15 1/2" h x 7" w. Condition noted, three shades are repaired.

Untitled, having a nap, oil on board, signed (P. Vedensa?) and dated 1923 upper left, measuring 5 3/4" h x 9" w.

France, 19th century, the blue ground showing panels of dark red colour, hand-painted with a fairy, cherubs and flowers, the base and neck cast from zinc (base and neck lacking original finish), measuring 14 1/2" high.

France, the neo-classical oval shaped, footed jardinière, decorated with applied motifs of antiquity, measuring 4" h x 11 1/4" w x 8 1/4" d.

France, the covered dish in overall gadrooned decoration showing the Napoleonic bee as a finial, measuring 4" h x 5 1/4" diameter.

France, late 19th century, the hand-painted panels (craquelures) of Napoléon Bonaparte and Marie-Louise of Austria, Napoléon’s second wife (1810-1814), on a green ground, the other sides showing painted eagles, looking at each other, and surmounted by a crown, both vases signed lower right by Sèvres artist Claire Maglin Rochette, measuring 16" high.

Late 18th century, a well executed large portrait of an unknown English gentleman, unsigned, 29 1/2" h x 21 1/2" w.

France, one vase with an enameled central floral field on yellow ground, scrolling handles, stamped FRANCE at the base, a second vase with griffin handles and hand-painted "scène romantique" of maiden and cherub (signed), the third vase with a hand-painted maiden holding flowers (signed). The larger two vases stamped L. Henry (lacking lids). Largest measuring, 13 1/2" high.

Each plate decorated with various fruits and berries, marked AK FRANCE to underside, measuring 8 1/4" diameter.

France, early 20th century, the small kingwood writing desk with a slide-out plateau over one frieze drawer, seven small drawers and banded decoration, measuring 39 1/4" h x 34 1/4" w x 19 1/4" d.

France, the small plinth fitted with gilt bronze mounts, measuring 7 1/4" h x 3 3/8" w x 3 3/8" d.

To include, Napoléon Bonaparte (N.B.), the son of N.B. (1st Duke of Reichstadt), Marie Antoinette (signed R. Petit), Empress Joséphine (signed Riga), along with three other related portraits, the largest measuring 4 3/4" h x 3” w.

A French kingwood vitrine, measuring 30" h x 26" w x 14" d.

The large shaped love seat fitted with two large down-filled seat cushions, upholstered in a light moss green velour, measuring 29" h x 72" w x 34" d.

Circa 1820, the two side chairs with an overall floral decoration, signed T.J. Heydanus. Condition noted, bracing and repairs to legs, measuring 34 3/4" h x 18" w x 17” d, height of legs to cushion base 18”.

A reticulated silver bowl with stamped marks for renown New York silver retailer, John Mason, and silver marks for Gorham, with blank cartouches, measuring 3 1/4" h x 7 1/2" w x 5 3/4" d, weight 246 grams. John Mason was an ex-employee of Tiffany's in the late 19th century. He ventured out on his own and invested heavily, in an attempt to upend his old employer, even hiring seasoned Tiffany & Co. employees. The whole venture ended within two years, in 1892.

Both Art Nouveau sterling dishes showing an embossed floral pattern, stamped marks for Gorham, measuring 1 1/4" h x 7" w x 5 1/2" d. Total weight, 200 grams.

The large sterling bowl with applied floral decoration, resting on a decorated square base, stamped marks for Birks Sterling, measuring 5 1/2" x 9 3/4", total weight 695 grams.

The bowl decorated with a flower and shell boarder, monogrammed, impressed marks for 1891-1902, measuring 3" h x 8 1/2" w, total weight 573 grams.

The mounted stand showing three large mother of pearl shells supported by an exceptionally well cast ormolu frame, the central figural handle that of a nobleman, the flora inspired frame resting on scaled feet, measuring 14 1/2" h x 19" w.

Germany, mid 19th century, the Meissen porcelain figure of a putto striking a match, painted and inscribed marked to the base, measuring 6 1/4" h x 4" w. Condition noted, professional repair to left hand.

Germany, 18th century, the Meissen figure of a barefoot maiden carrying a basket of flowers, painted mark for 1774 underside, measuring 5 3/4" h x 2 1/2" w.

Germany, the porcelain figure of a putto holding a sheaf of wheat, blue septre mark and incised initials "C.W.", measuring 6 1/4" h x 2 1/2" w.

England, the porcelain figure of a young boy holding a basket of flowers, painted gold Chelsea mark for 1756-1769, height 5 1/4".

Germany, circa 1860, the porcelain figure of a young man in a pale blue waist coat standing over an empty basket, blue scepter mark along with KPM and orb, measuring 8 1/2" high.

19th century, the porcelain figures of two cherubs along with a girl wearing a yellow apron, tallest measuring, 3 3/4" h. Condition noted, professional repair to his hat and sword, and to the her wings.

A porcelain figure of a male Greek athlete (5 1/2" h x 4 1/4" w), marked at base, and the other of a bacchanal inspired Goddess (6" h x 2 1/2" w), draped in a leopard skin, with partial mark.

Germany, 19th century, the small cherub holding a crown of flowers, "Je les couronne.” (I crown them), painted marks and inscribed initials "F.E.148", measuring 5 1/2" high.

19th century, two putti, one offering a wreath of flowers to the other, painted mark and inscribed numbers, condition noted, left leg (right putto) professionally repaired.

19th century, to include a young figure carrying a bundle on her head (5 1/2" h), along with a harpist (restored).

France, circa 1900, the ormolu rim mounted vase of tapered form showing a female figure wearing a headband and lavaliere necklace in front of a colourful landscape, measuring 5 1/4" h x 3" w.

France, circa 1900, attributed to Alphonse Mucha (1860-1939), showing a striking central portrait of an Art Nouveau lady with flowers in her hair, the body decorated with flowers and dragonflies on a green ground, measuring 6 3/4" h x 3 1/4" w.

France, circa 1900, the bottle-shaped ormolu mounted vase showing a maiden with hibiscus in her hair and a striking green necklace, the vase decorated with a bucolic landscape, indistinctly signed, measuring, 6 3/4" h x 3" w.

France, late 19th century, each vase with a maiden in period attire, two vases are signed, all with ormolu mounts, largest measuring 4 1/2" high.

France, circa 1890, the enameled portrait footed vase showing a harpist sitting on a tree branch, measuring 5 1/2" high.

France, 19th century, the guilloché pear-shaped vase showing a well hand-painted panel of a lady wearing a red dress, white guilloché ground and the base reminiscent of blue lace, appears to be signed "Lory", measuring 4 3/4" high.

French, circa 1900, one vase of a lady in a striking green and blue dress, the other of a young girl holding roses, both bronze mounted, measuring 4 3/4" h. Condition noted, minor repairs and crazing.

One vase showing a goddess-like figure raising a cup, standing on a rocky outcrop (small dent, drilled for a lamp, 9 3/4" high), the other showing a woman looking in a mirror, surrounded by flowers.

France, circa 1890, the vase with an aubergine coloured ground, decorated with a lady wearing a yellow 19th century dress, measuring 6 3/4" high.

Circa 1880, the smallest vase showing a lady wearing a carnival mask and hat, the other of a dandy wearing a green waist coat (5" high), with scrolling gilt details on cobalt blue ground.

Each Meissen plate with a floral central design and a foliate design boarder, underglazed 19th century blue marks underside, measuring 8 3/8" diameter.

England, circa 1860, him and her, Derby mark for Stevenson Hancock, measuring 7" high.

The vase with a dark blue ground and heavy gilt decoration, the central panel with a painted bouquet of flowers, signed by F.A. Mathis, measuring 10" high. Condition noted, hairline to upper rim.

England, circa 1875, the plates in the floral imari palette, signed Coalport AD 1750, measuring 10 3/8" diameter.

Early 20th century, the carved backrest showing a hand-painted panel of three dancing maidens, measuring 28 1/2" h x 19" w x 32" d. Condition noted, fabric worn.

The expanding book holder showing scrolling flora, stamped Landers Mfg Co., Ontario, 4" w (closed), 11" w(extended).

A rare 18th century polychrome carving of a putto, likely Spanish, kneeling and holding a torch, now converted to a lamp, measuring 16" to top of torch x 6 1/2" w x 7" d. Condition noted, loss to paint, craquelure, holes.

"Romance" pattern, to include, a lidded pear-shaped soup tureen (10" dia.), six soup bowls (2 lacking lids).

France, the table showing a figured mahogany top with banded decoration, tapering legs resting on brass casters, measuring 28 1/2" x 29" w x 38" d (extended), 22" d (closed).

The three-light sconces with hung drops, measuring 16 1/2" h x 11 3/4" w x 8 1/2" w.

The impressive nine-branch gilt bronze chandelier with cut drops, measuring 39" h x 24" w.

France, circa 1850, the embossed foliate decoration supporting two cut-glass shaped plates, an over-the-top necessity for your next dinner party, measuring 16" h x 11" w.

France, circa 1830, the Empire period two-branch candelabra resting on a square base with lion paw feet, the columns in the form of gilded caryatids, measuring 10" h x 3 1/4" w. Condition noted, one branch slightly bent.

"Russian Farmer", the underside showing a blue scepter, underglazed KPM and orb along with impressed marks, measuring 11 1/4" h. Condition noted, professional touch-up to top of wheat bundle.

Russian man, the porcelain figure holding a turban decorated with plumes and jewels, blue scepter mark, underglazed KPM and orb along with impressed marks, repair to one finger (right hand), measuring 11 1/2" high.

Late 19th - early 20th century, the ormolu mounted vases delicately painted grounds showing scenes of celestial life with cupids and cherubs, signed Lesueur. The ormolu mounts in the figure of pan playing the trumpet. The vases resting on spire mounts allowing for rotation. Blue interlaced mark with an S. Measuring, 25 1/2" h x 9 1/2" w. Condition noted, one lid repaired.

19th century, the kingwood buffet with a front central door under a single curved frieze drawer, the door showing a painted panel of a shepherdess with her flock, beautiful figuring and banded decoration, a fine example, measuring 40 3/4" h x 18 1/2" w x 48 3/4" d.

The chairs with caned seats and back supports, curvilinear arm supports and sabre legs, measuring 33" h x 20 1/2" w 18" d. Condition noted, one seat requires attention.

To include, two Adam style mid-19th century open armchairs with caned seat, a central painted panel and surrounded by decorations of ribbons and flowers, along with a similar side chair of similar taste, measuring 36" h x 20" w x 21" d.

To include, two 19th century open armchairs with a central painted swags centered by a painted portrait, caned seats and back, plus four later but similar (dining) chairs with painted classical decorations and caned seats, along with another similar smaller chair with a pad seat. Open armchairs measuring 38" h x 17 1/2" w x 21" d. Condition noted to seat of one chair.

Sheffield, England, set for twelve, showing well chased steel set in natural material handles, along with an associated set of serving pieces. This lot can not be shipped outside of Canada.

A nicely chased fruit set for twelve retailed by W.B. Pidduck Silversmiths, Manchester, fitted with natural material handles in a fitted box. This lot can not be shipped outside of Canada.

France, 19th century, to include, three candleholders, one with an onyx base, the other in the Art Nouveau taste, a candlestick with a marble base, a small mirror with a beveled plate, along with a small tea glass and receiver. Largest piece (candlestick), 7 1/4" h x 4" w.

A hand-made filigree dome ring in platinum weighing 12.1 grams. The ring is claw-set with thirty-three round European cut diamonds, weighing approximately as follows: 1 x 0.35ct; 2 x 0.12ct; 22 x 0.05ct and 8 x 0.025ct of "SI2 - I1" clarity and "G-J" colour, ring size 7.5.

Attributed to Christopher Dresser (1834-1904), the three-piece silver-plated decorated in the Japanese taste - Aesthetic Movement - with a registration underside no. 85275 (teapot), date for 1889, teapot measuring 2 3/4" h x 6 1/2 h.

France, early 19th century, the lidded boxes in the style of Ferdinand Barbedienne with four handles, the central bronze vessel with a gilt interior, raised on four three-toed pad feet, affixed to an onyx base. The champlevé work is very fine, measuring 8" h x 8" w, condition noted to lids.

19th century, the knopped candlesticks set within an onyx base, 6 3/4" h x 4 1/4" w.

France, circa 1810, an exceptional set of gilt and patinated bronze candelabra in the Louis XVI style, depicting Bacchus and a "bacchante", each resting on white marble bases, both signed “Clodion” to the back of the bronze, measuring 18 3/4" h x 13" w. Michel Claude Clodion was born in Nancy, France. In 1759, he won the grand prize for sculpture at the Académie Royale. In 1761, he earned the 1st silver medal for studies from models. In 1762, he went to Rome, where his activity was considerable between 1767 and 1771.

Circa 1825, a very good pair of Empire period gilt and patinated bronze candelabra, the seated putto resting on raised marble columns, decorated with gilt swag and banding, supported by highly decorated gilt bronze circular feet, apparently unsigned, measuring 22" h x 5 1/2" w.

The handled vases in the Portland taste, well executed and signed underside S.A. & Co no. 3/7018, measuring 10 1/4" h x 5" w.

France, 19th century, the elaborate gilt bronze champlevé candelabra with sword-like finials, measuring 12" h x 8 1/2" w.

The two-arm candle stand now lamp with a rocaille style base and adjustable fabric shade, measuring 16" h x 9" w.

The small bleu céleste body decorated with a repeating gilt flower pattern accentuated with red and white enamel highlights, the two well-painted panels show bucolic scenes from the 18th century, measuring 5" h x 7" w. Condition noted to lid.

The four cabinet vases dating from 1888 to early 20th century, along with an Imari pattern example (on left), the urn measuring 5" high. Condition noted, one vase lacking lid.

The pink ground vase showing a dense gilt central field accentuated with blue enamel dots and a central painted panel, measuring 8" h x 3 1/2" w.

A small graduated cultivated AKOYA pearl necklace, drops to 7 1/2" (closed).

Each stamped 375 (9K) along with three gold buttons set with pearls stamped 585 (14K), total weight 28.7 grams.

The Fortis automatic wrist watch with twenty-one jewels, with a rare alarm feature, stainless steel back, no. 84004-6021, made in Germany flex bracelet, in running order at time of catalogue. Condition noted, abrasions, scuffing to bezel.

A carved coral Buddha set within a 22K yellow gold pendant frame, stamped 22K, total weight 22.94 grams.

The mid-century modern breakfast table with four matching moulded period chairs, purchased (new) in New York, 1965, measuring 28 1/2" h x 37" w x 37" d.

The small white-face mantle clock painted with enameled decoration on three sides and champlevé on the backside, measuring 10" h x 5 1/4" w x 3 1/4" d. Requires servicing.

France, the table with one frieze drawer and turned legs.

France, 19th century, painting on porcelain of Madame Juliette Récamier (1777-1849), a Paris socialite, after François Gérard, housed in gilded frame with a brocade background, measuring 3 1/2" h x 2 3/4" w.

The double-strand necklace with varying sizes of graduated cultured AKOYA pearls, fitted with a 14K white gold clasp. Drops to, 9 1/2" long (closed).

The 14K (tested) yellow gold ring set with six emeralds and six diamonds centered by a lustrous pearl, along with a pair of pearl earrings fitted to 10K screw backs, ring weight only 3.92 grams.

Each earring set with a round emerald measuring approx. 2.7mm diameter of bright yellowish green colour and moderate natural inclusions, the earrings are not stamped but test for 14K. Appraisal on hand.

A good long strand of freshwater pearls (shades of pink), drops to 18 1/2" (closed), total weight 92 grams.

19th century, miniature paintings on natural material. Louis XVI King of France (1754 -1793), signed. Madame Élisabeth (Élisabeth Philippe Marie Hélène of France (1764-1794). "Dandy with a cane", possibly Napoléon II, Duke of Reichstadt (1811 – 1832), and a portrait of a young lady (possibly Marianna Marchesa Florenzi after Karl Joseph Stieler), signed. All measuring 3 1/4" x 2 5/8".

19th century, to include five oval and one round shaped portraits (ranging from 1 7/8" x 1 5/8", to 3 1/4" x 2 1/2"), all signed, in wooden or bronze gilded frames, along with unsigned pencil on paper of a young lady (5" x 3 5/8").

A pierced pedestal small dish (2 1/2" x 5 1/4") and a sterling silver tea bag holder (5 1/2" x 2 3/8" dia.), total weight 175.7 grams.

To include, three small serving ladles, one miniature porringer by Rogers, Lunt & Bowlen, one tea caddy spoon, one nut dish, one wine funnel. All marked with sterling hallmarks. Total weight, 267 grams.

To include, a large soup ladle (313 grams, marked with head of dog looking right in a triangle), an Imperial Russian tea strainer (engraved date 1905, marked I?? for silversmith Iona Zinovievich Manilov, assay hallmark AC for Anton Solodilov, Kostroma region, 1899-1905, 21 grams), an Italian powder compact (3 1/8" x 3 1/8", marked 800 & Firenze master's mark, 122 grams with mirror), a Danish sterling cheese slicer (9 5/8" long), two British dessert knives with engraved blades and mother of pearl handles.

Marshall Field & Co. sterling silver pair of salt and pepper shakers (222 grams, approx. 4 1/2" high), along with a cut-glass and sterling silver muffineer, 7 1/2" high.

By London maker William Hutton & Sons Ltd., dated 1909-1910, consisting of a kettle on stand (14" h.), a coffee pot (8 1/2" h.), an open sugar bowl and creamer. Total weight 2,786 grams.

Germany, marks for Georg Roth & Co. (Hanauer Silberwaren-Manufaktur), measuring 5 1/2" long x 4" wide, total weight 61 grams.

"The Recital", originally painted in 1915, Opera Diva Maria Jeritza and Composer Alfred Grünfeld, oil on canvas, unsigned, measuring 47 1/2" h x 31 1/4" w.

One cultured pearl necklace set with a 14K yellow gold clasp with four princess-cut diamonds, drops to 8" (closed).

One 18K gold (tested) two-tone (white & yellow) link bracelet, weight 25.53 grams.

One 14K yellow gold (tested) modernistic ring set with one central diamond, total weight 12 grams. Size, 6.5.

The pair of freshwater pearl earrings set in 14K white gold screw backs, marked, total weight 5.19 grams.

France, 19th century, the demi-lune table in the Louis XVI style painted with a band of cornucopia under a central panel of cherubs, along with a complimentary mirror in the Louis XV taste showing a painted central panel signed DE SALDO, table measuring 34 1/2" h x 40" w x 13" d, mirror measuring 51" h x 27" w.

A small hanging cabinet in walnut with two glass doors, working lock and blue velvet interior, decorated with floral insertions, measuring 24" h x 24" w x 8" d.

A large vintage wool rug, measuring 10'10" x 7'7". This rug may have wear and tear, imperfections, commensurate with age. Any condition stated is only an opinion and should not be treated as a statement of fact. Please request high resolution photos by email if required.

A Turkish kazak rug, measuring 6'6" x 3'6". This rug may have wear and tear, imperfections, commensurate with age. Any condition stated is only an opinion and should not be treated as a statement of fact. Please request high resolution photos by email if required.

A wool rug, measuring 6'5" x 4'6". This rug may have wear and tear, imperfections, commensurate with age. Any condition stated is only an opinion and should not be treated as a statement of fact. Please request high resolution photos by email if required.

The pair of gilded brass two-arm sconces, measuring 18 1/2" h x 10 1/2" w.

The eight very good bell-shaped wine glasses with faceted bowls decorated with thick gold encrusted rims in the Art Deco style, measuring 8" h x 3 3/8" diameter.

A single strand of Akoya pearls, drops to 14 1/2" (closed), total weight 65.5 grams.

One 14K yellow gold ring set with one man-made cushion-cut sapphire measuring 10.33mm x 9.22mm, surrounded by sixteen round-cut diamonds measuring approx. 2.35mm-2.5 mm, and weighing approx. 0.80ct in total of "SI-I" clarity and "G-K" colour, embellished with blue French enamel, stamped 14K, weight 9.1 grams.

The modernistic style ring in 14K yellow & white gold with two diamonds, one measuring approx. 0.52ct, "VS2" clarity, "G" colour, and the other diamond measuring approx. 4.9mm (dia.), for an estimated weight of .50ct, "VS1" clarity, "F" colour, both bezel set in 14K white gold. One square step cut ruby measuring approx. 4.7mm x 4.7mm, excellent colour and good clarity, bezel set in 14K yellow gold, set in an open forged circle design on 5mm wide sheet shank, ring size 8.5, approx. weight 7.86 grams.

The modernistic pendant in the form of two ribbons, stamped 14K, weighing 7.22 grams.

One 14K yellow gold necklace, stamped 14K, weight 11.15 grams.

The British hallmarked 18K gold ring showing marks for Sheffield and date mark 1926, set with two diamonds and three emeralds, total weight 2.75 grams. Size, 5.5.

A partial set of gold encrusted stemware, consisting of four sherbets (3 3/4" dia.), six champagne glasses (6 3/4" dia.), six wine glasses (5 1/4" dia.), six tumblers (4" dia.), and another four tumblers (4 3/8" dia.).

A partial set of gold encrusted stemware, consisting of ten cordials (4 5/8" dia.), nine Tiffin Franciscan Minton tumblers (3 3/4" dia.), another four tumbler glasses (3 3/4" dia.), nine small tumblers (3 1/2" dia.), five Tiffin Franciscan low sherbets (3 3/8" h x 3 7/8" dia.), and one wine goblet (6 5/8" dia.).

A partial set of gold encrusted stemware, to include eight juice-water glasses (5" dia.), two flat tumblers (4 3/4" dia.), two quatrefoil double-knopped Lobmeyr style liqueurs (6 1/8" dia), seven monogrammed wine glasses, and two cordials (4 1/4" dia.).

A partial set of gold encrusted stemware, to include eleven cordials (3 5/8" dia.), three wine glasses (4 3/8" dia.), ten tumblers (3 3/4" dia.), six knopped goblets (4 5/8" dia.), five Tiffin Franciscan juice/water glasses (5 1/8" dia), and five red wine glasses (7 3/4" dia.).

A group of gold encrusted glass serving tableware, to include a footed fruit bowl with hand-painted flower bouquets at the rim (5 1/4" x 8 3/4" dia.), a round bowl (2 1/8" h x 7 7/8" dia.), a pink glass etched handled serving tray (3 1/2" x 10 1/4" x 8 1/2"), one Glastonbury Lotus creamer (2 3/4" h.) and similar sugar (4 1/4" dia.), eighteen gold rimmed plates (8" dia.), a large plate (9 3/4" dia.), a gravy boat with ladle (3 1/4" dia.), a large pitcher with engraved floral decoration (9 1/4" h.), one tumbler and one champagne ( 5 3/4" h).

To include, one silver dresser box (marked 935), and three brass round boxes, all in red guilloché, two with painted lady portraits, largest measuring 2" h x 3 1/8" diameter, along with a fine blue guilloché lipstick holder, 2 5/8" long.

The miniature portrait of a dame resting in a square gilt brass frame with red guilloché ground, measuring 7 3/4" h.

The bracelet with mostly 9K gold charms, one charm is gold filled, total weight 37.6 grams.

Fitted with a 14K yellow gold clasp, decorated with seven seed opals (one missing), and one central pearl, total length 24".

A partial set of BIRKS STERLING flatware, in the "New King" pattern, consisting of two serving spoons, eight dinner forks, seven dinner knives, eight dessert forks, sixteen luncheon knives, six teaspoons, twelve coffee spoons, four cream spoons, seven seafood forks, six butter spreaders, one butter knife, one small sugar tong, one large fish knife, one cake knife, one serving knife, two-piece carving set, and one pair of sterling grape shears (not Birks, marked sterling), 84 pieces total. Total weighable 2,043 grams.

A partial set of Minton white and gilt porcelain for Harrods Ltd. London, number H5064, to include fifteens soup plates (8 7/8" dia), fifteen dinner plates (10 5/8" dia.), fifteen luncheon plates (7 5/8" dia.), fifteen bread plates (6 1/4" dia.), twelve cups, fifteen saucers, fifteen fruit nappies (5 1/4" dia.), fifteen butter pats (3 1/8" dia.), teapot (8" h), coffee pot (9 1/2" h.), covered handled sugar (4 1/2" h), cream (4" h, chip to bottom rim), three open veggie bowls (2 3/8" h x 10 1/4" w x 7 3/4" d), four oval serving (graduated) platter (largest 16 3/4" x 13 1/2"), two round serving platters (largest 14 1/2" dia.), four crescent-shaped plates (8 1/2" x 4 3/4"), two sandwich serving plates (9 3/4" dia.).

The fourteen-piece ensemble of Tiffany & Co. sterling serving flatware in the "Richelieu" pattern, each with gold plated ends or handles. To include a salad serving set, two flat lifters, two sauce spoons, a fish lifter, two large serving spoons, two large serving forks, a pair of sugar tongs along with a two-piece carving set. All stamped “Tiffany & Co., Sterling, Pat 1X92.T.” All in very good condition, minor micro-scratches. Total weight 979 grams.

"Bagpipe player", 1759, (lacking drone), and "Young Woman", both with impressed marks, both measuring approx. 6 1/2" high.

The small vase with gilt metal mounts showing garden scenes with playful cherubs, topped with a gilt acorn finial, impressed mark under lid, measuring 7" high.

A round gilded brass dresser box with a mounted medallion showing a hand-painted portrait of a young lady on a red guilloché background, (signed, 1 1/2" h x 4 1/2" dia.), along with an oval gilded brass box with a mounted medallion showing a hand-painted portrait of a lady, (1 3/8" h x 3 1/2" w x 2 3/8" dia.).

The wooden cabinet showing one large front door and a Sienna marble top, brass hardware, measuring 18 1/4" h x 12" w x 7 3/4" d.

The light fixture with a lighting dome shade supporting three arms with frosted glass lamp shades in the form of roses, all suspended with twisted rope-style supports, measuring 39 1/2" h x 14 1/4" w (dome only). Each rose-branch extending to approx. 8" (outward).

The large rectangular bench with carved elbows showing flowers and acanthus, measuring 19" h x 33" w x 18" d.

France, 19th century, brass and glass chandelier decorated with cherubs and floral motifs, set with eight frosted glass lamp shades, measuring 22 1/4" h x 24" w.

The ring set with thirteen round-cut diamonds of the following approximate weights: 1 x 0.25ct; 2 x 0.18ct; 2 x 0.12ct and 8 x 0.03ct of "SI1-I1" clarity and "G-J" colour, also set with two triangular cut sapphires measuring approx. 3mm x 3mm x 3mm. The diamonds are a mixture of old brilliant cuts and modern brilliant cuts, as they were replacing lost stones. (Appraisal November 2023). Size 8, weighing 5.6 grams.

The antique bijouterie of shaped outline, having hinged lid with a beveled edge glass and original working lock, interior with crushed red velvet, supported by four cabriole legs, brass decoration around the five windows, elbows and sabots, measuring 30" h x 21 1/2" w.

The plinth or pedestal with a plateau resting on a Corinthian style column, decorated with acanthus at the base resting on lion's paw feet, measuring 49" high (base 18 1/4" x 18 1/4").

Continental, 18th century, the antique oak hanging corner cabinet with some later components, measuring 44 1/2" h x 30" w x 15 1/2".

Sixty-four-piece partial set of Wallace Sterling silver cutlery in the “Rosepoint” pattern, to include, twelve dinner forks, twelve dessert forks, twelve dessert spoons, twelve tea spoons, ten dinner knives, two ladles, one serving spoon, one cake lifter, one carving knife and one cheese knife, all stamped Wallace sterling, weighable silver 1,619 grams.

Mid 20th century, the ceramic fish bowl or planter with polychrome painted fauna and flora decoration, wooden stand, pseudo Qing Dynasty (Guangxu Nian Zhi) mark underside, 12 3/8" h x 14 1/4" diameter.

Two antique celadon glazed porcelain planters or jardinières showing raised polychrome foliate motifs, round (9 1/4" h x 11 3/8" dia.), the other of hexagonal shape (10 1/4" h x 12 1/2" dia.).

French, a gilt metal hand-mirror decorated with a miniature portrait of a young lady and red guilloché enamel inserts (11 1/2" h x 4 3/4" w), along with a gilt metal "parfumerie" supporting two cut-glass perfume bottles, the stand with floral motifs, hand-painted details and semi-precious stones, measuring approx. 6 3/4" h x 6" w x 3 1/2" d.

The well-painted portraits, to include, the Princess Victoria of Saxe-Coburg & Gotha, Duchesse of Nemours, along with her husband Prince Louis of Orléans, Duke of Nemours, signed O. Lovagny, measuring 5 1/8" h x 3 3/4" w at sight, mounted in brass-wooden frames.