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Lot 2: QUEBECOIS ARTIST BERNARD TRAHAN "BLUE LADY" 1994 24'' X 28.5'' ACRYLIC ON BOARD EARLY WORK FROM MONTREAL ARTIST/SCULPTOR BERNARD TRAHAN SIGNED: TRAHAN 94' LINKS TO OTHER WORKS: https://www.gallea.ca/en/artists/btrahan/artwork/48965 https://www.bruisesgallery.com/bernard-trahan

Lot 3: Henry Purdy Lily 27'' X 31'' Henry C. Purdy (b. 1937), born in Nova Scotia, is a professional visual artist who has been working on Prince Edward Island for more than 50 years. He was elected into the Royal Canadian Academy of Arts in 1978. He was awarded the Royal Society of Arts Medal in 1981 for his contribution to the Fine Arts in the Atlantic region. Purdy is a past member of the Canada Council. He has served on the Board of the Canadian Conference of the Arts, as PEI’s representative. Purdy has served on the Board of the Confederation Centre of the Arts in Charlottetown. Purdy's Lady Slipper design for a $350.gold coin for the Royal Canadian Mint was selected and minted in 1999. Purdy has been granted numerous awards. Purdy was appointed as a Member of the Order of Canada in 2001. He was presented with the Queen’s Golden Jubilee Medal in 2002. He lives in Charlottetown, PEI, with his wife.

Lot 4: Georgie Read Barton Trees with Deer WORK 30'' X 24'' FRAME 36'' X 30'' Born on Prince Edward Island in 1902, Barton was to become one of the first women ever admitted into the Salmagundi Club, the oldest existing art club in the world. She was listed in the Who's Who in American Art, The World Who's Who of Women, and The Dictionary of International Biographies, and was winner of many awards including a citation from The American Artists Professional League "for effective action and sustained devotion in the cause of fine art.” Georgie Read attended Mount Allison University in Sackville, New Brunswick, from 1924 to 1927, coming back to the Island to teach at Edgehill School. In 1930, she set out for New York, where she studied at the Art Students League. She was Director of Art at the Ottawa Ladies College from 1932 to 1940 and later taught at St. Agnes School in Albany, New York. In 1942, at the age of 40, she married fellow painter George Barton and had a son. Georgie Read Barton spent many years in Westchester County, near the Hudson River in New York and was instrumental in the development of the Hudson Valley Art Association. On PEI, The Barton Art Club introduced many to the techniques of outdoor landscape painting. Barton painted into her nineties, often going back to the same location. Georgie Read Barton died on March 22, 1994.

Lot 5: Henry Purdy Feeder Gold 2003 Yellow Bird on Bird Feeder 42'' x 29'' WORK 24'' X 36'' FRAME 30'' X 42'' Henry C. Purdy (b. 1937), born in Nova Scotia, is a professional visual artist who has been working on Prince Edward Island for more than 50 years. He was elected into the Royal Canadian Academy of Arts in 1978. He was awarded the Royal Society of Arts Medal in 1981 for his contribution to the Fine Arts in the Atlantic region. Purdy is a past member of the Canada Council. He has served on the Board of the Canadian Conference of the Arts, as PEI’s representative. Purdy has served on the Board of the Confederation Centre of the Arts in Charlottetown. Purdy's Lady Slipper design for a $350.gold coin for the Royal Canadian Mint was selected and minted in 1999. Purdy has been granted numerous awards. Purdy was appointed as a Member of the Order of Canada in 2001. He was presented with the Queen’s Golden Jubilee Medal in 2002. He lives in Charlottetown, PEI, with his wife.

Lot 6: Richard Vickerson Gothic Spires Acrylic of Church 23.5'' x 18.5'' Richard Vickerson is a native of Charlottetown, Prince Edward Island. After receiving a science degree from the University of Prince Edward Island he attended Dalhousie University graduating from the School of Dentistry in 1978. Self taught, Richard first began painting in the mid 70’s in oil: in 1983 he began to paint in watercolour which has become his primary medium. Richard has participated in one person and group exhibitions throughout Prince Edward Island at the Holland College Centre of Creative Arts, Confederation Centre of the Arts, The Island Art Gallery the Eptek Centre as well as the Robertson Gallery in Ottawa. A highly sought after artist, his work hangs in collections locally and internationally. He is a member of the Canadian Society of Painters in Watercolour. His work has also been chosen for the American Embassies Art Program. The rural landscape of the Atlantic Provinces with its rich heritage and natural beauty has been his primary source for subject matter, as well as the ever present ocean. The relationship between land and sea and between human endeavor and relentless natural forces are subjects often dealt with in his art.

Lot 95 Pudlo Pudlat Interrupted Solitude STONECUT AND STENCIL 1/50 WORK 30'' X 21.5'' FRAME 38'' X 30.5'' Pudlo Pudlat (1916–1992) was a talented artist born at Ilupirlik, a small camp near Amadjuak, NU, who was later based out of Kinngait (Cape Dorset), NU. Considered one of the most original contemporary Inuit artists, Pudlat was known for depicting the transition from traditional nomadic Inuit lifestyles to modern technologies [1]. He started his art practice as a sculptor and eventually began working in painting and drawing. During his lifetime, Pudlat created approximately 4,500 drawings and 190 prints [2]. While his early works included creatures in addition to humorous combinations of fantasy and reality, Pudlat often depicted imagery of traditional life merged with modern technology. His subjects ranged from helicopters, planes, angels and churches to animals and scenes of summer camps. “At times when I draw, I am happy, but sometimes its very hard,” Pudlat stated in the 1978 Cape Dorset print catalogue. “I have been drawing for a long time now, I only draw what I think, but sometimes I think the pencil has a brain too”. Pudlat’s work blended traditional and modern worlds, breaking down preconceptions of northern life and conveying a deep sense of harmony in their negotiations. Pudlat was the first Inuit artist to be honoured with a retrospect of his work at the National Gallery of Canada in Ottawa, ON, titled Pudlo: Thirty Years of Drawing from 1990 to 1991 [4]. Many of his pieces are still showcased there today and held in major collections in Vancouver, BC, Toronto, ON, Montreal, QC, and the United States. In addition, Pudlat’s prints featured prominently in the Cape Dorset Annual Print Collections and the print Flight to Sea (1985) was featured in the Vancouver Exposition in 1986 as well as in his solo show at the National Gallery of Canada. Pudlat’s work has been featured in numerous exhibitions in Canada, the United States and Europe, including at the Winnipeg Art Gallery in Manitoba, Albert Gallery in San Francisco, CA, and the McMichael Canadian Art Collection in Kleinburg, ON, among many others.

WOOD FRAMED 66.5" X 36.5" ARTWORK: 62" X 32" CHEMICAL ART ON CANVAS MONTREAL ARTIST LORD

Lot 9 Richard Vickerson Farm Near Stanchel Acrylic Work measures 9'' x 12'' Richard Vickerson is a native of Charlottetown, Prince Edward Island. After receiving a science degree from the University of Prince Edward Island he attended Dalhousie University graduating from the School of Dentistry in 1978. Self taught, Richard first began painting in the mid 70’s in oil: in 1983 he began to paint in watercolour which has become his primary medium. Richard has participated in one person and group exhibitions throughout Prince Edward Island at the Holland College Centre of Creative Arts, Confederation Centre of the Arts, The Island Art Gallery the Eptek Centre as well as the Robertson Gallery in Ottawa. A highly sought after artist, his work hangs in collections locally and internationally. He is a member of the Canadian Society of Painters in Watercolour. His work has also been chosen for the American Embassies Art Program. The rural landscape of the Atlantic Provinces with its rich heritage and natural beauty has been his primary source for subject matter, as well as the ever present ocean. The relationship between land and sea and between human endeavor and relentless natural forces are subjects often dealt with in his art.

Lot 10 Richard Vickerson Low Tide Fundy 2000 Watercolour WORK 13'' x 18'' FRAME 21'' x 25.5'' Richard Vickerson is a native of Charlottetown, Prince Edward Island. After receiving a science degree from the University of Prince Edward Island he attended Dalhousie University graduating from the School of Dentistry in 1978. Self taught, Richard first began painting in the mid 70’s in oil: in 1983 he began to paint in watercolour which has become his primary medium. Richard has participated in one person and group exhibitions throughout Prince Edward Island at the Holland College Centre of Creative Arts, Confederation Centre of the Arts, The Island Art Gallery the Eptek Centre as well as the Robertson Gallery in Ottawa. A highly sought after artist, his work hangs in collections locally and internationally. He is a member of the Canadian Society of Painters in Watercolour. His work has also been chosen for the American Embassies Art Program. The rural landscape of the Atlantic Provinces with its rich heritage and natural beauty has been his primary source for subject matter, as well as the ever present ocean. The relationship between land and sea and between human endeavor and relentless natural forces are subjects often dealt with in his art.

19.5'' X 23.5'' ORIGINAL OIL PAINTING BY HAITIAN ARTIST LAURENT CASIMIR (1928-1990) BIOGRAPHY: LAURENT CASIMIR WAS A HAITIAN POSTWAR & CONTEMPORARY PAINTER WHO WAS BORN IN 1928. MUSEUM OF CONTEMPORARY ART (MOCA), NORTH MIAMI FEATURED LAURENT CASIMIR'S WORK IN THE PAST. THE ARTIST DIED IN 1990.

30'' X 30'' ACRYLIC ON CANVAS TITLED: "L'AUTO" SIGNED BY QUEBECOIS ARTIST DIANE SAINT-LOUP 2001

MONTREAL PHOTOGRAPHER PEGGY FAYE PHOTOGRAPH 11'' X 16.5'' PARIS, JUIN 2009"

20'' X 20'' ACRYLIC ON CANVAS SIGNED WITH THUMBPRINT WITH ASTROLOGICAL SIGN INSIDE 2003-2007

Lot 89 George Horvath Bow River Alberta WORK 22'' X 30'' George A. Horvath quickly established himself in Canada after immigrating to Calgary, Alberta in 1956. One of eight children, he had artistic ambitions early in his youth. Several years of training in Fine Art in Hungary led to continued studies after his arrival to the West, graduating from Art Institute School in Minneapolis, Minnesota in 1964. He has been painting professionally since 1966. Awards include: "Best Portrait in Oils", Professional Division, Art Instruction Schools, International Art Competition, Minneapolis, Minnesota, 1962, 1964 and 1965. These works were published in Art Institute Schools academic textbooks.

20" X 20" WOOD ARTWORK WITH BLOWN GLASS QUEBECOIS ARTIST

ARTWORK: 16"X20" ACRYLIC ON CANVAS KAT CORIC, BORN IN 1969 IN DUBROVNIK, CROATIA, IS A MULTIFACETED ARTIST, ACTIVIST, ART COLLECTOR, AND EVENT PRODUCER BASED IN MONTREAL. A SELF-TAUGHT ARTIST, CORIC HAS EXHIBITED HER PAINTINGS IN DUBROVNIK, ZAGREB, POZEGA, MONTREAL, LOS ANGELES, NEW YORK, DALLAS, AND CHICAGO. FOR MORE ARTIST INFO: https://www.fugues.com/2022/04/14/kat-coric-oeuvrer-a-promouvoir-les-artistes-dici/ https://www.croatiaweek.com/dubrovnik-homeland-war-museum-to-receive-painting-by-croatian-artist-kat-coric/

Lot 18 Sylvia Ridgeway Kiss of Spring 2002 (PEI) Yellow Lilies Batik WORK 18.5'' x 13.5'' FRAME 28'' x 23'' Syliva Ridgeway The word "batik" means writing in wax and has become a generic term for the art of wax painting on fabric. Sylvia uses a combination of beeswax and paraffin wax, heated and applied to cloth with either a brush or the ancient 'tjanting' pen – a small, funnel-shaped copper pot on a wooden handle. Usually working from the lightest colours to the darkest, the wax acts as a resist to the vibrant coloured dyes already applied. Sylvia was introduced to the art of batik while living in Kingston, Ontario but it was the return to beautiful Prince Edward Island that produced the passion. The fields, gardens and waters around her provide ample subject matter for her work. Through carefully selected snapshots of life in a rural environment, she reminds us how serene, precious and beautiful nature can be; and how the smaller picture can sometimes be the more important picture.

Lot 19 Syliva Ridgeway Sunflower Serendipity Victoria, PEI Batik 26" x 25" The word "batik" means writing in wax and has become a generic term for the art of wax painting on fabric. Sylvia uses a combination of beeswax and paraffin wax, heated and applied to cloth with either a brush or the ancient 'tjanting' pen – a small, funnel-shaped copper pot on a wooden handle. Usually working from the lightest colours to the darkest, the wax acts as a resist to the vibrant coloured dyes already applied. Sylvia was introduced to the art of batik while living in Kingston, Ontario but it was the return to beautiful Prince Edward Island that produced the passion. The fields, gardens and waters around her provide ample subject matter for her work. Through carefully selected snapshots of life in a rural environment, she reminds us how serene, precious and beautiful nature can be; and how the smaller picture can sometimes be the more important picture.

ARTWORK:18" X 60" TITLED: "SPIRIT & TRANQUILITY" SIGNED BY ISLAND ARTIST JEFFERY HAIGHT '07

Lot 21 Joy Laking September Garden WORK 27.25'' X 24'' Joy's studio paintings are developed from on location paintings, photos and actual objects and flowers. Sometimes an idea is thought about for a number of years before a painting is started. The actual painting may take several weeks. In all cases the reality in the painting is Joy's. She happily changes or moves objects within a painting. Strong compositions and a wide range of tonal values are a constant in all of Joy’s paintings. Her watercolours make full use of the white of the paper and her oils and acrylics are full of rich colours. All of Joy's paintings "sing". In addition to her studio paintings and when ever possible Joy paints on location. It is an exhilarating challenge to set out, find a subject and complete an entire painting in four to seven hours. These paintings are loose, spontaneous and depict the tides, the lighting and the moment. Besides painting on location throughout the Maritimes, Joy also paints around the world, most recently in India, Ghana, Italy and Portugal.

Lot 22 Richard Vickerson Cape Traverse Old Homestead Farmhouse Watercolour 34'' x 26.5" Richard Vickerson is a native of Charlottetown, Prince Edward Island. After receiving a science degree from the University of Prince Edward Island he attended Dalhousie University graduating from the School of Dentistry in 1978. Self taught, Richard first began painting in the mid 70’s in oil: in 1983 he began to paint in watercolour which has become his primary medium. Richard has participated in one person and group exhibitions throughout Prince Edward Island at the Holland College Centre of Creative Arts, Confederation Centre of the Arts, The Island Art Gallery the Eptek Centre as well as the Robertson Gallery in Ottawa. A highly sought after artist, his work hangs in collections locally and internationally. He is a member of the Canadian Society of Painters in Watercolour. His work has also been chosen for the American Embassies Art Program. The rural landscape of the Atlantic Provinces with its rich heritage and natural beauty has been his primary source for subject matter, as well as the ever present ocean. The relationship between land and sea and between human endeavor and relentless natural forces are subjects often dealt with in his art.

ARTWORK: 30" X 30" ACRYLIC ON CANVAS EDIE SZABO STARTED PAINTING IN HER TEENS IN BUDAPEST, HUNGARY AND FOR MORE THAN 30 YEARS HAS SHARED THE CRAFT WITH STUDENTS ACROSS THE MARITIMES. EDIE IS FROM MIRAMICHI, NEW BRUNSWICK BUT FORMERLY CALLED SOURIS, PRINCE EDWARD ISLAND, HOME. ARTIST LINKS: https://www.giverontheriver.com/2018/07/edie-szabo-teaching-and-encouraging-artists-is-her-passion/ https://www.giverontheriver.com/2018/10/miramichi-owl-in-flight-edie-szabo-englehart-oil-painting-class/ https://www.peicanada.com/eastern_graphic/news/whispers-of-spring-in-souris/article_f76e7b72-d756-5b6a-a7ba-652ba1c60188.html

ARTWORK: 24" X 24" ACRYLIC ON CANVAS Raymond Pilon, known as Zi Lon Pop, was born on July 25, 1956, in Laval, Quebec. A self-taught prodigy, he revolutionized both the Quebecois and international art scenes before his untimely passing on his 67th birthday in 2023. Enduring a challenging childhood marked by familial struggles, Zi Lon found solace and purpose in art from an early age. In his youth, Zi Lon immersed himself in music, blending punk and electro influences to become a pivotal figure in Montreal's underground scene during the 1970s and 1980s. His creative journey expanded beyond music into street art, where he gained renown for his murals adorned with his iconic "Z." Transitioning fully to painting, Zi Lon Pop's art captured attention with its vibrant colors, intricate details, and surrealistic themes that fused dreamscapes with cultural symbolism. His canvases became portals into realms where reality intertwined with myth and personal introspection. Themes of identity, spirituality, and the human experience resonated deeply in his work, inviting viewers to explore their own subconscious landscapes. Zi Lon Pop's artistic legacy extends internationally, with exhibitions that showcased his ability to provoke thought and evoke emotion through visual storytelling. His contributions to contemporary art continue to inspire a new generation of artists and enthusiasts alike, cementing his place as a visionary who transcended boundaries and genres. Raymond Pilon (Zi Lon Pop)'s life and work remind us of the transformative power of art to sublimate pain, challenge perceptions, and forge connections across cultures and generations. His vibrant canvases remain a testament to a life dedicated to exploring the depths of creativity and the human spirit. ARTIST LINKS: https://www.cbc.ca/player/play/video/9.6435217 https://fiertemontreal.com/en/artists/zilon-2023 https://galeriebeauchamp.com/en/collections/zilon https://galeriebeauchamp.com/en/pages/zilon

36" X 48" ON WOOD Odile Dess is a renowned sculptor/painter from Saint- Columbian, Quebec. Self-taught, Odile attended the Saydie Bronfman School of Fine Arts in Montreal.

Lot 8 Richard Vickerson Schooner with Chicken Farmhouse Window Watercolour WORK 18.5'' x 12.5'' FRAME 26'' x 22'' Richard Vickerson is a native of Charlottetown, Prince Edward Island. After receiving a science degree from the University of Prince Edward Island he attended Dalhousie University graduating from the School of Dentistry in 1978. Self taught, Richard first began painting in the mid 70’s in oil: in 1983 he began to paint in watercolour which has become his primary medium. Richard has participated in one person and group exhibitions throughout Prince Edward Island at the Holland College Centre of Creative Arts, Confederation Centre of the Arts, The Island Art Gallery the Eptek Centre as well as the Robertson Gallery in Ottawa. A highly sought after artist, his work hangs in collections locally and internationally. He is a member of the Canadian Society of Painters in Watercolour. His work has also been chosen for the American Embassies Art Program. The rural landscape of the Atlantic Provinces with its rich heritage and natural beauty has been his primary source for subject matter, as well as the ever present ocean. The relationship between land and sea and between human endeavor and relentless natural forces are subjects often dealt with in his art.

Lot 27 Ben Gillard Newfoudland Print 2000 J.I 90/100 Ben Gillard was born in 1947, in Englee, a small community on the great northern peninsula of Newfoundland, Canada. He now resides and works in St. John's Newfoundland. Ben is a writer, poet, singer, musician and painter. He is a member of affiliations such as AANL, CARNAL (Provincial Associations), and CARFAC (National Art Association). He has won awards from the Arts Council of Canada. His paintings are in many areas of the world, namely Canada, USA, Europe, South America, Australia, and the Far East.

48" X 36" ACRYLIC ON CANVAS Stéphane Pednault, known as Pednò in the art world, captivates with both his personal journey and artistic prowess. Initially trained in plastic arts before pursuing hairstyling, Pednault's return to art marked a transformative period. Starting with exhibitions in his own salon and later gaining recognition in bars and restaurants, Pednò's distinct style drew collectors and gallery attention worldwide. His unconventional approach to pop art, refusing to conform to trends, incorporates a meticulous process to achieve a glossy, provocative aesthetic. Drawing from his background in beauty, Pednò imbues his paintings with intense emotions, creating mesmerizing figures that challenge and captivate viewers. Beyond aesthetics, his work delves into the allure of beauty and seduction, reflecting modern obsessions. With exhibitions spanning cities like New York, Dubai, and Montreal, Pednò's art continues to intrigue and inspire, blurring the lines between reality and imagination. In exploring Pednault's artistry, one may uncover the complexities of the man behind the artist, revealing a profound narrative woven through his compelling portraits. ARTIST LINKS: https://artfusiongalleries.com/pedno-current-gallery-work https://www.larevue.qc.ca/article/2011/06/07/pedno-rencontre-la-perfection https://www.artavita.com/artists/c8d66fdf-314e-436a-ab37-facaf1b37744

48" X 36" ACRYLIC ON CANVAS SIGNED: MATTHEW LORD ACRYLIC ON CANVAS

72" X 48" ACRYLIC ON CANVAS Odile Dess is a renowned sculptor/painter from Saint- Columbian, Quebec. Self-taught, Odile attended the Saydie Bronfman School of Fine Arts in Montreal.

Lot 81 Helen Haszard PEI Lighthouse Watercolor 7.375'' X 2.25'' Helen Marguerite Haszard (1890-1970) was born in Charlottetown. She received her first art lessons from the Catholic sisters and grew up to be an independent, self-supporting artist. At the age of 12, while convalescing from pneumonia, she began studying art at Notre Dame Convent. Her passion for painting and outdoor sketching became the driving force of her life. She studied art in Boston from 1912 to 1913 and later, in Ontario, under a renowned art teacher named J. W. Beatty. During the 1920s and 1930s, Haszard kept a studio and taught painting in Toronto. But from June to September she would return to Cavendish to paint, sell her work, and gather art commissions for the winter. Her watercolour scenes of Prince Edward Island were popular with both Islanders and tourists alike. The influence of the Group of Seven and J. W. Beatty can be seen in Haszard’s strong sense of composition and design, and the vivid use of colour. In fact, it was this use of colour that cost her the job of illustrator for her friend L.M. Montgomery’s books. The publisher claimed her sunsets were unreal and the colour of the Island soil untrue. Source: http://www.gov.pe.ca/photos/original/firsthand2017.pdf

Lot 82 Helen Haszard Unsigned PEI Watercolor 6'' x 3'' UNSIGNED BUT PURCHASED FROM A COLLECTION OF SIGNED AND UNSIGNED HASZARDS THAT FAMILY RECEIVIED FROM THE ARTIST DIRECTLY Helen Marguerite Haszard (1890-1970) was born in Charlottetown. She received her first art lessons from the Catholic sisters and grew up to be an independent, self-supporting artist. At the age of 12, while convalescing from pneumonia, she began studying art at Notre Dame Convent. Her passion for painting and outdoor sketching became the driving force of her life. She studied art in Boston from 1912 to 1913 and later, in Ontario, under a renowned art teacher named J. W. Beatty. During the 1920s and 1930s, Haszard kept a studio and taught painting in Toronto. But from June to September she would return to Cavendish to paint, sell her work, and gather art commissions for the winter. Her watercolour scenes of Prince Edward Island were popular with both Islanders and tourists alike. The influence of the Group of Seven and J. W. Beatty can be seen in Haszard’s strong sense of composition and design, and the vivid use of colour. In fact, it was this use of colour that cost her the job of illustrator for her friend L.M. Montgomery’s books. The publisher claimed her sunsets were unreal and the colour of the Island soil untrue. Source: http://www.gov.pe.ca/photos/original/firsthand2017.pdf

Lot 33 Terry Culbert Tales of PEI 2011 10'' X 10'' STUDIO ON THE BAY PEI ?The Whimsical Works of Terry Culbert Terry has drawn since childhood - since he could hold a pencil. Upon graduation with honours from Beal School of Art in London, Ontario, his career path took him into television news. For the first few years he worked as an illustrator in the news department. Forty-two years were spent in television behind and in front of the camera, cartooning and illustrating throughout. During that time, Terry wrote and illustrated two books: County Roads and Lucan, Home of the Donnellys. Today, he is a full-time artist, creating alongside his life partner, BarbHögenauer, in their in-house studio-gallery named County Studio, located at 3339 Prince Edward’s County Road 2 (just west of Hwy #62), Mountain View, Ontario. Utilizing drawing skills and love for colour, Terry’s works vary from whimsical to illustrative. Each canvas tells a story, often humorous, always bold. Terry’s paintings can be found at Side Street Gallery in Wellington, Gallery 121 in Belleville and at their County Studio in the Ameliasburgh’s hamlet of Mountain View. Terry Culbert is still in broadcasting. He’s been the host of the Friday Morning Show from 6–10 am on 99.3 County FM since the station went on the air in 2014.

Lot 34 Henry Purdy Resting on the Fountain Henry C. Purdy (b. 1937), born in Nova Scotia, is a professional visual artist who has been working on Prince Edward Island for more than 50 years. He was elected into the Royal Canadian Academy of Arts in 1978. He was awarded the Royal Society of Arts Medal in 1981 for his contribution to the Fine Arts in the Atlantic region. Purdy is a past member of the Canada Council. He has served on the Board of the Canadian Conference of the Arts, as PEI’s representative. Purdy has served on the Board of the Confederation Centre of the Arts in Charlottetown. Purdy's Lady Slipper design for a $350.gold coin for the Royal Canadian Mint was selected and minted in 1999. Purdy has been granted numerous awards. Purdy was appointed as a Member of the Order of Canada in 2001. He was presented with the Queen’s Golden Jubilee Medal in 2002. He lives in Charlottetown, PEI, with his wife.

Lot 93 Trudy Callbeck Watercolor 1991 21.125'' X 28.75''

Lot 36 Kanaginak Pootoogook Kupanuaq Stone Cut FRAME 14'' X 11'' WORK 9'' X 7.5'' Kananginak Pootoogook, RCA was born in 1935 at Ikirasaq, NU, a small hunting camp on southern Baffin Island. Son of the well-respected camp leader Josephie Pootoogook, Kananginak grew up in a traditional Inuit family and was raised to be a hunter and trapper. Inuit values, beliefs and ways of life hence become important themes in his art. In the late 1950s he settled in Kinngait (Cape Dorset), NU and quickly became known for his drawings and prints through the West Baffin Eskimo Co-operative (WEBC) print program. Pootoogook became the first spokesperson of the WBEC and eventually became president of the Board of Directors. He believed printmaking and the graphic arts program in Kinngait provided opportunities for Inuit to create and establish new economic opportunities; Pootoogook was dedicated to making the program part of his community. Through the print program, Pootoogook learned to create engravings and lithographs, how to translate an artist’s drawing into prints and became one of the four original printers of the studio. From 1959 onwards, a selection of his prints were included in all but three annual catalogued collections. Besides excelling as a printmaker, he created vivid, documentary-style drawings. His drawings are a lens through which viewers can see both positive and negative cultural changes in his community. Pootoogook used humour and subtlety to highlight the incongruous in the everyday and small, magical moments in nature. His creations have been exhibited in many major galleries and museums around the world and are a part of numerous collections. Most recently, his work was included in the 57th Venice Biennale, which opened in May 2017. Pootoogook was the first Inuit artist to have work included in the international exhibition. (Info provided by Inuit Art Foundation)

Lot 37 Agnes Nanogak Stone Cut Print FRAME 14'' X 11'' WORK 8'' X 6'' Agnes Nanogak Goose was a graphic artist and printmaker from Ulukhaktok, Inuvialuit Settlement Region, NT. Her work was first introduced in the 1967 Holman Print Collection and she later became one of the most prolific artists out of Ulukhaktok along with artists such as Helen Kalvak, CM, RCA (1901–1984). Nanogak Goose was known for creating dynamic works that captured the activity and movement of her community. Mural (1971-1972) is a large-scale work that Nanogak Goose originally created for the Northern Images store in Yellowknife, NT and is now part of the Winnipeg Art Gallery’s permanent collection. The work contains several small scenes each containing two or three figures involved in an activity such as fishing, hunting or playing games. Each activity within the scene tells a different story and taken together create a sense of her community involvement. Nanogak Goose also translated oral storytelling and memories into visual scenes. Some of her work was used as a visual accompaniment to written stories such as in John MacDonald’s “Tauvijjuaq: The Great Darkness,” written for the Summer 1993 issue of Inuit Art Quarterly. Nanogak Goose also produced two books, Tales from the Igloo (1972) and More Tales from the Igloo (1986). Nanogak Goose’s work was included in every Holman Print Collection between 1966 and the 1990s, with her producing over 200 prints in her lifetime. Her work was exhibited extensively across Canada and abroad and is housed in many major collections and institutions worldwide such as the National Art Gallery of Canada, Ottawa, ON and the Amon Carter Museum of American Art, Fort Worth, TX, USA. In 1985, Nanogak Goose received an honorary degree from Mount Saint Vincent University, Halifax, NS for her contribution to the arts. Her work appeared in many publications including numerous times in the Inuit Art Quarterly.

Lot 7 Richard Vickerson Queen and Sydney Street Charlottetown, PEI Acrylic WORK 12'' X 16'' FRAME 22.5'' X 18.5'' Richard Vickerson is a native of Charlottetown, Prince Edward Island. After receiving a science degree from the University of Prince Edward Island he attended Dalhousie University graduating from the School of Dentistry in 1978. Self taught, Richard first began painting in the mid 70’s in oil: in 1983 he began to paint in watercolour which has become his primary medium. Richard has participated in one person and group exhibitions throughout Prince Edward Island at the Holland College Centre of Creative Arts, Confederation Centre of the Arts, The Island Art Gallery the Eptek Centre as well as the Robertson Gallery in Ottawa. A highly sought after artist, his work hangs in collections locally and internationally. He is a member of the Canadian Society of Painters in Watercolour. His work has also been chosen for the American Embassies Art Program. The rural landscape of the Atlantic Provinces with its rich heritage and natural beauty has been his primary source for subject matter, as well as the ever present ocean. The relationship between land and sea and between human endeavor and relentless natural forces are subjects often dealt with in his art.

LOT 39 Julia Percell Watercolor WORK 3'' X 4'' FRAME 10'' X 11.5'' Julia has been living and breathing drawing and painting ever since her university days in Technical Theatre at Dalhousie University. She worked briefly at Neptune Theatre in Halifax but quickly realized her real passion was painting. As time and funds allow, Julia travels off Island to learn more about art making from experts in their field, such as in watercolor painting and printmaking. She has lived in Vancouver, BC and Halifax NS but is content to call PEI home now. Julia’s artwork has been purchased by the City of Charlottetown, UPEI and the Art Bank of PEI. Her work is in private collections all over North America. She has participated in many group shows over the years. Her most recent solo show was at Gallery 18, New London PE in 2017. Julia is currently serving on the board of CARFAC Maritimes and is the PEI rep of the International Watercolor Society of Canada. She has taught through the PEI Craft Council and from her own studio in two workshops, Joy of Watercolor Painting and Painting Montgomery’s Island. Julia especially enjoys teaching drawing and painting to beginners. Julia has a Gallery in Clyde River Prince Edward Island and her art is also showcased at the Purcell Family Art Gallery in Lunenburg Nova Scotia.

Lot 40 Ben Wicks 1981 Kings Features Syndicate Inc FRAME 9.5'' X 12'' WORK 5'' X 8'' Ben Wicks was a London-born Canadian cartoonist, illustrator, journalist and author. He was a saxophone player who toured throughout Europe in a band with Leonard Bigg before emigrating to Canada in 1957. There, he initially worked as a milkman in Calgary and as a musician in the Canadian Army. His first cartoons were published in the Saturday Evening Post. Wicks settled in Toronto in 1963, where he became a cartoonist with the Toronto Telegram. His topical cartoon 'The Outcasts' (later retitled to simply 'Wicks') was at its height syndicated to over 80 Canadian newspapers and 100 American. He moved over to the Toronto Star in 1971. He also illustrated the children's book series 'Katie and Orbie', written by his daughter Susan. https://www.thestar.com/entertainment/ben-wicks-cartoons-find-home-at-york-university/article_14a7a324-59db-5929-b80e-4a690a073fa8.html

Erica Deichmann Gregg CM (née Matthiesen; 23 July 1913 – 21 May 2007) was a Canadian studio potter. In the 1930s she and her first husband Kjeld Deichmann created Deichmann pottery, Canada's first studio pottery. https://en.wikipedia.org/wiki/Erica_Deichmann_Gregg

Lot 83 Helen Haszard Fisherman Church 13'' x 5.125'' Watercolor INCREDIBLE LARGE AND IMPORTANT WORK FOR THIS ARTIST 13'' X 5.125''

11'' TALL Artist: Margaret Piscioneri Folk Art Carved and Painted Wooden Soldier, late 19th century, carved figure with painted jacket, and trousers, drum rims, and drum support strap, mounted on a painted wooden base, Inscribed Merry Christmas. (minor imperfections)

SIGNED COPIES PUBLISHED BY LES INTOUCHABLES

Lot 45 J Frank Wright The HMS Erebus & HMS Resolution ARTIST PROOF PRINT 4/10

Lot 46 J. Frank Wright The HMS Erebus & HMS Terror ARTIST PROOF PRINT WORK 18.5'' X 24'' For centuries, European explorers were fascinated by the possibility of discovering a short trade rout through the northern “New Found Lands” of America to the Orient. By the 19th century, curiosity about a “Northwest Passage” had reached its zenith – sending one expedition after another to one of the most forbidding frontiers of the world – the Arctic. On 19 May 1845, in an expedition led by Sir John Franklin, the HMS “Erebus” and HMS “Terror” departed England to explore the seas that were expected to lead to a direct navigable passage connecting East to West. To withstand the severity of the Arctic voyage, both vessels were fortified with additional planking and fastened with metal. Additionally, they were fitted out with engines and screw propellers. Sufficient supplies for three years were stored on each vessel. In their first season, constantly battling the elements, they investigated Barrow Strait, later sailing around Cornwallis Island before returning to spend the winter at Beechy Island. The painting depicts the HMS “Erebus” and HMS “ Terror” in the summer of 1846. Encouraged by mild weather conditions, the arctic explorers are towing the vessel through the ice-cleared passage. They later sailed south, discovering a sound between Somerset and Prince of Wales Islands. By September of that year they were ice-bound off the northwestern coast of King William Island in (what is now) Victoria Strait. Tragically, (under perished – never knowing that in simply getting to Simpson Strait, they had actually navigated a corridor through the Northwest Passage that connected the Atlantic and the Pacific Oceans. WORK 18.5'' X 24''

Lot 47 Gürkan Coskun aka Komet Untitled Turkish Oil Painting FRAME 27'' X 19.5'' WORK 23.25'' X 15.75'' Over the course of the 1970s and ’80s, Komet developed a keen interest in pre-Renaissance Italian artists and the earlier 1st-century CE painters of Pompeii. In 1974 his work was accepted into the long-running Salon de Mai annual exhibition and he showed at several other French galleries in Rouen, Paris, and Bobigny. Among his many gallery exhibitions, he exhibited at the pioneering Maçka Sanat Galerisi in Istanbul (1977, 1979, and 1986), Galerie Meyer in Lausanne (1978), Galerie Hilger in Vienna (1979), as well as other group exhibitions in France, Italy, Switzerland, and the United States during the 1980s. A charismatic painter of fantastical allegorical scenes, a poet, and an admired cultural figure in Turkey, Gürkan Coskun, known as Komet, died in Istanbul on September 25 of cancer. He was 81 years old. A longtime resident of Paris, where he had lived since 1971, Komet retained close ties with the arts and literature communities in Turkey throughout his life.

80" X 60" ACRYLIC ON CANVAS Odile Dess is a renowned sculptor/painter from Saint- Columbian, Quebec. Self-taught, Odile attended the Saydie Bronfman School of Fine Arts in Montreal.

Lot 49 Wayne Crockett White Tentalce 1969 Oil on Canvas

Lot 106 Jacob Joe Cedar Hand Painted Halibut Hook Signed on Interior Joseph Jacobs (1934 - 2015) Cayuga: Bear Clan Indigenous artist, Joseph Jacobs, [Cayuga; Bear Clan] creates his Narrative Traditions in Stone, carved in steatite, soapstone, alabaster, limestone, clay and wood sculptures as well as bronze castings. The Native American Museum of Art in New York, NY features the works of internationally renowned Indigenous sculptor, Joseph Jacobs. Dedicated to the dynamic vision of Iroquois culture, Joseph Jacobs’ sculptures are inspired by the ancient knowledge and traditions of the Iroquois people. His artistic production breathes renewed life as a sign of strong culture within the Six Nations. As a powerful genius to the steatite medium, his artistic vision has influenced an entire school of contemporary Iroquois stone carvers. As a recognized master of the stone medium, Joseph Jacobs works have been published in National Geographic and Canadian Geographical magazines and even featured in a CBS documentary “Spirits Speaking Through.” Joseph also received an honorary doctorate degree from Trent University. In 1981, Jacobs was commissioned by the Canadian House of Commons to create a sculpture commemorating the Iroquois’ Great Law of Peace. The limestone, five-panel work took four-and-a-half years to create and is permanently installed in the Canadian House of Commons, Ottawa. He was awarded the Order of Canada in 1985 for his contributions to the Canadian Indigenous Art Heritage. Beckett Gallery (1966-2000) and Beckett Fine Art have featured exhibitions of Joseph Jacobssince 1980, polishing and re-etching techniquesin stone allows collectors to discover the ancient knowledge of the Iroquois through aboriginal mediums. Jacobs brought a strong voice to his Cayuga roots, Iroquois history. Jacobs shared, “I want to give permanence in stone to the legends of my people.” Beckett Fine Art proudly and respectfully represents the art of Joseph Jacob.

Lot 51 Victor Spahn French Open Serigraph Printed at Art-Lithographies workshop in Paris, the piece is hand signed by the artist.

Lot 53 Sylvia Ridgeway Blue Crock & Pansies Batik The word "batik" means writing in wax and has become a generic term for the art of wax painting on fabric. Sylvia uses a combination of beeswax and paraffin wax, heated and applied to cloth with either a brush or the ancient 'tjanting' pen – a small, funnel-shaped copper pot on a wooden handle. Usually working from the lightest colours to the darkest, the wax acts as a resist to the vibrant coloured dyes already applied. Sylvia was introduced to the art of batik while living in Kingston, Ontario but it was the return to beautiful Prince Edward Island that produced the passion. The fields, gardens and waters around her provide ample subject matter for her work. Through carefully selected snapshots of life in a rural environment, she reminds us how serene, precious and beautiful nature can be; and how the smaller picture can sometimes be the more important picture.

12" X 10" MIXED MEDIA ON CANVAS SIGNED: MARC LABERGE '99 ARTIST LINKS: https://marclaberge.ca/ Marc Laberge was born on October 20, 1971 in Quebec City. He studied Visual Arts at the University of Ottawa and Multimedia at the Institute for Creation and Research in Computer Graphics (ICARI) in Montreal. He has exhibited in Quebec City, Montreal and New York and now lives in Montreal. EXHIBITIONS 2013 – Roccia Gallery, Montreal 2012 – Galerie 203, Montreal Solo Exhibition – Transeo 2012 – Gallery 203, Montreal Group Exhibition 2012 – Agora Gallery, New York Group Exhibition – Portal of perception 2010 – Galerie le 1040, Montreal Solo exhibition – Fragmentation 2005-2006 – Galerie Tela, Quebec Group Exhibition REPRESENTATIONS 2013-14 – Roccia Gallery, Montreal 2012 – Gallery 203, Montreal 2011-12 – Agora Gallery, New York 2005-2006 – Tela Gallery, Quebec City OTHER 2016 – Cover of the novel by the writer Micheline Morisset: (Ce visage où habiter) 2016 – Montréal Metro, video clip "À coups de pinceaux" created by Métrovision (Bell media)

Lot 55 Raymond Pilon (Zi Lon Pop) TITLED: "Eyes Wide Shut" ONE OF A KIND SIGNED Raymond Pilon, known as Zi Lon Pop, was born on July 25, 1956, in Laval, Quebec. A self-taught prodigy, he revolutionized both the Quebecois and international art scenes before his untimely passing on his 67th birthday in 2023. Enduring a challenging childhood marked by familial struggles, Zi Lon found solace and purpose in art from an early age. In his youth, Zi Lon immersed himself in music, blending punk and electro influences to become a pivotal figure in Montreal's underground scene during the 1970s and 1980s. His creative journey expanded beyond music into street art, where he gained renown for his murals adorned with his iconic "Z." Transitioning fully to painting, Zi Lon Pop's art captured attention with its vibrant colors, intricate details, and surrealistic themes that fused dreamscapes with cultural symbolism. His canvases became portals into realms where reality intertwined with myth and personal introspection. Themes of identity, spirituality, and the human experience resonated deeply in his work, inviting viewers to explore their own subconscious landscapes. Zi Lon Pop's artistic legacy extends internationally, with exhibitions that showcased his ability to provoke thought and evoke emotion through visual storytelling. His contributions to contemporary art continue to inspire a new generation of artists and enthusiasts alike, cementing his place as a visionary who transcended boundaries and genres. Raymond Pilon (Zi Lon Pop)'s life and work remind us of the transformative power of art to sublimate pain, challenge perceptions, and forge connections across cultures and generations. His vibrant canvases remain a testament to a life dedicated to exploring the depths of creativity and the human spirit. ARTIST LINKS: https://www.cbc.ca/player/play/video/9.6435217 https://fiertemontreal.com/en/artists/zilon-2023 https://galeriebeauchamp.com/en/collections/zilon https://galeriebeauchamp.com/en/pages/zilon

Lor 56 Cheryl Harding Carved and Painted Gourd Bowl 11'' x 7'' tall

Lot 57 Bernard Trahan 1995 TITLED: MADAME JESSICA 18" X 12" ON PAPER DEPICTION OF ONE OF MONTREALS FIRST DRAG QUEENS - JEFFREY HAIGHT EARLY WORK FROM MONTREAL ARTIST/SCULPTOR BERNARD TRAHAN signed: TRAHAN 95' LINKS TO OTHER WORKS: https://www.gallea.ca/en/artists/btrahan/artwork/48965 https://www.bruisesgallery.com/bernard-trahan

Lot 59 Lucy Quinnayuk Hare Spirits 1960 Stone Cut ARTWORK: 12" X 8.5" MATTING: 18" X 14" Artist Profile: Lucy Qinnuayuak Introduction: Lucy Qinnuayuak (1915-1982) was a pioneering Inuk artist from Kinngait (Cape Dorset), Nunavut, whose artistic career spanned several decades and made significant contributions to the development of Inuit art. Known for her distinctive graphic style and unique portrayal of Arctic wildlife and cultural scenes, Qinnuayuak's artworks are celebrated for their cultural richness and artistic innovation. Early Life and Background: Born in a traditional Inuit camp near Kinngait, Lucy Qinnuayuak grew up immersed in the traditional skills and stories of her people. In her early years, she learned the art of sewing and later transitioned to drawing, encouraged by the establishment of the Kinngait Studios (West Baffin Eskimo Co-operative) in the late 1950s, which provided a platform for local artists to explore their creativity. Artistic Journey: Lucy Qinnuayuak began her artistic career as one of the first women to experiment with drawing and printmaking in Kinngait. Her distinctive style emerged through bold lines and intricate details, often depicting scenes of daily life in the Arctic and the relationship between humans and animals. She was a master at capturing the movement and vitality of wildlife such as birds, bears, and marine mammals, infusing her works with a sense of dynamism and cultural significance. Style and Themes: Qinnuayuak's artistic style is characterized by its graphic clarity and precise execution. She used a minimalistic approach to convey complex narratives and emotions, focusing on the essence of her subjects rather than intricate detail. Her prints often depict traditional activities like hunting, storytelling, and ceremonial practices, providing a window into the rich cultural heritage of the Inuit people . Legacy and Recognition: Throughout her career, Lucy Qinnuayuak's artworks gained international acclaim for their artistic merit and cultural authenticity. Her prints are held in numerous public and private collections, including the National Gallery of Canada and the Winnipeg Art Gallery, where they continue to inspire audiences and contribute to the ongoing dialogue on indigenous art and identity. Conclusion: Lucy Qinnuayuak's artistic legacy is a testament to the resilience and creativity of the Inuit people. Through her artworks, she not only preserved traditional knowledge and practices but also pioneered a new artistic tradition that has since flourished in Kinngait and beyond. Her ability to capture the beauty and vitality of Arctic life remains a source of inspiration for contemporary artists and cultural enthusiasts alike, ensuring that her contributions to the world of Inuit art endure for future generations.

Lot 59 Lucy Quinnayuk Sun Owl 1963 Stone Cut ARTWORK: 12" X 8.5" MATTING: 18" X 14" Artist Profile: Lucy Qinnuayuak Introduction: Lucy Qinnuayuak (1915-1982) was a pioneering Inuk artist from Kinngait (Cape Dorset), Nunavut, whose artistic career spanned several decades and made significant contributions to the development of Inuit art. Known for her distinctive graphic style and unique portrayal of Arctic wildlife and cultural scenes, Qinnuayuak's artworks are celebrated for their cultural richness and artistic innovation. Early Life and Background: Born in a traditional Inuit camp near Kinngait, Lucy Qinnuayuak grew up immersed in the traditional skills and stories of her people. In her early years, she learned the art of sewing and later transitioned to drawing, encouraged by the establishment of the Kinngait Studios (West Baffin Eskimo Co-operative) in the late 1950s, which provided a platform for local artists to explore their creativity. Artistic Journey: Lucy Qinnuayuak began her artistic career as one of the first women to experiment with drawing and printmaking in Kinngait. Her distinctive style emerged through bold lines and intricate details, often depicting scenes of daily life in the Arctic and the relationship between humans and animals. She was a master at capturing the movement and vitality of wildlife such as birds, bears, and marine mammals, infusing her works with a sense of dynamism and cultural significance. Style and Themes: Qinnuayuak's artistic style is characterized by its graphic clarity and precise execution. She used a minimalistic approach to convey complex narratives and emotions, focusing on the essence of her subjects rather than intricate detail. Her prints often depict traditional activities like hunting, storytelling, and ceremonial practices, providing a window into the rich cultural heritage of the Inuit people . Legacy and Recognition: Throughout her career, Lucy Qinnuayuak's artworks gained international acclaim for their artistic merit and cultural authenticity. Her prints are held in numerous public and private collections, including the National Gallery of Canada and the Winnipeg Art Gallery, where they continue to inspire audiences and contribute to the ongoing dialogue on indigenous art and identity. Conclusion: Lucy Qinnuayuak's artistic legacy is a testament to the resilience and creativity of the Inuit people. Through her artworks, she not only preserved traditional knowledge and practices but also pioneered a new artistic tradition that has since flourished in Kinngait and beyond. Her ability to capture the beauty and vitality of Arctic life remains a source of inspiration for contemporary artists and cultural enthusiasts alike, ensuring that her contributions to the world of Inuit art endure for future generations.

Lot 60 Lucy Quinnayuk Dogs are the Spirits 1960 ARTWORK: 12" X 8.5" MATTING: 18" X 14" Artist Profile: Lucy Qinnuayuak Introduction: Lucy Qinnuayuak (1915-1982) was a pioneering Inuk artist from Kinngait (Cape Dorset), Nunavut, whose artistic career spanned several decades and made significant contributions to the development of Inuit art. Known for her distinctive graphic style and unique portrayal of Arctic wildlife and cultural scenes, Qinnuayuak's artworks are celebrated for their cultural richness and artistic innovation. Early Life and Background: Born in a traditional Inuit camp near Kinngait, Lucy Qinnuayuak grew up immersed in the traditional skills and stories of her people. In her early years, she learned the art of sewing and later transitioned to drawing, encouraged by the establishment of the Kinngait Studios (West Baffin Eskimo Co-operative) in the late 1950s, which provided a platform for local artists to explore their creativity. Artistic Journey: Lucy Qinnuayuak began her artistic career as one of the first women to experiment with drawing and printmaking in Kinngait. Her distinctive style emerged through bold lines and intricate details, often depicting scenes of daily life in the Arctic and the relationship between humans and animals. She was a master at capturing the movement and vitality of wildlife such as birds, bears, and marine mammals, infusing her works with a sense of dynamism and cultural significance. Style and Themes: Qinnuayuak's artistic style is characterized by its graphic clarity and precise execution. She used a minimalistic approach to convey complex narratives and emotions, focusing on the essence of her subjects rather than intricate detail. Her prints often depict traditional activities like hunting, storytelling, and ceremonial practices, providing a window into the rich cultural heritage of the Inuit people. Legacy and Recognition: Throughout her career, Lucy Qinnuayuak's artworks gained international acclaim for their artistic merit and cultural authenticity. Her prints are held in numerous public and private collections, including the National Gallery of Canada and the Winnipeg Art Gallery, where they continue to inspire audiences and contribute to the ongoing dialogue on indigenous art and identity. Conclusion: Lucy Qinnuayuak's artistic legacy is a testament to the resilience and creativity of the Inuit people. Through her artworks, she not only preserved traditional knowledge and practices but also pioneered a new artistic tradition that has since flourished in Kinngait and beyond. Her ability to capture the beauty and vitality of Arctic life remains a source of inspiration for contemporary artists and cultural enthusiasts alike, ensuring that her contributions to the world of Inuit art endure for future generations.

Lot 61 Lucy Quinnayuk Unsigned 1959 Rabbit Eating Seaweed

Lot 88 Napachie Pootoogook Alligartuq, Pulling Skin Hide 27/50 Stonecut and Stencil 23'' X 17.75'' Napachie Pootoogook was a highly acclaimed artist from the Saarruq island camp in Qikiqtaaluk region, NU, who began her artistic practice as a young adult. Focusing primarily on drawing and printmaking, Pootoogook’s impressive portfolio of over five thousand drawings has cemented her reputation as one of the most prolific figures in Inuit art [1]. Pootoogook belongs to a large artistic family that has significantly influenced the arts scene in Kinngait [2]. Pootoogook's early works focused on depictions of Inuit spirituality and stories and tended to be monochromatic or use few colours. Her later works are more colourful and her focus shifted to record Inuit traditional life, clothing and community history particularly on the experiences of women [3]. This visual record of Inuit history can be seen in various prints including Aqaqtuq (Singing Love Song) (1993) and Katajjaqtut (Throat Singing) (2000). In Aqaqtuq, a mother and son can be seen holding hands and singing, surrounded by markers of the past, such as the ulu, scraper and caribou skin bed and markers of the present such as the clock and metal cup. In Katajjaqtut two women are immersed in the art of throat singing outside of an igloo wearing amauti and dresses made from printed fabric. Through these prints Pootoogook attempts to preserve her past for future generations to learn from and carry on those traditions. Continuing with her trend of documentation Pootoogook also produced a series of autobiographical drawings. These works were of Pootoogook's memories and stories she'd heard, some of which focused on difficult subject matter such as abuse, starvation and tragedy [4]. Pootoogook has been featured numerous times in the Inuit Art Quarterly and has participated in over eighty exhibitions in Canada, the United States, Israel, Italy, Belgium and France. In 2004 her work was featured in a solo tour titled Napachie Pootoogook by the Winnipeg Art Gallery [5]. In 1979 Pootoogook was commissioned by McClelland & Stewart to create the lithographic work Inuksuit, which was included in the limited edition book Landmarks of Canadian Art. Pootoogook’s works were included in almost every Cape Dorset Annual Print Collection from the 1960s until the early 2000s. Her work is also featured in multiple collections including the Royal Ontario Museum in Toronto, the Winnipeg Art Gallery in Manitoba, the National Gallery of Canada in Ottawa, ON, Musée des beaux-arts de Montreal in Quebec and the Canadian Museum of History in Gatineau, QC.

16.75" X 20.75" SIGNED PHOTOGRAPH FROM QUEBECOIS CATHERINE LAMBERT 2009 TITLED: "BERLIN SIDEWALK"

44" X 32" ACRYLIC ON CANVAS SIGNED ORIGINAL EARLY WORK FROM FAMED QUEBECOIS ARTIST ISABELLE TREMBLAY SIGNED ON JANUARY 29, 2004 Isabelle Tremblay was born on November 4, 1970, in Chicoutimi. She demonstrated an early interest and aptitude for multiple forms of artistic expression. In a short time, dance, music, drawing and writing were jostling from within, with the aim of having the main place. For a long time, music and visual arts were carried out side by side, but a choice was made and she completed a DEC in Visual Arts at the Cégep de Chicoutimi in 1989. It was in doubt of the seriousness of this orientation that she entered the Université de Sherbrooke in the Bachelor's degree in Teaching. But like a fish out of water, she will leave after a year. The following year, she completed a Certificate in Visual Arts at the same university. Being better informed about her nature but remaining skeptical about the viability of the company to try to make a living from pure visual art, she compromised a BAC in Graphic Design at Laval University in Quebec City. His studies ended in December 1995. ARTIST LINKS: https://www.artsy.net/artist/isabelle-tremblay https://www.chicevolutioninart.com/isabelle-tremblay/ https://www.thompsonlandry.com/artists/a_isatremblay.html http://www.isabelletremblay-artiste.com/

8.5" X 16.75" STEEL FRAMED TILE ARTWORK SIGNED BY QUEBECOIS ARTIST ELISE DAVREUX

72" X 48" ACRYLIC ON CANVAS SIGNED: DOMINIQUE FORTIN 2006 Born in 1974 in Montreal, Dominique Fortin has a background in visual arts and jewellery. She exhibits her work internationally in solo and group shows and in most the largest art fairs. Her work can be found in numerous private collections throughout North America, Europe and Asia. ARTIST LINKS: https://www.galerieleroyer.com/artists/46-dominique-fortin/ https://www.galerieleroyer.com/usr/library/documents/main/artists/46/fortin-curriculum-vitae_dominique-fortin_en.pdf https://www.artsy.net/artist/dominique-fortin

Lot 67 Goya (Francisco de Goya y Lucientes) Los Caprichos: They have flown (Volaverunt) This piece carries a Inventory Number and Collection Label previously owned and acquired through the Vincent Price Collection. The piece has been acquired through a private collection, and has been in the same collection for over 40 years. https://www.artistsnetwork.com/artist-life/vincent-price-sells-gallery-paintings-sears/ " Los Caprichos " is a series of 80 engravings by the Spanish painter Francisco de Goya , which represents a satire of Spanish society at the end of the 18th century , especially of the nobility and the clergy . As a prelude to his Caprichos, Goya took a portrait showing us the author of this series of satires on the Spanish society of his time. He was represented in a satirical attitude and as an important character. In the first half he presented the most realistic and satirical engravings, criticizing the behavior of his fellow men from reason. In the second part he abandoned rationality and represented fantastic engravings where through absurdity he showed delirious visions of strange beings. He used a mixed technique of etching , aquatint and drypoint retouching . He exaggeratedly deformed the physiognomies and bodies of those who represent human vices and clumsiness, giving bestial aspects.

48" X 36" ACRYLIC ON CANVAS SIGNED PEDNO Stéphane Pednault, known as Pednò in the art world, captivates with both his personal journey and artistic prowess. Initially trained in plastic arts before pursuing hairstyling, Pednault's return to art marked a transformative period. Starting with exhibitions in his own salon and later gaining recognition in bars and restaurants, Pednò's distinct style drew collectors and gallery attention worldwide. His unconventional approach to pop art, refusing to conform to trends, incorporates a meticulous process to achieve a glossy, provocative aesthetic. Drawing from his background in beauty, Pednò imbues his paintings with intense emotions, creating mesmerizing figures that challenge and captivate viewers. Beyond aesthetics, his work delves into the allure of beauty and seduction, reflecting modern obsessions. With exhibitions spanning cities like New York, Dubai, and Montreal, Pednò's art continues to intrigue and inspire, blurring the lines between reality and imagination. In exploring Pednault's artistry, one may uncover the complexities of the man behind the artist, revealing a profound narrative woven through his compelling portraits. ARTIST LINKS: https://artfusiongalleries.com/pedno-current-gallery-work https://www.larevue.qc.ca/article/2011/06/07/pedno-rencontre-la-perfection https://www.artavita.com/artists/c8d66fdf-314e-436a-ab37-facaf1b37744

23.75" X 22.25" CREATED IN THE PHILIPPINES ON A DOOR FROM A LOCAL HOMESTEAD

Lot 70 Lowell Eustice Painted Seagull Wood Carvings Summerside PEI Unsigned

PHOTOGRAPH 21'' X 29'' SIGNED: P.F. 1 OF 7 MONTREAL PHOTOGRAPHER PEGGY FAYE COLLECTION 1 OF 7

Lot 42 Margaret Turnbull Watercolour In Antique Convex Glass Frame FRAME 25'' X 18.5'' WORK 18.5'' X 13''

Lot 107 RARE EXQUISITE Murano Italy Salviati Glass Sommerso 15" Pitcher Vase. This piece has Four layers of beautiful sommerso in orange, black and yellow that makes this dramatic vase look like tiger pattern. It is Italian Venetian Murano Glass designed by Salviatti This Murano Italy Salviatti Glass Sommerso 15" Pitcher Vase is a rare and exquisite piece that will surely catch anyone's attention. Made from high-quality glass, this Italian-style vase features a unique zebra pattern that adds to its charm. Measuring 12 inches in width, this vase is perfect for collectors and those who appreciate beautiful home decor. The white-colored glass finish with patterned design adds to its elegance. Ideal for any room in your home, this vase is a must-have for anyone looking to add a touch of sophistication to their space.

26" X 38" PHOTOGRAPH OF KAT CORIC DURING THE MAKING OF "PER7EPTION" EXHIBITION ON HIV SIGNED BY: KAT CORIC, BOB HENDRIKS, JEAN-PIERRE PÉRUSSE EXPO ON HIV-AIDS '' PER7EPTION'' Among the 10 BEST EXHIBITIONS 2008-2009 MIRROR NEWSPAPER POLL ''BEST OF MONTREAL 2009'' Photographer: BOB HENDRIKS Video presented at the opening of THE EXHIBITION PER7EPTION: February 14, 2009 in Montreal at the Olympia Theatre. LINK TO VIDEO: https://m.youtube.com/watch?si=nq1XICI1HeoTXAHp&v=wxDRn9cA4RE&feature=youtu.be

30" X 26" LITHOGRAPH BY ZÏLON TITLED: "C'UI DE BETÓN" 2004 3 OF 4 SIGNED Raymond Pilon, known as Zi Lon Pop, was born on July 25, 1956, in Laval, Quebec. A self-taught prodigy, he revolutionized both the Quebecois and international art scenes before his untimely passing on his 67th birthday in 2023. Enduring a challenging childhood marked by familial struggles, Zi Lon found solace and purpose in art from an early age. In his youth, Zi Lon immersed himself in music, blending punk and electro influences to become a pivotal figure in Montreal's underground scene during the 1970s and 1980s. His creative journey expanded beyond music into street art, where he gained renown for his murals adorned with his iconic "Z." Transitioning fully to painting, Zi Lon Pop's art captured attention with its vibrant colors, intricate details, and surrealistic themes that fused dreamscapes with cultural symbolism. His canvases became portals into realms where reality intertwined with myth and personal introspection. Themes of identity, spirituality, and the human experience resonated deeply in his work, inviting viewers to explore their own subconscious landscapes. Zi Lon Pop's artistic legacy extends internationally, with exhibitions that showcased his ability to provoke thought and evoke emotion through visual storytelling. His contributions to contemporary art continue to inspire a new generation of artists and enthusiasts alike, cementing his place as a visionary who transcended boundaries and genres. Raymond Pilon (Zi Lon Pop)'s life and work remind us of the transformative power of art to sublimate pain, challenge perceptions, and forge connections across cultures and generations. His vibrant canvases remain a testament to a life dedicated to exploring the depths of creativity and the human spirit. ARTIST LINKS: https://www.cbc.ca/player/play/video/9.6435217 https://fiertemontreal.com/en/artists/zilon-2023 https://galeriebeauchamp.com/en/collections/zilon https://galeriebeauchamp.com/en/pages/zilon

48'' X 24'' SIGNED ARTWORK BY ISLAND ARTIST JEFFREY HAIGHT

Lot 78 Hugh Crosby Farm Scene Watercolor 11.5 X 8.25

Lot 79 Dave Fisher French River Harbour 1999 Watercolor and Ink 11.125 X 8.5''

Lot 80 Dave Fisher New London Lighthouse 1999 Watercolor and Ink 11.5'' X 8.25''

53.5" X 21.5" ACRYLIC ON CANVAS SIGNED BY ISLAND ARTIST JEFFREY HAIGHT 2005

Lot 104 Ken Danby Rare Limited Edition Print 224/500 Signed 1986

Lot 101 Richard Vickerson Three Fishing Boats Watercolour 35.5'' x 26'' Richard Vickerson is a native of Charlottetown, Prince Edward Island. After receiving a science degree from the University of Prince Edward Island he attended Dalhousie University graduating from the School of Dentistry in 1978. Self taught, Richard first began painting in the mid 70’s in oil: in 1983 he began to paint in watercolour which has become his primary medium. Richard has participated in one person and group exhibitions throughout Prince Edward Island at the Holland College Centre of Creative Arts, Confederation Centre of the Arts, The Island Art Gallery the Eptek Centre as well as the Robertson Gallery in Ottawa. A highly sought after artist, his work hangs in collections locally and internationally. He is a member of the Canadian Society of Painters in Watercolour. His work has also been chosen for the American Embassies Art Program. The rural landscape of the Atlantic Provinces with its rich heritage and natural beauty has been his primary source for subject matter, as well as the ever present ocean. The relationship between land and sea and between human endeavor and relentless natural forces are subjects often dealt with in his art.

Lot 84 Stephen B. MacInnis Seawind 1992 Acrylic Work 8.5'' X 11.5'' Frame 18.5'' x 16.75'' Stephen B. MacInnis lives and works in Charlottetown, Prince Edward Island, Canada, where he was born and raised. A painter, for the past several years he has been working on a long-term project entitled Long Series, a series of over 1,300, 12×12 inch mixed media paintings. It is his plan to complete 10,000 paintings in this series. The Long Series is primarily mixed media on paper. Each piece is constrained to roughly 12×12 inches. Within the series the exploration of drawing, painting, collage, and unusual materials such as tape, objects, and found papers are exploited. The use of accident, contrivance, simulation, and collaboration with other artists and the public have also been utilized. The project explores the effects of a long-term project on the development of a personal iconography. Certain marks such as cross-hatching, stains, ink rings, decoration, and scribbling are intentionally carried throughout the series. Because of the length of the project, when a new mark or idea occurs it is often developed into a series within the series and explored to completion and then moved on from. Stephen works prolifically in an almost mass-production manner, with several hundred Long Series pieces in progress at any time. From pieces with early simple marks, to pieces heavily worked and nearing completion, the work piles up. Each day, Stephen selects one or two and finishes them. The progress of the Long Series has been recorded online in a studio diary called Painter’s Progress in which he records the daily activities and interests of a working artist.

Lot 85 P Filleul Linoleum Block Print 4/10 New School of Classical Art WORK 5'' X 7.5'' FRAME 11.5'' X 15''

Lot 86 Mother & Child Linoleum Block Print NEW SCHOOL OF CLASSICAL ART 4/6 WORK 5.5'' X 7'' FRAME 11.5'' X 15''

Lot 87 Bruce Campbell Neighborhood Picture Jollimore Halifax Nova Scotia WORK 15'' X 10'' FRAME 20.5'' X 16''

Lot 105 Wallace MacAskill Starboard Lookout 1933 Hand Tinted Photograph A photograph taken on the Bluenose on its way to the Chicago Worlds Fair in 1933. 1970s Bluenose book with reference to the photograph Alfread Meakin English Bluenose Collector's Plate

Lot 35 Benjamin Chee Chee Good Morning 1974 Print #3256 GOOD MORNING REPRODUCED FROM AN ORIGINAL PAINTING BY BENJAMIN CHEE CHEE 1974 BY CANADIAN ART PRINTS INC (FORMERLY CANADIAN NATIVE PRINTS LTD LITHO'D IN CANADA Born in Temagami, Ontario, Ojibway Artist, Benjamin Chee Chee largely taught himself to draw and paint. His father died when he was two months old and he lost track of his mother. One reason behind his drive for success as a painter was his ambition to be reunited with her. He was a prominent member of the second generation of Woodland painters, a Native Art movement that began in the early nineteen-sixties and has since become one of the most important art schools in Canada. Unlike many of his contemporaries, he painted in a style influenced by modern abstraction. While most of the young Woodland artists were content to follow the style of the movement's founder, Norval Morrisseau, in depicting myths and legends by direct and "primitive" narrative means, Chee Chee pursued a more economical graphic style, a reduction of line and image more in keeping with the mainstream of international modern art. At the age of thirty-two and at the height of a new-found success as an artist and printmaker, Chee Chee died tragically by committing suicide. 24'' X 19.25''

Lot 90 Robert Milner A Summer Day New London, PEI Acrylic 24'' x 12''

Lot 91 Joan Gregory New Brunswick Golf Course 20'' X 16'' Joan drew as a child but she put that part of her life on hold to raise a family and start a business. In the late 60s and early 70s, her passion for painting started to make a comeback. She started with oil paints, taking a mail-order correspondence course in the US. She started to draw and published her first book of pen & ink drawings, Albert County Sketchbook in 1975. She published a second book, Covered Bridges of New Brunswick a few years later. This book is in the collection of The Library of Congress, USA. She eventually switched entirely to watercolours in the late 70s and this was the medium she truly loved. She studied under famous watercolour artists in Canada and the US. She eventually taught watercolours herself in Moncton and the surrounding area. She painted or drew almost every day and her paintings can be found all over the world in places like Australia, The Netherlands, Germany, the UK, The US and Canada.

Lot 92 Dan Reid Western Canadian 20'' X 16'' Dan Reid was a self-taught Western Canadian artist who spent all of his life on the prairies. Dan grew up on a farm in Saskatchewan which instilled in him an appreciation for the ever-changing moods of the prairie landscape and its beautiful open skies. Dan was able to vividly capture these scenes through his artwork. His areas of focus included grain elevators, prairie harvests, farmyards, trains, and antique and classic cars. Many of his paintings provide a nostalgic glimpse into Canada’s past. Dan regularly attended various car, art and train shows in Saskatchewan and Alberta with his artwork where he always enjoyed reconnecting with old friends and meeting new people. Dan was often seen at local car shows and driving around Saskatoon in his yellow 1931 Chev street rod. Dan was a proud member of the Saskatoon Antique Auto Club and was well known to people in many other car clubs throughout the province. Sadly, Dan passed away in December 2018 leaving behind a loving family, many wonderful friends and countless joyous memories. Dan’s legacy will live on through these memories and his vast collection of artwork which capture his love of the prairies, nature and classic cars.

Lot 93 Unknown Inuit Soapstone Carving 4'' tall

Lot 94 Fabian Deagle 11'' x 10'' x 18''

Lot 95 Georgie Read Barton Winter Scene 1970 WORK 30'' X 24'' FRAME 36'' X 30'' Born on Prince Edward Island in 1902, Barton was to become one of the first women ever admitted into the Salmagundi Club, the oldest existing art club in the world. She was listed in the Who's Who in American Art, The World Who's Who of Women, and The Dictionary of International Biographies, and was winner of many awards including a citation from The American Artists Professional League "for effective action and sustained devotion in the cause of fine art.” Georgie Read attended Mount Allison University in Sackville, New Brunswick, from 1924 to 1927, coming back to the Island to teach at Edgehill School. In 1930, she set out for New York, where she studied at the Art Students League. She was Director of Art at the Ottawa Ladies College from 1932 to 1940 and later taught at St. Agnes School in Albany, New York. In 1942, at the age of 40, she married fellow painter George Barton and had a son. Georgie Read Barton spent many years in Westchester County, near the Hudson River in New York and was instrumental in the development of the Hudson Valley Art Association. On PEI, The Barton Art Club introduced many to the techniques of outdoor landscape painting. Barton painted into her nineties, often going back to the same location. Georgie Read Barton died on March 22, 1994.

48" X 36" ACRYLIC ON CANVAS INITIALS: JGH OR JGN

Lot 103 A WONDERFUL LARGE EXAMPLE OF 19th-CENTURY HAND-TINTED PHOTOGRAPHY

Lot 102 HENRI CASSIERS (1848-1944) PAYSANNER AU BORD DE L'EAU CIRCA 1903 ARTWORK: 17" X 13" FRAMED: 22.5" X 19"

KAT CORIC, BORN IN 1969 IN DUBROVNIK, CROATIA, IS A MULTIFACETED ARTIST, ACTIVIST, ART COLLECTOR, AND EVENT PRODUCER BASED IN MONTREAL. A SELF-TAUGHT ARTIST, CORIC HAS EXHIBITED HER PAINTINGS IN DUBROVNIK, ZAGREB, POZEGA, MONTREAL, LOS ANGELES, NEW YORK, DALLAS, AND CHICAGO. FOR MORE ARTIST INFO: https://www.fugues.com/2022/04/14/kat-coric-oeuvrer-a-promouvoir-les-artistes-dici/ https://www.croatiaweek.com/dubrovnik-homeland-war-museum-to-receive-painting-by-croatian-artist-kat-coric/

Lot 100 RIchard Vickerson Barns and Wagon Watercolour 34.5'' x 26.5'' Richard Vickerson is a native of Charlottetown, Prince Edward Island. After receiving a science degree from the University of Prince Edward Island he attended Dalhousie University graduating from the School of Dentistry in 1978. Self taught, Richard first began painting in the mid 70’s in oil: in 1983 he began to paint in watercolour which has become his primary medium. Richard has participated in one person and group exhibitions throughout Prince Edward Island at the Holland College Centre of Creative Arts, Confederation Centre of the Arts, The Island Art Gallery the Eptek Centre as well as the Robertson Gallery in Ottawa. A highly sought after artist, his work hangs in collections locally and internationally. He is a member of the Canadian Society of Painters in Watercolour. His work has also been chosen for the American Embassies Art Program. The rural landscape of the Atlantic Provinces with its rich heritage and natural beauty has been his primary source for subject matter, as well as the ever present ocean. The relationship between land and sea and between human endeavor and relentless natural forces are subjects often dealt with in his art.

WORK 29'' X 25'' FRAME 35'' X 30'' Hermanus Antonius van Daalhoff was a Dutch painter who was born in 1867. Kasteel het Nijenhuis featured Hermanus Antonius van Daalhoff's work in the past.Hermanus Antonius van Daalhoff's work has been offered at auction multiple times, with realized prices ranging from 40 USD to 9,857 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 9,857 USD for Klokken van het land, sold at Christie's Amsterdam in 1999. The artist died in 1953. Artist's alternative names: Henri A. van Daalhoff, Henri van Daalhof, Henry van Daalhoff, Hermanus Antonius Daalhoff, Johannes Henri van Daalhoff

WORK 17'' X 21.5'' FRAME 23'' X 27'' Hermanus Antonius van Daalhoff was a Dutch painter who was born in 1867. Kasteel het Nijenhuis featured Hermanus Antonius van Daalhoff's work in the past.Hermanus Antonius van Daalhoff's work has been offered at auction multiple times, with realized prices ranging from 40 USD to 9,857 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 9,857 USD for Klokken van het land, sold at Christie's Amsterdam in 1999. The artist died in 1953. Artist's alternative names: Henri A. van Daalhoff, Henri van Daalhof, Henry van Daalhoff, Hermanus Antonius Daalhoff, Johannes Henri van Daalhoff

WORK 14'' X 17'' FRAME 17'' X 21'' Hermanus Antonius van Daalhoff was a Dutch painter who was born in 1867. Kasteel het Nijenhuis featured Hermanus Antonius van Daalhoff's work in the past.Hermanus Antonius van Daalhoff's work has been offered at auction multiple times, with realized prices ranging from 40 USD to 9,857 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 9,857 USD for Klokken van het land, sold at Christie's Amsterdam in 1999. The artist died in 1953. Artist's alternative names: Henri A. van Daalhoff, Henri van Daalhof, Henry van Daalhoff, Hermanus Antonius Daalhoff, Johannes Henri van Daalhoff

WORK 16.5'' X 21" FRAME 21'' X 26" SOME AESTHETIC/SURFACE DAMAGE TO FRONT OF FRAME Hermanus Antonius van Daalhoff was a Dutch painter who was born in 1867. Kasteel het Nijenhuis featured Hermanus Antonius van Daalhoff's work in the past.Hermanus Antonius van Daalhoff's work has been offered at auction multiple times, with realized prices ranging from 40 USD to 9,857 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 9,857 USD for Klokken van het land, sold at Christie's Amsterdam in 1999. The artist died in 1953. Artist's alternative names: Henri A. van Daalhoff, Henri van Daalhof, Henry van Daalhoff, Hermanus Antonius Daalhoff, Johannes Henri van Daalhoff

18.5'' X 15'' UNFRAMED PLEASE NOTE THAT THERE ARE SOME AREAS OF SCRATCHES/DAMAGE ON THE PAINTING (AS PICTURED), INCLUDING A SMALL PUNCTURE IN THE CANVAS. Hermanus Antonius van Daalhoff was a Dutch painter who was born in 1867. Kasteel het Nijenhuis featured Hermanus Antonius van Daalhoff's work in the past.Hermanus Antonius van Daalhoff's work has been offered at auction multiple times, with realized prices ranging from 40 USD to 9,857 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 9,857 USD for Klokken van het land, sold at Christie's Amsterdam in 1999. The artist died in 1953. Artist's alternative names: Henri A. van Daalhoff, Henri van Daalhof, Henry van Daalhoff, Hermanus Antonius Daalhoff, Johannes Henri van Daalhoff

WORK 10'' X 14" FRAME 16'' X 20" Hermanus Antonius van Daalhoff was a Dutch painter who was born in 1867. Kasteel het Nijenhuis featured Hermanus Antonius van Daalhoff's work in the past.Hermanus Antonius van Daalhoff's work has been offered at auction multiple times, with realized prices ranging from 40 USD to 9,857 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 9,857 USD for Klokken van het land, sold at Christie's Amsterdam in 1999. The artist died in 1953. Artist's alternative names: Henri A. van Daalhoff, Henri van Daalhof, Henry van Daalhoff, Hermanus Antonius Daalhoff, Johannes Henri van Daalhoff

WORL 10.5'' X 14" FRAME 15'' X 19" Hermanus Antonius van Daalhoff was a Dutch painter who was born in 1867. Kasteel het Nijenhuis featured Hermanus Antonius van Daalhoff's work in the past.Hermanus Antonius van Daalhoff's work has been offered at auction multiple times, with realized prices ranging from 40 USD to 9,857 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 9,857 USD for Klokken van het land, sold at Christie's Amsterdam in 1999. The artist died in 1953. Artist's alternative names: Henri A. van Daalhoff, Henri van Daalhof, Henry van Daalhoff, Hermanus Antonius Daalhoff, Johannes Henri van Daalhoff

WORK 15'' X 18" FRAME 19'' X 22.5" Hermanus Antonius van Daalhoff was a Dutch painter who was born in 1867. Kasteel het Nijenhuis featured Hermanus Antonius van Daalhoff's work in the past.Hermanus Antonius van Daalhoff's work has been offered at auction multiple times, with realized prices ranging from 40 USD to 9,857 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 9,857 USD for Klokken van het land, sold at Christie's Amsterdam in 1999. The artist died in 1953. Artist's alternative names: Henri A. van Daalhoff, Henri van Daalhof, Henry van Daalhoff, Hermanus Antonius Daalhoff, Johannes Henri van Daalhoff

WORK 12'' X 16" FRAME18'' X 22.5" Hermanus Antonius van Daalhoff was a Dutch painter who was born in 1867. Kasteel het Nijenhuis featured Hermanus Antonius van Daalhoff's work in the past.Hermanus Antonius van Daalhoff's work has been offered at auction multiple times, with realized prices ranging from 40 USD to 9,857 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 9,857 USD for Klokken van het land, sold at Christie's Amsterdam in 1999. The artist died in 1953. Artist's alternative names: Henri A. van Daalhoff, Henri van Daalhof, Henry van Daalhoff, Hermanus Antonius Daalhoff, Johannes Henri van Daalhoff

WORKS 8'' X 10" FRAMES 15'' X 13.5" Hermanus Antonius van Daalhoff was a Dutch painter who was born in 1867. Kasteel het Nijenhuis featured Hermanus Antonius van Daalhoff's work in the past.Hermanus Antonius van Daalhoff's work has been offered at auction multiple times, with realized prices ranging from 40 USD to 9,857 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 9,857 USD for Klokken van het land, sold at Christie's Amsterdam in 1999. The artist died in 1953. Artist's alternative names: Henri A. van Daalhoff, Henri van Daalhof, Henry van Daalhoff, Hermanus Antonius Daalhoff, Johannes Henri van Daalhoff

SIGNED DAVID ISSIGAITOK SOAPSTONE POLAR BEAR CARVING AND UNSIGNED SOAPSTONE MOTHER & CHILD CARVING POLAR BEAR CARVING MEASURES 9'' IN LENGTH https://www.mutualart.com/Artist/David-Issigaitok/C9279BA458BB2BF2/Biography