A pair of Italian French Provincial style bergere chairs. Imported by David Michael model GL-2303-B-P. Carved European Beechwood on cabriole legs. Light pink upholstery with foliate and floral pattern. 45 3/4" x 31" x 32".

A group of two contemporary French Provincial occasional tables and a coffee table. ++ Occasional table 24 1/4" x 25 1/2". ++ Coffee table 18 1/4" x 26 1/2" x 52".

A Louis XV style coffee table. Burlwood veneer and marquetry inlaid top. Scroll form legs with acanthus leaf decoration. 20 1/2" x 32" x 56".

A group of four Italian Angelo Cappellini fauteuil chairs. Imported by David Michael model AC-2329-P. Carved European Beechwood with striped red and gold upholstery. 39 1/2" x 24 1/2" x 20".

Designer French Provincial table. 20th Century. Cream painted with hand painted floral design, black matte with glass cover, three drawers on one side, raised on cabriole legs. 30" x 59" x 52"

An Italian French Provincial settee. Imported by David Michael model GL-2303-B-D-3. Carved European Beechwood on cabriole legs. Light pink upholstery with foliate and floral pattern. 46 1/2" x 88" x 38".

An Italian Louis XV dining table and eight chairs. Meroni Francesco E Figli for Versailles Galleries. Table has craquelure cream colored finish with painted floral design, gold accents, and hanging floral swags. Six chairs and two arm chairs with balloon backs and fluted legs. Table 30" x 45 1/2" x 100". Side chair 39" x 20" x 16". Arm chair 24" x 41 1/2" x 21 1/2".

An Italian Louis XV dining table and eight chairs. Meroni Francesco E Figli for Versailles Galleries. Table has craquelure cream colored finish with painted floral design, gold accents, and hanging floral swags. Six chairs and two arm chairs with balloon backs and fluted legs. Table 30 1/2" x 130" x 50 1/2". Arm chair 41" x 22" x 24". Eight side chair 38 1/2" x 19" x 19 1/2".

An Italian Louis XV sideboard. Meroni Francesco E Figli for Versailles Galleries. Four paneled mirror with gold and floral swag accents. Four drawer over four door breakfront crackle glaze sideboard raised on fluted feet. 84" x 40" x 24".

A Schimmel 256 Tradition Grand Piano. ++ Polished ebony finish. Bavarian high altitude solid spruce soundboard, triplex system, mineral key tops, ebony sharps, traditional sand cast plate, mass reduced flexible bridge, solid brass hardware, nickel plated steel tuning pins. Serial 296.304. 8’4"x 5'. Condition: Pin back has damage.

An Eames 670 lounge chair and 671 ottoman designed for Herman Miller. Black veneered shell and black leather upholstery and enameled aluminum frame. Each have decal and manufacturer's label on underside. Chair: 32 1/2" x 33" x 33". Ottoman: 17" x 26" x 23". Condition: Some cracking to leather, scuff on the back of chair,

Custom modern design rosewood cabinet set, circa 1960-70s. Garrard 401 turntable, Leak FM Tuner, and Leak Stereo 30 receiver. A pair of Wharfedale Ltd. Model W2 Dovedale speakers. Stereo cabinet 34" x 24 1/2" x 18 1/2" and speaker 24" x 12" x 14". Condition: Untested. Provenance: The Estate of Giraud V. Foster.

A Sonneman style eyeball floor lamp. Foot switch on power cord. 20th century. 16" x 48". Condition: Surface dirt on shade and base, light scratches to stand. Provenance: The Estate of Giraud V. Foster.

A Bornholm rosewood double pedestal desk. Danish. 20th century. Rectangular top over suspended cabinets, on tapered legs. Three pull drawers on front left, one filing drawer on front right. Back has open storage. Marked on drawer. 28 3/4" x 58" x 27 1/2" Condition: Wear on top consistent with age. Provenance: The Estate of Giraud V. Foster.

A Sonneman style chrome eyeball floor lamp. Swing arm style to adjust height and foot switch on power cord. 20th century. 28 1/2" x 58 1/8". Condition: Residue on shade, light scratches to stand and base, and wear to handle. Provenance: The Estate of Giraud V. Foster.

Federico De Majo Murano glass mushroom lamp. Retailed by Vetri D Murano. White opaque glass with burgundy glass bead. De Majo Murano and Vetri D Murano labels on side. 18" x 15". Condition: Lamp functions.

A contemporary waterfall table. Book matched veneer top. Square wood base. 59" x 50" x 14".

A group of four matching contemporary alligator leather chairs. Wood frame with metal arm with alligator leather seat and back. 27 1/2" x 20" x 20 1/2".

A group of two Phill Evans (California, 20th Century) stone and steel sculptures. "Canyon Crest" bench with arching steel back and frame and stone seat. 87" x 21" x 26". "Meta Signal" table with steel base accented with two stones and granite table top. 26" x 37" x 20". Provenance: Purchased in 1997 from Coda Gallery Palm Desert, CA. Includes certificate of authenticity for both pieces.

A group of three matching contemporary alligator leather chairs. Two chairs match. Metal stands with alligator leather seat and back. Pair 30" x 19" x 18" and single chair 30" x 15" x 20 1/2".

A Vitosi Murano six fixture chandelier with twenty-six six inch glass disks with opaque white centers. 14" x 18". Condition: Missing four disks.

A Hollywood Regency Lucite acrylic tall case clock. Includes metal tag for "Stevens & Co./ Boca Raton Fla." Clock has a German Urgos movement with tube chimes, 3 brass weights, and an acrylic and brass pendulum. Clock 68" x 16" x 11".

Brose, Morris (Polish, 1914-2000) "Roma IV." 1961. Bronze sculpture. Inscribed with title, signature, and date l.r. 16" x 18" x 1". Condition: Some discoloration.

Ackerman, Robert. "Track." 1980. Oil on canvas. Signed, titled and dated on frame. 94" x 48".

Gilliam, Ed (American, b. 1941). Group of nude women. 1981. Oil on canvas. Signed and dated on verso. 65 1/2" x 68".

A comic collage titled "Heroin." Repeated Dell Comics for Disney "Scamp" comics of two dogs pasted on canvas.1974. Titled, signed, and dated on verso "Dillon 9/74". 76 1/4" x 83".

An abstract composition. 1979. Acrylic on canvas. Dated and initials "D.S" l.r. 81 1/4" x 37 1/4".

Parker, Bill (American, b. 1922). "Table de Nuit." 1956. Abstract composition. Oil on canvas. Initials and date l.c. Signed on verso. Label from Galerie Max Kaganovoch and M. Knoedler & co inventory number. Frame: 25 1/4" x 21". Sight: 24" x 19 3/4". Condition: dent u.l.

de Lima, Jose Antonio (Brazilian, b.1955). Abstract composition. 1989. Mixed media on board. Signed on verso. 36 1/2" x 19".

de Lima, Jose Antonio (Brazilian, b.1955). Abstract composition. 1992. Mixed media on board. Signed and dated l.l. and on verso. 33 1/2" x 25 1/2".

de Lima, Jose Antonio (Brazilian, b.1955). Abstract composition. 1993. Mixed media on board. Signed and dated on verso. 36" x 48".

Botello, Angel (Spanish/Puerto Rican, 1913-1986). Thinking girl. Oil on panel. Signed l.r. "No. 1.348" on verso. Frame: 20 1/2" x 17 1/2". Sight: 11 3/4" x 8 5/8".

Stoilov, Stoimen (Bulgaria, b. 1944). Persephone dropping pomegranates with a painter behind her. Oil on canvas. Signed l.r. Frame: 64 1/4" x 48 1/4". Sight: 58 1/2" x 42 1/2" Provenance: The Estate of Giraud V. Foster.

Desetvin, Jose Illa (Mexican, active 20th century). Adam and Eve with snake and angel Gabriel. Acrylic on board. Signed u.l. Frame: 49 1/2" x 38". Sight: 31" x 42". Provenance: The Estate of Giraud V. Foster.

Nichols, Dale (American, 1905-1995). "Heavy Heavy Hangs Over." 1965. Oil on canvas. Signed and dated l.l. Titled and signed on verso. Frame: 36" x 41". Sight: 31 3/4" x 36 3/4". Condition: Some craquelure, residue spot u.c., chips to paint where canvas sits in frame at u.c.

Goodnight, Veryl (American, b. 1947) "The Day the Wall Came Down." 1999. Bronze sculpture depicting horses leaping over pieces of the Berlin Wall. Incised signature and date on back. Signed by artist and former president George H.W. Bush on pedestal. 8" x 10" x 17". Condition: Scratches to wood pedestal. Provenance: Original outside of the George H.W. Bush Presidential library in College Station, TX.

Hopkins, Budd (American, 1931-2011) "Purple Abstraction" 1963. Oil on panel. Signed l.l. Frame: 11 3/4" x 15". Sight: 11" x 14". Condition: Slightly warped, a few small chips in paint along bottom edge. Provenance: Inscription on verso: Purchased from the collection of Henry H. Hecht Jr. on 4-15-66

Ackroyd, Norman (British, b.1938) "Entrance to a City." Oil and mixed media on canvas. Label on verso. 48" x 36". Condition: Warping to canvas u.r., flaking of applied paper l.r.

Richard Bauer (California, b. 1944) mixed media sculpture of standing man. Fiberglass, paint, and plaster bandages. 62" x 40' x 11".

Richard Bauer (California, b. 1944) mixed media sculpture of nude woman with chained hands. Fiberglass, paint, and plaster bandages. 48" x 17" x 9" Provenance: Purchased in the 1990s from the Cure Gallery Los Angeles, CA

Richard Bauer (California, b. 1944) mixed media sculpture of nude man with chained hands. Fiberglass, paint, plaster bandages, and metal chains. 45" x 18" x 12". Condition: Cracking across upper chest of sculpture. Provenance: Purchased in the 1990s from the Cure Gallery Los Angeles, CA

Vijali Clark (California, b. 1939) studio pottery wall plaque of mother with child, 20th Century. Signed on reverse "Vijali Clark/ 2825 Hidden Valley/ Santa Barbara, CA, 95108." 19 3/4" x 18 1/2" x 2". Condition: Wear on corners and edges.

Bob Moore (California, 20th Century) kinetic steel sculpture. Textured steel block raised on wires on a square base. Unmarked. 18 1/4" x 29 1/4" x 3 1/2". Provenance: Purchased in 1996 from the Del Mano Gallery and Studio, Pasadena, California.

Vijali Clark (California, b. 1939) studio mixed media sculpture of recessed pregnant mother, 20th Century. Signed on reverse "Vijali Clark/ 2825 Hidden Valley/ Santa Barbara, CA, 95108." 33 1/2" x 24" x 6".

Erte; Romain De Tirtoff (New York/France, 1892-1990). "Vintage" gilt carved glass on black marble stand, with light. edition 47/95, Crystal Editions, Inc., 1984, signed lower right "Erté", 23 1/4" x 26 1/4".

Erte, Romain De Tirtoff (New York/France, 1892-1990). Cold painted bronze statue, "L'amour." Marked on base "372/375 Fine Art Acquisitions" C.1985. 21" x 7" x 4"

Erte; Romain De Tirtoff (New York/France, 1892-1990). Cold painted bronze statue "Twlight." Marked on base "267/375 - Fine Art Acquisitions - Initialed - Copyright 1986". 20 1/4" x 10" x 5 1/4".

Erte; Romain De Tirtoff (New York/France, 1892-1990). Cold painted bronze sculpture "Her Secret Admirers" c.1988. Marked on base "C.1988 Chalk and Vermillion And Seven Arts 148/375". 23 1/2" x 14" x 5".

Erte; Romain De Tirtoff (New York/France, 1892-1990). Cold painted bronze statue "Ready for the Ball." Marked on base " 348/500 C.1990 Seven Arts Ltd. London /X". 17 1/2" x 11" x 4 1/2".

Erte; Romain De Tirtoff (New York/France, 1892-1990). Cold painted bronze statue "Woman and Satyr" c.1985. Marked on base "144/375 Fine Art Acquisitions C.1985". 17 1/4" x 9" x 5 1/2".

Erte; Romain De Tirtoff (New York/France, 1892-1990). Cold painted bronze statue "Follies Bergere." Marked on base "C.1987 Chalk & Vermilion & Seven Arts 64/375" with initials "JM". 18 1/2" x 10 1/2" x 7 1/2"

Leyrer, Dani Shirley (California, 20th century.) Bronze statue "Enchante" mounted on marble base, resting on lazy susan on marble base with title plaque. "Enchante 8 of 20 by Dani" 29" x 9" x 9".

Hart, Frederick (American 1943-1999) "Passages" acrylic (Lucite) sculpture. From "The Age of Light" series. Signed "Hart". "265/350 C. 1987 FHFAR". Includes Includes lighted stand in faux white marble design. 17" x 17 1/2" x 4 1/2". Pedestal 44" x 12" 15".

Wilkinson, Michael (American, 20th/21st). Dream Fragment. 1989. Frosted cast acrylic sculpture of a nude woman looking back at her reflection. Edition 196/300. Etched date and signature on corner near base. Comes with lighted pedestal. Sculpture: 20" x 11" x 10 3/4". Base: 36" x 15" x 12"

Blank, Martin (American, b.1962). Clear glass sculpture backed by copper leaf in the form of a male figure with both legs and arms extended. 1999. Signed and dated near base. 30" x 18 1/2".

Antique Persian Kashan rug. 106" x 138".

Antique Russian Turkmen prayer rug. 5'2" x 4'. Provenance: The Estate of Giraud V. Foster.

Afghan vegetable dye rug. 11'7" x 10'. Provenance: The Estate of Giraud V. Foster.

Antique Persian Heriz. 11' x 8'3". Provenance: The Estate of Giraud V. Foster.

Persian Sarouk rug. 3'4" x 5'1". Condition: Faux applied fringe. Provenance: The Estate of Giraud V. Foster.

Persian Sarouk hand knotted rug. Red field. 3'7" x 4'10". Provenance: The Estate of Giraud V. Foster.

Vintage Turkish rug. Medallion on red field. 107" x 54". Provenance: The Estate of Giraud V. Foster.

A Persian Afshar rug. 20th century. Wool and cotton blend. Red ground with stylized geometric and floral motifs. 13'4" x 10'3".

A William Morris style fabric cushion. Late 20th century. Depicts light pink leaves, grapes, vines, and fruit on a darker pink background. 25" x 19 1/2". Condition: Fading, abrasions along edges and center right side, and repaired holes center and left side. Provenance: The Estate of Giraud V. Foster.

Louis Vuitton courrier trunk, circa 1896-1920s. LV Monogram pattern on canvas wood exterior. Red Louis Vuitton tag on right side of inside corner with stamped serial number 127751. Louis Vuitton markings on metal fixtures, including lock, rivets, and handles. Named on side "Barnett Concord Massachusetts." 23" x 35" x 21" Condition: Heavy wear to outside of trunk. Tear in front of canvas. Torn ecru ribbons on the inside of lid, wear to satin interior. One interior drawer is missing its lid.

An English brass balance scale for 10lbs on wood stand. Column suspending the crossbar holds two balancing dishes. Marked "London" and "...& Co," Most likely Gilbert & Co but full mark is incomplete. 28 1/4" x 23 3/4" x 11 1/2". Provenance: The Estate of Giraud V. Foster.

George I oak and brass peat bucket, of tapering oval form with an elliptical cut to the top edge, heavy brass wire swing handle. 14" x 13" x 11 1/8". Condition: Using related abrasion to the inside of brass bucket. Provenance: The Estate of Giraud V. Foster.

A Georgian brass-bound mahogany wine cistern. Late 18th/Early 19th century. Has drop ring handles and a conforming zinc liner. 12 1/2" x 37" x 19".

English coppered oak and brass cellarette. Has brass bands, oak barrel staves, flanking brass handles and is raised on three brass paw feet with copper tacks. 15 3/4" x 19 1/4" x 16". Condition: Age-related gaps between each wood plank; tear and wear to the wood. Provenance: The Estate of Giraud V. Foster.

A pair of English brass beehive form andirons. 18th/19th century. They have spurred arches, ball feet and beehive finials. 16 1/2" x 8 1/2" x 12 1/4" Condition: Rust, some scuffing. Provenance: The Estate of Giraud V. Foster.

A group of two copper vessels. ++ Coal scuttle with top swing handle. 16 1/2" x 11". ++ Pitcher with rear and top swing handles. Worn down monogram on one side.12" x 12 1/2". Condition: Discoloration, small dents consistent with age and use. Provenance: The Estate of Giraud V. Foster.

An English cast iron fireback with a design of three central figures below a tassel. 18th/19th century. Inscription on bottom register and dated at bottom. "1697". 26 1/2" x 16 1/4". Condition: Wear consistent with age and use. Damage to l.r. corner. Provenance: The Estate of Giraud V. Foster.

English cast iron fireback with double headed eagle with crown above pillars to either side, 18th or 19th Century. 24" x 22". Provenance: The Estate of Giraud V. Foster.

A pair of brass andirons with lion head ornamentation on front of base. Circa 1730. Having steeple finials and scrolled feet. 13 1/2" x 7 1/2" x 9". Condition: scuffing on sides. Provenance: The Estate of Giraud V. Foster.

An English Regency brass fire rail. Circa 1820. The ends are two rectangular pediments with masks, surmounted by bronze griffins. 11 1/2" x 37 1/2" x 3". Condition: One griffin has crack in back wing. Left end not securely attached to center. Provenance: The Estate of Giraud V. Foster.

Antique cast iron Classical form urn. Egg and dart design around lip, putti holding swag pattern around body with two lion head handles. 39" x 30" Condition: Heavy oxidation. Provenance: The Estate of Giraud V. Foster.

A group of three cast iron Classical form urns on stands. Satyr mask decoration with scroll form handles,. 37" x 22". Condition: Heavy oxidation.

A group of two Classical lead fountain figures.++ Tall boy with double flute with a lion pelt cape. 30 1/2" x 10 1/2" x 9" ++ Small cherub riding a dolphin. 19 1/2" x 9" x 6" Condition: Tarnish from exposure to the elements. Indentation in right arm of tall boy figure.

Architectural column capital glass topped side table. Stone capital depicts a ram flanked by vines with two metal arms mounted to reverse. 17 1/2" x 19" x 11". Condition: Loss on capital consistent with age.

An antique carved wood Corinthian order column capital. Converted to side table with particle board top. 19" x 19". Provenance: The Estate of Giraud V. Foster.

Antique cast iron Corinthian column capital. 12 1/2" x 16 1/2" Condition: One upper scroll is separated. Paint peeling.

An High Irish George II mahogany chest on stand, Mid 18th century. Stand has central shell motif flanked by two flowers and rocaille flourishes against a carved diamond lattice background, raised on claw and ball feet. ++ Chest retailed by Millar and Beatty, Dublin (1851-1959). Brass fixtures with hinged lid. ++ Chest 23 1/4" x 22 3/4" x 50 1/2". 24 1/2" x 52" x 15 1/2" Provenance: The Estate of Giraud V. Foster.

English Queen Anne oak dresser base or sideboard. C.1720. Three drawers raised on cabriole legs with pad feet. 32 1/2" x 88" x 22". Provenance: The Estate of Giraud V. Foster.

Set of six Queen Anne dining chairs. 19th century. Raised on cabriole legs with acanthus leaf decoration. 46 3/4" x 17" x 19 3/4". Condition: One splat has repair. Two other splats have cracks. Provenance: The Estate of Giraud V. Foster.

A English regency cabinet, early 19th century. Walnut veneered on the front and painted pine sides. Dentil molding on crown, two large glazed glass doors over two doors. Includes ten shelves with four felted. 101" x 57 1/2" x 19 1/2". Provenance: The Estate of Giraud V. Foster.

English Queen Anne low boy. Walnut veneer, 19th Century. Three drawers raised on cabriole legs with pad feet. 28 1/2" x 30 1/4" x 19". Condition: Staining and cracking of veneer, with some loss. Provenance: The Estate of Giraud V. Foster.

Provincial Irish marble topped low table, 19th Century. Pierced lattice work on front and sides of skirt. Central carved griffon on front. Raised on cabriole legs with acanthus leaf decoration and ball and claw feet. 17 1/4" x 33" x 19". Provenance: The Estate of Giraud V. Foster.

English Queen Anne oak chest on stand, circa 1720. 5 drawers over three drawers. Original brass batwing pulls and escutcheons. Pierced carved double entwined snake on skirt of stand, shell motif on legs, raised on cabriole legs with pad feet. 63 1/2" x 38 1/2" x 20" Condition: Crack in stand between central and right drawer. Loss on back edge of top. Right side molding on base is separating. Provenance: The Estate of Giraud V. Foster. Purchased from Mr. Mayor on. Church St. in London, early 1960s.

George I walnut chest of drawers, circa 1730. walnut veneered front and sides. Brass etched bat wing pulls and escutcheons. Three drawers over three drawers. Raised on bracket feet. 38 1/4" x 39 1/2" x 19 1/2" Condition: Separating veneer on top along crack. Loss off veneer. Crack across right side. Provenance: The Estate of Giraud V. Foster.

English Charles II oak straight back Wainscot chair, 17th Century. Ornately carved. 40" x 27 1/2" x 18 1/2". Condition: Repair to left arm. Provenance: The Estate of Giraud V. Foster.

Antique English oak chest, 17/18th Century. Carved front panels with lift top. 24" x 40" x 19". Provenance: The Estate of Giraud V. Foster.

An English Charles II chest of drawers, 17th Century. Including original brass fixtures. Molded drawer fronts, geometric carved side panels. Raised on straight legs. 32" x 30 1/4" x 19 3/4". Condition: Missing two sections of molded drawer front. Provenance: The Estate of Giraud V. Foster.

English Queen Anne bureau fall front desk, early 18th century. Walnut veneered. Ormolu not original. Hinged fall reveals pigeon holes, six drawers, and door, over five drawers with batwing pulls, raised bracket feet. 40 1/2" x 36 1/4" x 19 1/2". Condition: Veneer separating across piece with wear. Loss on top of drop Provenance: The Estate of Giraud V. Foster. Purchased in Kensington, London 1961.

English Queen Anne diminutive chest of drawers circa 1710. Walnut veneer. Four drawers with original brass fixtures, pulls and escutcheons. Raised on bracket feet. 31" x 30 1/4" x 18 3/4" Condition: Two cracks in veneer along trop. Loss of veneer along top edge and skirt. Crack in left side of case. Missing section below top molding. Provenance: The Estate of Giraud V. Foster.

English Queen Anne chest on stand, first half of 18th century. Mahogany veneer. Five drawers over two with brass batwing pulls and escutcheons, raised on cabriole legs with pad feet. 63" x 28" x 20 1/4". Condition: Crack in right side of upper case. Missing escutcheon on one drawer. Loss of veneer on base along molding. Provenance: The Estate of Giraud V. Foster.

English cherry Queen Anne drop leaf work table with rear gate leg, c.1720. Raised on straight legs with pad feet. 27 1/2" x 27 1/4", 13 1/4" across closed and 26 1/2" open. Provenance: The Estate of Giraud V. Foster.

A group of three Queen Anne dining chairs, 19th Century. Shell motif on crest and front leg, raised on pad feet. 39" x 14 1/2" x 21 1/2".

A French Boin-Taburet silverplate-mounted mirrored plateau, circa 1873-1901. Marked Boin-Taburet with hallmark on reverse. 35" x 21" x 1 3/4" Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

Silverplate mirrored plateau, late 19th century. Riveted design around side, raised on claw feet with casters. Bottom wood stamped "ACLXXX1". 1 2" x 29 1/2" x 19".

A pair of Sevres urns, late 18th century. Soft paste porcelain with blue ground work and decorated with gold flora and stem swirls. Lid has a pineapple finial. The front of the vases depict intimate scenes between lovers and the versos display an arrangement of bright florals. Incised marks of "C NI" on inside of urn covers. Marked with Sevres manufacture mark. 8" x 21 3/4".

A pair of Royal Vienna cabinet urns. 19th century. Pink and gold double handle covered urn attached to matching bases with neoclassical vignettes on each side. Faint beehive mark on base. 8 1/2" x 2 1/2" x 2 1/2". Condition: Light wear to surface. One with top of finial detached but included. Provenance: From the estate of a private collector, Potomac, Maryland.

A group of four Zurich porcelain plates with floral designs and scalloped edges. Marked on base with "Z" manufacture mark. 9 1/4".

A Royal Vienna painted porcelain plate in wood frame. 19th century. Central scene depicting the arrival of Karl V. in Antwerp and gilded foliate motifs around the rim. Signed "Vogler" on lower left side. Blue underglaze mark and "Einzug Kaiser Karl V. in Antwerpen" on verso. Dia: 9 1/4". Frame: 16" x 16". Condition: Not examined out of frame,

A group of Three Sèvres Green-Ground Plates. Green and gilt border with central floral design. Marked on base. 9 3/8" x 9 3/8" x 1". ++ One plate from Empress Josephine's Service a Fleurs. Circa 1808-1809. ++ Two plates from Edward, Duke of Kent. Gifted by King Louis XVIII. Circa 1812. Condition: One plate has repainted areas. Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

A Herend, Hungary porcelain leopard, in brown fish scale pattern with gilded accents. Herend mark on his hind left foot. Hand written numbered "5290-0-00/SVHBR2 1 2002" and signed "Vecsey Tamas 11-25-02". 5 7/8" x 17 7/8". Condition: Good condition.

A Sevres porcelain jeweled cup and saucer, circa 18th century. Light pink ground with gilt accents. Cup has portrait of a Gabrielle d'Estrees (France, 1573-1599) on front. Marked on base. Name on bottom of cup is "Gabrielle d'Estrees". Cup: 2 1/2" x 3 1/4" x 2 1/2". Saucer: 5 1/2" x 5 1/4" x 1 1/2". Condition: Porcelain is chipped and decoration is faded in some areas. Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

A Meissen porcelain tureen and underplate with hand painted floral design. Circa 1763-1774. Marked on base with blue crossed swords under glaze. Finial of a putti holding a cornucopia with flowers tumbling out of it. Tureen 12" x 15" x 7". Underplate 11" x 19 1/4" x 3 3/4". Condition: Lid is repaired and spots of missing paint. Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

A thirty-seven piece Meissen porcelain tea service with floral and gold design, circa 1815-1924. Includes eleven teacups, twelve saucers, two teapots, one sugar bowl, one creamer, eleven plates. Marked on base with blue crossed swords under glaze. Smallest: 4 1/4" x 3 1/2" x 2 1/2". Largest: 9" x 6" x 6". Repairs and some discoloration. Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

A Lladro 'Venus' gres ceramic bust of a woman playing with her hair.1982. Stamped on base. 23" x 15" x 9". Condition: Some discoloration

Lino Tagliapietra (Italian, 1934-) glass charger. Etched signature on reverse, "LINO TAGLIAPETRA, F31, MURANO, 32/100, 1982." 15 3/4" across. Condition: Light scratches on reverse.

Lino Tagliapietra and Marina Angelin "Pueblo" glass platter. Effetre International for Oggetti glass. Signed on underside "Tagliapietra/Angelin By F31 Murano 16/100 1984." 19" across.

A group of seven enameled Lobmeyr and three unmarked glass pieces. Smallest: 1 1/2" x 1 1/2" x 2 1/4". Largest: 9" x 9" x 1". ++ Lobmeyr glass includes six cordial glasses and one cordial decanter. Marked with manufacture's mark.++ Unmarked pieces includes two plates and one bowl. Condition: Some fading of gold paint on the rims, decanter is chipped and has residue inside, as well as one of the cordial glasses. Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

Opaline blown-glass casket box with gilt hardware. Light green color. 4 1/4" x 4 1/4" x 2 1/2". Condition: Very good. One corner of base chipped

A group of two matching Opaline scent/perfume bottles with spherical stoppers. Medium green tone. Blown Glass. Dim: 3 "x 7.5" tall with stoppers. ++ Opaline bulb-form decanter with round stopper. Blown glass. 11". Condition: Very Good.

Antique green Opaline bottle and vase. ++ Uranium Opaline light green bottle with stopper. Blown glass. Dim: 2"x7.25". Some bubbles, some gilt rubbed off. ++ Uranium Opaline bottle-neck vase with gilt rim and base details. Blown glass. Cracking to inside. Dim: 4.5"x4.5"x5".

A group of two green Opaline glass boxes with gilt hardware. ++ Green Opaline jewelry box with gilt hardware. Blown glass. 4.75". ++ Leaf-shaped green Opaline jewelry box with gilt hardware. 3" x 2.25" x 1.75". Condition: Near fine. some scuffing to gilt hardware.

A group of eight Steuben jade and alabaster two-tone wine glasses. Early 20th c. Blown glass. Jade cup and alabaster stem. Marked Steuben on outer rim of stems, etched. Condition: Very good. some hairline cracks.

A group of two Jade Steuben glass vases, 1 marked ++ Swirl pattern Uranium Opaline green vase. Blown glass. Unmarked, possibly Steuben. ++ Jade uranium glass Steuben ribbed vase. Marked. 8". Condition: Very good condition.

Assorted Green Opaline tableware pieces, 5 pieces total. ++ Wide-mouth blown glass vase with gilt rim. 6"x5". ++ Large shell-form plate.10" x 9.5". ++ Small shell-form plate with gilt rim. 5.75" x 5.25". Chip to edge. ++ Pressed glass bud vase. 2" x 8.5". ++ Small dish with gilt rim. Rubbing to gilt. 3.5" x 3.5".

A group of four signed Quezal ribbed tulip shades with brass electric chandelier. All signed with wheel etch signature. Shade 5 1/4" x 3 1/2" and fixture 5 1/2" x 13 1/2". Condition: Two have small chips on lips of shade.

A group of three Tiffany Studios gold dore pieces. ++ Tiffany Studios gold dore compote, circa 1902–32. Marked underside of lip "Tiffany Studios/ New York/ 1664. 4 1/2" x 9". ++ Louis C. Tiffany Furnaces, Inc. gold dore and enameled plate, circa 1920–28. Marked on underside "Louis C. Tiffany Furnaces, Inc./ Favrile/ 309." 8 1/4" x 3/4". ++ Louis C. Tiffany Furnaces, Inc. gold dore enameled and jeweled plate, circa 1920–28. Marked on underside "Louis C. Tiffany Furnaces, Inc./ Favrile/ 413." 8 1/4" x 3/4". Condition: Wear across enamel and surface of plate and bowl. Heavier wear on bowl with loss of enamel.

A group of two pairs of signed Quezal Art Glass shades on fixtures. ++ A pair of signed Quezal King Tut shades with a brass wall sconce. Both signed with wheel etch signature. Shades 3 1/4" x 4 1/2" and sconce 6 1/4" x 9" x 5 1/4" ++ A pair of signed Quezal green and white pulled feather shades on brass electrolier stands. Both signed with wheel etch signature. Shade 5 3/4" x 5 1/4" and stands 4 3/4" x 4".

Tiffany Studios "Tyler" bronze lamp with leaded glass shade. Patinated bronze Grecian style footed urn raised on a quadruple fluted legs with pad feet. Base stamped with the number ten and the number 11. Light fixture insert marked with 1900-1902 TGDCO monogram above "D. 888/ TIFFANY STUDIOS/ NEW YORK." After Tiffany Studios acorn or vine shade. Marked with brass tag on inside of shade "Tiffany Studios New York." Lamp base 15 1/2" x 14 1/4" x 7 1/2". Shade 15 3/4" x 6 1/2". Chimney 10 1/2" x 3 1/2".

A stained glass window with a floral design featuring morning glories weaving through a trellis. In wooden frame. Circa 1890's. Window: 36 5/8" x 60 1/2". Frame: 40 1/4" x 63 7/8". Condition: A few minor cracks.

A table lamp with a metal capped sheep horn base. Embroidered lampshade with feathered trim. With shade: 27". Horn: 6 3/4" x 11 3/4". Provenance: The Estate of Giraud V. Foster.

A pair of tin tea containers converted to lamps. In a cylinder shape. Made from a metal container that was originally used to store tea. Depicts a heraldry on a red ground. Meander surrounds the rim of the container. Brass lamp top with coil. Two carved soapstone on the top of shades. Without shade: 21 1/2" x 9 1/4". Condition: Age-related abrasion to the surface, cause the design to blur. The tin containers are out of shape. Provenance: The Estate of Giraud V. Foster.

A pair of marble garnitures with bronze sphinx statue supporting urn. Electrified into lamps. Four square bronze feet as urn stands. Without shade: 16 7/8" x 6 1/4". Condition: Some stains to the top plate; age wear to the bronze; some chips to the bottom garniture base. Provenance: The Estate of Giraud V. Foster.

Pair of Windermere Asian style porcelain lamps. Depicting pink, blue and yellow flowers and green leaves on a black ground. Two green Foo dogs double handle to each side. Two bulge blue dragons surrounded the shoulder of vase. Mounted on a wood stand, with metal lamp top. Shade not include. 25 1/2" x 8". Condition: Good condition. Provenance: The Estate of Giraud V. Foster.

A French bronze mantle clock. 19th century. Urn form finial flanked by scrolling handles. Body with rococo style raised foliate decoration. Round face with inset enamel roman numerals. Comes with pendulum. Key not included. 18 2/2" x 12" x 3 1/2". Provenance: From the estate of a private collector, Potomac, Maryland.

An Aaron Willard Junior, Boston banjo wall clock, 19th century. Mahogany case. Reverse paint throat glass and glass panel depicting the Constitution and the Guerriere. 29" x 10" x 4". Condition: Water staining to wood. Significant wear. Chip in bottom panel of glass. Brass fixture on left side is separated. significant loss of paint on finial.

Howard and Davis, Boston no. 2 banjo wall clock, circa 1847-1842. Rosewood painted grain case. Face plate marked "Howard and Davis/ Boston." Original reverse painted glass bottom panel, with replaced throat glass panel. 3'2" long case. 44" x 15 1/2" x 4". Condition: Replaced finial base.

A Sligh Dorset tall case clock. Mahogany rectangular case on bracket feet. Brass pendulum. 80" x 23 1/2" x 13 1/2".

A Sligh Millennium II limited edition tall case clock. Number 57 of 2000. Mahogany case. Brass plaque on reverse. 85" x 20" x 11".

A Hamilton model 21 marine chronometer, mid 20th century. 14 jewels, fusee movement. Silverplate face marked "HAMILTON / LANCASTER, PA., U. S. A." Dated 1941 and N 25. Brass gimbal mount in glass lidded mahogany case. Case is 7 1/2" x 7 1/2" x 7 1/2".

72 Parkinson & Frodsham, London ships chronometer no. 1753, circa 1830s. Mahogany box with brass gimbal. Clock face marked "Parkinson & Frodsham/ Change Alley/ London/ 1753," 6 1/4" x 6" x 6". Provenance: The Estate of Giraud V. Foster.

A George III Thomas Hunter bracket table clock, circa 1760. Ebonized wood case with ormolu mounts and five pinecone finials. Arched 12" brass with ormolu spandrels and engraved floral design. Silver Arabic and roman chapter ring, strike/silent and regulation dials, and recessed name plate "Thos Hunter/ Jun/ London." Floral engraved back panel to movement. Revolving cylinder music box and chimes. 26" x 14" x 10". Condition: Tarnish on ormolu. Repair to wood surround around face.

A Georgian English tall case clock. Oak tall case with arched hood and brass globe finials. Brass clock face signed John Scott, London. 85" x 18 1/2" x 9 1/2".

An English tall case clock, 19th Century. Hand painted floral clock face with woman and bird. Walnut case, bonnet has two fluted columns with brass Corinthian columns. Canted fluted corners on body raised on bracket feet. 68" x 19 1/2" x 9 3/4".

A British tall case clock, 19th century. Mahogany and walnut veneer. Bonnet has broken pediment arch and turned pilasters. Back supports have been removed. Case has cove molding raised on cut out feet. Painted metal face with a fox hunting scene. 94" x 23" x 9". Condition: Loss of veneer. Molding on left side separated. Crack in glass of bonnet.

An English marquetry tall case clock, 19th century. Hand painted clock face stamped on reverse William Whitaker (England, 1748-1800) and signed John Oakes, Oldham on front. Marquetry inlaid case with conch shell design. 94" x 24 3/4" x 9 1/2". Condition: Clock missing pedestal for one finial. Clock missing hands. One foot is separated.

A T. Wheeler LTD Barometer. England. 20th century. The wooden case has a swan neck pediment with a tapered trunk and includes a hygrometer above a mercury thermometer. London, 12 1/4" x 43". Condition: Contains mercury. Abrasions around top of thermometer and on the back.

A Leopold Lambert (1854-1935) Marquis Fumeur smoking automaton, circa 1890. Emile Jumeau pressed bisque head and hands. Original clothes with wool tweed jacket and pants and felt derby hat with mohair wig. 22 1/2" x 8" x 6" Condition: Untested. Wear to clothes, tear in silk stockings, holes in wool jacket, and damaged silk tie and band on hat. Cigarette holder is broken.

A group of two American Schoenhut wood dolls with sculpted hair. ++ Rare sculpted hair character boy doll. Carved socket head, carved hair with forelock curl, spring jointed body, with antique boy play suit and Schoenhut shoes. Marked on neck with the number 2 and on the back "Schoenhut Doll Pat. Jan.17,1911 USA." 14" x 5 1/2" x 2 3/4". ++ Sculpted hair character girl doll. Carved socket head, carved braids wrapping around the head with a blue bow, spring jointed body, with antique costume and Schoenhut shoes. Marked on the back "Schoenhut Doll Pat. Jan.17,1911 USA." 14" x 6" x 3". Condition: Boy and girl doll have crazing across face and hands, with small chips of paint loss. Small indentation on top of head of boy doll.

A Leica M3 black and chrome film camera with leather carrying case. ++ Double stroke camera. 1956. Serial no. 833053. Summicron 50mm lens serial no. 1369277. Lens cap not included. 3" x 5 3/4" x 2 1/2". ++Brown leather carrying case with buckle straps. Condition: Scratches to base, missing some leather left side. Wear to leather on case.

Peat, Thomas (British, Active circa 1791-1805) Portrait of Dr. Smyth. 1792. Oil on copper. Signed l.r. Titled, signed and dated on verso. Frame: 16 3/4" x 13 1/2". Sight: 12" x 9". Condition: Craquelure throughout. Heavy damage to frame.

Attributed to Lemuel Francis Abbott (British,1760-1803). Portrait of Admiral Keppel. Oil on canvas. 30" x 25". Unsigned and unframed. Condition: Craquelure throughout, scratch u.r. damage to the edge of the canvas. Repair evident to jacket lapel under blacklight, area of paint loss l.l corner.

Portrait of Queen Henrietta Maria (1609-1669) wife of Charles I. In the style of Van Dyck. Oil on canvas. Unsigned. Frame: 34 3/4" x 30". Sight: 29 1/4" x 24 1/2" Condition: Craquelure throughout, small area of damage to left edge of canvas.

Wake, John Cheltenham (British,1837-1882). Coastal scene. 1869. Oil on canvas. Signed l.r. Frame: 36" x 56". Sight: 29" x 49".

Boughton, George Henry (English/American, 1834-1905). Woman sitting among flowers. 19th century. Pastel and watercolor on paper. Signed l.l. Frame: 22 1/2" x 28 3/4". Sight: 13 1/2" x 19 1/2". Condition: Under glass, not examined out of frame.

Master of 338. Visitors in Florence. Watercolor on paper. Signed l.r. Sight: 14" x 11 1/2". Frame: 21 3/4" x 19 1/4" Condition: Not examined outside of frame. Provenance: Examined by Vern G. Swanson. Purchased from Christie's in 1997. Christie's label on verso. Lot 375 in October 24, 1997 19th Century Paintings Auction. From the estate of a private collector, Potomac, Maryland.

Turkish Kilim hand knotted rug. 9'2" x 3'.

Antique Kazak hand knotted rug. 67 1/4" x 7'9". Condition: Padding adhered to underside of rug.

Persian Gabbeh solid color rug. 6'7" x 7'11".

Antique Persian Ferahan Sarouk rug. 48" x 76 1/2".

Vintage Turkish Kayseri rug. 118" x 80".

Antique Russian Kalim. 149" x 54".

A Mid-Atlantic hope or wedding chest, late 18th/19th century. Hand painted floral design, simple hinged top, raised on bracket feet. 12 1/2" x 39 1/2" x 19".

American Georgian style break front china cabinet, 19th Century. Four glass doors on upper section and lower section has four drawers over four doors. 96" x 86" x 21". Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

A Charles Limbert (American, 1854-1923) tiered oak library table. Maker's mark on base. 29" x 45" x 30".

A group of six American side chairs, 19th century. Spindle back with pierced crest. The cushions are decorated with Shisha embroidery and tambor work. 34" x 19 1/2" x 16".

American Chippendale maple chest on chest., probably Massachusetts, 18th century. Shell carving on top center drawer. Pulls not original. Eleven drawers raised on bracket feet. 17" x 38" x 19". Provenance: The Estate of Giraud V. Foster.

Marquetry corner cupboard, 19th century. Mahogany with pine secondary. Pediment with dentil molding, marquetry inlay, two doors over two doors, raised on bracket feet. 84" x 48" x 24". Condition: Section of pediment separated.

American Chippendale walnut blanket chest late 18th/19th century. Molded lifting top, dovetailed case, brass mounts and escutcheons, with three lower drawers, raised on bracket feet. 29" x 50 3/4" x 25". Condition: Water rings and scuffs on sides and top.

American Federal corner cupboard, 19th century. Walnut with pine secondary. Blind fretwork and inlaid bone diamond lozenge pattern below cornice, bone inlaid escutcheons. Two glass doors, fall front felted writing surface, small felted drawer with bone inlaid edge, over two doors, raised on bracket feet. 86" x 22 1/2" x 52". Condition: Replaced glass pulls.

Baltimore Federal serpentine front sideboard, 19th century. Flame mahogany veneer with marquetry inlay on edge of top. Four drawers with Hepplewhite brass pulls over four doors, raised on saber legs. 39" x 65" x 23 3/4".

American Federal pine corner cupboard, 19th century. Two glass doors over two doors. 80" x 54" x 28". Condition: Molding separated.

Hibel, Edna (American, 1917-2014). "Girl in Poppy Field." 1962. Oil and charcoal on silk mounted on masonite. Signed l.l. 22" x 30." Frame: 28 3/4" x 36 1/2".

Hall, George Henry (American, 1825-1913) Still life of flowers and tea set. 19th/ early 20th century. Oil on canvas board. Signed faintly u.r. 7" x 10". Frame: 12" x 14 1/2". Condition: Small areas of paint loss along right edge. Provenance: From the estate of a private collector, Potomac, Maryland.

Hall, George Henry (American, 1825-1913) Still life depicting fruit. 19th/ early 20th century. Oil on canvas. Signed l.r. 8" x 10". Frame: 15 1/2" x 17 1/2". Condition: Relined. Craquelure. paint loss along top edge. Provenance: Phillips auction label on verso From the estate of a private collector, Potomac, Maryland..

Gisson, Andre (American, 1928-2003). Landscape depicting a mother and daughter in a field. Oil on canvas. Signed l.r. Frame: 32" x 44". Sight: 23 1/2" x 35 1/2". Condition: Some craquelure upper left. Liquid spot l.l corner, some warping to canvas l.l.

After Heckel, Erich (German, 1883-1970). Untitled view of a nude sitting by a lake flanked by mountains. 1909. Watercolor on paper. Signed and dated l.l. Sight: 3 1/2" x 6". Frame: 13 1/2" x 16 1/2". Provenance: Christie's label on verso. Detailed inscription in pencil written on verso. From the estate of a private collector, Potomac, Maryland.

Mondini-Ruiz, Franco (American, b. 1961) style acrylic on board painting. Depicting a woman in a black dress on an orange background. Unsigned. 36" x 21". Frame: 45 1/2" x 31".

Armin, Emil (Romanian/American,1883-1971) "Blow Winds Blow." 1955. Oil on canvas. Signed l.r. Title on verso. Frame: 19" x 22" Sight: 14" x 17". Condition: Relined edges of canvas, repair evident on verso.

Chase, Richard (American, 1891-1985) Glacier Lake landscape. Oil on canvas. Signed l.l. Frame: 19 1/2" x 23 1/4". Sight: 15 1/2" x 19 1/2". Provenance: Artist exhibited at Chicago's world fair

Grover, Oliver Dennett (American, 1861-1927). Lake landscape with large mountain in the background. 1920. Oil on panel. Signed l.l. Frame: 33" x 39". Sight: 23 1/2" x 29 1/2". Provenance: Artist exhibited at Chicago Worlds Fair

Soyer, Moses (Russian/American, 1899-1974) "Dancer in Red." Oil on tempered board. Signed l.l. ACA Galleries label on verso. Frame: 24 1/2" x 14 1/2". Sight: 19 1/2" x 9 1/2". Condition: Small crack in the board in the top center above the dancer's head, see photos.

Attributed to Gilbert Stuart (American, 1755-1828) Portrait of General Robert Monckton. Oil on canvas. Inscription on frame. Frame: 34 3/4" x 29 3/4". Sight: 29" x 24". Condition: Craquelure throughout.

An abstract oil on canvas. Signed Frederick Blakeslee(American, 1898-1973) with address on verso. Frame: 28 1/2" x 34 1/2". Sight: 20" x 26 3/4". Condition: Horizontal dent in canvas, chips to top layer of paint that reveal layer underneath- could be intentional.

Romano, Emanuel Glicen (Italian/American 1897-1984). Portrait of a woman in black with crossed arms. Oil on panel. Signed u.l. Frame: 42 1/2" x 32 3/4". Sight: 35 1/2" x 25 1/2".

Moldovan, Sacha (Russian/American, 1901-1982). "Cold Morning Mt. Montmartre." 1959. Oil on canvas. Signed l.l. Titled, signed, and dated on verso. Frame: 30" x 36". Sight: 22" x 28". Condition: Craquelure throughout.

Near East Bronze Age ceramic amphora. Tapering body with two handles. 19" x 15" Condition: Small hole in side near bottom.

A set of English Peafowl spatterware, 26 pieces. ++ Eight matching pieces, including 4 1/4" x 5 1/2" x 3" sugar, 2 3/4" x 4" x 1 1/2" creamer, two 1 3/4" x 3 1/8" tea cups, one 1 1/8" x 2 3/4" bullion cup, and three 4 1/4" x 1" saucers. ++ Four matching pieces, including one 5 1/2" x 4 1/4" lidded bowl, one 2 1/4" x 3 1/2" cup, one 1 1/2" x 5" saucer, and one 2 3/4" x 5" creamer. ++ Four matching pieces, including a 4 1/2" x 6" tea pot, one 1 1/5" x 3" cup, and two 4" x 1" saucers. ++ Three matching pieces, including one 3 1/2" x 4" creamer, one 2 1/4" x 3 3/4" cup, and one 6" x 1 1/4" saucer. ++ Two matching pieces, including one 2 3/4" x 3 7/8" cup and 5 3/4" x 1" ++ Five plates and saucers, largest 7" and smallest 4 1/2".

A stoneware crock with cobalt blue floral designs on both sides. Two handles. Stamped #3 on side. 14" x 9 1/4". Large crack interior, chip to rim.

A 19th century stoneware cooler with spigot and cobalt blue floral designs on both sides. Number 2 stamp near rim. Two handles. 13" x 10 3/4". No cork. Chip to handle, wear around rim.

A William E. Warner, West Troy, NY. stoneware crock with blue slip swirl decoration and wooden lid and scoop. Straight sided crock with rounded rim and applied lug handles. 19th century. Marked "WME. Warner, West Troy" on front. 12 1/2" x 10 1/2". Condition: Chip to rim Provenance: The Estate of Giraud V. Foster.

A J.S. Taft & Co. Keene, NH stoneware crock with blue slip decoration of a single flower and wooden lid and scoop. Straight sided crock with rounded rim and applied lug handles.19th century. Marked "J.S.Taft &Co, Keene NH" on front. 10 3/4" x 8 3/4". Condition: Crazing throughout. Provenance: The Estate of Giraud V. Foster.

Two stoneware crocks with blue slip decoration. ++ A 2 gallon stoneware crock with blue slip decoration of leaves and wooden lid and scoop. Straight sided crock with rounded rim and applied lug handles. Unmarked. 14" x 10 1/4". ++ A stoneware crock with a blue slip floral decoration. 1 1/2 gallons. 9 3/4" x 8". Provenance: The Estate of Giraud V. Foster.

A group of three stoneware jugs with blue slip decoration. ++Dark gray ovoid jug with blue slip in front of spout. Chips to base. ++Ovoid jug with blue slip glaze around handle. Crack around base. ++ 4 gallon straight sided jug with rounded shoulder and blue slip floral decoration on front. 18" x 10 1/2". Provenance: The Estate of Giraud V. Foster.

A Charlestown stoneware ovoid jug with rounded spout and handle. Base and top with dipped glaze. 19th century. Marked Charlestown and "X" on shoulder. 10 1/2" x 8". Condition: Chipped handle. Provenance: The Estate of Giraud V. Foster.

A group of three South Carolina Dispensary bottles, circa 1893 to 1907. Manufactured by E. Packham Jr. & Company, Baltimore. Two bottles with S.C.D. monogram. 6 3/4" x 3 1/2" x 1 1/4". Large bottle with Palmetto tree. 9 1/2" x 3 3/4"

A painted cast iron architectural element eagle with spread wings on a pedestal. 19th/20th century. 20 1/2" x 30' x 10 1/2". Provenance: The Estate of Giraud V. Foster.

A John Bellamy style painted and gilded wood eagle plaque. Wings outstretched and holding arrows and shield. 20 1/2" x 39". Condition: Chips to paint on talons and beak, crack in wood on outermost feathers, chipped bottom edge on tail feather.

Brass bucket with swing handle, unmarked, ring brackets with brass swing handle. With rivet to the tied and crossed brass strip. 13 1/8" x 14 1/4" x 12 5/8". Condition: Patina and abrasion to the inside of bucket. Some water stains left on the bucket. Provenance: The Estate of Giraud V. Foster.

Pair of matching Italian gilt carved wood mirrors. Late 19th/early 20th century. 39 1/4" x 27" x 5".

A gilt wood and gesso wall mirror with scrolling and foliate ornamentation on crest. 58" x 36". Condition: Cracking and loose pieces to crest.

Antique Persian polychrome tile with mosaic surround. 14 3/4" x 13".

A group of two skull artifacts. ++ Antique Tibetan skull bowl with 3 silver legs and overlay on rim and interior. 3 1/2"x 7 9/16" x 5 3/8". ++ A Tibetan double-headed skull drum. Both side mounted skin as the drum head. Tied a Tibetan temple banner. 3" x 5 1/2" x 4 1/2". Condition: Age-related wear to the skull. Provenance: The Estate of Giraud V. Foster.

A large marble bust of a male Moor figure. Head and hair in black marble, turban and clothing in white, and armor in red. 30" x 26" x 10 3/4". Condition: Evidence of previous repairs to cracks. Provenance: The Estate of Giraud V. Foster.

A dark green marble column pedestal. Octagonal base and square top. 30" x 12 1/4". Provenance: The Estate of Giraud V. Foster.

A dark green marble column pedestal. Octagonal base, carved center and round top. 35 1/2" x 15 3/4". Provenance: The Estate of Giraud V. Foster.

A carved marble bust of a girl with curled hair. 19th century. Not attached to base. 17 1/2" x 11" x 6 3/4". Condition: Weathered, facial features eroded. Large section missing of base. Provenance: The Estate of Giraud V. Foster.

A group of two white marble pedestals. ++ A white marble pedestal, in a form of column, on a rounded base and raised accents on the column with a round top. Some red inclusions to the bottom. 23 1/2" x 10". ++ Carved marble pedestal with form of sitting lion. 12" x 8" x 5 3/4". Condition: Some natural cracks to the top; some ice-shaped crack to the central of column. ++ Some abrasion to surface. Provenance: The Estate of Giraud V. Foster.

An Italian marble bust of child wearing a garment of flowers. Inscription on verso: "Domenico Carli Fece. 1881. Corso Carbonara No.4." 14" x 10" x 8". Condition: Pink residue on left eye, scuffing. Provenance: The Estate of Giraud V. Foster.

An Italian marble bust of child reaching across themselves to adjust their clothes. 19th century. Attached to base. 16" x 9 1/2" x 6". Provenance: The Estate of Giraud V. Foster.

An Italian marble bust of Napoleon. 1836. Signed "E. Santarelli. Firenze. 1836" on reverse. 12 1/4" x 6 1/4" x 5 1/2". Condition: Chip to ear, separate from base.

Late Roman Empire or Byzantine marble head of a man. Clean shaven with hair in pulled into a fringe on forehead held in place by a band. 8 1/2" x 4" and head 5" x 4".

Late Antiquity or Medieval tonsured marble head of young man. 5 3/4" x 3 1/4" and head 3 1/4".

After Henner, Jean-Jacques (French, 1829-1905). Untitled view of a female nude by a well. 19th century. Oil on canvas applied to panel. Faintly signed l.l. 21 1/2" x 15". Frame: 27" x 20". Condition: Craquelure. Signature faded. Light scuffs to surface. Provenance: Comes with a letter from the Shepherd Gallery in NY NY to the Fisher Galleries in Washington D.C. From the estate of a private collector, Potomac, Maryland.

Daumier, Honore-Victorin (French, 1808-1879). Caricature of a court scene. 19th century. Watercolor on paper. Signed u.r. Sight: 7 1/4" x 11 1/4". Frame: 12" x 16". Condition: Not examined outside of frame. Provenance: Christie's label on verso. From the estate of a private collector, Potomac, Maryland.

Lenoir, Charles-Amable (French, 1860-1926). Bathing nude. 19th/ early 20th century. Oil on canvas. Signed l.r. 18" x 13". Frame: 23 1/2" x 18 1/2". Condition: Relined. Craquelure. Small areas of inpainting. Conservation work done by Olin Conservation Inc. in December, 1992. Provenance: Christie's East Lot 205, October 24 1997. Purchased from Weschler's Auctioneers and Appraisers October 3, 1992. From the estate of a private collector, Potomac, Maryland.

Van Dongen, Kees (Dutch/ French, 1877-1968) Untitled depiction of a spaniel. Early to mid 20th century. Mixed media on paper. Signed l.r. Sight: 17 1/4" x 10 1/2". Frame: 25 1/2" x 18 3/4". Condition: Not examined outside of frame. Provenance: Parisian import label on verso. From the estate of a private collector, Potomac, Maryland.

Attributed to Meissonier, Jean Louis Ernest (French, 1815-1891). Depiction of two cavalry officers in a winter landscape. 19th century. Watercolor and pencil on paper. Initialed l.r. 7" x 8". Condition: Light foxing and mat burn. Provenance: Ex Collection of Maurice Le Roy. From the estate of a private collector, Potomac, Maryland.

Attributed to Fragonard, Théophile (French, 1806-1876). Depiction of a recitation in Catherine de Vivonne's Hotel Rambouillet. 19th century. Watercolor and graphite on paper. Preparatory sketch on verso. Sight: 13" x 18". Sketch Sight: 5 1/2" x 7 1/2". Frame: 22" x 25". Condition: Not examined outside of frame. Provenance: From the estate of a private collector, Potomac, Maryland.

Baudry, Paul-Jacques-Aimé (French, 1828-1886). Landscape by the sea. 1854. Pastel on paper. Signed and dated l.r. 17" x 21". Frame: 26 1/2" x 30". Condition: Small tear upper right corner. Not examined outside of frame. Provenance: From the estate of a private collector, Potomac, Maryland.

After Eugène Delacroix (French, 1798-1863). Side profile portrait of a man. Pastels on paper. Inscription l.r. Frame: 19 3/4" x 16 1/4". Sight: 10 3/4" x 8 1/8". Provenance: From the estate of a private collector, Potomac, Maryland.

Cretius, Konstantin Johann Franz (German, 1814-1901). Cromwell arresting the nobles. 19th century. Oil on canvas. Unsigned. 13 3/4" x 16 3/4". Frame: 19 3/4" x 22 3/4". Condition: Craquelure. Provenance: From the estate of a private collector, Potomac, Maryland.

Konig, Hugo (German, 1856-1899), Landscape depicting a group of sheep. Oil on canvas. Signed l.r. Frame: 34" x 40". Sight: 23 1/2" x 29 1/2". Condition: Canvas loose in frame l.l. corner, some warping, craquelure.

Münter, Gabriele (German, 1877-1962). Expressionist style landscape. 1958. Watercolor and pastel. Monogrammed, numbered, and dated l.l. Framed: 20 1/4" x 22". Condition: Under glass. Loose. Provenance: Christie's label on verso. From the estate of a private collector, Potomac, Maryland.

A group of two probably German or Austrian School H. H. J. watercolors, 19th/ 20th c. ++ Village Scene. Watercolor on paper. Signed HHJ l.l. 17 3/4 in x 22 in.++ Harbor Scene. Watercolor on paper. Signed HHJ l.l. 17 3/4 in x 22 in. Provenance: From the estate of a private collector, Potomac, Maryland.

A French Louis XV style armoire. Arched crown over a single mirrored door with internal drawer raised on cabriole legs ending in whorl feet. 90" x 43" x 20".

Dutch traveling table, 19th Century. Marquetry top with single drawer. Folding base. Condition: Loss of veneer. Section where leg attaches to top missing. Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

A pair of carved wood figural cherub plant stands. 31 1/2" x 10 1/4". Condition: One has loss on base. Cracking and wear across both. Provenance: The Estate of Giraud V. Foster.

A pair of Louis XVI style console tables. Red and white marble top raised on fluted legs with stretcher. 19 5/8" x 20 1/4" x 13 1/4".

A carved oak marriage or dowry chest, 18th Century. Carved oak chest on sledge legs with hinged top. Dated on front "1759". 30" x 50" x 24".

A Louis XV style commode, 19th century. Geometric marquetry design, brass fixtures, and granite top. Two drawers raised on saber legs. 32 1/2" x 40" x 21".

A Louis XV commode, 19th century. Marquetry inlay, brass fixtures with granite top. Two drawers raised on saber legs. 34" x 46" x 23" Condition: Wear consistent with age, particularly on top.

A Louis XV style chiffonnière, 19th century. Marble top, marquetry inlay decoration with two doors surmounting one drawer raised on saber legs. 33 1/4" x 15" x 19". Condition: Balustrade broken in two sections, marble is cracked along one side.

A Russian icon of Mother of God of Kazan. 19th century. Tempera on panel. 42" x 27 1/2". Large crack down the center, chips to paint, loss of gold paint, heavy damage to bottom edge, craquelure.

A Russian icon of "Our Lady of Unexpected Joy" in a painted kiot. Depicting Mother of God looking towards a sinful youth. 19th century. Tempera on panel. Kiot: 25 1/4" x 17 1/2". Icon: 12" x 10 1/2". Condition: Kiot is very fragile and loose. pieces missing, chips to paint. Icon: chips to paint.

A Russian icon of the Resurrection of Christ and Descent into Hell. 19th century. Tempera on panel. Frame: 23" x 20 1/4". Icon:14" x 11 3/4". Condition: Chips to paint, loss of paint, buckling, small brown spots of residue, crack u.l. Provenance: The Estate of Giraud V. Foster.

A Russian icon of Saint George slaying the dragon. 18th century. Tempera on panel. Frame: 9 7/8" x 7 7/8" Icon: 7 1/2" x 5 1/2". Condition: Heavy craquelure, and paint loss.

A Russian icon of Joy to All Who Sorrow. Late 19th century. Tempera on panel. Frame: 19 1/2" x 18". Icon: 12 1/2" x 10 1/2". Condition: Chips to paint, damage u.l. and on edges. Provenance: The Estate of Giraud V. Foster.

A miniature Russian icon in oklad. Depicting two saints, including Saint Basil. Tempera on panel. Frame: 12 3/4" x 13". Icon: 4 1/4" x 3 3/4". Condition: Under glass, not examined out of frame. Craquelure. Provenance: The Estate of Giraud V. Foster.

A group of two brass and enameled Russian panels. ++ Single triptych panel depicting a central saint holding a miniature cathedral and a sword. Frame: 13 1/2" x 11 1/4" Triptych: 6 1/4" x 3 7/8". ++ Square panel with a central cross. Frame:11 7/8" x 11 1/4". Panel: 3 3/4" x 3 1/2". Condition: Some wear to enamel. Provenance: The Estate of Giraud V. Foster.

A Slavic or Italian icon of Saint Martin with border designs of flower petals and inscription in bottom register. Tempera on panel. 19th/20th century. 16 1/2" x 11 1/4". Condition: Buckling l.c., some scratching, paint loss.

A Russian icon with twelve panels depicting the life of Christ and central image of the Resurrection. Tempera on panel. 19th century. 14" x 12 1/4". Condition: Slight cracking and wear to paint.

A Russian icon depicting The Resurrection on a gold background. Tempera on panel. 19th century. 12 1/4" x 10 1/2". Condition: Craquelure, chips to paint

A Russian calendar icon for the month of September. Tempera on panel. 19th/20th century. 12" x 10 1/4". Condition: Some chips and wear to paint.

A Russian icon of the Three-Handed Mother of God. Tempera on panel. 19th century. In wood frame. Frame: 15" x 12 3/4". Sight: 8 1/2" x 7". Condition: Craquelure, large loss of paint top half, crack in panel on left side.

A group of three Russian icons. Tempera on panel. Warped. ++ Saint Nicholas. 10 3/4" x 9 1/4". Paint loss, damage to edges. ++ Four paneled icon including Saint George slaying the dragon, Saint Nicholas and Iverskaya Mother of God. 11 5/8" x 9 1/2". Some chips to paint, paint loss l.r. ++ Icon of the 12 Great Feasts with Christ's Resurrection in the center. Late 19th century. 14" x 11 3/4". Some chips to paint.

A group of four Russian icons. Tempera on panel. Warped. ++ Virgin of Vladimir on orange background. 12 1/4" x 9 3/4". Paint loss, damage to corners, pitting. ++Virgin of Vladimir on gold background. 12 1/2" x 10". Chips to paint, buckling, heavy damage to left side.++Icon of the 12 Great Feasts with Christ's Resurrection. Late 19th century. 12 1/4" x 10". Chips to paint, buckling l.r. ++ Four paneled icon with four depictions of Mother of God and a central Crucifix. 13 1/2" x 10 1/2". Chips to paint, heavy damage to right side and bottom edge.

A group of two Russian icons. Tempera on panel. ++ The Dormition of the Mother of God. Late 18th century. 12 1/2" x 10 1/2". Slightly warped, cracking to left side, craquelure, chips to corner. ++ The Convocation. Mid 19th century.14" x 11 3/4". Warped, craquelure, loss of gold paint.

A group of three Russian icons. Tempera on panel. Warped. ++ Resurrection and Great Feasts. 12 1/4" x 10 1/4". Chips to paint, buckling u.r. areas of repainting. ++ Resurrection and Great Feasts. 12 1/4" x 10 1/2". Repair evident to front, chips to paint, damage to edges ++Icon with seven panels including Iverskaya Mother of God, Saint Nicholas, Saint George slaying the dragon, and other selected saints. Mid 19th century. 12 1/4" x 10 1/2". Damage to corners, chips to paint, heavy damage to top half of each row of panels.

A group of three Russian icons. Tempera on panel. Warped.++ Saint Paraskeva, Patron of Holy Matrimony. 10 3/8" x 8 3/4". Large section of paint missing. Chips to paint. ++ Icon of Archangel Michael holding orb and cross. 18" x 15". Large sections of paint missing near bottom edge, chip to panel on right side. ++ Mother of God Soothe My Sorrows. 13 1/2" x 11 1/4". Cracks, chips to paint.

A group of four Russian Icons. Tempera on panel. ++ Iverskaya Mother of God with oklad. 10 1/2" x 8 3/4". Dent in oklad, chips to paint, damage to bottom edge.++Saint Nicholas icon with oklad. 7" x 5 3/4". Oklad loose, some discoloration. ++ Christ Pantocrator. 8 3/4" x 6 3/4". Warped, chips to paint, damage l.c.++ Archangel Michael. 8 3/4" x 6 3/4". Chips to paint, damage to edges, warped, pitting.

A group of five Russian and Greek icons. ++ Mother of God, 12" x 10 1/4". Warped. heavy damage, paint loss and craquelure.++ Mother of God on dark background. 10 5/8" x 8 3/4". Warped, heavy damage, major paint loss.++Greek panel of a triptych depicting Mother of God. Carved wood. 7 1/4" x 6".++ Greek icon of three saints. split down the middle. framed. Frame: 14" x 12 3/4". Sight: 9 3/4" x 8 1/4". Loose in frame, ++ The Convocation.13 1/2" x 9 1/2"

A Greek icon depicting Mother of God enthroned with the Christ child on her lap and saints in the surrounding panels including Saint George, Constantine and his wife, and Saint Demetrios. 18th century. Tempera on panel. 16" x 12". Craquelure and chips to paint.

A Russian icon with three panels. 19th century. Tempera on panel. Top panel depicting the Deisis with Christ, The Virgin and John the Baptist. Lower panels depicting Mary next to the Crucifix and Mother of God Joy of All Who Sorrow. 17 1/2" x 15". Warped. Some chips to paint.

A Russian Staurotheke icon depicting the Crucifixion with a bronze crucifix insert in the center. Late 19th century. Tempera on panel.17 1/2" x 14 3/4" Warped, chips to paint, areas of paint loss, large crack u.r.

A group of four Russian bronze and enamel crucifixes. Wear to enamel. ++ Small crucifix, early 19th century. 6 3/8". ++ Small crucifix with Cyrillic inscriptions on verso. 5 7/8" x 4 1/4". ++ Crucifix with floral design on verso. 14 3/4" x 7 3/4". ++ Crucifix with Cyrillic inscriptions on verso. 13 3/4" x 7".

A Russian icon of three saints with oklad and kiot. Tempera on panel. Icon: 10 1/2" x 8 1/2". Craquelure. Oklad: no stamp evident, discoloration. Kiot with latch on side: 20" x 14". Missing glass front, chips to bottom edge.

A Russian Icon of Christ Pantocrator with oklad and kiot. Tempera on panel. 19th century. ++ Icon: 8 3/4" x 7". Chips to paint, craquelure, crack in center on bottom. pitting. ++ Oklad stamped on base with "KO. 1878. 84." Stamped on halo. Some discoloration near top. ++ Kiot with latch on side. 10 1/8" x 8 1/2". Some scratches to front.

A Russian icon of Christ Pantocrator holding the book of Gospel. Late 19th century. Tempera on panel. 17 1/2" x 14 1/4". Some chips to paint, damage to edges.

A group of three Russian bronze crucifixes with Cyrillic inscriptions on verso.. ++ Crucifix with white, blue, and green enamel. 10 1/4" x 5". Wear to enamel. ++ Crucifix with blue and white enamel. 13 5/8" x 7". Tarnished, wear to enamel. ++Crucifix. 14" x 7 1/4". Spot of wax residue near bottom.

A group of two Russian bronze polyptychs depicting scenes from the Life of Christ. ++ Quadriptych. 18th century. 7" x 15 3/4" when fully open. ++ Triptych. Faint remnants of enamel.18th/19th century. 6 1/4" x 10 3/4" when fully open. Tarnished.

A group of two Russian brass and enamel traveling icons. Wear to enamel. ++ Iverskaya Mother of God. Late 19th century. 4 3/8" x 3 3/4". ++ Mother of God surrounded by saints. 5 3/4" x 5".

A Romanian reverse glass painting of an icon of Saint Nicholas with Christ and the Virgin on either side. Frame: 25 3/4" x 23 1/2". Sight: 14" x 12". Condition: Some paint loss, Provenance: The Estate of Giraud V. Foster.

A Russian embroidered and painted velvet panel depicting Christ's Resurrection and the four evangelists in each corner. 19th century. Faces and bodies are painted. Frame: 20 1/2" x 19 1/2". Sight: 16 1/2" x 15 1/2". Condition: Under glass, not examined out of frame. Missing beads, wear to threads, loss of paint. Provenance: The Estate of Giraud V. Foster.

A Spanish Colonial painting on tin of San Leonardo (Saint Leonard) holding manacles. 19th century. Oil on tin. Frame: 14" x 11 1/2". Sight: 8 3/4" x 6 1/4". Condition: Chip to paint, craquelure Provenance: The Estate of Giraud V. Foster.

A painting depicting the Road to Emmaus, an early resurrection appearance of Jesus after his crucifixion and the discovery of the empty tomb. Tempera on metal panel. Unsigned. Frame: 12 3/4" x 11". Sight: 8 1/4" x 6 1/2". Condition: Some residue u.l. Provenance: The Estate of Giraud V. Foster.

"Judith and Holofernes" in the manner of Domenico Fetti (Italian, 1589-1623). Depicting Judith, accompanied by her maid, after beheading Holofernes. Oil on metal. Unsigned. Frame: 13 1/2" x 16". Sight: 8 5/8" x 11 1/8". Condition: Craquelure, some chips to paint, area of paint loss u.l. corner. Provenance: The Estate of Giraud V. Foster.

A painting depicting Christ sitting with a lamb. Oil on metal on panel. Frame: 10 1/4" x 8 1/2". Sight: 6" x 4". Provenance: The Estate of Giraud V. Foster.

A group of two Romanian reverse glass paintings. 19th century. ++ The Annunciation with a border of flowers. Frame: 16" x 12". Sight: 13 1/4" x 9 1/4". Paint loss and chipping.++ Saint Ursula surrounded by flowers. Painted glass panel cracked lower left. Paint loss. Frame:11 3/4" x 9 1/2". Sight: 9 1/4" x 7".

A carved wood figure of Christ. 18th century. Portugal. Figure: 3 1/4" x 13". Mount: 7 3/4" x 17 3/4". Condition: Missing arms, repaired break, and surface abrasions. Master List, Page 123 Provenance: The Estate of Giraud V. Foster.

After Bengt Nordenberg (Swedish, 1822-1902). Depicting a hunting scene with a fox caught in a trap. Oil on canvas. Inscription on verso "Till Pehr Nordenberg." Frame: 22 1/2" x 28". Sight: 18" x 24". Condition: Two areas of repair evident on verso.

Kern, Hermann (Austro-Hungarian,1838-1912). "The Florist." 1905. Oil on panel. Signed and dated l.l. Wax seal on verso. Frederick Thom Gallery label on verso. Frame: 25" x 29 1/2". Sight: 15 1/2" x 19 3/4". Condition: Scratch to varnish u.c.

Sanders, John. "Mann Island." 1890. Oil on panel. Initialed l.r. Signed, titled and dated on verso. Frame: 12 1/2" x 16 1/2". Sight: 8 1/4" x 12 1/4". Condition: Spots of mold, Loose in frame. Paint worn off on u.r corner. Craquelure l.l.

Quitton, Edouard (Belgian,1842-1934). Still life of three birds hung by a nail. 1881. Oil on panel. Signed l.r. Inscribed on verso. Frame: 16 1/4" x 13 1/4". Sight: 11 1/2" x 8 1/2". Condition: Chips and cracks to frame. craquelure.

Sinding, Otto (Norwegian, 1842-1909) "Tidlig Sno" or Early Snow. Oil on panel. Signed l.r. Titled and signed on verso. Frame: 20" x 15 1/2". Sight: 14" x 19 1/4". Condition: Panel sits loose in frame, heavily damaged frame. Craquelure and small vertical cracks to panel on top and bottom.

Maks, Kees (Dutch, 1876-1967). "De Hoogeschoolrijder, Corrins Vittorio." Featuring a man in top hat and tails riding a white horse. Oil on canvas. Signed l.r. Titled and signed on verso. Frame: 40 1/4" x 41 1/2". Sight: 32 1/2" x 34". Provenance: The Estate of Giraud V. Foster.

A European coastline scene. 18th/19th century. Oil on panel. Unsigned. Frame: 22 1/2" x 27 3/4". Sight: 15" x 20 3/4".

R.A. Watson, "Loch Ness, Scotland." Oil on panel. Signed l.l. Titled on verso. Frame: 11 1/4" x 20 1/4". Sight: 8 1/2" x 17 1/2"

Leickert, Charles Henri Joseph (Belgian, 1816-1907). Untitled view of sailing vessels. 19th century. Oil on wood panel. Signed l.r. 14 1/2" x 21 1/2". Condition: Few light scuffs to surface. Some chips to frame. Provenance: Christie's label on verso. From the estate of a private collector, Potomac, Maryland.

Pirchan, Emil (Austrian, 1884-1957). Scene of a group of children hunting two rabbits. Oil on cardboard. Signed l.l. Old label on verso. Frame: 9 1/4" x 19 1/4". Sight: 7 1/2" x 17 3/4". Condition: Loose in frame, damage to edges of board, chips to paint, crack at top center.

An Old Masters style painting depicting The Road to Emmaus and Supper at Emmaus. Late 19th century. Oil on board. Comes with wood easel. Frame: 46 3/4" x 39 3/4". Sight: 40 3/4" x 34". Easel: 72 3/4" x 28 1/4". Condition: Buckling, chips to paint and discoloration top right. Slight warp to board in upper center. Inlaid butterfly supports in board

An Old Master study of a woman and child. Red chalk on rag paper circa 1790, trimmed and mounted on 19th century laid paper. Frame: 12 1/2" x 9 3/4". Sight: 7 1/2" x 5". Condition: Toning. Provenance: The Estate of Giraud V. Foster.

A red chalk drawing of a young woman on paper. Inscribed l.r. "Paris, 13.VI.74. Lidya." Frame: 23" x 17 1/2". Sight: 17" x 12". Condition: Paper is crumpled right side. Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

A pair of Moravian Pottery and Tile Works, Bucks County PA, glazed pottery tiles. One has a leaping animal in a patch of flowers, one has a tulip in bloom. Stamped on verso. 6 1/2" x 5 1/2". Condition: Tulip: slight crazing, chip in center. Provenance: The Estate of Giraud V. Foster.

A Dodie Thayer (Palm Beach, FL) lettuce ware tureen. Sept.1972. Including bowl, lid, and under plate. Incised mark on base of bowl and under plate. All together: 9" tall. Under Plate dia: 17" Condition: Small chip on under plate

A group of three Jean Roger ceramic frog planters. 20th century. Made in Paris. Signed on base. Shortest: 4 1/8" x 6 3/4" Tallest: 4 3/4" x 8 1/4". Condition: Interior residue, some chips to glaze. Wear consistent with age and use.

A Billy Ray Hussey (North Carolina, b. 1955) and Owens Folk art pottery grinning lion. "Owens B.H." on base. 5 1/2" x 5 1/2" x 4". Provenance: The Estate of Giraud V. Foster.

An Albert Hodge style (North Carolina, b. 1941) Folk Art pottery lion with a large mane. Signed "Hodge" on underside. 4 1/2" x 6 3/4" x 4".

A Billy Ray Hussey (North Carolina, b.1955) Folk art pottery lion playing with a ball. Signed "B.H, XVII" on underside. 5 3/4" x 8 3/4" x 4".

A Billy Ray Hussey (North Carolina, b.1958) Folk art pottery snake jug with four snakes and their titles incised beside them. Signed "B.H. 33" on base. 14 1/2" x 10". Condition: Some crazing, crack on the base, and on body, chip to base. Provenance: The Estate of Giraud V. Foster.

A group of three Seagrove, North Carolina pottery vessels. Signed on base. ++ Phil Morgan vase with white floral design. 1992. 6" x 4 1/2". Crazing throughout. ++ 2 Nell Cole Graves(1908-1997) blue and white vessels. Shorter: 1993. 3 3/4" x 4". Taller: 1992. 4 1/2" x 5 1/2". Provenance: The Estate of Giraud V. Foster.

An A.R. Cole(Sanford, NC 1892-1974) tall pitcher with green and brown glaze. Signed and "244" on base. 11 1/4" x 6 1/2". Provenance: The Estate of Giraud V. Foster.

A Ben Owen III (Seagrove, NC. b.1968) vase with four handles and partial blue and white glaze. 1993. Signed and dated on base. 10 3/4" x 7 1/2". Provenance: The Estate of Giraud V. Foster.

A Billy Ray Hussey (North Carolina, b.1955) multi handle vase with red glazed exterior and blue glaze interior. Initials on base. 12" x 9". Provenance: The Estate of Giraud V. Foster.

A Bluebeard pottery jug converted to a lamp. Late 19th century. Face and medallion decoration, with a handle. From bottom to the top of lamp finial: 32" x 10". Condition: Some creasing to the surface, general in good condition. Provenance: The Estate of Giraud V. Foster.

Mid Century Russian Turkmen rug. 4'8" x 3'9".

Antique Persian Shiraz. 4'11" x 6'.

100% silk Persian Kum rug with signature. 39 1/2" x 58".

A group of two Afghan Turkman hand knotted rugs. 58 1/2" x 51 1/2" and 54 1/2" x 46"

Afghan Turkmen hand knotted rug. Vegetable dye. 4' x 6'.

Silk wool blend Persian Nain rug. 4'2" x 6'10".

Shahsevan Kilim Mafrash cargo bag. 39 1./2" x 17 1/4" x 16".

Bakhtiari Sumac "khorjin” saddle bag, 20th Century. 39" x 58".

Shahsavan Kilim Mafrash bedding bag, 20th century. Two large leather handles on each side with four leather straps and buckles. 40" x 18" x 19 1/2". Condition: Heavy use, wear on handles and straps. Four leather patches.

Silk Sino-Persian rug. Tabriz garden style. 60" x 26".

After Paul Revere (American, 1735-1810). "The Bloody Massacre perpetrated in King Street Boston on March 5th, 1770 by a party of the 29th REG'T." 1832. Hand colored pewter engraving on woven paper. Engraved by William F. Straton, published at 15 Water St., March 15, 1832. Sheet: 9" x 10 3/4." Brigham 71. Condition: Toned with minor cockling to paper. Printers line on bottom margin rubbed off. Old stain to l.r. Provenance: From the estate of a private collector, Potomac, Maryland.

Hurd, Peter (American,1904-1984). Landscape with oncoming storm clouds. Watercolor on paper. Signed l.l. Frame: 12" x 15". Sight: 6 1/2" x 9 1/2". Condition: Under glass, not examined out of frame.

A nocturnal landscape depicting a crescent moon shining above a bridge and houses along the river. Unsigned. Oil on canvas. Frame: 32" x 44 1/2". Sight: 23 1/2" x 35 1/2".

MacKnight, Dodge (American, 1860-1950). Winter landscape. Watercolor on paper. Signed l.r. Frame: 23" x 30 1/4" Sight:14 1/4" x 21 1/4".

Locker, Thomas (American, 1937-2012). "Storm Creek." 1980. Oil on board. Signed and dated l.r. 24" x 36". Frame: 30" x 42". Condition: Some light scratches to surface. Provenance: Purchased from Hammer Galleries, New York NY, in 1980.

Locker, Thomas (American, 1937-2012). "Storm King from Sandy Point." 1984. Oil on canvas. Signed l.r. 30" x 36". Frame: 36" x 42". Condition: Occasional light scratch. Provenance: Purchased directly from the artist in 1985.

Vickery, Charles (American, 1913-1998). Tall Ship on Open Seas. Oil on canvas. Signed l.r. 23"x 29". Frame: 29 1/2" x 35". Condition: Some craquelure and slight discoloration

Wiggins Jr., Guy A. (American, b.1920) "Old Houses on the Main Street, Harper's Ferry, VA." June 1958. Acrylic on board. Signed "Guy Wiggins Jr." l.l. Frame: 25" x 31". Sight: 17 1/2" x 23 1/2".

A painting depicting a woman playing the guitar. 1909. Oil on canvas. Signed "F.Evans" and dated u.l. Frame: 26" x 22 3/4". Sight: 20 3/4" x 17 1/4".

Richards, William Trost (American, 1833-1905) Seascape of the cliffs at Etretat, France. Mid 19th/ early 20th century. Watercolor on paper. Signed l.r. Sight: 10" x 16". Frame: 17" x 23". Condition: Not examined outside of frame. Light toning. Provenance: From the estate of a private collector, Potomac, Maryland.

A farming landscape signed Joseph. Oil on canvas. Signed l.l. Frame: 31 1/2" x 43 3/4". Sight: 24" x 36".

Robinson, Theodore (American, 1852-1896). Untitled villa on a riverbank. 19th century. Oil on wood panel. Signed l.l. 8 1/4" x 15 3/4". Frame: 16 1/2" x 24". Condition: Damage to frame. Signature faded. Provenance: From the estate of a private collector, Potomac, Maryland.

DeGrazia, Ted (American, 1909-1982). "Two Squaws." Oil on canvas. Signed l.r. Frame: 14" x 16 3/4". Sight: 8 1/2" x 11 1/2".

A portrait of a young boy holding a book.1902. Oil on canvas. Signed "H. Gorson 1902" u.l. Frame: 31" x 27" Sight: 23 1/2" x 19 1/2". Condition: Craquelure.

A Verdura ivory five strand necklace. Each strand has flat rectangular links. Tested 18k yellow gold clasp. Stamped on clasp. 19 1/4".

A Chinese cloisonne bead necklace. Hand knotted vintage Chinese necklace with green cloisonne beads decorated with dragon. 17" in length. Condition: Some abrasion to beads.

A platinum diamond ring. Center diamond: 3.40ct (9.34 x 9.10 x 6.32mm) I-J/ SI 2. Flanked by two small 0.12ct diamonds. Stamped "100 IRID .90." Size 5 1/2. Approx, 6.0g. Condition: Chip on one edge,

A 1.15ct solitaire diamond ring in a tested 14k band with foliate designs. 1.15ct diamond H/I SI1/SI2 Inscribed inside band "Elda 1905 1930 Arturo." Size 7. Approx, 6.4g.

A 14k yellow gold Rolex oyster perpetual chronometer. Round face with 14k gold case. Marked on inside of case. Serial number 444989. Elastic gold tone band. Approx, 59.1g. Face: 1 1/4". Condition: Some denting on back, discoloration on face.

Elsa Peretti for Tiffany & Co. 18k yellow gold starfish pendant and pair of earrings. Stamped on back. ++Pendant 1/4" x 2". 10.2g. ++ Earrings with push backs. 5/8". 5.9g.

A Paloma Picasso for Tiffany & Co. 18k yellow gold Hugs and Kisses brooch. Rollover clasp. Stamped on back. 1 1/2" x 3/8". 6.6g

A group of two14k yellow gold diamond rings. ++Bypass ring in the form of a bouquet of flowers. Four small diamonds 0.08ctw. Stamped inside band. Size 6. 4.4g. ++ Band with central 0.33ct diamond flanked by two 3mm sapphires. Tested 14k. Size 3 1/2. 4.2g.

A group of two 14k white gold diamond rings. Stamped inside band. Size 5 1/2.++Band with alternating baguette and round cut diamonds. 0.60ctw. 3.5g. ++Curved band with seven small diamonds. 0.35ctw. 2.3g.

A 14k yellow gold men's ring with an inlaid sapphire. Size 7 1/2. 9.2g. Condition: scratches to gold.

A platinum ring with a central sapphire flanked by two small diamonds on either side, 0.16ctw. Size 6. Approx, 4.0g.

A 14k yellow gold woven snake chain necklace and bracelet with lobster claw clasps. Stamped on clasps. ++ Bracelet . 7" 9.2g. ++ Necklace.16 1/4". 7.6g.

A three tiered blue enamel and diamond brooch in a tested 14k gold backed setting. Basket of flowers motif on two tiers. Set with about 300 rose cut diamonds, 2.00 ctw. C clasp. 3 1/4" x 1 7/8". Approx. 39.8g. Condition: Some residue on bottom, wear consistent with age and use. Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

A diamond and green guilloche enamel brooch in a tested 18k yellow gold setting. Centerpiece has a grouping of inlaid rose cut diamonds, 0.35ctw. Setting has a textured twisting branch form with two leaves flanking the centerpiece. C clasp. 2" x 1 7/8". Approx.13.0g.

A diamond floral brooch in a tested 18k yellow gold with rhodium setting. Old mine cut and rose cut diamonds, 2.10ctw. Trombone clasp. Illegible stamp on clasp. 1 7/8" x 1 1/4" Approx. 13.8g Condition: One diamond not in setting but included in lot. Top scrolling section slightly loose, but not detached

A peridot necklace with 14k yellow gold diamond clasp. Three strands of peridot beads. Large gold bead box clasp with small diamonds lining each side, 0.40ctw. Stamped on clasp. 17 1/2". Approx. 150.1g.

A 2000's peach and orange quilted patent leather Chanel shoulder bag. Gold tone logo twist lock clasp, braided pink leather and gold tone chain strap. Serial Number: 8674388.Comes with dustbag. 5 1/4" x 11" Condition: Some residue/scuffs on exterior

A Lunt "Modern Victorian" pattern sterling service, 67 pieces. ++ Sixteen 6 1/4" salad forks, twelve 7 1/4" dinner forks, twenty-two 6" teaspoons, two 5 3/4" demitasse spoons, one 5 7/8" olive fork, one 5 7/8" sugar spoon, one 6" gravy ladle, and twelve 8 3/4" hollow place knives. 65.68 ozt.

A Lunt "Georgian Manor" pattern sterling service, 29 pieces. This includes four 6 1/2" salad forks, six 7 1/2" dinner forks, seven 6" tea spoons, four 6 3/4" place spoons, one 6 1/8" sugar spoon, one 5 3/4" olive fork, one 6 3/4" master butter knife, and five 9" place knives. 30.32 ozt.

Jens Quistgaard (Danish, 1919 - 2008) for Dansk "Tjorn" sterling flatware service, twenty-three pieces. Five 6 7/8" forks, three 7 1/2" dinner forks, four 6" tea spoons, one 7 1/2" tablespoon, four 6 1/2" butter knife, five 8 3/8" place knives, and one 7 5/8" solid serving spoon. 45.43 ozt.

Baltimore repousse sterling silver four piece tea service, First quarter 20th century. A.G. Schultz & Co. (Baltimore, 1899-1950) for Sylvan Brothers Jewelers four piece tea service. Repousse grape vine motif. Including a 9 1/2" x 10" tea pot, a 6" x 8" sugar, a 5 1/2" x 6" creamer, and a 12" tray. 86.44 ozt.

Watson & Co. Federal sterling coffee service. Including a 9 1/2" x 8" coffee pot, a 4 1/2" x 5 1/4" sugar bowl, and a 5" x 4 1/2" creamer. Monogrammed SBB. 22.8 ozt. Condition: Small dents on all three pieces.

Tiffany & Co. "Faneuil" sterling flatware service for six. 21 pieces. Circa 1907-1947. Six 7" dinner forks, six 6" teaspoons, two 6 3/4" salad forks, one 6 3/4" cream soup spoon, and six 9 1/2" place knives. 23.16 ozt.

Lunt "English Shell" sterling flatware service, 125 pieces. Designed by Frederick W. Koonz. Sixteen 6 1/4" salad forks, twelve 7 1/8" dinner forks, twenty-four 6" teaspoon, seventeen 6 1/4" cream soup spoons, eleven 5 1/2" cocktail forks, one 5 3/8" cream ladle, one 5 7/8" gravy ladle, six 8 1/2" tablespoons, one 7 1/2" preserve spoon, one 5" bon-bon spoon, small 7 7/8" cold meat serving fork, one large 9" cold meat serving spoon, twenty 5 7/8" butter spreader, one 7 1/8" master butter knife, and twelve 9" place knife. 102.61 ozt. Includes flatware box.

Gorham "King Edward" sterling silver flatware service, 45 pieces. Designed by J. Russell Price. Including nine 6" tea spoons, one 7 3/4" iced tea spoon, one 5 3/4" sugar spoon, eight 6 1/4" cold meat fork. eight 7 1/8" dinner forks, one 5 3/4" flat butter spreader, two 8 1/2" serving spoons, one 8" salad serving spoon, and eight 9" place knives. 45.26 ozt.

Wallace "French Regency" sterling flatware service for six, 30 pieces. Six 6 1/4" salad forks, six 7 1/4" dinner forks, six 6" teaspoons, six 7" place spoons, six place forks, and six 8 3/4" place knives. 35.16 ozt. Includes flatware box.

A Gorham "Plymouth" sterling model A2446 hot water kettle and stand with burner, circa 1911. 45.38 ozt. 14 1/2" x 10" x 6"

A group of two S. Kirk and Sons reproduction Lafayette sterling goblets, circa 1868-1890. Original made by Samuel Kirk in 1824. 16.84 ozt. 5 1/4" x 3 1/4".

A Baltimore repousse sterling silver eight piece tea service, circa 1908. Matching floral repousse design. Pieces are marked either Jacobi and Jenkins or its successor Jenkins and Jenkins. Monogrammed on bottom "RIS v BSH". Includes a hot water kettle on stand with a burner, a coffee pot, a tea pot, creamer, sugar, waste bin with insert, tea strainer, and tea caddy. Largest 10 1/2" x 8" x 6" and smallest 4" x 3 1/2". 124.94 ozt. Condition: Handle for hot water kettle separated.

A group of two Tiffany and Co. sterling spoons. Tiffany and Co. "Grape Vine" pattern large preserve spoon. 8 3/4" and 2.67 ozt. ++ Tiffany "Renaissance" pattern. Designed by Paulding Farnham. 7 1/2" and 2.67 ozt.

Whiting Manufacturing. Co. "Oriana" sterling silver flatware service, 81 pieces. Monogram "LMM". Designed by George E. Ball. Including: seven 6" tea spoons, six 5 7/8" fruit spoons, eight 4" short handled chocolate spoon, ten 6 7/8" round soup spoon, one 6" sugar spoon, eight 6 5/8" forks, six 7 5/8" dinner forks, eleven 5 1/2" cocktail forks, eleven 5 3/8" flat handle butter spreader, eleven 9 1/2" hollow place knives, one 8 1/2" hollow carving fork, and one 8 1/2" egg server. 67.22 ozt.

A Wallace "Grande Baroque" pattern silver flatware service for twelve, 69 pieces. Twelve 6 1/2" salad forks, twelve 7 1/2" place forks, twelve 6 1/4" teaspoons, twelve 6 1/8" round cream soup spoons, 6 1/8" bon bon spoon, 8 3/4" pierced tablespoon, 8 3/4" tablespoon, 8 1/8" cold meat fork, twelve 9 3/4" hollow place knifes, and five 6 3/8" hollow butter spreaders. 84.76 ozt.

Gorham "Greenbrier" pattern sterling service for six, 52 pieces. Fourteen 6" teaspoons, eight 7 1/4" dinner forks, eight 8 1/2" salad forks, five 4 6/8" butter knives, one 4 1/2" lemon fork, one 6" jelly server, one 6" sugar spoon, one 5" pierced spoon, one 5 1/4" gravy ladle, one 7" master butter knife, one 8 1/2" tablespoon, one 10" pie server, one 6 5/8" cheese server, and eight 8 3/4" place knives. 45.67 ozt. Condition: Heavy wear on many pieces.

A New York made coin silver 4-piece tea set, circa 1848-1851. Manufactured by Charters, Cann and Dunn (Active 1848-1856) and retailed by Ball, Tompkins, & Black (Active1839-1851). Repousse chased body with grape vine handles and pheasant finals. Largest teapot: 10'"x10" and smallest 3 1/2" x 6 1/4". 67.9 ozt.

English Black, Starr, & Frost retailed sterling pierced bowl, circa 1936. William Hutton & Sons Ltd. English hallmarks. No. 31576. 3 3/4" x 10 1/2" x 8". 16.6 ozt.

International "Prelude" pattern sterling five piece silver tea service. Including 9 1/2" x 9 1/2" tea pot, 11" x 9 1/4" coffee pot, 6 1/2" x 6" sugar, 5 1/2" x 4 1/2" creamer, and 3 1/2" x 4" waste bin. 75.07 ozt.

A group of three 19th Century American silver ladles. ++ Edward Sandell scion silver ladle, circa 1816. Etched design on handle with M.H.F. monogram. Stamped E.S. on reverse. 13 1/2" long 4.84 ozt.++ A pair of Charles Alexander Burnett (1807-1840), Washington D.C. Federal coin silver ladles. Large ladle with raised shell on handle and M.W.Y. Marked on reverse "C.A. Burnett" on reverse. 13 1/4" long. 5.77 ozt. Gravy ladle with twisted stem and monogram. Marked on reverse "C.A. Burnett" on reverse. 11 1/2" long. 3.29 ozt.

Sterling silver mounted spinach jade letter opener, circa 1903. Alfred Godfrey, London maker marks. Monogram on handle. 5" blade and 9" overall.

A group of two Hazorfim sterling dishes. ++ Italian Hazorfim sterling chentoroza footed honey pot. Marked with Italian hallmarks. 5 1/2" x 4 1/4". 6.74 ozt. ++ Sterling Hazorfim lidded dish with berry decoration on finial and along handles. 6" x 6 1/2". 6.92 ozt.

An Austrian silver flatware service for twelve, 96 pieces. All marked .800 silver standard Diana's head mark with Vienna and Pest city marks. Various maker's marks and some pieces marked with Antal Bachruch retail marks. ++ Twelve 7" salad forks. eleven 8" dinner forks, twelve 4 1/2" demitasse spoons, twelve 8 1/4" place spoons, twelve 6" teaspoons, one 9 1/2" tablespoon, one 8 1/2" gravy ladle, one 10 1/2" two piece salad server set, one 11 1/2" large ladle, one 9 1/2" carving fork, two 1" x 2" salt cellars with spoons and inserts, twelve 9 3/4" Rostfrei blade hollow place knives, twelve 8 1/8" Rostfrei blade hollow butter knives, one 11 1/4" Rostfrei blade hollow carving knife, and a two piece 11 1/2" and 9 1/4" fish serving set. ++ 114.88 ozt. ++ Includes oak two tiered felt lined presentation box. 5" x 25 1/2" x 15 1/2".

An Egyptian silver ibrik coffee service for ten, 20th century. Cairo .900 silver mark. Includes lidded ibrik, ten footed demitasse cups, and round tray. 36.81 ozt. Tray 11" across, ibrik 6 1/2" x 7", and cups 2" x 2".

A group of four Egyptian pierced footed bowls, 20th century. Egyptian .900 silver standard hallmarks. 30.70 ozt. Largest 11 1/4" x 2 3/4" and smallest 2" x 6".

An Egyptian silver "Ful" fava bean pot, 20th century. Cairo .900 silver standard hallmarks. Includes stand, pot, and ladle. 18.56 ozt. Pot 6 1/2" x 5 1/2" and stand 2 1/2" x 3 1/2".

A group of two Egyptian silver hinged lid serving dishes, 20th century. Repousse floral design. Cairo .900 silver standard hallmarks. 34.60 ozt. Largest 5" x 9" x 8" and smallest 3 1/4" x 5" x 5 1/4".

A group of three Egyptian silver vases. Cairo .900 silver standard hallmarks. Including two vases and lidded container. 43.94 ozt. Largest 10 1/2" x 4 1/2" and smallest 8 1/2" x 4".

A group of three Egyptian silver plates, 20th century. Cairo .900 silver standard hallmarks. 32.95 ozt. Largest 11" and smallest 7 3/4".

A group of four Egyptian silver objects. Including a rosewater sprinkler, a pierced lidded bowl, a small lidded container, and a dallah coffee pot. 38.465 ozt. Largest 7" x 6 1/2" and smallest 2 1/2" x 3 1/4".

A group of six Egyptian silver objects. ++ Unmarked silver mounted mirror, 9" across. ++ Three silver mounted pumice stones. Cairo .900 silver standard hallmarks. Largest 3.5" x 2" and smallest 3" x 1 3/4". ++ Two Egyptian silver Cairo hallmarked pieces. A .800 silver standard card holder. 2.21 ozt. 3 1/2" x 2 1/4". A .900 silver standard 5.11 ozt. 1 1/2" x 4" x 3" ++ Silvertone Egyptian bracelet cuff. 4" x 3 1/4" x 2".

A sterling silver four piece tea service. Bamboo and hammered design. Stamped on bottom "Sterling 999". Largest 9 1/2" x 9 1/2" x 4 1/2" and smallest 3 1/2" x 5 1/4" x 3 1/2". 62.7 ozt.

After Frederic Remington (American, 1861-1909) "Coming Through the Rye." Depicting four cowboys on galloping horses. Signed on base. 27" x 29" x 25 1/2".

Quinn, Lorenzo (Italian, b. 1966). From the "Love" series, depicting bronze clasped hands suspended in a metal arc. Signature and limited edition 212/999 incised at the top of bronze. 14 1/4" x 10 1/2" x 6 1/4". Condition: Green patina

Heinrich Karl Scholz (Austria, 1880-1937), "Hirsch mit zwei Ricken", bronze sculpture. Depicting a stag leading two does. Signed with his pseudonym on base: "Karl V. Mildenau/ Austria." 27 1/2" x 23" x 8 1/4" Condition: One antler of stag's retaining screw is broken and one ear is separated.

After Giambologna (Italian, 1529-1608) Mercury or Hermes bronze. Marble base with bronze relief. 28" x 16" x 6". Condition: Loss to caduceus. chips to marble plinth.

Barye, Antoine-Louis (French, 1795-1875). Bronze sculpture of a running elephant. Signed on side of base. "F. Barbedienne" founders mark on base. 5 1/4" x 8" x 3". Condition: Green patina

A Bergman style Austrian cold painted bronze eagle with wings outstretched. "Austria" marked on underside of tail. 4 3/4" x 9 1/2" x 6 1/2". Condition: Some loss of color on beak, residue on center of tail feathers.

A group of bronze soldiers, mounted on a wood stand. Group contains people of all ages and sexes. They all hold heavy shields on their backs, waiting in line. Metal tag on base states: Citizens Fidelity Bank & Trust CO. 10 1/8" x 16 3/4" x 4 1/2". With stand: 13" x 16 3/4" x 4 7/8". Condition: Age wear to the bronze; green patina throughout.

English Late Regency porter's chair, circa 1820. Later tufted leather upholstery. Straight legs with casters. 40 1/2" x 31" x 24". Provenance: The Estate of Giraud V. Foster.

Late Georgian mahogany architect or drafting desk, early 19th century. Rising leather top, single top drawer with sliding felted writing surface that reveals six lidded compartments, over six drawers. Brass fixtures, with large brass handles on each side, and faux drawers and doors on reverse. 32" x 58" x 29 1/2". Condition: Wear to leather. Loss of veneer along edge and on desk top. Provenance: The Estate of Giraud V. Foster.

Queen Anne mahogany open arm chair, 18th/19th Century. Pierced splat raised on claw and ball feet. 38" x 20" x 24". Provenance: The Estate of Giraud V. Foster.

A large rectangular rug upholstered ottoman. English mahogany frame with turned legs on casters. 45 1/2" x 14" x 28". Provenance: The Estate of Giraud V. Foster.

Georgian marquetry tray table Georgian marquetry tray with brass fixtures, 18th Century. Enrico Liberti (Baltimore, 1894-1979) reproduction stand raised on saber legs with casters, circa 1958. E. Liberti brand on underside. 20 1/2" x 27 1/2" x 18". Provenance: The Estate of Giraud V. Foster.

A Hickory Chair Chippendale wingback chair. Bird of paradise fabric upholstery. Cabriole legs with claw and ball feet in front and pad feet in rear. 43" x 13" x 29". Provenance: The Estate of Giraud V. Foster.

English Chippendale upholstered mahogany arm chair. 36 3/4" x 23 1/2" x 24 5/8". Provenance: The Estate of Giraud V. Foster.

English octagonal cellarette on legs. Oak with brass mounts and lead lining inside vessel. 28" x 16 1/2" x 17". Condition: Missing key. Provenance: The Estate of Giraud V. Foster.

English walnut shaving stand with mirror, 19th century. Tilting mirror. 55" x 13 1/2". Provenance: The Estate of Giraud V. Foster.

An English chest of drawers. Second half of 19th century. Empire transitional period. Walnut with oak and pine secondary. 43" x 52 1/2" x 23 1/2" Condition: Chip along front edge. Feet are included.

A Renaissance Revival partner's oak desk, 19th Century. Rectilinear form heavily carved paneling. Each side has three upper drawers with dolphin decoration. One side has three drawers over two doors with satyr mask decoration. Reverse has nine drawers, six lower drawers have satyr head pulls. Side panels depict a fleur-de-lis flanked by two dolphins. 32" x 49 1/2" x 29". Condition: Heavy wear. Losses on corners and outer edges. Leather top removed. Water damage to top. Paint fainted across piece.

A pair of wool pile Chinese Art Deco rugs. Gold border with red ground rug. 29 3/4" x 59". Red border with brown ground rug. 29 3/4" x 59"

Chinese Art Deco rug. Wool pile. Blue field with flowers with red border. 113" x 93" Condition: Numerous thread pulls.

Antique Persian Sarouk hand knotted rug. Wool pile 45 1/2" x 85".

Antique Persian Lavar Kerman hand knotted rug. Wool pile. 48 5/8" x 71 1/4"

Antique Persian Sarouk hand knotted rug. Wool pile. Red field with dark blue border. 4'5" x 6' 5".

Turkish prayer hand knotted rug. Wool pile. Cream field. 3'9" x 6'2". Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

Turkish Kilim runner hand knotted rug. 12'7" x 2'.

Persian mixed technique Soumak rug. 58 1/2" x 40".

Oushak design vegetable dye rug. 108" x 141".

A Peshawar carpet. 20th century. Hand-knotted wool/cotton blend. Central field filled with stylized geometric, vine, and floral motifs. Surrounded by multiple borders. 17' 6 1/2" x 11' 10". Condition: Staining and damage to pile throughout. Evident pet exposure.

A Tufenkian modern rug. Hand knotted wool. Floral pattern in green, yellow, blue, and pink. Label on back corner. 11' 4" x 8' 7".

Silk wool Persian Nain rug. Round medallion surrounded by blooming floral vine of blue field. 11'4" x 7'5".

Persian Joshagan rug. 8'7" x 11'10".

An antique polar bear pelt with taxidermy head. Full pelt and head with teeth. Nose to tail: 80". Paw to paw: 74". Condition: Some teeth and claws missing. Mouth needs restoration. Provenance: Provenance: From the Estate of Catherine Spencer Eddy Beveridge (1881-1970), and by descent in her family.

Fossilized oreodont Merycoidodon skull. 7" x 5" x 3". Provenance: The Estate of Giraud V. Foster.

Fossilized oreodont Merycoidodon skull. 8" x 5 1/4" x 4 1/2". Provenance: The Estate of Giraud V. Foster.

Green petrified wood section. Partial rind of tree bark present with polished section showing vibrant green. 6 5/8" x 5 1/4" x 6 1/2". Provenance: The Estate of Giraud V. Foster.