Strickland, Thomas J. (American, 1932-1999). Untitled impressionistic style portrait of a woman sitting at a table with a bowl of fruit. Mid to late 20th century. Oil on Canvas. Signed u.l. 24" x 30". Frame: 31" x 36 1/4".

Strickland, Thomas J. (American, 1932-1999). Untitled impressionistic style portrait of a woman standing in front of a mirror. Mid to late 20th century. Oil on Canvas. Signed u.r. 26" x 24". Frame: 43 1/2" x 31 1/2".

Herzog, Lewis E. (American, 1868-1934) Landscape depicting boats on the water with cliffs in the background. Late 19th to early 20th century. Oil on canvas. Two tears on the bottom right corner, and areas of wear and paint loss along the edges. Signed l.r. 25" x 30". Frame: 27" x 32". Condition: Two tears on the bottom right corner, areas of wear and paint loss along the edges.

Crowley, Timothy (1874-1943). Untitled impressionistic style landscape depicting people walking down a city street with buildings on either side. 20th century. Oil on canvas. Signed l.r. 24" x 36". Frame: 25 1/4" x 37 1/4".

Unknown. View of Georgetown, Washington DC at night. c.1980s-90s.. Acrylic on canvas. Scene of The Little Tavern on M Street. Unsigned. 25 3/4" x 19 1/2".

Brule, Elmo Alfred II (American, 1917-2001). Untitled country field with cotton plant. 1968. Oil on Board. Signed l.l. and signed and dated verso. 29 1/2" x 23 3/4". Condition: Unframed. Painting surface was recently professionally cleaned. Provenance: From the collection of Richard Smith.

Sisson, Laurence Phillip (American, 1928-2015). A South Western US landscape with red rocks in front of white capped mountains. Acrylic on masonite board. 45" x 72".

A pair of Victorian floral paintings on slate. White daffodil; red and cream chrysanthemum. Signed "ESC". 1879. Oil on slate. 11 7/8" x 5 7/8". Frame: 15 7/8" x 9 7/8".

Singer, Noel. Untitled painting of a girl sitting on a chair. 20th century. Oil on Masonite. Unsigned. 17" x 16".

Butler, Clarence La Verne. (American, b.1850). Pigeons in barn with corn. 19th/20th century. Oil on canvas. Signed l.r. Back protected with board. Sight: 31" x 41 1/2". Frame: 41 1/2" x 51".

"Portrait Miniature of Rebbeca Gratz, Artist Unknown, ca.1845. Frame: 8 1/4" x 7". Sight: 3 1/4" x 2 1/2".

"Helen Pancot painted by Margaret Jenison -Mama Sketel 1859." Frame: 9 1/2" x 8 1/2". Sight: 6 1/4" x 5 1/4".

A pair of two Painted Wax Portraits: Duke of Wellington and Unknown woman. 19th century. Facing right. In ebonized frame and glass. Duke of Wellington is detached from matting and loose in the frame. Unknown Woman: 9 1/4" x 7 1/4". Duke of Wellington: 9" x 7 3/4". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

Unknown. (American, 19th century). Watercolor and graphite on paper. Wood frame with geometric inlay. Frame: 7" x 5 3/4". Sight: 3 1/2" x 2 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three Portrait Miniatures of Women. ++ Portrait of a Young Woman. 18th century. Watercolor on ivory. Gilt metal oval frame with bow at top, green velvet mat. Frame: 4 1/4" x 3". Sight: 2 1/8". ++ Portrait of an Elderly Woman. 18th century. Watercolor on ivory. Black painted wood frame with gilt thistle accent on top. Frame: 4" x 3 1/2". Sight: 1 7/8" x 1 1/2". ++ Half Portrait of an Elderly Woman. 18th/19th century. Watercolor on ivory. Gilt metal frame with ribbon motif on top. Frame: 3 5/8" x 2 3/8". Sight: 2 3/4" x 2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

Portrait Miniature of Woman with Flowers. 19th century. Watercolor on ivory. Tortoise shell frame with gilt lip. Frame: 3 7/8" x 3 1/4". Sight: 1 3/4" x 1 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of two Silhouette Wax Portrait Miniatures. 19th century. Man facing right, Woman facing left. Frame: Frame: 4 7/8" x 4 3/8". Sight: 2 3/4" x 2 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of two decorative ivory framed portrait miniatures. 18th/19th century. ++ Portrait of a Military Officer. Watercolor on ivory. Ivory frame with gilt lip. Frame: 4 3/4" x 4 7/8". Sight: 2 3/8" x 1 7/8". ++ Interior Scene of Man and Woman. Water color on ivory. Ivory frame with black insets and sgraffito patterns, gilt lip. Two pieces of ivory are detached from frame. Frame: 5 3/4" x 5 1/4". Sight: 3 5/8" x 2 7/8". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Tortoise shell framed Queen Victoria Portrait Miniature. 19th/20th century. signed l.r. Oreis. Oval tortoise shell framed portrait miniature of Queen Victoria. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of seven Portrait Miniature Pendants. ++ Silhouette Portrait of a Woman. 18th/19th century. Watercolor on ivory. Stain across frame. Gilt metal frame. 2" x 1 5/8". ++ Portrait of a Woman with a Hat. 18th/19th century. Watercolor on ivory. Gilt metal frame. 2" x 1 1/2". ++ Portrait of a Woman. 19th century. Watercolor on ivory. Gilt braided metal with a chain. 1 1/2" x 1 1/4". ++ Portrait of Man. 18th century. Watercolor on ivory. 1 3/8" x 1 1/4". ++ Portrait of a Woman. In the style of John Hoskins, 17th century. Watercolor on ivory. Crack in base at lower right. Gilt metal frame. 1 1/4" x 1". ++ Two Portrait Miniatures of Woman with Hat. 1 5/8" x 1 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three Portrait Miniatures. ++ Portrait of a Man in Roman dress. 19th century. Watercolor on ivory. Carte de Visite case. Frame: 3 5/8" x 3 1/8". Sight: 1 1/3". ++ Half Portrait of a Gentleman. 19th century. Watercolor on ivory. Gilt metal frame with metallic design on paper mat. Ivory across the lower right of the image has crackled. A small piece of the background area is missing. Frame" 3 1/2" x 3 1/4". Sight: 2 1/2". ++ Portrait of a Gentleman. Watercolor on ivory. Tortoise shell and ivory frame with gilt inner lip. Small scratch on image. Frame: Sight: 1 3/4" x 1 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

Lisenko, A. (Russian, 19th century). Portrait Miniature of Grigori Dmitrievitch Hovaiskii. 1847. Watercolor on ivory. Mounted on rose velvet inside gilt wood frame. Frame: 2 1/4" x 1 7/8". Sight:1 3/8" x 1 1/8". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Portrait Miniature of a Man and Mourning Pins. 18th century. ++ Portrait of a Man. Watercolor on ivory. Oval gilt metal frame with decorative motif; reverse braided lock of hair. Frame: 3" x 2 1/4". Sight: 2 3/8" x 2". ++ Mourning pin. Oval pin with braided lock of hair. 1 1/4" x 3/4". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

An Art Deco natural opal necklace with diamonds and black enamel surround, on a diamond bail set in 14k white gold and platinum. Pendant has nine single cut diamonds and eighteen rose cut diamonds. Diamonds are H/SI1, .25ctw. Approximately 1 1/4" x 1." Pendant: 6.1g. Pendant is on a 18" 14K white gold chain and comes with 17" platinum chain. Condition: Opal is cracked.

A group of two Victorian .22 ctw. diamond brooches in 14k. ++ Oval filigree brooch with .06 ct. central round brilliant cut diamond in 14k white gold. G/VS. 4.4g. ++ Flower brooch with seed pearls and central .16 ct. old European cut diamond in 14k yellow gold. I/SI2. 5.7g.

A circular Art deco Diamond brooch with nine pieces of black onyx detail set in platinum. Forty eight Old European cut diamonds, G/SI1. Main stones are .47ct, .23 ct, and .16 ct. Brooch has 2 ctw. Approximately 1 1/2" diameter. 7.3g. Condition: Pin was lead soldered upside down and will only open half way.

A Kundo Kieninger Obergfell Mantel Clock. 20th century. Glass dome cover over gold tone hardware. Marked on back "Kieninger & Obergfell Made in Western Germany 6 (six) Jewels unadjusted." 9 1/2" x 9" x 5 1/2."

A Jaeger-Lecoultre Quartz Table Clock. circa 1960s. Painted copper, meant to imitate lapis lazuli, rectangular frame. Marked "Jaeger-Lecoultre quartz Swiss." 8" x 4 5/8" x 2 1/4."

A Jaeger-Lecoultre, Atmos Clock. 20th century. Swiss gold plated base and hardware with glass body. Marked on face "Fifteen 15 Jewels VXN Switzerland Unadjusted LeCoultre & CLE Atmos Swiss." 9 1/4" x 7 1/2" x 5 1/2."

Wright, Russel (Lebanese/American 1904-1976). 20th century. Oceana series painted wooden serving bowl. Branded signature on bottom. Some chips to paint and wood. 2 1/2" x 12 1/4" x 11 1/2."

A Folke Ohlsson for DUX Scandanavian modern teak buffet with nine drawers. Made in Sweden, c. 1960. 31 1/4" x 72" x 18 1/2".

A Dema Rataplan sofa. 2nd half of 20th century. Roberto Tapinassi for Dema. Black leather cushion with chrome frame. Broken frame on both sides with right side parts included. Left side missing one structural support beam and one foot. Convertible seat. 29" x 93 1/4" x 32."

A pair of Cassina sofas. Afra and Tobia Scarpa for Cassina. Italy. 2nd half of 20th century. Chrome frame. Gray-blue waffle weave upholstery. 25 1/2" x 62" x 34 1/2".

Charles Pfister for Knoll International three cushion couch in cream fabric. Mid 20th century. Knoll label on bottom. 24" x 87" x 33"

A pair of Charles Pfister for Knoll International lounge chairs in cream fabric. Mid 20th century. 24" x 32 1/2" x 32 1/2"

A pair of Knoll Saarinen Executive armchairs in red fabric. 1971. Label on bottom. Each chair: 32" x 26" x 23".

Moreddi Danish modern teak credenza with four drawers and two shelves. Branded label in drawer. 31" x 70 1/2" x 18 1/2".

A Danish modern Randers Møbelfabrik draw leaf dining table in teak. Mid 20th century. 29" x 58 1/2" x 36 1/2".

A group of four Mies Van Der Rohe Barcelona chairs by Knoll in tan leather. Mid 20th century. Label on bottom. 29" x 29" x 29". Condition: One chair has straps torn off frame

A Danish mid-century modern teak four drawer chest with metal and wooden pull handles. 33 1/2" x 36" x 19"

A Barney Flagg for Drexel tall walnut dresser and nightstand. 1960's. Nightstand has damaged veneer on the drawers. Branded in drawer. Dresser: 42" x 38" x 20". Nightstand: 23" x 26" x 17".

A Drexel Sun Coast chian cabinet. 2nd half of 20th century. Designed by Kipp Steward. Two-tier china cabinet, Top part with shelves and double doors opening to storage space. Bottom credenza with four drawers on the left, double doors with gold painted star design. Drexel mark on the back. 60" x 60" x 18"

An Oscar de la Renta for Century Furniture Radial Expansion table. Made from mahogany with eight wedge shaped leaves with protective brass tips. Supported by a pedestal base with four legs with paw feet. Label under leaf "Oscar de la Renta for Century Furniture", 31" h x 56" d.

A Skovby rosewood veneer china cabinet. Denmark. 2nd half of 20th century. Upper section with four glass doors opening the shelving space. Bottom buffet with four doors opening to shelves and storage spaces. Skovby label on the back. 71 1/2" x 81" x 18 3/4."

A Frank Gehry "Hat Trick" chair for Knoll. 2000. Birch laminate. Signed with branded manufacturer's mark to underside: "FO Gehry Knoll 08/07/00 Made in USA." 19" x 21" x 33 1/2".

A Bruksbo rolling magazine cart/ holder. 2nd half of 20th century. Rosewood veneer. Trapezoid form with slotted interior, on casters. Bruksbo Norway label on the bottom. 17 1/2" x 13 5/8" x 14 3/4" Condition: Chipped marks and scuff marks along the rims.

A Louis Durot "Tongue" coffee table. Durot, Louis (French, b.1939). Sculpted Polyurethane, in peacock green. Signed underneath. 2/9. 13" x 48" x 14".

Royer, Christian (20th century). Wool Tapestry. Manufacturer Robert Four. Black background with green, brown, and cream abstract shapes. Label on back. 60" x 57".

Raskin, Saul (Russian/ American,1878-1966). Untitled painting depicting three men playing musical instruments. 1965. Gouache and pencil on paper. Signed and dated l.l. 10 1/2" x 14 1/2". Frame: 16 3/4" x 20 1/4" Provenance: From the Coleman estate in Florida.

Hill, Clinton (American, 1922-2003). "India Collage." 1957. Mixed media collage on plasterboard. Signed and dated l.r. 15 1/2" x 14". Frame: 16" x 14 1/2".

Pwerle, Jeannie Mills (Australian, b.1965). Abstract representation of the bush yam. Includes a photograph of the artist with the painting and a certificate of authenticity from Gannon House Gallery Sydney, Australia. 2013. Acrylic on canvas. Signed and dated on verso. 16" x 12.5".

Stolnick, Mervin. (American, b.1941). Portfolio with twelve small paintings. 20th century. Acrylic on paper. Portfolio: 9 3/4" x 6 3/8". Larger painting: 3 1/4" x 4 1/2". Smaller painting: 2 7/8" x 3".

Kuh, Howard (American, b. 1920). Abstract painting of a cityscape. 20th century. Oil on canvas. Signed l.r. Additional abstract drawing on verso. 25" x 32 1/4 ". Frame: 25 3/4" x 33".

Turner, Theodore "Ted" Roy (American, 1922-2002). A group of three untitled paintings. 20th century. Oil on Canvas. ++ Two geometric depictions of houses painted with thick lines in bold colors. Signed l.r. 14" x 18". ++ A geometric depiction of cars driving down a road. Unsigned. 16" x 20".

Winston, Sara. "Ancient Wall." An abstract representation of a wall depicted in grey, red, and white. 1963. Oil on canvas. Signed l.l. Signed, dated, and titled on verso. 24" x 30". Frame: 25" x 31"

Unknown. Fauvist style representation of a reclining figure. 1891. Acrylic on canvas. Areas of paint loss along the bottom edge and in upper right corner. Date and illegible signature l.l. 23" x 31 1/2". Frame: 24 1/2" x 33". Provenance: Purchased from an art dealer in Amsterdam in 1969.

Spagnolo, Frank (American, b. Early 20th c.) Untitled abstract work with thick curving flame colored lines on a dark background. Oil on canvas. Signed on verso. 24" x 36".

Spagnolo, Frank (American, b. Early 20th c.) "Spring Snow." Abstract representation of cherry blossom. 1956. Oil on board. Signed and dated l.r. 30 1/4" x 23 1/2".

Bielutin, Ely (Russian, 1925-2012). "Mére et l'Enfant." Abstract image of a mother and child painted in white and yellow against a dark blue background. 1969. Oil on canvas. Signed and dated l.r. 50 1/4" x 17 3/4".

Strauser, Sterling Boyd. (American, 1907-1995). Untitled. Impressionistic still life of flowers with three multicolored bouquets in the forground. 1975. Oil on Board. Signed l.c. Sight: 62" x 39 1/2." Frame 64" x 41". Provenance: From the Coleman estate in Florida.

Strauser, Sterling Boyd (American, 1907-1995). Untitled. Still life of flowers in vases. 1984. Oil on Board. Signed and dated l.r. Sight: 23 1/2" x 39 1/2"." 27 3/4 x 43 3/4". Provenance: From the Coleman estate in Florida.

Strauser, Sterling Boyd (American, 1907-1995). Abstracted and multicolored floral still life. 1975. Oil on board. Signed and dated l.r. 36" x 24". Frame: 44 1/2" x 32 3/4". Condition: Damage/ Paint loss to the upper right corner of the frame. Provenance: From the Coleman estate in Florida.

Strauser, Sterling Boyd (American, 1907-1995). Untitled still life depicting a bouquet of multicolored flowers in a grey vase. 1978. Oil on board. Signed and dated l.l. 28" x 22". Frame: 33 1/2" x 27 5/8". Condition: A few small cracks and chips in the frame. Provenance: From the Coleman estate in Florida.

Strauser, Sterling Boyd (American, 1907-1995). A group of two oil paintings signed and dated l.l. ++ A single stem flower. 1978. Oil on masonite. 28" x 4". ++ A woman holding two flowers. 1979. Oil on board. Sight: 11 1/2" x 5 3/4". Frame: 12 3/4" x 7". Provenance: From the Coleman estate in Florida.

Chun, Lau (Chinese/ American, b. 1942). Untitled colorful abstract painting. 1983. Oil on Canvas. Signed and dated l.r. 48 1/4" x 73". Frame: 53 1/2" x 78 1/4".

Ellwood, Evelyn (American, b.1928) "Untitled." Drawing of a square made using layers of colored lines. Mid to late 20th century. Pastel on paper. Unsigned. 9 3/4" x 10 1/2".

Ellwood, Evelyn (American, b.1928) "Untitled." Drawing of a square made using layers of colored lines. Mid to late 20th century. Pastel on paper. Unsigned. 9 1/4" x 9 3/4".

Li, Ho. "Forces Held in Balance." Abstract painting of geometric forms and lines painted in black, red, and white. 1989. Oil on canvas. Signed l.r. 40 x 30". Frame 42 1/2" x 32 1/2".

Gonzalez, Juan (Cuban/ American, 1942-1993) "Farewell Gift." 1971. Lithograph. Signed, dated, and titled l.l. 22" x 17 1/2".

Unknown (Polish, 20th c.). Abstract composition painted mainly in red, white, yellow, and green. 1965. Oil on canvas. Date and illegible signature l.r. 23" x 13 1/2". Frame: 23 1/2" x 13 3/4"

Prabha, B. (Indian, 1933-2001). Fisher Girl. Depicting fisher woman in white outfit, sitting on the ground with a basket and a tray of fish. 1966. Oil on canvas. Signed u.r. Title and price in rupees on verso. 24" x 36". Frame: 27" x 39".

Prabha, B. (Indian, 1933-2001). Depicting fisher woman in red top and white pants, sitting on the ground with a basket of fish. 1965. Oil on canvas. Signed u.l. 20" x 25". Frame: 22 1/2" x 27 1/2".

A Chinese Art Deco rug. First half of 20th century. Cream with light brown borders. Decorated with bamboo and plum blossom design with bird and butterflies. 140 1/8" x 113 3/8."

A Sumak style Rug. 19th century. Red ground with blue, red, and yellow floral geometric pattern. 102" x 47 3/4".

A Persian Rug. 20th century. Hand knotted with five band border and central panel with wing and floral pattern. 59 1/4" x 36 5/8".

A Persian Kashan rug. 20th century. Wool hand knotted central diamond and ground filled with red, green, blue, and cream floral. 6' x 9'.

After Icart, Louis (French, 1888-1950). Smoke Girl. Bronze sculpture, with replaced copper ashtray on the bottom, incised "Icart", on marble base. 26 1/2" x 7" x 7". Condition: Replaced copper ashtray on the bottom. Wear and patina on the body.

A sculpture of eagle on tree branch. In the manner of Moigniez, Jules (French, 1835-1894). Colored copper alloy. Depicting an eagle resting on a tree branch with its wings open. Incised signature on base "Jules Moigniez". 41" x 30 1/4" x 16".

A pair of Ary Bitter bronze elephant bookends. 1920s. Patinated bronze with ivory tusks. On wooden bases, one base with metal tag marked “ARY BITTER SCLPT SUSSE FRES EDRS PARIS.” Broken tip to the elephant tusk. Larger: 11 1/4" x 6 1/2" x 6 1/4" Provenance: From the collection of James F. Scott, Charlottesville Virginia.

Seifert, Victor Heinrich (Austrian, 1870-1953). 19th/20th century. Nude Woman Fishing. Bronze. Fishing pole absent. Signed on base "Prof V Seifert." 24 3/4" x 11 3/4" x 8 1/4."

In manner of Erte' Romain de Tirtoff, (Russian/French 1892-1990). "Leopard Woman." 20th century. Bronze. 23" x 21 1/2" x 8 3/4".

Iffland, Franz (German, 1862-1935). 19th/20th century. Cricket Boy. Bronze. Signed on base "F. Iffland." 15 1/4" x 10 3/8" x 17 1/8."

Barye, Antoine Louis (French, 1795-1875). Standing horse. Patinated bronze. Marked "Barye" underneath. 12" x 15" x 3".

After Picault, Emile Louis (French, 1833-1915). "Ave Caesar Te Victor Salvet". 20th century. Metal sculpture with brass color finish on marble base. Mark on the plinth of the sculpture "E. Picault." and "France". Approx: 21" x 26" x 8".

A group of eleven, Austrian, Hagenauer, Bosse, and Baller Bronze and Brass figures. Early 20th century. Stamped and incised with various marks. Largest: 5."

Good, John Willis (Great Britain, 1845-1879). 1875. Horse and Jockey. Bronze. On marble base. Signed and dated "J. Willis Good 1875." 12 1/2" x 12" x 5 3/4."

In manner of Charles Marion Russell, (United States, 1864-1926). "Smoking Up". 20th century. Bronze. Signed in sculpture base "CM Russell". 10" x 10" x 4 1/2." Condition: Marks on bottom show signs of once being on a base.

In the manner of Jean Bologne, (Flemish, 1529-1608). "Mercury." 19th century. Bronze. 28". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

Hart, Frederick (American, 1943-1999). "Counterpoint." 1997. Signed along the edge near the bottom. 239/350. Includes custom pedestal. Acrylic: 14" x 19 3/4" x 9." Base: 40 1/4" x 15" x 15."

Sopel, Lyle (Canadian, b. 1952). Bear on a Rock. Carved green nephrite on hardstone base. Signed on back "Sopel C552." 9 1/2" x 11 1/4" x 7 3/4."

Sopel, Lyle (Canadian, b. 1952). Eagle Soaring. Carved green nephrite on hardstone base. Signed on back "Sopel F025." 15 1/2" x 7 3/4" x 6 1/2."

Nude Male Torso. Carved marble on red marble plinth. Repair work to bottom of torso and base has come undone. Chips to plinth. Statement of possession will be provided to winning bidder. Torso: 9 1/2". Base: 5". Total Height: 14 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

Tereszczuk, Peter (Ukrainian/Austrian, 1875-1963). Pierrot and Pierrette. 19th/20th century. Bronze and ivory on onyx base. Dancing Pierrot and Pierrette couple. Onyx base has chip along base. Signed "P. Tereszczuk Austria." 15" x 6" x 5." Condition: Repair work has been done to both ivory heads.

Schott, Walter (German, 1861-1938). "Kugelspielerin." circa 1905. Gilt-bronze and ivory figure on onyx base. A girl playing with a ball. Signed on gilt base "Walter Schott fec." 14 1/4" x 8 1/2" x 4."

A bronze statue of a Greek warrior. Depicting a warrior with helmet and cape, standing on shell platform supported by dolphin, horses and a boy. Sword broken, included. 48" x 19" x 14."

A Horse Weathervane. 19th/20th century. Molded gilt copper body and cast zinc head. Style of Howard & Co. Patina and dents to body from age. 15" x 8 1/4" x 2 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Ludwig Merkel 720 microscope made in Vienna. Circa 1900. Brass and glass. Marked on foot "Ludwig Merkel Wien No 720". 10 1/2" x 12 1/2".

A group of Astrola telescope accessories. 2nd half of 20th century. Tag on the telescope: "Cave-Astrola Telescopes MFG. By Cave Optical Co. Long Beach, Calif." Tube: 16"diam.

A group of two blueprints for a "4-6-2 type" Pacific type locomotive. Hand drawn in ink and annotated in pencil. 35 1/2" x 81". Frame: 39 1/4" x 85 1/4". ++ Profile view of the locomotive. Note on lower right corner: "ERECTING CARD. 4-6-2 Type Locomotive. Albany, N.Y. April 12, 1929. Correct Approved"; with engineers' signatures. ++ Segmented views of the engine and boiler. Note on lower right corner: "ERECTING CARD. 4-6-2 Type Locomotive. Albany, N.Y. June 3, 1929. Correct Approved"; with engineers' signatures.

C. Knight (19th/20th century), in the manner of Charles Parsons Knight. Sailing boats on water. 1897. Signed. l.r. Plaque on frame: "C. Knight". Oil on canvas. Possibly repaired 40-50 years ago, signature has been re-traced. 24" x 36". Frame: 31 1/2" x 43 1/2".

Dawson, Montague J. (British, 1890-1973). "The Bristol Privateer." 20th century. Description on verso reads: THE BRISTOL PRIVATEER "VIGILANT" 200 tons. 22 nine-pounder guns and 8 four-pounders, 180 men all told. In 1778 whilst on passage to Gibralter, in fine weather, she sighted a French ship, which afterwards turned out to be the "DUC de CHOISEUL" bound from St. Domingo. The Vigilant gave chase and after some time drew up with the enemy, holding her fire until she was well within range. After a short engagement the Frenchman struck after receiving considerable damage to her hull and rigging (due to the good shooting of the Britisher). She turned out to be a ship of some 450 tons equally well calculated for a cruiser or merchantman and was sold at Bristol in March 1778. Oil on canvas. Small area of paint loss on the lower right. Signed l.l. 24" x 36". Frame: 33 1/2" x 45 1/2". Provenance: Purchased from Daniel Rees Fine Art Dealer in Jackson, Michigan. Formerly from the collection of Charles Edward Kirsch a graduate of Western Military Academy who served in the U.S. Navy. He had a passion for sailing globally in his yacht, Scaramouche, and won the 1974 Newport to Bermuda Race. He also provided service to the U.S. Yacht Racing Union, the Ocean Racing Committee, the Admiral's Cup U.S. Team, and America's Cup campaigns. Condition: Small area of paint loss on the lower right.

A group of two small paintings of scenes of horse training. Signed Shipley. 20th century. Oil on canvas. Signed l.l. 8" x 10". Frame: 13 3/4" x 16".

Watts, Frederick William (English, 1800-1870) Untitled country landscape depicting a gentleman ferrying his cows across the river. 19th c. Oil on canvas. Unsigned. 18 1/2" x 24". Frame: 21 1/4" x 27 3/4".

Sticks, George Blackie (British, 1843-1938). Untitled Scottish landscape depicting fisherman in a rocky cove. Seagulls fly though the wispy clouds on the right side of the canvas with mountains in the background. 1987. Oil on canvas. Small tear in the upper left corner of the canvas. Signed and dated l.l. 31" x 39". Frame: 41" x 49". Condition: Small tear in the upper left corner of the canvas.

Dalziel, James B. (British,1848-1908). A Bend in the River. 1900. Oil on board. Signed and dated l.r. Board: 12" x 18." Frame: 17" x 23 1/2."

Unknown (Continental, 17th/18th century.) Portrait of a boy. 17th century style. Inscriptions u.r. "Peder, Franz Freyschuac V. Freien Stain 1658." Oil on canvas. Sight: 32" x 23". Frame: 38" x 29".

Unknown (Dutch). Portrait of an unknown gentleman wearing a red coat and a feathered cap with a sheaf of paper in his hand. 19th century. Oil on canvas. The canvas has been relined. Unsigned. 32" x 25 1/2". Frame: 39" x 33".

Attributed to Chinery, George (British, 1774 - 1852). Portrait of a young Scottish boy. Possibly a portrait of MacDonald Vickers. Late 18th to mid 19th century. Oil on Tin. Small areas of paint loss around edges. Unsigned. 23 1/2" x 19 1/2". Frame: 28 1/2" x 25 1/2". Condition: Small areas of paint loss around edges.

Pluchart, Henri Eugene (France, 1835-1898). Portrait of a young woman resting in a garden. Mid to late 19th century. Oil on canvas. Areas of water damage on verso. Signed l.l. "E. Pluchart". 45 1/2" x 33 1/2". Frame: 50" x 38 1/2". Condition: Areas of water damage on verso

Attributed to Mueller, Otto (German, 1874-1930) Expressionist style seated female nude. Late 19th to early 20th century. Gouache and ink on paper glued to board. Unsigned. Sight: 20" x 27". Frame: 29 3/4" x 35 3/4".

Pascin, Jules or Pincas, Julius Mordecai (Bulgarian/ French, 1885-1930). Portrait of a nude woman sitting in a chair. Early 20th century. Watercolor and pencil on paper. Signed l.l. 15 3/4" x 13". Frame: 23 1/4" x 21".

Unsigned (English, mid-late 18th century). Portrait in brown depicting a young child wearing a plaid dress, holding a hat. Sight: 9 1/2" x 8". Frame: 15" x 13 1/2".

Unknown (European). Portrait of a young and finely dressed young lady with her head tilted and looking up. 19th century. Oil on canvas. Small tear in lower center of canvas. Unsigned. 20" x 16". 26 1/2" x 22". Condition: Small tear in the lower center of canvas.

Crawford, Robert Cree (English, 1842-1924). Portrait of an unknown woman wearing a fur trimmed coat in an ornately carved guilt frame. 1878. Oil on canvas. Repair work previously completed on the face. Signed and dated l.l. Paper label for VII Exposition Internationale des Beaux Arts a Munich 1897 on verso. 36" x 28". Frame: 46 3/4" x 38 3/4". Condition: Repair work previously completed on the face.

Unknown (European). A group of nude women bathing in a stream. 18th or 19th century. Oil on copper. Unsigned. 11 1/2" x 16". Frame: 15" x 19 1/2".

Attributed to Lawrence, Thomas (English, 1769-1830). Lady Bowes-Lyon. Portrait of woman in white dress with red cape. 19th century. Oil on canvas. Mark on the stretch: "Seigbert". 36" x 29". Frame: 42 1/2" x 35 1/4".

Unknown (European). Oval portrait of and unknown finely dressed gentleman in a carved gilt wood frame. 18th/19th century. Oil on canvas. Unsigned. 30" x 25". Frame: 38" x 33 1/2".

Unsigned (European). Portrait of an unknown man seated and finely dressed. 19th century. Oil on canvas. 31 1/4" x 23 1/2". Condition: Craquelure throughout painting. Multiple small areas of paint loss in the lower half of the canvas.

Unsigned (Dutch). Portrait of a man in a snowy landscape at sunset. 17th century. Oil on oak panel. 6 3/4" x 5 3/4". Frame: 9 1/2" x 8 1/2".

Unknown (English). A portrait of an unidentified man wearing an emblem with St. George's cross. 17th century. Oil on canvas. 30" x 25". Frame: 38" x 32"

Chihuly, Dale (American, b.1941). Seaform bowl in pink striped with purple. 1984. Signed and dated on the bottom. Approx. 9" x 12 3/4" x 9".

Chihuly, Dale (American, b.1941). Seaform small bowl in pink striped with purple. 1984. Signed and dated on the bottom. Approx. 2 1/2" x 7 1/4" x 5 1/2".

A French Clain and Perrier Enamel Glass Vase. circa 1900. Enameled acid cut-back and cut glass tall vase decorated with oak leaves and nuts. Marked "Clain & Perrier 238 St. Germain, Paris." 13 5/8." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Meissen, KPM, and Derby porcelain figurines. ++ Meissen member of the Monkey Band playing a flute. Late 19th century. A monkey wearing a wig, purple striped long vest and britches and a turquoise coat stands upright holding a flute in his left hand, gilt highlights. Left foot and finger on right hand missing. Mark blue crossed swords, impressed "114", incised "5", painted in gold #42. 5 1/2". ++ KPM Peasant woman holding fruit, figurine. 19th/20th century. Barefoot woman holds a hat full of fruit in one hand and a pear in the other, wearing a white blouse, green bodice, white underskirt, light blue overskirt with blue ribbon near base. Minor chip to hat. Mark KPM, orb and sceptre. 8 3/4". ++ Gardener figurine emblematic of summer. circa 1785-1795. Gardener wears black hat, pink vest, gold belt, yellow pants, standing next to pot of flowers. Minor loss to end of thumb, damage to hat, leaves, and end of spade. Mark Derby, impressed No. 3. 7". ++ Meissen figure of Young Boy carrying basket of flowers. circa late 18th/early 19th century. Barefoot boy in hat, pink striped and floral open vest, white shirt, blue pants, on scrolled molded base, gilt highlights. Marked incised crossed swords in triangle, painted iron red 0, impressed "4" on back. 5 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of five Hochst and Meissen Porcealin Figurines. ++ Young girl figurine. 18th/19th century. Young girl wears a pink hat with white trim, short pink dress, white apron, with bare feet, on square base. Mark Hoscht, blue wheel. 4 1/8". ++ Young traveler porcelain figurine. 19th century. Young man wears white hat and jacket with pink striped pants. Nick on hat and base. Mark unknown, long line though "O", incised "18671" and "777." 5".++ Meissen Figure of Seated Lady playing the Hurdy-Gurdy. circa 1924-1934. Wearing blue hat, white blouse with flowers, yellow bodice, turquoise shoes and a pink shawl, atop molded scrolled base with gilt highlights. Marked blue crossed swords under glaze, impressed "52", incised "9." 4 1/2." ++ Meissen Man playing the flute. circa 1924-1934. Chip on hat, parts of flute missing, and chip on base. Mark blue crossed swords under glaze, impressed "42", incised "8." 5 1/2". ++ Young boy with sled figurine. 18th/19th century. Young boy stands with wood sled resting against his body while he blows on his hands, wearing green hat and pink coat with ermine trim, on square base. Mark Hochst, blue wheel. 4 1/8". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three German Hochst, Meissen, Sitzendorf, porcelain figurines. ++ Young Turkish boy playing a flute. 18th/19th century. Model by J.P. Melchior, circa 1765. Boy wears striped turban, red jacket, and baggy pants. Mark Hochst, blue wheel. 7". ++ Meissen figural group emblematic of Africa. circa1870. After model by J.J. Kandler and P. Reincke, circa 1745. African man wearing elephant's head hat and multi-colored feathers around his waist, a turquoise robe draped across his lap and a pink robe over his shoulders sits on the back of a recumbent lion; holding a giant scepter in his right hand and wheat sheaves in his left, on a rectangular base with raised molded grass, gilt highlights. Old restoration to scepter, finger on left hand restored, roughness on left toes. Mark blue crossed swords. 11 1/2" x 8 1/2." ++ Woman emblematic of America. 19th century. Woman wearing colorful feather hat, cap, and skirt has bow in her left hand and a parrot perched on her right shoulder. Restoration to right arm, hand, part of parrot, minor damage to flowers. Mark Voight, Sitzendorf, painted iron red "5" on bottom. 6 1/4". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four French and German porcelain figurines. ++ Allegorical figure of "Iris" Goddess of the rainbow. circa 1759-1762. Figure wears draped purple robe, and stand on clouds in front of a rainbow. Mark John Alan Hannong, Frakenthal in blue under glaze. incised "E", gilt painted "S" and "G." 10". ++ Allegorical figure of Neptune. circa 1880. Neptune depicted with black hair and beard, purple cape and drape with seahorse at his right, on reticulated round molded base. Two small chips. Mark Samson, blue crossed lines, impressed "0" 5 3/4". ++ Meissen Porcelain figure of Bacchus resting against a large ewer. circa late 19th/early 20th century. Bacchus, wearing floral blue drape, rest against a large wine ewer holding a cup in his right hand and grapes in his left hand, on a raised molded rococo base, gilt highlights. Toe on left foot restored. Mark blue crossed swords, impressed "2732" and "69", painted iron red 15. 9". ++ Meissen figure of a Lady sitting on a plinth playing the flute. 19th century. Scantily clad seated woman wearing a blue floral drape on a plinth playing the flute. Plinth has raised molded musical instruments on the sides, gilt highlights. Minor chip to foliage. Mark blue crossed swords, impressed "76", painted iron red #25. 8 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of two Meissen and Ludwigsburg porcelain figurines. ++ Meissen Figural group of lovers. circa 1860. Man wearing short-sleeved coat, white shirt with blue flowers, purple pants, white stockings and black shoes sits on rockery, holding pot of flowers in lap. Woman wearing a floral and white hat, white blouse outlined in red, pink apron tied up the back, striped underskirt and pink shoes. leans over the man with right hand under his chin and left hand on his back. Restoration to leaves on the back. Mark blue crossed swords, impressed "140", incised "E60." 6 1/2". ++ Man and woman dancing holding a garland of flowers. 18th century. Restored finger on the right hand. Man and woman connect by holding flowers together, on oval base with rococo style feet and puce highlights. Mark Ludwigsburg, crown over interlocking C's, incised A.M. 9". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of two Achilles Block porcelain female figurines. circa 1900. ++ Lady in a white blouse, purple bodice, crinoline skirt, gilt highlights. Fan in right hand broken. Mark Achilles Block, blue crossed swords with a "B" above an "A." 9". ++ Lady wears yellow blouse with red bodice, white crinoline skirt, gilt highlights. Chip to fan, little finger on left hand missing, one feather in her hair missing. Mark Achilles Block, blue crossed swords with a "B" above an "A." 9 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three porcelain figurines. ++ Meissen figural group emblematic of either Britianna or Europe. 19th century. Lady wearing a red crown on her head, stylistic floral off-white dress with purple cape stands with her left hand on a lion's head, gilt highlights. Mark blue crossed swords, impressed "127", incised "791." 8 3/8". ++ Two French hardpaste porcelain figural emblematic of two continents. 19th century. Africa depicted as standing woman in front of reclining camel, wearing headdress with three feathers, on a scrolled rococo style base with red highlights. Europe depicted as standing woman in front of reclining white horse, wearing a tiara, yellow dress, on a scrolled rococo base with red highlights. One of Africa's feet is restored and the top of Europe's scepter is missing, minor chips to flowers. Mark Gold anchor, but made by Samson in the Bow taste. 11". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of two porcelain Figurines. ++ Boy with a drum. circa 1900. Boy wears purple coat white waistcoat and plays yellow drum, on molded scroll base with applied flowers. Nut on drum missing. Mark Porcelain de Paris, blue crossed feathers. 10 1/4". ++ Allegorical figurine of Mercury. 19th century. Mercury standing next to a colorful cock wears winged hat, a pink and blue cape and holds a bird in his hand, cupid at his left shoulder carries a letter in his left hand and wears a quiver over his right shoulder. Unmarked. 8 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Meissen stoneware and porcelain figurines. ++ Hunched back dwarf dressed as a clown. 19th century. Clown with black hat, blue coat with red ball shaped buttons, striped pants. Chip on base. Unmarked. 5 1/4".++ Meissen Red Stoneware figure of Prince-Elector August the Strong. 20th century. After original model by Johann Joachim Kretzschmar made 1710-1715. Standing figure of August the Strong, wreath in hair, dressed in partial suit of armor and long flowing cape. Missing right hand. Marked incised crossed sword in triangle and L276, impressed 70. 4 1/2". ++ Hunter porcelain figurine. circa 1756-1776. Hunter holds two dead game birds with a walking stick lying against his side and wears a black hat with green feather, red coat, floral blue waistcoat, green-striped pants with purple bows, white stockings and black slippers, on a round scrolled base with applied flowers. Mark Prince-Electoral Privileged Porcelain Factory, Hochst, blue crown over wheel. 6 3/8". ++ Meissen figure of a cavalry officer on a white horse. circa 1924-1934. After the model by P. Reincke, impressed "136", incised "2692." The man wears a black tricorn hat with white rim, red coat, white pants and black boots, on an oval base with flowers and foliage. Mark blue crossed swords. 5 3/4". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of Meissen Charger, Sugar Bowl, Box, and Teapot. ++ Meissen charger. 18th century. Young lovers sitting under a tree with city landscape in the background, bouquets of flowers scattered around, decorated in puce on a white ground, gilt highlights on the scalloped border. Mark blue crossed swords with dot between hilts. 12". ++ Meissen Chinoiserie Teapot and Cover. circa 1730-1735. Painted in the manner of Johann Gregorius Höroldt. Rectangular pear-shaped form decorated with a gilt cartouche on each panel. Dome cover with square finial with brass link chain attached to gilt metal hinged porcelain handle. Minor chip on lid, chop on underside of handle, minor gilt loss. Mark blue crossed swords under glaze. 6 1/2" x 5". ++ Porcelain rectangular domed patch box. 18th century. Decorated in puce on white ground. Lid depicting riverscape with boat and figure, sides with flowers and foliage. Chips to the lid around the edges. Mark Sceaux, SX. 1 1/2" x 2 5/8". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of two Meissen Figurine and Figural Teapot. ++ Meissen Figure of Boy holding a globe. 19th century. Young boy with black hair dressed in white draped cape with turquoise strap holding a globe atop molded square base. Chip to corner of base. Marked blue crossed swords under glaze with line through it, incised "1867I" and "777." ++ Meissen Mythological Figural Teapot and Cover. circa 1774-1814. Bulbous-shaped, raised on molded paneled scrolled foliated base, pout shaped like bird's head and two Pan-type figures form the handle. Top of the body is a man, possibly Neptune, with helmet form lid. Chip to helmet top. Mark blue crossed swords with asterisk under glaze (Marcolini period), incised "2181." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Meissen Puce set including floral cups, saucer, and plate++ Meissen demitasse cup, chocolate cup, and saucer. Decorated with puce flowers and foliage from rockery, gilt highlights. Older cup has minor chips on base, rim, and restored handle. Mark blue crossed swords, Marcolini period. ++ Meissen dinner plate. 19th century. Decorated with puce flowers and foliage issuing from rockery, on white ground, gilt edge. Mark blue crossed swords. 9 3/4." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Meissen Dining set in Purple Indian with Gold Dots. 20th century. ++ Thirty-five piece Meissen dinner service. 19th/20th century. Comprising: four dinner plates. 9 3/4."; three rimmed soup plates. 8."; seven bread & butter plates. 7."; one bread & butter plate. 6 1/4."; four coffee cups.; one demitasse cup. 2."; six saucers. 5 1/2."; two teacups.; two teacup saucers. 5 1/2."; one cup. 2 3/8."; one dome covered coffee pot. 9 1/4."; one reticulated serving plate. 9 1/4."; one domed tureen with acanthus handles and kneeling child with cornucopia of fruit. 8 1/2" x 11 1/2." Some pieces are factory seconds. Mark blue crossed swords under glaze, impressed "780." ++ Pair of Meissen candlesticks. Stepped columnar shafts with a square base. Marked blue crossed swords. 5 3/4." ++ Two Meissen dome-top covered boxes with rose finials. circa 1924-1934. Mark blue crossed swords with a dot. Largest: 3 1/4" x 3 1/2." Smallest: 2 1/2" x 3 1/2." ++ Meissen six-piece assembled tete-a-tete coffee service. circa 1924-1934. Comprising: Small coffee pot with domed top, rose bud finial, covered sugar bowl with rose bud finial, covered jug, creamer, twig handled bonbon, rectangular tray with flat handles. Chip on coffee pot spout, chip on finial. Mark blue crossed swords. Largest: 11 1/4." Smallest: 6 1/2." ++ Two Meissen shell-shaped dishes, with ribbed interior sides. Mark blue crossed swords under glaze, impressed "113, 38 or 88." 8". ++ Two Meissen covered demitasse cups and saucers. One chocolate cup with puce flowers and foliage, domed top with rose finial. Vertical hairline and loss to foliage on lid. Mark blue crossed swords. ++ Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three Meissen Blue and White Commemorative Plates. 20th century. Marked on back with blue crossed swords. ++ 200th anniversary commemorates the founding of the Meissen Factory in 1710. Blue on white ground. 9 3/4." ++ Blue crossed sword on a white ground. 10." ++ Timeline of Meissen marks used by factory since its inception. Blue on white ground. 10." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of eight blue and white porcelain pieces. ++ Three Meissen Blue Onion pattern pieces. 19th/20th century. Knife rests, with blue flowers and butterflies. Mark blue crossed swords under glaze. ++ Demitasse cup and saucer. Scalloped rim with twisted twig handle, decorated in blue and white flowers outlined in red, overall gilt highlights. Mark blue crossed swords under glaze. Cup: 2". Saucer: 4". ++ Pearlware blue and white plate. 19th century. Decorated all over with flowers, foliage and birds in the center. Mark Charles Green & Sons, Rauenstein. 7 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of six pieces of Meissen. ++ 1929 commemorative dish. ++ One Meissen open salt with lid. 19th/20th century. Mark blue crossed swords under glaze. 1 1/2". ++ Meissen demitasse cup and saucer. circa 1774-1814. Peach scrolled borders with harbor scene and dock with fishermen and boats, on white ground with flowers, gilt highlights. Mark blue crossed swords, Marcolini period. Cup: 2 3/4". Saucer: 5 1/8". ++ English porcelain two-part jardiniere or incense burner with gilt lion mask hands. circa 1810-1833. Decorated with cottage scene one side and a landscape with man on verso, gilt banding. Chips on rim and base. Mark Spode, number 1925. 5 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of six Meissen Pink Floral Dessert Plates. 19th century. Scalloped rim, pink flowers on a white ground. Factory seconds with two strikes through the mark. Mark blue crossed swords under glaze, painted iron red "43." 7 3/4." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of Meissen Pink Floral Dining pieces. 19th/20th century. ++ Twenty-four Meissen plates. Scalloped rim dinner plates decorated with pink flowers on white ground. All plates are factory seconds. Mark blue crossed swords under glaze, impressed "24." 9 3/4." ++ Painted in a simple puce pattern of flowers and foliage. Factory seconds with two strikes through the mark. Mark blue crossed swords. 10 1/2." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of six Meissen and porcelain floral pieces. ++ Meissen plate. circa 1756-1780. Shaped circular with scattered multi-colored flowers within a green trailing vines in a star-shaped design, puce band around border and gilt scalloped edge. Two chips and fret on the rim, paint chipping. Mark blue crossed swords with dot between hilts. 9". ++ Three Meissen spoon rests. 19th/20th century. Horseshoe-shaped with multi-colored floral pattern. Marked blue crossed swords. 3". ++ Faience circular hinged-top box. 18th/19th century. Tapered cylindrical, decorated with flowers and foliage and red banding. Top inscribed "PATE AUX LYS." Chip on base. Mark unknown, appears to be an "A." 2 1/8" x 2 3/4". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of Puce Floral porcelain pieces. ++ Meissen domed covered treen-handled chocolate pot. circa 1774-1814. Cylindrical with molded branch shaped handle terminal and spout, turned tureen-handle, metal hinged bail handle and sliding steam release, decorated in puce flowers and foliage on white ground. Chips on spout, small chip on edge of base. Mark blue crossed swords, Marcolini period, painted in iron red "77." 5." ++ Austrian porcelain domed covered chocolate pot. 19th century. Puce on white decoration of young lovers, yellow rose finial. Chips on rim. Mark blue beehive under glaze, Royal Vienna style. 8". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of Puce Floral Meissen pieces. ++ Two cover Meissen cups and saucers. circa 1774-1814. One a demitasse cup and saucer with puce flowers and foliage on a white ground. Covered ribbed chocolate cup and saucer with puce colored flowers and foliage on white ground. both have domed cover with applied rose finial. Cups have rim chips and vertical hairlines, covers have finial and foliage damage. Mark blue crossed swords, Marcolini period. Largest Cup: 2 1/2." Saucer: 5 1/8." Smallest Cup: 1 3/4." Saucer: 4." ++ Meissen domed covered treen-handled chocolate pot. circa 1774-1814. Cylindrical with molded branch shaped handle terminal and spout, turned tureen-handle, metal hinged bail handle and sliding steam release, decorated in puce flowers and foliage on white ground. Chips on spout, small chip on edge of base. Mark blue crossed swords, Marcolini period, painted in iron red "77." 6 1/2." ++ Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of Meissen Teacups, Saucers, and Box. ++ Meissen Demitasse cup and saucer. circa 1774-1814. Scrolled rims, decorated with gilt basketweave border, painted harbor scene with man and woman. Mark blue crossed swords. Cup:2 3/4". Saucer: 5 1/4". ++ Meissen Green-on-White demitasse cup and saucer. circa 1774-1781. Flared rim cup and saucer with square-shaped handle. Cup depicts two shepherds with a dog in the field near a tree. Saucer depicts boy lying in a field near a farm. Mark blue crossed swords, Marcolini period. Cup: 2". Saucer: 5 3/4". ++ Meissen Demitasse cup and saucer. circa 1830-1840. Biedermeier painting on cup and saucer depicting a basket of flowers suspended by blue ribbon on white ground, iron red rims. Mark blue crossed swords, Marcolini mark, impressed "A", incised "13." Cup: 1 3/4". Saucer: 5 1/4". ++ Round painted porcelain trinket box. Meissen. Cobalt blue on white, with harbor scenes, gilt highlights. Inscribed "Dresden" inside box. Mark blue crossed swords. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of two German and Italian bisque figurines. ++ Old woman seated on stool with two cats. 18th century. Woman wears bonnet, her can resting against her front as she warms her hands over a bucket on the first, on a rectangular base. Mark Capodimonte, blue crown over "N." 4 3/4". ++ Shepherd Boy figure. circa 1774-1814. Standing boy wearing hat, coat,and waist jacket. Lamb across his shoulders, on molded scrolled base. Chips along hat. Mark incised crossed swords within triangle, inscribed F19. 5." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three bisque figurines. 19th century. ++ Seated classical female bisque figurine. 18th century. Female rests her head against her left hand and cradles a book in her right hand, on a rectangular faux marble plinth. Unmarked, but Ludwigsburg. 8 3/4." ++ Seated classical female sitting on a stool in a thinking position. 18th century. Female seated on stool with her left index finger resting at her mouth, right hand in her lap and legs crossed, on a rectangular faux marble plinth. Unmarked, but Ludwigsburg. 8 1/2". ++ Standing caryatid bisque figurine. KPM. Nude female with basket of fruit perched on her head. Mark KPM scepter, impressed "18." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of two Nymphenburg blanc de chine pocelain figurines. 19th/20th century. ++ Lady in crinoline dress carrying a fan, octagonal base. Mark impressed Nymphenburg. 7 1/2". ++ Gentleman holds flower in right hand and hat under left arm. Mark impressed Nymphenburg, impressed "8", incised "196." 7 1/4". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Sevres Emblematic of "America" bisque figurine. Dated 1917. Seated woman wearing feathered skirt and headdress rests on drapery with raised elbow and a child seated behind her, with a basket of fruit at her feet, on a circular base. Restoration to the child's spear failed (detached but included), one of lady's left hand finger and possibly fruit to the basket. Mark impressed Sevres, impressed DN and GR. 15." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Nymphenburg blanc de chine porcelain figurine of courting couple with dog. 19th/20th century. On oval molded scrolled base. Mark impressed Nymphenburg. impressed "3." 7 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of Bisque Figurines. ++ KPM Blanc de Chine Porcelain figure of "Solon." 19th/20th century. Solon in Greek means lawgiver. The standing man wearing a long robe raises his right hand and carries a scroll in his left. Mark KPM scepter. 6 3/4". ++ KPM Allegorical Wisdom figurine. 19th c. Standing female and boy sitting at her feet. Restorations to left arm and face of boy. Mark KPM scepter, illegible impressed "Klugeit." 10". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of seven Tortoise Shell containers. 19th/20th century. ++ Two tortoise shell match boxes. One monogrammed "RAR." ++ Two tortoise shell red velvet lined containers. ++ Two tortoise shell containers with button closure. One bone lined with slots. ++ One tortoise shell perfume container with silver foliage inlay. Interior holds two glass vials. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of six Tortoise Shell cases. 19th/20th century. ++ Four tortoise shell cases with hinge closures. ++ One tortoise shell case with pull-flip closure. Marked "J." ++ One tortoise shell case with flip closure. Elastic ribbon interior. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Tortoise Shell and Mother of Pearl cases. 19th/20th century. ++ Three tortoise shell cases with floral mother of pearl inlay. ++ One tortoise shell case with diamond pattern mother of pearl inlay. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of six Tortoise Shell boxes. 19th/20th century. ++ One plain blonde tortoise shell box. ++ Three tortoise shell boxes with central mother of pearl and silver inlay. Striped box has cracked and loose tortoise shell. ++ Two tortoise shell boxes with painted floral and foliate decoration. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A six piece Tortoise Shell and Silver vanity set. ++ Two tortoise shell and silver inlay horsehair bristle brushes. ++ Two tortoise shell and silver inlay dishes. ++ One tortoise shell and silver inlay hand-held mirror. ++ One tortoise shell and silver inlay glass container. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Tortoise Shell cases. 19th/20th century. ++ Two tortoise shell with silver inlay coin cases. ++ One tortoise shell, with floral decoration, hinged case. ++ One tortoise shell, with Greek key pattern, case with lid. Monogrammed "HL." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of five Tortoise Shell round containers. 19th/20th century. ++ Two tortoise shell hinged containers. ++ Two tortoise shell containers with lids. ++ One tortoise shell container with mirror and interior compartment. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three Tortoise Shell cases. 19th/20th century. ++ Tortoise shell case with two portraits and silver inlay. ++ Tortoise shell case with scene of Saint Paul. ++ Tortoise shell with gothic architectural ornamentation. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three Tortoise Shell case panels. 19th/20th century. ++ Two tortoise shell case panels with escutcheon and neoclassical decoration. ++ One tortoise shell case panel with silver inlay cross. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of two Tortoise Shell and Silver containers. 19th/20th century. ++ Ornate silver and mother of pearl inlay tortoise shell container. Some silver and mother of pearl inlay missing. ++ Tortoise shell container with figural silver and brass inlay. Bottom has floral and foliate inlay. Some silver inlay missing. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three Tortoise Shell and Metal Round Cases. 19th/20th century. ++ Tortoise shell and silver inlay, acanthus scrolling, round hinged case. ++ Tortoise shell with hare inlay, round hinged case. ++ Tortoise shell and metal, foliate, round case. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of two Tortoise Shell and Silver cases. 19th/20th century. ++ Tortoise shell coin case with silver bird inlay. ++ Tortoise shell card case with silver bird foliate and geometric decoration. Diagonal piece of silver inlay missing from case. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three Tortoise Shell Cases. 19th/20th century. ++ Carved tortoise shell figural scene with winged putti and man, flanked by trees, with city background hinged case. ++ Tortoise shell and silver hinged box. ++ Tortoise shell and silver figural hinged box. Some silver ornamentation missing.

A group of three Tortoise Shell cases. 19th/20th century. ++ Escutcheon mother of pearl decoration, with hinge and clasp closure. ++ Dotted geometric decoration, with button clasp. ++ Silver diamond decoration, with button clasp. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

An antique oak drop-leaf table on turned legs having one drawer. Legs having been shortened. 29" x 46" x 22". With leaves: 46" x 20".

A Civil War era four-post carved bed frame. 19th century. Carved bed posts with brass hardware. 81" x 63".

A Kensington Manufactory Company gothic revival court cupboard. late 19th/ early 20th century. New York, New York. Architectural design with fluted metope, carved Romanesque arch, and other geometric designs. 50 1/2" x 70" x 23".

An Empire style Mahogany Butler's Desk. 19th century. Flame mahogany veneer, with overhanging top. Top two-paneled drawer pulls folds down to red velvet felt. Three pull drawers above carved paw feet. 50" x 48" x 21 3/4".

A Pine Marriage Chest. 17th/18th century. Includes key. Interior lid lined with newspaper. Crack between chest and drawers. Two bottom drawers with teardrop pulls, atop bun feet. 17" x 24 1/2" x 18 1/2."

A three-piece group of Tiger and Birdseye Maple Bed Set. 19th century. Includes Bed, Arm Chair, and Dresser. ++ Tiger and Birdseye Maple Four-Post Tester Bed. Rounded turned posts (with finials). Includes rope platform. 84" x 55 1/2" x 4." ++ Tiger Maple Arm Chair. Pierced carved splat back. 39 1/2" x 26" x 19 1/2." ++ Federal style Tiger Maple Dresser. Round knob drawer pulls. 35 3/8" x 43 1/2" x 18." Provenance: From the Estate of Thomas and Jane Stanhope, MD. Arm Chair made by Keeping Room, Virginia.

A Federal Mahogany Glazed Door Bookcase Cabinet. Circa 1790-1810. In two parts. The upper section with a cornice above fluted frieze interspersed with mullioned glazed doors enclosing four adjustable shelves. The lower section with molded-edge top and Greek key frieze above pair of raised-panel doors enclosing shelf, on bracket feet. 93 3/4" x 47 1/2" x 13." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Maple Work Table with Cabinet. Circa 1825-1835. Cabinet with two interior shelves. Faux book spine door. Tiger maple top above two drawers. Raised on swollen ring-turned legs. Back right leg is damaged and loose. 58 1/2" x 25 3/4" x 14 1/4." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

Italian Notturno Intarsio Marquetry Inlaid Game Table. Italian, 20th century. Square table with chamfered corners, on four serpentine legs with straight apron bearing shallow drawers to each of the four sides, with decorative inlay. Multiple game table includes chess/checker board, felt green surface, backgammon, roulette and two small game boards on both sides. Label on underside of table top. 29 1/2" x 30 1/4" x 30 1/8".

A group of Austrian Art Nouveau Jacob and Josef Kohn Bentwood Settee and Chairs. 19th/20th century. Upholstered red leather on seats, arm rest, and back. Mark stamped on back apron "J. & J. Kohn Wsetin, Austria" Settee: 36" x 49" x 19". Chairs: 35".

An English Oak Secretary desk. 19th century. Two-piece construction. Blind cabinet opens to three interior shelves and multiple niches. Fall front desk above four pull drawers. 80" x 42" x 23 1/2".

A Burlwood Oak Secretary. 19th century. Curved cornice over fall-front desk above three long drawers. Keys included. 62" x 32 1/2" x 20 1/8".

George III-style satin and harewood inlaid mahogany side cabinet. Late 19th century. Rectangular harewood cross banded top centering an oval inlaid patera within fan spandrels above two cockbeaded aligned drawers and two panel doors with similar fan inlaid pateras. Panel doors with fan spandrels within harewood crossbanding, opening to view one shelf, above a molded edge flush base with oval inlaid paterae. 36" x 49 1/2" x 18 1/2".

George III-style marquetry inlaid mahogany serpentine sideboard. Late 19th century. Stepped top with brass three-quarter plate rail with urn finials, above a step-back section. Marquetry inlaid with alternating um, flowers, oval paterae within foliage tendrils and draping festoon, alternating with oval floral inlaid paterae stiles, the case having three aligned drawers with brass bail handle pulls, flanked by two bipartite deep bottle drawers. Alternating double um inlaid stiles within satinwood stringing. Raised on square tapered legs with inlaid bellflower pendants within satinwood stringing ending on Marlborough feet. 59 1/2" x 81-112" x 27".

An aesthetic style bamboo side table. Circa 19th century. Three board table-top above fretwork decoration. 32" x 36" x 17". Provenance: From the collection of James F. Scott, Charlottesville Virginia.

An aesthetic style bamboo open display cabinet. 19th century. Four display shelves two cabinet doors depicting figural scenes with inlay. Stamped leather with floral and foliage pattern line back of cabinet and shelves. 65" x 29" x 16".

An Edwardian, Chinese Chippendale Style, Mahogany Sideboard. Circa 1901-1910. Pierced fretwork backsplash and canted-corner serpentine top above two reverse-graduated drawers, raised on square chamfered legs, allover blind fret carving, pierced brackets flanking drawers and legs. Extensive damage and repair to fretwork along left corner of sideboard. 35" x 58 3/4" x 28 1/2." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A six board painted pine blanket chest. 19th century. Original hinges and lock (no key). Hand painted Pennsylvania Dutch style red, black and white with floral and escutcheon decoration. 27" x 46 1/2" x 20".

A Cane Plantation Chair. 20th century. Long extendable arms, with cane woven seat on turned legs. Plaque on seat "Chair of US Marine Gen. Jos. Pendleton Given by Mrs. Pendleton to US Marine Lt. Gen. Chas. F.B. Price (1881-1954)." 46" x 29 3/4" x 41".

A Turkish Hereke rug. 20th century. Salor gul decoration in brown, greens, and cream. Marked in corner "Hereke". 3' 11" x 5' 11".

A Persian Sarouk rug. Circa early 20th century. Geometric repeating medallion design with bold red, black, and navy blue. 4' 9" x 5' 6".

A large Persian Sarouk Kashan rug. 20th century. silk wool blend, with silk warp. primarily red field with vines, floral sprays, and baskets with secondary colors of blues, greens, and pinks. 12' x 8'.

A Persian Qashqai Kashan rug. 20th century. Handmade with millefleurs design in bright red, blues, and orange. 7' 1" x 4' 3".

A Heriz medallion rug. 20th century. A machine made rug with a ground of floral and vines in bold colors of red, blues, creams, and pink undertones. 4' 5" x 7'.

A Turkish Kilim runner. 19th/20th century. Floral and geometric patterns. Fading and wear damage. 167 5/8 " x 29 1/2."

A Tabriz garden-style rug. 20th century. Floral border with repeating block floral pattern in greens, red, blue, and cream. 11' 7" x 8' 3".

A Federal Style Mahogany Eglomise Mirror. 19th/20th century. Rectangular projection cornice above eglomise panel depicting ship entering a harbor. Mirror flanked by applied half-columns. Crack in eglomise panel. 39" x 19." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

An American Federal Gilt Mirror. Circa 1820-1825. Cornice over foliate frieze over two mirror plates. Flanked by applied rope half-columns surmounted by molded swags. 42" x 24." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Gilt Carved Oval Mirror. 19th century. Carved floral and foliage detail. Gadrooned beading and scrolling ornamentation. Pieces of plaster have broken off and some has some carved wood in the lower right. 79 1/2" x 46 1/4".

Alaux, Marie Fernande (Belgian/Louisiana, 1883-1958). "Sailing Ship." A large ship sailing towards a harbor. Small 1/4" x 1/2" tear in bottom center of canvas. First half of 20th century. Oil on canvas. Signed l.r. 24" x 18". Frame: 32 3/4" x 26 3/4". Condition: Paint loss and tear in canvas on the lower third of the canvas.

Ochsner, Rise Delmar (Louisiana, b. mid-20th century). "Darwin." Portrait of a brown and white dog standing in profile. 1994. Acrylic on Canvas. Signed l.r. 30" x 40".

Ochsner, Rise Delmar (Louisiana, b. Mid-20th century). "Bebe." Portrait of a woman in a yellow dress sitting in a green chair flanked by flowers and a set of glass doors. 20th century. Acrylic on canvas. Signed l.r. 46" x 35". Frame: 47 1/4" x 36 1/4".

Ochsner, Rise Delmar (Louisiana, , b. mid-20th century). An inscribed lithograph that depicts a painted version of the Rolling Stones 1981 New Orleans tour poster. Inscription reads "To Jim - With all my love - Rise." 20th century. Signed l.r. 28 3/4" x 21 3/4". Frame: 36" x 24".

Dunbar, George (Louisiana, , b.1927). "In Squares and Circels." Abstract geometric forms. 1972. Silver leaf over clayon board. Signed and dated l.r. 24" x 24". Frame 24 1/2" x 24 1/2". Provenance: Purchased from New Orleans Auction Galleries, INC., Louisiana, in 1999

Drysdale, Alexander (Louisiana, 1879-1934). "Live Oaks and Cypress on the Bayou." River landscape framed by trees. Late 19th/ Early 20th century. Pastel on board. Signed l.l. Sight: 14 1/2" x 39 1/2". Frame: 20 1/2" x 45 1/2". Provenance: Purchased from New Orleans Auction Galleries, INC., Louisiana, in 1993

Drysdale, Alexander John (Louisiana, 1870-1934). "Bayou Landscape." A River landscape with trees. 1912. Oil on Board. Signed and dated l.l. Sight: 17 1/4" x 23 1/2". Frame: 26 1/2" x 36 1/2". Provenance: Purchased from C.G. Sloan and Company, Rockville, Maryland in 1992

Kohlmeyer, Ida (Louisiana, 1912-1997). "Becalmed." Abstract field with blue and green rectangular forms on an olive green background. 1959. Oil on masonite. Signed l.r. 30" x 24". Frame: 30 3/4" x 24 3/4". Condition: Some abrasions and paint loss along the side. Provenance: Purchased from New Orleans Auction Galleries, INC., Louisiana, in 1999

Cundin, Jose-Maria (Spanish/Louisiana, b.1938). "Obelisco de Jade para un jardin Mexicano." 1997. Painted plywood. Triangular top, with a curvilinear shaft, atop a square base. Signed and dated on base. "Homenaje a Jorge Palonino y Canedo." 97" x 22 1/2" x 22 1/2". Provenance: From the collection of Stella Walters.

Cundin, Jose-Maria (Spanish/Louisiana, b.1938). "Opus Concava." 2007. Acrylic on Board. Signed and dated on verso. 17 1/2" x 18 1/2". Provenance: From the collection of Stella Walters.

Cundin, Jose-Maria (Spanish/Louisiana, b.1938) "Vaca-Mundi." 2002. Acrylic on Board. Signed and dated l.l. 12 1/2" x 15 1/4". Condition: . Provenance: From the collection of Stella Walters.

Cundin, Jose-Maria (Spanish/Louisiana, b.1938). "Rosita Camargo" (the Naked Maja). 1979. Oil on Canvas. Signed l.r. Sight: 22" x 23 3/4". Frame: 23 1/4" x 24 1/2". Provenance: From the collection of Stella Walters. Purchased from the artist's atelier.

Cundin, Jose-Maria (Spanish/Louisiana, b. 1938). "El santo y Sena de Lucifugo Rafoeale: Ay Luis! Anda de Dia, que la Noche es mia." 1999. Mixed media. Titled signed and dated. Frame: 17 3/8" x 16 1/2." Sight: 6" x 5." Provenance: From the collection of Stella Walters.

Cundin, Jose-Maria (Spanish/Louisiana, b.1938). Framed Painted Heart. 2006. Acrylic on paper. Signed and dated l.r. 9" x 6". Provenance: From the collection of Stella Walters.

Cundin, Jose-Maria (Spanish/Louisiana, b.1938). Signed Exhibition Poster. "Jose-Maria Cundin Paintings 2017 Sept. 28 thru Oct. 30 Callan Contemporary Julia St. 518 New Orleans." Signed and dated along bottom. Frame: Sight: 27 1/2" x 19 1/2." Sight: 23" x 17." Provenance: From the collection of Stella Walters.

Stettner, Louis (American, 1922-2016). "Before We Were Born." Male nude painted in white on a black background. 2011. Oil on canvas. Signed l.r. 36" x 28". Provenance: Purchased from the artist in 2011

Rogers, Bruce (20th century). Untitled whimsical and brightly colored abstract painting. 20th or 21st century. Oil on canvas. Signed l.r. 16" x 20".

Rogers, Bruce (20th century). Untitled whimsical and brightly colored abstract painting. 20th or 21st century. Oil on canvas. Signed l.r. 20" x 16".

Reed, Paul (American, 1919-2015). "24-C." Large yellow circle superimposed on a background of green and purple. 1965. Acrylic on canvas. 31" x 24". Frame: 32" x 25".

Reed, Paul (American, 1919-2015). "Two Reds." Alternating red and orange organic shapes placed next to each other to form a ring.1963. Acrylic on canvas. Signed and dated on verso. 22" x 22". Frame: 23 1/2" x 23 1/2".

Nieder, Carl (American, b. 1927). "The Harpy." Mixed media wall hanging. c. 1970. Animal hide, pigment, and wood. 31" x 24" x 4".

McPherson, Adam. "Elephant." Large metal sculpture of an elephant. 2000. Steel. 63" x 31" 21".

Higgins, Edward (American, b. 1930). Large black and white geometric sculpture. 1960. Mixed media. Marked "E. Higgins - 1960" on base. 35 1/4" x 10 3/4" x 10 3/4".

Godwin, Ronald (American, b. 20th c.). An abstract steel sculpture with a narrow "handle" and a wide "shovel" with a hole in it. 20th/ 21st century. Steel. 16" x 28" x 8".

Nelson, Jack (American, b. 1929). "Man in a Box." A mixed media sculpture of a man inside a wooden box. 1965. Wood, Ceramic, Cloth, and glass. Unsigned. 11" x 12 3/4" x 19 1/2".

A French Provincial Longcase Clock. 19th century. Clock dial painted with both Arabic and Roman numerals. Illegibly marked and "DuMont." Pendulum included. 91" x 22 1/4" x 10."

Oatway, John. (British 1760-1810). 18th century. An pine grandmother clock. Clock dial decorated with an etched seascape with ships. One hand on clock dial missing. Weights and pendulum not included. Marked on dial "John Oatway Torrington". 73" x 17".

Reproduction Mahogany Tall Case Clock. 20th century. Topped with three architectural finials. Clock dial in Roman numerals. Includes weights. 88" x 17" x 9 1/4." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Marquetry Tall Case Clock. 19th century. Hand painted clock dial with Roman numerals and figures in the crest and corners. Marquetry on case door of a conch shell. Includes weights. One finial and piece of crest along the hood are detached. 89" x 19 1/4" x 9 1/4."

An Elmer Stennes Girandole Clock. 20th century. Gilded exterior and decorative scrolling. Marked on face "Elmer O. Stennes Weymouth. Mass." Eglomise decorated woman in chariot "Aurora." 44" x 11" x 4 3/4." Condition: Eagle finial detached but included

An E. Drake Halifax Clock Regulator. 19th century. Hand painted clock dial with Roman numerals. Marked on dial "E. Drake Halifax." Rosewood Veneer and eglomise decoration. 24 1/2" x 17 1/2" x 6 1/4."

A Walnut Vienna Regulator. Circa 19th century. Architectural style ornamentation with gilded scrolling. Gold and silvertone clock face. Includes pendulum and three 51 1/4" x 15 3/8" x 6 3/8."

A Dutch Marquetry Clock Regulator. 18th/19th century. Painted figures and town scene on clock face. Marquetry and inlay decoration. 50 1/2 x 13 5/8" x 8."

A French gilt bronze figural clock, Movement by Honore Pons and marked Emanuel Paris. 19th century. Ornate brass case decorated with a couple and their dog, case surmounted by a helmet finial. Time & strike movement marked "Emanuel Paris" and with stamp for Honore Pons "Pons Medaille d'or 1827" 22 1/4" x 16" x 7."

A Gilt Bronze Clock and garniture Candelabras. 19th century. Foliage and forest animals decoration. One ornamental leaf detached but included. Some wear and wax on gilt. Candelabras: 32 1/2" x 14 1/4" x 11 1/4." Clock: 21 1/4" x 13 1/4" x 10 1/2."

A four-piece set of Renaissance Revival Brass Clock and Garniture. Circa 1875. Mantel clock and urns. ++ Clock with brass dial with Roman numerals. Marked on dial "Roux, New York." 18 1/2." ++ Three pear shaped urns with applied masks and foliate ornamentation. 16." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A French Ormolu Figural Mantel Clock. 19th century. Porcelain dial with Arabic numerals. Allegorical figure of 'Africa' above rectangular base. 17 1/4." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Louis XVI Revival Ormolu Porcelain Mantel Clock. 19th century. Ormolu mounted urn finial. Porcelain clock dial with Roman numerals. Hand painted scene of mother and child, flanked by columns and scrolls. Glass door not included. Marked on back "JB Paris." 22." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Bronze and Porcelain Mantel Clock. 19th century. Hand painted garlands, figures, and village scene. Rococo revival style bronze decoration. Japy Freres clock works. 20" x 9 1/2" x 5 1/8."

A French Lyre Mantel Clock. Circa 19th century. Neoclassical revival scrolling and figures. Hand painted porcelain dial. Jeweled lyre pendulum. 19 1/2" x 7 1/4" x 5 1/8."

A Marti French Black Slate Mantel Clock. 19th century. Open escapement with beveled glass and mercury pendulum. Clock works by S Marti and Son. Marked on back "CAF." 18" x 11 1/4" x 7 1/2."

A Bailey Banks and Biddle Porcelain Mantel Clock. 19th century. Hand painted and gilt rococo style foliage and scrolling. Marked on face "Bailey Banks & Biddle." Marked on bottom "France." Clock works by Japy Freres. 12" x 6 1/4" x 4 3/8."

A Franz Iffland (German, 1862-1935) Nude Female Swinger Clock. 19th/20th century. Bronze. Signed on base "F. Iffland." Clock: 9 3/4" x 2 1/2." Bronze: 9 3/4" x 4 3/4."

A Victorian, Gothic Revival, Brass Fusee Skeleton Clock. circa19th century. Includes glass dome and marble base. Cracking in glass dome. Pendulum and bell not included. Glass: 17 1/2." Clock: 17 1/4" x 10 1/2" x 7 1/2."

A Grasshopper Skeleton Clock, 20th century. Marked: "The Grasshopper Clock." Broken fusse spring. Two feet on the base are loose. Glass: 16 5/8" x 12 1/2" x 8 1/2." Clock: 17 1/2" x 13 3/4" x 9 7/8."

An Ansonia Bronze and Glass Regulator Clock. 19th/20th century. Bronze and glass case with mercury pendulum. Decorated with 'S' and 'C' scrolls. Marked on back "Ansonia New York." 16" x 8 1/4" x 8 1/4."

A pair of two Stoneware Crock and Jug. 19th century. ++ E. & L.P. Norton stoneware crock. Cobalt blue foliate decoration. Marked under rim "E. & L.P. Norton Bennington VT 3." 12 1/2" x 9 1/4." ++ Cowden and Wilcox stoneware jug. Cobalt bird-on-stump decoration. Marked under rim "Cowden & Wilcox Harrisburg PA 3." 16 1/4" x 10 1/2."

A large stoneware pitcher. 19th century. Oval shape body with flared bottom, tapered cylindrical neck with spout, handle attached to the side. Brown glaze, with painted swirl decorations on the neck, with coggle wheel bands on the body. Old chip marks on the bottom and top rim. 14 1/4" x 9". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

Pillin, Polia (Polish/American, 1909-1992). Figural Asymmetric Bowl. 20th century. Two black and white figures, black glaze rim. Signed on bottom. 7 3/8" x 7 3/4."

An Eagle Pottery, Niloak Mission Swirl Vase. 20th century. Baluster form body with "Misson Swirl" pattern. Minor crack along lower body of vase. Marked on bottom "Niloak." 14 1/4" x 9 1/2."

A Woven Conical-shaped Lidded Basket. 20th century. Dyed triangle band decoration.19" x 24."

A pair of two Lacquer Papier Mache Pen Boxes with Inkwell. ++ Lacquer Papier Mache Pen Box depicting portraits of three women. Metal inkwell inside box. 8 3/4" x 1 1/4." ++ Lacquer Papier Mache Pen Box with portrait of a woman. Metal inkwell inside. 8 1/2" x 1 1/4."

A group of four Lacquer Papier Mache Pen Boxes. Smallest: 8 1/4 x 1 1/4." Largest: 10 1/4" x 2." Largest box is broken (broken half included).

A pair of Mahogany Knife Boxes. Circa 19th century. Slant front and serpentine lids. Underside of the lid has rose and stem inlaid. Each box has slotted fitted interior. Lid broken from hinge. 15" x 9" x 13".

A pair of Mahogany Knife Boxes. Circa 19th century. Regency style with finial and urn body. Interior includes dividers. 24 3/4" x 11 1/4" x 11 1/4." Extended 34."

A group of two wooden tea caddies. ++ Walnut veneered tea caddy. Trapezoid form. Opening to two tea boxes with a cut glass cup in the center. Lion ring handles on the side. 7" x 6 1/4" x 12". ++ Mahogany veneered tea caddy. Opening to two tea boxes with a glass cup in the center. With geometrical parquetry. 7" x 6 3/4" x 13 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three Tortoise Shell figural round boxes. 19th/20th century. ++ Circular tortoise shell box with putti on lid. ++ Circular tortoise shell box and cover with woman on lid. ++ Circular tortoise shell box with man on lid. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three mixed medium cases. 19th/20th century. ++ Silver tone case with eagles, floral, and foliate decoration. ++ Carved black case with floral and foliate decoration. ++ Carved ivory with neoclassical decoration on silver case. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Spanish Galleon Wooden Ship Model. 19th century. Three-mast painted wooden ship model on stand. 22 1/2" x 22 1/2" x 6 1/4".

A Victorian Platform Rocking Horse. 19th century. White horse hair and red painted wood. Some loss to leather and horse hair. 37" x 16" x 56 1/2."

A Dutch brass bucket on parquetry stand. 19th century. Decorated with strip parquetry inlay. Tapered cylindrical form, fitted with brass insert, raised on a round base, on ball feet. Approx. 17" x 12"diam.

A pair of Nautical Compass and Ivory Canes. ++ One shark vertebrae shaft and marine-ivory handle. 32". ++ One compass in ivory handle cane. 35". THIS LOT CONTAINS ANIMAL OR PLANT MATERIAL THAT MAY BE RESTRICTED UNDER FEDERAL, STATE, AND/ OR LOCAL LAW. BIDDERS SHOULD CHECK ALL APPLICABLE GOVERNMENT WILDLIFE RESTRICTIONS PRIOR TO PLACING A BID. THE BUYER WILL BE SOLELY RESPONSIBLE FOR OBTAINING ANY NECESSARY LICENSE OR PERMITS APPLICABLE TO THE SALE OR TRANSPORT OF THE OBJECT. PLEASE NOTE THAT BIDDERS IN NEW JERSEY MAY NOT BID ON ANY LOTS CONTAINING ELEPHANT IVORY, MAMMOTH IVORY, OR RHINOCEROS HORN. Provenance: From the collection of James F. Scott, Charlottesville Virginia.

An eight-piece Tiffany Studios Gilt Bronze Desk Set. Circa 1900. Marked "Tiffany Studios New York." Includes bookends, notepad holder, blotter, ink well, pen brush wipe, blotter corners, and pen tray. Largest: 6" x 4 7/8." Smallest: 3 1/2" x 3 1/2."

A seven-piece Tiffany Studios Gilt Bronze Desk Set. Circa 1900. Marked "Tiffany Studios New York." Includes large letter rack, pen (without nib), pen tray, letter opener, blotter ends, stamp box, and ink well with glass well insert. Largest: 8 1/4" x 11 7/8." Smallest: 2" x 3 1/4."

A Ram Horn Cane & Animal Horn Staff. ++ Cane with ram horn handle and knobbed wood shaft. Signed CM. Made in Britain. 36". ++ Staff with animal horn handle. 50 1/4".

A decorative carved bone cane handle. 19th/20th century. Horn cane handle carved in the shape of a reclining woman on a polar bear. Includes stand. 3 1/4" x 4 3/4". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group three items: Porcelain cane handle, bottle stopper, and pipe. ++ Meissen cane handle in the form of a black boy's head. 19th/20th century. Mark blue crossed swords under glaze, "92" in gold. 1 5/8". ++ Painted bisque boy's bust bottle stopper. 20th century. Wearing wide brimmed hat and yellow shirt. Unmarked. 2". ++ Dutch bisque pipe with boy's head bowl. 20th century. Raised letters Bacco. Mark Labeled Doedewaage Pijp, Gouda, Holland. 5 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Louis Vuitton Steamer Trunk. Circa 1920s. Painted damier canvas. Brass studs and latches. Red striped fabric upholstered interior with one pull-out fabric tray. Label "Louis Vuitton 1. Rue Scribe Paris Lille 34. Rue Faidherbe Nice 4. Jardin Public 149. New Bond St. London." Serial Number "207185." 25 1/2" x 24 1/4" x 25 1/2." Provenance:

Zuber Wallpaper "El Dorado" pattern. 19th/20th century. Hand painted wallpaper backed onto canvas. 24 panels and fragments. Approximate measurements, Largest 68 1/2". Smallest 12".

A framed German-American fraktur dated 1787. With decorative birds and flowers. Matted and framed under glass. Image: 12 1/4" x 15 1/4". Frame: 17 1/4" x 19 1/2".

A group of dutch genealogical ephemera including wedding invitations, letters, a marriage certificate, and a portrait of an unknown woman. Late 18th to early 19th century. ++ Portrait. Oil on canvas. Unsigned. 12 1/2" x 9 3/4". Frame: 16 1/2" x 13 3/4". ++ Marriage certificate. Ink on Paper. Sight: 8" x 13". Frame: 14" x 19".

Strauser, Dorothy (American, 1907-2005). A hooked wall hanging featuring a couple at a table with a "painting" of a nude woman hanging above them. 20th century. Wool on burlap. Signed l.r. 19" x 22". Provenance: From the Coleman estate in Florida.

A Silk Embroidered Picture, Lakescape. 19th/20th century. Calm waters of a lake with boats and mountains. Frame: 29 1/2" x 42 1/8." Sight: 20" x 33."

William IV Silk Needlework Sampler, 1839. The embroidery on the sampler is symmetrical and consists of different kinds of potted plants/flowers. At the bottom center is what appears to be a fireplace or altar; an altar possibly suggesting the embroiderer was Catholic. Sight: 15" 1/4 x 14 3/4". Frame: 16 3/4" x 16 3/8".

A Figural Wool Tapestry. 19th century. Castle in background. Attached rings along top. 80" x 57 3/4".

Figural Wool Tapestry. 19th century. Wear throughout, wear and tear along back curtain panel. Mark on back "XIIX Property of San Antonio 1965." 82 1/2" x 54 1/2".

A Painted Tapestry of putti. 19th century. Painted on canvas. 82" x 83 3/4".

A painted tapestry of a man and woman. 19th century. Painted on canvas with metallic thread border. 82 1/4" x 51".

A single Carved Wood Angel Pricket Candlestick. 18th/19th century. Painted and gilt wood kneeling angel/Saint Raphael pricket. Angel holds torch, which is broken and included in lot. 19 1/4" x 10 1/2" x 7 1/2".

A Russian Icon, Madonna and Child. 19th/20th century. Virgin Mary cradling Christ child. Painted faces and hand with gilded repousse background on board. Frame: 9 1/2" x 8 3/4." Sight: 5" x 4."

A Greek Icon depicting life of John the Baptist. Circa 19th/20th century. Scenes from the life of John the Baptist with gilded repousse background on pine board. Frame: 14 1/2" x 12 3/4." Board: 12 1/4" x 10 3/8."

Ault, George (American, 1891-1948). "The Hotel Lobby." Depicting figures in an elongated lobby. 1922. Oil on canvas. Retouching along left edge of canvas in addition to areas of over-cleaning . Signed and dated l.r. 18" x 14 1/4". Frame: 19 3/4" X 15 1/2". Provenance: From the collection of Mr. Orlando D Ellis, Doylestown, PA, purchased circa 1954.

Soyer, Moses (American, 1899-1974). A reclining partially dressed woman. 20th century. Oil on canvas applied to board. Signed l.r. Sight: 30 1/4" x 40 1/4". Frame: 36" x 46". Provenance: From the Coleman estate in Florida.

Soyer, Raphael (Russian-Federation/American, 1899-1987). Untitled. Group portrait of five artists.1930s. Oil on canvas applied to board. Thin scratch along the center of the canvas. Artists identified verso as Nemo Piccoli, Adolf Wolff, Walter Quirt, Ivar Rose, and Anton Regreiger. Also known as the John Reed Club, a New York group composed of progressive writers and artists. 12" x 16." Frame: 19 1/4" x 23 1/4". Condition: Thin scratch along the center of the canvas. Provenance: From the Coleman estate in Florida.

A signed and inscribed photograph of Raphael Soyer. Depicting the artist painting a portrait in his studio. Inscription below the photograph reads "To the Colemans in friendship, Raphael Soyer, 1967 NY." Gelatin silver print. Sight: 7 1/2" x 9 1/2". Frame: 13 1/4" x 16 1/4". Provenance: From the Coleman estate in Florida.

Gikow, Ruth (American, 1915-1982). Untitled. Oil on board. Signed "Gikow" l.r. and "Ruth Gikow" twice on verso. Board: 11" x 7." Frame: 15 3/4" x 11 3/4."

Harrington, Sheila (American, b. mid to late 20th c.). "Souvenir." Still life depicting a discarded glove and a rock resting atop fallen leaves. 1989. Oil on Canvas. Signed and dated l.r. 30" x 32". Frame: 33" x 35". Provenance: Purchased from Gallery K, Washington D.C., in 1989

Wilkinson, Laura S. (American, 1903-1973). A pair of framed oval shaped floral still lifes. Late 1920s. Oil on Board. Sight: 24" x 19 1/2". Frame: 30" x 23 1/2".

Dooley, Jim (American, 1936-1974). Untitled Texan landscape depicting a meadow with bluebells framed by trees. 1969. Oil on canvas. Signed and dated l.r. 24" x 36". Frame: 31 3/8" x 43 3/8".

Wilcox, Jim (American, b.1941). Mountain landscape of the Teton Range. 20th century. Oil on board. Signed l.l. With artist/ gallery card attached to the back. 23 3/4" x 35 3/4". Frame: 31 1/8" x 43".

Wilcox, Jim (American, b.1941). A group of two mountain landscape of the Teton Range. 20th century. Oil on board. Signed lower edge. ++ Sight: 5 3/4" x 7 3/4". Frame: 9 1/8" x 11". ++ Board: 5 7/8" x 7 3/4". Frame: 10 3/8" x 12 3/8".

Newman, Robert Loftin (American, 1827-1912). Untitled painting depicting a man and two women looking at an unidentifiable animal. Mid to late 19th century. Oil on canvas. Signed l.r. 10" x 14". Frame: 13 1/2" x 17 1/2".

Connaway, Jay Hall (American, 1893-1970). #47 Dorset Winter. First half of 20th century. Oil on Canvas. Signed l.r. Canvas: 18" x 24." Frame: 25 1/2" x 21 1/2."

Orientalist style landscape depicting three figures in front of cliffs that recede into the background. In the manner of Edward Lord Weeks (American, 1849-1903). 19th century. Oil on canvas. Considerable areas of retouching visible under black light. Signed "E.L. Weeks" l.r. 18 1/2" x 20".

Alfredson, Albert (American, 1907-1977). Fall landscape with trees and mountains in the background. 20th century. Oil on board. Signed l.r. 11" x 14". Frame: 14 1/2" x 17 1/2".

Unsigned (American). Portrait of an unknown woman in a blue and red dress. 19th century. Oil on canvas. 30" x 25". Frame: 37" x 32". Condition: Some paint loss and wear along the bottom of the canvas. Paint loss in upper left corner.

Stuart, James Everett (American, 1852-1941). Two oil on canvas paintings, with gilt frames. 16 1/4" x 8". Frame: 25 3/4" 17 3/4". ++ Multnomah Falls, Oregon. 1902. Oil on canvas. Signed l.l. Additional information on verso. ++ A Roadway Along the Shore of Lake Washington, Seattle. 1902. Oil on canvas. Signed l.l. Additional information on verso.

Rhett, Nancy Ricker (American, b. Mid 20th century). "Sea Breeze." A beach landscape. 1994. Watercolor on paper. Signed and dated l.r. Sight: 5 1/2" x 10 1/2". Frame: 13 1/2" x 17 1/2". Provenance: Purchased from the Rhett Gallery in Beaufort, South Carolina in 1994.

Strauser, Dorothy (American, 1907-2005). A group of two floral still lifes. 1974. Watercolor on paper. Signed l.r. 11 1/2" x 8 1/2". Frame: 20 1/4" x 16 1/4". Provenance: Purchased from the Coleman estate in Florida.

Veronica, Nicola (American, 1905-1979). Portrait of the back of a nude woman resting on sheets. 1945. Oil on board. Signed l.r. 17" x 19 3/4". Frame: 21 1/2" x 24".

Wheater, Joseph Harry (American 1885-1959). Two boat scenes. Early 20th century. Watercolor on paper. Each sheet: 7" x 9 3/4." Each frame: 13 3/4" x 16 1/2." ++ Gloucester depicting sailboats on the water. Signed and titled l.r. ++ Untitled boat on the beach with a tarp. Unsigned.

Steinmeyer, James (American, b. Mid 19th century). "Pansies." Still life depicting a bunch of purple pansies in a flowerpot. 1996. Signed l.r. Sight: 11" x 9". Frame: 15 1/2" x 13 1/2".

A Royal Crown Derby Mikado Porcelain Set. Ninety-four piece set of Mikado pattern porcelain. Marked on bottom "Royal Crown Derby Made in England." ++ Tureen. 10 1/4". ++ Underplate. 15 1/8". ++ Pitcher. 6 1/2". ++ Underplate. 9 3/4". ++ Gravy boat. 8". ++ Teapot. 10 1/4". ++ Underplate 11". Coffee pot. 8 1/2" x 7 1/4". ++ Underplate. 7 3/4". ++ Serving tray. 13". ++ Creamer. 5 3/8". ++ Sugar bowl. 6 1/4". ++ Covered bowl with mother of pearl spoon. 2 3/4". + Nut dish. 3 3/8". ++ Bowl. 4" x 9 3/4". Bowl with stand. 5 1/4". ++ Espresso cup. 3". ++ Plate 4 3/8". ++ Eight plates. 5". ++ Twelve plates. 5 1/2". ++ Twelve plates 6 1/4". ++ Twelve plates 10 3/8". ++ Eleven plates. 8 1/4". ++ Thirteen cups. 4 1/4". ++ Eight bowls. 8 1/4".

A Royal Crown Derby Gold Aves Porcelain Set. Approximately seventy piece set of Gold Aves pattern porcelain. Marked on bottom "Derby China Royal Crown Derby English Bone China Gold Aves A.1235 XXXIII." ++ Tureen. 12 1/4". ++ Underplate. 13 3/4". ++ Twelve bowls. 8 1/8". ++ Eleven cups. 4 1/4" x ++ Twelve plates 5 5/8". ++ Twelve plates. 6 1/4". ++ Twelve plates. 8 3/8." ++ Twelve plates 10 1/4."

A sixty-eight Wedgwood Wild Strawberry pattern Porcelain set. 20th century. Largest: 10." Smallest: 5."

A pair of two English Ormolu mounted Jasper seven-light Candelabras. 19th century. Scrolled candelarms fluted holders on a fluted column and spreading circular foot above drum-form Jasperware based decorated with neoclassical floral swags. 25 1/2." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Wedgwood Jasper Canopic Jar. circa 1978. Applied terracotta and jasper bands of hieroglyphs and zodiac symbols above Egyptian motifs. Marked on bottom "Wedgwood 78 N Made in England." 9 1/4" x 4 1/2."

A pair of Wedgwood Etruscan Candlesticks. 19th century. Black jasperware with neoclassical figures and ornamentation. Marked on bottom "Wedgwood Etruria England." 9 1/4" x 5 1/4."

A pair of Wedgwood Terracotta Jasperware Candlesticks. 19th century. Decorated with Greek key motif and beaded pattern. Marked on bottom "Wedgwood 74." 8 1/4" x 4 1/4."

A group of four Wedgwood Jasperware pieces. Includes two tureens, cup and saucer, and teapot. ++ Two Wedgwood Tureens. 19th century. Decorated with applied molded olive green sprigged vines. Finials have hole to release steam. Larger tureen has been repair with staples. Marked on bottom "Wedgwood." Largest: 4 1/4" x 6 1/4." Smallest: 3 3/4" x 5 3/4." ++ Wedgwood Jasperware Cup and Saucer. 19th century. Decorated with neoclassical figures and ornamentation. Marked on bottom "Wedgwood." Cup: 3 1/4" x 5 1/2." Saucer: 6 1/8." ++ Basalt Teapot. circa 18th century. Depicts neoclassical band of putti and acanthus. Figural finial on lid. Marked on bottom "Wedgwood." 4 3/4" x 8 7/8."

A group of twenty-one Dedham Pottery Plates. 19th century. Crazing throughout plates. ++ One Azalea pattern plate. Marked on bottom. 12." ++ Nine Rabbit pattern plates. Marked on bottom. 8." ++ Eleven Rabbit pattern plates. Mark on bottom. 6."

Two Royal Worcester porcelain equestrian figures. ++ "Foxhunter & Lt. Col. H.M. Llewelyn C.B.E." 1960. Marked on bottom "Foxhunter and LT. COL. H.M. Llewellyn C.B.E. modeled by Doris Lindner 1960 Royal Worcester." 11" x 11" x 3 1/2". ++ "Merano and Captain Raimondo d'Inzeo." 1963. Marked on bottom "Merano and Cap. Raimondo d'Inzeo modeled by Doris Lindner 1963 Royal Worcester." Post under horse broken in two pieces. 10 1/2" x 11" x 3 1/2".

Royal Worcester porcelain The Winner. 1959. Porcelain equestrian figure. Marked on bottom "The Winner modeled by Doris Linder 1959 Royal Worcester." 10" x 10 1/2" x 4".

A Royal Worcester Appaloosa Stallion. Porcelain equestrian figure. 1969. Mark on bottom "Appaloosa Stallion modeled by Doris Lindner 1969 Royal Worcester." 9 1/2" x 10" x 3".

Royal Worcester porcelain Labrador. 1976. Labrador Retriever with duck in mouth. Includes wooden base. Marked on bottom "Yellow Labrador One of a Series of Sporting Dogs modeled by Doris Lindner Royal Worcester Made in England." Without base: 5" x 8 1/4" x 2".

A pair of two piece of Mochaware. 19th century. Slipped decorated. ++ Mochaware Pitcher. Barrel form. Blue, green, black, and yellow glaze. 8 1/2" x 10 1/4." ++ Mochaware Lidded Pot. Red, yellow, green, and black glaze. 6 3/4" x 10 1/4" x 8 3/4." Provenance: From the collection of Stella Walters.

An English Majolica Jardiniere by Joseph Holdcroft. 19th century. Decorated with molded head-shaped handles, floral and foliate garland. Turquoise bands with yellow highlights. One-inch vertical hairline, one-half inch vertical hairline and minor rim chip on foot. 8 1/4" x 12 1/2." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of two Majolica Bowl and Pitcher pieces. ++ Green glazed, centerpiece bowl with foliage ornamentation. 5" x 9." ++ Minton, cobalt blue glaze ground with yellow glazed floral pattern. Yellow mascaron spout. circa 1875. Chips and repair work on handle. Marked on bottom "Minton". 9" x 6."

A group of three English Majolica Pieces. ++ Minton, blue and purple glazed, dolphin bowl. circa 1864. Marked on bottom "Minton 560." 2 1/2" x 4."++ Wedgewood, mottled blue and brown glazed, Globose shell shaped creamer. circa 19th/20th century. Marked on bottom "Wedgewoo BZY A." 3 1/2" x 3 3/4." ++ Wedgewood, blue white and pink glazed, Conch shell shaped sugar bowl. circa 19th/20th century. Marked on bottom "Wedgewood IZY A."

A group of three porcelain cane handles and bottle stopper. ++ Woman's bust porcelain cane handle. 19th/20th century. Molded woman's head with a ribbon in her hair and ruffled collar, from a molded scrolled handle with cartouches. Unmarked. 5". ++ Floral painted porcelain cane handle. circa 1900. Molded handle with multi-color flowers and foliage on white ground, gilt highlights. Unmarked. 2 1/2" x 2 3/4". ++ Man's head bottle stopper. Wearing red cap with black and white cat on top. Unmarked. 3 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Mettlach Portrait of a Man in a Plumed Hat. 19th century. Portrait of a man in a plumed hat with blue swirling filigree background. 35."

A group of four Halcyon Days Enamel Boxes. All depicting Pavilions at the University of Virginia from the Lawn Society Collection. 20th century. Marked "Halcyon Days Enamels Lawn Society." Includes velvet lined presentation box. ++ Round green Halcyon Enamel. Interior marked with University of Virginia seal and "Pavillion II An outstanding example of Jeffersonian elegance in blending different architectural elements... completed in 1822 and designated the School of Anatomy and Surgery in 1825." Marked on bottom "Halcyon Days Enamels Lawn Society 1985." 1 1/4" x 2 1/2." ++ Oval red Halcyon Enamel. Interior marked with University of Virginia seal and "Pavilion IV "Doric of Albano" ...converted to a residence in 1825 after classes were moved to the Rotunda. In 1904 this pavilion became the home and office of Dr. Edwin A. Alderman, the first President of the University of Virginia." Marked on bottom "Halcyon Days Enamels Lawn Society 1986." 1 1/4" x 3." ++ Round white Halcyon Enamel. Interior marked with University of Virginia seal and "Pavillion V Often considered to possess the most impressive pavilion facade. Pavilion V was first occupied in 1824 by the young Professor of Ancient Languages, George Long, who was only twenty-four when he made his residence on the Lawn." Marked on bottom "Halcyon Days Enamels Lawn Society." 1 1/4" x 2 1/2." ++ Rectangle green Halcyon Enamel. Interior marked with University of Virginia seal and "Pavilion VI was completed in October 1822. The first ocupant was Charles Bonnycastle. a bachelor, who arrived from England in February 1825, and soon married Miss. Tutt of Loudon County." Marked on bottom "Halcyon Days Enamels Lawn Society" 1 1/4" x 2 1/2." Condition: Brown residue on some enamel boxes.

A Pair of Royal Vienna porcelain plates with classical scenes. Each with blue under glaze beehive mark. 20th century. ++ Scene of women making floral garlands, titled on back "Flora". ++ Scene of man and woman lying on a cloud, titled "Ein Traum" Marked with CR, beehive and Austria.

Herr, Claudius (Austrian, 1791-1838). "La Femme de Titian." A portrait of a standing woman wearing a purple dress. Early 19th century. Enamel and gilt on porcelain. Signed l.r. 9 1/2" x 5 1/2". Frame: 15" x 11 1/2". Condition: a few small areas of paint loss on the lower right hand corner.

A Herend Rothschild bird basketweave lamp. Hand painted porcelain. Lampshade not included. 24".

Mehlem, Franz Anton (German, 1836-1931) Royal Bonn portrait vase. Gilt along rim and base. Portrait of young woman in verdant field, country lane and house scene. Mark on bottom "Royal Bonn 1755 German." 13" x 7 1/4".

A group of three Samson porcelain and earthenware pieces. ++ Armorial tea caddy. 19th/20th century. Cylindrical, decorated with draped pink roses and green foliage, gilt highlights. Missing lid. Mark Samson. 4 3/4". ++ Franch baluster-shaped copy of a Japanese satsuma, two-handle wine jug with crackle glaze. circa 1945. Decorated with multi-colored and white raise flowers. Iron red highlight on rim and handles. Lid missing and one handle cracked. Mark Samson. 7 3/4". ++ Samson armorial gilt creamer. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A KPM Porcelain Dessert Service. circa 1945-1962. Forty-one piece dessert service. Embossed scrollwork rim with single puce bouquet of flowers. Comprising eight dessert plates, sixteen coffee cups, sixteen saucers, one creamer. Mark KPM, impressed "58", "0" 79/25 and 00 in black paint. Largest: 7 1/2". Smallest: 2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

Sevres style porcelain plaque depicting a seated woman talking to a child. 19th century. Enamel on porcelain. Signed illegibly l.l. 12" x 10". Frame: 14" x 12".

Sevres style porcelain plaque depicting a washer woman with her child. 19th century. Enamel on porcelain. Signed illegibly l.l. 12" x 10". Frame: 14" x 12".

Konigliche Porzellan Manufaktur porcelain plaque painted after Murillo that depicts two children with a basket of fruit. 19th century. Enamel on porcelain. Stamped on back "KPM". 9 3/4" x 7 3/8". Frame: 16" x 13 1/2".

Barberel, Mathilde (French, active late 19th to early 20th century). A Konigliche Porzellan Manufaktur (K.P.M) style portrait of a finely dressed woman. Plaque is glued to board backing. Restoration to right of signature. c. 1900. Enamel on porcelain. Signed l.r. 12 1/4" x 9". Frame: 22" x 18 1/4". Condition: Plaque is glued to board backing.

A group of Faux and Tortoise Shell Desk Accessories. circa 19th century. ++ Tortoise Shell letter box. Tortoise Shell exterior, with clear coating, and wood interior. Some repair work on exterior panels. 7 3/4" x 5 3/4" x 6 3/4." ++ A Boulle Style Tortoise Shell Ink Stand with two glass ink wells. 19th century. Boulle style metal mounting. Two glass ink wells with tortoise shell and metal mounted lids. Stand: 3 1/4" x 11 3/4" x 8 1/4." Ink well: 3 1/4" x 1 3/4" x 1 3/4." ++ Two Tortoise Shell letter openers. Oval cameo and metal handle. 10 1/4." Double-pointed Tortoise Shell letter opener. 5." ++ Four tortoise shell handled-tools. Tortoise shell handles with faded gold-toned ends. Largest: 6 1/4." Smallest 5 3/4." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of eight pieces of Tortoise Shell. 19th/20th century. Includes shoe horn, page holder, two letter openers (one with broken angel wing), three hair pins, and sliding measurement device. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three Tortoise Shell Miniature Pieces. 19th/20th century. Includes rickshaw, mandolin, and small decorative violin. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

An assorted group of Tortoise Shell and Horn jewelry. 19th/20th century ++ Seven pins. ++ Three bangles. ++ Five necklaces. ++ Four pairs of earrings. ++ Two buckles. ++ One horn chanteline charm. ++ Three hair pins. ++ One cross. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Tortoise Shell travel pen set. 19th/20th century. Includes four pen nips, two ink wells, sand jar., and small fountain pen. Cracks in tortoise shell case and patina in interior. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Tortoise Shell with Silver Inlay necessaire. 19th/20th century. Floral and bird silver inlay decoration. Includes threader, scissors, thimble, and needle case. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of six Tortoise shell eye glass cases. 19th/20th century. ++ Three tortoise shell eyeglass cases with decorative metal. ++ Two plain tortoise shell eyeglass cases. ++ One tortoise shell eyeglass case with mother of pearl decoration. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of two Tortoise Shell Tea Caddy and Box. 19th/20th century. ++ Tortoise shell tea caddy, with velvet lined lid. ++ Tortoise shell box with mother of pearl inlay case, and velvet lined interior. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of five Tortoise Shell Boxes. 19th/20th century. ++ Rectangular tortoise shell box with silver handle and hardware. ++ Oval tortoise shell box with gold tone handle and hardware. ++ Rectangular tortoise shell box with silver inlay and hardware. ++ Rectangular tortoise shell box with gold tone feet and button closure. ++ Rectangular tortoise shell box with mother of pearl inlay. Interior has three compartments. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Tortoise Shell cases. 19th/20th century. ++ Tortoise shell rectangular-shaped case with gold tone inlay. Interior lined in faded red satin. ++ Two tortoise shell cases in velvet lined box. Larger case has purple satin interior with pen. Smaller case has blue satin lined interior. ++ Tortoise shell hinged case with gold tone stippled stud decoration. Some studs are missing. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of two Tortoise Shell Straight Razors. 19th/20th century. Carved scale decoration. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Tortoise Shell and Bakelite Cigarette Holders. 19th/20th century. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of thirteen pieces of Tortoise Shell and Composite. 19th/20th century. Includes six tortoise shell and silver spoons, two tortoise shell/composite spoons, animal horn shoe horn, pair of tortoise shell serving spoon and fork, tortoise shell fork, and one composite serving piece. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three Tortoise Shell Boxes. circa 19th century. ++ Square Tortoise Shell lidded box. Red velvet topped lid with metal mounted trim. Wooden interior. Label "Mallitte Confiseur Rue dela Pompe, 47. Versailles." Key not included. 3 1/4"x 4 1/" x 4 1/2." ++ Rounded top, Tortoise Shell lidded box with key. Metal mounted paw feet. Interior lined with faded blue damask. One panel of veneer has become detached. 4 1/2" x 6 3/4" x 4." ++ Tortoise Shell lidded box. Topped with round metal finial. Brown velvet interior. Key not included. 7" x 7 3/4" x 4 1/2." Condition: Velvet is worn. Cracks in tortoise shell. Corner metal mounts are loose. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Tortoise Shell Boxes. circa 19th century. ++ Rectangular, curvilinear edges, Tortoise Shell box. Faded velvet lined interior. 2" x 5 1/4" x 3 1/2." ++ Octagonal Tortoise Shell box. Three metal mounted paw feet. Interior velvet lined. 2 1/2" x 4 1/4" x 4 1/4." ++ Oval shaped Tortoise Shell box. Interior, faded green, velvet lined. 1 1/4" x 3 1/8" x 4." ++ Oval shaped Tortoise Shell box with silver trim. Geometric silver trim and rotating jump ring. 2" x 4 1/4" x 2 3/4." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Tortoise Shell Hair Combs. circa 19th century. ++ Tortoise Shell, beaded trim, hair comb. Broken edge, piece included. 1" x 6 1/4." ++ Tortoise Shell, beaded and Greek key trimmed, hair comb. 1 1/2" x 5 3/4." ++ Tortoise Shell, gold tone ornamented, hair comb. Seven round beaded trim with gold tone ornamentation. 4 1/4" x 4 1/2." ++ Tortoise Shell, silver and hardstone, hair comb. Two silver chinoiserie style figures with central circle with hardstone insert. 5 1/2" x 4 1/2." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of seven Tortoise Shell Cases. circa 19th century. ++ Two, carved dragon, Tortoise Shell cases. One silk lined. One leather lined. ++ Three, escucheon, Tortoise Shell cases. One marked "EFD." One marked "Isie from HDF." One with blank double escutcheon and floral decoration on verso. ++ One, floral and foliage, Tortoise Shell case. ++ One, metal mounted, Tortoise Shell case. Marked "Souvenir." ++ Largest: 5 1/2" x 3 1/8." Smallest: 3 5/8" x 2 5/8." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of seven Tortoise Shell and Horn Lorgnettes. circa 19th/20th century. One pair of spectacles is broken in half (lens included). Largest: 6 7/8." Smallest: 5." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of six Tortoise Shell and Horn Lorgnettes. circa 19th/20th century. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Tortoise Shell and Horn Lorgnettes. circa 19th/20th century. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Ivory decorative pieces. 19th century ++ Ivory carved fan with painted sheet music. ++ Silver mounted ivory page turner. 19th century. tapered handle. figural and scrolled foliate carving. ++ Carved snuff grater. 19th century. Carved portrait bust of lady, flattened hinged case. Open for pierced herringbone tin grater. ++ Saber-shaped ivory page turner. Carved with neoclassical figure and foliage. THIS LOT CONTAINS ANIMAL OR PLANT MATERIAL THAT MAY BE RESTRICTED UNDER FEDERAL, STATE, AND/ OR LOCAL LAW. BIDDERS SHOULD CHECK ALL APPLICABLE GOVERNMENT WILDLIFE RESTRICTIONS PRIOR TO PLACING A BID. THE BUYER WILL BE SOLELY RESPONSIBLE FOR OBTAINING ANY NECESSARY LICENSE OR PERMITS APPLICABLE TO THE SALE OR TRANSPORT OF THE OBJECT. PLEASE NOTE THAT BIDDERS IN NEW JERSEY MAY NOT BID ON ANY LOTS CONTAINING ELEPHANT IVORY, MAMMOTH IVORY, OR RHINOCEROS HORN. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of two Ivory carved pieces. 19th century. ++ Ivory carved scene of the Madonna and Child being worshipped by a man and woman. Encased in domed glass. ++ Ivory carved, floral, case. Interior blue velvet lined. THIS LOT CONTAINS ANIMAL OR PLANT MATERIAL THAT MAY BE RESTRICTED UNDER FEDERAL, STATE, AND/ OR LOCAL LAW. BIDDERS SHOULD CHECK ALL APPLICABLE GOVERNMENT WILDLIFE RESTRICTIONS PRIOR TO PLACING A BID. THE BUYER WILL BE SOLELY RESPONSIBLE FOR OBTAINING ANY NECESSARY LICENSE OR PERMITS APPLICABLE TO THE SALE OR TRANSPORT OF THE OBJECT. PLEASE NOTE THAT BIDDERS IN NEW JERSEY MAY NOT BID ON ANY LOTS CONTAINING ELEPHANT IVORY, MAMMOTH IVORY, OR RHINOCEROS HORN. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of two Painted and Wood card cases. 19th/20th century. ++ Painted card case with colorful floral and geometric panels. ++ Birdseye maple hinged card case.

A group of four Mother of Pearl cases. 19th/20th century. ++ Mother of pearl and abalone , diamond inlay, case. ++ Two mother of pearl, carved floral and foliate inlay, cases. ++ One mother of pearl, geometric carved inaly, case. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Tortoise Shell and Composite fans. 19th century. ++ Two tortoise shell fans, missing feathers and connecting panels. ++ One tortoise shell fan laced with brown ribbon. ++ One composite fan pierced carved painted with pink roses and laced together with blue ribbon. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of two Ivory carved figural panels and case. 19th century. ++ Ivory carved case depicting woman walking within a rococo style frame. Lavender lined interior with pen. ++ Ivory carved panels depicting a man eagle on his left arm and a dog at his feet. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A Wooden Necessaire Box. 19th century. Interior mirror and fitted purple velvet fitted bottom. Includes scissors, mother of pearl accessories, thimble, and glass vial. Provenance: From the Estate of Thomas and Jane Stanhope, MD.

An ivory carved case. 19th/20th century. Intaglio sheaf of wheat tied with ribbon. Interior red silk lined. THIS LOT CONTAINS ANIMAL OR PLANT MATERIAL THAT MAY BE RESTRICTED UNDER FEDERAL, STATE, AND/ OR LOCAL LAW. BIDDERS SHOULD CHECK ALL APPLICABLE GOVERNMENT WILDLIFE RESTRICTIONS PRIOR TO PLACING A BID. THE BUYER WILL BE SOLELY RESPONSIBLE FOR OBTAINING ANY NECESSARY LICENSE OR PERMITS APPLICABLE TO THE SALE OR TRANSPORT OF THE OBJECT. PLEASE NOTE THAT BIDDERS IN NEW JERSEY MAY NOT BID ON ANY LOTS CONTAINING ELEPHANT IVORY, MAMMOTH IVORY, OR RHINOCEROS HORN.

A complete Danish Chess Set made from Narwhal Ivory. circa 1800. Includes documented authentication. Half the set stained red, other half natural. Red stained and natural pieces include sixteen pawns, four rooks, four knights, four bishops, two kings, two queens. Red stained king is replaced Mammoth ivory piece. Largest: 3 1/2." Smallest: 1 1/4." THIS LOT CONTAINS ANIMAL OR PLANT MATERIAL THAT MAY BE RESTRICTED UNDER FEDERAL, STATE, AND/ OR LOCAL LAW. BIDDERS SHOULD CHECK ALL APPLICABLE GOVERNMENT WILDLIFE RESTRICTIONS PRIOR TO PLACING A BID. THE BUYER WILL BE SOLELY RESPONSIBLE FOR OBTAINING ANY NECESSARY LICENSE OR PERMITS APPLICABLE TO THE SALE OR TRANSPORT OF THE OBJECT. PLEASE NOTE THAT BIDDERS IN NEW JERSEY MAY NOT BID ON ANY LOTS CONTAINING ELEPHANT IVORY, MAMMOTH IVORY, OR RHINOCEROS HORN.

An Ebony and Ivory Indian Chess and Backgammon Board. circa 1800. Includes documented authentication. Wood inlay decoration. Some ivory squares are cracked. 4 3/8" x 10 3/8" x 17 7/8." THIS LOT CONTAINS ANIMAL OR PLANT MATERIAL THAT MAY BE RESTRICTED UNDER FEDERAL, STATE, AND/ OR LOCAL LAW. BIDDERS SHOULD CHECK ALL APPLICABLE GOVERNMENT WILDLIFE RESTRICTIONS PRIOR TO PLACING A BID. THE BUYER WILL BE SOLELY RESPONSIBLE FOR OBTAINING ANY NECESSARY LICENSE OR PERMITS APPLICABLE TO THE SALE OR TRANSPORT OF THE OBJECT. PLEASE NOTE THAT BIDDERS IN NEW JERSEY MAY NOT BID ON ANY LOTS CONTAINING ELEPHANT IVORY, MAMMOTH IVORY, OR RHINOCEROS HORN.

An English Chess Set made from bone. circa 1800. Includes documented authentication. Barlycorn carved design. Half the set stained black, other half natural. Black stained and natural pieces include sixteen pawns, four rooks, four knights, four bishops, one king, two queens. Largest: 5 1/2." Smallest: 2 1/4." Condition: Natural colored queen piece not included.

A Chinese Chess Set made from Indian Ivory. circa 1820. Includes documented authentication. Highly carved and puzzle ball decoration. Some swords on pawns are detached, but included. Half the set stained red, other half natural. Red stained and natural pieces include sixteen pawns, four rooks, four knights, four bishops, two kings, two queens. Largest: 5 1/2." Smallest: 3 1/2." THIS LOT CONTAINS ANIMAL OR PLANT MATERIAL THAT MAY BE RESTRICTED UNDER FEDERAL, STATE, AND/ OR LOCAL LAW. BIDDERS SHOULD CHECK ALL APPLICABLE GOVERNMENT WILDLIFE RESTRICTIONS PRIOR TO PLACING A BID. THE BUYER WILL BE SOLELY RESPONSIBLE FOR OBTAINING ANY NECESSARY LICENSE OR PERMITS APPLICABLE TO THE SALE OR TRANSPORT OF THE OBJECT. PLEASE NOTE THAT BIDDERS IN NEW JERSEY MAY NOT BID ON ANY LOTS CONTAINING ELEPHANT IVORY, MAMMOTH IVORY, OR RHINOCEROS HORN.

An Algerian Chess Set made from African Ivory. circa 1800. Includes documented authentication. Half the set stained black, other half natural. Black stained and natural pieces include sixteen pawns, four rooks, four knights, three bishops, two kings, two queens. Largest: 4 1/2." Smallest: 2." THIS LOT CONTAINS ANIMAL OR PLANT MATERIAL THAT MAY BE RESTRICTED UNDER FEDERAL, STATE, AND/ OR LOCAL LAW. BIDDERS SHOULD CHECK ALL APPLICABLE GOVERNMENT WILDLIFE RESTRICTIONS PRIOR TO PLACING A BID. THE BUYER WILL BE SOLELY RESPONSIBLE FOR OBTAINING ANY NECESSARY LICENSE OR PERMITS APPLICABLE TO THE SALE OR TRANSPORT OF THE OBJECT. PLEASE NOTE THAT BIDDERS IN NEW JERSEY MAY NOT BID ON ANY LOTS CONTAINING ELEPHANT IVORY, MAMMOTH IVORY, OR RHINOCEROS HORN. Condition: Natural color bishop not included.

A five branch Cut Glass Chandelier. 19th/20th century. Glass column, bobeches, decorative strands of cut glass. Approximately 27" x 18." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A six branch Cut Glass Chandelier. 19th/20th century. Glass column, bobeches, prisms, and decorative strands of cut glass. Approximately 26" x 19." Provenance: From the Estate of Thomas and Jane Stanhope, MD.

An enamel portrait of a seated lady, possibly Marie Antoinette, signed T. Leroy. Late 19th to early 20th century. Enamel on metal. Signed l.l. 6 3/4" x 5 1/4". Frame: 15" x 13 1/2".

Shane, Harper (20th century). Winter scene of house and barn. 20th century. Signed l.r. Watercolor on paper. Sight: 14" x 20 3/4". Frame: 29 3/8" x 22 7/8".

Major, Boris (Russian, 1876-1951). Pair of Venetian Scenes. Oil on Board. Sailboats on canal with Villas in background. Both signed l.l. "B. Major." Frame: 10 1/4" x 8 1/4." Sight: 6 1/4" x 4 1/2."

Smetana, Jan (Czech, 1918-1998). "Easter Morning." 1956. Oil on canvas. Signed and dated l.r. 27 1/2" x 47 1/2". Frame: 36" x 56".

Walkowitz, Abraham (American/Russian-Federation, 1878-1965). "Bathers in Interior." A group of women and a child inside a bath house. Includes a photograph of the artist with the painting. 1930. Oil on Canvas. Signed l.r. 40" x 25 1/2". Frame: 40 1/4" x 26 1/4" Photograph: 10" x 8". Provenance: Zabriske Gallery, New York, NY. From the Coleman estate in Florida.

Zalavary, Miklos (Hungarian, 1929-1981). Street scene with houses and figure, Budapest, Hungary. 20th century. Oil on board. Signed l.r. With gallery label attached to the back, with more information written on verso. Sight: 19" x 27 1/4". Frame: 22 3/4" x 30 5/8".

Rops, Félicien (Belgian, 1833-1898). Untitled drawing of a woman being fought over by two groups of men. Mid to late 19th century. Charcol on paper. Signed l.r. 8 1/4" x 11 3/4". Frame: 11 1/2" x 15".

de Toulouse-Lautrec, Henri (French, 1864-1901). Pencil study of a man (front) and a dog (verso). c.1880. Signed with the atelier stamp (Lugt 1338). Stamped on matting: "Original pencil drawing. A sketch of a dog is on the back of the drawing. Signed with the atelier stamp. From M. Fornails (Albi)." Sheet: 6 1/8" x 8 1/8" Condition: Light damp stain throughout image. Hinged to matting with masking tape. Provenance: From M. Fornails (Albi).

Dufy, Raoul (French, 1877-1953). Untitled expressionistic style landscape depicting two people standing in a field with a house and trees in the background. Late 19th to early 20th century. Ink on Paper. Signed l.c. Sight: 13 1/2" x 17 1/2". Frame: 21 1/2" x 25 1/2".

Isabey, Eugène Louis Gabriel (Fench, 1803-1886). River landscape with hills on the background under cloudy sky. 19th century. Oil on canvas. Plaque on the frame: "ISABEY." Stamped in red l.l. "Vente E. Isabey". Sight: 18 1/2" x 28". Frame: 33" x 42 3/4"

Volpe, Alessandro La (Italian, c.1820-1887). View of Italian coast with boats, possibly the Bay of Naples. 1886. Oil on canvas. Signed l.r. Canvas loosely in frame. 11 1/4" x 28 3/4". Frame: 21 3/4" x 43 3/4"

Unknown (20th c.) Copy of Andre Derain's painting, "The Bathers," currently in the Jonas Netter collection. The painting was most recently displayed at the Faberge Museum in St. Petersburg, Russia, at an exhibition titled "Modigliani, Soutine and Other Legends of Montparnasse." 1962. Gouache on paper. Signed illegibly and dated l.r. Sight: 11" x 14". Frame: 18 1/2" x 21 1/2".

Bonfils, Gaston (French, 1855-1946). The Luncheon. 19th Century. Oil on Canvas. Signed l.l. Plaque on the frame: "G Bonfils". Gallery label attached to the back. 24" x 29". Frame: 31" x 36".

Muller, Fritz (German, 1913-1972). Portrait of a bearded man carrying axe. 20th century. Oil on board. Signed u.l. With partial gallery label on the back. 9 3/8" x 7 1/8". Frame: 16 1/4" x 14 1/4".

Seeger, Karl Ludwig (Germany, 1808-1866). Mountain landscape with a herder and livestock near riverside. 1827. Oil on board. 8 5/8" x 8 5/8". Frame: 12 1/2" x 12 1/2".

After Gérome, Jean-Léon (French, 1824-1904). Similar scene of The Duel After the Ball. 20th century. Oil on board. Signed l.l. 3 1/2" x 5 1/2". Frame: 5" x 6 7/8".

Unknown (Continental, 18th/ 19th century.), Untitled portrait of woman spinning yarn, 18th/19th century. Oil on canvas. Canvas has been cut and relined. Sight: 16 3/8" x 11 3/8". Frame: 23" x 17 3/4".

Schoffman, Maria (Austrian, 1859-1941). A portrait of St. Justinia in the style of Moretto. Original Painting on display in the Kunsthistorisches Museum, Vienna. Old repair work on lower left.1911. Oil on canvas. Signed and dated on verso. 31 1/2" x 24 3/8". Frame: 38 5/8" x 29 1/2".

Netter, Benjamin (French, 1811-1899). Untitled landscape of cows flanked by trees. Mid to late 19th century. Oil on Canvas. Concentric cracking and damage on lower right. Signed l.r. 14" x 21". Frame: 23 1/2" x 29 1/2". Condition: Concentric cracking and damage on lower right

An old master style genre scene depicting a man and a woman. 1947. Oil on canvas. Signed "D.F." and dated middle right. 13 1/4" x 10 1/2". Frame: 20" x 17".

A group of two Northern European genre scenes. 19th or 20th century. Oil on metal. Signed Maron l.r. 8 1/2" x 7 1/4". Frame: 13 1/4" x 12". ++ A group of three people looking out a window. ++ A couple sitting on the windowsill of a workshop.

Geiringer, Rudolf (German). Untitled genre scene of a gentleman playing a lute. 20th century. Oil on canvas. Signed u.r. 17 1/2" x 13 3/4". Frame: 21" x 17 1/4".

Oberboersch, Jupp (German, 1884-?). Untitled village landscape depicting a field and tall trees with a road leading to a village. 20th century. Oil on canvas. Signed l.l. 20" x 22". Frame: 26 3/4" x 28 3/4".

Claude, Louis (France, 1879-1963). Gaston Winner of the Wheatley Hills Steeplechase of 1931. Watercolor on paper. Inscription with title and "Owned by N.S. Ludington", "Ridden by Mr. Sidney Hirst". These inscriptions are to be used in the publication of Folio sized Prints. Reverse of paper has unfinished pencil sketch. Done in collaboration with the Camilla Lucas and Paris Etching Society, in New York.

A Meissen Avacato, the lawyer, from the 'Commedia Dell' Arte porcelain figurine. 19th century. Original model by J.J. Kandler. Standing man wearing long curly wig, red facemask, long white robe, green and gold striped long vest, black pants, white stockings and black shoes, on a square base, gilt highlights. Restoration to both hands at wrist, tip of pen broken. Mark blue crossed sword under glaze, impressed "D37", 7". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A German white bisque figurine. 19th century. Gentleman with blue floral wreath around his neck. Mark Voight, Sitzendorf, painted "36" on bottom. 10 1/4". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of two Frankenthal and Nymphenburg porcelain figurines. ++ Gentleman figurine. circa 1925. Gentleman in white jacket and trousers, holds white hat in his left hand. Mark Frankenthal. ++ Peasant lady figurine. circa 1912-1975. Lady wears gold and black hat, red dress, on oval base. Mark Nymphenburg in green. Impressed "831" and Nymphenburg shield mark. 7 3/4". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four porcelain figurines. ++ KPM Young boy with turnips, figurine. 19th century. Boy wears brown hat, pink coat, yellow vest, striped pants, white stockings that are sliding down his legs and brown shoes, on a square molded base. Small chip on base. Mark KPM scepter with one strike. 4 7/8". ++ Young boy carrying napsack. 18th/19th century. Boy wears black hat, yellow vest, and tan pants. Mark Hochst, blue wheel. 6". Turkish woman playing the hurdy-gurdy. 18th/19th century. Woman wears puce cloth over her head and across shoulders, turquoise bodice. Mark Hochst, wheel mark. 6 3/4". ++ KPM Young Boy with Sled (emblematic of winter), figurine. 19th/20th century. Young boy wearing purple hat, coat with fur lining, dark green pants, white stockings and black shoes with sled resting against his body as he blows on his hands, on square base. Mark KPM orb and scepter. 4 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four Blanc de Chine porcelain couples figurines. ++ European figural group of courting couple. 19th/20th century. The couple sit on rockery in a romantic embrace. Mark Pseudo blue "F" under glaze, impressed "A & M" "103."++ A German porcelain dancing figurine. 19th/20th century. Man and woman are both wearing crinoline dress, on octagonal base. Mark impressed Nymphenburg, impressed "12" and "0." 7 1/2".++ Italian porcelain couple in dance positions. Female holds arose in right hand, oval base. Mark Capodimonte, blue crown of "N." 7 1/4". ++ Figural group of reclining man and two women. circa 1920s. One woman holds the man's hat and the second woman dances around the man, molded scrolled base. Man is missing his right hand. Mark impressed Nymphenburg and Frankenthal in blue, incised "25." 6 1/2" x 8 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of five Wooden and Porcelain Figurines. ++ Two wooden backpacker figurines. 20th century. on plinth base. 8". ++ European carved figure of a scholar in long robes. 19th century. on wood plinth. 6 1/4". ++ Two KPM Figural sweetmeat dishes emblematic of America and Africa. 19th century. Standing Native American in feathered headdress and skirt next to an oval bowl with cartouches of scenic towns and resting on rockery. Standing black African with yellow bandana around head, pink skirt and yellow belt, next to oval bowl with cartouches of scenic towns resting on rockery, gilt highlights. Mark KPM scepter with one strike, impressed "492" and "488." 7 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of six porcelain figural half dolls/pin cushions. ++ Woman porcelain pin cushion. 19th/20th century. Woman wears yellow shawl with flowers on bodice, on a plinth. Unmarked. 3 1/2". ++ Goebel figural half doll. circa 1935-1937. Lady wears three feathers in her hair, green dress, and holds a fan in her hands. Mark Goebel, impressed crown over "GW." 5 1/2". ++ German porcelain figural half doll. circa 1930s. Lady wears a blue turban, pink dress with white puff collar. Unmarked. 4 3/4". ++ German porcelain figural half doll. circa 1930s. Lady wears a floral hat, pink floral dress, and holds a flower in each hand. Unmarked. 4 3/4". ++ German porcelain figural half doll. circa 1930s. Lady wears three feathers in her hair, pink dress with white ruffles. Mark Unger, Schneider & Cie, impressed Germany, "14389." 4". ++ German porcelain figural half doll. circa 1930s. Lady holds an oval dish of flowers in one hand and a single flower in the other. Unmarked. 4 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of three peasant porcelain figurines. 19th century. ++ Two porcelain figurines of peasants. Man in black hat, red jacket, yellow pants, holding rabbits. Woman wears bonnet, yellow top, red skirt, goose by her feet. Both on rococo style bases with red highlights. Unmarked. 9". ++ Peasant figural group emblematic of summer or the harvest. Man sits on bundles of wheat and holds cup. Woman stands holding a gourd and bundle of wheat, rest on rectangular base with scrolled blue and gilt highlights. Piece detached from woman's left hand. Mark gold anchor, original mark has been scratched off. 8 1/2". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A group of four wooden and porcelain figurines. ++ Two wooden musicians figurines. 20th century. one with trombone, other with flute, on plinth base. 8". ++ Two Italian porcelain soldiers. 20th century. Figure labeled "Carlo Alberto, Nizza Cavalleria." wears gray pants, blue tunic, black and gilt helmet, with his hand on gilt sword, on circular base. Figured labeled "Carlo Felice, Tamburro Mag rc, B FA Guardie." is drum major with baton and wears black hat with pink feather, on circular base. Mark Vinovo Factory. 11". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of two Nymphenburg and Frankenthal dancing figurines. circa 1924. Figures wear white crinoline with purple ribbon highlights. Set on scroll-shaped bases. Restoration to finger on right hand. Mark impressed Nymphenburg and blue Frankenthal. Impressed "1209-3" and "1210-3." 9 1/8". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

A pair of two Chelsea-Derby style porcelain figurines. 18th century. Gentleman wears hat with red flower, seated dog on his right and floral brocade on his left. Lady wears blue hat, holds flower in her right hand. Both on rococo style bases with blue and gilt highlights. Lady has fret to hat and minor chip to flowers, gentleman has chip on hat, thumb on left hand missing, flowers and foliage are chipped and serious firing flaw cause the figure to lean. Unmarked, but with characteristic three-pad Chelsea-Derby mark. 10". Provenance: From the Estate of Thomas and Jane Stanhope, MD.

Richbourg, Lance (American, b. 1937). "Hack Wilson." 1984. Oil on canvas. Signed, dated, and titled on verso. 54" x 71". Provenance: - OK Harris, New York - Private Gallery, New York - Private Collection Exhibited: Youngstown, Ohio. Butler Institute of American Art, Lance Richbourg: Baseball. November 14, 1999 - January 2, 2000.