OIL ON CANVAS - Raised in Tennessee, Williams is highly self-educated in the techniques as well as the histories of the major American and European Artists. His works vary from the intricately detailed to loosely rendered impressionist images. Williams receives inspiration from the Southern Appalachian Highlands. - FRAMED AND MATTED - 40" X 50"

ON CANVAS - Raised in Tennessee, Williams is highly self-educated in the techniques as well as the histories of the major American and European Artists. His works vary from the intricately detailed to loosely rendered impressionist images. Williams receives inspiration from the Southern Appalachian Highlands. - FRAMED AND MATTED - 22" X 26"

OIL ON CANVAS - Raised in Tennessee, Williams is highly self-educated in the techniques as well as the histories of the major American and European Artists. His works vary from the intricately detailed to loosely rendered impressionist images. Williams receives inspiration from the Southern Appalachian Highlands. - FRAMED AND MATTED - 24" X 30"

FRAMED AND MATTED - Raised in Tennessee, Williams is highly self-educated in the techniques as well as the histories of the major American and European Artists. His works vary from the intricately detailed to loosely rendered impressionist images. Williams receives inspiration from the Southern Appalachian Highlands. - 32" X 40"

ROLLED ARMS WITH CORNUCOPIA DESIGN AND CORNUCOPIA DESIGN ON EITHER END OF BACK FRAME - FLORAL TAPESTRY UPHOLSTRY

GOTHIC REVIVAL STYLE - 2 DRAWER PIGEON HOLE INTERIOR - BACK LEFT FOOT HAS BEEN REPAIRED - 35" X 17" X 48"

CASE TOP - SINGLE DRAWER IN BOOKCASE - LIFT TOP WRITING SURFACE - CIRCA 1950'S/60'S - 28" X 20" X 70"

MIRRORED BACK ENTERIOR - MIRRORED BACK INSIDE DOORS - SINGLE DRAWER W/REMOVABLE SERVING TRAY - STORAGE SHELF BENEATH - WITH KEY - 32" X 16" X 50"

METAL BANK AROUND BASE - HAIRLINE CRACKS BUT NOTHING BAD

133-135 SOUTH CENTRAL STREET, KNOXVILLE TN" CONDITION GOOD-MINOR CHIPS AND REPAIRS - PLEASE BE SURE AND READ THE ARTICLE ON OUR WEBPAGE UNDER IMPORTANT INFORMATION THAT TALKS ABOUT THE FINDING OF THIS JUG IN A DIG UNDER THE SALOON IN OLD TOWN!!!

EIGHT TIN PIE SAFE - TWO DRAWER DOUBLE DOOR-CIRCA 1850

BUTLER MFG.CO. K.C. MPLS-SOME DENTS AND DINGS

DECORATED WITH CAT TAILS AND VINES

DOVETAIL CONSTRUCTION -DAMAGE TO FOOT ON RIGHT SIDE -44" X 20" X 35"

31" X 48"

HEADBOARD -FOOTBOARD-SIDE RAILS-DAMAGED TO RIGHT SIDE POST ON HEADBOARD

BOARD -SIDE RAILS -HEADBOARD MISSING ONE FINIAL -FOOTBOARD MISING BURL DECORATION

AND USB IN HIDDEN COMPARTMENT-22" X 17" X 27" (TWO TIMES THE BID)

W/CURIO SHELVES ON EITHER END-DOUBLE DOOR TOP AND DOUBLE DOOR BASE - MEASURES: 69" X 26" X 86"

MEASURES: 68" H

EAST TENNESSEE AREA-ETC

PANEL DOORS-PEGGED CONSTRUCTION-SIX BOARD BACK-MISSING CROWN MOLD ON SIDE-MEASURES: 42" X 19" X 82" WITH KEY

19TH CENTURY-SIXTEEN PANEL GLASS-(3 PANES OF GLASS ARE CRACKED )MEASURES: 42" x 22" x 98"

MEASURES: 63" X 20" X 42"

MEASURES:40" X 19" X 38"

CANE SEAT

LIONS PAW FEET-FOUR WOODEN SHELVES-CURVED GLASS SIDES AND DOOR -MEASURES: 39" X 17" X 70"

FOR SERVING-MEASURES: 32" X 20"

SOME DAMAGE-NEEDS REFINISHING - MEASURES : 36" 18" X 30"

MEASURES: 68" X 72"

MEASURES: 33" D X 29"H -WITH PORCELAIN CASTERS

UPHOLSTERY

UPHOLSTERY - SOME DAMAGE TO BACK TIPS OF ROCKERS

MEASURES: 24" X 34" X 32" NEEDS REFINISHING

WITH FLORAL TAPESTRY UPHOLSTERY-SEAT AND BACK

PIGEON HOLES AND DRAWERS IN THE TOP-REPRODUCTION-MEASURES: 57" X 28" X 47"

ARTIST SIGNED - # 459/500-FRAMED AND MATTED -MEASURES : 27" X 33" - John is a self taught artist and sportsman from the Mississippi River Valley. John was born in Moline, Illinois. Lucky enough to be raised in a sporting environment, he has hunted and fished all his life, in the rivers, bottomlands, and fields of the Midwest Region. As an ardent sportsman and observer of our wildlife in their natural habitat, he spends countless hours in research, sketching, and photography. He draws on his experiences as he tries to capture on canvas the excitement and drama of the outdoor world. He has been painting full-time since 1978 and has won numerous awards for his oil paintings. Being a sportsman, many of John’s oils and limited edition prints have been used to further conservation efforts. He has had over 50 limited edition prints published, many going to support these goals. John’s work has also won many blue ribbons and he has placed Best of Show at Wildlife Art Shows around the Midwest. His work has been used on over 27 of Cabela’s Inc. magazine covers since 1983. John now resides in Montose, Iowa with his wife, Marie.

HEADBOARD AND SIDE RAILS ONLY-NO FOOTBOARD " LILLIAN RUSSELL" (NEEDS REFINISHING)

CHEST W/DOUBLE GLOVE DRAWER BOX - "LILLIAN RUSSELL" STYLE MEASURES: 38" X 20" X 50" (NEEDS REFINISHING)

MIRROR-"LILLIAN RUSSELL" STYLE - MEASURES: 48" X 22" X 40" NOT COUNTING THE MIRROR- MIRROR BRAKET NEEDS REPAIR-NEEDS REFINISHING

NIGHTSTAND "LILLIAN RUSSELL" STYLE - MEASURES: 18" X 15" X 28" (NEEDS REFINISHING)

"LANGUILLE DUCKS UNLIMITED" PRINT-FRAMED AND MATTED -MEASURES: 31" X 43" Terry Avon Redlin was an American artist popular for painting outdoor themes and wildlife, often pictured in twilight. During the 1990s he was frequently named "America's most popular artist" in annual gallery surveys conducted by U.S. Art magazine

ARTIST SIGNED #74/950 FRAMED AND MATTEDE MEASURES: 22"X 38" - For nearly twenty years, Robert A. Tino has interpreted the landscape of the Great Smoky Mountains with an eye, palette and brush stroke that meshed realism with impressionism. His signature meshing of transparent watercolors and gouache (pronounced "gwash" - a little used opaque technique) evokes the countless moods of this mountain eden. In the late 1990's, Robert integrated oils into his portfolio because of the immediate accessibility of blending that allows him to achieve a different kind of softness. Whether the medium is watercolor or oil, Robert preserves his personal experience of the mountains with each scene in remarkable detail, while exploring his characteristic affinity for flourishes of color, depth, and texture. Since his first limited edition work issued in the early 1980's while still a student at the University of Tennessee, Robert has emerged as one of the most gifted and celebrated artists in the Southeast. Shown in fine art galleries across the South, Robert's work enjoys a devoted following of collectors - one that grows every year with each new release. Many of his earlier works are available only through sales from private collections. Each year Robert releases Limited, Collector's, and Signed Editions of his original paintings from the Robert A. Tino Gallery in the John Denton Home on Sunset View Farm in Sevierville, Tennessee.

SIGNED AND NUMBERED PRINT #446/950 - WITH COA - FRAMED AND MATTED - For nearly twenty years, Robert A. Tino has interpreted the landscape of the Great Smoky Mountains with an eye, palette and brush stroke that meshed realism with impressionism. His signature meshing of transparent watercolors and gouache (pronounced "gwash" - a little used opaque technique) evokes the countless moods of this mountain eden. - FRAMED AND MATTED - MEASURES: 25" X 45"

# 407/1500 - Jim Gray Gallery is dedicated to art, craft, and design. Our 55+ year family run business is founded on hard work and creativity with a high standard of quality. The artist, Jim Gray, started the business with his wife Fran back in 1966. Now we are in the 3rd generation of family ownership. We are a small company who has sourced locally since the start and we strive to continue to do so. Made in the Smoky Mountains, Gatlinburg, TN. Perpetuating joy, wellness, and the love of nature through art for 50+ years. - FRAMED AND MATTED - MEASURES: 22" X 30"

MEASURES: 22" X 31" SOME DAMAGE TO VENER

SIGNED-#3856/5000 FRAMED AND MATTED 25" X 33" R.J MCDONALD IS A WILDLIFE ARTIST FROM MIDDLE TENNESSEE - R. J. McDonald is one of our country’s most highly respected wildlife artists. For over thirty years knowledgeable art collectors have enthusiastically collected his paintings, giclees and limited edition prints. Among these collectors are a Chief Justice Of The United States Supreme Court, Two State Governors, several senators and congressmen, as well as movie stars, corporations and business leaders. Add to this group the tens of thousands of other collectors who appreciate and collect McDonald’s realistic paintings and limited edition prints of North America’s wildlife.

DOES WORK - 22" X 22" X 34"

7-CF -DOES WORK

MODEL # WM2501HWA -WORKS

MODEL# DLEX2501W - WITH ACCESSORIES -WORKS

MEASURES: 6' X 9'

MEASURES: 7' X 11"

80" SECTION AND 76" SECTION

MARBLE SCULPTURE 25" X 57" X 8" - HAS MINOR DAMAGE - THIS ARTIST HAS WORK IN THE KNOXVILLE MUSEUM OF ART - Julie Warren Conn is a sculptor with a penchant for exposing the hidden beauty within her materials. Her sculptures in marble, alabaster, and bronze are organic and abstract: a perfect contrast to the hard minerals and metals with which she works. Although Conn often sculpts in a style self-described as “form for form’s sake,” the flowing lines and intense contours in her work can often speak to a formal aesthetic that's clearest in her more representational pieces. These sculptures, which display influence from traditional artistic traditions, allow the viewer to see how Conn views the world while also contextualizing her work as a whole. Among the most satisfying aspects of Conn's work is the textural quality of her materials, which play to the compositional and structural parts of her sculptures. Conn brings the beautiful variations of marble and alabaster to the surface, allowing these movements in stone to communicate additional layers of artistic interest. Other notable qualities in Conn’s work are her use of negative space and the cyclical aspects, full of double meaning and an energy that seems to flow into itself. Julie Warren Conn born January 4, 1943 at Knoxville, Tennessee. From the time I was a small girl in East Tennessee, I imagined forms in tree branches, clouds and other natural objects around me. Although I had the spirit of an artist from that early age, opportunities to study art were limited during my childhood. My formal art training began in college, where I was awarded the first Bachelor of Fine Arts degree with a concentration in Sculpture from the University of Tennessee. During the first ten years of my career, I welded art objects, building solid forms from flat sheets of steel. As a diversion from welding one day, I decided to complete a sculpture of Tennessee marble, which I had roughed out using only a hammer and chisel while in college. When I began to polish the stone and the beautiful qualities of coloration, veining and composition were revealed, I never had a desire to return to welding.

48" X 60" X 21"

14" X 21" X 36" - UT SCHOOL OF ART

24" X 28' X 23" - NEEDS REFINISHED

53" X 18" X 29"

MISSING HAIR, TAIL, NEEDS REPAIRED

36" HIGH

SCULPTOR OF STONE - COPYRIGHT 1993 BY CAROLYN BOLING

55" X 18" X 29"

22" HIGH

12" X 12" X 36"

14" X 16" - SOME DAMAGE - THIS ARTIST IS FROM ASHVILLE, NC

18" X 18" X 31"

25" HIGH - LEGS BROKEN WITH REPAIR ATTEMPTED STILL NEEDS MORE REPAIRS

PRINT ON BOARD - FRAMED AND MATTED - 12" X 14"

FRAMED AND MATTED - 32" X 39" - an artist who creates art quilts, highly textural painted quilts that are decidedly not your grandmother's quilt. My art quilts incorporate mixed media--paints, collage, and found materials--to create contemporary art. As an artist I'm inspired by many different sources, but the beauty of the western North Carolina Mountains that surround my home always provide fresh ideas. As a craftsperson I'm deeply rooted in the traditional western North Carolina craft world where skills are improved through daily practice. At the same time the vibrant energy of the Asheville art community challenges me to change and grow.

WATERCOLOR - FRAMED AND MATTED - 18" X 24"

BY LEE ROBERSON - PRINT - FRAMED AND MATTED - 22" X 26"

6" X 20"

FRAMED AND MATTED - 11" X 20"

NO SHADE - 30" HIGH

HEADBOARD ONLY

80" X 21" X 67"

40" X 21" X 72" - 2 PIECES FOR EASIER HAULING

26" X 18" X 26"

30" X 112"

CERAMIC TABLE SCULPTURE - 22" X 21" X 14" - SOME DAMAGE

12" X 16" X 36"

34" HIGH

HAS BEEN REPAIRED AND STILL HAS SOME DAMAGE

METAL SKIRT AND TAPERED WOOD LEGS - 38" X 62" X 30"

WITH WOOD SPLATS - 6 TIMES THE BID

18" X 12" X 28"

10" X 14" X 34"

26" HIGH - WORKS

PAINTED DOORS AND DRAWERS - MARBLE TOP - 57" X 18" X 36"

42" X 18" X 28" - HANDLES ARE MADE FROM COMBINATION WRENCHES

PRINT - FRAMED AND MATTED WITH TABLE TOP EASEL - FRAME MEASURE 15" X 17" - For nearly twenty years, Robert A. Tino has interpreted the landscape of the Great Smoky Mountains with an eye, palette and brush stroke that meshed realism with impressionism. His signature meshing of transparent watercolors and gouache (pronounced "gwash" - a little used opaque technique) evokes the countless moods of this mountain eden. In the late 1990's, Robert integrated oils into his portfolio because of the immediate accessibility of blending that allows him to achieve a different kind of softness. Whether the medium is watercolor or oil, Robert preserves his personal experience of the mountains with each scene in remarkable detail, while exploring his characteristic affinity for flourishes of color, depth, and texture. Since his first limited edition work issued in the early 1980's while still a student at the University of Tennessee, Robert has emerged as one of the most gifted and celebrated artists in the Southeast. Shown in fine art galleries across the South, Robert's work enjoys a devoted following of collectors - one that grows every year with each new release. Many of his earlier works are available only through sales from private collections. Each year Robert releases Limited, Collector's, and Signed Editions of his original paintings from the Robert A. Tino Gallery in the John Denton Home on Sunset View Farm in Sevierville, Tennessee.

SINGLE DRAWER - 39" X 18" X 39"

28" X 16" X 23"

30" X 17" X 36"

TAPESTRY STYLE UPHOLSTERY

46" X 26" X 21"

WITH NEEDLE POINT SEAT

41" X 18" X 30" - LIGHTED

TRIPLE PAINTED DOOR BASE - 3 DRAWERS - GLASS SHELVES - 77" X 20" X 95"

DOUBLE GLASS DOORS - LEADED BEVELED DESIGN AT TOP - 48" X 15" X 59"

58" X 22" X 76"

36" X 21" X 30" - WITH KEY

36" X 21" X 30" - WITH KEY

WATERCOLOR - FRAMED AND MATTED - 8" X 13"

SIGNED AND NUMBERED 138/950 - PRINT - FRAMED AND MATTED - 29" X 38" - For nearly twenty years, Robert A. Tino has interpreted the landscape of the Great Smoky Mountains with an eye, palette and brush stroke that meshed realism with impressionism. His signature meshing of transparent watercolors and gouache (pronounced "gwash" - a little used opaque technique) evokes the countless moods of this mountain eden. In the late 1990's, Robert integrated oils into his portfolio because of the immediate accessibility of blending that allows him to achieve a different kind of softness. Whether the medium is watercolor or oil, Robert preserves his personal experience of the mountains with each scene in remarkable detail, while exploring his characteristic affinity for flourishes of color, depth, and texture. Since his first limited edition work issued in the early 1980's while still a student at the University of Tennessee, Robert has emerged as one of the most gifted and celebrated artists in the Southeast. Shown in fine art galleries across the South, Robert's work enjoys a devoted following of collectors - one that grows every year with each new release. Many of his earlier works are available only through sales from private collections. Each year Robert releases Limited, Collector's, and Signed Editions of his original paintings from the Robert A. Tino Gallery in the John Denton Home on Sunset View Farm in Sevierville, Tennessee.

SIGNED AND NUMBERED 469/950 - PRINT - FRAMED AND MATTED - 31" X 39" - For nearly twenty years, Robert A. Tino has interpreted the landscape of the Great Smoky Mountains with an eye, palette and brush stroke that meshed realism with impressionism. His signature meshing of transparent watercolors and gouache (pronounced "gwash" - a little used opaque technique) evokes the countless moods of this mountain eden. In the late 1990's, Robert integrated oils into his portfolio because of the immediate accessibility of blending that allows him to achieve a different kind of softness. Whether the medium is watercolor or oil, Robert preserves his personal experience of the mountains with each scene in remarkable detail, while exploring his characteristic affinity for flourishes of color, depth, and texture. Since his first limited edition work issued in the early 1980's while still a student at the University of Tennessee, Robert has emerged as one of the most gifted and celebrated artists in the Southeast. Shown in fine art galleries across the South, Robert's work enjoys a devoted following of collectors - one that grows every year with each new release. Many of his earlier works are available only through sales from private collections. Each year Robert releases Limited, Collector's, and Signed Editions of his original paintings from the Robert A. Tino Gallery in the John Denton Home on Sunset View Farm in Sevierville, Tennessee.

SIGNED AND NUMBERED 316/3000 - PRINT - FRAMED AND MATTED - 23" X 29" - Drawing upon her classical, alla prima, and plein air training, Mary Pettis’ work stands on the cutting edge of the International Contemporary Realism movement. Mary has won awards in national and international painting events and exhibitions from New York City to Scottsdale and Maui to Barcelona. In 2017, Mary became the 9th American woman painter to receive the designation ARC Living Master™ (ARCLM™) by the Art Renewal Center. Mary is a Signature Member of the American Impressionist Society (AIS), American Society of Marine Artists (ASMA), and Oil Painters of America (OPA). She is a Board Member for the American Society of Marine Artists and a juror for Art Renewal Center’s 15th and 16th International ARC Salons alongside Fred Ross, B. Eric Rhoads, Dr. Vern Swanson, Joseph McGurl, and Jean Stern. Her art has taken her to the far corners of the world: China, Russia, and much of Europe. She has exhibited widely, including the United Nations in Geneva, Switzerland, and collectors of her work reach across the globe. Mary is recognized as an eloquent and respected speaker, teacher and mentor, teaching in the Upper Midwest, Tuscany, Venice, France, and Hawaii. Early in her career, Mary studied with Hungarian painter Bela Petheo; Richard Lack, at Atelier Lack; and Daniel Graves, who later founded The Florence Academy of Art. In the 1990s, Jim Wilcox introduced her to the “wet-in-wet” plein air approach and she moved her studio outdoors. Over the years she continued her studies with various Masters including Daniel Gerhartz, Zhang Wen Xin, Kevin MacPherson, and Jove Wang.

PRINT - FRAMED AND MATTED - 22" X 32" - Terry Avon Redlin was an American artist popular for painting outdoor themes and wildlife, often pictured in twilight. During the 1990s he was frequently named "America's most popular artist" in annual gallery surveys conducted by U.S. Art magazine. Born: July 11, 1937, Watertown, SD Died: April 24, 2016, Watertown, SD

BY ROSEMARY MILLETTE - SIGNED AND NUMBERED 451/751 - FRAMED AND MATTED - 22" X 28" - Wildlife Artist Rosemary Millette. Rosemary Millette Bio This South Dakota artist has been developing her natural talents and sharpening her skills since she was a young girl. Through her formal education and work as a commercial artist, Millette has learned to approach her work with vivacity and employ rigorous self-discipline. Whether painting elk, pheasants or chickadees, her mastery of skills is apparent. By carefully studying her subject matter, Millette realistically portrays each animal's physical structure and tone. Yet, her paintings offer the viewer more than a photo-realistic representation. The use of light and color, the composition, and the perspective of each complementing background reveal and reinforce the quintessential qualities of the animal. Wildlife artist Rosemary Millette is especially proud of her association with groups striving to preserve and protect wildlife and the natural environment. Rosemary Millette's art work has been selected for over a dozen state conservation stamps and she works closely with Pheasants Forever, the Rocky Mountain Elk Foundation and the Minnesota Deer Hunter's Association. Please check out her complete collection of her wildlife art prints and canvas prints that are for sale as well has Rose Millettes original paintings that are for sale in the pages below. If you cannot find the print that you are looking for please contact us we can find it! Rosemary Millete wildlife art prints for sale.

PRINT ON CANVAS - SIGNED AND NUMBERED 1150/1800 - FRAMED AND MATTED - 27" X 31" - THIS ARTIST IS FROM GALLATIN, TN IN SUMNER COUNTY OUTSIDE OF NASHVILLE.

BY DAVID MAASS - SIGNED AND NUMBERED AND PERSONALIZED 943/1200 - PRINT - FRAMED AND MATTED - 27" X 35" - When David Maass was a young boy, he raised pigeons at his home in Rochester, Minnesota, where he was born on November 27, 1929. He also like to bring home orphaned birds and animals of the few species that easily adapt to city life. But in a state of wildlife artists, a city is not the best place for a boy to develop a keen interest in wildlife. Hunting ran in the family, and his mother, Ora, was a former Minnesota trap-shooting champion. Consequently, his stepfather, "Kelley", took him hunting whenever he could. David Maass started his career without the help of any formal art education, but he was gifted with incredible talent. He was aided by wonderful friends and driven by an exceptionally strong will that helped him become one of the top artists of wildlife art, prints and posters today. In addition to his win in the Duck Stamp contest, Mr. Maass was selected by Ducks Unlimited as Artist of the Year for 1974. He feels that this was the greatest honor that he ever received because the award comes from the vote of more than 700 Ducks Unlimited officers, conservationists, and hunters who know the birds and their habitats well. Unlike many competitions, it is not a contest in which one particular work is chosen as the best. It is an all-encompassing award for outstanding ability in the field of wildlife art, prints and posters.

SIGNED AND NUMBERED PRINT 1881/2800 - FRAMED AND MATTED - 19" X 29"

PRINT - FRAMED AND MATTED - 22" X 28"

23" DIA

PRINT - SIGNED AND NUMBERED 460/950 - FRAMED AND MATTED - 40" X 47"

LIMITED EDITION PRINT - ARTIST SIGNED COLLECTOR EDITION WITH NATIONAL PARK STAMP AND MEDALLION - FRAMED AND MATTED - 21" X 25"

20" X 24"

FRAMED AND MATTED - 12" X 16"

FRAMED AND MATTED - 14" X 18"

PRINT - FRAMED AND MATTED - 15" X 21"

PRINT - FRAMED AND MATTED - 17" X 18"

FRAMED AND MATTED - 12" X 15"

IN BLACK AND WHITE - 12" X 24" X 3"

IN BLACK AND WHITE - 12" X 24" X 3"

IN BLACK AND WHITE - 12" X 24" X 3"

IN BLACK AND WHITE - 12" X 24" X 3"

PROPOSAL FOR WALL SCULPTURES BY JULIE WARREN MARTIN - FRAMED AND MATTED - 21" X 37"

MELROSE PATTERN WITH STORAGE BOX - 93.9 OZ

AND 1 STERLING HANDLED CAKE SERVER - APPROX WEIGHT 92 GRAMS

6 PIECES

BOX

2 PHILLY MINT

9/11, FIRST MAN ON MOON, IWO JIMA

1 SACAGAWEA

KINGSPORT, TN JEWELER

COPIES ONLY

DOLLAR NOTE

CERTIFICATE

ON EACH

FRAMED

FRAMED

FRAMED

PRESENTATION BOX

DOLLAR

LIBERTY 1/2 DIME CULL

HANDLE CHIPPED

PRINT - FRAMED AND MATTED - 18" X 22"

PHOTOGRAPH - UNFRAMED - MATTED ONLY - 16" X 20"

OIL ON CANVAS - FRAMED - 18" X 22"

SIGNED AND NUMBERED PRINT 276/1000 - FRAMED AND MATTED - 19" X 23" - FEATURES CHIEF'S OF THE CHEROKEE NATION

1925 - 39" X 59"

14" X 17"

21" X 25" - ARTIST UNKNOWN

AND MATTED - 19" X 37"

MATTED - 20" X 29"

MATTED - 22" X 30"

34" X 45"

34" X 45"

NUMBERED 58/200 - FRAMED AND MATTED - 44" X 57"

22" X 26"

PRINT - FRAMED AND MATTED - 15" X 19"

PRINT - FRAMED AND MATTED - 15" X 19"

PRINT - FRAMED AND MATTED - 15" X 19"

RICO - 1955 - FRAMED - 30" X 35"

DIAMOND AND STAR PATTERN - 10 TINS - PORCELAIN KNOBS - 40" X 14" X 59"

36" X 19" X 17"

17" X 14" X 34"

38" X 15" X 16" - WILL EXTEND TO APPROX LENGTH OF 75"

TWIN SIZED - PURCHASED FOR STAGING ONLY - NEVER SLEPT ON

DOOR - MISSING ONE DOOR PULL - 60" X 19" X 78"

55" LONG

TREES, SQUIRREL, BIRD AND HUMMEL LIKE DANCING FIGURES - 33" X 18" X 84" - HAS GERMAN CLOCK MOVEMENT

GREENISH/BLACK - CHESTERFIELD STYLE

COLLECTOR'S EDITION PRINT - FRAMED AND MATTED - 18" X 20" - WITH COA

22" X 31"

SIGNED AND NUMBERED 765 OF 2100 - PRINT - FRAMED AND MATTED - 27" X 34"

NUMBERED PRINT 138 OF 950 - FRAMED AND MATTED - 21" X 34"

NUMBERED PRINT 478 OF 950 - FRAMED AND MATTED - 25" X 31"

302 OF 600 - FRAMED AND MATTED - 22" X 29"

42 OF 450 - FRAMED AND MATTED - 27" X 43"

NUMBERED 563 OF 950 - UNFRAMED - 20" X 27"

NUMBERED 564 OF 1200 - UNFRAMED - 20" X 26"

NUMBERED 564 OF 950 - UNFRAMED - 17" X 23"

NUMBERED - ARTIST PROOF 3 OF 30 - UNFRAMED - 17" X 23"

NUMBERED - ARTIST PROOF 3 OF 50 - UNFRAMED - 16" X 24" WITH COA

NUMBERED 564 OF 950 - UNFRAMED - 15"X 23" WITH COA

PRINT 219 OF 810 - UNFRAMED - 19" X 27"

ARTIST PROOF 3 OF 30 - UNFRAMED - 19" X 27"

ARTIST PROOF 3 OF 50 - UNFRAMED - 23" X 30" WITH COA

NUMBERED PRINT 564 OF 950 - UNFRAMED - 23" X 30" WITH COA

STUART PRICE - UNFRAMED - PRINT - 19" X 22"

NUMBERED 484 OF 1000 - UNFRAMED - 14" X 18"

UNFRAMED - 14" X 19" - SOME DAMAGE TO EDGE

UNFRAMED BUT MATTED - 8" X 11"

POINT" FOR BILL AND JULIE MARTIN

BY JULIE WARREN MARTIN

ON HEAD AND FOOT BOARDS - CARVED LEAVES ON HEAD AND FOOT BOARDS - 2 TIMES THE BID

SOME DAMAGE TO VENEER - 72" X 37" X 32"

STRETCHER - UPHOLSTERED SEAT AND BACK - 4 TIMES THE BID

ARTIST SIGNED - FRAMED POSTER - 26" X 38"

39" X 39"

39" X 39" - GLASS CRACKED IN FRAME

"SPECIAL AUDIO UNIT" - TASMANIAN OAK - 22" X 18" X 40" - MADE IN AUSTRALIA

TASMANIAN OAK - 4 SHELVES - 25" X 22" X 61" - MADE IN AUSTRALIA

TASMANIAN OAK - 24" X 24" X 18" - MADE IN AUSTRALIA

TASMANIAN OAK - 53" X 34" X 18" - MADE IN AUSTRALIA

TASMANIAN OAK - HOLDS 80 CDS - 16" X 18" X 29" - MADE IN AUSTRALIA

TASMANIAN OAK - HOLDS 80 CDS - 16" X 18" X 29" - MADE IN AUSTRALIA

LEATHER LOOK

LEATHER LOOK

LEATHER LOOK

79" X 18" X 20" - MADE IN AUSTRALIA

36" X 12" X 72"

22" X 24" X 31"

22" X 24" X 31"

MISSING CENTER DRAWER 60" X 25" X 29"

NUMBERED PRINT 52 OF 1000 - FRAMED AND MATTED WITH COA - 23" X 27"

PRINT - FRAMED AND MATTED - 32" X 42"

PRINT 793 OF 950 - FRAMED AND MATTED - 26" X 32"

37" X 45"

46" X 58"

24" X 24"

FRAMED - 29" X 42"

ISAIAH 32:18 VERSE - FRAMED AND MATTED - 26" X 32"

ARTIST SIGNED - FRAMED AND MATTED - 24" X 29"

SHELLY - PERSONALIZED ON BACK - 18" X 24"

MUSEUM STYLE FRAME - 35" X 47"

685/1500 - FRAMED AND MATTED PRINT - 26" X 31"

SIGNED AND NUMBERED PRINT 231 OF 500 - FRAMED AND MATTED - 21" X 30"

PRINT 249 OF 810 - FRAMED AND MATTED - 20" X 31"

SIGNED AND NUMBERED PRINT 506 OF 950 - FRAMED AND MATTED - 26" X 35"

24" X 33"

24" X 32"

PRINT 01344 - FRAMED AND MATTED - 18" X 24"

FRAMED - 18" X 22"

SIGNED AND NUMBERED PRINT 01419 - FRAMED AND MATTED - 17" X 24"

FRAMED - 18" X 22"

FRAMED AND MATTED - 25" X 32"

1882 WORLD'S FAIR POSTER - FRAMED AND MATTED - 28" X 32"

ARTIST SIGNED PRINT - FRAMED AND MATTED - 28" X 33"

ARTIST SIGNED - FRAMED AND MATTED - 23" X 29"

14" X 25"

14" X 24"

19" X 33"

24" X 34"

FRAMED - 24" X 32"

FRAMED AND MATTED - 22" X 26"

SIGNED AND NUMBERED PRINT 429 OF 999 - FRAMED AND MATTED - 20" X 39"

94 OF 500 - FRAMED AND MATTED - 20" X 29"

SIDE RAILS - SELLER SAYS IT WAS HAND CRAFTED IN SAN FRANCISCO CALIFORNIA

69" X 22" X 80" - SELLER SAYS IT WAS HAND CRAFTED IN SAN FRANCISCO CALIFORNIA

30" X 21" X 26" - SELLER SAYS IT WAS HAND CRAFTED IN SAN FRANCISCO CALIFORNIA - 2 TIMES THE BID

BALLS, BALL RETRIEVER, ETC

MOTOR - WORKS

WORKS

WORKS

16" X 10" X 7"

1 POINT IS BROKEN

ARTIST SIGNED - CAPTAIN JERRY ?

541 OF 2900 - MOUNDED ON WOOD PLAQUE WITH COA

CRANWILL

687 OF 2900 WITH COA

KNOXVILLE CHAPTER DECOY - ARTIST SIGNED CHARLIES JOBES 2017

CHIPS NOTED

LUGGAGE AND SHOT GUNS

BIRD CHIPPED

1990

LONG

HIGH

NUMBERED 446 OF 950 - FRAMED AND MATTED - 29" X 36" WITH COA

BY BUCK MCCAIN - 12" X 12"

BY BUCK MCCAIN - 11" X 16" WITH COA