Hand-painted pair of Coalport porcelain ball-shaped perfume bottles on a brilliant turquoise ground with gilt accents and enameling throughout. Within the two central roundels on each bottle, pastoral scenes of rivers, lakes, castles, and ships. Marked Coalport in forest green to the base. Retailed by Bailey, Banks, and Biddle of Philadelphia. English, late 19th or early 20th C. H.: 10.2 cm (4 in.)

Turquoise cloisonne jardenier with gilt brass detail and mixed nephrie flowers, 20th C. H.: 16" W.: 15" D.: 15"

Possibly for the top of a canopy bed. Italian, 18th / 19th C. H.: 10" W.: 13" D.: 7"

Mexican silver teapot and matching tipping stand with warmer. In a plain bulbous form with wood inserts on the handles. Marked Fabian, Sterling .925, style no. 4095 to the bottom. Mexican, 20th C. H. on tipping stand: 28 cm (11 in.) 1805g in weighable silver

Pair of silver vases in classical form with floral garland handles and etched glass inserts. Marks for St. Petersburg, late 19th or early 20th C, makers Fabergé. Possible silversmith either August or Albert Holmstrom. H.: 38 cm (15 in.) 1766g in weighable silver

Pair of pewter candelabra in the arts and crafts style designed by Archibald Knox for Liberty & Co., model no. 0530. English, circa. 1900. H.: 28 cm (11 in.)

Mid-20th C. H.: 36" W.: 16" D.: 4"

Carved and polychrome painted wood putti holding a multi branch candelabra. H.: 76.5 cm (30 in.) W.: 46 cm (18 in.)

Classical form with neo-classical backs, caned seats with peach upholstered removable cushions. H.: 36" W.: 22" D.: 16"

Heavy glass with faceted details and gilded mounts, probably bronze, in the traditional urn form. Retailed by Shaw Pezzo. 20th C. H.: 33 cm (13 in.) Dia.: 21 cm (8 1/4 in.)

Two bronze and cut glass table decorations in the shape of obelisks with a pointed finial and round base. Retailed by Shaw-Pezzo. Unmarked, 20th C. H.: 54.6 cm (21 1/2 in.)

Bracket clock with a flame mahogany case, brass inlay, and resting on four ball feet. Enamel dial. English, 19th C. H.: 35.5 cm (14 in.) W.: 25.4 cm (10 in.) D.: 17.8 cm (7 in.)

Tea caddy with a tortoiseshell body and two lidded interior compartments. Resting on four ball feet and set with bronze hinges, lock, and applied plaque to the lid. English, 19th C. H.: 12.7 cm (5 in.) L.: 19 cm (7 1/2 in.)

Circular enameled silver dish with scalloped edges, intricate enamel decorative banding and light blue jewelling to the trim. Incorporating polychrome floral and foliate motifs. Impressed with Moscow 84 mark with the Imperial warrant and Cyrillic alphabet mark for Ovchinnikov to the side of the rim edge. By the important maker Ovchinnikov. Russian, 19th C. Dia.: 29 cm (11 1/2 in.)

French or Italian, 19th C. L.: 35" W.: 17"

Alabaster bust of a woman in a 1920s-style turban and loosely draping dress. After the Italian sculptor Guglielmo Pugi. No visible signature. Italian, 19th or early 20th C. H.: 44.5 cm (17 1/2 in.)

Extensive landscapes with figures, architectural ruins, and distant ships. Possibly 18th C 19.5 in. x 27 in. (each)

An English sterling silver mug in a typical reeded barrel style with applied handle. Marks for Newcastle, 1811, maker Thomas Watson. H.: 7 cm (2 3/4 in.) 116g in weight

Rock crystalline base with a semi-precious carved parrot standing on silvered legs, possibly Italian. L.: 11 cm (4 1/4 in.)

Central panel with cranes amongst flowers. Tiered border with floral and geometric patters and exaggerated scalloped rim. Meiji period, 19th C. Dia.: 58.5 cm (23 in.)

George I style, black lacquered two door top with fitted drawers and metal mounts, japanned pagoda and foliate lacquer fronts, heavily carved and gilded base. 19th C or earlier. H.: 67" W.: 45" D.: 26"

Ottoman influenced side table with beautiful layers of floral lacquer and gilt decoration. Moorish style legs. H.: 24" Dia.: 26"

Traditional French wall clock with enamel dial and gitlwood carved frame, 19th / early 20th C, probably Italian. L.: 52 cm (20 1/2 in.) W.: 35 cm (13 3/4 in.)

A large18th century Swedish beaker from the city of Eskiltuna, maker L. Oberg, date letter P. The silver and parcel gilt cup with applied and engraved decorative borders. H.: 18 cm (7 in.) 284g in weighable silver

Hand-painted portrait of the Duke and Duchess of Cumberland after a painting by English painter Thomas Gainsborough (1727–1788). Signed 'Marin' to bottom right-hand corner. Set in a black, ebonized wood frame with a smaller, gilt frame at the centre and a hanging ring at the top. Likely English, 19th C. L.: 15.9 cm (6 1/4 in.) Bidders living outside of Canada are warned to proceed with care before bidding on this lot as it cannot be shipped outside of Canada in most cases. This item contains material that may be protected under CITES (Convention on International Trade in Endangered Species). It is the bidder's sole responsibility to be aware of legal restrictions on export or import of this item before bidding. Inability to ship to desired destination will not be a ground for invalidating a sale.

Hand-painted miniature on natural ground of a lady in early 19th C dress, her head resting pensively on her hand. Set in a gilt bronze frame. Likely French, 18th / 19th C. Dia.: 8.3 cm (3 1/4 in.) Bidders living outside of Canada are warned to proceed with care before bidding on this lot as it cannot be shipped outside of Canada in most cases. This item contains material that may be protected under CITES (Convention on International Trade in Endangered Species). It is the bidder's sole responsibility to be aware of legal restrictions on export or import of this item before bidding. Inability to ship to desired destination will not be a ground for invalidating a sale.

Three engravings, two of architectural sites with portraits and winged angels. Italian, 18th C. Sight dimensions of largest: 17 3/4" x 12 1/4"

Adjustable book slide raised on pedestal support and pad feet. English, late 18th C. H.: 32" W.: 18" D.: 16"

With column supports and long drawer with brass hardware, green marble top. H.: 36" W.: 36 1/2" D.: 13 1/2"

Flip top with burled top and green felt games table interior, shell capped cabriol legs. English, 18th C. H.: 28" W.: 30" D.: 15"

Probably George I gilt gesso shell and scrolling terminal with period mirror. English, 18th C. L.: 31 1/2" W.: 19 1/2"

Nautical or marine-themed tray cased of mixed shells and crustations fitted with a centre bowl capped with and open clamshell, marked Buccellati, Italy .925. Made in Milano Italy, circa 1960 under the leadership of Mario Buccellati. Likely a custom order. L. of platter: 53.3 cm (21 in.) 3400g in weight

Neoclassical design, each a rounded body raised on tripod feet with seahorses. With nautical shell crustations applied to the body. marked Buccellati, Italy .925. Made in Milano Italy, circa 1960 under the leadership of Mario Buccellati. Likely a custom order. H. to finial: 21.6 cm (8 1/2 in.) 2843g in weight

Impressive gilt bronze clock set on a red marble base, the clock case possibly by French bronzier Pierre-Philippe Thomire. A bronze, classically dressed female figure leans against the main frame of the clock, head bent down reading a copy of Homer's Iliad. On top of the clock, a burning oil lamp and a stack of books in gilt bronze. Stamped 'Hemon a Paris' to the movement. French, early 19th C. H.: 72.4 cm (28 1/2 in.) L.: 48.3 cm (19 in.)

Peg form with heavy repousse foliate decoration and lion-topped hinge. Single hallmark to bottom not identified but engraved with several sets of initials and a date of 1794. Norway, 18th C H.: 20 cm (8 in.) 1027g in weight

Large natural carved goblet on raised pedestal with silver mounting and heavy relief carving along the cup and stem. Likely continental European, 17th to 18th C. H.: 25.5 cm (10 in.) Bidders living outside of Canada are warned to proceed with care before bidding on this lot as it cannot be shipped outside of Canada in most cases. This item contains material that may be protected under CITES (Convention on International Trade in Endangered Species). It is the bidder's sole responsibility to be aware of legal restrictions on export or import of this item before bidding. Inability to ship to desired destination will not be a ground for invalidating a sale.

Probably Italian, 19th C. H.: 90 cm (35 1/2 in.) W.: 25.5 cm (10 in.) D.: 21 cm (8 1/4 in.)

The New Wine Oil on canvas Signed bottom right H. 25 1/4" W. 35 3/4"

Large natural carved tankard with elaborately-carved curving handle and hinged lid. On the body, a lively stag hunting scene carved in relief with various lords and ladies on horseback riding through a wooded forest. Likely continental European, 17th to 18th C. H.: 26.7 cm (10 1/2 in.) Bidders living outside of Canada are warned to proceed with care before bidding on this lot as it cannot be shipped outside of Canada in most cases. This item contains material that may be protected under CITES (Convention on International Trade in Endangered Species). It is the bidder's sole responsibility to be aware of legal restrictions on export or import of this item before bidding. Inability to ship to desired destination will not be a ground for invalidating a sale.

Large German silver tray with two crests at the centre surrounded by scrolling foliate designs and a raised boarded with acanthus leaves. Marks for E. Schurmann & Co., Frankfurt, late 19th century. L.: 61 cm (24 in.) W.: 47 cm (18 1/2 in.) 3761g in weighable silver

Pair of natural carved figures, both in a classical form with their arms extended to the sky, one holding a serpent and the other an animal's paw. Possibly part of a series depicting the Labours of Hercules, namely the slaying of the Lernaean Hydra and the Nemean lion. European, 17th C. H.: 44.5 cm (17 1/2 in.) Bidders living outside of Canada are warned to proceed with care before bidding on this lot as it cannot be shipped outside of Canada in most cases. This item contains material that may be protected under CITES (Convention on International Trade in Endangered Species). It is the bidder's sole responsibility to be aware of legal restrictions on export or import of this item before bidding. Inability to ship to desired destination will not be a ground for invalidating a sale.

Five drawers above three lower graduated drawers with brass hardware on bracket feet. English, 18th C. H.: 73 1/2'' W.: 40'' D.: 20 1/2''

Large neo-classical architectural mirror with scalloped pediment and period brass candle holders. English, early 18th C. L.: 74" W.: 36"

Black painted armchairs with openwork gilt accented back, caned seats with upholstered cushions. English, early 20th C in the earlier form. H.: 33" W.: 13" D.: 16 1/2"

Mustard-coloured ground with blue and black details in an overall tight geometric pattern. Mid-20th C. 11' x 7' 8"

In the manner of Clodion; Bacchanalian theme with putti in allegorical settings with the harvest, books and urns. Possibly French, late 18th C. L. of plaque: 14.3 cm (5 5/8 in.) Bidders living outside of Canada are warned to proceed with care before bidding on this lot as it cannot be shipped outside of Canada in most cases. This item contains material that may be protected under CITES (Convention on International Trade in Endangered Species). It is the bidder's sole responsibility to be aware of legal restrictions on export or import of this item before bidding. Inability to ship to desired destination will not be a ground for invalidating a sale.

A French cut glass sugar basin mounted in silver (950) standard. The two-handled basin with removable lid in the Empire style. French, 19th C. L.: 25 cm (9 7/8 in.)

Later copy of "The Incredulity of Saint Thomas" Oil on canvas Probably 18th / 19th C H. 42 1/4" W. 56"

Turquoise ground with geometric overall pattern and panels of dragon and phoenix, mythical beast bronze handles, probably Chinese. H. 62.2 cm (24 in.)

H.: 73 cm (28 3/4 in.) W.: 29 cm (11 1/2 in.) D.: 18 cm (7 in.)

Pair of Graux-marly Frères gilt and patinated bronze chenets. On the elaborate, baroque-style base sits a jaguar with a serpent in its mouth. Stamped Graux-marly Frères Paris to the corner. French, 19th C. H.: 35.6 cm (14 in.) L.: 34.3 cm (13 1/2 in.)

Imari charger on a mounted gilt bronze base with three dragons and mythical beasts curving along the legs. Likely French, 19th C. Dia.: 32 cm (12 1/2 in.) H.: 26.6 cm (10 1/2 in.)

Transitional three drawer chest with parquetry inlay top drawer and bronze hardware, mixed marble top, 19th C. H.: 33" W.: 40" D.: 19"

Pair of Maison Baguès style wall sconces with gilt iron frame and cut glass settings. Main body in the shape of a cut glass parrot sitting atop a classical-style urn with two twisting branches forming the candleholders in the Hollywood Regency style. Likely French, 20th C. H. from base to end of candlestick: 38.1 cm (15 in.) W. at widest: 30.5 cm (12 in.)

Parquetry scalloped apron, bronze capped cabriole legs. H.: 27.5'' W.: 24'' D.: 16.5''

H.: 17 1/3" W.: 14 1/8" D.: 6 1/8"

Portrait of a Young Woman in Green Ribbon Oil on Canvas W.: 32 cm H.: 37 cm

H.:14" W.: "4" D.: 9"

H.: 31'' W.: 6'' D.: 4''

Caned backs and seats, each with a classically painted roundelle. H.: 33" W.: 19.5" D.: 21"

White ground, copper base, polychrome hand-painted enameled bottle vases, with repetitive auspicious animal motifs on the enamel and geometric foliage patterns around. Chinese, 20th century. H.: 57 cm (22 1/2 in.)

Yellow ground with gilt accents, snake handles. H.: 30'' W.: 13'' D.: 9''

H.: 43" W.: 47" D.: 16"

Jaeger LeCoultre Atmos mantle clock in a bronze squared frame with glass inserts along the body. Swiss, 20th C. H.: 24 cm (9 1/2 in.) W.: 19 cm (7 1/2 in.) D.: 14 cm (5 1/2 in.)

Heavily carved details, turned legs and supports. H.: 47 1/2" W.: 22 1/2" D.: 21 1/2"

H.: 6 1/2'' W.: 16'' D.: 11''

Of Two Children in a chair Oil on Canvas W.: 27 1/4" H.: 32 1/4"

An oval fall landscape painting fitted in an Italianate giltwood and black painted frame. 35 1/2" x 27 1/2"

Marquetry inlay with bronze mounts and variegated marble top. French, late 19th or early 20th C. H.: 36 3/4" W.: 43" D.: 21 1/2"

Group of four natural carved female figures representing an allegory of the four seasons, with autumn, winter, spring, and summer each holding the icons of their season. Likely French or English, 19th C. H.: 21.6 cm (8 1/2 in.) Bidders living outside of Canada are warned to proceed with care before bidding on this lot as it cannot be shipped outside of Canada in most cases. This item contains material that may be protected under CITES (Convention on International Trade in Endangered Species). It is the bidder's sole responsibility to be aware of legal restrictions on export or import of this item before bidding. Inability to ship to desired destination will not be a ground for invalidating a sale.

Louis XVI form with lyre backs accented in gilding, tufted raised mohair upholstered seats. H.: 33" W.: 13" D.: 16 1/2"

Glass epergne in the millefiori style with three trumpet-shaped bells suspended above a bowl with crimped edges. Possibly from the Fratelli Toso workshop. Date stamped 1852 in one of the millefiori canes. Italian, 19th C. H.: 38 cm (15 in.) Dia.: 31.8 cm (12 1/2 in.)

Table clock with orange marble base and two pillars supporting the clock face. One bronze eagle perched on the top of the face and another on the swinging pendulum. French, 19th C. H.: 40.6 cm (16 in.)

Silver goblet with an ornate, Baroque-style stem and engraved Latin dedication to the side of the cup. Latin translated to the following: "To the most venerable man, Friedrich Gerhaus Justus Gunther Voss, the holy ancestor of the Badbergians, the most approved of the liberal theology, the most loving friend, the most sincere and the dearest. They wanted this cup to be a testimony of the pious spirit of the city and the dioceses of Osnabrugh. Congratulations from the bottom of my heart on January 10, 1869." Hallmarks worn and difficult to read, likely German, 19th C. H.: 24.1 cm (9 1/2 in.) 243g of weighable silver

A late 19th century double lipped sauce boat on stand in the French Baroque revival style. Made in Vienna, the boat has heavy cast applied handles and boarders. Austrian, 19th C. H.: 13.5 cm (5 1/3 in.) 1035g in weight

Louis XVI gold and white painted carved wood frame with yellow silk brocade upholstery, minor loss. H.: 34" W.: 26 1/2" D.: 22"

X-form long seat with Greek-key carved apron, gilt accented column tops and silk striped upholstery. H.: 18" W.: 41 1/2" D.: 23"

Wood framed settee with pink and turquoise upholstery. H.: 34'' W.: 26 1/2'' D.: 66 1/2''

Chinoiserie chest with two door front painted in gilt pagoda and landscape decoration, three drawer interior on stand. H.: 43" W.: 24 1/2" D.: 12 1/4"

Rococo form with scrolling frame and crown, 18th / 19th C. H.: 61'' W.: 40''

H.: 44" Dia.: 28"

Mixed mahogany and oak case with shell inlay, brass dial with marks for the maker D. Bell, Ayr. H.: 91 1/2" W.: 19" D.: 9"

Four piece silver tea set. Victorian English silver coffee pot, tea pot, and open sugar bowl retailed by Lambert & Rawlings, early 1850s. English pieces engraved with a dedication reading: 'Presented to The Revd. L. Linton October 1st, 1856, by his parishioners and hearers, in token of their esteem and regret of his resigning the Vicarage of Diddington after a faithful ministry of 29 years.' The creamer in American silver marked 'S. Kirk & Son' to the base. Also with an inscription reading: 'Presented to Capt. Jacob G. Davies, late Mayor of Baltimore by the Officers of the City (?). Is a tribute of respect, confidence, and friendship. AD 1848' H. of coffee pot: 25.4 cm (10 in.) 2585g in weighable silver

Polish five-candle menorah with squared arms and pedestal base in .800 grade silver. Polish, late 18th or 19th C. H.: 63.5 cm (25 in.) 1483g in weighable silver

Gilt metal base and arm with interior landscape painted textured glass shade by Handel, early 20th C. H.: 14" W.: 10" D.: 8"

Patinated bronze base and elongated arm with interior painted shade with stylized Arts & Crafts painting., early 20th C. H.: 14" W.: 10" D.: 8"

A Canadian Arts & Crafts style oval shaped brass tray by Paul Beau & Co, Montreal, with two cast handles. Marked to underside Paul Beau & Co. Montreal. L.: 61.2 cm (24 1/8 in.)

Yellow ground vase, with green and brown enamel on the motifs, depicting three qilin images, spraying out the fire, among the auspicious clouds and above the waves. H. 27.3 cm (10 3/4 in.)

Made and exported from Hong Kong, molded as a pair of foo lions, in three-dimentional body feature details, holding the ball standing atop the ceramic entirely-molded multiple-layer stand. H.: 31 cm (12 1/4 in.) From a Toronto private collection.

American art nouveau silver serving tray with a gently rippling rim surrounded by large blooming flowers. Resting on four small foliate feet. Scrolling monogram to the centre. Gorham pattern number A3546M, possibly 1902. American, 20th C. L.: 51 cm (20 in.) 1672g of weighable silver

Hand-painted Minton plaque of a hunter in the woods looking off into the distance. Painted in a Pre-Raphaelite style. Unsigned, impressed 'Minton Stone China Works' mark to verso. English, late 19th C. H.: 61 cm (24 in)

Twelve Victorian hand-painted Minton cabinet plates in a earthen-toned majolica style with portraits of various historical figures to the centre of each. Signed 'A.D.N.A.' to the back of each. Stamped Minton to the base of each. English, c. 1880s. Dia.: 21 cm (8 1/4 in.)

Celtic motif carved hardwood grip and sheath accented with silver mounts and cobalt blue enamel with additional gold mounts. The sheath and grip accented with eleven garnets and six small sapphires. The pommel baring an exceptional 30ct sapphire. Maker's mark W.M, Edinburgh, date mark 1885. Hardened steel blade, unmarked. The gold on the pommel has been tested at approximately 22k. See attached appraisal for reference. L.: 48.5 cm (19 1/4 in.)

Fine silver sculpture of Robbie Burns. The poet is depicted in a swallow tail coat holding a book in his left hand. Stevenson did several versions of Burns many of them life size in bronze. Marks for Edinburgh, 1895, by the well known Scottish sculptor, William Grant Stevens on R.S.A.. H.: 17 cm (6 5/8 in.) 327g in weighable silver

A small possibly Yew turned wood cup with banded silver top and bottom rim and strap handle. The handle bearing two owners initials 'AF & 'IF'. Possibly Scottish late 17th / early 18th C H.: 4.5 cm (1 3/4 in.)

Marked to the underside of the loop handle, no date letter. Marks for Glasgow, ca. 1770, maker Robert Gray. L.: 16 cm (6 1/4 in.) 100g in weight

Of early form and constructied of walnut or laburnam wood segments. Makers' mark struck twice on each side of silver rim 'EC'. No dates or owner's initials engraved to silver. Possibly late 17th or early 18th C. W. of handles: 27.3 cm (10 3/4 in.)

This quaich is of typical form in a diminutive size. The body engraved to resemble a wooden example the hollow handles engraved with monograms, unmarked. L.: 10.2 cm (4 in.) 27g of weighable silver

Scottish silver snuff mull with a cut glass body and hinged silver lid. Inscription to rim of lid reads: 'To Mr. William Orr, Calenderer Glasgow.' No visible silver marks. Scottish, likely 18th or 19th C. L.: 9.5 cm (3 3/4 in.)

Made from one piece of wood with chip carved geometric decoration. Mounted with two silver shield plaques, one with a Horse and one with a Crown family emblem. 18th/19th C H.: 8.5 cm (3 1/4 in.)

Hand-carved one-handled quaich with thistle motif along the cup and a boar-shaped handle. Rich dark-brown wood shows natural signs of age. Scottish, likely 18th or 19th C. L.: 12.7 cm (5 in.)

Scottish snuff mull with hinged silver lid and agate inlay. Ram's horn body in an exaggerated spiral form. No visible silver marks. Scottish, likely 19th C. Dia.: 15.8 cm (6 1/4 in.)

Scottish carved snuff mull in the shape of a bear with its mouth open and tongue lolling out. Wide, abalone inset eyes. Hinged silver lid with thistle motif and nameplate for 'J. Laurie' on the lid. No visible silver marks. Scottish, 18th or 19th C. L.: 7.6 cm (3 in.)

Carved Scottish snuff mull with a ram's horn body and hinged silver lid set with amethyst top. Tip of the mull carved into the form of a creature, possibly a bear. Silver marks on the lip of the lid attributed to Adam Burgess, Dumfries, circa. 1840. Scottish, 19th C. L.: 10.8 cm (4 1/4 in.)

Scottish snuff mull with a curling ram's horn body and silver hinged lid monogrammed with the initials 'J.S.'. Inlaid silver plaque on the body engraved with the crest of the Freemasons and the message 'Present from R.P.' on the lip of the lid. No visible silver marks. Scottish, likely 18th or 19th C. L.: 15.2 cm (6 in.)

Carved Scottish ram's horn snuff mull in the shape of a dragon with hinged silver lid. No visible silver marks. Scottish, likely 18th or 19th C. L.: 13.9 cm (5 1/2 in.)

Snuff mull with curling ram's horn body and hinged silver lid with engraved thistle motif. Applied plaque to the body of the mull is monogrammed with the initials 'J.F.'. Silver mark on the lip of the mull attributed to John Argo, Banff, circa. 1790. Scottish, 18th C. L.: 8.3 cm (3 1/4 in.)

Two Scottish snuff mulls with curling ram's horn bodies and hinged silver lids. One monogrammed with 'D.B.' and the other with 'J.F.' in period script. No visible silver marks. Scottish, likely late 18th or 19th C. L. of largest: 8.9 cm (3 1/2 in.)

An 18th century Scottish Provincial silver snuff box with hinged flap lid and decorative foliate engraving across the body. Crest of arms of the Wallace clan engraved to top along with the motto 'ESPERANCE'. Unmarked. H.: 5.5 cm (2 in.) 76g of weighable silver

A small Scottish sterling silver quaich. In a typical two handled form with cast and applied figures of St. Andrew to each of the handles. Presentation inscription on the side. Marks for Edinburgh, 1891, makers Robert and Henry Bruce Kirkwood. W. across handles: 13.5 cm (5 1/3 in.) 115g in weighable silver

A 18th century sterling silver mustard pot. The cylindrical body has pierced panels in a gothic style. Marks for Dumfries, circa 1775, makers Archibald & James Dalziel. H.: 6 cm (2 1/3 in.) 89g in weight

In a traditional Georgian form with silver finial, wood handle, and raised on four ball feet. Marks for Dumfries, circa. 1794-1817, maker Joseph Pearson. L.: 30 cm (11 3/4 in.) 621g in total weight (including wood handle)

Hand-painted porcelain plate with elaborate neoclassical style gilding along the rims and face of the plate. Possibly depicted at the centre is a scene from Roman mythology, where the usurper King Amulius demands his neice, Rhea Silvia, mother of Romulus and Remus, to tend the sacred fire of Vesta. Unmarked. Likely English, 19th C. L.: 22.2 cm (8 3/4 in.)

Hand-painted Chamberlain Worcester cabinet plate on a peach-coloured ground with gilding around the rim and a plaque to the centre illustrating a scene from Act III, scene 4 in Shakespeare's Richard II. Lines from the scene are hand-written on the back of the plate in red underglaze: "Queen: Thou old Adam’s likeness, set to dress this garden / How dares thy harsh rude tongue sound this unpleasing news?" Chamberlain Worcester mark to the bottom. English, early 19th C. Dia.: 21 cm (8 1/4 in.)

Hand-painted bowl on a cream-coloured ground with gilding around the rim and foot. The busts of two Roman Emperors to the central roundels on either side of the bowl. Unmarked, likely 19th C. Dia.: 15.2 cm (6 in.) H.: 7.6 cm (3 in.)

Pair of hand-painted Derby cabinet plates on cream ground with heavy gilding around the rim in various decorative foliate patterns. Pastoral scenes illustrating rivers, forests, and overgrown ruins to the centre of each. Inscriptions on the back of each read 'Near Tintern Abbey' and the other 'Near Geneva' in rust-coloured underglaze to the back. Derby mark with crossed batons to back. English, early 19th C. Dia.: 22.9 cm (9 in.)

Three hand-painted Derby cabinet plates on a yellow ground with various nautical motifs in gold and silver enameling throughout. To the centre roundels, various views from the prow of a ship, the mast and sail billowing in the wind. Signed 'J Rouse' to the lower left hand corner of the roundel. Derby marks with interlocking Ds and retailers' marks for Burley & Tyrell Chicago and Tiffany & Co. New York to the underside.. English, late 19th C. Dia.: 23 cm (9 in.)

Hand-painted miniature cachepot on periwinkle ground with gilding along the rims, foot, and body. In the central roundel, a bucolic scene of Goodrich Castle on the River Wye. Signed in rust-coloured ink to the bottom reading 'Flight, Barr & Barr. Royal Porcelain Works, Worcester. London House, 1 Coventry St.' English, early 19th C. H.: 7 cm (2 3/4 in.)

Hand-painted near-pair of Bloor Derby cabinet plates on cobalt blue ground with decorative foliate gilding along the rims. To the centre of each, hand-painted landscapes, one with the inscription 'Bay of Salerno' and the other 'Howden Yorkshire'. Bloor Derby mark with crown in rust to the bottom. English, early to mid 19th C. L. of largest: 29.2 cm (11 1/2 in.)

In the manner of Lowestoft with hand-painted floral sprays, gilding, and Chinese decorative motifs throughout. English coat of arms to the side accompanied by the Latin motto "Abstulit Qui Dedit" ("He who gave, took it away"). Probably Samson, early 20th C. Dia.: 29.2 cm (11 1/2 in.) H.: 11.4 cm (4 1/2 in.)

Six small knife rests in a rectangular form resting on four small, curved feet. Interesting silver marks in the square lozenges on the back with initials 'GF' and 'IW' along with the hand-etched monogram 'VT' on each. Unidentified, possibly 18th or early 19th C. Length: 6.4 cm (2 1/2 in.) 75g in weighable silver

An English Victorian sterling silver gilt beaker. The heavy gauge beaker has an engraved band of decoration and an elaborate initial. Likely from a travelling set. Marks for London, 1845, maker Rawlings & Summers. H.: 9.2 cm (3 2/3 in.) 151g in weighable silver

A set of six Turkish silver cups each marked with the Tourgha mark. Each cup is also engraved with two English crests under a coronet. Turkish, 19th or early 20th C. H.: 5.5 cm (2 1/8 in.) 214g of weighable silver

Silver egg cup holder with four individual egg cups, all marked with an engraved coat of arms to the centre of each cup. The stand rests upon four rounded feet and features foliate engraved designs around the neck. Both egg stand and four egg cups are marked London, Edward, Edward junior, John & William Barnard, 1840. Together with four silver rattail spoons marked Sheffield, Cooper Brothers & Sons Ltd., 1914-15. Monogram to back of handle reads 'C.H.G.C.' H. of egg stand: 19 cm (7 1/2 in.) 516g of weighable silver

Silver condiment set with two pairs of salt and pepper shakers and four salt cellars with cobalt glass linings and matching salt spoons. In a fitted period case with black velvet and cream silk lining with marks for the jeweller A. Russel in Glasgow. Marks on silver for Birmingham, 1919, makers Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd. H. of shaker: 7.6 cm (3 in.) 208g in weighable silver

Three silver brandy warmers, each with accompanying chargers. Two with marks for Frank M. Whiting Company and one with marks for F.B. Rogers Silver Co.. All three with turned wood handles. American, 19th or early 20th C. Dia. of brandy warmer bowl: 10.2 cm (4 in.) 413g in total weight (including wood handles)

A heavy gauge silver cream jug. In a typical western form with applied bamboo handle an cast floral elements. Marks for Shanghai, c. 1900, maker Cheong Shing. H.: 6.5 cm (2 1/2 in.) 186g in weight

Silver vodka set with one ewer, five small cups, and one serving tray. With delicate engravings showing various geometric patterns and botanical themes. Ewer and five cups marked Moscow, early 20th C, maker Pyetr Baskov. Tray marked Moscow, early 20th C, maker likely Vasily Saveliev. H. of decanter: 23.5 cm (9 1/4 in.) 687g of weighable silver.

Period German guild tankard adorned with carved four shield-bearing lions and a central carved plaque. The lion at the finial holding a shield engraved with the emblem of the German butchers' guild and the three lions at the feet each holding a shield engraved with crossed axes. The central plaque listing the various guild officers together with a short German inscription above an engraved cow and the date "1683". Maker’s mark for Johann Christoph Normann stamped on the handle. Similar examples housed at both The Metropolitan Museum in New York and The Victoria and Albert Museum in London. German, 17th C with later additions. H.: 58 cm (23 in.)

Two Works: Dead Game Oil on canvas Measurements (both) H. 9" W. 7"

H.: 22" W.: 26" D.: 26"

Fitted with two drawers and lion mask pulls. H.: 30'' W.: 56 3/4'' D.: 27''

A pair of five branch, six light gilt bronze candelabras, accented with masks, swags, and bust of puttis. Stood on alabaster base. Likely French, 20th C. H. to central light: 55.8 cm (22 in.)

Chandelier -- H.: 23" W.: 18" D.: 18"

Fruitwood circular tables with marble tops and brass galleries. H.: 29" W.: 24.5" D.: 24.5"

H.: 52 1/2'' W.: 28''

Louis XV style carved and gilded with scrolling cabriole legs, x-form stretcher terminating in a decorative urn, white marble top. French, 19th C. H.: 31'' W.: 43'' D.: 31''

After Tiffany Studios's 1900s Pond Lily table lamp. H.: 26" W.: 22" D.: 22"

River at Dedham Oil on canvas Signed bottom left H. 20" W. 24"

Neo-classical silver tops with scrolling band and acorn finial, cut glass bases by Wilkens. German, 19th C. H.: 30.5 cm (12 in.)

H.: 36 1/2" W.: 23" D.: 20"

Beautifully carved frame with scrolling element enhanced with a mirrored back. French, 18th / 19th C. H.: 55" W.: 35"

Traditional form with fold down sides, probably 18th / early 19th C. H.: 29 1/2" W.: 63" D.: 52"

In the style of Tiffany Studios and marked accordingly, 20th C. H.: 27" W.: 21" D.: 21" Please note the wiring is not present

Riverside Farm Oil on canvas Signed bottom right H. 16" W. 24"

Triple-glazed doors with central drop down secretaire desk, crack to one pane. H.: 94 1/2" W.: 66" D.: 22"

H.: 32" W.: 21" D.: 21"

Victorian silver coffee pot in baluster form with foliate designs throughout and a curving handle with natural inserts. Marks for London, 1841, makers William Bateman & Daniel Ball. H.: 24 cm (9 1/2 in.) 833g in weighable silver

H.: 30'' W.: 8'' D.: 7''

Caned back with striped upholstered seat. H.: 38" W.: 20 1/2" D.: 27"

Textured upholstered seat. H.: 38" W.: 25" D.: 24"

H.: 22" W.: 13" D.: 13"

Art Nouveau silver top with scrolling flowers and bow, engraved initials in the central roundel, diamond cut body. German, 19th C. H.: 30.5 cm (12 in.)

9' x 5'11"

Cream ground with a border in dusty rose and green. 13'9" x 9'10"

With arrow and medallion roundel detail. French, 20th C. L.: 19 1/2" W.: 9 1/2"

H.: 32" W.: 17"

Folded -- H.: 30" W.: 25" D.: 48" Unfolded -- H.: 30" W.: 120" D.: 48" (3 parts)

With green leather seats and studded detail. H.: 38" W.: 22" D.: 20"

H.: 31" W.: 4.5" D.: 4.5"

Eleven mixed coloured and cut hock glasses of varying sizes and colours, each with distinct cut glass decoration to the body. Probably French or Bohemian, 20th C. H.: 20.3 cm (8 in.)

Ebonized oak body with silvered dial and chimes. H.: 15" W.: 10.5" D.: 7.5"

Mahogany case with flanking columns and brass details, silvered dial and chimes. H.: 14" W.: 11" D.: 7"

Twenty-six pieces of Rockingham porcealin, mainly serving pieces. Including four square plates, eighteen side plates, and four oval serving platters. English, 19th C. L. of square plate: 24 cm (9 1/2 in.)

Fifty-one pieces of Minton ironstone dinnerware in a floral pattern with blue, red, green, and gold designs throughout. Including fourteen shallow bowls, eighteen dinner plates, thirteen side plates, two serving platters, two covered vegetable tureens, and one large covered tureen with saucer. English, 19th C. H. of large tureen: 31.8 cm (12 1/2 in.) Dia. of tureen saucer: 38.1 cm (15 in.)

Interior with Peasants Smoking Oil on panel Signed and dated "van Ostade 1669" bottom right corner H. 6 3/4" W. 5 7/8"

Interior with Figures Oil on canvas H. 10" W. 8 3/4"

Small three-piece bachelor's tea set, including one small teapot with flared base and curving spout, one creamer, and an open sugar bowl. Chilean, 20th C. H. of teapot: 10.8 cm (4 1/4 in.) 430g of weighable silver

Carved 'Pinsons' glass bowl with repeated finches along the body. Signed Lalique France to base. French, 20th C. Dia.: 23.5 cm (9 1/4 in.)

Thick-walled green glass centrepiece in the early American Stiegel style with etching and minor bubbling throughout. The central etching depicting a ship with two oarsmen in exaggerated hats. Possibly American, 18th or early 19th C. L.: 37.5 cm (14 3/4 in. ) H.: 13.3 cm (5 1/4 in.)

A limited edition large glass sculptured charge with layers of clear glass leaves. Comes with fitted wood case. H.: 61 cm (24 in.)

Signed 'Lalique France' to the bottom. Mixed sizes. French, 20th C. H. of tallest: 13.3 cm (5 1/4 in.)

Soft sided suitcases with rounded edges, leather corners and strap details. L.: 31" W.: 21" D.: 9 1/2"

Large soft sided suitcase with rounded edges and leather trim, and a soft sided wardrobe bag. L.: 36" W.: 23 1/2" D.: 11"

H.: 37" W.: 18 1/2" D.: 20"

Chestnut log chairs ca. 1905 from the Onondaga Shops. Original rope webbing with fitted removable orange leather cushions. H.: 40 1/2" W.: 28" D.: 24"

Quarter sawn oak small chairs, model #324

Savonarola style with lion side supports. 60cm (W) x 85cm (H) x 56cm (D)

Double door fronts with shelved interior. mid 20th C.

Dark brown rattan rounded back lounge chair and matching ottoman with upholstered cushions.

With metal and glazed front panels. Original labels for The Globe-Wernicke Co. Ltd., Stratford, ON. H.: 53" W.: 34" D.: 12 1/4"

Original labels for The Globe-Wernicke Co. Ltd., Stratford, ON. H.: 57 1/2" W.: 34" D.: 10"

Original labels for The Globe-Wernicke Co. Ltd., Stratford, ON. H.: 59 1/2" W.: 34" D.: 11 1/2"

Dog carrier in traditional monogram logo canvas with leather trim. Measurements: 19.75x13x9" 7" handle drop

Dog carrier in traditional monogram logo canvas with leather trim. Measurements: 19.75x13x9" 7" handle drop

W:96 cm H:56 cm D:6.5 cm

Monogram canvas with leather tim. Some damage noted near the plastic and zipper closures. See photos.

Yellow ground porcelain bulbous bottle with raised gilt decoration. Retailed by Bailey Banks & Biddle, Philadelphia, produced in England. English, 19th C. H.: 13.5 cm (5 3/8 in.)

Hand-painted Worcester porcelain bud vase in baluster form with a pastel-coloured body and gilded rims. On the body, a trio of shaggy highland cows stand grazing in a glen amidst a copse of grass. Signed 'J. Stinton' to the bottom left of the cows. Worcester mark in puce to the underside, date marks for 1929. English, 20th C. H.: 11.4 cm (4 1/2 in.)

Hand-painted Worcester porcelain lidded vase in baluster form with a pastel-coloured body and gilded rims. Topped with a gilded, pierced porcelain lid with decorative foliate finial. On the body, a pair of shaggy highland cows stand grazing in a glen amidst a copse of grass. Signed 'J. Stinton' to the bottom left of the cows. Worcester mark in black to the underside, date marks for 1927. English, 20th C. H.: 24 cm (9 1/2 in.)

Blush ground decorated with purple anemone, gilded sprays and moulded acanthus neck. English, late 19th C. H.: 26.7 cm (10 1/2 in.)

Hand-painted Minton cabinet plate on white ground with turquoise accents and gilding throughout. Various painted butterflies in the niches along the rim of the plate and a castle scene at the centre surrounded by a Greek key border. Stamped 'Minton' to the underside. English, 19th C. Dia.: 24.1 cm (9 1/2 in.)

Four Aynsley tea cups with matching saucers in various styles and colours. All four featuring peaches, plums, and various other foliate motifs with gilding around the rims and handles. Two with light turquoise grounds and the other two with red and gold grounds respectively. English, 20th C. Dia. of largest teacup: 10.2 cm (4 in.) Dia of largest saucer: 15.2 cm (6 in.)

Group of four Royal Worcester porcelain pieces, including one short vase, two bud vases in varying sizes, and one small pitcher. Each with hand-painting on the bodies depicting various foliate themes and gilding along the rims. Three of the four pieces marked either 'Hadley's Worcester' or 'Hadleyware' and the fourth marked Royal Worcester in puce. English, various dates 20th C. H. of tallest: 20.3 cm (8 in.)

White ground German porcelain tureen with hand-painted decoration of figural groups en plein air and floral bouquets with gilded accents. The base with gilt bronze mounts. Lid with space for ladle, not present. Crossed sword marks to the base. German, 19th C. L.: 18.5 cm (7 1/4 in.)

Two porcelain sauceboats, one Meissen on white ground with hand-painted flower sprays and gilding throughout. Another Dresden on turquoise ground with various hand-painted tableaus, floral bouquets, and gilding across the body. Meissen sauceboat attached to saucer and Dresden sauceboat accompanied by unattached saucer and lid with floral finial. German, 18th and 19th C. L. of largest: 26.7 cm (10 1/2 in.)

Four piece Victorian silver tea set with elaborate foliate engraving around the bodies and a greyhound emblem to the centre of each piece. Including one coffee pot, one tea pot, one open sugar bowl, and one creamer. Marks for London, 1871, maker Joseph Angell II. H. of coffee pot: 23.5 cm (9 1/4 in.) 2175g in weighable silver (including natural insert handles)

Two silver salt dishes with salt spoons. One English with various chased foliate details around the body and the other Irish with three small lions' heads above three claw feet. Both sets of marks worn and difficult to read. British and Irish, 19th C. Dia. of largest: 7.6 cm (3 in.) H. of largest: 3.8 cm (1 1/2 in.) 147g in weighable silver

An English sterling silver mustard pot. The cylindrical pot with pierced decoration, chased floral swags, a cobalt glass liner and later silver spoon. Marks for London, 1800. Makers' mark poorly struck. H.: 5.5 cm (2 1/8 in.) 128g in weight

Oval form with bright cut decoration, elongated spout, ebonized handle and finial. Marks for London, 1796, makers Robert Hennell I & David Hennell II. W.: 29 cm (11 3/4 in.)

A 19th century sterling silver salver with a heavy cast border and feet. The central area is flat chased with an inscription in the centre including the date December 3rd, 1832. Marks for Glasgow, 1832, maker Andrew Allison. Dia.: 29 cm (11 1/2 in.) 861g in weight

Large Mexican silver water pitcher with a round, full-figured body and gently curving spout and handle. Marked 'MY' and 925 to base. Mexican, 20th C. H.: 26 cm (10 1/4 in.) 764g of weighable silver

Possibly a Scottish provincial two-handled porringer. The lid and body are unmarked but bear a crest and inscription reading "Jane Anna Glen to Glen & Jane Duprey". Despite being unmarked, the porringer shows considerable signs of age. L.: 17 cm (6 3/4 in.) 378g in weight

A Scottish 18th century sterling silver salver. The salver has a Chippendale border, the centre with flat chased highlights on three pad feet. Marks for Edinburgh, 1742, assay master Edward Lothian. Dia.: 23 cm. (9 in.) 426g in weight

Floral Still Life Watercolour Signed upper right 6 3/4" x 5 3/4"

Still life Oil on board Signed bottom right H. 20" W. 12"

Amherst Island, 1881 Watercolour Signed bottom left Measurements (sight) H. 9 1/2" W. 13 1/4"

Near Newquay, North Coast of Cornwall Watercolour on board Signed lower left H. 22" W. 28 3/4" Provenance: Sloans & Kenyon Auctions (Washington, D.C.)

Oil on board Signed bottom right Measurements (sight) H. 11 1/2" W. 9"

Landscape with Cattle Grazing with Distant Castle Watercolour laid to support Signed and dated 1848 lower right Size: 9.5 x 15 in.

Woodland pastures Oil on canvas Signed bottom right H.: 18 1/4" W.: 26"

Shepherds with animals Oil on canvas H. 26 1/2" W. 33"

Landscape with figures Oil on board Signed "Dixon" bottom left, possibly Charles Edward Dixon (British 1872-1934) H. 9 3/4" W. 15"

Landscape Oil on canvas Signed bottom left H. 25" W. 29 1/2"

In chipwood carved frame. W.: 17 1/3" H.: 21 1/4"

Two paintings: View of the ... near Milnthorpe (Titled indistinctly) Signature J.C. Hook to stretcher partially covered by label Oil on canvas Size: 12 x 16 in. Angling boats... Oystermouth (Titled indistinctly) Oil on canvas Size: 12 x 16 in. Note: Partial old type written labels along stop stretcher along with old typed label on the middle stretcher bar; old ward price sticker to frame, verso; each with titled incised into the stretcher bar, partially obscured by the typed label; stamp of G. Morrill to the top stretcher bar, according to National Portrait Gallery George Morrill was a picture liner, restorer and cleaner active from 1857-1865 in London; later William Morrill & Sons active until 1980.

Two French bronze three-armed candelabra in the neoclassical style from the French metalworker and artist Ferdinand Barbedienne. On a base with three claw-footed gryphons below a bust of the goddess Ceres and capped by a winged heron. Signed 'F. BARBEDIENNE' to stem. French, 19th C. H.: 62.2 cm (24 1/2 in.)

Table -- H.: 31 1/2" W.: 41" D.: 17" Mirror -- H.: 47" W.: 30 1/2"

H.: 32" W.: 25" D.: 20"

137cm (W) x 90cm (H) x 38cm (D)

Long Path to the Lake Oil on canvas In carved gesso frame Signed "H. Harpignies" bottom right H. 24" W. 38 1/2"

Probably Italian Murano glass with twist design accented with prunt detail. H.: 25" W.: 5.5" D.: 5.5"

Fruitwood table with sliding top to flip from a wood surface to a tooled leather top, bronze mounts to feet. French, 19th C. Unfolded -- H.: 29" W.: 62 1/2" D.: 45" Folded -- H.: 29" W.: 31 1/8" D.: 45"

9' 8" x 8' 3"

Potpurri egg-shaped urn on white ground with gilding and applied foliate details throughout. Pierced lid with brass mounts and hinge opeing to an unadorned interior. Crossed L Sevres style mark to the base in blue underglaze. French,19th C / 20th C. H.: 21 cm (8 1/4 in.)

H.: 22" W.: 27" D.: 17"

Table -- H.: 29" W.: 76" D.: 46" Table with inserts -- H.: 29" W.: 120" D.: 46" Chair -- H.: 39 1/2" W.: 22 1/2" D.: 23"

Based on original from Italian School of 17th c. Mythological Scene - Phaeton and the luminous chariot of his father Apollon Oil on Canvas In carved giltwood frame H. 36" W. 78"

H.: 34" Dia.: 29"

H.: 53" W.: 15" L.: 42 1/4"

H.: 28" W.: 17" D.: 17"

H.: 27 1/2" W.: 6" D.: 6"

Tiger maple octagonal top on pedestal and tripod feet. Probably Canadian, 19th C. H.: 22" Dia.: 16"

With dancing figures flanked by a geometric pattern on the top and bottom, early 20th C. H.: 38 cm (15 in.) Dia.: 25 cm (9 7/8 in.)

H.: 25" Dia.: 24"

Elongated body with bronze mounts and faceted cut crystal drops.

Rounded glazed panels with shelved interior. Decorative floral painted detail and bronze mounts, 20th C. H.: 54 1/2" W.: 26" D.: 14 1/2"

Celadon crackle ge glaze pot on a hardwood stand.

Slant front desk above three drawers with bronze hardware, 20th C. H.: 39" W.: 36" D.: 16 1/2"

Wrought iron hanging fixture fitted with nine frosted scalloped glass shade panels. H.: 45" Dia.: 32"

Gilt bronze hanging fixture with frosted glass central stepped domed shade and four branches. H.: 40" Dia.: 29"

Gilt bronze rounded sconces with frosted glass panels. H.: 10" W.: 16.5" D.: 7"

Overall -- H.: 65.5" W.: 19" D.: 9.5" Base -- H.: 35.5" W.: 19" D.: 9.5" Mirror -- H.: 30" W.: 17" Console 19"" Wide, 35" tall

Eleven pieces of Murano glass stemware all in a bubblegum pink glass with fluted bodies and elaborate decorative elements on the knob. Including four larger water glasses, four smaller wine glasses, and three champagne coupes. Unmarked. Venetian, 20th C. H. of wine glass: 20.5 cm (8 in.)

Six wine glasses, possibly by the Murano glassmakers Salviati, with gilt rims and applied decorative enamel accents. Italian, 19th C or early 20th. H.: 17.8 cm (7 in.)

Venetian basket bowl with clear waffled glass body with applied pink roses and scalloped rims. Venetian, mid 20th C. H.: 14 cm (5 1/2 in.) L.: 31.8 cm (12 1/2 in.)

Group of six Murano wine glasses and one decanter, all in a twisted, fluted-style glass. The decanter with gold inclusions throughout, frilled pink additions along the neck and foot, and an egg-shaped stopper. The wine glasses with dolphins wrapped around the stem in a gold inclusion glass. Venetian, 20th C. H. of decanter: 26.7 cm (10 1/2 in.)

Six Venetian Murano wine glasses in varying sizes and styles, all with glass dolphins along the stem. Two with octagonal, clear glass bowls and gold-flecked dolphins; two with octagonal, gold-flecked glass bowls and gold-flecked dolphins; and two with rounded, gold-flecked bowls with clear glass dolphins. Venetian, 20th C. H. of tallest: 16 cm (6 1/4 in.)

Group of ten pink Murano glass table pieces all in a bubblegum pink colour with coruscating gold flakes throughout. Including one serving bowl, seven chargers, and one decorative comport. Together with one larger clear glass decorative piece with a balluster-style body and fluted knob. Unmarked. Venetian, 20th C. H. of clear glass piece: 24 cm (9 1/2 in.)

39 pieces of Lalique stemware in the pattern 'Frejus' with a twisted stem and plain bowl. Including eight tall champagne/ tall sherbet glasses, three champagne coupes, eight cordial glasses, one Burgundy wine glass, ten water glasses, and nine Bordeaux wine glasses. French, 20th C. H. of Bordeaux wine glass: 16.5 cm (6 1/2 in.)

Three pieces of silverplate including a pair of squirrel figural comports with shell-shaped bowls and a platter with acorn accents and scalloped edges. American, late 19th or early 20th C. H. of comport to tip of squirrel: 21.6 cm (8 1/2 in.)

with brass gallery, raised on wood base, mid 20th C. H.: 19'' W.: 44'' D.: 22''

Dia.: 19"

Converted table lamp of a winged liberty in patinated metal seated above a globe. Late 19th C. Dimensions without shade: W.: 11" H.: 47" D.: 10"

White marble urn form with mixed ormolu and patinated figural bronze mounts.

Overall floral inlay. H.: 61" W.: 37 1/2" D.: 16"

H.: 43 1/2" W.: 27" D.: 26 1/2"

Mahognay four door buffet, the central two doors with Chippendale style fretwork, raised on claw feet and backsplash, English, 19th C. H.: 50'' W.: 72'' D.: 21''

Possibly Regency period with cut glass handing drops. Dia.: 18"

Multi-drawer chest with Chippendale brass pulls and bracket feet. English, late 18th C. H.: 72" W.: 41 1/2" D.: 21"

7' 2" x 4' 6"

Circa 1910-1920 6' 4" x 5'

H.: 33 3/4" W.: 33 1/2" D.: 20 1/2"

Wool on cotton foundation, circa 1970. 7' x 4' 4"

With light grey-blue silk upholstery and down filled seat. H.: 35" W.: 25" D.: 17"

H.: 34" W.: 19.5" D.: 21.5"

H.: 37'' W.: 25'' D.: 25 1/2''

Hand-painted miniature of a lady in 19th C dress with a white lace veil. Attributed to the French painter and miniaturist Charles Berny D'Ouville (French, 1775-1842). Signed 'Chas Berny' to bottom right hand-corner. Set in an oval gilt bronze frame with hanging ring at the top. French, 19th C. L.: 8 cm (3 1/8 in.)

Two hand-painted miniatures on natural ground of the French Emperor, Napoleon Bonaparte, and his Empress, Josephine. Set in brass frames with curling ribbons and resting on two stands. Signed along the bottom right-hand corner of each. French, 19th C. L.: 8.9 cm (3 1/2 in.)

Hand-painted portrait miniature of a lady in a black dress and high-necked lace collar. Attributed to the French painter and miniaturist Antoine Berjon (French, 1754 – 1843). Signed 'Berjon 1819' to bottom left-hand corner. Set in a black, ebonized wood frame with a smaller, gold-toned frame at the centre. French, 19th C. L.: 12 cm (4 3/4 in.)

Framed portrait of a gentleman in a starched high collar and knotted cravat. Set in a black, ebonized wood frame with a smaller gold-toned oval frame at the centre. No visible signatures. Likely French or English, 19th C. L.: 8.9 cm (3 1/2 in.)

Hand-painted miniature portrait of a lady wearing a large necklace and a flower in her hair. Set in an oval gilt bronze frame with a reeded border. Signed to the bottom left-hand corner. Likely French, 19th C. L.: 9.4 cm (3 5/8 in.)

Hand-painted framed portrait miniature of a mustachioed gentleman wearing a royal blue coat with brass buttons. Set in a dark, ebonized wood frame with a small, central gilt bronze frame at the centre. Bronze plaque reading 'Antonín Machek (1775-1844)' to the bottom. No signature visible. Czech, 19th C. L.: 12.7 cm (5 in.)

Aeneas Hunting Deer After Claude Lorrain Engraving H. 9 3/4" W. 12 1/4"

Pair of framed engravings after Pietro Testa, both measuring 19 1/2" x 28". Includes: "Allegoria dell'Invierno" and "Sfiorita la Primavera" .

Pair of engravings after Salvator Rosa, both measuring 19" x 29". Includes: "Jo: Bapte Ricciardo Amico Unico Attilium Regulum in praecipitis Fortunae uertigine tot inter clauos firmioris costantiae centrum" and "Polycrates Sami Tyrannus opibus et felicitate inclytus ab Orete Persarum Satrapa captus ac cruci affixus docuit neminem ante obitum merito dice posse felicem".

Portraits of a gentleman Drawing Measurements (framed) H. 8 3/4" W. 7 3/8"

Three engravings by Francesco Bartolozzi. Sight dimensions of largest: 10" x 15 1/2".

Roch of Montpellier Pencil drawing H. 25 1/4" W. 15"

Natural carved triptych of Moses with the ten commandments. Triptych illustrates scenes from Moses' life. Figure standing on an ebonized plinth.19th C. H.: 27.9 cm (11 in.)

Patinated bronze female nude sculpture resting on a marble base. Depicting a kneeling woman with an art deco-style headband wrapped around her temples. After a design by the French sculptor Emmanuel Villanis (1858-1914). French, 20th C. H.: 88.9 cm (35 in.) Dia.: 20.3 cm (8 in.)

Three piece mantle set with central gilt bronze clock and two matching garnitures. The face of the clock and bodies of the garnitures in a hand-painted pink porcelain. The clock movement stamped by Japy Freres and the body stamped by Alfred Camus, Paris. French, late 19th C. H.: 48.3 cm (19 in.)

A patinated bronze figure of a classical nude female dancing and playing a pan flute by Eugene Desire Piron (1875-1928). Signature to base. French, 20th C. H.: 30.5 cm (12 1/4 in.)

Green monochrome ground with mixed flowers in silver wirework, underside with Ando mark, 20th C. H 21cm (8 1/4in)

Hand painted with Iris flowers and Mount Fuji, three character mark to base. Dia.: 22.5 cm (8 7/8 in.)

Japanese, Meiji period, 1868-1912. Cloisonne enameled polychrome bronze censer, segmented into two layers, respectively decorated by dragons and phoenix, embraced by foliages wihtin the circular frame, and inlaid the repetitive patterns as the background. H. 23 cm (9 1/8 in.) From a private estate, collected in China back to 1970s.

Painted with a sprig of flowers amongst waves, marks to base, Edo period, 19th C. Dia.: 28 cm (11 1/4 in.)

Victorian silver snuff box with elaborate engravings throughout the body depicting various decorative motifs incorporating the visages of Asiatic men, a coat of arms to the lid, and a rocky seascape at the base. Inscription to the interior lid reads "PRESENTED TO JOHN CRUSO ESQUIRE CHAIRMAN OF THE BOARD OF GUARDIANS, LEEK, BY THE OFFICERS OF THE UNION FOR HIS KIND AND CONSIDERATE ATTENTION TO THEIR INTEREST AS WELL AS THAT OF THE POOR." Marks for London, Charles Rawlings & William Summers, 1849. L.: 9.5 cm (3 3/4 in.) 123g in weight

Hinged box neillo decorated with Peter the Great on horseback in foreground in front of a pair of stately gates, a palace in the back. Assay marks rubbed, likely 1839. L.: 6.5 cm (2 in.) 63g in weight

Inset with a George II and George III coins, all with balleen handles. L.: 34 cm (13 1/2 in.)

Christening or child's mug with gold wash interior, heavy foliate scrolling along the body, an exaggerated figural handle, and the name 'Moira' engraved into the central roundel. Marked London, George Angell & Co., 1860 to lip and Charles Nephew and Co. Calcutta to base. H.: 9.5 cm (3 3/4 in.) 140g of weighable silver.

Silver ink stand and accompanying cut glass ink jars set with silver lids monogrammed in script with 'E.E.W.'. Ink stand decorated in the art nouveau style with rounded corners, egg and dart rims, and fitted divots for pens and ink jars. Sheffield, 1905, Lee & Wigfull (Henry Wigfull). Together with a Parker Challenger fountain pen. Pen nib reads 'PARKER DUOFOLD MANIFOLD PEN CANADA 14K'. Canadian, 20th C. L. of ink stand: 24.2 cm (9 1/2 in.) 533g of weighable silver (only the tray)

A late 18th century sterling silver mustard pot. The round bulbous pot on four ball feet has a cobalt liner. Lot includes a later spoon from Exeter. Marks for Newcastle, 1798, maker Thomas Watson. H.: 8.5 cm (3 1/3 in.) 117g of weighable silver

An early 19th century Scottish sterling silver two-handled sugar bowl. The sugar bowl has applied strap handles a gadrooned border and band of engraved decoration. The interior is gilded. Marks for Edinburgh, Robert Keay, 1809. L.: 19 cm (7 1/2 in.) 333g in weight

Sterling silver water pitcher in the 'Hampton Court' style from Reed & Barton. In baluster form with a wide mouth, curving handle, and four small claw feet. American, 20th C. H.: 22.9 cm (9 in.) 881g of weighable silver

Two silver salt dishes, each with pierced border and resting upon four small claw feet. Marked Sheffield, Atkins Bros., 1896. British, 19th C. Together with two pepper shakers in bell form with pierced openings. Marked Wallace Sterling, style 241 to bottom. American, 20th C. Also with two lidded salts with Bristol blue glass linings and pierced bodies. Marked Birmingham, Elkington & Co Ltd., 1915. British, 20th C. L. of bonbon: 15.8 cm (6 1/4 in.) H. of bonbon: 5 cm (2 in.) 417g in total weight

Group of Italian silver salts including one double salt with two shell-shaped bowls and a seahorse handle. Together with two small salt dishes with shell-shaped bowls resting on a pair of dolphins' tails and two small dolphins' head salt spoons. Double salt with note attributing it to Augustini Giulio, Florence, 1944. Both Italian, 20th C. H. of dolphin tail salt: 5 cm (2 in.) 172g in weight

An English sterling silver fish server with pierced blade. Maker's mark reads London, 1801, maker Abstinando King. L.: 28.5 cm (11 1/4 in.) Not weighable

An English sterling silver two-handled trophy, the rim mounted with a band of Celtic decoration. On a bakelite base. Marks for Birmingham, 1936, makers G. Bryan & Co.. H.: 22 cm (8 2/3 in.) 633g of weighable silver

Stilton cheese scoop by Carrington, Thomas and Co.. Applied handle in the shape of a sprig of lily-of-the-valley and a scalloped bowl. Marks for Carrington, Thomas and Co. to back. American, late 19th C. L.: 20.3 cm (8 in.) 35g of weighable silver

A mid-19th century sterling silver fish slice in the fiddle pattern. The blade is pierced and engraved with a fish. Dumfries, circa 1850, maker James Johnstone. L.: 31 cm (12 1/4 in.) 124.1g of weighable silver