Probably Muskingum County, Ohio, 3rd quarter-19th century. Four-gallon ovoid jar with lug handles; on one side is an incised fish and on the other is an incised owl and an incised bird in flight. 13.5" high. Provenance: a Gallipolis, Ohio collection. The owl bears a strong resemblence in its folksy execution to the owls on the monumental cooler probably originally made for S.D. Buckwalter of Ross County that was sold in March 2016 by Crocker Farm (Maryland). The likely origin is Muskingum County, where stoneware was decorated with incised owls by multiple potters, including Riley Bratton of Newton Township, Joshua German of Hopewell Township, and Daniel Sowers of Brush Creek Township. See Carskadden and Gartley (eds.), James L. Murphy's Checklist of 19th-Century Bluebird Potters and Potteries of Muskingum County, Ohio. Tight crow's foot on one side (under the kiln burn), rim chip, burst pot stones.

Probably Muskingum County, 3rd quarter-19th century. Double-handled jar with cobalt cherries and brushed "5." 17" high. Provenance: a Gallipolis, Ohio collection. One handle broken off but present, a couple of chips.

2nd half-19th century. Includes a one-quart western Pennsylvania wax sealer canning jar with cobalt accent, 6.75" high; together with a diminutive butter crock with cobalt decoration, 4" high, 7" diameter. Provenance: a Gallipolis, Ohio collection. Canner with rim chips, butter crock with kiln defect and a few rim chips.

2nd half-19th century. Includes a one-gallon jug by T. Reppert, Greensboro, 12" high; together with an elaborately cobalt-decorated pitcher, 11" high. Provenance: a Gallipolis, Ohio collection. Jug missing handle; pitcher with extensive repair (two restored cracks running up opposite sides, and the bottom is painted over, likely covering up more repair).

Beaver, Pennsylvania, c. 1870. Five-gallon churn with clear stamp and brushed cobalt decoration. 19.5" high. Provenance: a Gallipolis, Ohio collection. Large repaired cracks.

Uziah Kendall, 1830s. One-gallon ovoid jug, impressed mark, and cobalt decorated on both sides. 12" high. Provenance: private collection. No apparent damage, but unevenly fired, and with kiln stacker marks on the shoulder.

Mid-19th century. Includes a one-gallon ovoid jar, unmarked but probably I.M. Mead, Portage County, 9.75" high; together with a two-gallon pitcher, probably Ohio, 13" high. Provenance: private collection. Mead with a period but mismatched lid, chips, and firing imperfections; the pitcher very good.

Includes a cylindrical jar marked for Prosper Rich, Muskingum County, 1830s, 10" high; togerh with a one-gallon jar with a clear stencil for James Benjamin's Stoneware Depot, Cincinnati, 10" high. Accoring to Carskadden and Gartley (eds.), James L. Murphy's Checklist of 19th-Century Bluebird Potters and Potteries of Muskingum County, Ohio, this mark was used when Rich was working in Springfield Township, Muskingum County in the 1830s. Provenance: private collection. Both very good; the Benjamin has a period lid that sits atop the rim.

2nd quarter-19th century, pine and poplar. One piece, the upper door with twelve panes, the lower door with a double-paneled door. Retains old grain-painted decoration. 88" high, 40" wide, requires a 33" corner. Provenance: private collection; collected in Mercer County, PA. Original glass (one pane cracked), cornice with losses, paint (inside and out) probably c. 1900.

Columbiana County, mid-19th century. Dovetailed case with two paneled doors and interior cubbies. Retains its original red paint. 37" high, 38" wide, 10" deep. Provenance: private collection. Good surface, some wear.

1810-1830, cherry and poplar. The drop front revealing a stepped interior, all over three drawers and on bracket feet. 44" high, 42" wide, 20" deep, 30" writing surface. Old finish, period brasses, replaced feet.

Probably Stark or Portage County, c. 1820, walnut and poplar. Two over three drawers, with string inlay. 42.5" high, 40.5" wide, 20" deep. Provenance: private collection. Old finish, some wear, replaced brasses (some bales missing, some are detached but present).

Probably Ohio, 19th century. Table-top form, with original red paint. 27" high, 24" wide, 17" deep. Provenance: collected in Eaton, Ohio, private collection. Wonderful surface, very good.

Probably Ohio, mid-19th century, curly maple. Open "box" form, with scroll-cut brackets. 34.75" high, opening is 19.5" high, 13.5" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Old/original finish, a couple of replaced pieces of molding.

Probably Ohio, 2nd quarter-19th century, cherry and poplar. Well over two paneled doors. 34.5" high, 47" wide, 17" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, backboards have been replaced with old wood.

Stamped on the back "Gallery of Cuttings Cut by MASTER HANKES With Scissors," c. 1830. Profile of a gentleman, in period/original frame. 4" high, 2.75" wide (sight), 5.5" high, 4.5" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Born in Pittsford, New York, Hanks? interest in art (and music) began early. He served as a drummer boy in the War of 1812 before beginning his professional life as a sign painter in Wheeling, Virginia (now West Virginia). He married and began a stint as an itinerant painter, working in Ohio, (West) Virginia, and traveled further afield to Charleston, South Caroline, and he spent time in Connecticut and New York. While in New York, Hanks worked at the gallery of William Hubard (1807-1862), who was known as Master Hubard, and was a well-known silhouette artist. This is probably where Hanks learned to cut silhouettes, and also likely where he began working under the moniker Master Hankes. By the mid-1830s, Hanks returned west, settling in Cleveland, painting portraits, signs, and designing flags. Some toning.

Probably Ohio,1810-1830, curly maple. Tilt-top table with shaped top, turned standard, and folksy tripod base. 26.75" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Retains an old finish.

Probably Ohio, mid-19th century, walnut. Retains its original finish. 33" high, 34" wide, 12.25" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Pulls are likely nearly period replacements.

Attributed to Cincinnati, late 19th-early 20th century, mixed woods. The larger with 11 drawers, 20" high, 10" wide, 4.5" deep; the smaller with 9 drawers, 10.25" high, 8.25" wide, 4.5" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer The smaller with its original finish, both with original pulls.

Ohio or Pennsylvania, pine, 1st half-19th century. Raised panels on all four sides, and bracket feet. Original red wash. 29" high, 50" wide, 24.5" deep. Provenance: a Gallipolis, Ohio collection. Original red with wear (mostly to the top, other wear and losses, lid doesn't quite sit properly).

Probably western Pennsylvania or southern Ohio, 1800-1815, walnut and poplar. Dovetailed case with four graduated drawers with curly walnut fronts, desk interior with prospect, cubbies, and document drawers, all on French feet. 46.25" high, 44" wide, 21" deep, 34" writing height. Provenance: a Gallipolis, Ohio collection. Refinished, original brasses, minor cracks to two corners of the lid, some restroration to the feet.

Probably Ohio, mid-19th century, poplar. Raised-panel doors over two drawers. Original reddish-brown paint. 41.75" high, 39" wide, 11.5" deep. Provenance: a Gallipolis, Ohio collection. Wear and some losses, great surface. Accompanied by a modern painted base (11.25" high).

Ohio or Pennsylvania, early 19th century, walnut and poplar. Two-piece, the upper section with two 6-pane doors, the lower section with two paneled doors, all on bracket feet. 87" high, 57" wide, 19" deep. Provenance: a Gallipolis, Ohio collection. Old refinish, original glass, minor crack to one lower door, lower doors do not, at present, fit flushly, loss to one foot.

Ohio, mid-19th century, poplar. One drawer over one door, with a nicely shaped backsplash, and retaining its original faux curly maple paint decoration. 39" high, 32" wide, 19" deep. Provenance: a Gallipolis, Ohio collection. Original drawer pulls, period/replaced door pull, great surface, minor damage to the back-right corner of the backsplash.

Southern Ohio, 1815-1830, cherry and poplar. The hood with a broken-arch pediment, the case with chamfered corners and turned feet. German brass movement with original painted dial. 96.25" high (including central finial). Provenance: a Gallipolis, Ohio collection. Old refinish, repairs to the pediment, retains weights and pendulum.

Pencil/graphite on paper, signed on the back. Profile portrait of a well-dressed husband and wife; he is in a black coat with a frilly cravat, and she's wearing a large tortoiseshell hair comb and earrings. Matted and framed. 9.25" high, 7.25" wide (sight); 15" high, 13" wide (overall). She is signed on the back by Sallas and dated 1831, while on his portrait, dated 1832, Sallas noted the location: Richmond, Indiana. Lots 26, 27, and 28 are believed to be a family group. Reference: Kern, Kern, Warwick, Warwick in "Four Ohio Nineteenth Century Folk Artists" (Magazine Antiques, August, 2007). Provenance: private collection. He has some minor tissue repairs at the margins, both are lightly toned and are tissue-hinged to backing board.

Pencil/graphite on paper, signed on the back and dated 1831. Profile portrait of a middle-aged lady wearing a shawl and bonnet.Matted and framed. 9.25" high, 7.25" wide (sight); 15" high, 13" wide (overall). Lots 26, 27, and 28 are believed to be a family group. Reference: Kern, Kern, Warwick, Warwick in "Four Ohio Nineteenth Century Folk Artists" (Magazine Antiques, August, 2007). Provenance: private collection. Lightly toned, tissue-hinged to the backing board.

Probably Ohio or Indiana, c. 1831, pencil/graphite on paper. Portrait of a balding gentleman wearing a black coat and frilly cravat. 9.5" high, 7.5" wide (sight); 15.5" high, 13.5" wide (overall). Though he is unsigned, he is believed to be part of the family group of portraits represented by lots 26, 27, and 28. The artist is unkown and does not appear to match one of the other "four Ohio folk artists" as detailed by Kern, Kern, Warwick, Warwick in "Four Ohio Nineteenth Century Folk Artists" (Magazine Antiques, August, 2007). Provenance: private collection. Lightly toned, tissue-hinged to the backing board.

Possibly Ohio, oil on canvas, signed and dated 1875 lower left, and dated on the back. Pastoral landscape with a bridge over a creek, and a small cottage in the background. Period frame. 11.25" high, 17.25" wide (sight); 15.5" high, 21.5" wide (overall). Provenance: a Gallipolis, Ohio collection. Geneaological research has identified a potential candidate for the artist in Wells A. Hildreth, born in Knox County, Ohio in 1834, but had moved to Union County by 1861, where he married, raised his family, and remained the rest of his life. Yellowed varnish.

19th century. Includes a Washington County court document dated 1804 (Joseph Buell, William Burnham, Edward Tupper), a Washington County justice of the peace document dated 1805 (William Bellows, James Bellows, Daniel Loring), a partially printed Washington County coroner document dated 1805 signed by Edward Tupper, a Marietta law document dated 1803 (Edward Tupper, Lewis Cass, John Clark, Calvin Pease, Dudley Woodbridge), a letter dated 1811 from Youngstown, and an 1838 power of attorney document from Youngstown, and pages from an early publication that comprise a reprint of the bill authorizing Ohio statehood. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. All with expected toning, fold lines, and some losses.

Attributed to Cincinnati, late 19th-early 20th century, mixed woods. Eleven drawers, 20" high, 10" wide, 4.5" deep. The lower crest is marked for Gallatin Brothers, dealers in "general merchandise" in Pleasant Home, Ohio (Wayne County). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Original finish and pulls.

Homan and Co., 3rd quarter-19th century. With floral finials. Coffee pot is 10" high. Provenance: a Gallipolis, Ohio collection. Minor dings and dents.

Louisa Atwood, St. Albans, c. 1820, silk on linen. Alphabet and number lines and "Louisa Atwood daughter of Jonathan and Mary Atwood was born Wear 3rd Feb AD 182 [sic]?" 15.25" high, 13" wide (sight); 18" high, 15.75" wide (overall). Louisa (1801-1864) was born to Jonathan and Mary in Weare, New Hampshire. By 1820, the family had come west, settling in St. Albans, Licking County. Louisa married John Biggs (1790-1860) and the couple had nine children. At some point between 1850 and 1860, they moved further west, to Wyandot County, where both Louisa and John died and are buried. Provenance: an Ohio collection. Unfinished, even toning, early patched loss on the right (the black spot).

19th century. Includes a "peasant" chair similar to those made and used in Zoar, 37" high; together with a possibly Shaker ladderback with attached folding stool, 32" high. The first was purchased from Jack Adamson Sr. (Ohio), who collected it locally to Zoar, but he did not think it of Zoar origin. Other Midwestern-German communities also made and used such chairs, including the Mennonites at Sonnenberg (now Kidron). See Richmond, Equal in Goodness: Ohio Decorative Arts, 1788-1860, entry 54. Provenance: private collection. Both with original finish, Shaker chair with some wear and minor damage.

1815-1830, cherry and poplar. Three over three drawers and turned feet. 46.25" high, 41.75" wide, 20.5" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, replced pulls.

Pennsylvania or Ohio, cherry and walnut, early 19th century. Dovetailed case on ogee bracket feet, interior till with two secret drawers. 29" high, 50" wide, 22" deep. Provenance: a Gallipolis, Ohio collection. Old finish, original strap hinges, bear trap lock missing, one back foot facing may be a very early replacement.

Pennsylvania or Ohio, 1810-1830, walnut and poplar. Two-piece, together by association; the upper section with two 6-pane doors, and the lower section with three drawers over two star-inlaid doors, all on ogee bracket feet. 86.75" high, 47" wide, 19" deep. Provenance: a Gallipolis, Ohio collection. Refinished, some repairs, one drawer pull detached but present.

Pennsylvania or Ohio, 2nd quarter-19th century, pine. Two paneled doors (with interior shelves) and a lower drawer, on a shaped skirt and cut-out feet. 66.5" high, 46.5" wide, 19.25" deep. Provenance: a Gallipolis, Ohio collection. Old refinish.

Jay Van Vleck, Gallia County, mid-19th century. Red, blue, and green, with a rose and grapes pattern. 88" by 70". Provenance: a Gallipolis, Ohio collection. Some minor stains and fringe loss.

Probably southern Ohio, mid-19th century, walnut and poplar. Two-piece, the upper section with two eight-pane doors, the lower section with a slant lid (the interior with cubbies) and two paneled doors, all on turned feet. 85.75" high, 42" wide, 25.5" deep. Provenance: a Gallipolis, Ohio collection. Original finish, hardware, and glass (two panes cracked), some wear and minor losses.

Includes a coastal view, 13.5" high, 20" wide (overall); a girl throwing a snowball, 13" high, 12" wide (overall); a carved walnut plaque, 13" high, 10.5" wide; and a redecorated container, 9" high, 11" diameter. Beymer was born in Beymerstown (now Old Washington), in Muskingum County. During his life, he created an impressive body of work depicting historical scenes, life in his hometown, and nature, and it includes paintings, carvings, and other mediums. For his paintings, he typically made the frames as well. This grouping represents the first public offering of Beymer's work. Provenance: an Ohio collection. Some wear and minor loss.

Probably southern Ohio, 1820-1840, curly maple, cherry, and poplar. Four cherry drawers and curly maple stiles, on turned feet. 46.5" high, 42.25" wide, 18.75" deep. Provenance: a Gallipolis, Ohio collection. Original worn finish, replaced pulls (second holes).

Found in Coshocton, Ohio, early 20th century, mixed woods. Model canal boat with old green and white paint. 5.5" high, 23" wide, 4.5" deep. Provenance: private collection. Expected wear, a few loose pieces.

Probably southern Ohio, 1820-1840, cherry and poplar. One-piece, the upper four-pane doors over lower paneled doors, on a cut-out base. 82" high, 52" wide, requires a 39" corner. Provenance: a Gallipolis, Ohio collection. Original worn finish, original glass, possibly slightly later latches, minor crack to the cornice, interior paint is flaking.

1920-1940. Approx. 18.5' long. Provenance: Used locally, now sold to benefit a Midwestern institution. Wear, weathering, likely not seaworthy as is.

1920-1940. Approx. 18.5' long. Provenance: Used locally, now sold to benefit a Midwestern institution. Wear, weathering, likely not seaworthy as is.

Oil on canvas, signed lower left. View of African Americans picking cotton. In its original, simple wooden frame. 21" high, 25" wide (canvas), 25" high, 28.25" wide (frame). Kinsey grew up in a Quaker family in the Miami County, Ohio town of West Milton. She trained at the Cincinnati Art Academy and the Chicago Art School. She moved south in 1918, settling in the French Quarter of New Orleans. In her Toulouse Street studio, she spent decades painting the buildings, streets, alleys, and especially patios as part of a growing art colony. She made frequent trips to Natchitoches Parish where she was a visitor to Melrose, the Cane River plantation of John and Cammie Hampton. It was there that she became friends with, and provided significant inspiration to folk artist Clementine Hunter (1887-1988). It is likely that this painting depicts the cotton fields at Melrose and was painted during one of Kinsey's visits. Provenance: descended in a West Milton, Ohio family. Needs cleaned, some craquelure, a few flakes lost from the sky, and a 1" long area of loss on one of the outbuildings.

Oil on canvas, signed lower left and titled, signed, and dated 1955 on the back. Portrait of an older woman doing her shopping. 18" high, 10" wide (canvas); 23.5" high, 15" wide (overall). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Good condition.

Found in Columbiana County, Ohio, 2nd half-19th century, pine. Original grain-painted decoration. 18.5" high, 15" wide, 5" deep. Provenance: private collection. Minor wear.

Ravenna, Ohio, 20th century. Stylized bird with speckled paint decoration and metal button eyes. 6.5" high, 11" wide, 3.5" deep. Provenance: private collection. Good condition.

Oil on canvas board, signed and dated 1972 lower right and on the back. View of Hooper Square in New York, with a young woman crossing the street. 15" high, 9" wide (board); 17.5" high, 11.5" wide (overall). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Good condition.

Oil on masonite, signed and dated 1948 lower right and titled, signed, and dated on the back. Portrait of a pretty young lady reading a card. 15" high, 10.25" wide (board); 21" high, 17" wide (overall). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Good condition; there is something written, faintly, in pencil on the back side of the masonite, likely by Singer.

Monoprint with mixed media details added, signed and dated 1961 lower right. Profile portrait of a red-haired woman. Matted and framed. 8" high, 10" wide (sight); 17.5" high, 20" wide (overall). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio; retains a gift inscription from Jack and Peg Cranston dated 1972 (the Cranstons were longtime friends of Singer and it was through them that Slates acquired most of the works in his collection). Light toning, mat burn, a few spots, not removed from frame for examination.

All reproductions of Singer paintings, including a football scene and a scene from McSorley's. Largest is 22" high, 46" wide. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Good condition.

All reproductions of Singer paintings, including a McSorley's scene, a shotgun wedding, and two postcard prints. Largest is 30" high, 33" wide. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Good condition.

Oil, signed lower left. Half-length portrait of the artist wearing a red turtleneck and brown blazer. Matted and framed. 16" high, 12" wide (board); 30" high, 26" wide (overall). This portrait was included in the 2008 retrospective exhibition, "Clyde Singer's America," at the Canton Museum of Art, and illustrated as figure 91 in the accompanying catalog. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Good condition; this was not removed from the frame for examination and assumed to be on masonite

Oil on masonite, signed and dated 1973 upper left, and titled, signed, and dated on the back. View of the iconic tavern interior, with a young couple by the wood stove. 23.25" high, 25" wide (board); 29" high, 30.5" wide (overall). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Good condition.

From a barn in Shippensburg, Cumberland/Franklin Co., 19th century, tin and pine. Possibly Amish or Mennonite. In form of fish on a turned pedestal. 14.5" high, 4.75" wide, 14.5" long. Provenance: private collection. Original surface, some wear, minor corrosion, chip to turned pedestal.

American, 19th century, watercolor on paper. Fruit still lifes, one with peach and grapes, one with apple and plums. In matching period frames. 5" high, 7.25" wide (sight); 8" high, 10.25" wide (overall). Provenance: private collection. Even toning, minor frame losses.

American, 19th century, mixed woods. With original green paint. 12.5" high, 11.5" in diameter. Provenance: private collection. Expected wear, losses to lid.

American, 2nd half-19th century, ink on paper. Dramatic depiction of a lion hunting a deer. In a period frame. 16.25" high, 23.25" wide (sight); 23.25" high, 29.25" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Toning and some acid burn.

American, 19th century, mixed woods. One labeled "G. SALTS." 9.75" high, 9.5" in diameter and 9" high, 9.5" in diameter. Provenance: private collection. Both with expected wear. "SALTS" firkin with lid damage.

American, 1st half-20th century, mixed woods. Sea otter, hog or pig with tusks, and owl. Owl is 14.5" high, 4.75" wide. Pig is 4.75" high, 6" wide. Otter is 4.25" high, 8" wide. Provenance: private collection. Minor wear to all, owl with weathering, age split, and losses.

American. Includes a partially printed documented from Lancaster County, Pennsylvania dated 1776 (framed) and a dated 1860 agreement document from an undetermined location. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. All with expected toning, fold lines, and some losses.

American. Each with a drawing and description. Dated 1741, 1741, and 1744. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. All with expected toning, fold lines, and some losses.

Possibly Rhode Island, late 18th century, cherry and chestnut. Dovetailed case with four graduated drawers, ogee bracket feet, and an interior with drawers and cubbies (the central drawer being shell-carved). 42" high, 39" wide, 21" deep, 29.5" writing height. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, period pulls, 2 of the lid hinges are old replacements, a few minor pieced repairs.

American, 19th century, cherry and poplar Two piece, the bookcase with paneled doors and early, vibrant, block-printed wallpaper liner, the lower desk with a slant lid and one drawer, all on turned legs. 64" high, 27" wide, 23" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, wear, door lock is frozen with the key stuck in.

American, 2nd quarter-19th century, cherry. Scrolled and paneled head- and footboards. 27" high, rails accommodate a mattress 47" by 73". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, some sun fading, replaced rails.

Mid-19th century, watercolor on paper. Agricultural view with figures. In a period frame. 5.25" high, 7.75" wide (sight); 7.75" high, 9.75' wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Even toning.

English, 19th century. Eighteen 4" sticks, together with a candlesnuffer and tray, and a pair of 18th-century brass sticks. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some wear, one of the full-size sticks is broken.

American, 19th/20th century. Large size, with scenes of a lady and a gentleman. 16.5" high, 16.25" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Toning and staining to both.

American, mid-19th century, watercolor on paper. View of a riverside fort, with a masted vessel in the water, flying an American flag. In a period frame. 4.75" high, 7.5" high (sight), 6.25" high, 9" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Even toning.

19th century, pine. Lift lid revealing an interior cutter, and with a drawer below. Retains its original grain-painted decoration. 8.5" high, 15.5" wide, 11.25" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Minor paint losses.

American, 19th century, pine. Dovetailed case and drawer. 11.5" high, 9.75" wide, 7.25" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Old refinish, later reinforcing nails added, bottom board cracked and a bit loose.

19th century. Both with mottled glaze, the smallest attributed to Jacob Metinger, Montgomery County. 6.75" and 6" high. Provenance: private collection. A few very minor glaze flakes.

Pennsylvania, dated 1902, poplar. Turned feet, original grain paint. Inscription on underside reads: Barbara B. Bucher, made by L.S. Hauck, 1902. 5.5" high, 9.25" wide, 5.25" deep. Barbara B. Bucher was born Oct. 29, 1879, in Lancaster County, Pennsylvania, to Christian Risser Bucher (1844-1920) and Annie Hess Bomberger (1843-1901). Lemon (sometimes Lemmon, Limon, or Leaman) Sweigart Hauck (1862-1929) was living just two houses away from Henry Risser Bucher (1861-1945), Barbara's uncle and the younger brother of her father, in the 1900 census, which also lists him as a laborer. Provenance: private collection. Good condition.

American, 2nd quarter-19th century, pine. Chest over one drawer, cutout feet, original red and black paint. 8" high, 10.25" wide, 6" deep. Provenance: private collection. All original, wear and some minor losses.

19th century. Two-quart jar with mottled creamy olive glaze with unusual little decoration, possibly a fingerprint. 10.5" high. Provenance: private collection. A few minor flakes.

American, 19th century. Original dark green paint. 9.5" high, 9.75" in diameter. Provenance: private collection. All original, expected wear.

American, 19th century. Original tan paint. 12.25" high, 11.25" in diameter. Provenance: private collection. All original, two bands with minor damage.

American or English, signed lower right and dated 1894, oil on canvas. Seascape with numerous vessels in the water. In a period frame. 13.5" high, 19" wide (sight); 18.5" wide, 24.5" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Needs cleaned, but in good condition, frame with only minor losses.

American, 19th century. Two piece, with two over six drawers, applied turnings to the upper stiles and cornice, and on turned feet. 26.25" high, 16.5" wide, 7.75" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Old refinish, original pulls.

American, 19th century, basswood. One with original black, brown, and yellow paint, the other with original faux rosewood graining. Larger is 7.25" high, 17.75" wide, 9.5" deep. Smaller is 5" high, 17" wide, 9.5" deep. Provenance: private collection. Both with minor wear. Larger with original latch hooks and brass handle.

American, 2nd quarter-19th century, poplar. One-board top, turned legs, and old black paint on the base. 28" high, 30" wide, 21" deep. Provenance: private collection. Age crack to the top.

York County, early 19th century, poplar. Two piece, the upper section with one 12-pane door, shaped shelves, and spoon holders, the lower section with a double-panel door and ogee bracket feet. Retains its original salmon grain painting and white paint on the door. 86" high, 52" wide, requires a 37" corner. Provenance: private collection. One foot facing needs glued, original hardware (some hinge screws missing or replaced, wear.

American, 19th century. Includes an atlas view of the Western File Works in Beaver Falls, Pennslyvania, 12" high, 15.5" wide (sight), 19.5" high, 23" wide (overall); together with two Currier and Ives lithographs: The Snow Storm, 20.5" high, 16.5" wide (overall) and Little Hero, 16.25" high, 12.25" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Toning.

Includes a 19th-century Ohio armchair with plank seat, 33" high; together with an 18th-century English or American back stool, 32" high. Provenance: private collection. The first with its original finish, the second with an older refinish.

American, 1820-1840, mixed woods. Includes a windsor and a chair with bootjack splat, both with their original painted decoration. 31.5" and 35.5" high. Provenance: private collection. Original paint, sturdy and sitable.

American, 1820-1840, mixed woods. Half-spindle windsors, with a good old repaint with flowers on a green ground. 32" high. Provenance: private collection. A few loose joints.

American, 1815-1830, mahogany. Serpentine wings, scrolled arms, and rope-twist front legs. 43" high (overall), 31" wide, 29" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Old finish to the legs, floral upholstery is in very good condition.

American, late 18th-early 19th century, cherry and pine. One drawer, two drop leaves, and molded and tapered legs. 29" high, 18.5" wide (closed), 37.25" wide (open), 18.5" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, period pull.

American, late 18th-early 19th century, cherry and pine. One drawer, tapered legs, and cross stretcher. 28.25" high, 20" wide (closed), 36.5" wide (open), 32.75" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, replaced period pull.

American, early 19th century, cherry and pine. One drawer and tapered legs. 26.5" high, 20.5" wide, 19.75" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished.

American, late 19th century, oil on canvas. Two cows near steep bank under ominous sky with pink clouds. 25" high, 36" wide (canvas); 32.5" high, 44" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Several repairs visible on the back, frame with some repainting.

American, 19th century. Includes a wrought-iron broiler and revolving toaster, together with various cooking implements (including pieces marked Robertson, FBS Canton, and J.R. Ralston). Broiler is 19" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. All with expected wear and some corrosion.

19th century. Includes a wire fender, a pair of andirons, and a collection of tools. Fender is 46" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Expected wear from use.

2nd quarter-19th century, mahogany. Includes a Chauncy Jerome, Bristol, with a painted tin dial, and a reverse-painted tablet with a vase of flowers. 26" high, 15.5" wide. Together with a Seth Thomas, Plymouth, with a painted tin dial and reverse-painted tablet with a basket of fruit. 26" high, 15.5" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Original finish, tablets, and dials; some wear and losses; Thomas clock has a degraded finish, not tested.

Germany, late 19th-early 20th century. With pinecone weights. Dials are 7.75" by 5.75" and 7.5" by 5.25". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer One with paint wear and loss, includes pendulums.

Includes a quail print by Alexander Pope Jr. (1849-1924), 18.5" high, 24.5" wide (overall); together with a print by Charles Russell (1864-1926) depicting Plains Indians, 26.5" high, 32.5" wide (overall). Provenance: From an Idaho Collection Toning to the Pope print.

American, 19th century, poplar. Small cupboard with a paneled door and interior folio slots (horizontal and vertical). Retains old red and green paint. 36" high, 23.5" wide, 17" deep. Provenance: an Ohio collection. Worn paint, some losses.

American, early 20th century, appears to be walnut or butternut. Standing figure of a man wearing a hardhat and holding a child. 12" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda. Previously sold at Garth's Auctions (Ohio), November 25, 2005, lot 81. Some surface wear, and retaining its original stained surface.

American, 1920-1940, cotton. Appliqued irises. 81" by 69". Provenance: private collection. Clean and bright.

American, early 20th century, corduroy. A sampler quilt, perhaps inspired by crazy quilts, and in a palette that is similar to that used in Amish quilts. 75" by 74". Provenance: private collection. Muslin back with some damage, hanging pocket, minor wear, small repair at top center.

American, late 19th century, oil on artist's board. A rocky river in winter. In a period frame. 11.75" high, 18" wide (sight); 17" high, 23.25" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Need cleaned, frame with minor losses

American, 1860-1875, appears to be bone. Small tintype of a young girl, with tinted cheeks, in a pierced and carved frame laid against foil. 4.25" high, 3" wide (overall). Provenance: private collection. Minor losses.

American, late 19th-early 20th century, wood and fabric. Two carved, jointed dolls, one with period clothing, one small carved standing figure, and fabric African-American woman with broom. 5" to 12" high. Provenance: private collection. Expected wear.

American, late 19th-early 20th century. Gathering basket, 22" high; together with a red-painted basket, 17" long. Provenance: an Idaho collection. Both with some breaks/losses, red paint is old.

American, 19th-20th century. Includes a dometop box with leather handle, two brass chambersticks, a miniature graniteware milk can, a small "FOR A GOOD GIRL" tin box, and a wooden smoother/scraper. Scraper is 10.75" long. Provenance: private collection. All with some wear.

American, 2nd quarter-19th century, silk, wood, and horsehair. Fancy bonnet in dark green silk along with two clothes brushes with original stencil decoration. Bonnet is 15", crown to neck. Larger brush is 14" wide, 3" deep. Provenance: private collection. Bonnet with losses, brushes with moderate paint loss.

American, 19th century, mixed woods. Including a bucket with old blue paint, a slide-lid box with old reddish brown paint, and a treen container with old red over earlier black. Bucket is 13.5" high by 12" in diameter. Provenance: private collection. Each with expected wear.

American, 19th-20th century. 20th-century print of Boston Harbor by Allen Hawks and three ash fids. Print is 9.5" high, 12" wide (overall); fids from 8" to 14". Provenance: private collection. Print with light toning.

American, 19th century, iron. Branding irons repurposed as three candlesticks. One with twisted stem. 12" to 17.5" high. Provenance: private collection. Expected wear and corrosion.

American, late 19th-early 20th century. Marked iron skimmer, wrought iron dough scraper, and two pewter decorating syringes. Skimmer is 13.5" long. Provenance: private collection. All with wear, some corrosion to iron.

American, 19th century, mixed woods including maple. Splint seats and unusual sausage and nipple finials. 36" high. Provenance: private collection. Refinished.

New York State, 3rd quarter-19th century, chestnut and ash. Turned legs and original zinc work surface. Provenance: private collection. Old finish, suprisingly little wear/damage to the zinc.

American, 2nd quarter-19th century, oil on canvas. Half-length portrait of a stylish gentleman seated in a red chair. Unframed. 30.5" high, 24.5" wide. Provenance: private collection. Lined, with some restoration.

Late 19th-early 20th century, burl root and snail shells. Burl root with carved and painted birds positioned with wire feet among branches. 12.5" high. Provenance: private collection. Original paint and surface, appears to be missing three birds.

Stamped for Alfred, Maine, Shaker community, second half-19th century, maple. With swiveling bentwood handle. 3.25" high, 7.75" wide, 10.5" long. Provenance: private collection. Original finish, missing silk liner.

American, 19th century. Oval dish with hinged lid. 8.5" long. For a nearly identical example, see Wallace Nutting, Furniture Treasury, illustration 4128-35. Provenance: private collection. Minor losses to one side of the rim.

Toy Kraft, Merrimack, Massachusetts. Three-piece set, including a pair of armchairs and a reclining rocker, retaining their original green paint. Armchairs are 12" high. Provenance: private collection. Some wear.

American, 19th century. Includes a pair of door latches, 9.5" long; together with a mount purportedly from a Conestoga wagon, 7.5" long. Provenance: private collection. Wear and some corrosion.

American, 2nd quarter-19th century. The larger with stenciled fruit tablet, 23" high, 12" wide, the smaller with farm tablet, 19.75" high, 10.5" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. The larger is repainted.

Attributed to Virginia, late 18th-early 19th century, mixed woods including yellow pine secondary. Tall stem rack over an inset brass tray, and with a lower drawer, and on bracket feet. 23.75" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Old finish, old repairs to the bracket of the pipe rack.

Likely Centennial or Colonial Revival, maple. With vasiform splats and serpentine stretchers. 40" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Old finish, leather upholstery is redone.

American, 19th century, walnut. Hinged, three-panel rack with its original finish. Each panel is 48" high, 20" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Original surface, very good condition.

American, 1st half-19th century, cherry and poplar. Half-blind dovetails in the front of the box, and on a dovetailed bracket base. 18.5" high, 43" wide, 17" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, possibly replaced base, locking till missing lid.

American, 1810-1830, crotch and curly walnut and poplar. Small size, two over three drawers. 32" high, 35.75" wide, 18" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, lower drawers have period pulls, replaced top molding.

American, 1810-1830, mahogany. Scrolled arms and turned legs. 32.5" high, 71.25" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Original finish, some veneer issues to the crest, stable cracks at the top of the arms, later floral upholstery is in good condition.

American, 19th century. Includes a decorated bellows, 17.5" long, hatchel, 23" long, a pump/duster (ex Sackheim), 25" long, and a hanging shelf/spool holder, 11.75" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. All with some wear, spool shelf with later paint.

American, 19th century. Includes a curly maple mirror, 10.75" high, 8.75" wide, a curly walnut doll cradle, dovetailed, 18.5" long, and a walnut dovetailed wall box, 14" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. All refinished.

American, 19th century. View of a riverside castle at night, titled "Moonlight," in a period frame, 7.25" high, 8.25" wide (overall); and a riverside landscape, inscribed below "Beneath a Mountain's Brow / The most remote & inaccessible by shepherds trod / A hermit lived / Trag Douglas," in a period frame, 7.5" high, 8.75" wide (overall). Though framed differently, they are clearly by the same hand. A note on the back suggests that they came from a songbook. The poem in the second is from an 18th-century tragedy by Douglass. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Even toning, some minor staining.

Gould and Richter, mid-19th century, handcolored lithographs. Includes garden bunting and rustic bunting. In matching frames. 27" high, 20.5" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Light toning

Gould and Richter, mid-19th century, handcolored lithographs. Includes the collard finchbill and the white-chinned sapphire hummingbird. Both are framed. Largest is 34" high, 27.75" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Light tonint

American, 19th century, maple. One with a scrolled handle, the other with a hooked handle. 9.5" long each. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Old/original finish, each with chips and cracks.

American, 19th century. Includes a diamond-shaped sieve/strainer, a curly maple pestle, and a brass-mounted curly maple wedge. Wedge is 14.5" long. Together with a reproduction eagle-carved butter print. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. All with expected wear.

Probably Connecticut or Massachusetts, c. 1800, cherry, maple, and pine. Round top over a double-sided drawer, turned shaft, and tripod base. 25.5" high, 16.75" diameter. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, replaced pull, reset top, tin spider is now missing.

Signed "Vera Ingle" lower left, late 19th century, oil on canvas. The coastline with stormy seas, and a lighthouse taking the brunt of the waves. In a period frame. 17.25" high, 27.5" wide (sight); 22.25" high, 32" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Needs cleaned.

American, late 19th-early 20th century. Brass Bradley & Hubbard lamp with caramel cased glass shade, 18" high; Rayo nickle lamp with pink cased glass shade, electrified, 18"high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Some wear.

American or English, late 18th-early 19th century, mahogany. Scroll-cut frame with gilt eagle crest. 36.5" high, 18.25" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, repaired break to one scroll, backboards are replaced with old boards.

American, 1820-1840, mixed woods including poplar. Half-spindle back with old repaint consisting of fruite on a buff-colored ground. 34.75" high, 73.75" long. Provenance: a Gallipolis, Ohio collection. Some wear, old repair where the crest meets the proper left stile, but still very sitable.

American, mid-19th century. Purple, red, and blue, with birds feeding their young and a double building border. 78" by 71". Provenance: a Gallipolis, Ohio collection. Fringe loss.

American, mid-19th century. Dark blue and white, with birds and wreaths. 86" by 80". Provenance: a Gallipolis, Ohio collection. Some staining and minor fringe loss.

Attributed to Lancaster County, 2nd half-19th century. Red and white with applique flowers. 58" by 48". Provenance: a Gallipolis, Ohio collection. Light wear and minor toning.

American, 19th century. Includes two oval, tacked pantry boxes, 5.25" and 6.125" long; together with a small spruce gum box, 3.25" long. Provenance: a Gallipolis, Ohio collection. Each with minor damage and loss.

Includes a pair of decorated balloon-back chairs, probably Pennsylvania, 1820-1840, 33" high; together with a New England side chair with vasiform splat and Spanish feet, 18th century, 42" high. Provenance: a Gallipolis, Ohio collection. Pair in good original condition; side chair with rerushed seat and chip to one foot, nice old finish.

American, 19th century, bentwood. Round, with original green paint. 4.25" high, 8.5" diameter. Provenance: private collection. Expected wear.

1860-1880. Includes a one-gallon jug by D.W. Graves, West Moreland, New York, 12" high; a canner by Conrad, New Geneva, Pennslyvania, 8" high; and an unmarked canner, 7" high. Provenance: private collection. Conrad with a tight line at the rim, Graves with some as-made defects and a line at the base.

1860-1880. Includes a two-gallon jug with cobalt decoration and impressed for John Conlon and Co., grocer and wine merchant, Lincoln St., Boston, 14" high; together with a small jug impressed for DW and HE Richards, Broad St., Newark, NJ, 8" high. Provenance: private collection. The Conlon with several chips and some firing fissures; the Richards with a couple of short, tight lines at the base.

c. 1830. Includes a bold ovoid 3-gallon jug by I. Seymour, Troy, 15" high; together with an ovoid three-gallon jar by Tyler and Dillon, Albany, 12.5" high. Provenance: private collection. Both with cracks.

Includes a one-gallon ovoid jug by Norton and Fenton, 1845-1847, 11" high; together with a two-gallon ovoid jug by Julius Norton, 1841-1850, 15" high". Provenance: private collection. Both with some firing imperfections.

Includes a four-gallon crock by F.B. Norton Sons, Worcester, Massachusetts, 1858-1877, 11" high; together with a one-gallon crock by S.L. Pewtress, Fair Haven, Connecticut, 7" high. Both with cobalt flowers. Provenance: private collection. The Norton with a 3" crack at the base that is glazed so appears to be as-made; the Pewtress is good.

American, late 19th century, oils on canvas. Strawberries, strawberries and oranges, and grapes, the last is signed "L.L. Fraser '98." All unframed. Two are 11" high, 15" wide, and the strawberries and oranges is 12" high, 16" wide. Provenance: private collection. All very good.

2nd half-19th century. Compote bursting with fruit, including watermelon. In a period frame. 10.5" high, 13" wide (sight); 14.25" high, 16.75" wide (overall). Provenance: an Ohio collection. Even toning, light foxing, the frame has later but appropriate paint.

American, 19th century, walnut and various secondary woods (including basswood, cedar, and mahogany from cigar boxes). Two over two drawers, and retaining its original finish and pulls. 10.75" high, 11.75" wide, 8" deep. Provenance: an Ohio collection. Minor wear, warp to backboard.

Late 19th century, oil on artist board landscape, signed "W.A. Herr." In a period frame, 12" high, 14.75" wide (overall). Provenance: an Ohio collection. Light craquelure, frame is refinished.

American, mid-20th century. Full portrait of a tricolor schnauzer on a red background. Mounted. 21.5" high, 36.5" wide. On the back is a note that reads, "Custom made especially for you by Grandma Largely." Provenance: an Ohio collection. Light wear.

American, late 19th-early 20th century. Chalk garniture of a compote with fruit, original paint, 12" high; together with two pottery banks (apple and orange) with original paint, orange is 3.5" diameter. The line on the apple appears, under a loupe, to just be a deep scratch.

Late 19th century. Handpainted view of the U.S. Grant Hotel in San Diego, California. 6" long. Among the oldest hotels in San Diego, the U.S. Grant Hotel was built in 1910 by Ulysses Grant Jr. and his wife, Fannie Chaffee Grant. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda. No cracks to the shell, some wear to the paint.

Probably Connecticut, 1790s, mixed woods. Includes a sack-back armchair with baluster legs and posts, and shaped arms. 36.25" high; together with a brace-back side chair with double-baluster-turned legs and stiles. 38" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda The sack-back has a replaced potty cutout and old black paint, the brace-back has traces of old paint and all four legs ended out.

American or European, 19th century, possibly chestnut. Chip-carved blade and shaped handle, and with a make-do extended handle. 80" long. Provenance: private collection. Wonderful original surface, expected wear and minor losses.

American, 1st half-20th century. Unusual, vertically oriented rug with pot and flowers. Mounted for hanging. 50.5" high, 27.5" wide. Provenance: private collection. Some wear, colors are still strong and vibrant.

American, early 20th century, cotton. Schoolhouse pattern in a slate gray/blue. 90" by 79". Provenance: private collection. A few minor stains, the color has faded somewhat.

Possibly Boston and Sandwich Glass Co., Massachusetts, mid-19th century. Colorless paneled font with gilt decoration, on a brass and marble base, and with a cut shade. 13" high (to the burner). Provenance: private collection. Some wear to the gilding, minor chips to the shade.

Oil on canvas. Full-length portrait of General Macomb at the Battle of Plattsburg, after the original by Samuel Lovett Waldo (New York, 1783-1861), which hangs in New York City Hall. Unframed. 47" high, 30" wide. For his leadership as field commander at Plattsburg, during the War of 1812, Macomb was awarded the Congressional Medal of Honor. LaForet operated a studio/shop near 57th and Lexington in New York in the 1940s. Provenance: From an Idaho Collection Losses.

American, 19th century. Includes two open dishes, a pitcher with hunt scene, and a Rebecca at the Well teapot. Pitcher is 9" high. Provenance: From an Idaho Collection Pitcher with a few short hairlines.

American, 1st half-20th century. Retains most of its original green paint with stenciled "J.N." in gold. 11.75" high. Provenance: From an Idaho Collection Wear and some paint loss.

American, 19th century, pine. Nailed construction, lift-lid with divided interior. 8.25" high, 14" wide, 11.5" deep. Provenance: private collection. Old brown painted surface, wear, and minor losses.

American, 2nd half-19th century. Includes redware plate with coggled rim, red-painted redware barrel bank, and small porcelain bird whistle. Redware plate is 9.25" in diameter. Provenance: private collection. Plate and bank with minor flakes.

American, 19th century, mixed woods. Including a small birdseye maple lap desk with black-painted trim, a small faux-mahogany-grained box with "Mathilda Berggren" stenciled in interior, and larger locking box with original faux rosewood decoration and stenciled trim. Largest (locking box) is 6" high, 9" wide, and 11" deep. Provenance: private collection. Paint is all original, expected minor wear. Lap desk has original interior writing surface.

American, 19th-20th century, walnut and poplar. Nail construction, each with cut-out handles. Both approximately 7" high, 12" wide, 9" deep. Provenance: private collection. Expected wear, one with original paint and minor loss, one with distressed paint.

American, 18th century, pine. Diminutive size, with a one-board top over a stretcher base. Retains old brown over early green paint over earlier yellow. 24" high, 29.5" wide, 21" deep. Provenance: private collection. Age crack to top, paint has darkened, wear.

New York State, 1820-1840, pine. Chest over two drawers, and with old, vibrant grain paint. 43.5" high, 45.5" wide, 22.5" deep. Provenance: private collection. Paint is probably c. 1900 and over original blue/gray, some wear.

American, 1st half-19th century, mahogany. Barrel back and turned legs. 48" high. Provenance: private collection. Old refinish, original brass casters, reupholstered in pineapple fabric.

American, late 19th-century, mixed woods. Hanging shelf with thread spool supports, scalloped shelves, and two lower drawers. Retains original blue paint. 24" high, 23.25" wide, 7.25" deep. Provenance: private collection. Original surface, one scallop missing, one glued repair.

American, 19th-20th century. Includes a bone paper knife, a brass jagging wheel, a leather gentleman's wallet, a Candee brand salesman's sample boot, and three carved printing blocks. Knife is 11.25" long. Provenance: private collection. All with some wear.

American, 19th century. Includes a pair of carved Victorian side chairs (now painted), 33.5" high, a pair of repainted Hitchcock-style chairs, 33" high, and a singled captain's or firehouse windsor armchair with original black and gold paint, 29.5" high. Provenance: Sold by order of the trustees of the Dayton Art Institute to benefit the acquisitions fund. Hitchcock-style are recaned.

American, 19th century, poplar. Scroll-cut ends with four shelves. Retains its original finish. 35" high, 30" wide; shelves range from 4.25" to 7.75" deep and 7" to 10" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Minor wear.

American, 19th century. Six hooks, some with twists. 7.5" to 10.5" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Corrosion.

New England, 1815-1830, pine. Basin cutout and a lower drawer, and with its original floral decoration on a bright yellow ground. 35.25" high, 18.25" wide, 15.5" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Original paint with some wear.

American, 19th century. Includes a mahogany candlestand with tripod base; together with a mixed wood bed steps. Stand is 26.75" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Stand is refinished with some sun fading, the steps have an old finish and old fabric on the treads.

American, mid-19th century, mixed woods. Long drop-leaf, with turned legs. 29" high, 24" wide (closed), 47" wide (open), 60" long. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished.

Connecticut, 1790-1810, cherry, mahogany, lightwood inlay. Flip-top table with elaborate inlay, including "icicles". 28.5" high, 35.75" wide, 17.25" deep (closed), 34.5" deep (open). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished.

New England, 1750-1770, cherry and pine. Two piece, flat top, with four graduated drawers over two drawers (the lowest drawer with three faux fronts, including a carved fan), on cabriole legs ending in pad feet. 72" high, 39.25" wide, 19.5" deep. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, period/original brasses, just a couple insignificant pieced repairs (cornice and drawer lip).

19th-20th century. Includes a red stick spatter set, a brown spatter set with floral decoration, and a blue spatter set with figural decoration. Stick spatter teapot is 5" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Minor scattered damage.

American, 2nd quarter-19th century. Each with its original reverse-painted tablet. 34" high, 15.5" wide and 29" high, 16" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer.

20th century. Includes a long, houndstooth runner or wrap, 168" by 36"; together with a woven table cloth, 81" by 64". And with a hooked rug with train design, 35" by 24". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Houndstooth with some wear and a few minor spots of damage.

American, 19th century, poplar. Small size with original green paint and stenciled "D.D.G." on the front door. 29" high, 18" wide, 11" deep. Provenance: private collection. Grungy surface, some wear, 1x2 inch section removed from the back-right corner of the top board.

Late 19th-early 20th century. Includes a miniature lap-constructed keeler, 6.5" long; a stoneware snuff jar with "MACCABOY SNUFF" label, 5" high; and a diminutive straight razor trade sign, 20" long (closed). Provenance: private collection. All with some wear, snuff label 98% intact.

Indiana or Michigan, c. 1890. Twenty-block quilt with striped border, the blocks of silks and other fabrics, some with elaborate needlework, and some include Civil War veteran ribbons. 62.75" by 51". Provenance: descended in the original family (originated in either an Indiana or Michigan branch). Very clean and bright, with only minimal wear

Probably American, mid-19th century, oil on canvas. Half-length portrait of a lovely woman, wearing lace and a cameo, and holding a fan. In a period frame. 36.5" high, 27.75" wide (sight); 45" high, 36.25" wide (overall). Provenance: a Gallipolis, Ohio Collection. Lined, with some restoration, frame is repainted.

American or English, early 19th century, mahogany. Scroll-cut mirror with shell inlay, urn finial, and side ornaments. 47" high, 20.5" wide. Provenance: a Gallipolis, Ohio collection. Old refinish, expected warping and minor veneer damage, one of the side ornaments with small loss at the tip.

American, 2nd quarter-19th century, watercolor on paper. Half-length protrait of a rakish gentleman wearing a blue coat. Period frame. 5.5" high, 5" wide (overall). Provenance: a Gallipolis, Ohio collection. Some toning, glass is loose in the frame.

American, early 20th century. Includes a Colonial Revival hutch or chair table, 28" high, 31.75" wide, 53.75" long; together with a painted tool chest in old blue, 18.25" high, 36.75" wide, 19.5" deep. Provenance: a Gallipolis, Ohio collection. Table refinished, chest with wear and losses.

American, 19th century. Includes two blue and white (one is a pine tree pattern), and a red and blue. Provenance: a Gallipolis, Ohio collection. All with some wear and damage.

American, late 19th-early 20th century. Includes a log cabin, 84" by 70" and a 12-patch, 77" by 74". Provenance: a Gallipolis, Ohio collection. Both with wear and damage.

American, late 19th century. Inculdes a blue and white pinwheel, 86" by 80" and a red and white Geese in the Pond, 83" by 80". Provenance: a Gallipolis, Ohio collection. Each with minor staining and discoloration.

American, 1st half-20th century. Includes a pieced star quilt in pink and blue, 77" by 57" and an applique quilt with vines and grapes, 88" by 77". Provenance: a Gallipolis, Ohio collection. The first with fading, both with minor stains.

American, mid-late 19th century, oil on artist's board. Peaches in a delft-type bowl, with grapes on the tabletop. In a period frame. 13" high, 17" wide (sight); 17.5" high, 22" wide (overall). Provenance: private collection. Minor losses to frame.

American, mid-late 19th century, oil on canvas. A tipped basket of strawberries. In a period frame. 8.5" high, 12" wide (sight); 12.5" high, 16" wide (overall). Provenance: private collection. Minor loss to the gilding on the frame.

Attributed to New Hampshire, c. 1840, watercolor. Profile portrait of a dapper lad in a blue suit and wearing a jeweled brooch. In a period frame. 12" high, 9.25" wide (sight); 15.25" high, 13.25" wide (overall). Provenance: an Ohio collection. Light and even toning, a few spots.

Oil on canvas, signed lower right. Small painting in an oval format, depicting an unidentified waterfall, likely in upstate New York. In a period frame. 9.75" high, 7.25" wide (sight); 12.5" high, 10" wide (overall). Provenance: an Ohio collection Needs cleaned, scratch in the upper-right.

19th century. Includes a painting of a rose in a gilt frame, a folksy rendition of a bird (possibly a robin) in a period frame, a decorated certificate celebrating mother in a period frame, and a handcolored print of Rosa the Flower Girl. The rose is 7" high, 8" wide. Provenance: an Ohio collection. All with some toning, frames with some wear.

19th century. Includes a hollow-cut silhouette of a man signed "Newton" and dated 1820, 5" high, 4" wide (overall); a tinsel picture depicting an epergne with fruit and flowers, 11.25" high, 9.5" wide (overall); and a collection of four carved bone fish displayed in a period frame, 9.5" high, 9.25" wide (overall). Provenance: an Ohio collection. All in period/original frames, silhouette with original eglomise glass (minor losses).

19th-early 20th century. Includes a small wallpaper box from Lewiston, Pennsylvania, and signed Ann Griffith on the lid, 6.75" long; a Doyle and Son, London treen tankard, 8.5" high; a New England swirled three-mold cruet with stopper, 7" high; and four cobalt poison bottles, 5" high (largest). Provenance: an Ohio collection. Cruet stopper may be a period replacement.

19th-early 20th century. Includes a bellows with original stencil decoration, 17.5" long; a flow blue plate by John Meir, 8.5" diameter; cast iron doorstop in the form of a hearth with cat (possibly National Foundry), 5.5" high; and two papier mache birds: chicken and turkey, 4.75" high each. Provenance: an Ohio collection. Bellows with early releathering, fowl and hearth with original paint.

American, late 19th-early 20th century. Group includes a doll cupboard with white paint. 14" high; document box, 3.5" high, 11" wide; twisted wood cane with carved bird handle, 42.5" long; and a bread board with pegged ends, 25.5" long, 17" wide. Provenance: private collection. Some wear.

Initialed lower right and with an old label on the back identifing the artist. With peaches, oranges, grapes, corn, figs, and more. In a period frame. 14.5" high, 19" wide (sight); 19.5" high, 24.5" wide (overall). Provenance: private collection. A note on the back indicates that it was restored in Cleveland, Ohio; frame with darkening and minor losses.

Philadelphia, late 18th century, mahogany. Pierced splats and square legs. 38" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, one leg of one chair is ended out, reupholstered slip seats, replaced glue blocks, one with repair at crest/stile joint.

American, 2nd quarter-19th century, poplar. One piece, the upper door with nine panes, over a drawer, and a lower triple-paneled door. 78.5" high, 41" wide, requires a 27" corner. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Refinished, original glass.

American, 18th century. Includes a Chippendale ribbonback and two country Queen Anne chairs with Spanish feet. 37.5", 40.5", and 39.5" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Ribbon back refinished, one Queen Anne chair with Victorian paint decoration, and the other refinished and with the front legs ended out.

American or English, late 18th century, pastel on laid paper. Profile portrait of a well-dressed young man with a queue. In an older frame. 9.25" high, 7.25" wide (sight); 11.25" high, 9.25" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Appears good (not removed from the frame).

Vermont, dated January 5, 1837. Hollowcut, identified and dated in ink, with watercolor and graphite accents. In a period/original frame. 4.5" high, 3.5" wide (sight); 6" high, 5.25" wide (overall). Neziah Bliss (1826-1910) was born in Bradford, Vermont, to Capt. Ellis Bliss and Mary Brickett Worthen. He married Amanda Andrews in 1852, and they had at least six children before Amanda's death in 1877. It seems as though after Amanda's death, Bliss left Hancock County, Illinois, in western Illinois, and moved to Williamson County in southern Illinois, where, in 1879, he married Maria Louise Troxell Baugher, with whom he had three more children. He died in Marion, Illinois, at the age of 84. According to his obituary, Neziah was the legal counsel for Marshall Fields. And he was the superintendent of the St. Louis Lead Mining Company in Kingston Furnace, Missouri.Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Light toning, some staining along the upper margin.

American, 2nd quarter-19th century. Hollow-cut silhouette of a gentleman, identified in pencil below. In a curly maple frame. 3.25" square (sight), 5.25" square (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Light toning, penciled name is folded back.

English, 2nd quarter-19th century. Profile bust, with gold highlights. Inscribed on the back "Miss Sarah Hudson Guilton Rectory My Cousin died aged 14." In a period frame. 4.25" high, 2.5" wide (sight), 7" high, 5.25" wide (overall). The Guilton Rectory is in the village of Ash, near Sandwich, in Kent. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Even toning.

Philadelphia, early 19th century. Hollowcut silhouettes of ladies, each with impressed Peale Museum stamp. In period frames. 7.25" high, 5" wide and 7.5" high, 5.5" wide (overall). Even toning.

American, 2nd quarter-19th century. Hollowcut gentleman marked "W. KING" (New England). In a period frame. 4.75" high, 3.5" wide (sight), 6.5" high, 5.25" wide (overall). Together with a hollowcut of a gentleman. In an old frame. 3.5" high, 3.25" wide (sight) 4.75" high, 4.5" wide (overall). Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Even toning

American, 2nd quarter-19th century, watercolor. Identified on back as Margaret Bailey and dated 1827. Half-length portrait of young lady in blue dress. In period frame. 3" high, 2.5" wide (sight); 5.5" high, 5" wide (overall). Provenance: private collection. Crack through left sleeve.

American, 19th century, tin. Unusual five-light lantern with original red paint. 9" high, 17.5" wide, 3.75" deep. Provenance: private collection. Expected wear, light corrosion.

American, early 19th century, mixed woods. Includes a high chair and a child's chair, both with bamboo turnings. Both with old paint. 38" high and 22" high. Provenance: private collection. Some wear, still sturdy, child's chair has a repaired seat split.

American, late 19th-early 20th century. Includes a lidded storage basket in original dark green paint, 32" long; together with a handled gathering basket, 25" diameter. Provenance: private collection. Some wear and minor breaks, exceptional surface on the painted basket.

Tennessee, 20th century. Carved root snake with original paint and glass eyes. 46" long. Provenance: private collection. Some wear and minor paint loss.

American, 19th century. Includes two peg rails with carved pegs, cream paint, 37" long, natural, 57" long; together with a stave-constructed barrel, 24" high. Provenance: private collection. Wear to the peg rails, old refinish to the barrel.

Includes a Shaker tilter chair, 19th century, maple, in old black paint, 39" high; together with an American or European plank or peasant chair, pine, in old red paint, 32" high. Provenance: private collection. Each with some wear, Shaker chair with minor breaks to the rush seat.

American or English, 18th century, mahogany. Tilt-top table over an urn standard and cabriole legs ending in pad feet. Retains an early or original finish. 28.5" high, 28" diameter. Provenance: private collection. Some wear, scuffs to the top.

American, 19th century. Includes a walnut and cherry box with turned feet, 9.5" high, 12" wide, 8" deep; together with a pine box with molded base and original red paint, 7.5" high, 16" wide, 9" deep. Provenance: private collection. The turned-leg box with its original surface, grungy, minor losses, slight warp to the lid; the red box with only minor wear.

19th century. Includes a hinged traveling mirror in a mahogany case, 15" by 10"; together with a folding school slate that retains lists of student names, 15.75" by 11.5" (closed). Provenance: private collection. Mirror case with an old finish, slate with original surface, both are in very good condition.

American, late 19th-early 20th century. Early coffee grinder with old finish, 8" high; coiled basket with original polychrome paint decoration, 12" diameter. Provenance: private collection. Wear and very minor losses to each.

American, 19th century, poplar. Retains its original finish. 37.5" high, 33.25" wide, 89.5" long. Provenance: Sold by order of the trustees of the Dayton Art Institute to benefit the acquisitions fund. Expected wear, still sturdy.

American, 20th century, pine. 31.5" high, 37" wide, 99.5" long. Provenance: Sold by order of the trustees of the Dayton Art Institute to benefit the acquisitions fund. Good condition.

American or English, 18th century, mahogany. Scroll-cut mirror with a gilt eagle crest. 37" high, 19.25" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Refinished, pieced repairs to the ears.

American, 1st half-20th century, pine. Full-bodied owl with carved details and original paint. 20" high, 6.25" wide. Provenance: private collection. Tight age cracks and very minor paint loss.

American, 1st half-20th century. Larger folksy duck with ring neck, smaller voluptuous duck with curved bill. Larger is 10.5" high, 14.25" long. Smaller is 5.75" high, 11.5" long. Provenance: private collection. Both with old working paint, larger with some beak loss.

American, early 20th century. Includes a blue spongeware "BUTTER" crock, bentwood spice boxes with stenciled "SPICES" label and original spice canisters, and two tin cookie cutters in lion and fish form. Provenance: private collection. Expected wear, crock with a couple hairlines.

Western New York, mid-19th century, cherry and poplar. Diminutive chest of drawers with applied turnings and original black paint. 18.25" high, 15.75" wide, 7.25" deep. Provenance: private collection. Original surface, backsplash replaced with old wood.

American, 19th century, mixed woods. Including double-sided and incised gameboard, small carved chestnut slide-lid box, and a yellow pine pegboard for use in early pharmacy or retail setting. Gameboard is 10.5" square. Provenance: private collection. All with some wear.

19th century, bentwood. Oval lidded boxes, two with original paint. Largest is 4.5" high, 6.25" wide, 2.75" deep. Provenance: private collection. Original surface, minor losses.

Mid-19th century. Two fluid lamps and lidded and banded glass canister, all colorless. One lamp with interesting early tin repair. Canister is 10" high, with lid, 5.5" in diameter. Lamps are 8" and 9" high. Provenance: private collection. Canister lid has some roughness on rim, as do the bases of both lamps.

19th-20th century. Composition duck, rabbit, and donkey or burro, along with carved wooden birds on branch. Birds on branch are 7.5" high, 10" wide. Provenance: private collection. Birds with some paint loss, other pieces with wear or minor loss.

American, 19th century, tin. Two doubles and three singles, together with a single mold made of copper. Longest is 13.5" long. Provenance: private collection. Wear and corrosion.

American, 19th-20th century. Includes a mohair elephant, a painted tin elephant pull toy, a tin bugle, a pair of early ice skates, and parade flag holder for an early automobile radiator cap. Bugle is 18" long. Provenance: private collection. All with some wear.

American, 19th century. Includes two 12-tube molds and one eight-tube mold. Largest is 10.5" long. Provenance: private collection. Wear and corrosion.

Carl Kump, 2nd quarter-20th century, walnut. Oval plaque deeply carved with running horse and vining border. Signed on back "Carl Kump" and possibly dated 1947. 10" high, 15.75" wide. Provenance: private collection. Original finish.

American, late 19th-early 20th century. Includes a painted profile of a standing sentry, 15.5" high; together with a slatted basket with original polychrome stains, 16.25" long. Provenance: private collection. Both good, with only minor wear.

American, 19th century. An early grinder with a walnut case, 9" high; together with a small grinding wheel on a blue-painted base, 7.5" high. Provenance: private collection. Both with original finish, handle on the grinder is replaced.

American, 2nd quarter-19th century, rosewood, mahogany, and poplar. Lift-lid sewing compartment with many lidded cubbies over one small drawer, and on a carved standard and paw feet. 29.5" high, 19.5" wide, 14" deep. Provenance: a Gallipolis, Ohio collection. Old finish, some cracking to the veneer on the top (stable), with one triangular patch.

American, 1870s, walnut. Includes a drop-front dresser and washstand, both with marble tops, and a bed. The drawers are constructed with Knapp joints. Retains an old finish. Drop-front dresser is 88.5" high, 41" wide, 17.5" deep. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda DF dresser has one cracked marble, the washstand has a hairline in the marble and is missing the marble backsplash.

American, 19th century. Two nickel-plated brass lamps, one with red cased shade, 20" high; the other with a milk glass shade, 20.75" high; together with a Miller lamp with horizontal font, 18.5" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. All with wear and all electrified.

American, late 19th century, brass. Single lamps with milk glass shades. 25" and 21.5" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Both with wear and both electrified.

American, late 19th century, brass. A single lamp and a double lamp, each with milk glass shades. 21" and 22" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Each with wear and each electrified.

American, late 19th century, glass. A pair of ribbed green and a single yellow. 9.75" diameter. From the Lifetime Collection of a Northeast Ohio Dealer. Some chips.

American, late 19th century. Includes an Aladdin with a milk glass shade. 28" high (overall); together with a Double Angle with milk glass shades, 20" high. From the Lifetime Collection of a Northeast Ohio Dealer. Wear and minor damage.

American, early 20th century. Original paint. 36" high. Provenance: private collection. Original paint with exceptional surface, some minor paint loss (with touch up to the mouth on one side), and a crack to the feet.

American, late 19th-early 20th century. Larger size, with real hide and horsehair, mounted on wheels and on rockers. 37" high, 48" long. Provenance: private collection. Minor loss to hide, hair, and leather.

New York State, painted sheet iron, mid-20th century. Large, heavy gauge sign in the shape of an arrowhead, with horses and "ARROWHEAD FARM" on both sides. 48" high, 48" wide. Provenance: private collection. Original paint, some minor loss and corrosion.

Creamery Packaging Mfg. Co., Chicago, Illinois, late 19th century. Original yellow stencil on dark green ground. 10.5" high, 12.5" wide, 12.5" deep.Provenance: private collection. Original paint, original hardware, missing egg trays.

Reliable Incubator & Brooder Co., Quincy, Illinois, late 19th century. Three sides with stenciled advertisements for People's Shoe Store, Medina, New York. Original black stencil decoration on red ground. 10.5" high, 12.25" wide, 12.5" deep. Provenance: private collection. Original paint, original hardware, missing egg trays.

Quincy Egg Carrier Co., Quincy, Illinois, late 19th century. With stenciled label for Russell Gates Mercantile, Kiowa, Colorado on two sides. Original black stenciled decoration on yellow ground. With original egg trays. 11" high, 13.5" wide, 12.25" deep. Provenance: private collection. Original paint, original hardware.

Alvin J. Bozarth Poultry and Eggs, late 19th century. With black stenciled decoration on two sides, inscribed on two sides "Lee Swearingen," on salmon ground. Includes egg trays. 10.75" high, 13.5" wide, 12.5" deep. Provenance: private collection. Original paint, original hardware.

American, 19th century. Original stenciled advertising decoration including cow. 12" high, 12" in diameter. Provenance: private collection. Original finish, lower band is a little loose.

American, early 20th century, mixed woods. Large size, mounted on a platform, with a swinging gate and its original green and white paint. 31" by 32". Provenance: private collection. Wear, a few pickets are loose or have minor losses.

American, late 19th century, poplar. Slant-lid box with original red paint with black/green and gold accents. 27" high, 18" wide, 20" deep. Provenance: private collection. Wear and minor paint loss.

American, early-mid 20th century. Painted metal sign with period/original wood frame. 11" high, 30.5" wide. Together with a large, plywood Chinese checkers gameboard with original paint. 36" diameter. Provenance: private collection. Wear and minor paint loss.

American, 3rd quarter-20th century, oil on lauan. Full-length portrait of Mickey, wearing blue gloves. Unframed. 48" high, 31.5" wide. Provenance: private collection. Minor marginal damage, holes in the upper corners for hanging.

c. 1909, printed on canvas/oil cloth. Graphic broadside for "ELKHART BUGGIES AND HARNESS FROM FACTORY TO USER FOR THIRTY-SIX YEARS." Partially legible "Union Label" stamp at the bottom. Modern frame. 27" high, 15" wide (overall). Provenance: a Gallipolis, Ohio collection. Fold lines and some minor soiling.

S. Oppenheimer, Chicago and New York, patented 1887. Long rack of hooks and a bull finial. 62" long. Provenance: a Gallipolis, Ohio collection. Retains old black paint, expected wear.

American, early 20th century. 15" high. Provenance: a Gallipolis, Ohio collection. Retains some of its original paint.

Late 19th-early 20th century. Includes a stoneware whiting fluid bottle, a large Tiger tobacco tin, a Postmaster tobacco tin, a Franklin's Java Coffee tin, and a set of 8 tin spice canisters. Stoneware bottle is 7.5" high. Provenance: a Gallipolis, Ohio collection. All with some wear and loss.

Early 20th century. Includes a Red Rose Animal Feed advertising chalk board, 29.5" high, 45" wide; together with a Peckhams Candies King Bee crate, 24.25" long. Provenance: a Gallipolis, Ohio collection. Both with expected wear.

Alaska, 1st half-20th century, wood and sealskin. The first with a fur-wearing half figure, 20" long; the second with a mismatched carved and painted figure, 18.5" long. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Each with wear and some toning and staining.

Includes a pair of Rookwood candlesticks (made in 1919), a pearlware handleless teacup, a miniature cobalt seltzer bottle, and two miniature pieces of later pottery. Sticks are 5.75" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Pearlware cup has damage.

1st half-20th century. Various cultures, including a Nlaka'pamux / Salish covered basket (retains early tag). Covered basket is 10" high. Provenance: private collection. All with some damage.

Dedham, Massachusetts, 1920s. Includes a 9.75" bacon tray, a 9.75" floral plate, and three 8.75" rabbit plates. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer One rabbit plate with a rim flake, the larger plate and the bacon tray with glaze imperfections (as made).

1st half-20th century. Zig-zag pattern, 53.5" by 34"; and a diamond pattern, 87" by 56". Provenance: private collection. Both with staining and damage.

Frederick and Alexander Gerbing, Austria, c. 1900. With classical woman and flowers. 13" high. Provenance: From an Idaho Collection Crazing, minor bump to base corner, one pinhead-sized glaze flake.

1st half-20th century. Zig-zag pattern, 65" by 44.5"; together with two diamond patterns, 63" by 47" and 69" by 43.5". All with staining and damage.

20th century, wool. Includes five. The blue rug is 67.5" by 41.5". Provenance: private collection. All with wear, some with bleeding.

19th century. Of typical form, ebonized, with brass dial, pendulum, and mounts. 18" high, 9.5" wide. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Generally good, not tested.

1st half-20th century. Various cultures, including Nez Perce cornhusk bag, and four Modoc / Klamath baskets. The bag is 20.5" by 14.5". Provenance: private collection. All with some damage.

19th century, oil on canvas, unsigned. View of a group of socialites exiting a tavern. In a period gesso and gilt frame. 19.25" high, 31" wide (sight); 28" high, 40" wide (overall). Provenance: a Gallipolis, Ohio collection. Yellowed varnish, some wear to the frame.

Northeastern US, late 19th century, splint. Round, lidded basket, with original red and natural surface. 17" diameter. Provenance: private collection. Several breaks and some losses.

19th century. Includes a larger caddy in rosewood, 12.5" long; together with a Turnbridge-type caddy with a domed lid and bun feet, 8" long. Provenance: a Gallipolis, Ohio collection. Rosewood caddy with minor veneer cracks to the top, Turnbridge caddy with replaced escutcheon.

With eagle decoration. 5" high, 9.25" diameter. Provenance: private collection. A few interior breaks.

Late 19th-early 20th century, patinated spelter. 28" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Some wear, later clear coat.

Diamond field with a red border. 73.5" by 44.5". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Overall wear, one edge with fading, retains a slight mothball smell (actively dissipating).

20th century, painted plaster. 24.5" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Later clearcoat applied.

Zig-zag pattern in red, orange, and brown. 80" by 59.5". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer A/B side, some repairs, retains a slight mothball smell (actively dissipating).

European, 20th century, bronze-patinated spelter. "La Guerre." 28" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Sword and torch loose but present; , later clear coat.

Includes three Mexican rugs (small, 19" by 18", Yei-type,37" by 19", eagle and snake, 83" by 47"), and an embroidered textile, 86" by 78". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer All with wear, most with mothball smell (actively dissipating).

Late 19th-early 20th century, patinated spelter. 35" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Repaired arm, later clear coat.

A diminutive Acoma basket, 4.25" high; together with a diminutive Santo Domingo olla, 3.5" high. Provenance: From the Lifetime Collection of a Northeast Ohio Dealer. Each with some surface wear, the olla with a couple of minor bruises.

20th century, painted plaster. 44" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Minor wear.

European, late 19th-early 20th century. Full-length figure of a woman playing the mandolin. 20" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Base is separate, wear, a few chips.

Late 19th century. Includes an inlaid HAC German mantel clock, 14.5" high; together with a Victorian tole-decorated spice set, 8.5" long; and a ruby-stained and cut-to-colorless covered goblet with a hunt scene, 18.5" high. Provenance: a Gallipolis, Ohio collection. Clock with age split on the side and includes pendulum, goblet with crack to stem and a few minor flakes.

John Ridgway and Company, Stoke-on-Trent, England, mid-19th century. In the Imari palette, includes a covered tureen, 13.5" long; a covered vegetable dish, 12" diameter; an open vegetable dish, 12" long, and a drain insert, 12" long. Provenance: a Gallipolis, Ohio collection. All with minor wear.

John Ridgway and Company, Stoke-on-Trent, England, mid-19th century. In the Imari palette, includes six 10.5" soup plates, eight 9" plates, and nine 10.5" plates. Provenance: a Gallipolis, Ohio collection. All with minor wear.

John Ridgway and Company, Stoke-on-Trent, England, mid-19th century. In the Imari palette. Two 17" platters and one 15" platter. Provenance: a Gallipolis, Ohio collection. All with minor wear.

European, 19th century. One-gallon demijohn with early paint decoration including a portrait of a naval officer in front of a naval battle, and with heraldry decoration on the back. 14" high. Provenance: a Gallipolis, Ohio collection. Minor paint loss.

European, late 19th century, rosewood and other woods. In the form of a stack and shelf of books, with a marquetry and parquetry-inlaid top. On the front, volume VII slides up to reveal the lock. Velvet-lined interior. 7" high, 15" wide, 10" deep. Provenance: a Gallipolis, Ohio collection. Old finish, tight age cracks to the veneer on the top, two of the fa‡ade "books" have some damage.

Probably English, early 19th century, silk on silk. Elaborate picture depicting the the angel stopping Abraham from sacrificing his son, with watercolor details. In its original frame with eglomise mat. 18.25" high, 21.25" wide (overall). Provenance: a Gallipolis, Ohio collection. Silk still quite vibrant, some toning, faint waterstain along the top, minor losses somewhat visible at the bottom, frame has been repainted, mat has losses and active flaking.

European, late 19th century. Paisley pattern around a central black square. Provenance: a Gallipolis, Ohio collection. Holes and other damage.

European, late 19th-early 20th century. On a black stone base. 18.5" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. A few chips to the stone base, later clear coat applied.

Signed in the casting and marked for the J. Kalmar Foundry, Austria. Nude woman posing on a rock. On a marble base. 15" high (overall). Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Later clearcoat applied.

European, late 19th-early 20th century. Bust of a young lady wearing a bonnet with a large bow. 15" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Wear and a few minor chips.

20th century. Includes a European-style carved and inlaid stand/pedestal, 26.25" high; together with a gold-painted plaster pedestal, 15" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Minor wear.

20th century. Includes a 6-candle French chandelier, 23" diameter; together with a pair of sconces, 8" by 8" (back plates). Provenance: private collection. Some wear; sconces have been electrified.

European, 19th century, oil on canvas, unsigned. Bucolic view of a woodland cottage with several figures in the foreground, and, ominously, a hunter in the shadowed background. In a period frame. 23.5" high, 38.5" wide (sight); 29.5" high, 45" wide (overall). Provenance: a Gallipolis, Ohio collection. Needs cleaned, frame is repainted, minor repairs.

European, 19th century, oil on canvas, signed "Y. Arlet." Appears to be a group of men negotiating, with a map on the rug-covered table. In a period frame. 18.5" high, 28.75" wide (sight); 23.25" high, 33.5" wide (overall). Provenance: a Gallipolis, Ohio collection. Lined with linen in Columbus in 1973, some restoration, needs cleaned.

European, late 19th-early 20th century, bronze-patinated spelter. Tallest is 19" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. All with later clear coat, most have other damage.

European, late 19th-early 20th century. Includes a small figure of Diana after Jean-Antoine Houdon, 8" high; a nude after Louis Kley, 9.5" high; and an unsigned figure of a woman, 11" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. The Houdon with broken arrow and bow, the Kley with a repaired left ankle, and all with later clear coat finishes.

English, 19th century. Medium and dark blue transfer, with classical scenes. 15", 16", and 17" long. Provenance: a Gallipolis, Ohio collection. All with crazing and some wear.

English, 19th century. Dark blue transfer, with Chinese scenes. 14", 15", and 16" long. Provenance: a Gallipolis, Ohio collection. All with crazing and some wear.

English, 19th century. Medium and dark blue transfer, with various designs. 19" to 21" long. Provenance: a Gallipolis, Ohio collection. All with crazing and some wear.

English, 19th century. Various colors, and includes three sugar bowls, a teapot, two pitchers, a bowl, and a plate. Large pitcher is 9.5" high. Provenance: a Gallipolis, Ohio collection. All with crazing and some wear, some with damage and/or restoration, the dark blue sugar bowl with significant crack.

19th century, mahogany. One with recessed brass handles, and one with a locking side drawer. 12" and 17.5" wide. Provenance: a Gallipolis, Ohio collection. The first with an older finish, a few losses, and poorly replaced felt writing surface; the second refinished and a replaced writing surface.

Romantic print by Frederick Hendrik Kaemerer (Dutch, 1839-1902), matted and framed. 29.25" high, 23.25" wide (overall). Together with volume 1 of William Cullen Bryant (ed.), Pictureque America, or, The Land We Live In. NY: Appleton, 1872. Provenance: a Gallipolis, Ohio collection. Print in good condition; book with some binding wear.

English, late 19th century. Includes a standing King Charles Spaniel, 8" long; two inkwells (6" whippet, 4.5" King Charles Spaniel), and a pair of whippets with rabbits, 11.5" high. Provenance: a Gallipolis, Ohio collection. Whippet inkwell with repaired neck, all with some enamel loss.

English, late 19th century. Includes a pair of white spaniels, 12.5" high; a Little Red Riding Hood spill vase, 13.5" high; and a pair of lovers with goats, 9" high. Provenance: a Gallipolis, Ohio collection. All with some enamel loss, lovers with repaired tree.

19th century, porcelain and wood. Large porcelain plaque with handpainted scene with figures and inscription. In a wood frame and mounted to a wooden base. 26" high, 28" wide (overall). Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Some wear and scuffs to the frame and stand.

19th century, marble. Large, arched form, the front with bas relief carvings, and the back with inscription. 40" high. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Needs cleaned, some minor chips and losses.

China, 20th century. 15", 28.5", and 30.25" high. Provenance: From the collection of the late Pete Slates, Carrollton, Ohio. Minor wear.

19th-20th century. Includes a famille noire vase, 10" high; a blue and white covered container, 5" high; and a pair of small boxes with erotic images on the inside of the lids, 3.5" diameter. Provenance: a Gallipolis, Ohio collection. Chips to the blue and white container.

Probably D.R. Congo. Carved and tack-decorated, with a figure at the top and stylized shield near the base, just above the elongated iron tip. 53" high, plus modern stand. Provenance: From the collection of the late Dr. James Dawson, sold to benefit the Dr. James Dawson MD Women's Clinic in Uganda Original finish, some wear and surface scuffs.

1st half-20th century. With eighteen medallions. 61" by 54". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear

1st half-20th century. Floral borders and central field with small medallions. 75" by 45". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear.

1st half-20th century. In browns, with rows of medallions. 83" by 40". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear.

1st half-20th century. In blues and purple. 68" by 46". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some wear.

1st half-20th century. Floral field and borders. 60" by 42". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear.

1st half-20th century. Central medallion and floral border. 64" by 42". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some wear.

1st half-20th century. In dark blue, purple, and red. 32" by 170". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some wear.

1st half-20th century. In red, with an open field. 79" by 53". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Some wear.

Turkish Kilm, 1st half-20th century. 61" by 42". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Wear, damage, some bleeding.

1st half-20th century. Geometric, 61" by 33", and with central medallion, 78" by 46". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Both with wear.

1st half-20th century. With deer and ducks, 73" by 54", and with 15 small medallions, 45" by 38". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Both with wear and damage.

1st half-20th century. In reds, 35" by 24", and with dark reds and blues, 50" by 32". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Both with wear.

1st half-20th century. With diamonds and crosses, 22" by 20", with medallion, 24" by 20", and with medallion, 35" by 22". Provenance: From the Lifetime Collection of a Northeast Ohio Dealer Both with some wear.

Wooster, Ohio, 1941. A pieced and tied crazy quilt with handstitched details and embroidery, including a block inscribed "Wooster Ohio 1941", 83" by 71". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some fabric loss and wear.

American, c. 1885, velvet, silk, cotton. A pieced crazy quilt with a wide blue velvet border and floral embroidery in each corner, pieces with handstitched details, embroidery, and painted motifs, including initials "AF" and date "1885", 60" by 43.5". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Hanging sleeve has been added to back.

American, late 19th-early 20th century. A pieced crazy quilt top with a wide confetti border with mitered corners, patches with applique, embroidery, handstitching, lined, 79" by 53". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fading on edge, minor fabric loss, some staining visible on the back and some damage to the lining.

American, late 19th century. A pieced crazy quilt top made of 180 blocks, with embroidery, handstitching, includes multiple ribbons (one is dated 1894), a memorial to U.S. Grant, inscriptions "Brass City", "and McKinley", "America", "Blaine Logan", "1885", lined, 74" by 60". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some fabric loss.

American, c. 1898. A pieced and tied crazy quilt made of 35 blocks on a black ground, with embroidery and handstitching, inscribed "A.P.B. 1898", 71" by 50". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some fabric loss, stains.

American (possibly Orrville, Ohio), late 19th-early 20th century. A pieced quilt reminiscent of a crazy quilt but with a dimensional chevron pattern and narrow border, with embroidery and handstitched details, 69.5" by 53". Dr. Gunn's included tag says "Orrville". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Minor staining and wear to fabric.

American, late 19th, woven cotton. A herringbone-woven cotton drawstring sack with stenciled name in black "LYDIA HUNSICKER", 51" by 20". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Heavy staining.

American, late 19th century, wool. A wool blanket with a red and blue stitched border at top and bottom, and a red flower embroidered at each corner, 81" by 71". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Stains, holes, and fading. Some losses to border stitching.

Holmes County, Ohio, c. 1887, wool. A wool blanket with two sections of green striping, embroidered "1887", 74" by 56". Purchased from noted Wayne County collector Joe Irvin, who attributed it to Isaac Aultman Woolen Mill on Doughty Creek, N.E. of Clark, Mechanic Township, Holmes County, Ohio. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some holes.

American, 1849. A two-piece coverlet woven in cream and blue, floral borders on three sides with an additional narrow star foot border, centerfield with an all-over medallion motif, corner blocks with snowflakes "1849 / POLLEY CLARK", 88" by 75". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some fringe loss and border damage.

American, 1845. A two-piece coverlet woven in blue and white, the centerfield with a pattern of alternating floral medallions, rose border on two longer sides, a double foot border of a floral vine and a row of narrow stars, corner blocks with a flower and dated "1845", 75" by 69". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some fringe loss, stains, and old repairs.

American, mid-19th century. A two-piece coverlet woven in red, green, blue, and white with a floral border on four sides, the longest two sides with an additional wide border of trumpeting flowers, and a large architectural and palm tree foot border, the center field with two large opposite-facing floral urns with peacocks and birds feeding their young. 87" by 78". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some minor stains and discoloration.

American, mid-19th century. A two-piece coverlet woven in purple and pink, a double floral border on the longer sides and a single floral foot border, two small corner blocks with a single star in each, the center field with a repeating pattern of opposite-facing peacocks, 72" by 72". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some fringe loss, minor stains, and discoloration.

Probably Ohio, mid-19th century. A two-piece coverlet woven in blue and white, a double border of eagles and stars on three sides, two eagle corner blocks, with a center field of strawberry medallions, 79" by 62". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some fringe loss, stains, and holes.

William Stroud (Ohio, second-quarter 19th century). A two-piece coverlet woven in red, blue, and white, borders of patriotic eagles and trees, the foot border as a single border and the longer sides with a double border and double corner blocks signed "WILLIAM / STROUD / CADIZ / OHIO", the centerfield with rose medallions and flowers, 73" by 67". Stroud is included in Heisey's A Checklist of American Coverlet Weavers, p. 110. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some fringe loss, stains, and holes.

Richland County, Ohio, 1835. A two-piece coverlet woven in gold, blue, and salmon, borders of trees on the two longer sides, and a foot border of birds and trees, the corner blocks inscribed "R. SING / REY / P. TWP / RICHLA / ND CO / OHIO / 1835", the centerfield of rose medallions 96" by 66.5". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some fringe loss and discoloration.

Richland County, Ohio, mid-19th century. Three half coverlets, one woven in red and blues with a grapevine border on the longer side and a wide tulip foot border, with corner block inscribed "WOVE BY DC / SMITH IN / RICHLAND CO / OHIO 1866 / RM DRUMHEL / LER" and a centerfield of alternating rows of geometric stars and floral medallions, 85" by 31.5", the second and third half-coverlet panels woven in pink, gold, blue, and white, each having one longer side with a double border of flowering vines and stars and a vase and fruit foot border, corner blocks with a large bird, date "1846" and "MADE BY / W. FASIG", the centerfield with floral medallions and wreaths, 82" by 32", 80" by 32". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Smith coverlet: major damage with holes at center; Fasig coverlets: fringe loss and holes.

Richland County, Ohio, 1854. A two-piece coverlet woven in blue and white, longer sides with grapevine borders, floral foot border, the centerfield with two styles of floral medallions divided by a geometric grid, corner block inscribed "WOVE BY D / SMITH IN / RIHLAND / COUNTY OHI / O 1854", 84" by 68". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, seam is separating.

Richland County, Ohio, 1847. A two-piece coverlet woven in red, green, and blue, flowering vine borders on the longer sides, flower vase and fruit foot border, the centerfield with alternating rows of floral medallions, corner blocks with a geometric star at the center and inscription around the margins of the block "W. FASIG RICHLAND COUNTY OHIO 1847", 86" by 70". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, stains.

Clark County, Illinois, 1854. A two-piece coverlet woven in pink, gold, and blue, floral borders and a centerfield of alternating rows of floral medallions with geometric stars at the center, corner blocks with a floral vase and "MADE BY / W. FASIG / 1854 / CLARK / CO. ILL", 84" by 64.5". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, minor staining, age spots.

Attributed to Wayne County, Ohio, c. 1850. A two-piece coverlet woven in red and white, wide floral vase borders on the longer sides and a floral foot border, the centerfield with floral medallions and sunburst floral medallions, 91" by 82". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Very good condition.

American, mid-19th century. A two-piece coverlet woven in red and dark blue, borderless with an all-over design of two types of floral medallions, 91" by 75". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Very good condition.

Cadiz, Ohio, mid-19th century. A two-piece coverlet woven in red and dark blue with a vining border on two sides and a single corner block "CADIZ / OHIO", 69" by 68". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. No fringe, has repairs and holes.

Stark County, Ohio, 1839. A two-piece coverlet woven in blue, green and red with floral border on three sides, centerfield with rose and floral medallions, corner blocks "ISAAC / SHEAFFER / COVERLET / WEAVER / PLAIN / TOWNSHIP / STARK C / OHIO 1839", 87" by 73.5". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe is only on two sides, old repairs across top, stains.

Stark County, Ohio, 1854. A two-piece coverlet woven in pink, blue, and gold, plant border on three sides, centerfield with floral medallions and hearts, corner blocks "BARTELE- / MY JACOB / COVERLET / WEAVER / NEW / BERLIN / 1854", 79" by 67". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some fringe loss, edge damage, holes.

Morrow County, Ohio, 1849. A two-piece coverlet woven in green, red, and blue, the longer sides with a border of birds and flowers, a floral foot border, the centerfield with rose and floral medallions, the corner blocks with a patriotic eagle "CHESTERVILLE, OHIO 1849", 74" by 83". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Discoloration.

American, 1847. A two-piece coverlet woven in blue and white, the longer sides having a border of birds and flower pots, the lfoot border with the same flower pots, the centerfield with floral designs, the corner blocks "CARO / LINE / L MC / MURPHY / 1847", 79" by 74". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Stains, discoloration.

Delaware County, Ohio, 1861. A two-piece coverlet woven in blue and white, three sides having a border of birds and garlands, a centerfield of floral medallions and sunbursts, the corner blocks with hearts and floral elements "GABRIEL / RAUSHER / 1861", 88.5" by 70.25". Rausher appears in the 1850 Census as a 47-year old weaver living in Delaware County. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Stains.

Columbiana County, Ohio, 1849. A two-piece ccoverlet woven in red, gold, and blue, three sides having a bird and floral border, the centerfield with rose and geometric medallions, the corner blocks with a floral vase "COLUMBIA / NA HE / 1849", 78" by 65.5". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, repairs around seam.

Holmes County, Ohio, c. 1839. A two-piece coverlet woven in red, blue, and green, three sides having a border of flower pots alternating with birds in a tree, the centerfield with rose medallions, corner blocks depicting a building with a cupola and "HOL: CO: / 1839". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss.

Stark County, Ohio, 1839. A two-piece coverlet woven in blue and white, bird and flower border on two longer sides, flower basket foot border, centerfield with floral medallions and geometric stars, corner blocks "JM SLUSSER / CANTON / STARK / COUNTY / OHIO 1842", 76.5" by 67". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Minor fringe loss and staining.

American, 1856. A two-piece coverlet woven in red and blue, double grapevine borders on three sides with knotted fringe, floral medallions and wreaths in centerfield, each corner with four corner blocks with flower pot and "1856 MAD", 78.5" by 63.5". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some light wear near top. Overall good condition.

American, 1858. A two-piece coverlet woven in red, gold, and blue, double grapevine borders of one style on longer sides with double grapevine foot borders of a second style, rose medallions and geometic star medallions in centerfield, each corner with four corner blocks with flower pot and "1858. MADE", 84.5" by 63.5". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss.

Champaign County, Ohio, 1853. A two-piece coverlet woven in black, red, and green, with vining floral border on three sides, centerfield with oversized floral medallions, corner blocks with client name in corners "MADE BY /J WIRICK / IN ST. PARIS / CHAMPAIGN / CO OHIO / 1853 FOR / BENJAMIN / F. PENCE", 90" by 69.5". John Wirick was born c. 1808 and worked in Clark County, Ohio before moving to Champaign County. In the 1850 census, he was listed as a 42 year old weaver. His son, William, aged 16, was also listed as a weaver. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, some stains.

Marion County, Ohio, 1855. A two-piece coverlet woven in blue, gold, and red, vining border pattern on three sides, centerfield with geometric bursts and rose medallions, corner blocks with client name "WILLIAM / FORSTER / MARION / MARION / COUNTY / OHIO 1855 / RUTH / MILES". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. No fringe, some holes.

Lorain County, Ohio, 1851. A two-piece coverlet woven in blue and white, bird and bush border on longer sides, flower urn foot border , centerfield with eight point stars in plumed wreaths, corner blocks with client name "HANAH S /THAYER / WOVE / BY-GW / LASHELS / HUNTING / TON / 1851", 85" by 70.5". George W. Lashels lived in New York between 1833 and 1840 and then moved to Ohio about 1840. He is listed in the 1850 Ohio Census as a 44-year-old weaver. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, some holes.

American, mid-19th century. A two-piece coverlet woven in blue and white, a grapevine border on three sides and a centerfield of repeating grapevines, corner blocks with stars and date "1858", 87" by 77". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Staining.

Richland County, Ohio, 1838. A two-piece coverlet woven in red and green, bird and bush border on longer sides, vining floral foot border, centerfield with rose medallions and large flowers, corner block "RICHLAND / COUNTY / TROY TOW / NSHIP STA / TE OF OHIO / 1838 / F. BRUBAKER", 87" by 72". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, top ragged.

Ohio, 1841. A two-piece coverlet woven in blue and white with a center seam, double vining floral border on longer sides, double flower basket foot border, centerfield with peacocks and turkeys, four corner blocks, signed and dated in lower borders "S.B. REBLOTH 1841", 82" by 72.5". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, holes, staining.

Richland County, Ohio, 1843.Two coverlet panels woven in red, blue, and gold with bird and bush borders. Centerfields with floral medallions. Corner blocks "MADE BY / J. HARTMAN / MILTON / TOWNSHIP / RICHLAND / COUNTY / OHIO / 1843", 83" by 32.5" and 85" by 31.5". John Hartman (c.1807-1888) was born in Germany. He and his brother, Peter (1797-1876) immigrated to the United States, moved to Ohio, and opened their own weaving businesses. John wove coverlets in Richland, Ashland, and Wayne Counties, Ohio. His extant coverlets date from 1839-1857. His older brother presumably immigrated first, settling in Harrisburg, Pennsylvania before moving west to Ohio. The weavers were Mennonites who fled their German homeland to escape religious persecution and economic pressures. Peter was a Mennonite preacher as well as weaver. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Previously owned by Mrs. J.P. Kosht (1817-1917). [see attached note in photos] Fringe loss, holes, staining.

Richland County, Ohio, 1838. A coverlet woven in red, blue, and white with bird and rose bush border on three sides. Centerfields with rose medallions and flowers. Corner blocks "MADE BY / J. HARTMAN / MILTON / TOWNSHIP / RICHLAND / COUNTY / OHIO / 1843", 86" by 75". A bio of John Hartman provided by the Smithsonian: John Hartman (c.1807-1888) was born in the German States of the Holy Roman Empire. He and his brother, Peter (1797-1876) immigrated to the United States, moved to Ohio, and opened their own weaving businesses. John wove coverlets in Richland, Ashland, and Wayne Counties, Ohio. His extant coverlets date from 1839-1857. His older brother presumably immigrated first, settling in Harrisburg, Pennsylvania before moving west to Ohio. The weavers were Mennonites who fled their German homeland to escape religious persecution and economic pressures. Peter was a Mennonite preacher as well as weaver. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Small hole, discoloration.

Holmes County, Ohio, 1845. A two-piece coverlet woven in blue, red, and dark blue, bird and rose bush border on three sides, centerfield of rose medallions and 16-point starbursts, corner blocks with flower pot "BERLIN / 1845", 82" by 67". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss.

Wayne County, Ohio, 1835. A two-piece coverlet woven in blue and white, a vining border and narrow eight-point star border on three sides, a centerfield of rose medallions and flowers, corner blocks "CH S / MEILY / WAYNE / COUNTY / OHIO", 74.5" by 66". Charles S. Meily worked in Mansfield c. 1835 to 1848. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. No fringe.

Wayne County, Ohio, 1847. A two-piece coverlet woven in blue and white, a bird and bush border on three sides, a centerfield of two medallion designs, corner blocks "DANIEL / LEHR / DALTON / WAYNE / COUNTY / OHIO 1847", 75" by 69". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, holes, staining.

Wayne County, Ohio, 1840. A two-piece coverlet woven in blue, red, and gold, a grapevine and floral border on three sides, a centerfield of grape and floral medallions, corner blocks "PETER / HARTMAN / WOOSTER / OHIO / 1840", 86" by 76.5". Peter Hartman (1797-1876) was a German immigrant who first lived in Pennsylvania before moving west to Ohio. Peter worked as a weaver with his brother John from 1837-1839, but in 1840 Peter married and moved and began producing coverlets and designs on his own. This coverlet is from his first year in Wooster. It is believed that a third brother, David, helped obtain orders for coverlets via his tailoring shop in Wooster. Peter created over twenty different coverlet designs. Hartman was the first weaver that Dr. Gunn researched and his work sparked her passion for collecting coverlets made in Ohio. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Minor fringe loss and blue staining.

American, mid-19th century. A two-piece coverlet woven in red and green, a grapevine and floral border on the two longer sides, flower pot foot border, the centerfield with grape clusters and floral medallions, corner blocks with starburst design, 83" by 73.5". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Some wear.

American, mid-19th century. A two-piece coverlet woven in red and blue, a grapevine border on two sides, floral foot border, centerfield with four large floral medallions, corner blocks with flower stems, 76" by 76". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, holes, wear, losses.

Wayne County, Ohio, 1858. A two-piece coverlet woven in pink and dark brown, a tulip border on the longer sides and a flower foot border, the centerfield with octagons, squares, chevron lines, and foliate medallions, the corner blocks "WOVE BY / AJ SIEGENT / HALEB / WOOSTER / OHIO 1858", 77" by 73". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, stains, repaired.

American, 19th century. A two-piece coverlet woven in green and cream, double rows of eight point stars bordering three sides, the centerfield with large sunbursts, small floral medallions, and vining florals, the corner blocks each with four leaves, 89.5" by 79". Tag sewn to one edge "64.68 LOAMAN". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Stains.

American, c.1830-1840. Five coverlet panels, including a Wayne County Ohio example wove by P. Beidenthal in 1838 with architectural borders, 81.5" by 37.5", two small overshot coverlet panels woven in red, white, and blue, 33.5" by 23" and 33" by 23.5", and two coverlet panels woven in red and blue with bird, tree and eight-point star borders, floral medallions and starbursts in the centerfields, corner blocks signed and dated 1834, 98" by 37", 105.5" by 37". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Beidenthal panel has stains, fringe loss, and holes; overshot coverlets have areas of wear, Harting coverlet has small fringe loss.

American, mid-19th century. A two-piece coverlet woven in red, blue, and white, double architectural borders on three sides, corner blocks of four church buildings on each side, the centerfield with medallions and starbursts, 93" by 81.5". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Stains.

American, mid-19th century. A two-piece coverlet woven in pink and white, double borders of flower baskets and small cabins on longer sides, a wide floral foot border, floral corner blocks, and a centerfield of tulips surrounding starbursts and small floral medallions, 89" by 74". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, stains, and holes.

American, mid-19th century. A two-piece coverlet woven in blue and white, border of two rows of eight-point stars on three sides, corner blocks of leaves, centerfield of large sunburst with smaller floral medallions and vining flowers, 83" by 68". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Stains.

Richland County, Ohio, 1850. A two-piece coverlet woven in blue and white, grapevine border on longer sides, floral foot border, floral corner blocks, centerfield of plumed wreaths, inscribed beneath foot border "FRANKLIN TOWNSHIP RICHLAND COUNTY STATE OF OHIO 1850", 83" by 68". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, stains, and holes.

Perry County, Ohio, 1860. A two-piece coverlet woven in green, red, and blue, flower basket and rosebush border on three sides, centerfield of tulips and fern-like leaves, corner blocks signed "L. HESSE / WEAVER / SOMERSET / OHIO 1860", 88" by 69". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, areas of loss.

American, 1851. A two-piece coverlet woven in red, blue, and green, floral borders on three sides, corner blocks dated "1851" over four small rows of patterns, centerfield with tulip floral medallions, 89" by 72". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Minor fringe loss, stains.

American, mid-19th century. Two jacquard woven carpets, one in red, green, and brown, 155.5" by 34.5", and one in red, brown, and cream, 173.5" by 35.75". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Both have damage and tears. The red, brown, and cream runner has large rips and stains.

Stark County, Ohio, 1853. A two-piece coverlet woven in green and red, double flower basket border on all three sides with small houses on the longer sides and bushes on the foot border, centerfield with tulips surrounding floral starbursts and wreaths, corner blocks with floral medallions, signed at foot "1853 SEBASTIAN HIPP", 85" by 74.5". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Good condition.

Stark County, Ohio, 1852. A two-piece coverlet woven in red and blue, wide tulip borders on longer sides, tulip baskets on foot border, centerfield with medallion designs, corner blocks signed "JACOB / SNYDER / STARK / COUNTY / OHIO / 1852", 80" by 75". See Anderson's American Coverlets And Their Weavers, page 215 and Weaving a Legacy, pages 124 to 126. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss.

Seneca County, Ohio, 1844. A two-piece coverlet woven in red and blue, rose borders on three sides, centerfield with sunbursts and floral medallions, corner blocks signed "MANUFAC / TERD BY / G SCHOCH / SENECA / COUNTY / OHIO 1844", 78" by 67". George Schoch (1789-1848) was born in Pennsylvania but moved to Seneca County where he wove coverlets dated as early as 1838. He had a son Charles who is thought to have moved to Indiana and produced coverlets there. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss and areas of wear.

Morrow County, Ohio, 1858. A two-piece coverlet woven in blue and natural, grapevine borders on three sides, the longer side borders with a fence, centerfield of rose medallions, corner blocks "JOHNSVI / LLE / MORROW / COUNTY / OHIO 1858", 81" by 69". Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Large hole, significant wear, stains.

Crawford County, Ohio, 1852. A two-piece coverlet woven in red, green, and blue on natural, vining border on three sides, centerfield of sunbursts and flowers, corner blocks signed "JOSIAH / SLAYBAUGH / BUCYRUS / CRAWFORD / COUNTY / OHIO 1852", 85" by 67". Josiah Joseph Slaybaugh was born in 1824 in Adams County, Pennsylvania. Around 1844 the Slaybaugh family moved to Ohio. Josiah married Leah Bushong, from Stark County, but they settled in Crawford County. He and his brother Samuel wove coverlets together, but began weaving individually after 1848. Provenance: The Dr. Virginia Gunn Collection, Wooster, Ohio. Fringe loss, discoloration, stains.