Warren or Hamilton County, Ohio, pencil and chalk. Signed and dated 1830 on the reverse of one. Profile portraits of this handsome couple, she is wearing a horn comb in her hair. 9" high, 7" wide (sight), 17" high, 15" wide (overall). By tradition, the couple has been identified as Samuel and Margaret Smith. Geneaological research has identified multiple Samuel and Margaret Smiths of the right age and in the right place. These portraits are illustrated and discussed in Kern and Warwick, "Four Ohio Nineteenth-Century Folk Artists," in Magazine Antiques, August 2007. Very light toning, minor losses. UPDATE: he has a small hole in the upper left, and a water stain in the upper right. There is a faint ghost of a fold line across his cheek (no visible color loss).

Late 19th-early 20th century. Recumbant lion on a rectangular plinth. 6" high, 10" long. This form of lion is often seen in sewer tile, stoneware, and buff-colored clay, and is often associated with Mogadore or Akron. Chips to base.

Probably Ohio, 19th century, cherry and poplar. Dovetailed box with divided interior, and a lid with molded and carved details. 2.75" high, 6" wide, 10.75" long. Retains its original finish.

Toledo, Ohio, 20th century. Steel pot with chrome-plated hood. 8" high. Likely restored.

Fairfield County, 1820-1840, cherry and walnut/butternut. The interior with fitted drawers, pigeon holes and a central prospect, the lid with applied trim, over four graduated and cock beaded drawers flanked by carved reeding and sunbursts, resting on turned feet. Previously sold at Mike Clum Inc., Rushville, Ohio, in the 1970s. 47.5" high, 42" wide, 22" deep, 36" writing height. Refinished. Replaced brasses. Various repairs, including to central prospect door. Missing some interior poles and lid screws.

Marked for William Gale and Son, NY, retailed by Cowles and Albertson, Cleveland, 1850s. Floral repousse decoration, and engraved "Ohio State Board of Agriculture Premium." 3.75" high, 119g. Minor wear.

Late 19th-early 20th century. Includes a painted plaster bust of President James Garfield by John Meli, 17" high and a plaster bust of Mozart, 12" high. Each with wear and some surface losses, Garfield has a chip to his ear.

Oil on canvas, signed lower right and inscribed "View of Buzzardsroost as seen from Red Rock" and dated 1979 on the back. Framed. 38" high, 48" wide (sight). 40" high, 50" wide (overall). There are numerous overlooks named Buzzard's Roost, but the architecture includes early clapboard houses and thus suggests the Buzzard's Roost in Ross County, Ohio. Good condition.

Oil on canvas, signed lower left and dated March 3, 1907. Portrait of a young boy with blonde hair. In a gilt frame, 16" high, 12.5" wide (sight); 18.75" high, 15" wide (overall). The boy is believed to be Randolph F. Hayward (1901-1953), son of Pearl and Mabel Hayward of Springfield, Ohio. Good condition.

Oil on canvas, signed upper left. Half-length portrait of "Fighting Joe" in uniform. Unframed, 27" high, 22" wide. After much success in the Seminole and Mexican Wars, Hooker joined the Union Army as a brigadier general, and after more success (Antietam and Fredericksburg), he was placed in command of the Army of the Potomac. His disastrous loss at Chancellorsville eventually resulted in George Meade replacing him just before Gettysburg. Small puncture, and a couple of minor repairs. UPDATE: damage is visible in the photos; blacklight revealed a couple of minor (and old) repairs, one on his cheek, but they are not very visible to the naked eye.

Includes a framed copy of the Utica, New York, Saturday Globe, vol. V, no. 11, for July 25, 1885 (that includes stories of Grant's death), 22.25" high, 15.25" wide (overall); an early photograph of Grant's birthplace in Point Pleasant, Ohio, framed with a photograph of Grant's boyhood home in Georgetown, Ohio, 14" high, 9.25" high (overall); a framed fretwork "G" with "Our Commander" and, at center, a printed portrait of Grant, 19.75" high, 16.75" wide (overall); and an early photograph of Grant's boyhood home in Georgetown, 15.5" high, 18.5" wide (overall). Newspaper and photos with some toning; fretwork is loose in the frame.

Reno, Washington County, 1840s, mixed woods. Simple classical mantel, with peaked pediment. 62" high, 79" wide (overall), 41" high, 52" wide (opening). This mantel was salvaged from an 1840s house that was located in Reno, near where the Little Muskingum empties into the Ohio River. Old cream paint is flaking, and there is some charring at the opening.

Hocking County, Ohio, 1st half-20th century. Seated bulldog with black and red overglaze decoration. 9" high. Minor loss to the overglaze decoration.

Oils on canvas, c. 1857, he is signed lower right. In matching oval frames. 20" high, 15.5" wide (sight); 28.5" high, 24" wide (overall). The children are believed to be Caroline "Carrie" Neville (b. 1845) and Morgan Lafayette Neville III (1855-1907), the children of Morgan Lafayette Neville Jr. (1811-1855) and Caroline Matilde Dennison (1821-1910). The family lived in Columbus until the 1850s when they relocated to Cincinnati. Both need cleaned, some craquelure, some frame losses.

Made for L.M. Shrimplin for Mary Gaines in 1925, ink on paper. With a bird at the center of a wreath. In a period/original frame. 13" high, 15" wide (sight). 17.5" high, 19.5" wide (overall). Mary Gaines McGibeny (1908-1993) was born in Highland County, Ohio, and married John Robert McGibney (1907-1997) of Knox County, Ohio. L.M. Shrimplin was from Knox County. Lena Maude Shrimplin (1874-1952), the artist, married John Henry Penhorwood (1865-1923). Light toning, not removed from frame for examination.

Oil on canvas, signed and dated 1835 on the back. Half-lenghth portrait of a stern man, with long hair, and wearing a white suit. Period/original gilt frame. 26.25" high, 22" wide (sight); 33.25" high, 29" wide (overall). Reverend Joseph Thomas, also known as The White Pilgrim. Born in North Carolina in 1791, he moved to Madison County, Ohio in the 1820s. He spent much of his life traveling and preaching. He began wearing all white in 1814, earning him his nickname. He died in 1835 while in New York. It was during this trip that this portrait was painted by William Hillyer, a British-born artist who had just married and was painting portraits in New York. A couple of minor repairs, wear to frame, needs cleaned.

Ohio, mid-19th century, oil on canvas. Small, oval portrait of a young man in a black suit. Original frame. 9" high, 5" wide (sight); 14.75" high, 13" wide (overall). According to tradition, the subject is Darwin E. Gardner (1819-1867) of Marietta, Ohio (though he looks a bit young to fit those dates well). Frame has a crack along the bottom.

Oil on canvas, signed "AJ" or "AI" Poe and dated February 1911, and also inscribed "M Lowell", all in the lower right. Tranquil scene with a charming house with a stone chimney. Unframed, 24" high, 32" wide. This was likely painted by Andrew I. Poe, who studied at the Cincinnati School of Design before moving east to Pennsylvania. It is not known to what the "M Lowell" refers. Needs cleaned, L-tear in the tree on the right.

Possibly Richland County, Ohio, late 19th century, appears to be pink sandstone. An African-American head, with the number "1701" carved into the forehead. 10" high. This may have been the head from a figural gate post and the number is the house number. Some of the minor flakes and scuffs reveal a pinkish color to the stone. In the 19th century, the Mansfield area was known for its pink sandstone. See https://richlandcountyhistory.com/2020/01/01/the-seven-hills-of-mansfield/. Wonderful, original, weathered surface, with some minor scuffs and flakes.

Attributed to Union County, Ohio, c. 1940. Modified snowball, with blue zig-zag border. 76" square. Bright colors, very minor staining.

West Virginia, c. 1925. Unfinished (unbound, each block is backed). 82" by 73". From the Harlow/Schwindler estate, Roane County. Bright colors, toning and staining to the back.

Attributed to Union County, Ohio, early 20th century. Blue embroidered stylized design, and with a crochet edge. 88" square. Scattered light stains.

Oils on canvas. Autumnal landscapes in their original frames. 16" high, 20" wide (canvas), 22.5" high, 26.5" wide (overall). These were purchased out of their original home in South Charleston, Clark County, Ohio. On the stretcher of each painting is the original art supply label from T.C O'Kane of Delaware, Ohio (active in the 1870s). Also on those labels is written "Miss Mattison" (incorrectly "Miss Madison"). This is likely Ruth Mattison, who was born about 1845 to Matthew and Margaret Mattison of Clark County, Ohio. Ruth never married and remained at home, dying in 1922. As-found, "attic" condition; one with minor bump and loss, the other with puncture and 3/4" diameter loss, both need cleaned, framed with some loss and both frames repainted

1820-1840, cherry. Rectangular drop leaves on six turned legs. 29.25" high, 19.5" wide (closed), 47.25" deep. Old or original finish, one leaf warped, minor losses at hinge rail.

Oil on canvas, c. 1800. Half-length portrait of the young Tupper wearing civilian clothing. In a period/original frame. 24.5" high, 19.5" wide (sight); 28" high, 23" wide (overall). There are several notations on the back, including an ownership inscription by Rowena Buell (1870-1960) of Marietta, Ohio, and a note that the painting was cleaned, lined, and revarnished in 1929. During that restoration, the back of the new canvas was inscribed, ?The Inscription on the back of the original canvas is: GEN. E.W. TURPEN by G. STUART attributed to Jeremiah Paul?? and then it becomes illegible. Simply put, we can find no General E.W. Turpen (or Turpin) in the documentary record. However, if that last name were not clearly written, ?Turpen? may have been a misreading of ?Tupper.? General Edward White Tupper (1771-1824) was the son of General Benjamin Tupper (1738-1792), one of the founders of the Ohio Company of Associates. All of Benjamin?s sons were in the military, Edward rising to the rank of general, and serving during the War of 1812 and participating in an attempted arrest of Harman Blennerhassett for being part of the Aaron Burr plot. In The Tercentenary Dedicatory Volume of the Tupper Family Association of American (1939), a Stuart portrait of Edward is referenced via a photograph of it owned by Minerva Tupper Nye of Marietta. Tupper?s brother-in-law, Winthrop Sargent (1753-1820) sat for Gilbert Stuart (that portrait is currently in the collection of the Diplomatic Reception Rooms of the State Department), so through that family connection is likely how Edward sat for Stuart. The location of the original Stuart of Tupper portrait is unknown. While it does seem that this portrait is an early (nearly contemporary) copy of the Stuart portrait, it has not been confirmed that the copyist was Jeremiah Paul (1771-1820). Presumably, Tupper sat for Stuart in his Philadelphia gallery about 1800 or so. During this time, Paul was in Philadelphia, and is known to have associated with Stuart, so Paul copying a Stuart portrait is certainly a good possibility.While we don?t know the specifics of how this period copy of the Stuart portrait entered and descended in the Tupper family, it seems to have descended through Edward?s Minerva Tupper (1768-1836) to her great granddaughter, Rowena Buell, who is likely the one who had the painting restored in 1929. Lined, some repairs and inpaining, craquelure, and some losses.

The Life of Warren G. Harding by Willis Fletcher Johnson, 1923; The President's Daughter by Nan Britton, 1927; From Farm to White House: The Illustrious Life and Work of Warren G. Harding By Thomas H. Russell, 1923; The Strange Death of President Harding, from the diaries of Gaston B. Means as told to May Dixon Thacker, 1930; In Memoriam: Warren G. Harding, Late President of the United States, compiled by the Joint Committee on Printing, 1924; Last Speeches of President Warren G. Harding, Delivered on His Alaskan Tour June to August 1923 reported and compiled by James W. Murphy; The Inside Story of the Harding Tragedy by Harry M. Daugherty in collaboration with Thomas Dixon, 1932. All generally good with some wear.

Oil on canvas, titled and signed lower right. Depiction of the Confederate seizure of the Detroit-Sandusky steamer in September of 1864. In an oak frame. 29.5" high, 39.5" wide (sight); 32" high, 41.5" wide (overall). The seizure of the boat off of Kelley's Island was successful, but the plan to then capture the USS Michigan was not; the 20 or so Confederates abandoned the Philo Parsons. Good condition.

Oil on canvas, signed upper left and dated July 23, 1914. Portrait of a teenage boy with blonde hair. In a gilt frame, 19.5" high, 15.5" wide (sight); 28.75" high, 24.75" wide (overall). The boy is believed to be Randolph F. Hayward (1901-1953), son of Pearl and Mabel Hayward of Springfield, Ohio. Canvas mounted on board, some loss to the frame.

Various works utilizing found objects. Cactus is 9.5" high. Clay was a West Virignia coal miner until he moved to Columbus in the 1960s where he became a maintenance worker at OSU. In the 1970s, he began making art using found materials. He was included in the 2007 "Roots and Legacies" exhibition at the Wexner Center for the Arts. Generally good.

Includes a Brown Maxwell and Co. paperweight memorializing the assassination of President James Garfield, two early Ravenna, Ohio lily pattern paperweights, and one later Ravenna lily pattern paperweight. 2.75" to 3.5" diameter. All with some surface wear/scratches, and a few minor bruises.

American, late 19th-early 20th century. Incised lines for blocks and molded chimney. Unmarked. 8" high, 8" wide, 4.5" deep. Large chip at one corner of the roof, otherwise good.

Cincinnati, Ohio. Includes a shape 2078, 1927, in a green-blue glaze, 5" high, a shape 2127, 1917, in a green and red matte glaze, 4.75" diameter, and a small petal-form vase in a mottled green glaze, 3" high. Small green vase with applied piece in foot ring, apparently as-made, that obscures the mark.

American, late 19th-early 20th century. Group includes a doll head, bald head, pig figure and small stump vase. 4" to 5.5" high. Bald head has chips on both ears, pig has in-the-making crack on the back of the head, otherwise good.

America, 2nd quarter-19th century, oil on canvas. Portrait of a stern gentleman in black. In a period/original black-painted frame. 28.5" high, 23" wide (sight); 34.25" high, 28.75" wide (overall). The judge is believed to be Ohio Supreme Court Justice Elijah Hayward (1786-1864). He served a mere 10 months on the Ohio Supreme Court and was better known as a newspaper editor and the state librarian. Restretched but does not appear to have been lined.

Includes two CDV-sized photographs of Grant, 8.25" high, 9.5" wide (overall); a print of Grant and his generals (from Harper's or a similar newspaper/magazine), 16.5" high, 22" wide (overall); an issue from the Adrian Daily Times of Adrian, Michigan, for Tuesday, March 31, 1885, with stories about Grant, 24.25" high, 17.75" wide (overall); and a photograph of Grant and his family on their porch, apparently taken just a few days before he died, 9" high, 11" wide (overall). All with some toning and staining.

American, late 19th-early 20th century. Two sewertile, two pottery. 3.75"to 4.25" high. One bank has several chips on the top, the othrs are in good condition.

Probably the Ohio River Valley, mid-19th century, oil on canvas. Luminous view, with figures on shore, in a boat, and with a large brick building on the far shore. In a period frame, behind glass. 27.5" high, 38" wide (sight); 31" high, 41.5" wide (overall). Needs cleaned, a few spots and minor losses, the canvas is backed by (probably) artist board, but appears as made (or at least very early).

All oils on canvas. Includes a portrait of John Hancock Klippart (1822-1878) by Silas Martin (1841-1906), unframed, 18? high, 14.5? wide; a portrait of his wife, Emeline Rahn Klippart (1829-1823) by John Henry Witt (1840-1901), in its original oval frame, 31? high, 27? wide (overall); and a portrait of their daughter, Josephine Klippart (1848-1936) by Silas Martin, unframed, 27? high, 22? wide. John Klippart served as secretary of the Ohio State Board of Agriculture from 1856-1878, and daughter Josephine was an accomplished artist who helped with the illustrations for Genevieve Jones?s Illustrations of the Nest and Eggs of Birds of Ohio (1886). Josephine has a few small punctures; Emeline has significant losses; John has been removed from his stretcher and has numerous losses.

Anna, Illinois, dated 1876. Brown glaze with incised "1876." 2.5" high, 3.75" diameter (excluding handle). The attribution comes from Ellen Denker (author of The Kirkpatricks' Pottery at Anna, Illinois, 1986). Additionally, a comparison of the incised "1876" on this pot with other 1876 dates on marked Anna pieces strongly supports the attribution. Glaze pops and other as-made defects, but no damage noted.

Probably painted in Ohio, oil on canvas, c. 1852. Oval portrait of Kossuth in uniform. In its original frame. 26" high, 21" wide (sight); 35" high, 31" wide (overall). Kossuth was a Hungarian lawyer andpolitician who was one of the leaders of the 1848 Hungarian Revolt. When defeat at the hands of Russia was imminent in 1851, Kossuth fled to the US and visited Cleveland. There he impressed with his oratory, and it was also likely there that this portrait was painted. Frame damage, gesso loss, cracking, painting needs cleaned, craqeluer throughout, some paint loss, 2 minor canvas holes in left side of jacket.

Oils on artist board, all inscribed on the back. Included are studies of German author Luise Muhlbach (1814-1873), English author and poet and champion of women's rights Eliza Cook (1818-1889), and General George Henry Thomas (1816-1870). All are about 14" high, 12" wide and unframed. These are three of apparently a dozen studies that were presented to the Klippart family. All with minor damage to the edges.

Bremen, Fairfield County, 1820-1840, cherry and poplar. The upper section with two eight-pane doors, the lower section with two panel doors and a shaped skirt. 90" h., 58" w. Requires a 36" corner. Purchased by the consignor in 1967 from the original family on the original family farm in Bremen. Refinished. Retains original glass (one pane is cracked). Replaced lock and lower pole.

Cincinnati, Ohio. Includes a shape 6833 vase, 1949, in an aqua glaze, 6.5" high; together with a shape 6132 bowl, 1931, in a matte pink and green glaze, 7.25" diameter. The aqua vase has one tiny glaze pop, the bowl has some surface dirt, neither has cracks or chips.

Probably Swiss, late 19th-early 20th century. Mid-sized box that plays 12 tunes, including "My Old Kentucky Home." 5.25" high, 17.25" wide, 8.5" deep. Original faux rosewood paint decoration with some wear and loss (worst to the faux inlay on top), no missing teeth, currently functions, but we make no guarantees.

Late 19th century, walnut and poplar. Two-piece, the upper section with two four-pane doors and the lower section with two raised panel doors. 89" h., 45" w., 17" d. This bookcase descended in the family from Homer A. Holt (1898-1975). Burn in Lewisburg, Holt was a West Virginia lawyer and politician, and he served as governor from 1933-1937. It is not known if Holt collected this bookcase or if it was a family piece. His grandfather was also Homer A. Holt (1831-1898) and also a lawyer. Either way, it's likely this bookcase was made in West Virginia, probably in the Lewisburg area. Refinished. Missing upper door latch, missing proper left cornice, original glass.

Oils on canvas, 1860-1875. Both seated portraits of older gentlemen. Unframed. 42" high, 34" wide. The gentleman without the spectacles is believed to be Frank Lord (1833-1873). Given the similarities in the size and style of the portraits, the other may be one of Frank's brothers as both descended in the Lord family. A note on the back attributes one painting to Thomas Buchanan Read (1822-1872). Both with numerous holes and paint loss, though neither has much damage in the head/face area.

Cincinnati, Ohio. Includes a matte vellum vase with Greek key (mark is difficult to discern), 5" diameter; together with a pair of shape 2635 candleholders, 1923, in a matte mustard glaze, 2" high. Vase with tiny flake at the rim.

American, late 19th-early 20th century, oil on canvas. Half-length portrait of the Ohio Civil War general in uniform. Unframed, 22" high, 18.25" wide. Anson George McCook (1835-1917) of Steubenville, Ohio, was the son of John and Catherine Julia Sheldon McCook and a member of the Fighting McCooks, an Ohio family that sent fifteen men to serve in the Civil War. During the war, he rose to the rank of brevet brigadier general, and following the war, he served as a U.S. Senator from New York. Two minor tears, including one on his nose.

1820-1840, curly maple, cherry, and poplar. One-piece, the upper section with one 12-pane door, the lower section with two drawers and two raised, paneled doors, all flanked by turned pilasters. 84" h., 45" w. Requires a 33" corner. Refinished, replaced pulls, retains old glass, some panes are loose, repair and some losses to upper door, one lower door loose.

Late 19th century. Bust-length portrait of the elder statesman, known as the Old Roman. Matted and framed. 15.5" high, 13.25" wide (sight); 31.75" high, 26.5" wide (overall). Thurman (1813-1895) was a fixture in Ohio and American politics in the late 19th century, serving Ohio in the U.S. House, U.S. Senate, and as a VP candidate under Grover Cleveland in the 1888 campaign. Even toning, small tear in upper corner.

Signed lower right and dated 1864 and 1865. Large-format depictions of a large Amazonian water lily, both open and closed. Period/original frames. 18.5" high, 24" wide (sight); 24.25" high, 30" wide (overall). The Victoria Regia is also known as Victoria Amazonica and is the second largest water lily. The watercolors are likely based on Walter Hood Fitch's illustrations in the 1851 Illustrations of the Royal Water-Lily. There is a Jennie Cullum who was born in Jefferson County, Ohio in 1851. Her family moved west and she died in Kansas in 1936. Even toning, light water staining, one has been matted, neither were removed from the frame for examination.

Probably Jefferson or Berkeley County, 1810-1820, mahogany and pine. Bowed center with a drawer over doors, flanked by doors, resting on six turned legs. 39.5? h.,˜ 71.5? w., 22.5? d. Based on the note, the original owner was James Tully Coyle Sr. (1762-1842) of Berkeley County, Virginia (what is now the Eastern Panhandle of West Virginia). He married Elizabeth Howard (1776-1850). Upon James Sr.?s death (the note is wrong on his date of death), the sideboard remained in the home he shared with Elizabeth. Elizabeth appears to have remarried, likely moved into her husband?s home, and at that point, the sideboard went to James Tully Coyle Jr. (1819-1877), who moved about in Virginia (and what is now West Virginia) and Maryland, ultimately settling in Jackson County, Ohio (by 1854). Most likely, before heading west to Ohio, James Jr. passed the sideboard to his nephew, George Fayette Coyle (1852-1937), the seventh child of James?s older brother Edward Violette Coyle (1800-1890) of Jefferson and Berkeley Counties. And from George, the sideboard passed to his son, George Lacy Coyle (1890-1963), and thence to the current owner. Refinished. Replaced pulls in secondary holes, numerous minor losses to veneer and cock beading.

Pencil on paper, elaborately inscribed, signed, and dated 1907. Portrait of a seated young man wearing a suit. Matted and framed. 11.75" high, 9" wide (sight); 22.5" high, 18.5" wide (overall). The sketch is inscribed: "Snowy and Wintry Weather? in the upper left, ?Sketches at the Hospital? in the upper right, ?Sketched by inmate Jerome on April 14th, 1907 at 405 S. Fountain Ave. Springfield, Ohio? lower left, ? Pearl P. Hayward 33 [degree sign]? in the lower center and ?S. Jerome Uhl 4-14-07 with best wishes of many happy returns? in the lower right. Pearl Phillips Hayward (1874-1939) was from Springfield, served as a quartermaster sergeant in the 3rd Regiment Ohio Volunteer Infantry in the war with Spain, 1898-99. He worked as a mattress manufacturer. Even toning, drawing appears to be glued to backing board, but not removed from frame for examination.

Signed and dated 1896. Plaster bust of the artist's grandfather, resting on its original (but separate) plinth, 25" high (overall). Losses.

Probably Ohio, 1820-1840, walnut and poplar. Larger size, rectangular top with one drawer over tapered legs. 29.5" high, 33.25" wide, 36.75" deep. Old refinish, some surface scratches, replaced pull.

c. 1860, oil on canvas, unsigned. Bust-length portrait of a 40-something man in black suit. Oval format in its original frame that retains an art supply label for A.P.C. Bonte, Cincinnati, Ohio. 26" high, 21" wide (sight), 34" high, 29" wide (overall). Needs cleaned, some craquelure, minor frame losses.

American, late 19th century, walnut and poplar. Spread-winged eagle perched atop a book. Elaborate carved feather details. 14.5" high, 32" wide. Retains its original finish with dry and partially alligatored surface, left wing with old repaired break (clean break, repair is a bit loose and could easily be redone and made nearly invisible).

American, late 19th-early 20th century. Stylized head of a man with short hair. 7" high. Fragment, from a larger piece, with wear and minor chips.

Signed in the casting. Life-size bust of Smith, with her hair up. Quotes from Goethe, Tennyson, Renan, Virgil and Dante cast into the the plinth. 27" high. Dunbar was a Canadian-born sculptor who spent his career in DC and whose other subjects included Sitting Bull and Frederick Douglass. Charlotte Buffet Smith was the wife of noted microbiologist Erwin F. Smith. She died young, only in her 30s. Retains its original patina, with some wear on the high points.

Signed in the casting and dated 1920. Profile portrait plaque, with quote below: "AGGRESSIVE FIGHTING FOR THE RIGHT IS THE NOBLEST SPORT THE WORLD AFFORDS." 12.75" high, 10" wide. Retains its original patina.

American, 2nd quarter-20th century. Caricature African-American butler, holding a a red enamelware tray. 35" high. Retains its original paint, breaks to feet and hand, some paint loss to the base.

American, late 19th century, painted plaster. Depiction of Grant, Lincoln, and Stanton. 24" high. "Rogers Groups" were a series of 80 plaster sculptures created by John Rogers (1829-1904). Their affordability made them popular with the growingg American middle class. Expected minor wear and some losses.

New York or Philadelphia, 1815-1830, mahogany and poplar. Chest with a rolled top drawer over two large drawers flanked by half columns, surmounted by three small "glove" drawers and a mirror supported by carved brackets; all on turned feet. 67" high, 36.75" wide, 22.5" deep. Retains turn-of-the-20th-century label from Peter J. Klein, an antique dealer in Buffalo, NY. Retains its original finish, including black and gold stenciling on the drawers, mirror, columns, and feet.

American, 19th century, poplar. Small, open book on top of a larger book, carved from a single piece. 7" long. Retains its original finish, minor wear to the corners.

Found in South Carolina, late 19th-early 20th century. Tall, tapered cylinder, with loop handles and a slightly domed lid. 25" high at the handle. Leans slightly, great original surface, a few minor breaks

Oil on canvas, signed lower left. Expansive view of a small river, with two figures in a boat, and a mountain in the background. In its original gesso and gilt frame. 232.5" high, 41.5" high, (sight); 33.5" high, 51.75" wide (overall). 1.5"x.5" L-shaped tear near bottom right corner, needs cleaned, pin hole in each corner on the canvas, frame wear on canvas edges.

American, mid-19th century, oil on canvas. Half-length portrait of a man in a black suit and with shoulder-length hair. In a period/original frame. 26.25" high, 21.25" wide (sight); 31" high, 25" wide (overall). By tradition, the portrait is of a Mr. Bromley of Kentucky. Additionally, an old, damaged note on the back suggests that this was painted by Hea[illeg], the court painter to Louis Phillippe. None of this information could be confirmed. Needs cleaned, a few minor spots of damage.

Mezzotint engraving by Alexander H. Ritchie (1822-1895), after the painting by Francis Bicknell Carpenter (1830-1900), and published in 1866. In a period/original frame. 23.5" high, 33.5" wide (sight); 29" high, 39" wide (overall). Toning and some water staining.

Lithograph by John Henry Buford (1810-1870) after the painting by Ralph Eleaser Whiteside Earl (1785-1838) and published by William Pendleton, Boston, 1832. In an early 20th-century frame, 23.5" high, 17.5" wide (overall). Toning, cut/crease near the top margin, closed tear at the left margin, not removed from the frame for examination.

American, 1st half-20th century. Large size bulldog, with original paint decoration, 14" high; together with a sleeping cat with original black paint, 9.5" long. Dog with repair and tight hairline, both with minor losses.

Dempster Mill Mfg., Beatrice, Nebraska, late 19th century, cast iron. 16.5" high, plus modern base. Retains old brown over earlier red paint, with wear and losses.

American and European, 19th century. Includes a set of four canns, three plates, a basin, a coffee pot, and a teapot marked for Josiah Danforth, Middletown, Connecticut. The coffee pot is 10" high. All pieces with wear and dents/bends.

New York, mid-late 19th century, handcolored lithographs. Eight from the series of white kittens in humorous scenes. All in period or vintage frames, generally 12"-14" high, 15"-18" wide (overall). All with some toning and staining, none removed from frame for examination.

Includes 7 bound volumes of Harper's New Monthly Magazine, 8vo, bound in quarter leather over cloth boards. Includes v. XXXII (12/1865-5/1866), XXXV (6/1867-11/1867), XXXIX (6/1869-11/1869), XL (12/1869-5/1870), XLII (12/1870-5/1871), L (12/1874-5/1875), LXVIII (12/1883-5/1884). Together with Edward Strahan's Chefs-D'oeuvre D'Art of International and Other Exhibitions (George Barrie, 1884); and volumes 42-45 of Scientific American (1880-1881). Both in quarter leather over cloth boards. Fair to good; some bindings are going (spine separation and losses, text block has even toning but in generally clean.

American, c. 1940. Nine-patch in green and white. 88" by 74". Scattered light stains.

New England, early 19th century, birch and pine. Boldly carved and turned posts, shaped headboard, and retaining its original red and black, faux rosewood paint decoration. Posts are 6.75" high, outside dimensions are 51.5" wide, 75.5" long. Ex Jim Dawson (Kentucky), sold at Garth's Auctions, October 22, 2004, lot 92; ex Austin Miller (Ohio). Minor wear, original rails, lacking canopy. NOTE: a custom-made mattress is available to the buyer of this bed.

American, c. 1935. With a green border. 74" square. Scattered fading in the green, mostly to the fold lines.

American, late 19th-early 20th century. 5 graduated shelves with scroll-cut backsplashes, and on spool support. Retains its original painted surface. 50" high, 24" wide, 12" deep. Good; great surface, top shelf is crooked (as-made) and has a repair to the crest.

American, 2nd quarter-20th century. Popcorn Diamonds, 92" by 81" and Square in Square, 92" by 89". Toning.

American, 19th century. Includes redware, stoneware, and Albany slip. One jug incised "Chester Park Brook Hill Whiskey." 2.5" to 3.75" high. Most with wear and minor flakes.

American, mid-20th century, painted on an old roadsign. 24" high, 30" wide. Good.

English, 19th century. With elaborate decoration including earthworm, cat's eye, and stylized foliage. 8.5" high. Hairlines, a few chips, staining, badly repaired spout

American, late 19th-early 20th century, mahogany. Hood with archcrest over a simple case,˜ the door with glass, and on paw feet. Brass movement with original decorated dial with Shakespeare related corner paintings, brass weights. pendulum, and key. 90.5" high. Seller reports that it does not currently run.

English, 19th century. Large bowl, with banded, earthworm, and cat's eye decoration. 4.5" high, 9.25" diameter. Hairlines, chips, interior wear and staining

English, 19th century. Both banded, the larger with earthworm decoration and the smaller with cat's eye decoration. 7" and 5" high. Each with crazing and staining, the larger with a possibly repaired spout, the smaller a few flakes and minor hairlines

English, 19th century. All banded, and includes seaweed (dendritic) and earthworm decoration. 8.25", 7", and 6" high. The largest with chips and stains, the mid-size with staining and repaired breaks, and the smallest with hairlines

American, 19th-20th century. Includes a Rockingham-glazed inkwell with mother and puppy spaniel, 4" long, a brown-glazed seated spaniel, 7.5" high, and a sewer tile bird, 5.5" long. The inkwell with a couple of glaze flakes (including on the nose), the seated spaniel with a glaze flake on one ear.

English, 19th century. Each with banded and earthworm decoration. 6.25" and 4.75" high. The larger with repairs, the smaller with chips and stains

English, 19th century. Includes a mocha or dipped ware pot with cat's eye decoration, 4.75" high; together with a pearlware pot with blue band, 4.5" high. Both with chips

English, 19th century. Includes three mugs and two bowls, some with seaweed (dendritic) decoration. Largest mug is 6.25" high. Each has some damage.

19th century. All with seaweed (dendtritic) decoration. Includes two bowls (12" and 5" diameter) and a cream pitcher, 4.5" high. Bowls with wear and staining, pitcher with chips.

19th century. Includes two canisters (one with earthworm decoration), a teapot, and a mug with cat's eye decoration. Teapot is 7" high. All with hairlines and/or chips, the teapot lid may be a marriage.

American, 20th century. Three with drip glaze, two with marbled glaze, one Rockingham. Some possibly Roseville. 2" to 3.5" high. Some chips and hairlines.

American, 19th-20th century. Mostly early clay marbles, but some vintage glass swirls. Contained in a Maytag Sanitary Cheese Preserver (5.5" high). Appear to be generally good with expected wear.

American, late 19th century, oak. Two-piece, the upper section with two glass doors, one panel door, and three small drawers; lower section with zinc-lined sink, three drawers, three panel doors, and pull-out work surface. 77.25" high, 50" wide, 24" deep. Old finish, retains original hardware, one upper door with loose joint, right end of lower section with broken hinge and loose parts.

American, 19th/20th century. Graduated set of 31 period brass bells on a well-made later leather strap. 94" long. Great old patina on the bells, nice natural age on the strap.

Pennsylvania, early 19th century, cherry and walnut. Broken-arch pediment with carved rosettes, inlaid tympanum and burl-veneer door, the case with spiral-twist doors and an oculus, and the base with a raised panel of figured veneer. The brass movement has a sun/moon dial wheel. 105" high. Retains its original finish, one sidelight is missing, the hood door is missing the pins to hold it in place, replaced finials.

Bristol, Connecticut, 1850s, rosewood. Reverse-painted upper tablet, mirrored lower tablet, and with a wagon spring movement. 18.75" high. Retains old/orignial finish, original tablets, moderate losses to the dial paint, not tested.

American, early 20th century. Figural white clay jug or bottle with head at the top and snakes on the body. Applied strap handle. Unmarked. 9.25" high. Small glaze chip on the rim, otherwise good.

American, late 19th-early 20th century. Group includes a mortar, two small bowls and a needle case with red, yellow, blue and white paint. 2.25" to 6" high. Mortar has several cracks, some wear to paint on needle case, bowls are in good condition with traces of original paint.

Terryville, Connecticut, 1833-1845, mahogany. Carved crest and columns, reverse-painted tablet, paw feet. 38.75" high. Old finish, restored paint on tablet, upper glass replaced, loss to escutcheon, retains pendulum, not tested.

Auburn, New York, 1831-1833, mahogany. Carved crest and ebonized columns, and with a mirror tablet, reverse-painted upper door, and on paw feet. 39.5" high. Original finish and paint, original reverse-painted side panels (minor losses) and upper tablet (cracked), likely original mirror (with losses), not tested

American, 19th-20th century. Includes three early banks in the forms of an apple, an orange, and a barrel, two advertising banks (Indiana Trust Co. and A.D. Matthews' Sons Brooklyn), a decorated pottery bank, and a treen bank. 3.5" to 4" high. All have some wear and minor flaking.

Possibly Virginia, 1810-1820, walnut. Rectangular tops with rounded corners on turned and reeded legs. 29? h., 48? w., 20? d. (closed), 81? l. (open). An early note on the underside indicates that it was purchased in Staunton, Virginia in 1939 by George Lacy Coyle (1890-1963). Refinished. Several repairs and restorations,˜ stabilized cracks along the hinge rail.

Virginia Craftsman reproductions, 20th century, walnut. Two-piece,˜ the upper section with one six-pane door, the lower section with one drawer and one raised panel door, on bracket feet. 81.5? h., 34.25? w., 18? d. Requires a 24? corner. Good, only minor wear.

American, late 19th century, painted plaster. Depiction of a phrenologist performing. 20" high. "Rogers Groups" were a series of 80 plaster sculptures created by John Rogers (1829-1904). Their affordability made them popular with the growingg American middle class. Expected minor wear and some losses.

Oil on canvas, signed lower left. Romantic view of castle overlooking a small chateau, with figures, cows, and a stone bridge. In a period/original black-painted frame. 27.5" high, 41.5" wide (sight); 33.5" high, 47.5" wide (overall). Needs cleaned, small hole in upper-right, sagging canvas, some minor paint loss.

New Jersey, 1840-1850, oil on canvas. Seated portrait of a man in black, with bushy muttonchops. In a period/original gesso and gilt frame. 30.25" high, 22.5" wide (sight); 39.5" high, 31" wide (overall). Inscribed on the back is "Abm Dickerson Chester Morris Co N Jersey." Abraham Dickerson (1814-1875) lived all his life in Morris County and worked as a carpenter. T-tear on left side, about 6" long; frame largely intact and with old/original surface.

New Jersey, 1840-1850, oil on canvas. Seated portrait of a man in black, with a high foreheard, on an Edward Dechaux canvas. In a period and elaborate gesso and gilt frame. 33.5" high, 26.5" wide (sight); 44" high, 37.5" wide (overall). Dickerson (1808-1883) lived his entire life in Chester and was a wealthy farmer, and ultimately listed in the death records as "Gentleman." Painting with craquelure and sagging, damage and loss to frame.

Depiction of an older man, presumably a Civil War veteran, standing near an encampment, and in the heavens is a robed trumpeter. Unframed. 30" high, 24" wide. Good; minor wear.

Possibly New York, late 19th century, watercolor/gouache. Matted and framed. 7" high, 5" wide (sight); 13.25" high, 10.75" wide (overall). According to Ancestry.com, the majority of Buttolphs in America lived in New York in the second half of the 19th century. Even toning, colors still bright, not removed from frame for examination.

Oil on canvas, signed lower left. Depiction of the raptor having just caught a meal. Framed. 23.5" square (sight); 26.5" square (overall). A few minor repairs, and a few small holes.

American, late 19th-early 20th century. Stoneware jug with impressed advertising, "County Corner, J.A. Hutchins, Family Grocer, Corner of Gay & High St.s, Baltimore". 8" high. Good

Engraved by Alexander H. Ritchie (1822-1895), after the painting by Daniel Huntington (1816-1906), 1865. Framed. 29.5" high, 39.25" wide (sight); 33.5" high, 43" wide (overall). Some toning and staining.

American, 19th-20th century. Includes a barn lantern, 14" high, a skater's lantern, 7.5" and another tin and glass lantern, 10.5" high. All with expected wear, barn lantern appears later.

American, 19th century. Includes betty and crusie lamps, a small tin lamp, and a hanging apparatus. Largest lamp is 7" high. Various wear and corrosion.

Retains partial maker's label in the upper drawer, probably Pennsylvania, c. 1825, mahogany, pine, and poplar. Two-piece construction; the upper case with a broken-arch pediment, bookcase doors with gothic arches, and two central pigeonholes flanked by stacks of two drawers; the lower section with three drawers flanked by columns, all on turned feet. 70" high, 40.25" wide, 18.25" deep. Refinished, minor veneer damage.

American, 2nd quarter-19th century, brass and marble. Central three-arm girandole in the Rip Van Winkle pattern, 17" high; with flanking girandoles with a mother and daughter, and with prisms,15" high. RVW girandole lacking prisms.

Includes a set of seven colorless mugs and an amber three-mold decanter made at Hale Farm in Bath, Ohio, and a collection of green drinkware probably by Jamestown. Pitcher is 7.5" high. Minor wear.

Mostly modern and made at Hale Farm (Bath, Ohio), though the heavy aqua cane is late 19th century. 14" to 49" long. A couple with broken tips (the shortest has lost a few inches).

American, 1st half-20th century, wool and cotton. Cathedral pattern in olive, black, and red, and with a pieced cotton back (including ticking). Initialed on back. 88" x 85". Some wear and minor losses

American, late 19th-early 20th century. Bushel-sized, round basket with loop handles. 21" diameter at the handles. Original surface, a couple very minor breaks

American, c. 1910. Pinshweels/scattered triangles in muted colors. 74" by 70". Minor fading and staining, mostly along the edges.

American, c. 1940. Overall Sam pattern in pale colors. 54" by 42". Even toning, minor staining, wear to the binding.

American, late 19th-early 20th century. Pottery vase and mug with similar incised decoration, stoneware bottle and small sewertile vase with double molded handles. 3.25" to 8.75" high. Small glaze flakes on largest vase, otherwise good.

American, c. 1940. Ruby McKim pattern in purple. 81" by 76". Some fading and minor staining.

New York, 1841, handcolored aquatints. Four views, one for each season: ?Spring, No. 2: Burning fallen trees in a girdled clearing, Western scene,? ?Summer, No. 3: A road accident, a glimpse thro' an opening of the primitive forest, Thornville, Ohio,? ?Autumn, No. 4: Gigantic sycamores, an ox team crossing the ford, Owl Creek, Ohio,?and ?Winter, No. 5: Impeded travellers in a pine forest, Upper Canada.? Identically matted and framed, 17.5" high, 10.75" wide (sight), 25" high, 18" wide (overall). Harvey partnered with Washington Irving to produce a monumental work of American scenes with Irving's text. Harvey completed about 40 watercolors, but the book project proved too expensive to complete as envisioned, and instead, the pair produced about 250 copies of a slim folio with only these four prints, along with text by Irving for each. Even toning, see photos

Probably Pittsburgh, Pennsylvania, early 20th century, cherry. Stylized angel standing near a small pedestal. 20" high. On the underside is an older typed note indicating that this was purchased from John Ramsey at 619 Arch Street, Pittsburgh in 1948 for $25. Retains its original finish, a few age cracks, pedestal appears to be missing part of the base and something that went on top.

American, 19th century. Small size, sleeping lamb on a rectangular plinth. 5.5" long. Wear and losses to edges/corners.

American, 19th-20th century. 17" and 15" long. Together with a dried but uncut gourd. Wear, one with a crack.

American, late 19th century, painted plaster. Depiction of a scene from the Boucicault play "Shaughraun." 20" high. "Rogers Groups" were a series of 80 plaster sculptures created by John Rogers (1829-1904). Their affordability made them popular with the growingg American middle class. Expected minor wear and some losses.

Signed on the plinth M.E. Cook, and dated 1916. Older gentleman wearing a necktie. 22" high. Original painted surface, numerous minor chips.

American, 1810-1825. Shaped leaves and reeded legs. 27.5" high, 21" wide (closed) 30.25" wide (open), 36" deep. Refinished, added brace to the underside, missing casters (retains brass caps).

American, 2nd quarter-19th century, oil on canvas. Half-length portrait of an officer in uniform. Edward Dechaux, New York stamp on the back of the canvas. In a period/original gilt frame. 29.5" high, 24.5" wide (sight); 37.5" high, 32.5" wide (overall). Two large corner tears flaking his head, canvas sagging a bit, need cleaned.

American, 2nd half-19th century, oil on canvas. Oval format, bucolic landscape with a man fishing and chatting with a woman. 17" high, 23" wide (sight); 23" high, 29" wide (overall). Some craquelure, minor paint loss, minor repairs. UPDATE: We removed this from the frame and found that the canvas was glued down to thick pasteboard, and the back of that pasteboard is dated May 1907.

American, 1825-1835, oils on canvas. Half-length folk portraits of two young men, one wearing a green vest, and the other wearing a blue coat. Painted by the same artist and in matching period/original frames. 23" high, 19" wide (sight), 29" high, 25" wide (overall). According to tradition, the two sitters are brothers and headed west together when gold was discovered in California. Each has some minor damage/repair, both have craquelure, both need cleaned, both frames have wear and loss.

Mezzotint engraving by William Sartain (1843-1924) after the painting by Samuel B. Waugh (1814-1885), and published by Badley and Co., 1866. Hanging on the back wall is a portrait of son Willie Lincoln, who died in 1962. In a period/original frame. 21" high, 27.25" wide (sight); 27" high, 33.25" wide (overall). Toning, with some staining, not removed from the frame for examination.

N. Currier, New York, lithograph. Titled "GRAND, NATIONAL, DEMOCRATIC BANNER" and under that "PRESS ONWARD." Matted and framed. 13" high, 9" wide (sight); 17.5" high, 13.5" wide (overall). Currier produced this handcolored small folio for the 1844 presidential election. Even toning, a couple of tiny pin holes, not removed from frame for examination.

American, 1st half-20th century. Includes a star pattern, 87" by 84", a Field of Diamonds with a green border, 105" by 77", and a fan pattern, 81" by 68". All with some staining and toning, losses to the star, fans is unwashed with visible pencil lines.

American, 1st half-20th century. Includes a Dresden plate, 84" by 68" and an improved nine patch, 67" by 63". Minor toning and staining.

New England, early 19th century, maple and birch. Turned posts are 78" high, outside dimensions are 51.5" wide, 75.5" long. Refinished, minor wear, original rails, replaced tester. NOTE: a custom-made mattress is available to the buyer of this bed.

Pennsylvania, early 20th century, watercolor. Portrait of an engine and tender from the Lehigh Valley Railroad. An attached newsclipping identifies the artist as young Theodore "Dory" Kitchen. Matted and framed. 11.5" high, 23.25" wide (overall). Theodore "Dory" Green Kitchin was born in Sergeantsville, New Jersey, on Jan. 29, 1871, to Jonathan Kitchin and Sarah "Sallie" Green. He married May Apgar in 1905 and is listed in the 1910 census as living with his parents and working as a civil engineer. In 1915, he and May were living in Lambertville, where he was working as a printer. He died in Trenton, NJ, Oct. 10, 1953. Toning and some staining.

Includes two dresses, woven blanket, lace, vintage table linens, etc. Most have some wear.

American, 19th century. Includes an ovoid jar with manganese splotches, 9" high; a small jar with a creamy yellow glaze, 7" high; and a shouldered jar with a brown glaze, 10" high. Ovoid with a hairline, other two with flakes and glaze loss, the tallest with hairlines on the underside

Late 19th-early 20th century, silk on wool. 93" by 47". Bright and crisp, no backing.

American, late 19th century, painted plaster. Depiction of John and Priscilla Alden. 22"high. "Rogers Groups" were a series of 80 plaster sculptures created by John Rogers (1829-1904). Their affordability made them popular with the growing American middle class. Expected minor wear and some losses.

American, late 19th-early 20th century. Includes one with a round top and its original grain-painted decoration. 29.5" high; together with a square stand with lower shelf, 31" high. Good; paint loss to top.

Probably Pennsylvania, 19th century. One with slip decoration, 8.5" diameter; and the other with a coggled rim, 9" diameter. Each with wear and chips.

English, 19th century. Molded, transfer-printed, enameled. 4.25" to 7" high. One handle is repaired.

19th century. Includes Adam's Rose. Plates range from 8.5" to 9.5" diameter, soup plate is 10" diameter, platter is 16" long. All with crazing, platter with short rim hairlines, soup plate with hairline, largest plate with chipped rim.

English, 19th century. All blue-edged. Large platters are 15" long, plates are 9" to 10.5" diameter. All with crazing and some staining, smaller platter discolored, some flakes and rim wear.

American, c. 1935. In red and brown printed fabrics. 82" by 70". Even toning, minor staining.

American, c. 1910. Red work, with various embroidered motifs, including cats. 73" by 62". Minor staining, and some minor red floss loss.

19th century, soft wood. Carved head, hands, and feet, as well as muscle details; fully jointed, including the waist. 19" high. Retains its original finish, some wear, minor losses (the worst at the waist joint), the head comes off of its ball joint, some of the joints are a little stiff.

American/English, late 19th-early 20th century. Clear bottle with paper mache overlay resembling tree bark. 8.25" high. English pottery bottle in the form of a keg marked "C. Poore, 110 Whitechapel Rd". 6.75" high. Small areas of paper mache missing on bottle, small rim chip on keg bottle, otherwise good condition.

19th century, pine. Carved head, hands, and feet, as well as muscle details; fully jointed, including the waist. 38" high. Retains its original finish, some wear, minor lossees (the worst is to the proper left hand), some of the joints are a little stiff.

American, late 19th century, painted plaster. Depiction of a teacher and two students. 21" high. "Rogers Groups" were a series of 80 plaster sculptures created by John Rogers (1829-1904). Their affordability made them popular with the growing American middle class. Expected minor wear and some losses.

American/European, late 19th-late 20th century. Group includes a contemporary plate with yellow slip decoration. 10.5" diameter. A contemporary large mug with black slip decoration. 3" high, 4.5"diameter. A portrait plaque dated 1881 and signed "T. Vogt". 8.5" diameter. A small bowl with blue and brown glaze. 1.25"high, 5.75" diameter. Small glaze flake on rim of small bowl, otherwise good condition.

American and English, mid-19th century. Includes 11.5" and 10.75" diameter plates (the smaller marked "LONDON"), and an unmarked inkwell, 3.5" high. Each with wear and some dents.

American, late 19th century, oil on canvas. View of a river with cows, a building nearby, and a house in the distance. In a period gilt frame, 23.5" high, 31.5" wide (sight); 28.5" high, 24.75" wide (overall). Tear in blue sky top middle, some paint loss and paint cracking, needs cleaned, frame with minor losses.

Oil on canvas. View of a mountain valley with a classical building and stone bridge. Unframed. 36" high, 48" wide (overall). Tear in the upper-right sky, sagging canvas, needs cleaned.

American, 2nd quarter-19th century, oil on canvas. Half-length portrait of a woman wearing a black dress, purple scarf, and white bonnet. In a very good period frame. 26" high, 21" wide (sight); 33" high, 28" wide (overall). Several repairs.

Handcolored engraving, from Alexander Wilson's American Ornithology, 1828-1829. "Passenger Pigeon" and "Blue-mountain Warbler" and "Hemlock W[arbler]." Matted and framed. 11.5" high, 14.5" wide (sight); 19.75" high, 23.75" wide (overall). Light toning, slight mat burn. UPDATE: removed from frame, appears to have full margins, clear plate mark, minimally hinged to the mat board.

American, 1825-1835, pastel on paper. A well-dressed man wears a coral and pearl brooch while sitting in in a fancy decorated chair, and with books behind him (including Locke). In a period/original frame. 28.5" high, 22.5" wide (sight); 32.5" high, 26.5" wide (overall). Bright and generally clean, with just a few spots, fold line across his shoulders (not terribly visible from a few feet away), not removed from the frame for examination.

English, 19th century. Blue spatter, the paneled pitcher with the Fort pattern. Pitcher is 12" high, basin is 12" diameter. Pitcher with some staining, basin with some flakes to the rim (underside).

English, 19th century. Includes two rainbow spatter bowls (one blue and purple and the other black and purple) and a green spatter bowl with peafowl. Tallest is 5.5" high. Tallest is lacking its lid, purple/black with minor interior rim chips, green with chip and repaired break; all with some staining.

English, 19th century. Blue spatter. 9.25" diameter. Two with minor rim flakes, the third with as-made rim flake (glazed over).

English, 19th century. Includes two dahlia plates, one thistle plate, one rainbow plate, one rainbow Adam's Rose plate, one floral pattern, and one green and yellow banded spatter. 7.5" to 10.5" diameter. Thistle plate with edge wear, both rainbow with chips, floral with crazing and heavy staining.

English, 19th century. Includes three peafowl cups and saucers, a rainbow cream pitcher, and five other handless cups in rainbow, dahlia, peafowl, etc. Pitcher is 3.75" high. All with minor flakes and some with moderate staining.

American, c. 1935. Five by four Scottie pattern in pink. 78" by 62". Bright, minor staining and minor wear to the binding.

20th century, mahogany. Carved "rice bed," king size. 87" high. Original finish, retains original rails and slats, minor repair to the blocked foot of one post.

19th century. Includes spatter spongeware, stick spatter, and a cream pitcher with enameled name "Jasper Wilson." Platter is 12.5" long, cream pitcher is 5" high; Cotton and Barlow soup plate is 10.5" diameter. Platter with chips and repairs, all with crazing and staining, creamer handle is discolored but does not appear to be repaired.

Decorated by Mrs. Wickens, mid-20th century. Includes an antique coffee grinder, redecorated, now as a lamp, and with a humorous family history note; together with a decorated shelf. The shelf is 24" long. Each with some wear; lamp needs rewired.

19th century. Includes stick spatter and rabbitware. Platter is 14.5" long, rabbit plates are 9.5" diameter, vegetable dish is 10" long. All with crazing and some staining, rabbit platter and 2 rabbit plates with hairlines, .stick spatter plate with hairlines.

English, 19th century. Includes matching teapot and sugar bowl (8.5" and 7.5" high) with transfer-printed design, together with a larger teapot (7.5" high) and a plate (9.25" diameter) with transfer-printed design. Larger teapot missing lid, all with crazing and some staining, sugar bowl with restored lid and handle.

American, c. 1940. Snowball variation. 86" by 75". A couple of large stains, but unwashed, and with pencil lines visible.

American, 2nd quarter-20th century. 8-Point Star, 96" by 68" and an unnamed pattern, 86" by 75". The second with minor edge damage, the first never used and unwashed.

19th-20th century. Includes a Winnebago basket with handle, 16" long; together with an early American laundry basket, 28" long. Each with original surface, minor wear; laundry basket has very minor losses.

Lithograph, published P.S. Duval, Philadelphia, 1863-1864 for the Supervisory Committee for Recruiting Colored Regiments. Depiction of the 25th USCT regiment, possibly with post adjutant George Edwin Heath (1834-1905), titled below "UNITED STATES SOLDIERS AT CAMP 'WILLIAM PENN' PHILADELPHIA, PA," and below that "We will welcome to our numbers the loyal, true and brave, shouting the battle cry of freedom and altho' he may be poor, he shall never be a slave. Shouting the battle cry of freedom! Chorus - The Union Forever, Etc." In a period frame. 12.5" high, 15" wide (sight); 18.5" high, 23.5" wide (overall). The United States Army began recruiting African American troops following the issuing of General Order Number 143 on May 22, 1863 by the War Department. Ultimately, 175 regiments were formed by over 175,000 free Black troops. This poster was produced with a few variations, including the same image but with the caption "COME AND JOIN US BROTHERS." The last one of these to appear on the market was as part of the landmark collection of Norm Flayderman, and sold at Cowan's (Cincinnati), February 2017. Toning, margin loss, fold lines with associated losses, old taped repairs (see photos).

19th-20th century. Includes spatterware, Red Wing, banded, and transfer-printed. Spittoon is 10" diameter. Some wear, crazing, and a few chips.

Oil on canvas, signed lower right and dated 1890. Unusual still life with onions. In a period/original frame. 15.5" high, 19.25" wide (sight); 21" high, 24.75" wide (overall). Two repaired tears, needs cleaned.

American, 3rd quarter-19th century, oil on panel. Pastoral scene, with figures on land and sailboats on the river. Period/original gilt frame. 13.5" high, 19.5" wide (sight); 18.5" high, 24.5" wide (overall). There is an old pencil inscription on the back that partially reads, "Dr. Douglas drew exchange with James [__?__] Mason." Age cracks in the panel, minor losses to painting and frame.

American, late 19th century, oil on canvas. Vibrant, na?ve depiction of the Hudson, a pair of large white buildings (possibly a creative interpretation of the US Military Academy at West Point), with a sidewheel steamer on the river. Unframed, 22.5" high, 27.5" wide. Canvas detaching from the stretcher, craquelure, some loss.

English, 19th century. Includes floral-decorated pitcher and sugar bowl, a Staffordshire cow and maiden spill vase, and a Rockingham-glazed toby jug. Toby is 8.5" high. All with crazing and some staining and wear.

19th century. Includs a pink luster "Sailor's Farewell" pitcher, a floral-enameled coffee pot, and a floral-enameled teapot. Coffee pot is 7.5" high. Coffee pot is missing its lid and chipped spout, teapot with staining and repaired spout, pitcher with chips to spout.

English, 19th century. John Alcock Vincennes pattern compote, 8.5" high; together with a Corean pattern platter, 16" long. Each with some. wear and crazing, platter with discoloration.

English, 19th century. Includes two teapots, three sugar bowls, and a cream pitcher; together with two plates and a covered serving dish. Includes Corea, Pelew, and Washington Vase patterns. Tallest pot is 10" high. All with crazing and some staining, a few pieces with minor chips or hairlines.

American, 19th century, oil on canvas. Pastoral view of a small creek with cows and other animals. In a period/original frame. Some minor paint flaking, needs cleaned, frame repainted.

American, late 19th century, charcoal. Half-length portrait of an older man with a beard, exceptionally executed. In a period/original frame. 26.5" high, 21.75" wide (sight); 33" high, 28" wide (overall). Light even toning.

American, 2nd quarter-19th century, oil on canvas. Half-length portrait of a young man in a black suit and with coiffed hair. In an elaborate period/original gesso and gilt frame. 24.25" high, 19.5" wide (sight); 40" high, 35" wide (overall). Laid down on masonite, some craquelure, frame has some losses.

Auburn, New York, 1834-1836, mahogany. Carved crest and columns and on paw feet. 39.5" high. Old refinish, no tablet, top of the crest has broken off but is still present.

Bristol, Connecticut, 1828-1845, mahogany. Ebonized crest and columns and a mirror tablet. 34.5" high. Original finish, mirror is cracked.

Auburn, New York, 1834-1836, mahogany. Carved crest and veneered columns, and with a reverse-painted and mirror tablets. 38" high. Old or original finish, retains weights and pendulum, not tested.

New York, New York, 1844-1851, birdseye maple and mahogany. Ogee case with reverse-painted tablet with hunting scene. 26.25" high. Retains its original finish and tablet, some loss to tablet paint, minor veneer chips, retains weights and pendulum, not tested.

Terryville, Connecticut, 1833-1845, mahogany. Ogee case with reverse-painted tablet. 22.25" high. Retains its original finish and tablet, some veneer chips, retains weights and pendulum, not tested.

Chattanooga, Tennessee, 1930s. Woman riding a bald eagle and "LET'S DRINK BRANDY WINE." Round format, matted and framed, 27" square (overall). Brandy Wine was a short-lived soda brand in Chattanooga, founded in the early 1920s, and it closed during the War. Andy Wootten produced lobby posters locally and was hired to produce this sign. Bright and clean, no visible damage (not removed from frame for examination).

Early 20th century. Hinged-lid box with chromolithograph advertising on the front and back, and labels on the top for Ja-Mo-Ka Blend and for Allen Kirkpatrick, Pittsburgh. 21" high, 15" wide, 14.5" deep. Wear and losses.

Chromolithograph, 1896. Titled "Custer's Last Fight" and depicts the 1876 battle, published by Anheuser Busch, St. Louis, Missouri. In its original frame. 36" high, 47" wide (overall). Some toning and scattered staining, one minor loss to the sky.

Graphite and crayon, signed upper left, dated 1920 upper right, and signed with his Blackfeet symbol. A bust-length portrait of the Blackfeet chief (also known as Curly Bear). Matted and framed. 18.5" high, 14" wide (sight); 27.25" high, 22.5" wide (overall). Like other American artists during and before his time, Kihn was greatly concerned about the disappearance of indigenous cultures and thus set out to record them through portraits. He traveled widely and claimed to visit nearly three dozen tribes and paint over 500 portraits. A number of his portraits, mostly of members of the Blackfeet tribe, were exhibited by the Art Museum of Santa Fe and Anderson Galleries in 1922, and this portrait is item 22 in that exhibition catalog. Kihn was admitted to the Blackfeet tribe in 1920, and given the name "Zoi-Och-Ka-Tsai-Ya," meaning "Chase Enemy in Water.? Nina-Caw-Yeu-Sue-Ches was a chief of the Piegan Blackfeet of Montana was born about 1835, so he was about 85 when drawn from life by Kihn. Provenance: all three Kihn portraits have been in the same collection since 1924, when purchased from one of the exhibitions of the artist's portraits of Native Americans. Even toning, affixed to the mat by old, now dried and separating, masking tape.

Graphite and crayon, signed and copyrighted 1922 lower left, dated 1920 lower right. A bust-length portrait of the Blackfeet leader (also known as White Quiver). Matted and framed. 13.5" high, 10.5" wide (sight); 22.5" high, 19" wide (overall). Like other American artists during and before his time, Kihn was greatly concerned about the disappearance of indigenous cultures and thus set out to record them through portraits. He traveled widely and claimed to visit nearly three dozen tribes and paint over 500 portraits. A number of his portraits, mostly of members of the Blackfeet tribe, were exhibited by the Art Museum of Santa Fe and Anderson Galleries in 1922, and this portrait is item 34 in that exhibition catalog. Kihn was admitted to the Blackfeet tribe in 1920, and given the name "Zoi-Och-Ka-Tsai-Ya," meaning "Chase Enemy in Water.? Shes-Ches-No-Pa was (c. 1860-1931) a member of of the Piegan Blackfeet of Montana. Provenance: all three Kihn portraits have been in the same collection since 1924, when purchased from one of the exhibitions of the artist's portraits of Native Americans. Even toning, some water staining, affixed to the mat by old, now dried and separating, masking tape.

Graphite and crayon, signed and copyrighted 1922 lower left, dated 1920 lower right. A bust-length portrait of the Blackfeet statesman (also known as John-Two-Guns-White-Calf). Matted and framed. 13.5" high, 10.5" wide (sight); 22.5" high, 19" wide (overall). Like other American artists during and before his time, Kihn was greatly concerned about the disappearance of indigenous cultures and thus set out to record them through portraits. He traveled widely and claimed to visit nearly three dozen tribes and paint over 500 portraits. A number of his portraits, mostly of members of the Blackfeet tribe, were exhibited by the Art Museum of Santa Fe and Anderson Galleries in 1922, and this portrait is number 31 in that exhibition catalog. Kihn was admitted to the Blackfeet tribe in 1920, and given the name "Zoi-Och-Ka-Tsai-Ya," meaning "Chase Enemy in Water. Notacna-Ohnamuc-O-Nista-Puka (1872-1934) was a member of the Piegan Blackfeet of Montana. He was a friend of Calvin Coolidge and a promoter of Glacier National Park and the Great Northern Railway. He claimed to be the model for the profile bust on the Buffalo Nickel (though the artist, James Earle Fraser, said he created a composite). Notacna-Ohnamuc-O-Nista-Puka was the basis for the former "Redskins" mascot for the Washinton football team. A larger profile portrait of him by Kihn sold at Waddington's (Ontario) in 2012. Provenance: all three Kihn portraits have been in the same collection since 1924, when purchased from one of the exhibitions of the artist's portraits of Native Americans. Even toning, some water staining, affixed to the mat by old, now dried and separating, masking tape.

Early 20th century. Large size, with central star. 13.25" diameter. Nice patina, only very minor wear, pin-size hole near rim, some whitish residue on inside and underside (can be gently removed with brush).

All handcolored lithographs. Includes two folios from McKenney and Hall's Indian Tribes of North America: "Wa-pel-la the Prince, Musquakee Chief" and ?Black Hawk (Sauk)"; together with "Soi-en-ga-rah-ta or King Hendrick" (an Iroquois) from Schoolcraft's Information Respecting the History, Condition and Prospects of the Indian Tribes of the United States. All are matted and framed. The Schoolcraft litho is 21" high, 18.5" wide (overall); the McKenney and Halls are 28" high, 21.5" wide (overall). All with toning and some wrinkling, the Schoolcraft has a tear in the upper left.

Semi-ovoid shape with polychrome painted decoration. 8" high. Some wear/loss to the paint.

Carved alabaster figure of an eagle with a bead necklace. Artist signed on base. 4"h. 7.5"w. 6"d. Good.

Early 20th century. Large size, with triangles and steps. 9" high, 13.5" diameter. Nice patina, only very minor wear, just a few minor scattered breaks.

Early 19th century mahogany shaving mirror with two drawers, 18" high; together with a collection of 20th-century turned wood candlesticks, various sizes. Some veneer damage to the shaving mirror, wear to the sticks.

Signed in the casting. Depictiong of a nude female being given a drink by a cherub. 22" h. Retains an early or original two-tone patina.

Early 20th century, cast iron. Profile portrait with "SAMUEL HAHNEMANN" and "GER.D. 10. APRIL 1755." 10.75" high, 9" wide. Hahnemann was a German physician who founded the practice of homeopathy. Original patina.

English, 1820-1830, colorless glass. Near pair, with reeding along the base. One is pontiled and the other is not. 3.5" high. Minor wear, non-pontiled has a short but deep scratch on the underside.

20th century. 20" by 36" mat depicting travelers on camels. Framed, 49" high, 29.5" wide. Good, some fading

Includes a 24" Armand Marseille sleepy eye with open mouth and teeth; together with a 17" Heubach with sleepy eyes and open mouth and teeth and a 16" bisque-head with sleepy eyes and open mouth with teeth. All with jointed composition bodies. The AM has wear and needs cleaned, the eyes function though the lids need repainted; the H's eyes are present but not attached.

Includes a 27" German bisque-head with sleepy eyes and open mouth with teeth, a 22" German bisque-head with sleepy eyes with teeth, a 13" Japanese bisque-head with sleepy eyes and open mouth with teeth, and a 15" composition-head. The German dolls have jointed composition body, the Japanese doll has a jointed bisque body, and composition-head has a cloth body. All have wear and need cleaned, the smaller German doll has a hairline at the neck.

New York, late 19th-early 20th century. Plays 13.5" discs and in a mahogany case. 12" high, 18.5" wide, 16.5" deep. Includes a collection of disks. Original finish on the case, repair at hinges, no missing teeth; tested and appears to work (start-stop lever works intermittenly), but we make no guarantees.

Retailed by E.L. Cuendet, New York. Small, single-comb box that plays 8.75" disks, with chromolithograph decoration. 7" high, 10.25" wide, 9" deep. Includes a collection of disks. Original finish, missing several teeth, tested and parts turn but it does not wind.

Probably England, c. 1830, mahogany. Figured veneer on the headboard, footboard, and rails, with blocked feet, carved finials, and ormolu mounts. 42.75" high, 66" wide, 78.5" long. With wall-mounted cornice and tiebacks, and reproduction bolster and hangings in red silk. Refinished.

Europe, late 19th century, rosewood. Shaped top with marquetry inlay (bone, abalone, and light wood), and with a lift lid that reveals a compartmentalized interior, the central compartment being the silk sewing bag; on a shaped frame and a tripod base with paw feet. 30.75" high, 22.5" wide, 18.25" deep. Collected in Ontario, Canada. Old refinish, some loss to inlay, replaced silk bag, some minor losses and replacements to the interior.

19th century. 18" high, opening at the bottom is 12" by 7". A few very minor flakes at the bottom edge.

French, late 19th-early 20th century, steel and brass. With crowned "N" insignia and horsehair plume. 13" high. Retains an older note reading, "Helmet worn by Imperial Guard of Napoleon - Given to Gen. Jacob H. Smith when in Command of Jackson Barracks New Orleans about 1885, by one of the French families there." While the date of the helmet is off, General Smith did serve at Jackson Barracks, Louisiana in 1889. Light/moderate corrosion, missing side plume, chin strap buckle on proper left side damaged, leather webbing inside is worn.

Oil on canvas, signed lower left. Charming view of a dairy barn with a milkmaid milking a cow. Unframed. 25.5" high, 36.5" wide. Sagging, some losses, numerous punctures, some canvas separation from the stretcher.

German, 19th century, oil on artist board. Unsigned view of a family standing in the doorway while it snows. In a period/original frame. 14" high, 12" wide (sight); 17" high, 15.5" wide (overall). Needs cleaned, slight warp to the board, frame with minor losses.

Signed in Cryllic and marked for the Woerffel foundry, St. Petersburg. Small sculpture of a boy on a horse. 6" high. Good condition.

France, late 19th century. Figure of a dancer in a flowing gown. Signed on the base. 12"h. 9.5"w. Chip to upper tip of the gown; needs cleaned.

Including cups, vases, salt and pepper shaker, mezuzah case and Elijah's cup in original boxes and two Ainsley cups and saucers in original boxes. 3"-11"h. Good.

American, early 20th century. Brass with six arms. 28"h. 19" diameter. Good; some wear, needs rewired.

English, early 19th century, mahogany and pine. Drop leaves, one real and one faux drawer, and turned legs. 28.5" high, 33.5" long, 18.5" wide (closed), with 10" leaves. Retains an old or original finish, original pulls and casters.

Mid-late 20th century. Large feline wearing a fancy necklace. 24" high. Nice patina, the white residue on the collar comes off with a fingernail.

Unidentified signature, Asian, 20th century. Mother with a baby on her back and geese at her feet. 13" high. Nice dark patina.

Chinese, early 20th century. In the form of a double-handled vase. 24.5" high. Original patina, one small nick near the top, the upper lamp stem is currently crooked, the lower lamp base has loss.

Late 19th-early 20th century, porcelain. One is 14.5" diameter and the other is Famille Rose with magpies and plum blossoms, marked, 18" diameter. Good.

19th century. Two interior views with the same figures. In later frames, 7.5" high, 14" wide (overall). The heyday of pith paintings (sometimes incorrectly identified as rice paper paintings) was during the middle of the 19th century, but continued for a time afterward. Good; light toning and a few spot, not removed from frames for examination.

1st half-20th century. In the Satsuma style, with polychrome enamel decoration. 16" high. Glaze crazing and some wear, one with short line at the rim.

1880-1920. Emperor and Empress seated on a dais, along with a pair of foo dogs. 11" high. NOTE: THIS ITEM MUST BE PICKED UP IN PERSON BY THE BUYER. ABSOLUTELY NO SHIPPING AVAILABLE FOR THIS ITEM. Flag poles have warped, other minor wear and damage (mostly small age cracks).

German, early 20th century, oak. Two-piece, the upper section with beveled-glass doors, the lower section with two drawers over two carved doors. 80" high, 55" wide, 24.5" deep. Retains its original fumed finish and hardware, some minor wear, one piece of cornice is reglued, one upper door pull has the U-shape broken off, but it's still present, upper interior shelves are both cracked and separated longitudinally, the left shelf is missing a support.

American, early 20th century, oak. Round top and cross stretcher. 30" high, 30" diameter. Old or original finish, minor wear, one of the glued joints in the top has separated about 1/8".

Early-mid-20th century. Includes a Karlsruhe pot, 9.5" diameter; together with a small vase marked "M.L. Germany," 2.5" high, a small green jardiniere marked "W. Germany," 6" high, and a decorated vase marked "Germany", 8" high. Together with an Austrian vase with crackled glaze, 6" high; and an Austrian or German vase with incised floral decoration, 4.75" high; and a Japanese vase, 6.75" high. And also a Japanese blank decorated by L.F. Nash, 6" high; together with a long-necked vase by A. Hess, 7.5" high; and a small Austrian or German vase with stylized flowers, 3.5" high. Crow's foot to the Karlsruhe pot.

Incised "GE Ohr" on the underside. With regularly pinched and crumpled body and rim, and with a later glaze. 3.25" high. There are a couple of small rim flakes, but they are glazed over.

Late 19th-early 20th century. Includes cups and saucers (ducks, portraits, and flowers, two bowls, and a vase with ladybugs. Vase is 4.5" high. Also includes an Irish Belleek shell dish, two pieces of Willets (including a Belleek dish), and a Knowles, Taylor, Knowles Lotus Ware candy dish. The last is 9" wide. And includes a collection of Arts and Crafts decorated plates, various patterns. Largest is 8.75" diameter. Together with a bowl. Some gilt wear, a few flakes/chips, the Willetts Belleek dish with a flat bruise on the rim.

English, 20th century. Tapered form with green drip glaze over mustard body. 7.25" high. Good.

1st half-20th century, mahogany. Stoutly made chairs with carved posts, turned spindles, and casters on the front legs. Includes two armchairs and six side chairs. 41" high. Old refinish, a few posts have age cracks, all appear to retain their original springs and some under-upholstery, all need reupholstered, one armchair is missing one caster.

Denmark, 20th century. Cylindrical form with blackberries and flowers. Marked with "PIE" under crown and "458" over "XI". 6" high. Good.

Designed by Cooper (1902-1995) for Crown Works, Burlsem, England, c. 1932. Service for 12, plus serving pieces, approx. 165 pieces total. Some with wear and a few with minor damage.

Detroit, Michican, 20th century. Small cyclindrical vase with iridescent drip glaze. Marked "Pewabic Detroit" on base. 4.25" high. UPDATED NOTE: There is a crack/repair to this vase. The crack is visible in photo 1 and it extends down from the chip/repair at the rim, which is visible in photo 3.

20th century. Includes three decanters (one retains maker's sticker), 11" to 12" high; together with a set of four Waterford tumblers, 4.5" high. Good, some high-point wear.

American, late 19th-early 20th century. Opaque art glass cream and open sugar with floral decoration and applied handles. Probably unmarked Mt. Washington Crown Milano. 2.5" high. Good.

20th century. Includes an acrylic on canvas signed "Kagin", still life, framed: 33" high, 38" wide; "Les Tuileries," lithograph by Rolf Rafflewski (1943-2019), pencil signed and numbered, matted and framed: 28" high, 35" wide (overall); "The Holidays" print by Harry Lieberman (1876-1983), artist-signed, matted and framed: 27" high, 22" wide (overall); and an artist's proof of a mother and daughter by Sandu Liberman (1923-1977), matted and framed: 32" high, 29" wide (overall), an oil on canvas, illegibly signed, depicting a brightly colored city: 18" high, 22" wide (overall); two ink and watercolor landscapes by the same artist, illegibly signed, matted and framed: 16" high, 21" wide (overall); a large watercolor cityscape, illegibly signed and dated 1960, matted and framed: 28" high, 36" wide (overall); and an artist's proof of a girl with flowers by Sandu Liberman (1923-1977), pencil-signed, matted and framed: 31" high, 24" wide (overall). Various condition.

North Carolina, 20th century. Bulbous vase with flared rim with Chinese white drip glaze. Impressed mark on base. 10" high. Good.

Signed in the plate. View of boats on a river or lake, with a village and mountains in the background. In vintage black-painted frame, 11.5" high, 20.5" wide (overall). Light toning, not removed from frame for examination.

French, early 20th century. Art pottery vase with brown drip over blue glazed body with three lobster feet. Unmarked. 8.25" high. Good.

Includes an early 20th-century Arts and Crafts nursing rocker, 37.5" high; together with a bentwood Shaker-style rocker, A.S. Heredon, Cleveland, Ohio, c. 1880, maple. Bentwood and tape seat. 36" high. See Muller and Rieman, The Shaker Chair, Appendix, p. 6. Old or original finish; old, possibly original tape seat.

English, 20th century. Ribbed tapered form with blue drip glaze over cream and brown body. Marked on base. 7" high. Good.

Desmay, New York, 1920s. Pale green, with a nude female on the lid. 5.5" high. Some white residue on the interior.

European/Austrian, late 19th century. Art pottery vase with green drip glaze over chinese red glazed body. Abstract bulbous form with scalloped rim. 11.5" high. Good.

American, mid 20th century. Low bowl with a wide rim by Victoria Littlejohn. Signature inscribed on the underside. 2"h. 9" diameter. Patrick Kennedy bee hive-shaped vase with inscribed decoration. Original paper label on the underside. 4.5"h. 4.75" diameter (at the base). And two covered vessels. Smaller blue and white by Robert Sperry (1927-1998). 5"h. 4.25" diameter. Larger black jar by Chris Staley. 7"h. 7.5" diameter (at widest point). Good.

20th century. A North State Pottery Co. bulbous vase with blue mottled glaze. 5.5" high. A North State bulbous vase with green glaze. 7" high. A small North State bowl with finger loop handle. 2" high. A small North State vase with three handles at rim. 4.5"h. Probst Pottery teapot (no lid). 5.25" high. Good.

Oil on canvas, signed lower right. Colorful and stylized view of a Paris street. Framed, 18" high, 22" wide (overall). This appears to be the same view as the watercolor that sold as lot 199 in Palm Beach Modern's February 2024 auction. Good condition

European, late 19th-early 20th century. Celadon green vase with enameled flowers, probably Thomas Webb, unsigned. 6.25" high. Small frosted glass vase with gold enamel vines and leaves. Marked "Boda" and "V.S.". 4" high. Good.

Detroit, Michigan, 20th century. Small cylindrical vase with small rim and white glaze. Marked on the base. 4.5" high. Good.

English, late 19th century. Pottery tile with floral decoration. Marked "W.B. & S" on the back. 6" square. Good.

English, late 19th century. Pottery tile with female face. Marked on the back. 6"sq. A few small flakes, one on the hair and one on the end of the nose.

English, late 19th-early 20th century. Redware tile with scene of a bird and flowers. Marked on back "Mintons China Works Stoke On Trent". 8"sq. Good

Denmark, 20th century. Group includes a double handled bowl, two vases and a double handled compote. 2.25"-6.5"h. Good

American, 20th century. Weller Sicard cylindrical vase with floral decoration. 7"h. Small Van Briggle vase in unusual green glaze. Marked on the base. 5"h. Sicard vase has a 3"long hairline. Van Briggle vase is good. UPDATE: the VB vase has a small, shallow glaze flake...it's the white spot visible in the first photo.

Sweden, 20th century. Blue Kraka vase by Svend Palmqvist (1906-1984), fully etched marks and signatures on the base. 8.5"h. Small crystal oval bowl. Etched mark on the base. 2"h. Good

American, 20th century. Possibly Steuben. Tapered form with flared rim. Polished pontil. Unmarked. 6.75"h. Good

American, 20th century. Set of five graduated spiral ribbed jars with aluminum lids and original foil labels, Cereal, Sugar, Coffee, Flour and Rice. 5.25"-7.25"h. A few small dents on lids, otherwise good condition.

Norwalk, Connecticut, 2nd quarter-20th century. Footed bowl with cream and brown glaze. 4"h. Vase with red over black gase and four small handles. 6"h. Small black glazed vase on high white glazed foot. 3"h. Small dish with red and white decoration. 4.25"dia. All pieces are marked. White bowl has some rim chips, otherwise good condition.

English, late 19th-early 20th century. Arts and Crafts tile with "Hey Diddle Diddle" nursery rhyme. Marked on the back "Art Tiles Painted By W.B. Simpson & Sons" and "456 West Strand, London". 8"sq. A few small chips on the edges, otherwise good condition.

American/European, late 19th-early 20th century. Group includes a tile with "Merchant", green with flowers, multi-color floral tile, redware tile with cherub and a redware tile with a knight on a horse. 4"-6"sq. Multi-color floral tile has a repair at one corner, knight tile has several in cracks, others are good condition.

American/European, 20th century. Miniature rose bowl with applied orange threads on exterior. 2.5"h. Small handkerchief vase with green cased glass with threaded exterior. 3.25"h. Charger with crackled glass back. 13.5"dia. All unsigned. A few small edge flakes on handkerchief vase, otherwise good condition.

European/Italian, 20th century. Pinched rim bowl with original Murano Art Glass sticker. 2.25"h. Folded rim bowl with mica flakes. 2.5"h. Amber cased glass vase with bulbous body and flared rim. 8.5"h. Good

Lehigh County, Pennsylvania, ca. 1940. Green glazed covered sugar bowl. Signed "Made by I.S. Stahl, 1940". 5.5"h. 4.5"dia. Glaze crazing on lid, otherwise good condition.

Early 20th century. All with long necks. Includes a Swedish vase with brown and black glaze, 11" high; an unmarked vase with a "fractured" glaze in tans, 7" high; and a purple and green-glazed vase with an undentified mark, 8.5" high. Some crazing to the tallest vase.

Early 20th century. Includes pitcher with green and yellow glaze and unidentified mark, 8.25" high; a Foley Faience (England), vase with foliate decoration, 6" high; a Dage (Paris) vase with a striated glaze, 6" high; and a small Baden, Germany polychrome vase with an unidentified mark, 3.5" diameter. 2nd and 3rd have rim flakes.

All signed. Includes an oryx, 571/750, 7.5? long; a horse, 120/1750, 4.25? long; and a lioness, 76/1750, 6? long. High point wear.

Pairpoint, New Bedford, Massachusetts, late 19th century. Includes stand and cups. 19.5" high. Some wear to the plating.

American, 19th century. A mix of coin and sterling, teaspoons and tablespoons. Various makers. 5.5" to 7" long. Total weight approx. 650g. Some with wear, some monogrammed.

19th century, mostly American. Includes large and small spoons, from 8.5?- 5.75? long. Various makers and locations, including Bailey & Brother, W.A. Aicher, E&D Kinsey (Cincinnati), D.R. Miller, Exeter Quimby, J.S. Heald, Welsh 244G, W.H. Talbot & Co., H. McKeen, Parrington & Hunnewell, N. Harding, P.P. Hayes & Sons (Poughkeepsie) . Total weight approx. 710g. Wear and minor damage to some.

Mostly English silver including tongs and spoons, early-late 19th century. Dimensions from 4.5?-5.75?. Various makers, including Potosi. Total weight approx. 200g. Wear and minor damage to some.

19th century, mostly American. Includes a large and small spoons from 9.25?- 5.25? long. Various makers and locations, including Welles, Gelston & Porter, E&D. Kinsey (Cincinnati), I. Davis, C. Swift, J.H. Clark, W.A. Aicher, G.W. Stewart, J. Dodge, N&T. Foster, Bradbury, Bangor. Total weight approx. 554g. Wear and minor damage to some.

Lunt, 20th century. Includes 8 forks, 7 spoons, and 7 knives.Total weight approx. 566g excluding hollow-handles knives. Wear and minor damage to some.

20th century, set of 12 knives (9.25? long) and 12 forks (7.5? long). Forks marked for Whiting and retailer Frank Herschede (Cincinnati). Knives marked for Whiting (handles) and Joseph Rogers & Sons (blades). Total weight approx. 701g (excluding knives). Wear and minor damage to some.

20th century. Includes a set of 7 (6? long, maker Retrothal), a set of 6 (5.75?long, marked for Gorham and retailer F.N. Tomkins) and a set of 12 (5.5 ?long, maker Shreve & Co.). Total weight approx. 568g. Wear and minor damage to some.

20th century. Includes a set of 6 matching spoons, 2 large spoons, 2 small spoons, and a small knife. From 7? to 5.75? long. Various makers, including Alvin, RLB Pat. Jan 28 08, Treasure, and Lunt. Total weight approx. 507g. Wear and minor damage to some.

20th century. Includes a set of 6 (7.25? long, maker C. Hartdegan & Co.), a set of 2 (5.75?long, maker ELB Pat. Jan 28 08), a set of 3 (5.25 ? long) and a set of 3 (5.75? long, maker Hartdegan & Co.). Total weight approx. 500g. Wear and minor damage to some.

20th century. Dimensions from 4.75?-7?. Various makers, including H.C. Franzheim Co., Hofman?s, Goodman Bros., A. Stowell & Co., S. Kirk & Son. Total weight approx. 480g. Wear and minor damage to some.

20th century. Includes a set of 6 matching spoons, 2 matching spoons, 8 matching forks, and 3 other serving pieces. Dimensions from 5.5? to 6.5? long. Various makers. Total weight approx. 508g. Wear and minor damage to some.

20th century. Includes a set of 8 matching spoons, 3 large spoons, 3 forks, and other serving pieces. Dimension from 5.75? to 8.25? long. Various makers, including Goodman Bros. Total weight approx. 522g. Wear and minor damage to some.

20th century. Mostly spoons and some other serving pieces. From 4.5? to 9? long. Various makers, including Treasure, A. Stowel & Co. Inc., RLB, F.B. Wallen, Alvin, F.B. Ross, Rogers, Holmes & Edwards, Cowell & Hubbard. Total weight approx. 560g. Wear and minor damage to some.

20th century. Includes a set of 2 matching spoons, a spoon and fork pair, 5 spoons, 2 small spoons, and other serving pieces. From 2.5? to 10.5? long. Various makers, including Tiffany & Co., Frank M. Whiting, JAS Reed & Co., Royal Family, Webster, Cady & Olmstead Jewelry Co., John W. Mealy Son and Co., G.A. Schultz. Total weight approx. 905g, excluding the hollow-handled tongs. Wear and minor damage to some.

20th century, various makers. Includes a coaster (3?x1?), candlestick (3?x3.5?), 2 small dishes (2?-3.5?), and a pedestal bowl (6?x5.5?). Total weight approx. 53g excluding weighted pedestal, candlestick, and coaster. Wear and minor damage to some.