Somerset County, Pennsylvania, dated 1852, pine. Dovetailed box on bracket feet, and retaining its stenciled decoration on a red/yellow grained ground, and with black trim. At center is "Mosses;. Kemp;. 1852" in a cartouche. The cartouche is flanked by other stenciled motifs as well as "J" on the left and "K" on the right (often found on furniture by Jacob Knagy). 27" high, 49.5" wide, 24.5" deep. Moses Kemp was born in 1832 in Shanksville, Pennsylvania, to John Kemp and Susan Miller. He married Sarah Yutzy in 1852, suggesting that this chest was made as a marriage chest. Moses lived in Somerset County until his death in 1914. Paint has wear and some loss, retains its original strap hinges

Probably Ohio or Indiana, late 19th century. Tree stump match holder with a snake curled around it, sneaking up on an unwitting frog. 4.5" high, 6" wide, 8.5" deep. Several minor flakes; One side and the back are finished smooth, suggesting that it was designed to sit in a corner

Probably Ohio, early 20th century. Includes a sewer tile lady's lace-up shoe, 5.5" long; together with a tiny Albany slip glazed lady's shoe, 2.5" long. The larger with flakes to the heel (the discoloration of the glaze appears as-made); the smaller with high point wear and minor flakes

Jay Van Vleck, mid-19th century, cotton and wool. Blue and white, with a fruit border. 93" by 84". Even toning, fringe loss

Includes issues of frontier-period newspapers, 1800 land transfer document (Hamilton County), 1814 account book, 1813 cattle book, a stack of 1830s-1840s receipts from the Delaware County Treasurer's office, Civil War discharge from the 186th Ohio Infantry, numerous other later 19th century and 20th century Ohio and non-Ohio documents, broadsides, newspapers, maps, and more. Various condition, with toning and some damage to most early items

Oils on panel. An interior view and a flower garden still life. Framed, 16" high, 18.5" wide and 13.5" high, 17.5" wide (overall). Beymer was born in Beymerstown (now Old Washington), in Muskingum County. During his life, he created an impressive body of work depicting historical scenes, life in his hometown, and nature, and it includes paintings, carvings, and other media. For his paintings, he typically made the frames as well. Good; need cleaned

Oils on panel. An historic view of Zane's trace, unframed, 12" high, 16" wide; together with a winter landscape of folks going to church, framed, 18" high, 22.5" wide (overall). Beymer was born in Beymerstown (now Old Washington), in Muskingum County. During his life, he created an impressive body of work depicting historical scenes, life in his hometown, and nature, and it includes paintings, carvings, and other media. For his paintings, he typically made the frames as well. Good; need cleaned

View of a rocky coast at sunset. In its original frame, 13.5" high, 20" wide (overall); together with painted jardiniere, decorated with three vignettes. 9" high, 11" diameter. Beymer was born in Beymerstown (now Old Washington), in Muskingum County. During his life, he created an impressive body of work depicting historical scenes, life in his hometown, and nature, and it includes paintings, carvings, and other mediameter. For his paintings, he typically made the frames as well. Good; need cleaned

Probably Ohio, 1st half-20th century. Model well made of variously colored polished river rocks. Includes working bucket. 20" high, 14" square. Good

20th century. Distressed paint. 29" long. Good condition

1911 and 1914. Made for A.T. Gilman, stock dealer, and each depicts a lady with cows. Vintage frames. 22" high, 13" wide. Bright and clean, with only slight toning

Probably Ohio or West Virginia, 1820-1850, walnut and poplar. One piece, the upper door with twelve panes, the lower doors are paneled. With old yellow paint on the interior. 82.5" high, 48" wide, requires a 34" corner. Old or original finish, all old/original wavy glass (one pane is damaged), replaced pulls

Probably Ohio or West Virginia, 1810-1840, poplar. Monumental mantel with columns, paterae, and a central star. 60" high, 87.5" wide (overall); 38" high, 51" wide (opening). Later paint, a few screw holes and losses, the right interior strip of molding to the opening is missing

Probably western Pennslyvania, West Virginia, or southern Ohio, 1820-1840, cherry, curly maple, poplar, and pine. Two over three drawers (all solid curly maple fronts) flanked by curly maple columns, and on turned feet. 46" high, 41.5" wide, 19.25" deep. Refinished, replaced top and pulls

Western Pennsylvania, 3rd quarter-19th century. One-gallon jug with cobalt stenciling for Uhrig and Stockhopf, liquor dealers. 12" high. Chip and several lines at the spout

A.P. Donaghoo, Parkersburg, 3rd quarter-19th century. With numerous bands of distinctive cobalt stenciling. 20" high. Retains its dasher; crow's foot on the lower back side that extends to the underside, and there are tight lines elsewhere on the body.

A.P. Donaghoo, Parkersburg, 3rd quarter-19th century. Half-gallon wax sealer, 9.5" high, and a 2-gallon crock with stenciled capacity mark, 11" high. The smaller has a line across the bottom and a rim flake; the crock appears undamaged

Ohio, 1st half-20th century. Reclining dog with curly tail and a sad face. One ear with repair

Anna, Illinois, 1885. Salt-glazed tile with cobalt-highlighted inscription, "to the memory of Hon. P.V.N. Davis, member of the legislator from Union Co Ills 1885 Anna April 21. 1885." 5" square. Phillip V.N. Davis, known usually as P.V.N. Davis, was born in the 1820s in New York. In 1865, he appears in the New York state census records in Mendon, where he gives his birthplace as Chatauqua and his occupation as "speculator." By 1880, he is in Union County, Illinois, age 52, and a "retired merchant." He was heavily involved in local politics, serving as the chairman of the Democratic county committee, and in 1885, he ran for a state representative's seat on the Democratic ticket. The same year he was also listed as the agent for the Jonesboro grain elevator. He died Oct. 6, 1887. Cornwall and Wallace Kirkpatrick were heavily involved in local politics, with Cornwall serving as Anna's first mayor, and as Democrats, they undoubtedly would have known Davis well. Minor edge chips, the front surface has one flake (at "from" in line 4) and the other blemishes are kiln defects (so as-made); there is a slight warp and the tile does not lay flat.

Found in the New Philadelphia area, 2nd quarter-19th century, cherry and poplar. Two-piece cupboard, with paneled doors in the upper section and 2 drawers and paneled doors in the lower section, and resting on recessed feet. 82.5" high, 49" wide, 18" deep. Refinished, replaced pulls, a few minor repairs

Early 19th century, cherry and poplar. Four graduated drawers with string inlay, and with inlay on the shaped skirt, case stiles, and top edge. 45.75" high, 39.5" wide, 19.25" deep. The top drawer has been hinged at the bottom and converted to a desk compartment, the top has repairs, feet replaced, retains original brass on lower two drawers, it has been in storage for years and shows signs of insect damage

Mid-19th century, cotton and wool. Both blue and white, one marked for Jay Van Vleck of Gallipolis, Ohio, and the other unmarked and dated 1840. 78" square and 78" by 69". Both with wear and fringe loss; Gallipolis coverlet with significant damage

Lithograph, published by Ruger and Stone, Madison, WI and Beck and Pauli, Milwaukee, WI, 1884. "Panoramic View of the City of Massillon Stark County Ohio 1884," with inset images of some of the local businesses.In its original frame. 30" high, 34" wide (overall). For some contextual information about birdseye views, see Richmond "The Drawings of Ferdinand Brader" An Historical Perspective," in "The Legacy of Ferdinand Brader" (ed., Kathleen Wieschaus-Voss). Even toning, some vertical burn

Attributed to Cincinnati, 3rd quarter-19th century, yellow ware. 12 pieces, some with a green glaze, the rims molded with a western/frontier design. Largest is 12" diameter. Some of these were exhibited in "Hindsight: The Art of Looking Back," curated by Andrew Richmond and Hollie Davis, Decorative Arts Center of Ohio, Lancaster, 2021. Several with minor flakes (on the back), one large plate with a short line at the rim

Mostly American coin, 19th century. Various makers, including Elisha Pratt (Ohio), A.F. Shepard (Georgetown, Kentucky), Daniel Munroe (Massachusetts), and others. One pair of tongs is by William Stoddard Nichols on Newport, RI, and the other is by Ebenezer Byram Ayers of New Lexington, Ohio. Pratt spoon is 8.75" long. Total weight approx. 400g. Generally good, with expected minor dents to bowls

Chromolithograph, a "sample full sheet" from the Fair Publishing House, Norwalk, Ohio. Great graphics and text advertising the Annual Harvest County Fair. In a modern frame (no glass). 42.75" high, 28" wide (overall). Light toning, laid down, with quarter fold lines and some associated loss, and with other loss that has been skillfully inpainted

Shelbyville. Beaded rim and foot. 3.75" high, approx. 1180g. Good; 7 are monogrammed

Web Silver, Philadelphia, Pennsylvania, 2nd half-20th century. 3.75" high, total weight approx. 410g. Good; three of the cups are marked "40" on the underside and one is marked "24"

20th century. Two are by International, one is by Manchester Silver, and one is by Reed and Barton. 3.75" high, total weight approx. 505g. Good; two are engraved "Engla J. Anderson USPHS '47-'69"

Probably Ohio, early-mid-20th century. Smiling frog with big eyes. 7.5" long. Minor chips, as-made firing fissures between all legs

Probably Ohio, dated 1903. Seated spaniel with tooled collar. 10.5" high. Minor chips, as-made firing fissure that runs along the mold line

Collected from an old barn in Canal Fulton. Late 19th century, pine and poplar. Two-piece cupboard with paneled doors and original, dark green paint. Some wear and minor damage (including the loss of several of the interior shelves), replaced pull on the upper door. 85" high, 45" wide, 23" deep.

Inscribed "Miss S.J. Wilkinson," Saybrook, Ashtabula County, Ohio, late 19th century, pine and poplar. Lift-lid over a well over a drawer and door. 32.5" high, 28" wide, 18" deep. Refinished

Reno, Washington County, 1840s, mixed woods. Simple classical mantel, with peaked pediment. 62" high, 79" wide (overall), 41" high, 52" wide (opening). This mantel was salvaged from an 1840s house that was located in Reno, near where the Little Muskingum empties into the Ohio River. Old cream paint is flaking, and there is some charring at the opening

Mid-19th century, walnut. Two-board top over tapered legs. 29" high, 34" wide, 73.5" long. Ex Jack Adamson (Ohio); ex Don Whitemyer (Ohio). The top is period and probably Zoar, but not likely original to the base; the cleats are added, glueblocks on the frame are replaced (these additions and replacements were done with old wood and blend in nicely)

Fairfield County, c. 1900, silk. 82" by 67". Colors still vibrant; as expected, some silk deterioration (several panels are largely gone)

Union County, c. 1940, cotton. Vibrant cheddar and pink. 86" by 76". Bright; very light discoloration, mostly near the edges

Roane County, West Virginia, 1900-1920, cotton. Printed shirt fabrics. 88" by 70". Minor toning and some scattered spotting/staining (generally very light)

Clark County, mid-20th century, cotton. Kit quilt. 84" by 77". Bright and clean

Madison County, c. 1935. Whimsical printed red fabric used as the binding. 78" by 66". Light wear, a few scattered spots

Madison County, 1900-1910. Red and white, with embroidered designs. 73" by 59". Unused (pencil marks visible), light toning and staining

English, c. 1825. Dark blue transfer-printed view of the road along the Scioto River leading to Columbus, Ohio. 11.25"wide, 14.25" long. Hairline at lower rim, poor repair at upper rim, but worthy of restoration

Zanesville and Roseville, Ohio, 1911-1925. A pair of ovoid vases and a taller vase, all in a blue/brown drip glaze. 6.5" and 8" high. A few minor glaze pops, each of the pair has a chip on the underside

Cincinnati, Ohio, 1934. Double handled vase (6254) with a pink matte glaze. 4.75" high No damage

Crooksville, Ohio, early 20th century. A small two-handled vase in light green, a squat two-handled vase in red, and an urn-form vase with molded faux handles, in green and rust. Tallest is 7" high. Red vase has some damage

Charles Walter Clewell (1876-1905), Canton, Ohio, marked on the underside. A classical form vase with copper patina glaze. Incised signature and "387-6". 11.5"h. See Richmond, A Tradition of Progress, entry 97. Good with several firing fissures in the copper

American/Michigan, early 20th century. Bulbous base with a cylindrical neck and flared rim. Iridescent copper glaze. Incised mark on base. 5.75"h. Good with .5" glaze flake on rim.

Zanesville, Ohio, 1st quarter 20th century. Includes a J.B. Owens matte Utopian vase with small neck and flared rim, 10.25"h.; together with a Peters and Reed marblized vase, 3.5" high. Owens vase drilled, glaze flakes at base

Roseville, Ohio, early 20th century. Lamp base with dark blue, white and yellow decoration on a medium blue ground. Unmarked. Copper collar at the top for the wick turner. 11.5"h. Good

Zanesville, Ohio, 1920s. Signed in the glaze. Scenic landscape with trees, lake, and mountains. 15" high. A couple of very minor glaze pops (as-made), and a couple of scuffs along the bottom

Zanesville, Ohio, 1st half-20th century. Includes a McCoy Low Nel vase, 10" high; together with an unmarked jardiniere, 10.5" high. Low Nel with a few minor glaze defects, the jardiniere with a repaired rim

Akron, Ohio, 1990s, cast aluminum and glass. A bold frame, almost organic in appearance. Approx. 3' by 12'. Drumm made this mirror in the 1990s for the Armadillo Bar in Akron. The mirror remained in that building when the Armadillo closed and BW-3 took over the space. It was removed from the building prior to the building's demolition in early 2020. PLEASE NOTE: this mirror is NOT at our Whipple, Ohio facility. It may be previewed by appointment by calling Chris at Cotter Moving and Storage (Akron) at (330) 535-5115. Cotter will happily assist the buyer in transportation and estimated shipping costs may be obtained by calling Chris at Cotter. No noted damage

American, c. 1830. Initialed "WNS" and inscribed "Jackson and Liberty" near the tip, and with elaborate decoration including a mermaid, ships, a man drinking wine (followed by his dog carrying his hat), trees, and "LIBERTY." 12" long. Missing plug, a few other minor chips and tight cracks

European, 19th century. Dark olive-black, with no pontil, and rough lip. Applied to the lip is "C.M.S. OMER." 15" high. Some roughness at the lip, surface wear, numerous bubbles (a couple of burst)

American, 19th century. Of small size, with a pontil mark and folded rim. 5" diameter. Good wear to the base, one spot of roughness to the base

Probably German, late 19th century. Naturalistic pedestal, in the form of a tree trunk, with nesting birds and a snake, highlighted in cobalt. 20" high. Damage, including losses to leaves on the front side, and large chunk out of the base on the back side

19th century. Includes a New Jersey white loop pitcher, 6.5" high; a Midwestern paneled taster, 2.25" high, a blown and gilt-decorated glass/flip, 5.5" high; and a blown pig flask, 9.75" long. The pitcher with significant cracking, the taster with rim and foot roughness, the flip with wear, and the pig with a missing ear

19th century. Includes four wines/cordials, one with etched oak leaves, largest is 5" high; together with a milk glass syrup pitcher with make-do repair, 6" high; and three pieces of mold-blown glass, decanter is 8" high. All pieces have some scratching and wear. The paneled cordial has a flake at one panel, and the wine has a small interior flake. In addition to the make-do repair, the syrup pitcher has numerous cracks. The flip may have been broken and glued (or just a really bad crack around the bottom). The decanter has two large cracks, interior residue, and both mold-blown pieces have high-point wear. The decanter is 8" to the stopper, 6.5" to the lip, and appears to be a pint.

Oils on artist board, unsigned. A pair of views of Mt. Washington. One retains an early label "Mt. Washington View from N. Conway NH." In their original frames. 11" high, 14" wide. Darkened varnish, and they could use a cleaning

American, late 19th-early 20th century. Includes a tramp art frame with cross corners, currently holding a mirror, 7" high, 9" wide (opening), 13" high, 15" wide (overall); together with a cross corner frame with incised designs, including dominoes, currently holding a lithograph (Ballie, "Noah's Ark"), 10.5" high, 14" wide (opening), 16.5" high, 20.5" wide (overall). Both retain their original finishes, each has wear, tramp art frame with minor loss to lower-right corner

Late 19th century. Includes autumnal landscape with a person fishing, 17" high, 14" wide (overall); together with a Thomas Moran chromolithograph landscape, 14" high, 18" wide (overall); and an ink and watercolor portrait of a baby, 15" high, 13" wide (overall). All in period or original frames. Frames with wear, baby portrait has toning, painting needs cleaned

Oil on canvas, signed lower right. Expansive landscape with two Civil War soldiers camped under an ominous sky. Retains its original frame. 26" high, 36" wide (canvas), 33.75" high, 43.75" wide (overall). John F.E. Hillen (1819-1865) immigrated from Brussels as a young man, finding work in New York in the 1840s as a lithographer for Frank and James Beard, before moving to Philadelphia by the 1850s, where he lived with his wife Isabella, also an artist, and their daughter. By 1859, he had moved to Cincinnati, where he opened an art school downtown at Fourth and Vine Streets to teach drawing and painting. He enlisted in the Union Army in the summer of 1861, but was disabled by a wound the following year, leading to his discharge from the 34th Ohio Infantry. After his drawings depicting his war experiences were published in Harper?s that same year, he found work as a correspondent, and as a result, he was present for key moments of the remaining years of the war. Hillen was captured at Chickamauga in 1863, held as a prisoner in Stevenson, Alabama, for a time, and then followed General Sherman?s troops in their march to Atlanta. The scenes of the war, from camp life to battlefields to the battle for Atlanta, were published in Frank Leslie?s Illustrated Newspaper. Sadly, Hillen?s war wounds did not completely heal and left him in ill health. He died on August 11, 1865, just a few months after the end of the war, at Frank Beard?s studio in New York. Lined, two very well-done repaired tears (4-6" each), a few other minor spots of inpainting

Two folio volumes bound in quarter leather with marbled endpapers. Appear to be complete, and include much Civil War content, including wonderful illustrations by renowned artists such as Winslow Homer and Thomas Nast. Binding with wear and taped spines, pages evenly toned, margins with wear and chips, the cover of the first issue of 1864 is damaged

8vo, bound in quarter leather over cloth boards. Includes v. XXXII (12/1865-5/1866), XXXV (6/1867-11/1867), XXXIX (6/1869-11/1869), XL (12/1869-5/1870), XLII (12/1870-5/1871), L (12/1874-5/1875), LXVIII (12/1883-5/1884). Fair to good; some bindings are going (spine separation and losses, text block has even toning but in generally clean

Includes Edward Strahan's Chefs-D'oeuvre D'Art of International and Other Exhibitions (George Barrie, 1884); together with volumes 42-45 of Scientific American (1880-1881). Both in quarter leather over cloth boards. Bindings worn with moderate to heavy wear, text blocks with even toning but generally good; Strahan has some dampstaining and a large, much later, owner's name on the title page

American, c. 1880, lithograph. Poster for "Edgewood Folks," the production that secured the fame of actor and comedian Solomon Smith Russell (1848?1902). In a later frame. 40.75" high, 16.25" wide (overall). Even toning, though generally bright and clean, a few minor marginal tears are visible through the glass

Ink and watercolor on paper, signed "Fr. Koch" lower right. Three-quarter front and rear views of a stately home. In matching, period frames. 21.5" high, 27" wide (overall). Even toning and scattered spotting (some of which is on the glass only), some marginal damage is visible through the glass

American, 1820-1840, cherry, pine, and poplar. Bowed drawer over three graduated drawers with bookmatched flame cherry veneer, flanked by columns, and on high, turned feet. 48.5" high, 45" wide, 24.25" deep. Minor damage/losses, retains an early or original finish

A.S. Heredon, Cleveland, Ohio, c. 1880, maple. Bentwood and tape seat. 36" high. See Muller and Rieman, The Shaker Chair, Appendix, p. 6. Old or original finish; old, possibly original tape seat

American, late 19th-early 20th century, walnut. Scroll-cut sides and four shelves. 30.25" high, 19" wide, shelves are 3" to 7.25" deep. Retains its original surface, minor wear

19th-20th century. Includes a whiskey bottle by Sherwood Bros., New Brighton, PA, a commemorative bottle kiln bank, 3 miniature jugs including one from Bloomington, Indiana, and a redware cup with manganese splotches. 3.25" to 8.75" high. Various mionr chips to the cup and jugs

19th-20th century. Includes a large incised redware pitcher, an English bellied tankard with pewter mounts, a small jug with incised leaves, a ribbed redware jar, a glazed flower pot tray, and a redware vase with manganese splotches. Pitcher is 9.75" high. Various minor flakes and chips, tankard is missing its pewter lid

19th-20th century. Includes spatterware, Red Wing, banded, and transfer-printed. Spittoon is 10" diameter. Some wear, crazing, and a few chips

American, early-mid-20th century. Standing bear, on a green base, 10.5" high. Oversprayed and the overspray is flaking off (it's difficult to determine what was restored before the overspray)

American, early-mid-20th century. Well sculptued bust of a woman, 9" high. A few minor chips

Attributed to Waikeburg, Ontario, Canada. Drake decoy with feather stamping on the wings. Retains old paint. 15.25" long. Expected wear from use

Includes an American, early 20th century tramp art box with a hinged lid, 6" high; together with a European decorated box, with original paint, including "Anna Hansen" and "1890," 7" long. Each with minor wear, the tramp art box with some regluing to the pedestal

American, early 20th century. Includes a mid-20th century cribbage board in old paint, 22.25" long; together with a cast iron figure of a woman, likely the top of an andiron, 7.25" long. Board with expected wear and grunge, minor corrosion on the figure

Pendleton Woolen Mills, Oregon. Includes a Beaver State blanket with native-inspired design, 81" x 65"; together with a Glacier Park blanket with stripes and four points, 76" x 64". Beaver State with very light wear, Pendleton with some toning and light wear

Oils on canvas, unsigned. Portraits of a gentleman and a lady, she is wearing a ruby brooch and a tortoiseshell hair comb. In period/original frames. Each 30" high, 25" wide (overall). Lined and restretched, repairs and inpainting

New England, early 19th century, birch and pine. Boldly carved and turned posts, shaped headboard, and retaining its original red and black, faux rosewood paint decoration. Posts are 6.75" high, outside dimensions are 51.5" wide, 75.5" long. Ex Jim Dawson (Kentucky), sold at Garth's Auctions, October 22, 2004, lot 92; ex Austin Miller (Ohio). Minor wear, original rails, lacking canopy. NOTE: a custom-made mattress is available to the buyer of this bed.

New England, early 19th century, maple and birch. Turned posts are 78" high, outside dimensions are 51.5" wide, 75.5" long. Refinished, minor wear, original rails, replaced tester. NOTE: a custom-made mattress is available to the buyer of this bed.

American or English, 1820-1830, ink on paper. With white ink highlights. Vintage note on the back reads, "Anthony Dukille did this." In a later frame, 7" high, 6" wide. Some wear and staining

All pencil-signed, and all numbered (nine are from an edition of 750 and one is from an edition of 950). Includes "8th Texas Calvary," "114th Pennsylvania Volunteers 1863," "United States Marines 1861-1865," 69th Regiment New York State Militia Company K (Irish Zouaves) 1861," "2nd United State Calvary 1861," "Washington Artillery of New Orleans A.N.V. Companies 1862," "12th Virginia Calvary, C.S.A.," "2nd Maryland Infantry, C.S.A. 1864," "Company D," "1st Regiment South Carolina Rifles 1861." All identically framed. 21.5" high, 16.75" wide (overall). All bright and clean

Possbily New York State, 1820-1840, pine. Standing desk, the interior with 7 drawers, over four graduated drawers and a shaped base. Retains its original paint decoration. 51.5" high, 38.5" wide, 21.5" deep, 39.5" writing height. Minor wear and losses to the paint, lid hinge rail repaired, replaced pulls (currently a single post but once had two-post pulls), one backboard has a long crack that has been taped at the top to stabilize

Probably American, 19th century, pine. Small size with chip-carved edges, and applied diamonds/lozenges. Retains old, alligatored, gray paint over traces of original blue. 23.5" high, 29.5" wide, 9.5" deep. Expected wear and some paint loss

American, early 20th century. Retains layered and weathered paint. Mounted on early/original iron brackets (that differ slightly in size). 34" long. Wear, loss, and weathering

Oil on canvas, unsigned. View of a mill on a creek between a farmer's field and the woods. In its original frame. 13" high, 26.5" wide (canvas), 17" high, 30" wide (overall). Needs cleaned, retains an early linen covering on the back, frame has been varnished and has yellowed

Pennsylvania, early 20th century, watercolor. Portrait of an engine and tender from the Lehigh Valley Railroad. An attached newsclipping identifies the artist as young Theodore "Dory" Kitchen. Matted and framed. 11.5" high, 23.25" wide (overall). Theodore "Dory" Green Kitchin was born in Sergeantsville, New Jersey, on Jan. 29, 1871, to Jonathan Kitchin and Sarah "Sallie" Green. He married May Apgar in 1905 and is listed in the 1910 census as living with his parents and working as a civil engineer. In 1915, he and May were living in Lambertville, where he was working as a printer. He died in Trenton, NJ, Oct. 10, 1953. Toning and some staining

American, early 20th century. Three early heads, all with glass eyes and original paint, mounted on a board. 22" long. Recent mount, but good early heads

American, 19th century, maple. Includes a larger cow and a double wheat, as well as three diminutive prints with cases (cow, thistle, strawberry). Large cow is 4" diameter. All with older finish and some wear, losses to the double wheat

American, late 19th-early 20th century. Two caged balls and a concentric sphere on turned base. The last is inscribed on the underside "To Esther from Phil 12-28-15" and is 6" high. The caged balls retain their original surfaces, the spheres have an older refinish

American, late 19th-early 20th century. Includes a pine hanging spice chest with 6 drawers, 10.5" high; together with carved spoon and spatula, 10" long each. chest with repaired crest (minor), old finish, and original pulls; the other items with original surfaces

19th century. Includes a mahogany slide-lid box (possibly sailor made) with an inset bone panel reading "SPELLING Alphabet," 5.25" long; together with a miniature slide-lid box with original paint and containing a set of diminutive bone and ebony dominoes, 5" long; and a small house-form box filled with early clay marbles, 5.25" long. Each with only minor wear

English, 19th century. Includse a bicolor transfer-printed bowl, 8" high; together with a pair of 3.5" penny lick ice cream glasses. Each with minor wear

American, 19th century, maple and pine. With table-mounting screw and some of its original yellow paint. 26" long. A couple of the joints have been retied

19th-20th century. Includes a dainty silk and lace bonnet, 11" diameter; a redware bank with sprig-molded angels, 2.75" high; and a folksy windmill model in original paint, 8.5" high; together with a print on silk by Hans Figura (1898-1978), pencil signed, framed, 13" high, 10" wide. Each with minor wear, bonnet is evenly toned

Oil on board, signed lower right. Colorful view of a wire bowl filled with fruit. In a period frame, 14.5" high, 18.75" wide (overall). Frame wear, not removed from frame for examination

American, 1820-1840, cotton and wool. Blue and white, geometric patterns. 84" by 67" and 89" by 60". Wear and some loss

Probably New England, mid-19th century. Panoramic coastal scene, with ten ships and a lighthouse, and with a figure on the cliff near the lighthouse. In its original frame, 4.25" high, 8.875" wide (overall). Wear to the frame

Watercolors, the one at center signed lower right. The larger, central scene is a coastal view, and it is flanked by woodland scenes in winter. Matted and framed, 6.5" high, 12.25" wide (overall). Light toning, likely minor mat burn, not removed from frame for examination

3rd quarter-20th century, pine. Folksy carved Native American wearing a feathered headdress and holding a bundle of cigars. 59" high. Expected age cracks.

Oil on artist board, signed lower right, and titled on the back "Chester, N.H." Folksy view of an arriving train in the small town. 18" high, 24" wide (board), 20" high, 26" wide (framed). Could use a light cleaning

Maria Cooledge, Hillsborough, NH, 1813, silk on linen. Alphabet and number strings over a cartouche with Maria's information, as well as several birds. In a curly maple frame. 19.5" high, 18" wide. Maria was born to Uriah (1762-1851) and Sarah Curtis Cooledge (1772-1838). Maria was one of 11 children, and the family lived on the "place sinced owned by Lewis Vickery." Maria married and had one daughter, Harriet, in June of 1825. Maria died that September. Additional geneaological information is included in the lot. Expected toning, scattered losses (some with early backing)

American, 2nd half-19th century, walnut. Small, locking, dovetailed box, retaining its original paint, as well as an original decoupage eagle with banner, flag, and Phrygian liberty cap. 3.75" high, 8.5" wide, 5.25" deep. Minor paint losses (including one flake from the eagle), finely crazed surface, retains original lock and key

American, late 19th-early 20th century. With slightly later polychrome paint, including a landscape on the back wall, and with a period blown glass water bottle mounted to the side. 13" high, 15" wide, 8" deep. Expected wear and some losses, crack to the bottle

Oil on canvas. Half-length seated portrait of a young girl holding her cat. In a period frame. 27" high, 22" wide (canvas), 29.5" high, 25" wide (overall). Ex Marge Stauffer (Ohio). Laid down on board, could use a cleaning

American or European, early 20th century. Three-masted ship with cannons on and below deck, and with lifeboats. About 35" long, on a later stand. Appears to retain its original paint, some of the rigging is damaged but it appears largely complete

New England, late 18th-early 19th century, pine. Chest with 3 faux drawers over 3 real drawers, on a bracket base. Retains its original red paint that has a great grungy surface. 45" high, 41.5" wide, 18" deep. Ex Ray Meisberger (MA), sold at Garth's Auctions (Ohio), January 2014. Wear and some losses (notably at the back feet), retains its original hinges (repaired rails)

New England, late 18th-early 19th century, pine. Chest with 3 faux drawers over 3 real drawers, on a bracket base. 42" high, 37.5" wide, 18" deep. Old refinish, replaced pulls and hinges, wear and some losses

American, 19th century, pine. Two paneled doors over a paneled drop door. Retains old red and gray decoration. 61.4" high, 40" wide, 13" deep. Some of the backboards are replaced

American, 19th century, curly maple and pine. Dovetailed box, with lid, resting on splayed curly maple legs. 27" high, 46.5" wide, 22.5" deep. Refinished, top may be replaced using old wood

Pennsylvania, 1820-1840, poplar. Six-board, dovetailed chest on bracket feet, and retaining its original salmon painted decoration. 21.5" high, 43" wide, 17.5" deep. Retains its original hinges, interior till is loose

American, early 19th century, mixed woods. Slat-back chair with its original paint, and with a slightly later addition on the slats, "Heirloom of The Pierce Family Made in 1820." 20" high. Expected wear, seat upholstery is an early replacement

American, mid-19th century, curly maple and poplar. With cove-molded handles and original lid. 12' high, 33" wide, 17.5" deep. Retains its original surface, minor wear

American, 1815-1840, mixed woods. High-seated windsor, likely for an accountant or an artisan. Retains old black paint. 46" high. Expected wear

American, mid-19th century, pine. Thick boards and square nails, and retaining old, worn, gray paint, and with an iron wall hook. 27.5" high, 21.5" wide, 44.5" long. Wear and some weathering

American, 19th century, tin. With old red and black paint and an added eagle crest. 34" high, 30" wide. The eagle and paint are likely Colonial Revival additions, a few repairs

American, 1st half-20th century, pine. Tall shelf in green paint. 62.25" high, 25" wide, 7.5" deep. Wear, the slight lean straightens up somewhat when loaded with heavier items

19th-20th century. Includes a punched paper sampler for the Breimeir family in a later frame, 28" high, 24" wide (overall); a decorated table top with a dog, bluebirds, and rabbits, 18" high, 24" wide; and a sandwich-type sign for an ice cream shop, 18" high, 24" wide. Sampler with losses, sign is weathered

Oil on canvas, unsigned. View of a mountain lake, with a boat and figures. In a later frame. 18.5" high, 30.5" wide (canvas), 23" high, 35" wide (overall) Minor losses along the top edge, needs cleaned

Oil on canvas, unsigned. Vertical, folksy view of a waterfall with a fisherman. Unframed, 28.25" high, 11" wide. Some losses, needs cleaned

New England, early-mid-20th century. Retaining old paint. Longest is 17.5". Expected wear

American, late 19th century, walnut and poplar. Paneled doors and an interior with slots and cubbies. 29.5" high, 34.5" wide, 11.5" deep. Refinished, a few minor repairs

American, mid-19th century, walnut and poplar. Of small size, possibly for a child, with a single, divided drawer. 29" high, 27.5" wide, 18.5" deep. Wear, old, worn mauve paint over earlier green

Oil on canvas. Depicting a half-length portrait of a gentleman in a brocade waistcoat, black tie and dark brown coat seated in a red chair. 31" high, 26" wide (sight); in a period frame, 39" high, 34" wide. This painting was purchased from Raymond Murphy of Florence, MA in the early 1950s, and the sitter was identified as Henry Sedgwick (1830-1916), an early banker in Lenox, Massachusetts. The painting was exhibited at the Lenox Library Association for the Lenox bicentennial celebration in 1967. This portrait is illustrated in Allaway, My People: The Works of Ammi Phillips, v. 1, p. 166, and v. 2, p. 95. Good; conserved, including lining

American, 19th century. A stoneware crock with cobalt "2", tornado and double handles. 10"h. 9" diameter. A stoneware ovoid crock with reddish-tan glaze, cobalt "3" and flowers and double handles. 13"h. 8.5" diameter. Taller crock has a taped crack on one side. The other is in good condition.

American, late 19th-early 20th century. Sewer tile lion reclining on a stepped base. 7"h. 8.5"w. 4"d. Redware jar with slip glaze decoration and flared rim. 9.5"h. Lion has a repair to his muzzle, jar has glaze flakes on the rim.

Probably Pennsylvania, 1820-1840, pine. Dovetailed box on turned legs, and retaining its original faux grained paint decoration. 21" high, 32" wide, 17" deep. Original paint with moderate wear and some loss, lid is detached but original hinges are present, multiple hinge repairs, other minor losses

American, early 19th century, poplar. Oval top over tapered legs. 28" high, 24.75" wide, 17.75" deep. Refinished, top reset and with age crack

American, 1820-1840, cherry and poplar. With two drawers and turned legs. 30" high, top is 20.5" square. Retains its original finish and pulls, wear and some surface marring

American, late 20th century, curly maple. Raised-panel door and one dovetailed drawer. 29" high, 19.25" wide, 8.75" deep. Although clearly designed to hang, it has no hangers and no backboard holes

American, late 19th century, iron. Cast and wrought iron, with acorn ornaments. 61.5" high, 47" wide. Weathered and corroded, retains pintles

School of Michael Allison, New York, early 19th century, mahogany and poplar. Desk over three graduated drawers, all with line inlay and the upper desk drawer with ovals and a diamond, all on French feet. The interior with cubbies and drawers, including secret document drawers flanking the central prospect. 45" high, 47.5" wide, 22.5" deep. Ex Arthur Jones, Granville, Ohio; sold at Garth's, July 30, 1976. Old finish, replaced eagle brasses (one is off but present), a few interior pulls off but present, one back leg with damage/repair, missing felt

American, 1st half-19th century, cherry and poplar. Two 8-pane doors. 50.5" high, 46" wide, 14" deep. Old finish, replaced glass

American, 19th century, walnut and poplar. Paneled doors, two drawers, and vintage blue-painted on the interior. 80" high, 50.5" wide, 17.5" deep. Old refinish, upper doors detached but present (one with loose joint)

20th century, mahogany. Carved "rice bed," king size. 87" high. Original finish, retains original rails and slats, minor repair to the blocked foot of one post

Signed in the casting. A mother bear and her cub. On a marble base. 7" long overall. Good, a few fleabites to the marble

19th century. Various marks. Includes a pair of unmarked candlesticks, a Roswell Gleason coffee pot, and plates with various marks. Sticks are 12" high. Wear, some dents and other minor damage

American, 19th century. Includes animals, people, and shapes. Most are 3" to 4" long. Expected wear and minor damage, some are missing their handles

Dempster Mill Mfg., Beatrice, Nebraska, late 19th century, cast iron. 16.5" high. Retains early black and white paint with expected wear and some corrosion

American, early 20th century. Includes two flower baskets, a cockatiel, and Diana the Huntress (with either Syrius or Phocion). 5.5" to 12" high. All with old or original paint

American, late 19th-early 20th century. Includes two cats, a snow eagle, a small dog, a cottage doorstop, and an eagle's nest mechanial bank. 9.5" high. Bank missing wings and keeper, others with wear and some corrosion

Oil on canvas, unsigned. In a period or original frame. 16" high, 23.5" wide. Needs cleaned

"The Darktown Fire Brigade - Saved!", 1884, 18.75" high, 23" wide (overall); together with "Draw Poker - Getting 'em Lively", 1886, 17.5" high, 21.5" wide (overall); and an untitled print depicting African American caricatures eating watermelon, 1889, 18" high, 14.5" wide (overall). All toned, one with mat burn, all likely with marginal damage (not removed from frames)

19th century. Includes a pair of gilt-decorated case bottles, 9" high; together with a blown bottle with three-ring neck, 12" high; and two pieces of three-mold, a flip and a bottle, 5.75" and 10.5" high. Case bottles with minor chips, stopper on blown bottle with chip, neck of three-mold bottle cracked

American, 19th century, walnut. High, turned posts with ball finials. 18" high, 14.25" wide, 18" long. Retains its original finish, repairs at the headboard/post joint and to one post

American, 1st half-19th century. Includes a hollow-cut silhouette initialed "JW" and in a period frame, 5.75" high, 4.75" wide; together with a miniature, watercolor profile portrait, illegibly identified on the back, in a round frame, 4" diameter. Both with toning, mini has an old Lyman Allen Museum loan lable on the back

Early 20th century, cast iron. 17" high. Good; expected wear and some rust

Decorated by Mrs. Wickens, mid-20th century. Includes an antique coffee grinder, redecorated, now as a lamp, and with a humorous family history note; together with a shelf and coat rack. The shelf is 48" long. Each with some wear; lamp needs rewired

American, 19th century. Includes a pair of walnut Victorian chairs, 36" high; together with an earlier rod-back rocking chair, 38" high. Good; all with original finish, Victorian chairs lacking seats, rocker with original splint seat under a later cushion

American, c. 1900. Includes a wonderul lace tablecloth depicting the battleship, 75" x 64"; together with a colorless glass tumbler with an etched image of the ship and "Remember the Maine!," 4" high. Lace with light toning and only a few minor spots of wear/damage

Early 19th century mahogany shaving mirror with two drawers, 18" high; together with a collection of 20th-century turned wood candlesticks, various sizes. Some veneer damage to the shaving mirror, wear to the sticks

Includes two dresses, woven blanket, lace, vintage table linens, etc. Most have some wear

Boston, late 19th century. 15" long. Retains its original finish, still functions (though the belt needs replaced)

Contemporary folk art decorated shelf, 24" long; together with an early and large punched-tin grater, 27" long. Wear to both, more to the grate

Early 20th century, wrought iron. Hand-turned wheel with bells, and flower decoration. 27" high. Corrosion

Early-mid-20th century. Old/original green paint. 34" high, 26" wide, 21" deep. Expected wear and some corrosion

American, late 19th century. Cast-iron frame with three arms, etched globes. 30.5" high, approx. 25" diameter.

American, 19th/20th century. Large punched-tin pane with a house and "Bless Our Home," 31" high, 37" wide; together with a lap writing desk/board, 43" long. Corrosio to the panel, board is refinished

Mostly Blue Amberol, all with cases (most lids missing).

Made for Black Starr & Frost-Gorham, New York. "The Tenth Challenge?Lord Duraven's Valkyrie III against NYYC Defender, September 7, 1895." 10.5" diameter. Good

Probably Santo Domingo Pueblo, early 20th century. 7.5" diameter. Hairline from the rim to near the center

Includes a Nuu-chah-nulth or Makah basket-woven bottle, 5.5" high; a small basket, probably Tohono O'odham, 8" diameter; and a shouldered basket with flared rim, probably Cherokee, 10" high. All with wonderful surfaces, the Cherokee basket with one lost rim wrap

Includes a 3.5" point labeled as Adena and found in Washington County, Ohio; together with a 4" knife. Both in Riker mounts. Good

19th-20th century. Includes a Winnebago basket with handle, 16" long; together with an early American laundry basket, 28" long. Each with original surface, minor wear; laundry basket has very minor losses

Carved alabaster figure of an eagle with a bead necklace. Artist signed on base. 4"h. 7.5"w. 6"d. Good

American, late 19th-early 20th century, cotton. Hand-stitched in red, green, and orange, with a scalloped edge. 95" by 79". Bright and clean, minor scattered spots, very light toning along the folds, very small corner tear at one corner

American, 1st half-20th century, mixed fabrics. Hand-stitched in various shades of blue, in a blocked pattern. 86" by 76". Clean, some very minor fading, light wear, scattered minor spots

American, late 19th century, cotton. Hand-stitched in red, green, rust, and white printed fabrics. 84" by 75". Clean and bright, washed with some very minor fading, minor wear and a few scattered spots, old pieced repair

American, early 20th century, cotton. Hand-stitched, in a cross-type pattern. 83" by 69". Unwashed (pencil lines still visible), some toning and foxing as well as scattered staining, red is still bright

American, late 19th-early 20th century, cotton. Hand-stitched in mustard and red, in a floral pattern. 84" by 72". Overall moderate wear, colors still bright, scattered toning and spotting, one section with discoloration due to long-term folding

American, 3rd quarter-19th century, cotton. Includes a Dresden plate variation, 85" by 68"; together with a Carolina Lily variation, 83" by 72". Both with stains, wear, and losses

American, 19th century, cotton. Bands of dark red fabric and triangle pieces, hand-pieced, machine quilted (black thread). 41" by 34". Bright colors, even toning to ligher colored pieces, some of the quilting thread is loose

American, late 19th century, cotton and wool. Includes a appliquŠ crib quilt top and a log cabin pattern seat cover. Top is 45" by 42". Both generally good; the top with some scattered staining

American, late 19th-early 20th century, silk and other fabrics. Crib quilt is 46" by 42. Generally good, with expected deterioration to some of the silk

American, 1930s, cotton. Lightweight, mostly printed fabrics. 77" by 66". Minor wear and very light toning, minor staings (almost all on the back)

American, c. 1940, cotton. Summer weight, scalloped edges, in pastel colors. 87" square. Bright and clean; light toning and a few minor spots

American, c. 1930, silk, cotton, and rayon. 63" by 36". Minor discoloration on the back, minor silk deterioration

Late 19th-early 20th century, silk on wool. 93" by 47". Bright and crisp, no backing

American, c. 1935, cotton. Printed floral fabrics. "Leem" laundry mark. 82" by 72". Light wear and spotting

American, c. 1940, cotton. Colorful printed floral fabrics, scalloped edge. 88" by 74". Light wear and scattered minor staining/discoloration

American, c. 1910, cotton. Red, cheddar, and green, with blue binding. 84" by 72". Unused, even toning on the back, a few scattered stains, tear on the back

American, c. 1940, cotton. 88" by 79". Very light toning, a few stains

American, mid-20th century, cotton. Kit quilt with large poppies and a scalloped edge. 88" by 76". Bright and clean, just a few minor spots

American, c. 1900, cotton. A variety of printed and solid fabrics. 81" by 74". Generally bright, some light discoloration, a couple of small tears on the back

American, late 19th century, cotton. In a variety of reds. 76" by 50". Bright colors, lightly toned, some minor staining

American, mid-20th century, cotton. Vibrantly made in pastel colors. 80" by 62". Bright and clean, one small split in the binding

American, c. 1925, cotton. Dark pink and white. 82" by 73". Bright with one small split in the binding

American, c. 1935, cotton. Blue and floral-printed fabrics. 84" by 72". Bright, with some discoloration and minor staining

American, 19th-20th century, cotton. A flower basket variant in red and blue, 79" by 60"; together with a lone star in pastel colors, 83" square. Both with some toning, staining, and wear

American, late 19th century, cotton. Includes a red and green floral quilt, 86" square; together with a triangle pattern, 90" square. The first is still quite bright, but with significant wear/losses to the red, scattered other discoloration; the second is toned and stained

Probably WWI or WWII era, cotton. Hand-stitched, with a central grid of 16 anchors, and a red, white, and blue border. Includes hanging pocket. 85" x 79". Very lightly toned, a few minor stains and worn spots. NOTE: this is probably a mid-20th century quilt. NOTE: there is a 3/4" seam split to one blue anchor piece. See added photo.

American, 1930-1940. 11, 844 one-half-inch paper-pieced squares of plain and floral flour sack fabric, arranged in a block pattern. 88" x 68". Lightly toned, a few minor stains and spots of wear

American, 19th-20th century. Includes a a black and white overshot coverlet, a blue and white jacquard coverlet, and a heavy-weight pieced quilt in a block pattern. Various sizes. All with wear and some staining

American, 1930s-40s, cotton. All in pastel colors, including some flour sack pieces. Various sizes. All with moderate to heavy wear

American, 1815-1830, poplar. The case with a scroll-cut crest and later black and red painted decoration. The wooden movement by Silas Hoadley has a wonderful landscape painted on the dial. 88.5" high. Later paint, cracks to the finial plinths

Probably Ohio, 1815-1830, cherry and poplar. The case with a broken-arch pediment and urn finials, and on a cut-out base. The replaced movement is a mid-19th century German movement retailed by J.C. Dilger of Canton, Ohio. 99.5" high. Old finish, age crack to the base, crack to the dial

Pennsylvania, early 19th century, cherry and walnut. Broken-arch pediment with carved rosettes, inlaid tympanum and burl-veneer door, the case with spiral-twist doors and an oculus, and the base with a raised panel of figured veneer. The brass movement has a sun/moon dial wheel. 105" high. Retains its original finish, one sidelight is missing, the hood door is missing the pins to hold it in place, replaced finials

Probably Ohio, 1815-1830, walnut and poplar. Broken-arch pediment with carved rosettes. Currently housing a Silas Hoadley wooden movement with scroll-decorated dial. 93.5" high. Old/original finish, minor height loss

Yorktown, 1769, walnut and poplar. Flat top, arched door with oculus, and bracket feet. The brass movement is inscribed "1769 ELISHA KIRK YORKTOWN." 94.5" high. Refinished, replaced feet, case door hinges and pull

Ansonia, Connecticut, 1869-1877, rosewood veneer. Calendar shelf clock with reverse-painted tablet. 33" high. Original finish, original tablet, minor overall wear, includes weights and pendulum, not tested

Bristol, Connecticut, 1828-1834, mahogany. Reverse-painted and mirrored tablet, and ebonized columns and crest. 33.25" high. Original finish and tablet; mirror is period but has been reset, includes weights and pendulum, not tested

Harper Blakeslee, c. 1830, mahogany. Ebonized columns and crest, paw feet, clear glass tablet. 34" high. Repaired crack to the crest, overall wear, includes weights and pendulum, not tested

Waterbury, Connecticut, 1810-1834, mahogany. Ebonized crest and columns, reverse-painted tablet, paw feet. 35" high. Original finish with wear, wear and crack to the tablet, retains weights and pendulum, not tested

Owego, New York, 1832-1834, mahogany. Ebonized columns and mirror tablet. 34" high. Old, but not original, finish and mirror, retains weights and pendulum, not tested

Farmington, Connecticut, 1832-1834, mahogany ebonized crest and columns, and mirror tablet. 38.25" high. Sold at Garth's Auctions (Delaware, Ohio), August, 1995, lot 163 (illustrated on catalog cover). Original ebonizing and stenciling, old/original finish, all with an old overvarnish that has darkened, minor chips to the crest, retains weights and pendulum, not tested

Auburn, New York, 1831-1833, mahogany. Carved crest and ebonized columns, and with a mirror tablet, reverse-painted upper door, and on paw feet. 39.5" high. Original finish and paint, original reverse-painted panels (some with losses), likely original mirror (with losses), retains weights and pendulum, not tested

Plainville, Connecticut, 1840s, mahogany. Ogee case with internal carved and gilt columns and foliate decoration, and reverse-painted tablet. 30.75" high. Case has an old/original finish, reverse-painted tablet is original with some flaking, retains weights and pendulum, not tested

Plymouth, Connecticut, 1830s, mahogany. Ebonized quarter columns, reverse-painted tablet. 30.75" high. Old finish, repainted tablet, retains weights and pendulum, not tested

Marsh, Williams and Co., c. 1835, mahogany. Decorated crest and columns, and clear glass tablet. 33.5" high. Crest and columns are repainted, damage to tablet, retains weights and pendulum, not tested

Auburn, New York, 1834-1836, mahogany. Carved crest and columns and on paw feet. 39.5" high. Old refinish, no tablet, top of the crest has broken off but is still present

Bristol, Connecticut, 1838-1843, mahogany. Ogee case with reverse-painted tablet. 32.5" high. Minor veneer damage

Boston, late 19th-early 20th century. Round top model. 68" high. New pics have been added to show the included parts (key, weight, etc.).

Auburn, New York, 1834-1836, mahogany. Carved crest and veneered columns, and with a reverse-painted and mirror tablets. Old or original finish, retains weights and pendulum, not tested

Plymouth, Connecticut, 1830s, mahogany. Ogee case with mirror tablet. 26.25" high. Original finish, minor veneer damage

American, 1830s. Broken-arch pediment and turned feet, as well as a mirror tablet. 36" high. Original finish, retains pendulum, not tested

Bristol, Connecticut, 1828-1845, mahogany. Ebonized crest and columns and a mirror tablet. 34.5" high. Original finish, mirror is cracked

American, mid-19th century, mahogany. Reverse-painted tablet. 18.5" high. Retains its original finish and tablet, tablet with some wear/loss, missing hands, not tested

American, mid-19th century, rosewood. Reverse-painted upper tablet, mirrored lower tablet. 18.75" high. Retains old/orignial finish, original tablets, moderate losses to the dial paint, not tested

New York, New York, 1844-1851, birdseye maple and mahogany. Ogee case with reverse-painted tablet with hunting scene. 26.25" high. Retains its original finish and tablet, some loss to tablet paint, minor veneer chips, retains weights and pendulum, not tested

Luman Watson, 1815-1834. Ebonized crest and columns with faux rosewood grain paint, mirrored tablet. 35.25" high. Retains its original painted surface, original/period mirror, one hand not attached but present, retains weights and pendulum, not tested

Luman Watson, 1815-1834, mahogany. Ebonized crest and columns. 35.25" high. Retains origingal finish, missing mirror tablet, retains weights and pendulum, not tested

Plymouth Hollow, Connecticut, 1830-1859, rosewood. Central reverse-painted tablet with eagle and flag. 30.75" high. Retains its original finish and tablet, minor veneer damage, retains pendulum, not tested

Luman Watson, 1815-1834. Ebonized crest and columns with faux rosewood grain paint, mirrored tablet. 35.25" high. Retains its original painted surface, dial likely replaced, old glass and mirror, retains weights and pendulum, not tested

Winsted, Connecticut, late 19th century. Pressed case with owls, reverse-painted tablet. 23.75" high. Retains its original finish and tablet, not tested

Prichard and Blakesly, c. 1835, mahogany. Ebonized crest and columns, and clear glass tablet. 33" high. Retains its original finish, movement not currently installed, missing one hand, retains weights and pendulum, not tested

American, late 19th century, walnut. With central bust and flanking lions. Refinished, retains wonderful pendulum, not tested

Chicago, Illinois, 1871-1874, walnut. Reverse-painted tablet. 20.25" high. Retains its original finish and tablet, losses to dial paint and tablet, dial glass is cracked, not tested

Bristol, Connecticut, 1832-1843, mahogany. Carved crest and columns, reverse-painted tablet. 34" high. Old finish, repainted tablet, retains weights and pendulum, not tested, small crack in the upper glass, tape residue on the lower tablet resembles a crack but is not

New York, New York, 1844-1851, mahogany. Ogee case with reverse-painted tablet. 26" high. Retains its original finish and tablet, minor veneer chips, retains weights and pendulum, not tested

Farmington, Connecticut, 1830-1840, mahogany. Case with rounded sides and reverse-painted tablet. 23.25" high. Refinished, old tablet, losses to the keyhole, retains weights and pendulum, not tested

Terryville, Connecticut, 1833-1845, mahogany. Carved crest and columns, reverse-painted tablet, paw feet. 38.75" high. Old finish, restored paint on tablet, upper glass replaced, loss to escutcheon, retains pendulum, not tested

Terryville, Connecticut, 1833-1845, mahogany. Ogee case with reverse-painted tablet. 22.25" high. Retains its original finish and tablet, some veneer chips, retains weights and pendulum, not tested

Plymouth, Connecticut, 1830s, mahogany. Ogee case with reverse-painted tablet. 26.25" high. Retains its original finish and tablet, minor veneer chips, some loss to tablet and dial paint, retains weights and pendulum, not tested

Plymouth, Connecticut, 1830s, mahogany. Ogee case with reverse-painted tablet. 26.25" high. Retains its original finish and tablet, minor veneer chips, some loss to tablet, retains weights and pendulum, not tested

Plymouth, Connecticut, 1830s, mahogany. Ebonized crest and quarter columns and reverse-painted tablet. 27.75". Refinished, original glass, repainted lower tablet, replaced crest (includes fragment of original crest), retains weights and pendulum, not tested

New Haven, Connecticut, 1845-1855, mahogany and rosewood. Faux-rosewood painted columns and etched tablets. 26.75" high. Retains its original finish, paint, and tablets, retains weights and pendulum, not tested

Early-mid-20th century, brass. 7" diameter. Abraded dial, runs when wound, but timekeeping not tested

Plymouth, Connecticut, 1820s. Retains original painted dial with Masonic decoration. 16" high, 12" wide. Appears complete, but cannot guarantee, not tested

Warren, Trumbull County, Ohio, 1820s. Retains its original painted dial. 16" high, 12" wide. Dial with age crack and paint loss, no hands, cannot guarantee completeness

19th century. Enameled dial marked "Vital Riegger a Louviers." Stamped brass dial surround, and with a modern walnut shelf. 16" high. Not tested, dial with minor flaskes and hairlines, retains weights and pendulum

19th century. 17" high, 11.75" wide and 18.5" high, 12.75" wide. Each dial with damage, cannot guarantee completeness

White, Wile, and Warner, Buffalo, New York, early 20th century. Perpetual motion birthstone display piece, with a mechanical stork. 16.75" high, 17.75" wide. Incomplete on the display side, movement seems to function

White, Wile, and Warner, Buffalo, New York, early 20th century. Perpetual motion birthstone display piece, with mechanical horses. 18" high, 15" wide. Incomplete on the display side, movement seems to function

White, Wile, and Warner, Buffalo, New York, early 20th century. Perpetual motion birthstone display piece, with mechanical horses. 18" high, 15" wide. Incomplete on the display side, movement seems to function (broken string at the top prevents continued motion)

White, Wile, and Warner, Buffalo, New York, early 20th century. Perpetual motion birthstone display piece, hammering dwarves, later frame. 23.5" high, 16" wide. Movement functions

19th/20th century. Period painted dial with later electrical movement, 17.75" high, 12.75" wide; together with a Seth Thomas shelf clock, 17.5" high. Movement untested, probably needs rewired; shelf clock missing door glass

Various sizes, tall clock and shelf clock. Various condition

Some may be complete. Various condition

19th century. Enameled dial and dulcimer musical mechanism. Well-made replacement dial surround and cover panel. 40" high. Appears to be in good condition, but cannot verify if it's complete, and it's not been tested.

Including pendulums.

Mostly wooden movement parts.

Portable chest filled with various old clock parts (pendulums, keys, hands, etc.) and toosl.

Eli Terry Jr (has movement) and E. and T. Sandfords (no movement), plus additional parts.

Tall case and shelf weights, at least 75 pounds. THIS LOT MUST BE PICKED UP. NO SHIPPING!

Tall case and shelf weights, at least 75 pounds. THIS LOT MUST BE PICKED UP. NO SHIPPING!

Tall case and shelf weights, at least 75 pounds. THIS LOT MUST BE PICKED UP. NO SHIPPING!

Tall case and shelf weights, at least 75 pounds. THIS LOT MUST BE PICKED UP. NO SHIPPING!

Attributed to Asa Munger, Auburn, New York, mahogany. Carved pilasters, crystalized mat in the upper tablet, bookmatched veneer in the lower tablet, restored/replaced dial for "A. Munger Auburn" and signed "H.L. Holloway, Winona, Ohio." 39" high, 22.5" wide. Restored/replaced dial, crystalized mat appears old but has been re-installed, lower tablet replaced

English, late 18th-early 19th century, pine. Broken-arch pediment, and the case with a gothic door and lower panel. The brass movement is illegibly signed, and is inscribed above the sun/moon dial "HIGH WATER AT ST. IVES" along with demarcations of the tide at that coastal town in Cornwall." 83" high. Old/original finish (very worn), losses, lower panel cracked and separated

Late 18th-late 19th century. Includes three small plates; a footed dish, three cups (one of which was made for the western market), a bowl, and a vase. The vase is 8" high. The 3 small plates were exhibited at the Newark Museum in the 1970s. All have some wear or damage

19th century. Group of eight paintings, each with two figures, all framed together. 31.5"h. 44"w. The heyday of pith paintings (sometimes incorrectly identified as rice paper paintings) was during the middle of the 19th century, but continued for a time afterward. Good

Unidentified signature, Asian, 20th century. Mother with a baby on her back and geese at her feet. 13" high. Nice dark patina

Chinese, early 20th century. In the form of a double-handled vase. 24.5" high. Original patina, one small nick near the top, the upper lamp stem is currently crooked, the lower lamp base has loss

20th century. Includes a large faux cinnabar covered bowl, 13.5" diameter, and a large cloissonne bowl on stand, 15.5" diameter. Minor wear to each

Late 19th-early 20th century, porcelain. 14.5" diameter. Good

Late 19th-early 20th century. Blue and white, with five-claw dragons and a stamped mark on the back. 14.5" diameter. A few glaze pops and a small firing fissure (as-made)

Chinese, late 19th-early 20th century. Large charger with magpies and plum blossoms. Stamped mark on the back. 18" diameter. Good

Late 19th-early 20th century. Large charger with a pink border and central cartouche with birds. 20" diameter. Good

19th century. Two interior views with the same figures. In later frames, 7.5" high, 14" wide (overall). The heyday of pith paintings (sometimes incorrectly identified as rice paper paintings) was during the middle of the 19th century, but continued for a time afterward. Good; light toning and a few spot, not removed from frames for examination

20th century, mahogany. Lighted, with glass shelves. Side panel cracked, lighting not tested. Made in three parts and comes apart for easier moving. 78" high, 40" wide, 14" deep.

Etching, pencil-signed, dated 1973, and numbered 1/10. Matted and framed. 23.35" high, 29.5" wide (overall). Appears bright and clean, not removed from frame for examination

Etching, pencil-signed, dated 1973, and numbered 1/10. Matted and framed. 23" high, 25" wide (overall). Appears bright and clean, not removed from frame for examination

20th century. A large, framed lithograph of a wagon train heading west; together with two smaller Asian prints. The western print is 26.5" high, 32.5" wide (overall). Good; all with some toning

Includes a late 19th-early 20th-century watercolor titled "Doorway in the Chapel of St. Joseph of Arimathea - Glastonbury," matted and framed, 13.25" high, 16.75" wide (overall); together with a print on silk titled "Souvenir Portrait of Her Most Gracious Majesty Queen Victoria, Empress of India," in a period frame, 21" high, 16" wide (overall). Each with light toning; the gilt frame is vintage but not period, the Queen's frame is period and refinished

Late 19th-early 20th century. Solid rosewood, with a carved skirt. 28" high. Retains its original finish, lower stretcher replaced

Late 19th-early 20th century. Includes a tall Italian vase with flowers, marked on the underside and signed "L. Lacci," 12.5" high; together with a covered jar with birds, signed on the underside, 10" high. Minor wear

Late 19th-early 20th century. Includes four vases, a bowl, and a covered jar. Tallest is 7" high. Masons vase with a line at the rim

French, mid-late 19th century. Pair of bookends depicting ceramic decorators, one male and one female. Unmarked. 8"h. 6"w. 4"w. Female potter has repair to one arm; need cleaned

English, ca. 1860. Parian porcelain bust of a figure wearing scaled armor and with a wreath of twining snakes. 13"h. Good; needs cleaned

France, late 19th century. Figure of a dancer in a flowing gown. Signed on the base. 12"h. 9.5"w. Chip to upper tip of the gown; needs cleaned

European, early 20th century. Design attributed to Hans Bolek. Cased glass bowl in amethyst and buttercup yellow with black enamel floral decoration beneath the wavy edge trimmed in a black glass rim. Raised on three solid glass ball feet. Polished pontile. 4.25"h. 6.25" dia (at widest point). As-made blemish under the rim

Early 20th century, mahogany. Serpentine glass front with elaborate inlay and brass mounts. 71.5" high, 26" wide, 14" deep. Retains an old or original finish, the lock escutcheon is loose, the lower shelf is now missing its fabric cover

American or English, in the Aesthetic taste. Oval tray with rim and handle cutouts, and retaining its original gilt and black foliate decoration. 21" wide, 28" long. Good; some wear and minor abrasions

Paris: Demotte, 1922-1923. 19/250. Hardcover. Oversized portfolio; yellow cloth boards with blue title block on front cover and spine; (20) pages of text including title page and title half page; 100 mounted bw and color plates. Limited to 250 copies, of which this is number 164. Good; shelf wear and moderate soiling to the slipcase, internally good, with some toning (worse at the margins), occasional soiling, lacking plates 10, 17, 33, 73, and 94.

English, 20th century. Set includes dinner plates, salad plates, soup bowls, bread plates, cups and saucers, teapot, cream and sugar, two oval vegetable bowls and three graduated platters. Platters - 11", 13.5", 15.25" l. Mostly good - a few light stains inside cups, a few tiny flakes on rims of plates.

Including cups, vases, salt and pepper shaker, mezuzah case and Elijah's cup in original boxes and two Ainsley cups and saucers in original boxes. 3"-11"h. Good

American/European, late 19th century-early 20th century. Small handpainted porcelain portrait plaque in a brass frame. 7"h. 5.25"w. Print of a woman in an ornate frame. 9"h. 7"w. Printed portrait has some slight damage to frame.

European, early 20th century. White marble pedestal/plant stand with octagonal base. 41.5"h. Overall good, one corner of top has been broken and repaired.

American, early 20th century. Brass with six arms. 28"h. 24" diameter. Good; some wear, needs rewired

20th century. Brass includes a dresser mirror, mail holder with cherubs and a thermometer. 10.5", 12", 15"h. Silver plate includes miscellaneous flatware and serving pieces, salt and pepper shakers, bell, etc. Various condition

19th-20th century. Including Royal Doulton, Royal Copenhagen, handpainted, Lladro, and others. Tallest is 16" high. Some pieces have minor damage

20th century. Includes a pair of large garnitures and a centerpiece. 24"-35"h.; together with a candleabra, kindling box and a music sheet stand. 16"-31"h. Good; some wear

20th century. Small metal plant stand with crossed arrows base. 22"h. Round table with metal legs and white marble top. 30"h. Good, marble is not original to the table

English, early 20th century, mahogany. Tapered body and turned legs. 18.5" high. Original finish, original liner, banding along the top edge is deteriorating

American, early 20th century, mahogany. Round top with gadrooned edge over a highly carved standard and tripod base with paw feet. 27" high, 33" diameter. Original finish, legs are a bit loose, losses to feet

English, early 20th century, mahogany. Three steps with turned and reeded legs and supports. 32" high, 19" wide, 20" deep. Retains its original dark finish, still very sturdy

Mid-20th century, mahogany. Bowfront, with turned supports, a solid top shelf and woven lower shelves. 30" high, 60" wide, 15" deep. Original finish with wear, only very minor damage to the woven shelves

English, early 19th century, mahogany and pine. Drop leaves, one real and one faux drawer, and turned legs. 28.5" high, 33.5" long, 18.5" wide (closed), with 10" leaves. Retains an old or original finish, original pulls and casters

British, 19th century, pine. Two piece, the upper section with open shelves, the lower section with three drawers over two doors (with a faux stack of drawers in the middle). 83" high, 62" wide, 19.5" deep. Refinished, some damage and repairs

English, 19th century, mahogany and oak. Two piece, the upper section with geometric mullions and adjustable shelves, the lower section with two drawers and tapered legs, and with inlaid decoration. 78" high, 34" wide, 17" deep. Purchased at Garth's Auctions in the 1980s. Old finish and brasses, the lower shelf is present, but broken in two and currently detached, scattered minor damage and losses, upper interior with wear and stains

English, late 18th-early 19th century, mahogany. 14.5" high, 9" wide, 8" deep. Old/original finish, scattered losses, replaced divider

Mid-late 20th century. Large feline wearing a fancy necklace. 24" high. Nice patina, the white residue on the collar comes off with a fingernail

Unsigned. 14.5" long. Original patina, some worn spots

England, late 19th century. Each with two figures. 11.5", 7.5", and 6.75" high. Some crazing and enamel loss, one with minor losses to "coleslaw" plants

19th century. Cream pitchers, bowls, cups, saucers, plates, and includes gaudy-type, spatterware, and other decorated wares. Various sizes. Various damage and discoloration to some

Oil on tin. Beautifully painted portrait of two sisters, one holds their bird (carrying pigeon?) and the other a note. In a period/original gilt frame. 12.5" high, 10" wide (tin), 16.5" high, 14.25" wide (overall). A couple of very minor spots of inpainting near the bottom margin, minor gesso losses to the frame

European, 19th century, oak. Possibly window stops, with folksy horse heads, and retaining their original finish. 6" high, 17" long. European, 19th century, oak. Possibly window stops, with folksy horse heads, and retaining their original finish. 6" high, 17" long. Good; minor losses to the ears

French, mid-late 19th century. Three busts of classical women, one of Clytie. 8.5-9.5"h. Good

Signed lower right "Spooner + Wells Inc. 1931 Broadway NY." Large format photograph depicting the winner of a race. Original mat and frame. 23.5" high, 28" wide (overall). Light toning to the photograph, staining to the mat, oak frame retains its original finish (some wear)

Possibly Ed Spooner or Nathan Lazarnick, 1910. Original mat inscribed "Vanderbilt Cup Race 1910. Making a tire change on Harry Grant's twice victorious "ALCO" in twenty-two seconds in the next to the last lap." Original frame. 25.25" high, 31.25" wide (overall). Light toning to the photograph, staining to the mat, oak frame retains its original finish (some loss with associated touchup); the spotting appears to be on the photo side of the glass

Portraits of (most likely) George Hollister Roberts Sr. and his second wife Hannah Jarvis Roberts, whose home was at the corner of Metcalf and Pollock Streets in New Bern, NC. Retain their original frames and original Wootten Studio labels. 12" high, 15" wide (overall). Some toning, and some minor wear/losses to the frames

French or German blank, early 20th century. Tapered ovoid vase with flared rim. Flowers in shades of blue on a matte ivory ground. Artist signed "G. Wilkinson". Illegible stamped mark on base. 17"h. Good

Likely Max Lauger for Majolika Manfactur Karlsruhe, Baden, Germany, c. 1900. Tapered ovoid vase withblue, green and white flowers on a high gloss navy ground. Original paper label (illegible) and incised mark on base. 13.5"h. Good with some flakes around drilled hole

Likely Max Lauger for Majolika Manfactur Karlsruhe, Baden, Germany, c. 1900. Tapered form with bulbous base and flowers in green and ivory on a high gloss navy ground. 14"h. Good with some rim flakes

Chicago, Illinois, ca. 1910. Ovoid form with a round foot and bulbous panels. Green and brown mottled glaze. Incised mark on the base. 5"h. A couple of surface rubs, base flake

France, early 20th century. Includes a tapered form with small cylindrical neck, iridescent green-brown glaze, 6.5"h.; together with a molded vase with chameleon by Pierre Claudine, 5.5" high. Good

France, 1st half 20th century. Ovoid base with a long twisted cylindrical ribbed neck. Iridescent glaze in red, gold, black and salmon pink. Marked on the base. 7"h. Good

American, early 20th century. Large art pottery vase with green to brown glaze and molded decoration of flowers and leaves. 18.5"h. Good

France, early 20th century. Bud vase with a bulbous base and long tapered neck. With an olive green glaze. Impressed mark on the base and "5488". 7"h. Good

European, early 20th century. Small bowl with round foot and tapered sides by Gunnar Nyland for Rorstrand Pottery. 2.5"h. 5" diameter. Small cobalt vase by Berndt Friberg (1948-1974). 2.5"h. 3" fdiameter . Good

American, mid 20th century. Low bowl with a wide rim by Victoria Littlejohn. Signature inscribed on the underside. 2"h. 9" diameter. Patrick Kennedy bee hive-shaped vase with inscribed decoration. Original paper label on the underside. 4.5"h. 4.75" diameter (at the base). Good

American, mid-20th century. Two covered vessels. Smaller blue and white by Robert Sperry (1927-1998). 5"h. 4.25" diameter. Larger black jar by Chris Staley. 7"h. 7.5" diameter (at widest point). Good

Quaint, Grand Rapids, Michigan, early 20th century, oak. With vertical slats. 36.5" high. Retains its original finish and cushion, cushion with wear and loss

1st half-20th century. Includes a small, molded bicolor vase by Van Briggle (Colorado), 3.25" high; together with a aqua blue vase by Walter Stephen (North Carolina), 3.5" high. Good

Early 20th century. Includes a Monmouth Pottery urn, 8" high, a Weller Dickensware mug, 5.75" high, a small Roseville pig bank, 2.5" high, and a vase by or in the style of Niloak, 9" high. Pig with flakes to ears, Weller mug is cracked

Mostly Henry Mercer Moravian Tile Works, Doylestown, Pennsylvania, early 20th century. Also includes an architectural tile figure of a boy on a dolphin. Tiles mostly 4" square. Various minor flakes

Holland, early 20th century. 2.5" to 8.5" high. Minor crazing

A 14" Rio Chico platter by Vernon Kilns, a Czech tea service with fruit, and a pair of Hall/Westinghouse refrigerator dishes. Minor wear

Denmark, early 20th century. A bullbous form vase with a cylindrical neck and drip glaze decoration. Marked on the base with "AW" artist initials and original label "La Paix Ave de L'Opera". 7.75"h A couple of glaze blemishes

Early 20th century, oak and stained glass. Rectangular light with an oak frame and carmel slag and textured green glass. 10" high, 19.5" wide, 28" long. Frame retains its original finish, 2 piece of glass have damage (both caramel slag on the same side; one just cracked, the other has a 3/4" loss)

German, early 20th century, oak. Two-piece, the upper section with beveled-glass doors, the lower section with two drawers over two carved doors. 80" high, 55" wide, 24.5" deep. Retains its original fumed finish and hardware, some minor wear, one piece of cornice is reglued, one upper door pull has the U-shape broken off, but it's still present, upper interior shelves are both cracked and separated longitudinally, the left shelf is missing a support

English, early 20th century, oak. With a tiled backsplash over a marble top over a single drawer, and on turned legs ending in casters. 49" high, 40.5" wide, 18" deep. Retains its original finish and hardware, some minor wear, no apparent damage to the tiles

Macey, early 20th century, oak. Narrow size barrister bookcase, with four graduated stacks, the topmost with a cross mullion. 57" high, 25" wide, 13" deep Retains its original finish, one pull broken off but present, chip to the top on the back edge; a few other very minor veneer chips

Macey, early 20th century, oak. Double-width barrister bookcase, with three graduated stacks, the topmost with a cross mullion. 46.5" high, 48" wide, 13" deep Retains its original finish; a few very minor veneer chips

American, early 20th century, oak. With a small door with amber glass, and a curtain rod on the open side. 19.5" high, 27.5" wide, 8.5" deep. Retains its original finish, some wear

Early 20th century, oak. Glass doors flanked by carved columns, and on scroll feet. Adjustable shelves. 53.5" high, 48" wide, 14.5" deep. Retains its original finish, some of the shelves are warped

American, early 20th century, oak. Round top and cross stretcher. 30" high, 30" diameter. Old or original finish, minor wear, one of the glued joints in the top has separated about 1/8"

Grand Rapids, Michigan, early 20th century, oak. Rectangular top over a single drawer and a lower shelf. 29.5" high, 47.5" wide, 30" deep. Old or original finish (cleaned, not grungy), minor wear. The line visible on the side in photo 7 is a crack (stable, but needs glued). There is a photo of the top that shows an imperfection to the surface that appears to be as-made or very early.

American, mid/late-20th century. Round vase tapering to an oval base. Incised and cobalt decoration. Incised signature "Reitz" on base. 12"h. A few glaze flakes

American, eary-mid 20th century. Ovoid form with green glaze above and below a band with landscape decoration in green tan and burnt orange. Signed on the base. 10"h. Good with some light scratches from handling

Flemington, New Jersey, 1915-1930. Tapered stepped form with two handles mimicking the shape of the vase. Blue glaze with speckles and underglaze of yellow. Marked "818" and "26". 7"h. Good with some areas of thin glaze.

American, 1st half 20th century. Small tapered vase with mustard brown and red drip glaze. Marked on the base. 3.75"h. Good

France, 1st half 20th century. Tapered form with short neck and flared rim. Red and blue crystalline glaze. Incised mark on base. 6.5"h., 4" diameter (at shoulders). Good

Vienna, Austria, 1st quarter 20th century. Tapered form with small flared rim. Floral decoration on an iridescent green to brownish-red glaze. Marked on the base "Pergamon Vienna" and "EW". 9.5"h. Good

Keene, New Hampshire, early 20th century. Gourd-form vase with green glaze and incised Greek key decoration. Incised signature on base. 8"h. 6.25"diameter at widest point. Tight line on the underside

American, early-mid 20th century. Vase with blue drip glaze. 5"h. 5.5" diameter. Oversize mug with reddish-brown glaze. 4"h. 4" diameter. Both with incised "Jugtown" marks. Good

Signed and monogrammed. In the Iznik style, with bold blue and green decoration. 13.25" high. This vase is the work of either Edmund Lachenal (French, 1855-1948) or one of his sons, Jean-Jacques (19th/20th century) or Raoul (1886-1956). Glaze crazing, with a few minor flakes

Early 20th century. Includes a floral vase by Herman Kahler (1846-1917), 6" high; together with a spherical vase by Jorgen Mogensen (1927-2017), 4" high. HAK vase with chip to the rim

For Royal Copenhagen, Denmark, dated 1919. Ovoid body with baluster neck, and mottled brown glaze. 7.25" high. Glaze pop on the neck

American, dated 1912. Carved foliate motives and a mottled green glaze. 7" high. A couple minor glaze pops

Norwalk, Connecticut, 2nd quarter-20th century. Includes a lava-red ovoid vase with four handles, 5.5" high; together with a small black vase on a high foot, 3.25" high. Good

Holland, early 20th century. 3" to 8.25" high. The earliest vase has moderage crazing and some glaze loss

Probably Zanesville, early 20th century. A brown-glazed jardiniere with birds and flowers, 8" high; together with a pedestal with fish and a colorful glaze, 15.5" high. Each with some glaze wear, flake to the pedestal base

Late 19th-early 20th century. Includes a Burmantofts molded jardiniere, 7.25" high; together with a small and early faience vase, 4.25" high, and a green vase with a bubble design, 11" high. The small vase with a couple of glaze flakes

Early-mid-20th century. Includes a Karlsruhe pot, 9.5" diameter; together with a small vase marked "M.L. Germany," 2.5" high, a small green jardiniere marked "W. Germany," 6" high, and a decorated vase marked "Germany", 8" high. Crow's foot to the Karlsruhe pot

Early 20th century. Includes a scalloped-rim vase, possibly Loetz Astartig, 5" high; together with a small vase with a mottled iridescence, 2.25" high. Smaller vase with possibly ground rim

Early 20th century. Includes Queen Wilhelmina teapot, 9" long, Aura Argenta creamer and sugar, 5" and 6" long, and a flowered plate, 8.75" diameter. Good

Late 19th-early 20th century. Includes cups and saucers (ducks, portraits, and flowers, two bowls, and a vase with ladybugs. Vase is 4.5" high. Some gilt wear, a few flakes/chips

American, early 20th century, wrought iron. With twisted and scrolled feet. 64" high. Scattered light corrosion, needs rewired

American, early 20th century, wrought iron. With elaborately scrolled feet and finials. 22" high. Expected wear from use, some corrosion

Late 19th century. Includes a George Hunzinger Aesthetic Movement chair with turned spindles, 32" high; together with a Gothic Revival chair with a elaboratley decorated round back, 31" high. The Hunzinger with its original finish and metal strap cushion support (no cushion); the Gothic retaining its original paint and surface, and original springs, but no upholstery, and the seat frame is separating slightly

American, 1st half-20th century, oak. With a slat back, in the manner of Stickley. 37.5" high. Old finish, reupholstered

American, early 20th century, oak. Tapered shelf with carved leaves on the side. 44" high, 10.5" to 13.25" wide (case). Retains its original finish

American, early 20th century, oak. With arched side supports. 42" high, 21" wide. Retains its original finish

American, early 20th century, fumed oak. Tapered with slatted sides. 43" high, 12" to 15" wide (case). Retains its original finish

American, early 20th cetury, oak. Tapered with slatted sides. 42" high, 14" wide. Retains an old or original finish

English, late 19th century. Ebonized bamboo frame with glazed tiles forming the planter box. 31" high, 34" wide, 10.5" deep. Retains its original finish, one central drop is missing, one side box bottom is loose, other wear

English, early 20th century, oak. Solid frame with yin-yang-style cutouts, slat back, and green velvet upholstery. 34" high. Retains its original finish and probably original upholstery

Mandel Brothers, Chicago, Illinois, oak. With gothic arch legs and a lower shelf. 25" high, 21" diameter. Retains its original finish

English, early 20th century, oak. Square top over one drawer, and on tapered legs with side stretchers. 29" high, 21" square. Retains its original finish and original brass pull

Early 20th century. Embroidered in rust, olive, and brown. Each panel is 75" high, 45" wide. Toning, some discoloration along fold lines, some thread loss

Early 20th century, cotton or wool. Five handbags and a folding sewing caddy, all with embroidered decoration. 8" to 12" tall. Generally good, some toning and scattered staining, one bag with a couple of minor repairs

Early 20th century, various fabrics and sizes. Generally good, some toning and scattered staining, one bag with a couple of minor repairs

Early 20th century, various fabrics and sizes. Generally good, some toning and scattered staining, one bag with a couple of minor repairs

Girault, Demay et Vignolet Porzellanmanufaktur (G.D.V.), Brure, France, c. 1900. Narrow neck, multiple handles, and blue crystalline glaze. 8.5" high. Minor glaze crazing

Likely Max Lauger for Majolika Manfactur Karlsruhe, Baden, Germany, c. 1900. Vase with leaves, 7" high; and a bowl with vine on the rim, 3.25" high. Good

England, early 20th century. Royal Lancastrian line, double-bodied vase with floral decoration. 5.5" high. Good

1st half-20th century. Includes an Austrian vase with crackled glaze, 6" high; together with an Austrian or German vase with incised floral decoration, 4.75" high; and a Japanese vase, 6.75" high. First two with minor flakes to the underside, the last with a flea bite on the rim

Includes a late 19th-century luster cream pitcher, an Austrian dish with loop handles, and English marbleized vase with three handles, and a Karlsruhe bowl with black and green decoration and an unknown mark. 3" to 3.5" high. The loop-handled dish has some flakes to the glaze

Early 20th century. Includes a Japanese blank decorated by L.F. Nash, 6" high; together with a long-necked vase by A. Hess, 7.5" high; and a small Austrian or German vase with stylized flowers, 3.5" high. The last with tiny glaze flake at the rim

Late 19th-early 20th century. Includes a plate by Hautin & Boulenger, Choisy-le-Roi, France, 8.5" diameter; together with a small jardiniere with Art Nouveau decoration, 4.25' high. Plate with minor hairline, jardiniere with minor bumping to corners

Early 20th century. Includes a vase with a mottled green glaze, 7" high; together with an ovoid vase with a gray and deep red glaze, 6" high; a Belgian vase with a striated glaze, 6.25" high; and a likely Dutch sphere vase with red and dark blue glaze, unidentified mark, 5.5" high. The first with a 1/2" glaze flake, and the last with a couple of glaze imperfections at the base

Includes a Denbac Ceramique, Vierzon, France vase with striated glaze, 5" high; together with a weed vase with an unknown mark, 2.5" high; and a tapered vase with blue drip glaze, 4.5" high. Weed vase with minor roughness at the rim

American, early 20th century, oak. With magazine racks on the sides, and a lower shelf. 26" high, 22" wide, 14" deep. Retains its original finish, back-right return under the top is missing, top is a bit loose, white paint streak on the front edge of the top

American, early 20th century, oak. 34.5" high. Retains its original finish

1st half-20th century, mahogany. Stoutly made chairs with carved posts, turned spindles, and casters on the front legs. Includes two armchairs and six side chairs. 41" high. Old refinish, a few posts have age cracks, all appear to retain their original springs and some under-upholstery, all need reupholstered, one armchair is missing one caster

Kensington Ware, New Kensington, Pennsylvania, c. 1934, aluminum and glass. Bowl and flanking candlesticks, designed by the Lurelle Guild, made using Alcoa aluminum, and introduced in 1934. Bowl is 13.5" diameter. Good

Early 20th century. Includes a pair of Roycroft bookends, 4.5" high, a German vase, 7" high, and a copper-clad cigarette box, 4.5" long. All with some oxidation, minor dents to the vase and box

Early 20th century. Includes a German desk set (inkwell, letter holder, matchbox case, and stamp box) of brass and burl, letter holder is 4.5" high; together with a copper and enamel box marked "Vera," 4" long. Inkwell has large chip to glass liner

Early 20th century. Includes a pewter candleholder inset green stones, 4.75" high; together with a pair of bronze swiveling sconces, 10" long. Sconces include backplates and screws

Early 20th century. Includes an Irish Belleek shell dish, two pieces of Willets (including a Belleek dish), and a Knowles, Taylor, Knowles Lotus Ware candy dish. The last is 9" wide Some gilt wear, the Willetts Belleek dish with a flat bruise on the rim

Early 20th century, handpainted. Various patterns. Largest is 8.75" diameter. Together with a bowl. Some have damage

Deisgned by Allen and Irwin, introduced in 1954. Includes a 13" platter, two serving bowls, five porringers/bowls, and two cups/saucers. Together a Red Wing Town and Country pitcher, designed by Eva Zeisel, 8" high. A couple of stains

Early 20th century. Includes a squat blue vase, possibly Grueby, an Upchurch bowl in pale green, a tiny Rutgers vase in cobalt blue, and a Allervale vase with twisted handles. The last (and tallest) is 3" high. The first has a rim flake

20th century. Includes a large leaf-pattern Czech vase marked "FBS," a Hovanec/Friar glass marbled vase, an amber "stacked ring" vase, a colorless and white bud vase, and a barrel-form vase in amethyst cut-to-clear glass. Bud vase is 10" high. All with minor high-point wear