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Amazing Jimmy Ernst Mixed Media, 11 1/2 x 8 1/4 inches. Provenance: private owner.
Biography: 1920 - 1984. Jimmy Ernst decided early in life not to become an artist, for fear of being in the shadow of his father, Max Ernst. Suddenly, at the age of twenty, he felt the urge to paint, but not in the surrealist style of his father. He was brought up by his mother, Louise Straus, in Cologne, after his parents were divorced. His ethical grounding was instilled by his mother, who was Jewish and a journalist and led him to understand that his father's emotional cruelty did not amount to much in light of the Nazi's actual threats. He studied at Cologne-Lindenthal Real-Gymnasium and the Altona Arts and Crafts School where he completed a three year apprenticeship in printing and typography. In 1928 he went to Colorado with anthropologist Gladys Reichard and worked with Navajo Indians. In 1938 he emigrated to the United States to escape the Hitler regime; he left Germany just a week before Kristallnacht. His mother died in a German concentration camp.Ernst's name and connections landed him a job at the Museum of Modern Art as office boy. In 1941 Peggy Guggenheim, patroness of the arts in New York, hired him as her personal assistant. Later he worked with advertising agencies and art galleries. Ernst taught at the University of Colorado, summers of 1954 through 1965, the Museum of Fine Arts of Houston 1956, and Brooklyn College. He lectured extensively at Pratt Institute. He was the winner of many awards, had many one-man shows and was included in group shows throughout the United States and the rest of the world. Ernst began experimenting with automatism (use of free visual association to produce bizarrely original images). In the late 1940s he went through his "jazz" period, i.e. his improvisations gained shape and metaphoric weight using vibrant, vareigated colors, gradually changing to purifying blacks and whites. His powers of composition and paint handling increased, reasserting control over his imagery.In 1961, Ernst traveled through Russia and Europe on grants from the Guggenheim Foundation and the State Department. At the age of sixty-three, he died at a Manhattan radio station hours after having hung a show. He was waiting to appear on a talk show promoting the show and a book. He was married to Dallas Bauman Brody. They had one daughter, Amy Louise who is a Music Administrator and a son Eric, a painter. Ernst was made a member of the American Academy of Arts and Letters in 1983. He died on February 6, 1984.
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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