Carl Kauba (Austrian, 1865-1922) brown patinated bronze butterfly-winged cherub bust on fluted half-column, with attached gilt bronze bow and quiver of arrows, incised under the proper left arm at the shoulder, "Carl Kauba 92," further stamped with the foundry mark, "J. Kalmar" 9" H. Another with butterfly wings to be found in Lot 2.

Carl Kauba (Austrian, 1865-1922) brown patinated bronze butterfly-winged cherub bust on fluted half-column, with attached gilt bronze bow and quiver of arrows, incised under the proper right arm at the shoulder "Carl Kauba 92," further stamped with the foundry mark "J. Kalmar" 9" H. One screw on base attached through the foundry mark. Another with feathered wings to be found in Lot 1.

French gilt bronze - ormolu, champleve enamel, and alabaster desk set, 19th century, comprising a candlestick in the form of a Classical woman's head with stiff palmetto leaf candle cup, inkwell connected to a demilune pen tray, and a flat pen tray, the bronze inlaid with tiny flowers and foliage, the inkwell with original porcelain liner. Largest: 3.1" H x 7" W x 6.5" D.

French gilt bronze - ormolu and champleve enamel jardiniere, 19th century, the small bombe form cask finely detailed with floral enamel medallions and cartouches, diamond patterning, foliage, scrollwork, faces, and lion paw feet, with removable brass liner. 4.25" H X 6" L X 4" D.

Antique French gilt bronze - ormolu and champleve enamel vase in the form of a cherub, bending at the waist with a large amphora form vase strapped to his back, standing on an alabaster disc. 7" H.

Antique French gilt bronze ormolu standing table picture frame, the surround with foliate and floral swags, flower-filled cornucopia, ribboning, and inserts of yellow enamel, the top with a miniature on celluloid of a Fragonard-manner courting couple, signed "A. Michel," with an easel back. 17" H X 17.5" W. Glass slipping in frame, heavy wear to gilt.

Italian .800-silver compact of lobed pentagonal form, the large enameled panel to lid depicting a courting scene, the surrounding silver elaborately incised with swirls, flowers, and foliage; Italian hallmark and "800" stamped on the vermeil interior, which retains the original beveled mirror. 3.15" W X 1" D.

14K gold and enamel Order of Saint Sava commander's cross - badge with Austrian double-headed eagle. 1.75" square. Gold tested; approx 7.4 dwt inclusive.

14K gold and enamel Order of the Crown of Italy, commander's cross - badge with eagle and crown medallions, maker's mark on bail. 2" square. Gold tested; approx 9.1 inclusive. Losses to enamel on crown.

Silver and enamel Order of the Crown of Romania, commander's cross - badge, Maltese enameled cross with crown medallion on a silver gilt vermeil chain, marked, "Italy 925." 2.25" square. Silver tested; approx 1.58 ozt inclusive. Damage to enamel near 1881.

Fornasetti Richard Ginori "Soli" porcelain espresso set, the six cups and saucers with black, white, and gilt woodcut images of suns, the undersides with factory stamps, in the original Fornasetti Milan presentation box. Cups: 2.15" H. One of two, the other to be found in Lot 12.

Fornasetti Richard Ginori "Soli" porcelain espresso set, the six cups and saucers with black, white, and gilt woodcut images of suns, the undersides with factory stamps, in the original Fornasetti Milan presentation box. Cups: 2.15" H. One of two, the other to be found in Lot 11.

Venini Murano Mid-Century Modernist blue satin glass tricorn bowl, the underside with acid-etched "Venini Italia" mark. 2.75" H X 8.5" wide. Contact wear to underside, minor scratches to interior. One of two similar bowls, the other to be found in Lot 14.

Venini Murano Mid-Century Modernist blue satin glass tricorn bowl, the underside with acid-etched "Venini Italia" mark. 2.5" H X 5.5" wide. Contact wear to underside, minor scratches to interior. One of two similar bowls, the other to be found in Lot 13.

Sterling footed tazza, hallmarked, Manchester Silver Co. Providence RI, founded in 1887, "Sterling." 4" H x 9.5" diameter. Approx. 21.10 ozt.

Tiffany & Co. Italian silver ball-form picture frame, vintage 1980s, the two sides opening to reveal spaces for photographs, engraved "Happy Valentine's Day 1986 / I'll love you forever and always Margie," heavily worn purity marks and "Tiffany & Co. Italy" stamp on bottom. 2.75" H X 2.75" diameter. One side with small dent, lacking glass picture protectors. Approx. 5 ozt.

Georg Jensen sterling baby spoon in the "Blossom" pattern and an hors d' oeuvre fork in the "Acorn" pattern, two H. Nils circular ashtrays, marked, sterling Denmark. Approx. 3.15 ozt. longest 4.75."

Judaica sterling silver gilt vermeil interior Natilas Yadaim Washing Cup by Bier Israel, double-handled hand washing cup with Hebrew inscription in bas-relief, marked, "Bier Sterling." 4.375" H x 4.25" diameter 6" across with handles. Approx. 13.23 ozt.

Gorham "St. Dunstan, Chased"-pattern monogrammed sterling silver flatware, 1915, partial service for twelve, comprising 12 dinner knives, 9 dinner forks,12 fish forks, 10 dessert forks, 8 salad forks, 12 soup spoons, 12 tablespoons, 12 teaspoons, 11 luncheon knives, 11 small forks, 12 fruit knives,12 dessert spoons, 12 ice cream forks, 11 hors d'oeuvres forks, 10 fish knives , 9 butter spreaders, 11 demi-tasse spoons; approximately 186 pieces, with maker's marks and "Sterling." Longest 8.5" L. Weighable silver approx. 193.71 ozt. Sets with the same pattern can be found in Lots 20 and Lot 21.

Gorham "St. Dunstan, Chased" sterling silver serving utensils, nine, comprising a pair of salad servers, three large spoons, a small ladle, a cake knife and cheese knife, and one other, monogrammed, maker's mark, "Sterling." Longest 10" L. Weighable silver; approx. 19.46 ozt cake and cheese knife not weighed. Same pattern can be found in Lot 19 and Lot 21.

Gorham "St. Dunstan, Chased" sterling silver serving utensils, eight, comprising a pair of pierced salad servers, two large spoons, a large and small ladle, a fish server and a cake knife, monogrammed, maker's mark, "Sterling." Longest 12" L. Weighable silver; approx. 23.86 ozt cake knife not weighed. Same pattern can be found in Lot 19 and Lot 20.

14K yellow gold floral brooch with 21 freshwater pearls surrounding a prong-set diamond in white gold, marked, "14K." 2.75" L. Diamond: approx .09 ct. Approx 12.9 dwt inclusive.

18K yellow gold prong-set large faceted citrine and diamonds, vine leaf motif ring. Ring size: 6.5. Gold tested; approx. 22.1 dwt inclusive.

Lalique France gold-plated and pink crystal starfish clip-on earrings. 1" diameter.

14K gold and 10K gold, modern earrings, marked, "585 14Kt," hoop earrings marked, "10K Israel," 2pair, 14K approx 6.8 dwt; 10K approx 1.5 dwt.

Churchill Ettinger (American 1903-1985), Stratton Mountain, Vermont, depicting a skier in a winter mountain landscape, label on reverse, "Jun. 24 1972, Alice & Win Dibble, Shoreham, Vermont , Fredrick W. Lapham III, Martha R. Lapham, " signed lower right, "Churchill Ettinger." Image: 14" H x 20" W; frame: 24" H x 29.5" W x 1.5" D.

Churchill Ettinger (American 1903-1985), "Rainer From Crystal Mt" oil on canvas board, depicting a skier on a snowy slope in a winter mountain landscape, signed lower left, "Churchill Ettinger", title in pencil on reverse. Image: 20" H x 23" W; frame: 27" H x 31" W x 1.5" D. Abrasions to paint surface top left corner and edges.

Full-length portrait of a lady wearing a pink dress and blue sash, with pearl necklace, inventory label on reverse, "97/472," oil on canvas. Image: 54.25" H x 41.25" W; frame: 62.25" H x 49.25" W. Loss of paint in areas, light soil and roll creases.

19th century portrait of an elegantly-dressed woman, signed illegibly lower left, oil on panel, in an Italian-manner heavily gilt frame with an oval opening. Image: 10" H x 8" W; frame:18" H x 15.5" W.

Pair of Georgian manner demilune three-drawer side tables with pierced wood gallery top. 33" H x 28" W x 13" D. One drawer missing bail handle.

19th century Baroque manner mahogany and marble top console table with front shaped corners, carved with centered large shell-form fleur-de-lis, C-scrolls and leaf motif on carved cabriole legs, indecipherable partially printed label. 33" H x 56" W x 28" D.

Queen Anne -manner double-bonnet two-piece walnut display cabinet on stand, 19th century with some earlier components, burlwood veneers and domed eglomise glass panes depicting various griffins, faces, shells and dragons within a floral arabesque over three drawers on cabriole hoof feet. 67" H X 32" W X 14" D. With repairs.

Louis XV-manner giltwood cane-back upholstered bench, the ornate bi-level crest rail, frame, and cabriole legs carved with flowers, roses, swags, scallop shells, acanthus and palmetto leaves, on scroll feet, upholstered in a blue and cream floral silk brocade. 29" H X 41" L X 16" D.

Neoclassical-manner cut glass and gilt metal table centerpiece on a shaped white glass base with gilt-beaded edges, the long oval bowl cut with flowers, foliage, and crosshatch diamond pattern set into a frame of Classical heads, foliage, swags, and tassels, the legs ending in scroll feet. 11.25" H X 19.25" W X 6.75" D. Wear to gilt surfaces, especially on handles.

Ferdinard Levillain (French, 1837-1905) large Neoclassical gilt metal caryatid with raised arms holding a two-handled urn, marked, "F. LEVILLAIN," on a three footed, paw foot circular base, circa 1880. 34.5" H x 17" diameter base.

After Albert-Ernest Carrier-Belleuse (French, 1824-1887), bronze-patinated white metal figural group "Charmeuse des Pantheres" (Charming Panthers), depicting a beautiful nude woman seated on a draped cloth atop a marble pedestal, below her a prowling big cat, incised in the folds of fabric "Carrier Belleuse;" cast from the original, late 19th/early 20th century. 28" H. Proper left pinkie finger reattached, one panther reattached and with losses, minor losses to patination.

Anton Nelson (After; Austrian, active 1880-1910), gilt bronze bust of a buxom young woman in a jaunty hat, on her bodice a cartouche with the legend "Epoque Louis XV / Par Nelson," verso stamped "D.S." the base with Pinedo Paris foundry mark, "Bronze garanti au titre.'' 30.5" H. Some wear to gilt surfaces.

Bohemian Czech cut glass decanters, red cut to clear and blue cut to clear, both with wreaths and multi-point stars. Each approximately 15.5" H. Red with chips to rim and tip of stopper, which is possibly a replacement.

Murano Sommerso Mid-Century Modernist art glass bud vase of globular form, with the blue-green center cased in clear. 9.5" H x 8" W.

Murano Sommerso by Flavio Poli faceted art glass block vase of amethyst-color cased in clear, vintage 1960s. 12" H. Tiny fleabite chip to rim.

Pair of large Italian Chinoiserie white-glazed ceramic male and female foo dogs / foo lions, the undersides marked "Made in Italy / 1463B." 16.75" H X 13" W X 8.5" D.

Pair of squat alabaster jardinieres or vases with three handles each, vintage. 5" H X 8" diameter. Both with fleabite chips and scrapes to handles and sides, and contact wear to undersides.

Baccarat colorless crystal "Nadine" pattern vase, with vertical and horizontal cuts, the underside with acid-etched factory stamp. 6.5" H X 4.25" W.

Josef Hoffmann (Austria, 1870–1956) collaboration with Moser, crystal octagonal vase, Art Deco, c. 1930s. 10" H x 6" W. Light wear to base.

Lalique frosted crystal art glass "Partridge" figurine or paperweight, bearing etched signature underneath. 3.5" H X 3" W X 6" D.

14K white gold, large pearl with diamonds ring, marked, "14K." Ring size: 5.75. Pearl: approx 11mm. Approx 4.9 dwt inclusive.

14K gold and diamonds tennis bracelet, 48 diamonds prong-set in white gold mounted into a yellow gold linked bracelet, marked, "14K." 7" L. Approx 5.8 dwt inclusive.

14K yellow gold and six emeralds terminating in a V-form pendant and dangle linked to a 10K chain necklace 16" L. Gold tested: approx. 4.5 dwt inclusive.

14K white and yellow gold with diamonds pendant and gold-tone necklace. Pendant: .75" L; necklace: 18" L. Gold tested; approx. 1.9 dwt.

Mughal-manner Indian 22K gold, pendant set with 13 rubies and 14 diamonds, on an 18K gold chain, marked "750," comprising a large faceted pear-shaped ruby surrounded by 12 diamonds and 12 rubies with green enamel detail, an oval diamond bail and below a pear-shaped diamond above a large pearl dangle with a red enamel on gold fitting. Pendant: 2.75" L; chain necklace 16" L. Pearl: approx 13mm x 15mm. High-karat gold tested; approx 25.1 dwt inclusive. Minor losses to enamel.

French opaline black glass trinket or dresser box with canted corners, mounted with egg-and-dart gilt ormolu banding, first quarter 20th century. 4.25" H X 5.25" W X 3.4" D. Bottom with heavy contact wear.

French Art Nouveau gilt and mottled brown-patinated bronze double inkwell desk tray by Paul Francois Louchet (1954-1936), the biomorphic oval tray with swelling sides edged in gilt water lily leaves, flowers, and incised geometric designs, centered by two attached inkwells with similar gilt-work and original cut glass liners, the back with a "Paris / Louchet / Ciseleur" stamp. 3.5" H X 19" W X 6.15" D.

Renaissance Revival gilt, brown- and green-patinated bronze ewers, probably French, the pair with ornate winged sphinx handles, Green Man faces, C-scrolls, foliage, wheat stalks, beadwork, and more. 15.75" H. The bodies cast with shallow wells rather than fully hollow, one with green patination to base, the other with small blot of brown paint to same.

Neoclassical or Napoleon III-manner fine gilt bronze 8-light candelabra, the pair ornately cast with stiff palmetto leaves, Egyptian lotus flowers, rosettes, foliage, anthemion, Classical heads in laurel wreaths, and staves, the fluted central columns supporting six branching and one central arm. the whole supported on triangular bases with lion paw feet, now mounted as lamps and having faux candle sleeves and flame finials that were the original candle snuffers. Candelabra: 29" H; overall: 41.5" H. One faux candle lacking

French Louis XVI-manner Gustave Levy gilt bronze striking mantel clock, the imposing circa 1850 piece with an ornate architectural case supported on either side by languishing semi-nude nymphs, adorned with sprays of flowers, swags of floral and leaf-and-berry garlands, scrolling foliage, rosettes, and a cartouche with ring of dancing cherubs, topped with an urn finial with lid opening to a well, embellished with ram heads, grapes and vines, the white enamel dial face with black Roman numerals, Arabic second numerals, gilt filigree metal hands, and the inscription, "G.J. Levy / Paris / Rue Sevigne, 29," the backplate impressed "EB 10105." The workshop of renowned metalworker and sculptor Gustave Levy (active 1855-1881) was celebrated for its exquisite clocks, candlesticks, vases, lamps, statuettes and busts; the firm won gold and bronze medals at the World Exhibitions in London 1862, Paris 1867, Vienna 1873, and Paris again in 1878. 27" H X 21" W X 7.5" D. With an antique winding key.

Renaissance revival figural wall sconces, the vintage pair in the form of a brown patinated bronze male and female Roman warriors supporting five gilt bronze foliate candle arms with beaded-edge drip cups, faux candle sleeves, and elongated supports with palmetto and anthemion leaves and frond wreaths. 31" L X 22" W X 14.25" D. Both soldiers possibly lacking spears from their upraised hands.

Francis Sydney Muschamp (English 1851-1929) "Queen crowning knight," Neoclassical painting depicting a knight about to be crowned with a wreath of laurel leaves, signed lower left, "Sydney Muschamp," oil on canvas. Image: 32.5" H x 22.5" W; frame: 39" H x 29" W x 3.5" D.

A. Rodetti (Italian, XIX) Venetian canal scene, depicting a gondola and gondolier, other boats and Santa Maria della Salute at sunset, Venice, Italy, plaque on frame, "A. Rodetti Venetian Scene," signed lower right, "A. Rodetti," 19th century. Image: 16" H x 24" W; frame: 21.75" H x 29.5" W x 1" D. Canvas relined.

Impressionist manner seascape with sailboats, oil on canvas. Image: 16" H x 20" W; frame: 24.5" H x 28" W x 2.75" D. Hole at top left and paint loss to sailboat on right, craquelure throughout.

Feodor Vasilievich Sychkov (1870-1958) (attributed) "Boy with a balalaika," winter landscape, a red headed boy playing a Russian stringed musical instrument, oil on wood panel, signed lower right, "F. Syczkaw." Image: 16.5" H x 12" W; frame: 19.75" H x 15.25" W.

Gorham sterling silver "La Scala" pattern flatware service designed by Peter C. Gavette in 1964, comprising 11 dinner forks, 15 teaspoons, 10 butter knives, 10 ice tea spoons, 3 hors d'oeuvre forks and 4 demitasse spoons, 53 pieces. Weighable silver; approx. 55.76 ozt not including knives. Same pattern can be found in Lot 62 and Lot 63.

Gorham sterling silver "La Scala" pattern salad servers designed by Peter C. Gavette in 1964, two. Approx. 6.96 ozt. Same pattern can be found in Lot 61 and Lot 63.

Gorham sterling silver "La Scala" pattern serving utensils designed by Peter C. Gavette in 1964, 10 pieces, comprising an angel cake server, three pierced servers, a ladle, an hors d'oeuvre, sardine and serving forks and two other servers. Weighable silver; approx 14.82 ozt. Same pattern can be found in Lot 61 and Lot 62.

Italian Modernist-manner three-piece chromed metal tea or coffee service, comprising an inverted triangular pot on stand, and matching covered sugar and creamer, all with ball knops. Pot on stand: 7.25" H X 7" W. Small shallow dent to pot, scattered light usage scratches.

Silver cigarette case, engraved and hand-chased motif, monogrammed, interior gold washed , hallmarked. 4.25" L x 3" W. Silver tested; approx. 4.75 ozt.

Leonard Baskin (American, 1922-2000) "Minotaur," patinated bronze plaque, edition 28/250, signed lower left and titled in center and bearing maker's mark underneath. 6.5" diameter.

Small tabletop Carrara marble bust of a young woman's head and shoulders, late 19th century, inscribed on the reverse "Suteur," attached to a gold marble base with a bronze "Schumacher" bolt. 6.5" H.

Just Andersen (Danish, 1884-1943) Nude with mirror, depicting a standing female nude holding a mirror on circular base, bronze, with incised signature on base and stamped "Denmark/ D2299." 14" H X 5.5" W X 4.5" D. Light surface scratches.

Art Deco bronze figure of a standing woman in stylized dress, the base incised "HK," mounted on a green marble base. 13.5" H.

Elna Borch (Danish, 1869-1950) Kneeling child with bear cub, bronze, bearing incised signature on base. 8.75" H x 3.5" W x 5" D.

Royal Vienna Austria porcelain cabinet plate, antique 19th century, the central hand-painted image of a sandy-haired beauty in a red dress, signed "Wagner" in her tresses, the underside hand-titled "Reflexion (sic)," after the original by Angelo Asti (Italian, 1847-1903), and with a blue Royal Vienna beehive, eight-point green star obscuring an earlier mark and "dec 287 / Depose." 9.5" diameter.

Royal Vienna Austria porcelain cabinet plate, antique 19th century, the central hand-painted image of a brunette beauty in a red dress with blue hair riband, signed "Wagner" in her tresses, the underside hand-titled "Reflection," after the original by Angelo Asti (Italian, 1847-1903), and with a blue crowned Royal Vienna beehive and frond mark, gilt-painted rose obscuring an earlier mark and "03463." 9.5" diameter.

Wedgwood #WH2688 pattern porcelain dinner service, vintage 1930s, the white ground hand-painted with blue flowers and platinum leaves, rimmed in platinum, the underside with factory stamps; approximately 55 pieces. Largest: 13.5" diameter. Some plates with wear to platinum elements.

Josef Kuba Werkstatte Bavaria, Royal Vienna manner porcelain cabinet plates with transfer-decorated centers depicting 19th century courting couples against a chocolate brown ground, rimmed with bands of cobalt blue and geometric florals, hand-painted with 22K gold accents, the undersides with factory stamps and an apocryphal Royal Vienna beehive mark.10.5" diameter.

1908 Pattern British cavalry trooper's sword "Mark 1," WWI era militaria dated December 1915, by the famous English sword-makers Wilkinson & Co., having a large, sheet-steel bowl guard, spear point blade with deep fullers, broad arrow-marked cast iron ferrule further stamped with a crown, "Wilkinson / 12-15," and various regimental marks, and rounded rectangular semi-pistol-configured crosshatch-cut grip; this was the last service sword issued to the cavalry of the British Army, and is still carried ceremonially by those regiments today. Blade: 35.25" L; overall: 42.5" L. Lacking scabbard, wear to grip, some rust to guard, loss of silvering to blade.

Civil War-era Model 1850 officer's sword and scabbard by Collins & Company, having a brass hilt with deep pierced guard cast with the letters “US,” flowers, and scrollwork, and Phrygian helmet pommel cap engraved with flowers and foliage, one side of the blade acid-etched on the flat with “US” in foliage, the other with crossed cannon barrels, cannonballs, standards, swords, and shields in oak leaves and foliage, the reverse ricasso stamped “Collins & Co / Hartford / Conn / 1862” in small block letters, the original scabbard with a plum brown finish, set with three hand-engraved brass mounts displaying in descending order “US” in scrollwork, foliage and flowers, and chape with “US,” shields, and foliage. Blade: 32” L; overall: 37.5” L. Sword grip lacking ray skin and wire wrapping on handle, exposing metal under-grip, minor rusting to tip of blade, some pitting to scabbard.

Signed Josef Muellner (Austrian, 1879 - 1968) WW I era gilt-bronzed cast iron figure of a knight in armor, standing on a plinth incised "Der Wehrmann in Eisen 1914-1915 (The Military Man in Iron, 1914-1915)"; these patriotic militaria figurines were sold to raise money for war widows and orphans. 9" H. Lacking sword.

After Auguste Moreau (French, 1834-1917), "Cupidon," bronze depiction of the winged God of Love with quiver of arrows, and flowing clothing, on a laurel leaf-strewn base, mounted on a shaped black marble plinth. 29.25" H. Note: This figure was never cast holding a bow.

Victor Heinrich Seifert (Austrian, 1870-1953, after), black-patinated bronze figure of an archer, the Classical image depicting a powerfully muscled young man, nude save for a sash and cap, the base incised "Prof. V. Siefert." 15" H X 14" L. Lacking bow, breakage to outstretched arm.

Near-pair of Czechoslovakian Sevres-manner porcelain lidded urns on incorporated bases, each with paint-enhanced transferware images Classical in nature, the undersides stamped "Made in Czechoslovakia" and with an unknown maker's mark. Each:19.25" H. One with two clamshell chips to rim, both with wear to gilt paint, one with larger images.

Pair of Louis XVI-manner gilt bronze three-arm wall sconces, the vintage pair cast in the form of arrow-filled quivers topped with bow knots, the foliate arms connected with floral swags and supporting palmetto leaf candle cups, tipped with pinecone pendant finials, stamped on the reverse with "C" in a sideways diamond. 22.75" H X 14" W X 7" D. With later removable candle cups and faux candles.

French Neoclassical garniture set, 19th century, consisting of a clock and two now-electrified candlesticks, the clock on alabaster columnar base embellished with ormolu anthemion, Pan pipes, rosettes, ribboning, and tassels, topped with urns and finial, swags, and flowers, the two-arm sticks with ribboning, foliage, and quiver of arrows column. Clock: 17.25" H X 9.75" W X 5.25" D. Clock face with partly-legible name "..ERBE...", two replacement winding keys in works case, dome crystal dial cover does not catch, one candlestick needs tightening at base, discoloration to bronze on reverse where electrical wire glued to metal, one candle sleeve cracked.

Pair of vintage large gilt bronze pillar candlesticks, embellished with three-dimensional grapes and leaves, and curling anthemion. 6.75" H X 6.5" W. Some greening to gilt surfaces.

Neoclassical-manner cast, ebonized, and gilt-painted dolphin-form table lamps, the pair of S-scroll mammals mounted on plinths. 27" H. Manufactured wear to suggest age; small chips to gilt edges of plinths.

Pair of vintage clear turquoise glass candlesticks, the bodies with copper wheel-etched swags of flowers and foliage, the drip cups with stiff pointed ovals, now mounted as lamps with gilt brass fittings. 21.5" H. Chip to interior of one drip cup.

English Chinoiserie manner, framed mirrors with sconces, two-light candelabra, electrified, the vintage pair with ebonized and painted designs, each mounted with two later scrolling wrought iron candle arms having white resin flowers and metal leaves, and fitted with faux candles and black shades. 22.5" H X 15.5" W X 8" D. Wear and losses to painted surfaces, one upper area cracked, age-appropriate wear.

Early 20th century three panel floor screen with bird-themed decoupage prints and floral sprigs against a lattice background. 72" H x 72" W.

English Victorian black-lacquered and mother-of-pearl inlaid wood wall clock, the cream enamel dial face with white enamel roundels displaying black Roman numerals, inset into gilt brass frames. 25.25" H X 19" W X 5.25" D. Minor nicks to case, a few mother-of-pearl chips missing, minor losses to cream enamel; retains original pendulum and a winding key.

Queen Anne manner console table with chinoiserie decor, bearing figures among temple structures and gold painted flora. 33" h X 53" W x 19" D. Wear and ring marks from use on table top, minor crack on front.

Italian marquetry commode or cabinet, mahogany and various fruitwood, serpentine-form with long drawer over central compartment with floral medallions containing three additional drawers with gilt and turquoise pulls. 35" H X 53" W X 24" D.

Italian Renaissance manner hand carved wood cassone, antique, with slab lid, front and side panels relief-carved with scrolling foliage, flowers, and a central uncarved cartouche, having an interior till and cotter pin hinges. 22.5" H X 60.25" W X 21" D. Shrinkage crack, stains, and wear to lid, overall age- and usage-wear, lacking key.

Five Navajo and Zuni Native American turquoise and silver pendants, comprising two Zuni bear claw examples and a naja, Navajo feather and stone stamped "BE" on the reverse, and squash blossom. Largest: 3.15" H X 2.5" W. Silver not weighable. Feather and stone can also be worn as a pin.

Native American, Navajo, Southwestern Indian sand cast silver belt buckle with "Sleeping Beauty" turquoise nuggets, makers mark, "WB." Silver tested; approx 2.95 ozt inclusive.

Navajo Native American polished chunk turquoise and silver oval belt buckle, stamped on the reverse "Spencer / Sterling." 3" L X 2.25" W. Silver not weighable.

Navajo Native American needlepoint turquoise and silver belt buckle by Arizona silversmith Charlie John, with two oval rows of "needles" bisected by bands of decorated silver, the back stamped "CJ." 3" L X 2.5" W. Silver not weighable.

Alvina Quam Zuni Native American lady's polished chunk turquoise and silver oval belt buckle, with radiating triangular stones around a central stone, and pair of matching earrings, the backs stamped "Alvina Q / Zuni / Sterling;" Alvina Quam is a second-generation New Mexico jewelry maker. Buckle: 2.25" L X 1.755" W. Silver not weighable.

Navajo Native American polished chunk turquoise and silver oval belt buckle, stamped on the reverse "PJ / Sterling" above an arrow, and notated "21 Carats Morenci Turq." 3" L X 2" W. Silver not weighable.

Casas Grandes Mato Ortiz coiled Pueblo pottery olla, circa 1970, the cream ground with scratched and painted red and black geometric designs, the underside scratched "L. Garcia". 10" H X 11" W.

Pair of Native American, probably Cheyenne, hide moccasins, 19th century, the toe vamps embroidered with stylized cruciform designs in white, orange, cobalt and turquoise blue, and scarlet glass trade beads, one sole partially painted with a red stripe. 10" L. Hide dried, split, with losses; beadwork intact.

Benedict Tatti American Mid-Century Modern folk art-style hand-carved wood squirrel sculpture. 13.5" H. Accompanied by a 1993 gallery biography, 1967 Gallery Scene article, and 1942 "Artists for Victory" list of participants, the latter two mentioning Tatti. Provenance: Roko Gallery, New York, NY - 1960 bill of sale.

Classic 1950s Christian Dior Boutique short cocktail or evening dress, the black satin fabric with all-over pattern of cobalt blue velvet cornflowers, with sweetheart neckline, cap sleeves, bow at the bodice, pleated full skirt, and back zipper, the sewn-in couture label marked "Boutique Christian Dior Paris / 149801." US size probably 2/4 - 18" across shoulder, sleeve length 3.5", bust 32", waist 26", overall length 41"; all measurements are approximate. In an unaffiliated protective cardboard box (not pictured).

Mid-Century Modernist Brutalist green-patinated bronze sculpture of a cowboy carrying a large box, mounted on a painted wood base. Cowboy: 19" H; overall: 20.75" H. , Head appears to have been cast separately and attached; wear to paint on base.

American Folk Art "Football" bust, depicting the head of a male American football player wearing a gold-tone helmet, composite. 11.5" H X 8" W X 10" D.

Bob Ameri (American, XX-XXI) mid-century modern carved teakwood "Lion" 3-D puzzle sculpture in 13 pieces, depicting the king of beasts seated on a base signed in one lower corner, "Bob Ameri." 12.75" H X 7" W. Signature faded.

Brancusi - manner Modernist abstract sculpture, the swooping, curving form in pale pink marble with darker veining. 22.5" H. Natural imperfections to stone at base on on reverse.

Pat Hagendorn a large green plaster bust of a woman, signed "Pat Hagendorn." 14" H x 12" W.

Life-size pink pottery head of a baby, the underside signed "'47 R. Kerosoff" 7" H. Surface soiled and with small, shallow chips.

Harrison Van Horn Chinoiserie "East / West" raffia-wrapped and red- lacquered stand, the underside with a "Harrison Van Horn / Pacific Design Center" label. . 23" H X 12" square. Minor paint wear to top.

Charles and Ray Eames for Herman Miller Mid-Century modern "LCW" molded plywood chair, after original 1945 design, molded plywood back rest and seat on wood base, bearing manufacturing label underneath. 26.5" H X 22" W X 22.5" D. Light wear to seat.

Mid-Century Scandinavian Modern Alvar Aalto E60 stackable stools, 1950s, the pair with green-painted seats over bent birchwood legs. 15" H X 13.75" diameter.

Eero Saarinen for Knoll Tulip chairs, 1950s vintage set of four, the molded cream-colored fiberglass seats set on white-coated aluminum bases stamped "BR 51," with matching cream leatherette upholstery. 31.5" G X 20" W X 19.25. One with hairline cracks to Fiberglas on proper right at frame bend, small nicks to some edges, losses and scrapes, stains to upholstery, one cushion with tiny rips.

Michael Taylor for Baker Furniture slipper chair, squared wood frame with vintage wave upholstery. 26.5" H X 28" W X 25" D; Seat: 15".

Designed by Edward Wormley for Dunbar, mid-century modern coffee table model 313, two toned wood table top, recessed base, with brass stretchers. 15" H x 56" W x 18" D. 5

Rino Giacomelli (Italian, XX) "Figura Femminile," abstract nude woman figure, titled on reverse, signed and dated lower left, "R Giacomelli '63," oil on canvas. Image: 35" H x 27.5" W; carved wood frame: 45" H x 37.25" W x 3" D.

Peter Robert Keil (German b. 1942) "Cyndi Lauper," title on reverse, signed lower left, "P. Keil New York," oil on canvas. Image: 39.5" H x 27.5" W.

Victor Vasarely (Hungarian 1906-1997) "Planetarische Folklore" 1969, serigraph. Image: 26" square; frame: 27.5" square. Toning to borders.

Rube Goldberg (1883-1970) "Inventions cartoon, ...self watering palm tree with cat and dog," India ink on paper, pencil inscription at bottom, signed lower right, " R GOLDBERG." Image: 6.5" H x 17.75" W; frame:18.25" H x 28.5" W.

Al Hirschfeld (American 1903-2003) "Me and the Set," / "The Late, Late Very Late Show," edition, "AP 21/50" signed lower right in pencil, "Hirshfeld," lithograph. Image: 20" H x 28" W; frame: 29" H x 36.75" W.

14K gold & blue topaz lady's ring. Ring size: 8.5. Approx 1.5 dwt. Abrasions to stone's surface.

18K gold oval linked bracelet, marked, "750." 7.75" L. Approx 4.2 dwt.

14K gold diamonds and sapphires necklaces, three, rose motif with a diamond center, a single diamond and one with three diamonds and three sapphires. Longest 22" L. Approx 4.3 dwt inclusive.

14K gold, diamonds in white gold set in yellow gold earrings, pair. 5/8" L. Approx 1.9 dwt inclusive.

14K white gold, large pink pear-shaped gem stone with baguette-shaped colorless gem stones ladies' ring, marked, "14K." Ring size: 6. Approx 3.7 dwt inclusive.

14K yellow gold crescent with garnets, turquoise and pearls brooch, marked, "14K." 1.5" L. Approx 2.1 dwt inclusive.

14K yellow gold spinach green jade earrings, pair. Approx 7.6mm diameter. Not weighable.

18K white gold trillion-cut iridescent mystic topaz earrings, pair, backs marked, "750." .375" diameter. Gold tested, approx 1.7 ozt inclusive.

14K gold clasps and posts, comprising two pearl necklaces and four pairs of pearl earrings, six. Longest 17.5" L. Necklaces: approx. 6.8mm diameter each. Gray pearl earrings: 7.8mm diameter.

Lalique for Nina Ricci "L'Air Du Temps" frosted crystal art glass perfume bottle, bearing etched maker's mark underneath. 4" H.

Baccarat colorless crystal "Swan with folded wings" animalier figurine or paperweight, bearing etched maker's mark underneath. 3" H X 4" W.

Lalique frostred crystal art glass "Deer" animalier figurines, pair, bearing etched signature underneath. 3.5" H X 1.5" W X 3" D. One lacking ear.

Baccarat colorless crystal "Seated Rabbit" animalier figurine, bearing etched maker's mark underneath. 3.25" H.

George Jones & Sons Pottery, Stoke on Trent, England, "Melrose Ware" earthenware bottle vase, late 19th century, the body with transfer-printed dogwood flowers accented with white enamel moriage, molded rocaille at the neck, on a goldenrod yellow ground with green accents, the sides with applied leaf-like handles, the underside with factory marks. 10.25" H.

Art Nouveau Royal Bonn "Old Dutch" vase by Franz Anton Mehlem, circa 1910, the green and brown-glazed body hand-painted with flowers, leaves, buds, and geometric patterns, the underside hand-painted "Royal Bonn / Old Dutch / 5416?II / Rec. 107 / 339." 11" H.

Murano Venetian red-cased-in-clear cherry red vase with millefiori plugs and stripes. 5.25" H.

Contemporary art glass hand-blown vase, the large, thick-walled body of mottled light green ground spattered with colorful dots, blotches, and striping, 11" H.

Alice Lilly Rona (Austrian, 1893-1958) bronze patinated plaster and red clay sculpture of a reclining nude woman, the base incised "Lily Rona 1940," the reverse with a drilled hanging hole. 9" H X 26.75" L. Some colored-in losses to surface.

Edgar Degas (French, 1834-1917, after) "Dancer," the hand-patinated bonded bronze reproduction by the Metropolitan Museum of Art, cast from the 1920 original, mounted on a cast black base. 11.75'' H x 17'' L x 4.15'' D.

Mid-Century Modernist sand-finished and paint-accented pottery figure of a headless, armless female nude, the underside etched "Menzel." 21.5" H.

Cobalt blue glass woman's mannequin head on columnar base. 12" H.

English Victorian Staffordshire small pottery phrenology head, hand-painted, late 19th century, stamped on the reverse "Staffordshire / Made in England." 8,5" H.

Vintage small jewelry or trinket dome-top chest decoupaged with gold paint-enhanced printed cream and black images of English Adam or Neoclassical country house facades and interiors, the inner well painted gold, on four brass ball feet, the underside initialed and dated "©M.P. '93." 6.5" H X 12" W X 5" D.

Marquetry stone and brass inlay with a geometric pattern table top frame with easel strut. Approx. (9.5" H x 7" W interior dimension) 14.25" H x 12" H.

Indian gilt metal bodhisattva Avalokitesvara sculpture, the richly-jeweled four-armed deity in Vitarka mudra, wearing a five-point crown with large flaming ushnisha, seated on a lotus throne, the interior hand-inscribed "Made in India." One small crown point broken off and the metal edge smoothed out. 16.5" H x 10" W x 8" D.

Chinese underglaze blue and white porcelain gu beaker vases, the pair depicting scholars, musicians, peddlers, young boys, and more, the undersides with blue character marks. 8.5" H.

Asian, possibly Chinese, peachbloom-glaze modified Hu-form large porcelain vase. 17.5" H.

Pair of Chinese cobalt blue-glazed porcelain vases with foo dog knop lids, with an all-over decoration of white prunus on a "cracked ice" ground. 12" H. One with shallow chip to rim of lid.

Chinese glazed porcelain vase with foo dog knop lid, with an all-over decoration of white prunus on the cobalt "cracked ice" ground, each side further with a large white panel enclosing birds in flowering trees, camellias, and rockwork, the underside with a blue character signature. 12.75" H. Shallow chips to rim of lid and foot.

Japanese Imari pattern plates with scalloped edges, each with assorted designs incorporating flowers, branching boughs, lotus seed pads, phoenix, landscapes, and/or butterflies, one with seal mark to underside. Each: 8.25" diameter. One with stilt mark; scattered pinhead glaze pops; some minor paint wear.

Japanese assorted porcelain plates and charger, four pieces, each in various blue and white and Imari patterns; bearing marks in underglaze. Largest: 12" diameter.

Eugene Rossi bronze sculpture, bust of a young girl in headscarf, bearing incised signature "E. Rossi" on reverse and displayed on a polished red mineral stand. 14.5" H X 4.5" W X 4.75" D.

Neoclassical bronze covered tazza urns, cast with high-relief leaves and berries, with similar handles, the covers with leaves, berries and a fat mouse-on-leaf knop, the base with beadwork, the black marble plinth with applies bronzed metal rotondo of classical figures. 10.5" H. One cover slightly misshapen, one tazza with most of handle broken off.

Pierre Jules Mene (French, 1810 - 1879, after) brown-patinated bronze animaliere figure of a standing mare and her colt, the stepped base incised "Mene". 6.25" H X 8.5" L.

Aesthetic Movement double inkwell inkstand cast brass with large figure of mail courier on horseback. 7" H X 13" W X 8" D. Light rubbing to surfaces; lacking inkwell cups; small chip to proper left inkwell lid.

Small gilt brass cathedral mantle clock, the case with low-relief foliage, laurel wreath and ribbons, and a raised circular orb, the celluloid face with black Arabic numerals. 6" H. Recently painted; lacking minute hand and crystal; wear to gilt on reverse and underside.

Pair of Italian giltwood winged cherubs playing trumpets, the backs with hanging hooks. 14.5" H 9.5" W. Minor chips to gilding on some edges.

Italian Rococo manner giltwood and gold-painted wall brackets, 19th century, probably Florentine, the deeply-carved pair with openwork acanthus scrolls supporting shaped demilune tops, the backs with hooks for hanging. 8.25" H X 12.25" W X 5.25" D. Minor chips to refreshed gilding.

Italian Florentine Renaissance-manner carved gilt-brass and -wood bookends, the exteriors with photographic reproductions of an antique pietra dura design. 7.25" H X 5" W X 4.75" D open.

Pair of vintage Wedgwood blue and white Jasperware oval wall plaques, each depicting Venus with a cherub, in ornate floral gilt frames etched "A.B. 95". 7" H X 4" W.

Andrey Bananovsky (Russian, 20th C.) "Wedding," depicting a two gypsies and a man in shadow above a violin player, oil on canvas, signed and dated '81 lower right corner. Image: 30.5" H X 19" W; frame; 37.25" X 25.5".

An American Federal manner convex mirror or bullseye mirror, gilded wood, twenty gilt balls frame the mirror, an eagle clutching arrows at the top. 35" H x 25.5" W

Victorian Eastlake carved and gilt-enhanced walnut candle shelf with turned ball pendant finial. 30" H X 13" W X 9" D. Lacking mirror, shelf attached with new screws, minor craquelure to varnish.

After Eugène Boudin (French, 1824-1898) Impressionist beach scene depicting figures with sun umbrellas and tents with sailboats in the distance, oil on canvas. Image: 8" H x 10" W; frame: 17" H x 19" W x 2.5" D.

Isabel Bishop (American 1902-1988) "Students Outdoors," edition lower left, "9/100" and signed in pencil, "Isabel Bishop," etching / aquatint, 1977, label on verso, "Associated American Artists." Image: 8" H x 13.75" W; frame: 15" H x 20.75" W.

Cavalry on horses winter landscape, illegibly signed lower right, embellished print, oil on board. Image 3.75" H x 5.75" W; frame: 8" H x 9.75" W x 2.25" D.

Joe Neave (British, b. 1974) "Ghostly Manhood," drawing, pencil on gray paper, 2014. Image/sheet: 8.25" H x 5.25" W; frame: 9.75" H x 7 W. Reverse bears printed German "Warhaus Rittershaus" gallery label.

Illuminated manuscript miniature depicting a scene from the Persian epic poem, the Shahnameh "Book of Kings," depicts a youth eavesdropping on two men sitting among trees and flowers. Image: 9.5" H x 6"W; frame: 14" H x 10.5" W.

Indian miniature painting of a man in historic clothing against a simple green background with flowers at his feet. Image: 8" H x 5" W; frame: 14" H x 10.5" W x .5" D. Minimal water damage towards bottom of image, slight crease in man's tunic.

East Indian portrait miniature of a Maharajah, heavy impasto gouache, ink and watercolor on paper. Image: 13.5" H x 10" W; frame: 21.5" x 18".

Tibetan thangka, depicting Buddhas and Green Tara at the top, gouache on textile. Image: 26.5" H x 19.25" W; frame: 31" H x 24" W. Appears to be mounted.

Mid-Century Modernist chrome floor lamps, the pair with tubular columns supporting a polished brass half-globe uplight, on a circular polished brass base. 70" H. Losses to brass on bases.

Art Deco chrome and glass table lamp, rectangular with spherical gold-tone finials and inset cylindrical glass tubes. 20.5" H X 6" W X 4.25" D. Lacking one tube.

Art Deco -manner wood writing desk with one central locking short drawer flanked by two stacks of two short drawers having circular copper pulls, the top protected by a glass slab. 30" H X 53.3" W X 28" D.

Art Deco manner chrome and glass table lamp, cylindrical stem with four glass inserts on squared base. 20" H X 4.75" square.

Colt Aluminum riding boot stretchers, pair, each articulated with iron screws and wing nuts, bearing impressed maker's mark at top and labeled "40 to 41 L" underneath. 18.25" H X 3" W X 10.5" L.

Patinated bronze "Paw foot" table base, vintage, four animalier form legs ending in paw feet, each with attached brass top plate. 10.25" H.

American folk art primitive molded sheet copper full-body rooster with original verdigris surface, possibly L.W. Cushing & Sons, Waltham, Mass., which made this "peak-chested" form from 1872 until 1900, mounted with directionals on an antique iron rod. Rooster: 21.75" H X 21" L; overall: 52" H. Repairs to some seams, minor patination losses, some comb and arrow edges crumpled, scattered grey spots of unknown origin.

Victorian ceramic and stone carpet balls, 21 pieces, assorted vintage examples, balls from a Victorian ball game played on the carpet. Largest: 5" diameter.

French painted tole centerpiece, yellow ground having medallions of classical landscapes on oval foot with scalloped rim, the sides with applied lions head handles, marked "Made in France" underneath. 8.75" H X 13" W X 9.5" D. Light surface scratching consistent with age and use.

Nine assorted croquet stakes or spikes, antique and vintage, each with turned elements, six with painted accents in primary colors. Largest: 26.25" L. Wear, losses, some paint alligatored.

Frankart Art Deco smoking stand or ashtray in the form of a black enamel painted nude woman perched atop a brass globe, in her outstretched arms the ash receptacle. 24.25" H. Lacking glass liner for ashes, interior of receptacle with paint losses, some condition issues to black paint, minor patination loss at bottom by feet; minor age and use related wear.

Frankart Art Deco smoking stand or ashtray in the form of a nude woman perched atop a steel globe, in her outstretched arms the ash receptacle. 23.5" H. Lacking glass liner for ashes, interior of receptacle rusted, minor patination loss at bottom by feet; minor age- and use-related wear.

Frankart-manner Art Deco black enamel-painted brass smoking stand with a seated nude perched on the handle between two cigarette cradles, behind her a match box holder, raised on a twisting column and ribbed circular base; having a pink stepped glass liner, possibly original. 36" H. Paint loss, rust to underside, minor age- and use-related wear.

Norblin & Co. Polish silver-plated candlesticks, 19th century, columnar form with stepped base of grape and acanthus leaf motif and floral form bobeche, each bearing partial pre-1873 or after 1893 maker's mark. 13.25" H.

Sterling silver Fisher salt and pepper shaker set, hallmarked, "Fischer Sterling," and three smaller sets by Rogers, Lunt & Bowlen Company, marked, "Sterling BLG," four sets of shakers. Tallest: 5" H. Approx. 6.98 ozt.

Judaica silver challah bread knife with inscription in Hebrew, translated, "Honoring the Holy Shabbat," stamped on blade, "Stainless made in Sheffield England." Silver tested; not weighable.

Nine pair of vintage Native American turquoise and silver clip or screw earrings, comprising a pair of Zuni thunderbirds and pair of signed Alvina Quams, the Navajo made up of two by the Begay family, one signed "Herbert Begay," the other indistinct, both stamped "Sterling," three pair of needlepoint, one pair feather and stone, and pair of\ hanging stacked chunks, the latter not on silver. Largest: 2.4" L. Unmarked silver tested, not weighable.

Seven Navajo Native American vintage silver and turquoise pins in the form of a roadrunner, flowers, star illegibly signed on reverse, and conchas, one stamped "Sterling," together with two silver-tone metal tie clips, one adorned with a Zuni Kachina head, the other with chunk turquoise, Largest: 2" L.

Avi Soffer modern brutalist sterling silver and mabe pearl brooch / pendant and clip-on earrings signed "Avi Soffer / Israel / 925." Pendant/ / brooch: 2.25" L; earrings 1.25" L. Not weighable. Missing pin to brooch.

Judaica silver filigree and Eilat stone brooches / pendants, 13 pieces, includes a Star of David and two Hamsa pendants, marks, "Made in Palestine" and "Israel." Longest 2.25" L.

Victorian English library reading magnifier magnifying glass with very long repousse gilt brass handle, late 19th century, stamped with repeating rows of flowers and chevrons. 16.5" L; lens: 4" diameter. Lens with several small clamshell chips at edge, not affecting efficacy.

Maritime ship's bulkhead clock, late 19th/early 20th century, the white enamel dial face marked "Henri Verron / Hger De La Marine / Paris," and with black Arabic numerals and steel hands, the case of white metal and brass, one side with a dog latch, winding key present. 7" diameter. One hanging hook broken, minor wear to wording on dial face, fleabite chips to enamel at key wind, latch slightly out of true.

Two vintage gilt brass and glass inkwells, the first with dual wells, covered stamp or pen nib well and pen tray, the second a covered inkwell with brass base of a young boy on a large pillow, leg extended to balance the cut glass well. Larger: 4.5" H X 8.25" L X 4" D. Dual wells lacking lids, cover of single well does not close.

Stern Brothers New York partial porcelain dinner service for 12, the dishes with cream and white porcelain ground banded with scarlet, further enhanced by gilt laurel-and-berry and fleur-de-lis-and-diamonds rims, the undersides stamped with company marks and "Made in Japan;" approximately 100 pieces. Largest: 16" L X 11.75" W. One ice cream bowl and one coffee saucer with small rim chips.

Continental pink glass & ormolu jewel box, molded prism-form exterior with ormolu brass hardware. 2.5" H X 4" W square. Chips to edges.

Italian hardstone trinket, dresser, or vanity box with gilt metal mounts, vintage. 1.5" H X 6.25" W X 4.25" D.

Large chunk of malachite specimen, one side polished, the other left rough. 6.5" H X 6.5" W.

Large amethyst specimen, the tubular section of geode mounted on a twisted gold wire stand. 13.5" H X 9" W.

Petrified wood slice with elements of pink, grey, cream, and dark red, mounted on a Plexiglas stand. Wood: 10.5" H X 12" W.

Pair of fossil-filled geode bookends, the polished sides of each displaying vari-sized ammonites and belemnites, one rough side with a partial belemnite. Each: 4.25" H X 9" W.

Architectural gilt metal candlesticks, the pair with seven stacked saucer-form discs on square bases, the undersides illegibly signed and dated "Elizabeth....(?) ©92." 7" H.

Art Deco alabaster ring or change tray with canted corners, centered with a gilt metal nude fan dancer. 6.5" H X 5" square. Dancer's legs broken but still attached at ankles.

Art Deco scroll wood and brass bookend designed by Fred D. Farr for Revere, N.Y., bearing impressed maker's mark and patent number on reverse. 6.25" W.

Modern Contemporary Abstract enameled copper tabletop sculpture in shades of green, pink and white, on a wood block base, illegibly signed, possibly "J. Vandermalen." 8.75" H.

Silver bracelet by Pandora, a chain with four spaces for Pandora charms. 8" L. Silver tested; approx. 0.4 ozt.

Two vintage Navajo chunky turquoise necklaces, one opera length single strand with sterling silver beads, one a triple strand choker, both ending in silver cones. Longest: 31". Silver not weighable.

Navajo polished turquoise and silver child's squash blossom necklace, the double sterling bead strands mounting six pods and a double-pendant naja. Necklace: 16" L; pendant: 3.25" L. Silver not weighable.

Native American carved hardstone spirit bear fetish tabletop sculpture. 7" H X 9" L.

Art Deco chrome-plated metal tire-mounted automobile rear view mirror, manufactured by E.A. Laboratories, Brooklyn, NY, stamped with patent number 81-345, in the form of a streamlined bather in swim cap supporting a mirror with elongated rays. 8" H X 5" L. Some distressing and losses to silvering on mirror plate; metal possibly re-chromed.

Vintage 1960s "Balancing DC-8" chromed ashtray cast with "Swissair" on the bowl, the underside marked Buhler #6491. 5" H X 8" L X 6.25" W. Bowl with usage and cleaning wear.

Texmo Industries coppered metal covered bowl, the lid with gold-tone metal handle in the shape of a speedboat and metal tag reading "Texmo / Outboard Unlimited Hydroplane, " the underside with the factory mark of Axion Co. 6" H x 7.25" W. Lid edge slightly dented; scattered surface losses.

Soviet Russian black-lacquered enamel boxes, two vintage, the painted lids depicting fairytale or genre scenes, both signed in Cyrillic. Larger: 1.25" H X 5" W X 4" D. Larger box with craquelure to varnish.

Soviet Russian black-lacquered enamel boxes, three vintage, two with painted lids depicting fairytale or genre scenes, the third with a vintage print of the Moskva River, all signed in Cyrillic. From: 1.5" H X 6" W X 3.5" D to 4" square.

German hand-painted porcelain monkey band, after the 18th century Meissen singerie originals designed by Johann Joachim Kandler. comprising a conductor, piper, violinist, trumpeter, bassoonist, drummer, cellist, flautist, dressed in 18th century garb, the undersides with under-glazed blue mark. From 6" H to 5" H. Conductor lacking proper left hand and top of baton, flautist missing tip of flute, which is taped to underside.

Amilcare Santini (Italian, 1910-1975, after) marble and alabaster powders and resin head of Michelangelo's David, vintage 1970s, incised "A. Santini" on the reverse, mounted on a black stone base. 13.25: H.

Six vintage Italian micromosaic picture frames with easel backs, early 20th century, all with floral patterns, two with dual openings, four stamped on the reverse 'Made in Italy," one stamped "Italy." From 5.5" H X 3.75" W to 2" H X 1.25" W. Largest with a few missing tesserae and cardboard back taped, white frame lacking brass back, frame with blue border with one chipped flower tessera.

Large antique arts and crafts copper caudron with strap work style wrought iron fittings and handles. 15.5" H x 19" D.

Carved wood sculpture, wall mounted hardwood and polychrome Indian Nandi bull head with detachable horns. 38" H x 9" W x 9" D. Splits in wood, chipped elements, soiling throughout.

Vintage Hindu East Indian cast and painted sculpture of a standing green deity, possibly Shiva, depicted with a beard, choti, and ajna / third eye. 11.75" H. Wear to paint.

Lewis Rubenstein (American 1908-2003) "Macumba," lithograph, 1963, edition of 250, titled and signed in pencil lower right, "Lewis Rubenstein," Label on reverse, "Associated American Artists." Image: 10.75" H x 14.5" W; frame: 16.75" H x 20.75" W. Overall toning.

Paul Wunderlich (German 1927-2010) Surrealist nude woman, signed in pencil lower right, "E.A. Wunderlich," lithograph. Image: 25.75" H x 19.75" W; frame: 34" H x 28" W.

Théophile Alexandre Steinlen (Swiss, 1859-1923) "Pour les familles déplacées" lithograph, 1915, signed and titled in image, edition, "59/100," with the number "92" upper right and signed in pencil lower right, "Steinlen." Image: 22.25" H x 14.5" W; frame: 25.25" H x 19" W. Minor crease lower left corner.

Alvin Batiste (XX-XXI) "Figures building a wall," colored pencil and ink on paper, signed and dated lower right, "Alvin Batiste." Image: 10.75" H x 13" W; frame: 19.5" H x 21" W.

Joseph Margulies (American 1896-1984) New York cityscape - bridges, etching and aquatint, edition, "243/250" and signed in pencil lower right, "Lewis Margulies." Image: 10.5" H x 13.5" W; frame: 14.75" x 19" W.

Octagonal antique spire finial architectural element with stylized acanthus leaves making up the top point, patinated copper and tin. 44.5" H x 15.5" W. Rusting around bolts, splits throughout.

Pair of contemporary Chinoiserie demilune etageres, birchwood stained red-brown. 78" H x 40" W x 12" D. Minor breaks and chips.

French provincial manner chinoiserie commode with a conforming faux marble painted top, featuring two Orientalist figures framed in a floral motif, two doors concealing two shelves. 35" H x 42" W x 17" D.

Pair of KEM Weber-manner Art Deco "springer" club chairs of streamlined cantilevered form, with tubular chrome frames, pearl gray velour-upholstered seats and backs, and ebonized wood arm rests. 31" H X 22.25" W X 27.5" D. Reupholstered.

Modernist welded steel fire screen decorated with a lattice pattern grill, free standing. 36" H x 45" W

Maison Jansen-manner, Hollywood Regency brass and glass coffee table, oval glass top with bevel edge on brass six leg base ending in hoof feet with stretchers. 16" H X 51" diameter.

Set of four Victorian mahogany and walnut dining chairs, balloon back with fluted front legs, two with green moire silk upholstery, two with green velvet upholstery. 36" H x 18" W x 17" D.

Georgian-manner English square one drawer games table, the leather top gilt-stamped, the turret corners with depressions for glasses, the underside of the drawer carved with "III," with acanthus carved legs ending in pad feet, 19th century. 29.5" H X 29.5" square. some age and use related wear, tight shrinkage cracks to top.

Italian fruitwood side table with two drawers. 26" H x 19.75" W x 13.5" D. Breaks in wood on either side, repair on back.

Eileen Gray manner chrome and beveled glass adjustable side table with ratchet mechanism, above a circular chrome base. 24" H x 20" D.

Heriz Serapi Persian wool carpet with double medallions and a floral motif. 8' 8" H x 18' 9" W. Minor soiling, wear on edges, areas of loss to pile.

Kilim rug with a geometric and running water motif in shades of red, orange, white, and black. 3'11" H x 6' 3" W. Minor soiling.

Kilim carpet featuring geometric shapes on a red background. 5'1" H x 7'6" W. Minor staining, tassels missing on one end.

Kilim rug featuring geometric shapes in a variety of colors. 2' 11" H x 4' 1" W. Light soiling, minor snags, faded color.

Slag glass and bronze chandelier, a central oval bowl flanked by four angels, featuring gothic-revival elements on the four hanging shades, and Victorian details. 32" H x 27" W x 18" D.

Victorian marquetry wall clock, clock face marked "F.Vogt, Northhampton." 28" H x 17" W x 4" D. Damage to wood case of clock at top, wear to clock face.

Victorian Hinks No. 2 Lever parlor oil lamp, 19th century, the Neoclassical base a Corinthian column of alabaster and bronze, with half-dome glass oil well, and etched white and yellow shade. 31" H. Hinks wick lever and key lift burner in good working order.

Neoclassical manner circular flush mounted gilt-metal ceiling fixture, three drop-lights with milk glass shades, vintage. 11" H x 11.5" diameter. Missing center finial, scratches, minor dents, and gilt loss.

Large Louis XV-manner fauteuil arm chair with green sharkskin upholstery, the blond wood frame with carved and silvered acanthus leaves on the arms, knees, and feet. 42" H X 30.5" W X 29" D.

Islamic Moroccan pierced patinated copper tiered mosque candle lantern, the vintage stamped and foliate-patterned metal set with multicolored cabochon and faceted glass faux "gems," the top tier with three stylized bird heads with open beaks for the hanging chains, the pendant finial a crescent moon and star; now wired for electricity. 17" L. One bird head loose, hanging chains removed and unaffiliated coppered metal ceiling cap attached.

Modernist fire tools made of blackened steel with brass handles, set includes a broom, poker, tongs, shovel and steel stand. Tools: 28" H; Stand: 28" H x 9.5" W, 31"H with tools hanging.

Saks Fifth Avenue cream leather hard shell cosmetics and jewelry case, vintage 1950s, front side of the lid with metal "Saks New York" tag, the cream and orange interior with mirrored inner lid, two removable cases marked "Jewelry" and "Cosmetics." and the original leather strap to hold bottles in the deep well. 10.75" H over fixed handle X 14" L X 9" D. Some very light soiling to exterior, one inner strap broken, mirror silver beginning to tarnish, lacking key.

Mid-Century Modernist faux-painted marble low circular table on dark-stained oak tulip-form base. 21" H X 15" diameter.

Pendleton Home Collection "Sioux Star" vintage cotton quilt in shades of blue, green, red, and cream, with a large central eight-point star surrounded by four smaller stars, the reverse with faded suede and cotton factory tags. Approximately 81" X 64". Some minor wear to edges.

Russian / Eastern European vintage woman's linen peasant blouse with profuse and colorful crewelwork, embroidery, and tatting, mounted in a giltwood shadowbox frame lined with black velvet. 26" H X 28" W X 4.5" D.

Russian / Eastern European vintage woman's soft leather, velvet, and brocade peasant boots embroidered with red cotton and gold-wrapped thread, mounted in a giltwood shadowbox frame lined with red velvet. 27.5" H X 23" W X 5" D.

Brown-patinated bronze antique bust of a woman with kerchief-wrapped head set on a dark green marble column, now mounted as a lamp. Bust: 14" H; overall: 25" H.

Four Victorian and Aesthetic Movement silver-plated and electro-plated Brittania metal table items, comprising three butter keepers, one of dome form by Hall, Elton & Co., Wallingford CT, and two "globe on stand with handle" examples, one a Rogers & Bro. Triple Plated, the other an Aesthetic Meriden & Co. Double Plated, and a James Dixon & Sons Sheffield Aesthetic crumber. From 14.5" H to 5.5" H. Dome keeper with repair, Meriden handle taped together, all lacking accompanying butter knives, surface wear.

Oak shipping trunk with ornate steel strap work, antique. 13" H x 32" W x 19" D. Missing handles.

Romere Bearden "Bass Concerto" signed poster, "A Tenth Anniversary Celebration / Jazz at the Smithsonian / 1981-1982," signed in image and inscribed and signed lower right, "For Stu Romere Bearden." Image: 29.5" H x 17.5" W; frame: 31.25" H x 19.25" W.

Joan Margolin-Cohen (American, 20th C.) painting, "Heroes," Abstract Expressionist depiction of three figures in shades of red; oil on canvas, signed lower left, bearing partial label on reverse. 48" H X 47.75" W.

Charlie Chaplin depicted in two shades of blue, serigraph, silkscreen print on paper. Image: 16.5" H x 12.5" W; frame: 21.25" H x 17.25" W.

Victorian hearth utensil set, wrought-iron, fan-form hanging wrack with scrolling elements; including three spoons, pick and tongs. 21.5" H X 33.5" W; largest utensil: 16.5" L.

HF Osborne antique cast iron and steel leather splitting machine, affixed to the base a plate reading "Spittler's Patent / May 18, 1888, Champion Lap Skiver and Splitting Machine / Newark NJ / USA." 8.5" H X 12" L. Minor age-related wear.

Abstract Figure "Ready-Made" Wood Sculpture. 15.25" H x 8.25" diameter base.

Two antique gilt brass expanding book holders, the first Aesthetic Movement, the slide ends with stylized flowers, leaves, and urns, the second Neoclassical with ends depicting putti, cartouches, floral swags, laurel wreaths, ribboning, and torches. Larger: 5.25" H X 14" L closed. 24" L open. Aesthetic with one slide rod loose, Neoclassical lacking one ball stopper on one slide, both with some wear to gilt brass.

Two Art Nouveau gilt brass expanding book racks circa 1910, the first by Judd, the painted slide ends depicting a nymph seated by a lily pond, the interiors stamped "9802," the second with pierced slide ends incorporating stylized bird heads and interlocking knots, one stamped "8782." Judd: 4.75" H X 8.25" L closed, 14.5" open. Minor wear to gilt brass surfaces, consistent with age and use.

Capodimonte high-relief floral wall plaques by Mario Alparone, 1950s, undersides with foil labels, "Porcellane Capodimonte / Made in Italy," and typewritten labels, "Works of art / Alparone / Made in Italy." 4" H X 20" L X 9" W. Plaque with pink and blue roses having one flower missing a petal.

Japanese silver-tone metal-coated bronze figure of a rat holding a gold-tone chestnut, the underside with unknown stamp, after the 19th century original. 4.5" H X 7.5" L. Some wear to silver-tone surface.

Group of Wedgwood jasperware, the 10 pieces comprising a blue pitcher, two bowls, one short and pair of tall trumpet vases, two cylinder vases, an olive green urn, and a small turquoise jardiniere, the undersides with factory stamps. From 5.5" H to 1.5" H.

12 small Wedgwood jasperware vases, 10 blue and one olive green, comprising five teardrop bud vases, two elongated and two squat urn-form vases, a bottle-shaped example, ball-shaped bud vase, and pear-form, the undersides with factory stamps. From 5.5" H to 3.5" H.

Five Wedgwood Jasperware ring or trinket boxes, four blue and white, one green and white, in various shapes, the undersides impressed "Wedgwood / Made in England." Largest: 1.75" H X 3.5" diameter.

Wedgwood jasperware card suit nut or trinket plates, group of 18, comprising three heart, three diamond, five heart, and seven clubs, three of the latter olive green, the undersides with factory stamps. Each approximately 4.5" X 4.5".

Four Wedgwood Jasperware in white / blue and white / olive green ring or trinket boxes in various shapes and sizes, the undersides impressed "Wedgwood / Made in England." Largest: 2" H X 5" W.

Mikasa Ivory China "Imperial Blue" partial dinner service for 12, the ivory ground with cobalt blue border and raised gilt rims, comprising 12 each dinner and salad plates, rim soups, coffee cups and saucers, and 1 large oval serving platter. Approximately 61 pieces.

Chinese archaic-manner metal short dagger with white stone hilt carved with archaic symbols, the blade with silver wire-inlaid archaic dragons and lotus. 17.25" L.

Chinese Warring-States manner metal short sword, the hilt and blade etched with archaic symbols. 21" L.

Chinese Warring-States manner metal short dagger, the hilt and blade elaborately cast and etched with archaic symbols. 17.25" L.