The Dempsey Omnibus from the Ballantine Family Estate in Bernardsville-Crowndale. Carriage coach by "Carriage Builders" A. J. Demarest & Co. Established 1860, with a warehouses at Fifth Avenue, corner of 33rd Street, New York. Certificate number 34759, seat stamp number 24759, carriage circa 1875. Wood constructed carriage with closed body and roof. All windows banded in velvet with leather straps to lower window down into body of carriage. Metal step to rear door. Two side seat cushions in black tufted leather. Floor covering with carpet. Front open driver seat with front leather guard. Leather flap from driver seat to cover storage box. Two exterior flat mud guards, rear door monogram "V". Ten interior black cloth window shades on cord guides. Under carriage has spring suspension. Front wood spoke wheels 37" in diameter. Rear wheels 48" in diameter. Iron rims and hard rubber tires. Two brass kerosene lamps are missing. Carriage requires restoration. Carriage currently at the Newark Museum and would need to be picked up from the Newark Museum, Newark, NJ.

Kurt Seligmann (Swiss / American, New York, 1900-1962). Oil on wood panel, Little Initiation. Signed K. Seligmann and dated 55 lower right, and titled in pencil on verso, Little Initiation. Kraushaar written in chalk on verso. 17 1/4" x 13" (with frame 22 3/8" x 18 3/8"). Paint loss and chips around edges, inpainting between two figures and minor inpainting throughout background, some crazing; scratches and losses to gilt decoration on frame, discoloration to linen on frame. Provenance: private collection, Queens, New York. Seligmann painted a larger piece, titled Initiation, in 1946. Little Initiation appears to capture two of the same figures depicted in Initiation, but with slight variations. Initiation last sold at Christie's in 1993.

Jan van Gool (Dutch, 1685-1765). Oil on wood panel, pastoral scene with cows and rams in landscape, Dutch village in the background. Signed J. v Gool and dated A1753 lower center. 9 1/2" x 14" (with frame 14" x 18 1/2"). Some dirt and discoloration visible in the sky, paint loss along edges from frame, inpainting to center right brown cow and below; chips and loses to frame, discoloration to linen on frame. Provenance: private collection, Queens, New York.

Robert Theodore McCall (American, 1919-2010). Oil on Masonite, Mosquito Squadron. Illustration art for the 1969 movie Mosquito Squadron starring David McCallum. Signed lower left McCall. 43 1/2" x 40 1/2" (with frame 46 1/4" x 43 1/4"). Masonite loose in frame.

David Tinsley (American, 1951-). Acrylic on board, Revelation. Signed lower center and signed and titled on verso. With exhibition postcard from David Tinsley: Outside Looking In, River Gallery - The Art of Living, Narrowsburg, NY, 2009. 16" x 16" (with frame 16 3/4" x 16 3/4").

Alex Zwarenstein (Zimbabwean, 1952-). Oil on canvas, Industrial Revolution. Artist initialed AZ and dated '98 lower left. With paperwork from Eleanor Ettinger Inc., New York City dated 1998. 12" x 8" (with frame 14 3/4" x 10 3/4").

David Tinsley (American, 1951-). Acrylic on board, The Corruption of Mary. Signed at center and signed and titled on verso, with inscription "Shena and Joe 'Superficially insignificant or accidentally looking detail (in art) may well carry the most important unconscious symbolism.' Anton Ehrenzweig. Thanks again, Dave Tinsley". 15 7/8" x 15 7/8" (with frame 16 3/4" x 16 3/4").

Max Weber (American, 1881-1961). Oil on canvas, trees in lake landscape. Signed lower right Max Weber. 23" x 27 1/2" (with frame 28 1/4" x 33"). Apparent repair upper right; losses to frame.

Mario Jason (Argentinean, 1938-). Patinated bronze sculpture of a dancer, on marble base. Signed Mario, dated 93, titled Erin and numbered 2/50 on the underside of the foot. 33 1/8"H including base. Chip to marble base.

Anthony Quinn (American, 1915-2001). Vellum relief sculpture portrait, Irene. Pencil signed lower right and numbered BAT (Bon a Tirer) in pencil lower left. 28 3/4" x 24 1/4" (with frame 38" x 33").

After Jean-Honore Fragonard (French, 1732-1806). Oil on canvas interior scene, after Fragonard's The Happy Family. Unsigned. 21 1/4" x 27 1/4" (with frame 28 1/2" x 35"). Relined, heavily varnished. Inpainting throughout, crazing throughout; chips and losses to gilt frame.

Flemish school oil on canvas, Job Scourged by Demons and Derided By His Wife. Unsigned. Circa 17th century. 33 1/4" x 35 3/4" (with frame 41 1/2" x 33 3/4"). Crazing throughout, repair upper center, inpainting throughout; canvas loose in frame, gilt frame with chips, losses and repairs throughout.

Josef Breitenbach (German / American, 1896-1984). Portfolio of 7 silver gelatin prints, Seven Portraits. Cloth folio, 7 silver gelatin prints. Each pencil signed, dated and numbered 11/25 except Josef Albers signed, titled and dated in ink and not numbered, folio additionally numbered 11 from the edition of 25 plus three artist's proofs, Lunn Gallery / Graphic International Ltd., October 1976. Title page with inscription, dated 1983 and signed in ink by Breitenbach. Each sheet 14" x 11", portfolio 15 3/4" x 12 1/8" x 1 1/4". Some waviness to paper on photographs, minor losses to edges and corners of each sheet, folio with staining and warping throughout.

Josef Breitenbach (German / American, 1896-1984). 2 silver gelatin prints, portraits. Grandson of James Joyce, Paris, 1939, unsigned, titled and dated in pencil on verso, sheet 9 3/8" x 7"; James Joyce, Paris, 1937, signed, titled and dated in ink in the lower margin, sheet 14" x 11". Both unframed. Both with minor losses to corners and along edges, James Joyce portrait with small tears along the top edge.

Josef Breitenbach (German / American, 1896-1984). 2 silver gelatin prints, nudes. Seated nude, signed, dated 1954 and numbered 35 in pencil on verso, sheet 14" x 11"; reclining nude, signed, dated 1960 and numbered 84 in pencil on verso, 11" x 14". Both unframed. Some waviness to paper on both, minor losses to edges and corners on both.

Vintage Play Football arcade game, LSU and Tulane. Coin operated 5 cents, electronics work, ball release mechanism sticks. 44 1/4"W x 19"D x 46 1/2"H. Cabinet appears to be repainted, paint loss and chips throughout wooden cabinet, cracks and splits to cabinet, one player detached, fraying and other losses to players and uniforms, paint loss and scratches to playing surface. No keys. Fraying and repairs to cord. Originally from Bertrand Island Amusement Park in Mount Arlington, NJ.

International Mutoscope Corp. Ace Bomber vintage arcade game. Coin operated 5 cents, circa 1941. Machine turns on and plane rotates, some lighting on upper panel does not work. 24 1/2"W x 24 1/2"D x 88"H (63 1/4"H without top panel). Cabinet appears to be repainted, paint loss throughout cabinet, one rocket detached, one light detached, some discoloration to map, fraying to cord, cracking and losses to paint on upper panel; chips, peeling and losses to wood along base of cabinet. No keys. Originally from Bertrand Island Amusement Park in Mount Arlington, NJ.

International Mutoscope Corp. Drive-Mobile vintage arcade game. Coin operated 5 cents, circa 1940s. Electronics working, game play does not appear to work. 32 1/8"W x 31"D x 79 3/4"H including wheel. Cabinet appears to be repainted. Chips and paint loss to cabinet, chips and peeling to wood along base of cabinet, paint loss to steering wheel, lock cylinder missing for back panel and panel detached. No keys. Originally from Bertrand Island Amusement Park in Mount Arlington, NJ.

After Alfred Hofmann (Austrian, 1879-1958) and Peder Marius Jensen (Danish, 1883-c. 1925). Bronze sculpture of a warrior, on marble base. Signed on the base of the bronze Hofmann Jensen. 29"H to top of hand, 34"H to top of spear. Minor chips to marble base.

George Grosz (German, 1893-1959). Bagdad-on-the-Subway: A Portfolio of Six Signed Water-Colors Depicting O. Henry's New York. Cloth folio,with 6 collotypes after watercolors by Grosz, with title page. The Print Club, New York, 1935. Each print pencil signed lower right and numbered 10/150 in pencil lower left. Each sheet 20 1/2" x 15 1/8", portfolio 21 1/4" x 15 3/4". Some toning and staining to portfolio cover, fraying along edges and at spine, tear to cloth at top and bottom of spine, fraying to cloth at corners; losses along edge of interior flap of portfolio; notation in pencil upper right on title page, title page with tears and creases to paper along edges and at corners, title page torn along fold, title page and each sheet with some waviness.

Pablo Picasso (Spanish, 1881-1973). Faience pottery plaque, Profil de Jacqueline, 1956. Stamped on the reverse Empreinte originale de Picasso and Madoura Plein Feu. 7 1/4" x 7 1/4". Discoloration and scratch lower left corner.

Louise Nevelson (American, 1899-1988). Abstract sculpture, painted wood. In an acrylic case. Sculpture initialed LN along one side. Sculpture 6 1/2"H (with case 8 1/2").

Josef Breitenbach (German / American, 1896-1984). Silver gelatin print, Erdarbeiterin, Bombay, 1963. Unsigned, with notations about camera settings in pencil on verso. With an exhibition catalog Wanderung, Joseph Breitenbach 1930-1965, and a copy of the book Josef Breitenbach, Women of Asia, Collins, London, 1968, with this photograph as plate 6. Photograph sheet 14" x 11". Creases to all 4 corners, small tears lower right and upper left, scratches throughout; book with discoloration and foxing to pages, foxing and tears to dust jacket.

Jean Salabet (French, 1913-1995). Oil on canvas, Paris street scene. Signed lower left J. Salabet Paris. 10" x 13 1/4" (with frame 16" x 19 1/4"). Chips and losses to frame.

Jean Salabet (French, 1913-1995). Oil on canvas, Paris street scene. Signed lower right J. Salabet. 10" x 13 1/4" (with frame 16" x 19 1/4"). Chips and losses to frame.

Jean Salabet (French, 1913-1995). Oil on canvas, Paris street scene at night. Signed lower left J. Salabet Paris. 10" x 13 1/4" (with frame 16" x 19 1/4"). Chips and losses to frame.

Kim Westcott (Australian, 1968-). Series of 3 drypoint on paper, Link Track I, Link Track II and Link Track III. Each signed, dated 2003, titled and numbered 6/15 in pencil in the lower margin. All unframed. Each sheet 27 3/4" x 30 3/4". Link Track II with discoloration in the upper margin and staining upper left.

Kim Westcott (Australian, 1968-). Drypoint on paper, Re-echo. Signed, dated 2000, titled and numbered 5/21 in pencil in the lower margin. Unframed. Sheet 41 3/4" x 30 3/4". Some discoloration and creasing to the lower margin.

Kim Westcott (Australian, 1968-). Drypoint on paper, Blackboard. Signed, dated 2000, titled and numbered 6/21 in pencil in the lower margin. Unframed. Sheet 41 3/4" x 31". Minor discoloration in the upper and lower margins, creasing to corners.

Emilie Preyer (German, 1849-1930). Oil on canvas, still life with fruit. Signed lower center Emilie Preyer and initialed illegibly (M.G.?) lower right. 13 1/2" x 11 1/2" (with frame 23" x 21"). Repairs and inpainting, heavily varnished.

Jorge Marin (Mexican, 1963-). Patinated bronze sculpture, Bernardo Oriental. Signed on one arm Jorge Marin PAR. 26 1/4"H x 21 1/4"W at wings. On a lacquered plinth, 13" x 13" x 39 3/4". Chips to plinth.

Full size carousel horse. Composite, with brass pole. Mounted on wooden base. 59 3/4"L x 72 1/4"H including base and pole (horse 59 1/2"L). Paint loss to saddle, hooves, tail and nose; cracking and peeling to paint throughout, scratches to wooden base.

Pair of Italian Majolica pottery urns. Snake or serpent form handles, mythological scenes on the body of each. Unsigned. Each 38"H. Both with some crazing, repairs at the base of the vase / top of the pedestal on both, 1 with paint loss around the decoration on the base of the vase.

Large 2 part Italian Majolica pottery centerpiece / bowl. Figural handles, mythological scenes on either side. Unsigned. 30"H x 26"W. Crazing throughout, roughness along the base, roughness and minor chips to the handles, paint loss to scroll on one side.

Oil on canvas, portrait of a woman. Unsigned. 15 1/2" x 12 1/4" (with frame 21 1/4" x 17 3/4"). Chip to paint on woman's forehead, scratch to face below one eye, relined, varnished.

After Anthony van Dyck (Flemish, 1599-1641). Oil on canvas, portrait of a man, after van Dyck's portrait of Emmanuel Philibert of Savoy, Prince of Oneglia. Unsigned. 23 1/2" x 19 1/2" (with frame 30" x 26"). Relined, varnished, crazing throughout. inpainting throughout; scratches, chips and repairs to gilt frame.

After Carlo Dolci (Italian, 1616-1686). Oil on canvas, Mary Magdalene, after the painting by Dolci. Signed illegibly in pencil on the stretcher Alex?. 8 1/2" x 6 1/2" (with frame 14 1/2" x 12 1/2").

Religious oil on canvas, Madonna & Child. Unsigned. 26 3/4" x 21 1/4" (with frame 30 1/8" x 24 5/8"). Crazing throughout, chips and losses to paint throughout, repair lower right, some inpainting.

After Guido Reni (Italian, 1575-1642). Oil on canvas, Virgin at Prayer, after Reni. Unsigned. 24 1/2" x 18 3/4" (with frame 31 1/2" x 26"). Crazing throughout, varnished, some inpainting.

Leon Constant-Duval (French, 1877-1956). Lithograph, French travel poster, Chemin de fer de Paris a Orleans, Chambord Les Chateaux de la Loire circuits automobiles. Atelier Constant Duval, Levallois. Printed Champenois, Paris. Signed in the plate center right. 40 1/2" x 28 1/2" (with frame 45 1/2" x 33 1/2"). Chips to frame.

Cliff Lee (American, 1951-). Celadon porcelain "Prickly Melon" vase. Signed on the underside Cliff Lee and dated '97. 10 1/8"H. Chips and losses to spines around rim, minor chips to spines on neck and collar.

Attributed to Tadashi Asoma (Japanese / American, 1923-2017). Folk art acrylic on paper, village scene with boats and river. Signed with red seal lower right. 17 1/2" x 27 1/2" (with frame 26 7/8" x 36 7/8").

Tadashi Asoma (Japanese / American, 1923-2017). Lithograph, lilies in pond. Pencil signed lower right and numbered 178/190 in pencil lower left. 28 3/4" x 34" (with frame 41" x 46").

Tadashi Asoma (Japanese / American, 1923-2017). Acrylic on paper, men riding yaks, signed in pencil lower right Asoma. 19" x 23" (with frame 27" x 31").

Tadashi Asoma (Japanese / American, 1923-2017). Lithograph, Storm King. Pencil signed lower right and numbered 94/160 in pencil lower left. 25 3/4" x 31 1/2" (with frame 36 1/2" x 42"). Scratches, chips and losses to frame.

Tadashi Asoma (Japanese / American, 1923-2017). Oil on paper, abstract. Signed Asoma and dated 63 in pencil lower right. 13 1/2" x 10 3/4" (with frame 22" x 19"). Glass and painting loose in frame.

Marx Brothers At the Circus movie poster insert. Sight 35 3/4" x 13 3/8" (with frame 38 1/4" x 16"). Toning, fading and discoloration throughout; losses, tears, apparent repairs and discoloration at horizontal creases; staining to the upper margin and into image; chips, scratches and losses to frame. Provenance: Collection of Bridget LeRoy

Dan Rizzie (American, 1951-). Mixed media with oil paint and wood on wood panel. Initialed DR 99 lower right and signed, titled Rayas and dated 1999 Sag Harbor, NY in marker on verso. 59" x 40" x 2 1/4". Chips to upper left and right corners, lower left corner and along bottom edge, ball cracked around hook. Provenance: Collection of Bridget LeRoy

John Alexander (American, 1945-). Monotype on paper, heron with snake. Signed lower right and with Printed at O'Brien Graphics Aspen Studio 1995 stamp on verso. Sheet 29 1/4" x 31" (with frame 38 7/8" x 31"). Waviness to paper. Provenance: Collection of Bridget LeRoy

Pascal Verbena (French, 1941-). Mixed media sculpture with wood and rope. Initialed with artist's PV monogram and dated 83 on the reverse. 45 1/4"H x 47 7/8"W x 8 1/8"D not including supports for hanging. Minor chips, losses and splits to wood throughout, figure and string with hooks detached, figure chipped at mouth. Provenance: Collection of Bridget LeRoy

Lawrence Gipe (American, 1962-). Oil on wood panel Boeing (Air Force Magazine, 1950). Signed, titled and dated 2017 in marker on verso. 24" x 29 7/8".

Stephen Magsig (American, 20th century). Oil on canvas, 73 Spring Street. Signed and dated 15 lower right and signed, titled and dated on verso. 30" x 24" (with frame 31 1/4" x 25 1/4").

Stephen Magsig (American, 20th century). Oil on canvas, Grand & Thompson. Signed and dated 17 lower right and signed, titled and dated on verso. 42" x 36" (with frame 43 3/8" x 37 1/4").

Penny Truitt (American, 20th century). Modern abstract steel sculpture. Signed in marker on verso. 23 3/4" x 10 1/4" x 2 3/8".

John Geldersma (American, 1942-). Sculpture, Five Totems. Burned and painted aspen wood. All signed or initialed on the reverse, one dated 2012 & 2017. Number 1 60"L.

Aaron Zook (American, 1921-2003). Amish folk art 3-D sculpture / painting, Summer Homestead. Unsigned, with artist's info on verso. With original box. 7"-diameter (with frame 9"-diameter). Tree on right side cracked and with paint loss, paint loss and cracks and base of tree on left side, paint loss and cracks to paint in sky above buildings.

Aaron Zook (American, 1921-2003). Amish folk art 3-D sculpture / painting, Spring Mill. Signed lower center and with artist's info on verso. With original box. 7"-diameter (with frame 9"-diameter). Minor paint loss.

Aaron Zook (American, 1921-2003). Amish folk art 3-D sculpture / painting, Fall Harvest. Signed lower center. With original box. 7"-diameter (with frame 9"-diameter). Minor losses to sculpted leaves.

Aaron Zook (American, 1921-2003). Amish folk art 3-D sculpture / painting, Winter Bridge. Signed lower center and with artist's info on verso. With original box. 7"-diamter (with frame 9"-diameter). Minor losses to sculpted leaves and branches and some paint loss around the edges.

Aaron Zook (American, 1921-2003). Amish folk art 3-D sculpture / painting, birds. Signed lower center and with original box. 10"-diameter (12 1/4"W with frame). Minor losses to sculpted leaves and grass.

Mark Kostabi (American, 1960-). Oil on canvas, The Omniscience of Memory. Signed Kostabi and dated 1986 lower right, and titled on verso. 48" x 36". Discoloration to right side.

Shozo Nagano (Japanese / American, 1928-2007). Acrylic on canvas, Crystallization - Brown. Signed and dated 1975 along the lower right edge and with Alonzo Gallery, New York label with title and info on verso. 29 3/4" x 19 1/2". Scratches and paint loss along edges.

Mihail Chemiakin (Shemyakin) (Russian / American, 1943-). Suite of 2 lithographs, Cirque Russe I and Cirque Russe II. Both pencil signed lower right and numbered 144/195 in pencil lower right. With China Basin Designs labels with info on verso of both. Each 35 1/4" x 25" (with frames 46 1/2" x 36 1/4"). Waviness to paper on both, chips and scratches to frames.

Alan Shields (American, 1944-2005). Diptych, mixed media with hand painted quilted fabric, crochet and beads, mounted in a cardboard box. Signed Alan Shields, dated 72 and numbered B 19/30 in marker along the spine. 19 1/4" x 38 3/4" open, 19 1/4" x 19 1/4" x 1 3/8" closed. Fraying to thread, warping to box. Provenance: Estate of Princess Maria "Mimi" Romanoff.

Alan Shields (American, 1944-2005). Diptych, mixed media with hand painted quilted fabric, crochet and beads, mounted in a cardboard box. Signed Alan Shields, dated 72 and numbered A 14/30 in marker along the spine. 19 1/4" x 38 3/4" open, 19 1/4" x 19 1/4" x 1 3/8" closed. Warping to box. Provenance: Estate of Princess Maria "Mimi" Romanoff.

Alan Shields (American, 1944-2005). Diptych, mixed media with hand painted quilted fabric, crochet and beads, mounted in a cardboard box. Signed Alan Shields, dated 72 and numbered A 19/30 in marker along the spine. 19 1/4" x 38 3/4" open, 19 1/4" x 19 1/4" x 1 3/8" closed. Warping to box. Provenance: Estate of Princess Maria "Mimi" Romanoff.

Bisa Butler (American, 1973-). Textile collage, portrait of a woman. Signed in ink on verso. 9 3/4" x 7 1/2" (with frame 11 1/8" x 9 1/8"). Scratches to frame.

After Albert Bierstadt (American, 1830-1902). Hand colored engraving, The Rocky Mountains. Signed and dated 1863 in the plate lower right and with pencil signature below the image. Sight 16 1/4" x 27 3/4" (with frame 26 1/4" x 37 3/4"). Small tear upper left, mat burn and toning, toning around pencil signature; chips, scratches and losses to frame.

Prefete Duffaut (Haitian, 1923-2012). Oil on Masonite, mountain village scene. Signed lower left. 19 3/4" x 15 1/2" (with frame 25 1/4" x 21 1/8").

Vintage Bally Nip-It pinball machine. Circa 1973. Machine turns on and lighting works, game play does not work. 29"W x 52 1/4"D x 69 1/2"H. Wear, paint loss and scratches to cabinet, minor wear to playfield, wear to flipper buttons, rubber bumpers with some wear, front door dented.