Max Ernst (German, 1891-1976). Monkey Chased By An Elephant for Stealing a Hat, 1974. Lithograph on paper. Signed in pencil lower right, numbered 18/99. Miribaud Mercier auction house labels lower center and on verso. Wear and losses to gilt throughout frame. Sight: 23" x 18" Frame: 37 1/2" x 29 3/4"

Andy Warhol (American, Pittsburgh, 1928-1987). Poster for the Warhol exhibition at the Tate Gallery from February 17th to March 28th, 1971. Published and printed in Great Britain by The Hillingdon Press. Lower left corner has very slight fold, slight tattering to upper right. Unframed sheet size: 30" x 20"

Wolf Kahn (German / American, New York, 1927-2020). Serigraph yellow barn. Pencil signed Kahn and dated 82 lower right, numbered in pencil 163/200 lower left. With blindstamp lower right. 29 3/4" x 21 3/4" (with frame 31" x 23").

Robert Rauschenberg (American, 1925-2008) serigraph on foil paper. Rauschenberg National Gallery of Art Overseas Culture. Interchange (ROCI) poster, 1991. Signed in the plate lower right. Copyright 1991 Robert Rauschenberg, Universal Limited Art Editions lower left. 38" x 26 3/8". Scratches throughout, creasing to the edges of the foil paper.

Will Barnet (American, Massachusetts / New York, 1911-2021). Lithograph Poem 921. Signed, titled and numbered 52/125 in the lower margin. Image 14 1/2" x 20 1/2" (with frame 24 3/4" x 30 3/4"). Minor roughness to corners of frame.

Will Barnet (American, Massachusetts / New York, 1911-2012). Serigraph Child Reading - Red. Signed, titled and numbered 54/185 in the lower margin. Image 19 3/4" x 10 1/2" (with frame 23 1/4" x 13 3/4"). Discoloration and waviness to the paper, white spots in lower part of image.

Roy Lichtenstein (American, New York, 1923-1997). Exhibition poster for the Kunsthalle Bern (Switzerland). Silkscreen on paper, 1968. Wear around chrome frame and on plexiglass.. Slight tears to backing on verso. 51" x 37"

Gregorio Prestopino (American, New York, 1907-1984). Lithograph nudes bathing. Pencil signed Prestopino and numbered 215/225 lower left. On watermarked CMF Fabriano paper. 22" x 30" (with frame 28 1/2" x 36 1/2"). Crease to upper and lower left corners.

Gregorio Prestopino (American, New York, 1907-1984). Serigraph Park Bench. On Strathmore Artist paper, with blindstamp. Pencil signed and numbered 39/60 lower left, with additional info on verso. 29" x 21" (with frame 38 3/4" x 30 3/4"). Waviness to paper, minor staining throughout.

Gregorio Prestopino (American, New York, 1907-1984). Watercolor on paper nude in garden. Signed lower left Prestopino. 28 3/4" x 38 1/2" (with frame 48" x 38 1/4").

Fran Larsen (American, Michigan / New Mexico, 1937). Watercolor Summer Lightning. With hand painted mat, in hand carved and painted frame. Circa 1993. Signed Larsen lower right. With additional info on verso. 40" x 29 1/2" (with frame 48" x 38").

Richard Anuszkiewicz (American, Pennsylvania / New York, 1930-2020). Op-art serigraph from the Temple series. Pencil signed, dated 2000 and numbered 109/125 in the lower margin. Publisher's blindstamp lower right. Image 12 3/4" x 9" (with frame 19 1/2" x 15").

David Hockney (British, b. 1937) Remember That You Cannot Look at the Sun or Death for Very Long, 2021. Offset lithograph with silkscreen overlay. Edition 894 out of 3000. Numbered on label on verso. Published by Circa Economy, London. COA from Circa Economy, London. 35 1/4" x 10".

Dieter Roth (Switzerland, 1930-1998) and Stefan Wewerka (Germany, 1928-2013). Silkscreen on cardboard, Die Gegenlose Welt #14. Pencil signed and dated Dieter Rot 70 lower right and Stefan Wewerka lower left. With info on verso. Sight size: 23 1/2" x 23 1/2" Frame size: 25 3/4" x 25 3/4"

Dieter Roth (Switzerland, 1930-1998) and Stefan Wewerka (Germany, 1928-2013). Silkscreen on cardboard, Die Gegenlose Welt #15. Pencil signed and dated Dieter Rot 70 lower right and Stefan Wewerka lower left. With info on verso. Crack to glass in frame lower left. Sight size 23 1/2" x 23 1/2", Frame size: 25 3/4" x 25 3/4"

Dieter Roth (Switzerland, 1930-1998) and Stefan Wewerka (Germany, 1928-2013). Silkscreen on cardboard, Die Gegenlose Welt #75. Pencil signed and dated Dieter Rot 70 lower right and Stefan Wewerka lower left. With info on verso. Sight size: 23 1/2" x 23 1/2". Frame size: 25 3/4" x 25 3/4".

Harry Bertoia (Italy, 1915-1978) for Knoll International. 8 mid-century modern side chairs. Welded black steel with Sabrina leather cushions. Scratches to backs. One chair cracked and partially cracked at bend between seat and back. 30" H x 12" W x 20" D

Ludwig Mies van der Rohe (German, 1886-1969). Set of 6 modernist Brno chairs. Model number MR50 with flat steel. Damage and wear to upholstery. 32" H x 23"W x 20"D

Kurt Ostervig (Danish, 1912-1986) for Brande Mobelindustri. Danish modern dining table. Danish, mid 20th century. Rosewood, tapered dowel legs and feet, two removable leaves with black water resistant panels. Brande Mobilindustri branded logo on underside of tabletop. Scuffs and wear to one end of table, leaves are slightly warped. Scuff and wear to leaves, some wear and nicks to legs. With leaves: 28" H x 90" L x 33 1/2" W Without leaves: 28" H x 51" L x 33 1/2" W

Set of 10 Danish modern dining chairs. Mid 20th century. Rosewood, black leather seat and back splat, tapered dowel legs. Back splat to one chair repaired, remnants of glue on back of one chair. Some scuffing to feet, scratches to back splat supports and wear to seats on all. 33" H x 16" L x 15" D

Massimo Scolari (Italian, born 1943). "Talo" bedside table for Giorgetti. 20th Century. Fluted column in maple wood, cherry wood top, brass lamp with copper shade. Metal Giorgetti tag on underside. Lighting has been tested and works. Wear and scratches to top, wear throughout base. Lamp is slightly tilted. 58" H x 38" L x 16" W

Kurt Ostervig (Danish, 1912-1986). Danish Modern side table with magazine rack. Mid 20th century. Rosewood with slender dowel feet, step-down tier with detachable magazine rack on front. Scuff to length of top shelf, some wear on front top of lower tier. 24 1/2" H from top shelf to leg x 16 1/2" D x 25" W.

Finn Juhl (Danish, 1912-1989) style Danish modern chair. Mid-century modern, teak, dowel feet, upholstered white and teal pattern cushioning. Fraying to cushion, wear to arms and legs, pilling to fabric on back cushion, staining between cushions. 37" H x 23" L x 30" W

Pair of Danish modern lounge chairs designed by Georg Thams for A/S Vejen Polstermobelfabrik. Mid 20th century. Teak dowel legs, emerald green upholstered cushions. A/S Vejen Polstermobelfabrik label and Danish control tag underside one chair. Burn marks to left arm of 1 chair. Stain to top of cushion of 1 chair. 28 1/2" H x 28 1/2" D x 29 1/4" W.

Severin Hansen Jr. and Nils Thorsson for Royal Copenhagen rosewood and tile top cocktail table. Marked on the underside with Tenera fra Den Kongelige Porcelainsfabrik stamp, manufacturer's label and Danish control tag. 2 indents to left side of table, scuffing and water stains to the surface. 19" H x 50" L x 20" W

Kai Kristiansen (Danish, born 1929) for PSA furniture Danish Modern rosewood sideboard. Mid 20th century. U-form legs with metal caps, four drawers and three doors with metal lined accents. Small scuffs to front. Small chip to lower left side. Slight wear to varnish on top. Small loss above magnet lock on left cabinet door. Right center door is slightly loose on upper hinge. 33" H x 19 3/4" D x 82 3/4" W

Niels Rasmussen Thykier (Denmark, 1883-1978) "Kongelys" table lamp for Fog & Morup, Denmark 1940s. Brass and vinyl. Unmarked. 17 3/4" Tall x 13 1/4" Diameter.

Persian Jajim Kilim Rug. Early 20th Century. Flat woven wool rug. 10' x 10' 6".

Persian rug. Stains and discoloration throughout. 7'2" x 5'6"

Chinese room size rug, with horse and dragon motif. 12'2" x 9'1/2"

Room size Persian rug. 12' x 9'1". Stains and discoloration throughout, minor wear.

Room size Persian rug. 11'11" x 9'3". Wear throughout.

Room size Indian rug. 11'10" x 8'6"

Persian rug. 12'3" x 5'11". Discoloration, fading and staining throughout.

Persian rug with floral motif. 5'5" x 3'11". Some staining and wear to edges.

Room size Persian rug. 11'2" x 8'2". Fading and discoloration throughout.

Room size Persian rug. Signed along edge. 10'3" x 8'

Room size Persian rug. 11'8" x 8'3". Wear along edges and to fringe, discoloration throughout.

Room size Persian rug. 12'3" x 9'. Burn marks to one end, fringe missing from corner, discoloration throughout.

Sarabend runner rug. 16'1" x 3'5". Hole in one end, wear throughout.

Soumak rug. 13' x 9'10". Wear throughout.

Room size Persian rug. Brown and beige with center medallion. 11' x 8'2". Some staining, wear to edges.

10'2" x 8'3"

Bokhara style rug. Royal Amershah label. 5'10" x 3'11"

Art deco Chinese rug. Dragon motif. 9'2" x 5'11". Staining throughout.

5 L. C. Tiffany favrile glass shades. 1 shade signed L.C. Tiffany favrile, 4 shades signed L.C.T. Large chip to top rim on signed L.C. Tiffany shade, chips to rims on 3 signed LCT shades, scratches to one. Height: 5"

Jaeger LeCoultre Atmos VIII clock. Numbered 399430 at the top. Dated on the underside "Sept 10 1975". Marked in the center "Fifteen Jewels VXN Switzerland LeCoultre & Cie Atmos". With original box and packing materials. Wear to box edges and top flaps. Clock: 8 1/2" L x 6 1/2" W x 9 1/2" H. Box: 11 3/4" L x 10" W x 12 7/8" H.

Pierre Jacques Theodore Blard (French, 1822-1902) gilt bronze tazza. Stem depicting two fauns, decorated throughout with grape leaves, flora and fauna. Residue on the base and in the relief. Inscribed T. Blard at the base of the stem and imprinted T. Blard on the rim. 6 3/4" H x 6" Diameter.

19th century Japy Freres bronze and vert de mer marble mantle clock. Bronze angel and children. Bronze base with marble inlay. Impressed circle mark to the interior "Japy Freres & Co Exposition 1855 Grande Med D' Honneur". Loss to the marble inlay, top left. Chips to the edge, lower center, lower right, lower left. Line to marble inlay, top right. Wear to patina. 17 3/4" L x 6 1/4" W x 16 3/4" H.

Tiffany Studios bronze cobra form candlestick, with impressed "TS" mark on underside. 71/4"H x 5" at base.

Pair of continental marble obelisks. Colored marble insets, four turtle form supports. Repair to 1 finial. 2 chips to bottom of 1 obelisk. 22" H.

Christopher Spitzmiller (American, New York, 1974- ) Pair of double gourd shaped vase lamps. Ceramic with bronze mount on top and composite stand on bottom. Two light lamp with pull chains. Each lamp with paper label on the bottom "Christopher Spitzmiller, Inc. New York City" with maker's cipher. Both lamps have tarnish and scratches to the bronze mount and light sockets. One lamp is missing it's finial. Both lamps in working order. 28" Tall

19th - 20th century Meissen porcelain allegorical ewer emblematic of air. Elaborately modeled in relief and polychrome-painted with gilt borders. Drilled, loss to the front cherub, loss of 2 fingers and both legs (missing legs present). Crossed swords mark on the underside. 24 1/2" H x 15 1/4" W x 11" Base diameter.

19th - 20th century Meissen porcelain allegorical ewer emblematic of water. Elaborately modeled in relief and polychrome-painted with gilt borders. Drilled, loss to the fish lower right, 2 horses missing feet, 3 horses with chipped ears, chip to mermaid's tail, chip on ewer handle. Crossed sword mark on the underside. 26" H x 13" W x 11" Base Diameter.

Emory P. Seidel (American, 1881-1954.) for Roman Bronze Works, NY. Bronze candelabra in mother and child form with four low candle posts. Signed "E.P. Seidel." on bottom edge. "ROMAN BRONZE WORKS NY" stamped on base. Some wear to front and back of figures. 15" H x 13" L x 5" W

Pair of Maison Bagues gilt metal and rock crystal parrot wall sconces. Flowering vines supporting two candle arms, 2 lights. 1 light missing glass cover, 1 cover with large chip. Wear to gilt. 1 wall sconce repaired and bent at the bottom. Oxidation to the metal behind crystal. 26" H x 9" W.

Charles Emile Jonchery (French, 1863-1937) art nouveau patinated metal glove box. Lined with red satin fabric. Signed on front corner. 13" L x 4" W x 3 1/2" H. Wear to patina throughout. Residue to the interior of the box.

Tiffany Studios harp lamp with favrile shade. New York, early 20th century. Bronze harp form desk lamp, stamped "Tiffany Studios New York 419" on underside of base. Fitted with signed L.C.T. Favrile iridescent glass shade. Lamp has been tested and works. Scratches to bottom of harp, wear and light scratches running along harp. Repairs, lines and large chip to shade. Shade does not fit between harp when screwed in. 11 3/4" H x 9 3/4" L x 5 1/2" diameter of base Shade: 4 1/2" H x 6 3/4" diameter

Lorenzo Niles Fowler (American, New York / England, 1811-1896). Porcelain Phrenology bust, 107 Fleet Street address. With labeled lobes, front labeled Phrenology by L.N. Fowler, right side Entered at Stationers Hall, left side L.N. Fowler 107 Fleet Street, London; printed inscription from Fowler on back. 11 3/4"H x 4"D x 5 1/4"W at base. Some losses to painted decoration around base, crazing throughout.

78 pieces International Silver Co. Prelude pattern sterling flatware. 7 dinner forks, 6 salad forks, 8 iced tea spoons, 8 chocolate spoons, 14 spoons, 6 cocktail forks, 7 demitasse spoons, 2 serving spoons, 1 sugar spoon, 1 fish knife, 8 butter knives, 8 sterling handled knives, 1 meat serving fork and 1 cream ladle. 2,220 grams total not including knives.

French export 20k gold and enamel necklace and earring set. Marked on the clasp with Mercury head and "833". 49.9 grams including enamel decoration. Necklace: 24" Length.

Baccarat for Christian Dior Diorama, cased crystal perfume bottle and stopper, cobalt blue cut to clear, gilt detail and labeling, blue velvet box. Baccarat mark on the underside of bottle. Mostly full. Discoloration to the fabric of velvet box. Bottle: 7" H. Box 8 3/4" L x 4 1/2" W x 3 3/4" H.

Baccarat design for Christian Dior Diorama clear crystal perfume bottle, stopper and mirrored dresser box. Loss to the frost collar. Left side mirror is loose from box. Chip to base, front. Wear to the base edge of the box. Stopper frozen. Mostly full. Bottle: 7 3/4" H. Box 4 3/4" L x 4 3/4" W x 9" H. Opens to 10 1/2" W.

Georges Delhomme (French, 1904-1989) designed Tresor de Lancome perfume bottle and display box. Clear glass with metal screw cap. Completely full. Bottle: 5" H. Box: 7 1/4" L 5 3/4" W x 4" H.

Fulvio Bianconi (Italy, 1915-1996). Fulvio Bianconi for Gi. Vi. Emme Venini Murano glass perfume bottles, complete 4 bottle Quattro Stagioni (Four Seasons) set. Ricordo d'Estate, Ricordo d'Autunno, Ricordo di'Primavera and Ricordo d'Inverno. Each with original profumo GI. VI. EMME flacone Venini - Murano disegno Bianconi paper labels. Ricordo d'Inverno and di'Primavera with additional original Gi. Vi. Emme Milano foil / paper labels. Marked Bottle Made in Italy on undersides. Stoppers all frozen with perfume residue and have not been examined out of the bottles, all four bottles partially full. Tallest bottle 7 3/4" H including stopper.

2 Lucien Lelong Orgueil perfume bottles. 1 with paper label on underside. 4 fl oz, 4 3/4" H. Mostly full. Large bottle has frozen stopper.

Brosse by Lucien Lelong Edition Limitee crystal perfume bottle and stopper. 7" H. Marked on the underside and base with gilt lettering. Wear to lettering. Paper residue to hang tag. Mostly full. 2 fl oz bottle. Stopper can be removed.

Georges Rival (French, 20th Century). Oil on canvas of woman breastfeeding a child. Signed upper left. Sight size 30" x 33". Overall size 40 1/2" x 34" Paint loss to woman's hair, right wrist and upper right corner of painting.

Joseph Van Dieghem (Belgian, 1843-1885) oil on canvas. Signed lower left, dated 1865. Sight: 6 3/4" H x 8 3/4" W. Frame: 10" H x 12 1/3" W. Repairs to the sky, loss to the right of the signature.

After Guido Reni (Italian, 1575-1642). Oil on canvas after Reni's L'Aurora. Wax stamp lower and faint signature on verso. Slight tear above angel, tear and separation from spreaders on top right corner, tears to bottom left and right. Loss to frame lower left and border. Sight size: 38" x 73 1/2", Framed size: 53" x 88"

Oil on canvas portrait of a gentleman hunter with his dog. Signed lower right Taylor. 35 1/2" x 23 1/2" (overall 44" x 32"). Scratch in center of canvas, damage to frame.

After Guido Reni (Italian, 1575-1642). Oil on canvas after Reni Portrait of Beatrice Cenci. Unsigned Sight: 24 5/8" x 19 5/8", Frame: 32 7/8" x 27 7/8". 2 small holes near top of canvas. Discolored from age. Repair upper center.

Oil on canvas interior scene. Signed Golino lower right. 15 1/2" x 19 1/2" (overall with frame 25 1/2" x 29"). Repairs, tears, paint loss throughout. Losses to frame.

Edwin Frederick Holt (English, 1830-1912). Oil on board family with covered wagon. Signed and dated lower right E.F. Holt Prize Menf R.A. 1878. 19" x 26" (with frame 27" x 34"). Losses to frame.

After Giovanni Francesco Romanelli (Italian, 1610-1662). Oil on canvas Portrait of the Cumaean Sibyl. Unsigned. 25 1/2" x 20 1/4". Unframed, termite damage to stretcher, scratches, tear near bottom.

Manner of Claude Joseph Vernet (French, 1714-1789) oil on canvas. Harbor scene. Paper label on verso in French "Pecette Particuliere du Nord Chapelle" on the outside with "Dolane de Paris" on the interior. Sight: 28" x 37 1/2", frame: 33" x 42 3/4". Paint loss lower right. Losses to gilt on frame cracks to frame upper center and lower center, chips to gilt throughout. Restoration to the center of the painting.

Henry Rushbury (English, 1889-1968). John Constable R.A. at Flatford Mill. 1937. Haycock Press, London. Published by hte London & North Eastern Railway. Lithograph on paper, affixed to burlap backing. Commemorative railway travel poster for the centenary of Constable's death. Slight tears and foxing to edges, fraying to burlap backing, later notations in pencil on verso. Unframed sheet size: 40" x 50"

Rex Dawson (American, 20th century). Western oil on canvas cowboys / ranchers roping a steer. In the style of C.M. Russell. Signed lower right. 23 1/2" x 36" (with frame 30" x 41 1/2"). 1 1/2" x 1 1/2" tear to sky upper right.

Marcel van Eeden (Dutch, b. 1965) oil on board of candelabra. Pencil signed on verso. 7 1/2" x 5 1/2". Wear to board lower right, center and left.

Attributed to Marcel van Eeden (Dutch, b. 1965) pencil and charcoal drawing on paper, Oleander. Marked on verso in pencil, g-21. 7 3/4" x 5 1/2".

Marcel van Eeden (Dutch, b. 1965) pencil and charcoal drawing on paper, woman on couch. Signed and dated 1995-183 on verso in pencil. 7 1/2" x 5 1/2".

Marcel van Eeden (Dutch, b. 1965) pencil and charcoal drawing on paper, untitled. Signed and dated 1994-34 on verso in pencil. Watermark to paper upper right. 7 1/2" x 5 1/2". Crease to paper lower center.

Marcel van Eeden (Dutch, b. 1965) pencil and charcoal drawing on watermarked Fabriano paper, untitled. Signed and dated 2006 on verso in pencil. 7 1/2" x 11 1/4".

Marcel van Eeden (Dutch, b. 1965) pencil and charcoal drawing on paper, untitled. Signed and dated 1994 on verso in pencil. Watermark to paper upper right. 7 1/2" x 5 1/2".

Marcel van Eeden (Dutch, b. 1965) pencil and charcoal drawing on paper, untitled. 8" x 11 1/2" (with frame: 19 1/2" x 24 1/2").

John Marin (American, New Jersey, 1870-1953) limited edition portfolio, Drawings and Watercolors. Published by The Twin Editions, New York 1950. 12 pages text, 24 loose pages of black and white collotypes, 8 loose color plates, enclosed in a cloth folding case. Edition II No. 213 out of 300. Numbered and signed by the artist on the title page. 13 1/4" x 10 1/2". Toning to pages, wear to seam of interior top panel. Scratch to cover lower left.

Mylo Quam (American, North Dakota / Woodstock, NY, 1941-1996). Oil on canvas, Sun King. Signed center left. Titled on verso. 42" x 36" (with frame: 42 3/4" x 36 1/2"). Upper right frame corner loose.

Mylo Quam (American, North Dakota / Woodstock, NY, 1941-1996). Oil on canvas "Samurai The Armouring". Signed lower left, and titled and dated August 90 on verso. White paint specks to lower left around signature. Sight: 60" x 46" Frame: 68 1/2" x 54 1/2"

Mylo Quam (American, North Dakota / Woodstock, NY, 1941-1996). Oil on canvas, Traveler. Signed lower right. Titled and dated October 1991 on verso. 48" x 36" (with frame: 48 1/2" x 36 1/2"). Repair to canvas, lower center.

Mylo Quam (American, North Dakota / Woodstock, NY, 1941-1996). Mixed media, oil and cut paper collage on wood panel. Knight slaying a dragon. Signed center left. 39 1/4" x 23" (with frame: 43" x 27").

Mylo Quam (American, North Dakota / Woodstock, NY, 1941-1996). Mixed media, oil and cut paper collage on wood panel, The Trunk. Signed center left. Titled on verso. 48" x 38" (with frame: 48 3/4" x 38 1/2"). Lifting to paper collage.

Henri Matisse (French, 1869-1954) linocut "Teeny". Portrait of Alexina "Teeny" Matisse, the wife of Matisse's youngest son Pierre. Monogrammed in the plate lower left HM38, hand signed in pencil lower right and numbered 13/100 in pencil lower left. Plate: 12" H x 9" W. Paper: 17 1/4" H x 13" W. Foxing to the paper. Residue from tape. Mat burn.

American Rococo Revival style sofa. Green crushed velvet and carved wood. Some fading to velvet, chips to wood. 20th Century. 41 1/2" x 92" x 34"

American Rococo Revival style settee. Later 20th Century. Green crushed velvet and carved ebonized wood. S. Miller tag underside cushion. Some fading to velvet, losses to wood on left side of carved stretcher. Small losses to carvings top right of settee. 46 1/2" H x 65" L x 25" W

American Rococo Revival style settee. Later 20th Century. Green crushed velvet and carved ebonized wood. S. Miller tag underside cushion. Some fading to velvet, minor losses to wood on center foot. 46 1/2" H x 65" L x 25" W

Italian Baroquestyle armoire. Heavily carved with three shelves. Back has been replace with plywood. 92" Tall x 54" Wide x 23" Deep

Aesthetic Movement Classical Revival bookcase attributed to John Jelliff (American, Newark, New Jersey, 1813-1893). Circa 1880s-1890s. Ornately carved and stained walnut and burl, crown with fretwork, classical goddess supports on Ionic column capitals, three lower drawers, three glass doors with two shelves in each section. Loss to veneer on sides of center bottom drawer, backing of base repaired, some scratches and dings to top of base on left. 80" H x 72" L x 24 1/2"D

Aesthetic Movement sculpture or vase pedestal. American, late 19th century. Mahogany, carved floral motifs, colonnade-style stand, carved finials, bun feet. Wear and residue on top of pedestal, some slight wear, paint drop and scuffing on bottom. 58 1/2" H x 18 1/2 length of bottom

Renaissance Revival style Adam and Eve cabinet. French, early 20th century. Mahogany, ornate carvings of cherub heads, floral motifs, heavily carved colonnade supports. Heavily detailed carving of Adam and Eve and the Fall of Man on front door, opening to two shelves. Remnants of French furniture label on back. Some wear to lower tier and interior, slight cracking on corner of one shelf. Lock plate is slightly loose. Door is offset and does not completely close. With key. 60" H x 40 1/2" L x 18 3/4"

Belgian Gothic Revival style carved cabinet. 20th century. Oak, gothic style figural and decorative carvings, interior with one shelf. Metal "Made in Belgium" label on back. Scratches and wear to top and sides, warping and splitting of wood on lower tier. Wear and slight loss around lock plate. 58" H x 41" L x 22" D

Ornately carved Jacobean Revival server. Late 19th century. Mahogany, two tiers, cove-and-pin joinery, striped inlay. Wear and scratches to top, small losses to right side near bottom. 52" H x 51" L x 19" D

Renaissance Revival marble top server. 20th century. Four carved grotesque masks, Ionic column supports, red and white marble top. With key. Left side of molding on crown repaired. Reeded siding on right side repaired. Minor pitting to wood on back, splitting to wood on lower tier. 98" H x 52" L x 20 1/2" D

Carved Belgian Renaissance Revival side cabinet. 20th century. Carved oak, lower tier supported by block feet, upper cabinet with heavily carved figural relief on door, metal hinges and lock. Back stamped Made in Belgium. Wear and scratches to top of cabinet, door is slightly offset, wear to legs, some pitting to wood on top. 45" H x 20" L x 16" D

Carved English Renaissance/ Elizabethan throne chair. Pre-20th century. Heavily carved oak, painted figural carving of personification of Justice on back, lift top seat. Reupholstered, wear and scratches throughout piece, splitting to back, small losses behind compartment. 65" H x 37" L x 26" D

Japanese Meiji period ebonized carved dragon bench. Late 19th / early 20th century. High relief carvings of dragon and phoenix on pierced and arched back, curving front with Greek key motif relief, carved dragon and pearl arms, cabriole legs. Stretcher and seat repaired. Splitting to phoenix, wear and losses to front, back, legs, feet and arms. Looseness to arms. 41" H x 53" L x 22" W

Jean-Francois Leleu (1729-1807) Directoire cabinet. French, late 18th century. Walnut, brass locks and door hinges, grey and white marble top, four shelves. Signed JF Leleu under marble top. Scratches to marble, bottom molding missing from left side, scratches to far right door. Middle right door brass lock plate missing, lock mechanism loose on right side pair of doors. 41" H x 73" L x 16" D

T.H. Robsjohn-Gibbings (British, 1903-1976). Pair of carved and lacquered mahogany side tables for Widdicomb. Early 20th century. 1440 stamped on underside of each. Metal John Stuart Inc., New York - Grand Rapids label on underside of one. Heavy wear and scratches to tops of each, wear and small losses to bases. 26" H x 26" diameter of top

Attributed to T.H. Robsjohn-Gibbings (British, 1905-1976) cocktail table. 20th century. Mahogany and carved curving legs. 1439 stamped on underside of top. Heavy wear and scratches to top, indentations and wear to edges. 19" H x 40" L x 22" W

Coach modern leather club chair and ottoman. 21st century. Salmon-colored leather chair with matching ottoman. Heavy wear throughout ottoman and seat and arm of chair. Marked Coach on chair and ottoman. Chair: 34" H x 31" L x 32" W Ottoman: 15" H x 23" L x 23" W

Pair of neoclassical patinated bronze pedestals in the form of Corinthian columns with dolphin form capital, rectangular tops. Resting on circular plinths with foliate detailing. 1 pedestal with drill hole in the top. 1 pedestal has loose leaf at the base. Minor pitting to each column. 51" H x 13" pedestal width.

After Odoardo Tabacchi (Italian, 1831-1905) bronze, La Tuffolina. Depicting a figure of a diving bather. Signed on base O. Tabacchi Torino. 30" H x 12" base diameter.

After Odoardo Tabacchi (Italian, 1831-1905) bronze, La Tuffolina. Depicting a figure of a diving bather. Signed on base O. Tabacchi Torino. 30" H x 12" base diameter.

2 patinated bronze lamps, Roman senator and soldier. Pull chain and double socket fixtures. Wear to the hands and feet of each statue. 41" H from base to top of shade x 14 1/2" base diameter.

After Emile Coriolan Hippolyte Guillemin (French, 1841-1907) patinated bronze soldier on horseback. Signed on the embankment. Line to riders right thumb. Weighs approximately 15lbs. Figure with base: 14" L x 6 1/2" x 18" H. Figure: 15 1/2" L x 5" W X 16 3/4" H.

After Mathurin Moreau (French, 1822-1912) bronze, Apollo holding a lyre. Lyre and right arm are loose. Wear to lyre. Signed on the rock, lower right "Moreau Math." With marble base, loose from base. Chips to the back of the base. Marble base: 14 1 /2" L x 11" W x 2 1/4". Figure: 28" H x 15" W.

After Mathurin Moreau (French, 1822-1912) patinated bronze, female nude on faux marble pedestal with marble top. Signed on base, lower right "Mat. Moreau Hors Concours" and dated "Copyright 1904 Le Pointe". Impressed circle mark on rock lower right "Medaille D'Honour". Marked on the interior " 2903". Minor wear to patina on torso, residue to right arm, chips on rim and throughout marble top, crack to marble; wear, losses and chips to base. Statue: 34 1/4" H. Pedestal: 30 1/2" H x 14 1/2" L x 12" D. Overall height: 64 1/4".

19th century 'Dancing Faun' patinated bronze after the 2nd century BC original from the House of the Faun in Pompeii. Mounted on rectangular base with engraved flourish decoration at the front. Marked on the base, lower right 2894. Statue is loose in the base. Base: 10 3/4" L x 11 1/2" W x 2 1/4" H. Figure: 34" H.

After Jules Moigniez (French, 1835-1894) white metal sculpture of a Setter. "Fabrication Francaise. Made in Paris, France" and "Ovington New York" marks. Mounted on a stone base. Discoloration to the stone base around the dog's feet. Base: 23 1/2" L x 4 1/2" W x 2 1/4" H. Setter: 17" L x 3 1/4" W x 6" H.

After Demetre Haralamb Chiparus (Romanian, 1886-1947) bronze statue, lady with a parrot. Signed "D.H Chiparus" on dress. Mounted on a marble base with brass plaque. Approximately 27lbs. Figure: 15" x 12 1/4", with base 13 1/2"H x 17 1/4"W x 19"L

After Demetre Chiparus (Romanian, 1886-1947) bronze, Gates of Promise. Patinated bronze on marble base. Leblanc-Barbedienne Paris foundry mark to back of base. 11" L x 17" W x 26" H. Wear to patina on figure's dress and stairs.

Patinated Japanese bronze of an elephant and two tigers. On a root wood base. Marked on the underside in a cartouche. Circa 19th century. Tusks repaired. Base: 33 1/2" L x 13 1/2" W x 7 /14" H. Statue: 21" L x 5" W x 19 1/4" H.

3 footed Imperial Chinese blue and white porcelain incense burner with a Daoguang mark. The body features the 8 Buddhist auspicious symbols. Greek key edging with lotus flowers on the handles. Flake to the top of one handle, restoration to both handles at the body. 10" H x 8 1/2" W.

Chinese carved gourd cricket cage, with carved bone top. On wooden stand. 3 1/2" H, with stand 4 1/2" H.

Chinese gourd cricket cage with carved agate top. On wooden stand. 5 1/2" H, with stand: 6 1/2" H.

Chinese carved gourd cricket cage, with carved jade top. On wooden stand. 6 1/2" H, with stand 7 1/4" H.

Chinese carved gourd cricket cage, with carved wooden top. On wood stand. 5" H, with stand 6 1/2" H.

Chinese gourd cricket cage, with carved bone top. On wooden stand. Top broken, most pieces present. 4 1/4" H, with stand 6 1/4"H.

Pierre Alechinsky (Belgian, b. 1927) bronze medallion for the Festival of Autumn 1973 in Paris. Snake motif on one side, inscription to the reverse. Signed below the snake. Stamped on the edge 1973 Bronze. 2 5/8" diameter. Scratches to the edge, scratches to the side with inscription.

Attributed to William Bernstein (American, born 1945) modernist ceramic sculpture. Titled " I Eat Apple Pie, Kill a Commie for Christ". Apple pie resting on irregular form plinth with "kill a commie for Christ" around plinth. Unsigned. Remnants of glue on empty apple pie, one ceramic "pie crumb" is loose. 24" H x 6" L x 5 1/4" W

William Bernstein (American, born 1945) untitled Modernist sconce. 1967/1968. Hammered brass and copper, bulbous form blown green glass, electrical fittings. Sconce has been tested and works. Marked "GC 55918" on side. Wear and oxidation to patina throughout piece. Wear to electrical cord. 7" H x 18" L x 11 1/2" W

Niki de Saint Phalle (French / American, 1930-2002.) "Nana", 1968. Screenprint on inflatable plastic. Signed in ink on the reverse, with printed "Niki de Saint Phalle 1968", "Nana by Niki" and "MFD by Marlo Plastic, B/Klyn, N.Y." From the original 1968 edition by Marlo Plastics, New York. Wear and small losses to screenprinting on green and white ink. 5" H x 17" L x 15" D

Franco Mondini-Ruiz (American, b. 1961). Plastic and stainless steel spoon sculpture, Mestizo Meltdown. Signed, titled and dated 2013 on the underside. 6" L. Wear to spoon handle.

Jeff Koons (American, born 1955). A model replica of the 2010 BMW M3 GT2 Koons designed for BMW, featured in the BMW Museum. With original boxes, packing material and two books on the BMW Art Car Collection. Car on stand : 4" H x 13 1/4" L x 18 1/4 W With all in original shipping box: 10 1/2" H x 16 1/2" L x 10 1/4" D

Jeff Koons (American, born 1955). A model replica of the 2010 BMW M3 GT2 Koons designed for BMW, featured in the BMW Museum. With original boxes, packing material and two books on the BMW Art Car Collection. Some very faint score lines to top of Art Car box. Car on stand : 4" H x 13 1/4" L x 18 1/4 W With all in original shipping box: 10 1/2" H x 16 1/2" L x 10 1/4" D

Roy Lichtenstein (American, 1923-1997.) Model of the BMW 320i Gruppe 5 Rennvision car Lichtenstein designed in 1977. 1:18 scale model. With original box, shrink wrap, packaging materials and book on the BMW Art Car Collection. Tears, folding, and wear to box. Model: 4 1/2" H x 13 1/4" L x 8 1/4" Box: 9 1/2" H x 15 1/2" L x 10" D

Sergio Bustamante (Mexican, b. 1949) resin sculpture, human head with butterflies. Signed. 12 3/8" H. Slight discoloration around the eyes and eyebrows.

Takashi Murakami X MoMA DOB-kun dark blue painted cast vinyl figure, 2019. Impressed on the underside: Instinct Toy MoMA 2019. Kaikai Kiki Sculpt. Digital Sculpting by A.S & Y.O. With original box. 9"H x 7" W x 4"D. Minor crease to paper box top insert.

Ai Weiwei (Chinese, b.1957) LEGO set from @Large Ai Weiwei on Alcatraz, 2014. Surplus bricks from the Trace portraits, with pin. Plastic container, signed on the front, sealed with zip tie. 4 1/4" L x 3 1/4" W x 4 1/2" H. Top panel slightly warped. With 2 exhibition cards. Indentation, wear to the edges on cards.

Damien Hirst (British, b. 1965) Pharmacy restaurant matchbook and coaster. Matchbook 6 in a series of 60. Coaster: 3 3/4" diameter. Minor discoloration and wear to both.

Cary Leibowitz / Candy Ass (American b. 1936) Ye Olde CandyAss ceramic mug and A Poem for End of 2018 by Cary L. silkscreen fabric tote. Tote bag signed in ink. Tote bag: 13 1/2" x 13 3/4".

Exonemo art duo; Sembo Kensuke (Japanese, 20th century) and Akaiwa Yae (Japanese, 20th Century). Racial Dice, 2017. Sold at the Internet Yami-ichi (Black Market) in Brussels, Belgium and Nada Art Fair in New York. Plastic dice with printed baby emoji heads. With original paper box and inserts. Labeled on the lid and signed in ink by the artists Box: 2" L x 2" W x 1 1/2" H.

Jeff Koons (American, New York, b. 1955). Tulip bottle topper for Kiehl's, 2012. Painted plastic. From a limited edition co-published by the artist and Kiehl's, benefiting The Koons Family Institute. With original Kiehl's + Jeff Koons pink paper box. Bottle topper: 2" H x 1 3/4" H. Kiehl's + Jeff Koons box: 3"L x 3" H x 3"W. Slight scratching to the underside of topper.

Jeff Koons (American, New York, b. 1955). Tulip bottle topper for Kiehl's, 2012. Painted plastic. From a limited edition co-published by the artist and Kiehl's, benefiting The Koons Family Institute. With original Kiehl's + Jeff Koons pink paper box and Kiehl's fitted box with inserts. Bottle topper: 2" H x 1 3/4" H. Kiehl's + Jeff Koons box: 3"L x 3" H x 3"W. Fitted box: 7 1/2" x 7 1/2" x 3 1/2" H. Slight scratching to the underside. Bubbles to the top of the topper.

Jeff Koons (American, New York, b. 1955). Tulip bottle topper for Kiehl's, 2012. Painted plastic. From a limited edition co-published by the artist and Kiehl's, benefiting The Koons Family Institute. With original Kiehl's + Jeff Koons pink paper box and Kiehl's fitted box with inserts. Bottle topper: 2" H x 1 3/4" H. Kiehl's + Jeff Koons box: 3"L x 3" H x 3"W. Fitted box: 7 1/2" x 7 1/2" x 3 1/2" H. Slight scratching to the underside.

Jeff Koons (American, New York, b. 1955). Tulip bottle topper for Kiehl's, 2012. Painted plastic. From a limited edition co-published by the artist and Kiehl's, benefiting The Koons Family Institute. With original Kiehl's + Jeff Koons pink paper box and Kiehl's fitted box with inserts. Bottle topper: 2" H x 1 3/4" H. Kiehl's + Jeff Koons box: 3"L x 3" H x 3"W. Fitted box: 7 1/2" x 7 1/2" x 3 1/2" H. Slight scratching to the underside. Bubbles to the top of the topper.

After Jeff Koons (New York, b. 1955) 5 balloon dog ornaments. Glazed ceramic. 2 red, 2 gold and 1 long eared silver dog. Gold dog: 3 1/2" L x 1 1/2" W x 3 1/4" H. Scratches to the body of each. Firing imperfections to the front feet of the silver dog.

Robert Rauschenberg: A Retrospective book. 632 pages with 490 full color and 245 black and white reproductions. Published by the Guggenheim Museum, 1997. Printed in Germany by Kantz. Signed by the artist in marker on the title page. 11 3/4" x 10". Scratch to dust jacket on the spine.

An Autobiography by Richard Avedon book. Published by Random House, 1993. Signed and dated in marker on the first page. In plastic slip case. With original shipping box. Tape and inscription to the shipping box. Discoloration to shipping box.

Ficciones by Jorge Luis Borges book. Published by Limited Editions Club, 1984. Designed by Sol LeWitt. 22 silkscreen plates by Jo Watanabe after drawings by LeWitt. Printed by the Anthoensen Press. Bound in black cowhide, lettered on spine. Paper slipcase. Edition 1496 out of 1500. Signed and numbered on the last page by LeWitt in pencil. 8 1/2" x 8 1/4". Scratches and handling marks to the cover. Slipcase showing shelf wear.

Matt Groening cartoon book, "Love Is Hell", published by Matt Groening and Deborah Caplan, 1984. Creases to the corners. 12" x 12".

4 copies of Yarrowstalks magazine issue No. 2. Published July 1967, co-edited by Brian Zahn and David Auten. Featuring the art of Robert Crumb, Arnie Hendrickson, Bonnie Williams, and other underground artists. With Yarrowstalks stamp on Spencer Zahn letterhead. Some wear and foxing to pages. Upper right corner fold on one issue. Slight staining to cover of one issue. Each 15" x 10 1/2"

Brian Zahn (American, Philadelphia, 20th century) and Robert Crumb (American, Philadelphia, 1943). Yarrowstalks issue number 3, circa 1967. 8 page newspaper with art by R. Crumb and 1 page of advertisements. Predating Zap Comix # 1, Yarrowstalks # 3 is considered Crumb's first published solo comic book. 15 3/4" x 11 1/4". Minor discoloration, minor creases and roughness to edges and corners, approximately 1/2" tear to edge of last page.

4 copies of Yarrowstalks issue No. 10. Published Spring 1974 by Brian Zahn. Featuring the art of Robert Crumb, Eric Blake, Paul Carlin, and other underground artists of the period. Cover artwork by Spencer Zahn. One cover signed by Spencer Zahn. Some wear and foxing to pages. 11" x 8 1/2"

Two Yarrowstalks tantric art exhibition posters. American, Philadelphia, 1970s. Offset lithography on luminous paper. Center fold to one, tattering to paper edges and folded upper left corner, tear to one. 20" x 26"

Andy Warhol (American, New York, 1928-1987) Offset lithograph. S & H Green Stamps,1965. From the edition of 6000 invitations. 22 3/4" x 22 5/8". Crease from folding and storage, minor crease to edge. Additionally a copy of 40 years at the Institute of Contemporary Art, University of Pennsylvania, 2005. With ICA orange metal admission button and signature of Claudia Gould. 3 pamphlets from the 2011 That's How We Escape: Reflections on Warhol exhibition at ICA.

Robert Rauschenberg (American, 1925-2008). Offset lithograph and screenprint titled Rays. Pencil signed and numbered 35/95, lower left. 53" x 39". Unframed. Dated 1973 in pencil on verso, with Printed at Styria Studio stamp on verso.

Ai Weiwei (Chinese, born 1957). "Wanted". 2014. Pigment print on poster paper. Creases, loss to pigment, remnants of rubber band upper left, losses to pigment upper right. Remnants of tape on verso. Unframed sheet size: 24" x 20"

Banksy (English, b. 1974) Two "difaced tenner" pound notes. English, 21st Century. Offset lithographs of 10 pound English banknotes with modifications including "TRUST NO ONE", "Dismaland", and the inclusion of Princess Diana's face instead of Queen Elizabeth's. One note is signed across Princess Diana's chin. 3" x 5 3/4"

Gilbert and George (Italian and English, born 1943 and 1942 respectively). Offset lithography on paper. 2017. Six posters for "The Beard Pictures and their Fuckosophy" exhibition. All six signed by Gilbert and George lower right. Some slight folds to corners and slight edge crimping. Unframed sheet size for vertical posters: 35" x 23 1/2" Unframed sheet size for horizontal posters: 23 1/2" x 35"

Two Walt Disney Productions dye transfer prints after original cels. American, 1937 and 1938. Prints of Snow White singing to woodland animals and Donald Duck with his soul. "W.D.P." and "COPYRIGHT 1937 BY WALT DISNEY PRODUCTIONS" printed lower left (Donald Duck print from 1938.) Some slight crimping and foxing to edges, Donald Duck print has slight fold upper left. Tears along edges. Sight: 8" x 10" Matte: 13" x 15"

Fred Laswell (American, 1916-2001). Barney Google and Snuffy Smith original comic strip art. American, 1979. Ink on paper. Signed in title panel and last panel lower left. Crack to glass, wear to frame. Sight: 15" x 21 2/4" Frame: 20 1/4" x 26 1/2"

Spencer Zahn (American, Philadelphia, contemporary). Print on poster paper. Concert poster for Grand Funk Railroad and Small Faces with Rod Stewart, Eric Burdon and War. 1970. Signed by Spencer Zahn in lower left. Inscription by Spencer Zahn on verso. Wear and loss to upper right of black frame. Paper backing slightly torn. Sight: 23 1/4" x 15 1/2" Frame: 26" x 18"

Spencer Zahn (American, Philadelphia, contemporary). Original digital photography on paper collage and artist's proof color print on paper from collage. With foamcore backing board containing notes from Spencer Zahn. 2001. Photo collage of Band du Lac, a celebrity all-star band founded by Gary Brooker. The band's lineup revolves but in 2001 consisted of Gary, Eric Clapton, Mike Rutherford, Andy Fairweather-Low, David Bronze, and Paul Wickens. Artist's proof print contains names of each band member and is signed by Spencer Zahn lower right. Foamcore board lists names of band members. Tear to top edge of photo collage. Collage: 20" x 25 3/4" Photocopy: 10" x 23" Foamcore board: 20 1/2" x 26 1/4"

Jimi Hendrix Fillmore Auditorium concert poster, designed by Hapshash and the Coloured Coat, 1967. Yarrowstalks edition. Lithograph on paper. Small tear to upper left edge of poster, 1/2" tear along left side, misprinting to lower center. Yarrowstalks stamp and signed by Brian Zahn in ink on verso. Unframed sight size: 29 3/4" x 19 3/4"

Eric Isenburger (Germany 1902-1994) Pastel on paper. Still life of flowers. Signed lower left "Isenburger". With tag "#10 'Splendor of Decay' Pastel Eric Isenburger". Paper is wavy, small tears along left edge, minor creasing to edges. Image 26" x 16".

Eric Isenburger (Germany 1902-1994) Pastel on paper. Still life of flowers. Signed in pencil center bottom "Isenburger". Tag on verso "'Hibiscus' Pastel Eric Isenburger". Paper appears wavy under glass. Burlap mat has staining around four sides of image from possible water damage. Lower left tear in burlap. All four sides of frame are loose and have wood loss. Not examined outside of frame. Image 19 1/2" x 13". With frame 25 1/2" x 19 1/2".

Entang Wiharso (Indonesian, 1967). Oil on canvas "Cage and a Portrait", signed and dated 1997 upper right. Sight size: 47" x 57" Frame size: 59 1/2" x 49 3/4"

Mylo Quam (American, North Dakota / Woodstock, NY, 1941-1996). Oil on canvas panel, Avatar. Signed upper right. Titled and dated 1979 on verso. 30" x 21" (with frame: 30 1/2" x 21 1/2"). Scratches to the wood frame.

Mylo Quam (American, North Dakota / Woodstock, NY, 1941-1996). Mixed media, oil and cut paper collage on wood panel, For Ganesh. Signed upper left. Titled on verso. 48" x 41" (with frame: 52 1/2" x 45").

Mylo Quam (American, North Dakota / Woodstock, NY, 1941-1996). Oil on canvas, Sea Lady. Signed lower left. Titled and dated April 1987 on verso. 52" x 40" (with frame: 52 1/2" x 42").

Mylo Quam (American, North Dakota / Woodstock, NY, 1941-1996). Mixed media, oil and cut paper collage on wood panel, Masks. Signed upper right. Titled and dated May 1987 on verso. 30" x 37" (with frame: 30 1/4" x 37 1/4"). With a framed exhibition poster, Mylo Quam New Paintings at the Ann Leonard Gallery. Signed in ink lower left.

Mylo Quam (American, North Dakota / Woodstock, NY, 1941-1996). Mixed media, oil and cut paper collage on wood panel, Bodhisatva. Signed center left. Titled and dated Jan 1 1992 on verso. 33" x 26" (with frame: 33 3/8" x 26 3/8").

Bruce Sheftel (20th Century) Fuji crystal archival print, Veronique. 30" x 40". Signed and dated on verso in marker.

Ilse Bing (German, 1899-1998). Silver gelatin print of Washington Heights covered in snow. Signed upper left "Ilse Bing 1948" and on verso "Ilse Bing 1948". Photograph is glued to cardboard backing. Lower left of photograph has tape residue. 8 7/8" x 13".

Jeffrey Weisel (American, 20th Century) 4 silver gelatin prints mounted on board. Signed and dated 1991 in ink under mat. Prints: 7 3/4" x 11 1/2". Frame: 17" x 20".

Jeffrey Weisel (American, 20th Century) silver gelatin print. Signed and dated 1993 in pencil on verso. Print: 7 1/2" x 7 1/4". Frame: 15" x 15" .

Jeffrey Weisel (American, 20th Century) silver gelatin print. Signed and dated 1993 in pencil on verso. Print: 7 1/4" x 10 1/4". Mat: 16" x 20". Waviness to the print, indentations to the center of the print. Creasing to each of the corners.

Trolley car bench. American, early 20th century. Metal feet and curving supports, finished oak seat. Back of seat moves from front to back, designed to support oncoming passengers from either side of the trolley car. Wear and scratches throughout bench. 30" H x 84" L x 18" W

Leathercraft Chesterfield style tufted armchair. American, late 20th century. Burgundy leather, brass studs and tacks, tufted seat and back. Wear and slight cracking to top of chair, slight scuffs to feet. 42" H x 33" L x 30" W

4 L. & J.G. Stickley / E.J. Audi (1974-). Spindle back dining chairs of quarter sawn oak. "Stickley" branded stamp and "March 17 1998 #32" brand. Rubbing and stain loss throughout. Fabric cushions have pilling. 46" H x 19" L x 18" W

L. & J.G. Stickley / E.J. Audi (1974-). Two door quarter sawn oak bookcase. Through tenons and hammered copper hardware with key. Marked with round metal tag. Water stains to top. 55" H x 49" L x 12" D

L. & J.G. Stickley / E.J. Audi (1974-). Paneled Prairie form of quarter saw oak. Stickley brand and Stickley round metal tag. wear and dents. Back corner of arms dented. Pilling to cushions. 29" H x 84 1/2" L x 37" D

L. & J.G. Stickley / E.J. Audi (1974-). A reproduction of a Harvey Ellis (Rochester 1852-1904) sideboard number 800. Marked inside of drawer with a "Stickley" brand, circular metal tag and paper label. Top has water damage from glasses and stain loss. Top corners are damaged. Backboard has two holes drilled into it. Lower shelf has scratches. 43" H x 54" L x 21" D

L. & J.G. Stickley / E.J. Audi (1974-). Floor lamp with leaded glass shade. Branded "Stickley" mark. 58 1/2" H x 18" length of shade

Stickley Associated Cabinet Makers (New York, 1916-1919). Closed arm quarter sawn oak Morris chair. Round sticker label. "Stickley Syracuse & Fayetteville N.Y." Replaced seat and back cushions. Wear to paddle arms with stain loss. Front stretcher has color loss to stain and dents. Bottom of legs have stain loss dents and scratches. 42" H x 32" L x 35" W

Stickley Brothers (Grand Rapids, MI, 1891-1954). Morris chair of quarter sawn oak. Replaced leather cushions. Metal "Quaint Furniture" tag. Branded "430-788". Wear to top rail of back. All legs are worn, dented and missing small pieces especially near floor. Paddle arms are worn with stain loss. Leather has creases with a long mark in front of the seat cushion. Circa 1910. 39" H x 27" L x 22" W

Dunbar side table in the style of Edward Wormley (American, 1907-1995). Berne, Indiana, 20th century. Mahogany, circular top, Arts and Crafts form, four square stock legs. Dunbar label on underside of top. Some light wear to feet. 18" H x 27" diameter

Limbert Furniture style library desk. American, early 20th century. Quartersawn oak, block legs, one drawer, two shelves for storage on either side. Some wear to desktop, scuffing to each foot, some minor wear and losses around drawers. Block feet slightly loose from top. 28 1/2" H x 42" L x 26" D

Indo Persian armor and spears. 18th Century. Indo Persian Kulah Khud steel battle helmet, shield and two spears. Helmet engraved with floral pattern at the top and with script around the edge. Chain mail detached at the back, links missing throughout. Spike detached at the top of the helmet. Pitting and wear to the surface of the helmet. Shield with 5 suns in the center with flora and fauna engravings. Wear to the embellishments and inlays. Illegible label soldered to the interior of the shield. Spears with striped wood and steel heads. Heads are loose from spears. Wear and losses to museum-style base. Helmet: 20" H x 7 3/4" Diameter. Spears: 58 1/2" H Shield:19 1/2" Diameter. Overall: 60" H x 24" L x 12" width of base

Early settler's knife, round pole hatchet (circa 1720-1780, NY state), Marchand Paris day & night signal glasses and Dietz bullseye police oil lantern / flashlight. Hatchet has "JV" stamped twice on blade. Marchand binoculars, leather seam is separated on left lens and leather is worn on the binoculars. Dent to right bottom lens and separation of leather to left lens. Some wear to finish on Dietz police lantern. Lantern: 8 3/4" H Knife: 11 3/4" L Hatchet: 6 1/2" L Marchand Binoculars: 7" H

Revolutionary war hanger sword with leather scabbard. Scabbard is worn, partially separating and the top and bottom are missing. Overall: 24 3/4" L Blade:20 3/4" L

US Civil War cavalry sabre with chain. With Mansfield & Lamb mark and stamped date 1864. Blade: 34 3/4" L Overall: 42 1/4" L

2 French bayonets. Blades engraved St. Etienne 1878. Blades and scabbards are numbered. Overall: 25 3/4" L Blade: 20 1/2" L

2 bayonets. One possibly a British P1876 Martini Henry socket bayonet made for the Anglo-Zulu War of 1879, with a scabbard. One unmarked. British blade has rust near the tip and portions of the blade. The scabbard is worn and splitting. British Overall: 25 3/4" L British Blade: 21 1/2" L

.75 caliber gun. 41 1/4" barrel. European percussion musket stamped 1835 on lock. Prussian Potsdown musket, originally a flintlock. Breech has been replaced with a percussion breech .75 Caliber Can be fired with round ball, buck or a combination. Shows signs of wear.

41 1/4" barrel .42 caliber percussion, could have been converted from flintlock. Hammer appears battered and changed. No visible markings. Has rear sight, appears rifled. Typical of 1850s American.

Reproduction of a Kentucky type flintlock pistol - marked "XXIV PN" and "1827" "Made in ? - scraped up - mostly made in Italy or Spain. Rifled gun about .45 Caliber - 10 1/4" Barrel. Loaded with powder and patched ball, rear and front site.

Reproduction .45 caliber, no markings. European copy - possibly Spanish Not staying on full cock, may need work. 6 1/4" Barrel 12" long

British Muff .50 caliber pistol with trigger that folds up and comes down when cocked, needs some work. Screw ball pistol. 1810-1820s flintlock with stiff spring, not coming back to full cock. English Gunsmith Knubley. 6" Long

Underhammer .36 caliber American pistol - marked Bacon & Company, Norwich, CT - 44 Cast Steel. Pitting on cast steel. Typical of 1850s. 10" long

Remington .30 caliber Elliot D marked "Manufactured By E Remington & Sons, llion, NY" Late 1880s - referred to as the "Elliot Derringer" 5" Long

C Sharps 22 caliber four barrel pepperbox derringer, walnut grip, brass frame. Marked left and right sides "C. Sharps Patent 1859" and right side "C. Sharps & Co Phila PA." Serial number 13794 on bottom of grip. Overall: 5" L Barrel: 2 1/2" L

U.S. Haston .54 caliber percussion pistol, stamped US Haston with markings on handle. Marked MDD TN CONN, stamped, dated illegibly - possibly 1840s. With wood stand. Single shot. Replaced ram rod Barrel has slight rust stain on top. Overall: 14 1/2" L Barrel: 8 3/8" L

Spencer carbine, .52 caliber, with fixed front sight and rear ladder sight, saddle ring. Stamped "Spencer Boston" and other information below hammer that is faded. Serial number begins with "85" and is faded. Barrel has some wear. Overall: 39" L Barrel: 22" L

Steyr 1903 contract M95 straight pull rifle. Stamped "Steyr 1903", serial number 255G, pressed numbers on handle. De-milled with a cut away on the top of the crown. Overall: 50" L. Barrel: 35" L.

1862 Tower Enfield .577 caliber percussion rifle with Bayonet. Side plate stamped "Tower 1862" with crown behind lock, wood stock with fixed front sight and ram rod. Bayonet with leather cover and stamped "66 315" on brass sleeve. Overall with bayonet: 75" L Barrel: 39" L Rifle: 55 1/4" L Bayonet: 22 3/4" L

Remington new model army revolver, manufacturer's stamp on topside of octagonal barrel. Serial number 115601 stamped under barrel. Top strap was the basis of a modern revolver, fires 6 shots, loaded with powder and ball or paper cartridge. Can pop cylinder out and replace rather quickly to reload. Made towards the end of the Civil War for Union, marked 105601. Bore is strong. Cylinder tight when locks up. Some wear to barrel. Overall: 14 1/2' L Barrel: 8” L

Sharps / R.S. Lawrence .52 caliber lever action saddle ring carbine, with fixed front sight and rear ladder sight. saddle ring, walnut straight stock. Marked "R.S. LAWRENCE PAT APRIL 12TH 1859" and "C. SHARPS PAT OCT 5th 1852", Serial number O2579. Overall: 39" L Barrel: 22" L

British tower flintlock rifle, engraved GR with a crown on lock plate with "Tower" behind hammer. Birdseye maple. Break to birdseye maple under hammer, some wear to birdseye maple near front of barrel, hammer and trigger needs repair. Overall: 56" L. Barrel: 40 1/2" L This gun is an 18th century flintlock, with an English Tower flintlock.

Revolutionary War sundry table, from the state of Connecticut to the town of Windsor. Ink on parchment. Blanket list for recruits in the Continental army, dated May 12th 1787. 13" x 8" (with frame: 15 1/4" x 10 1/4"). Toning to the paper, creasing to the center.

Civil War discharge letter; Private from A Company, 3rd Regiment of New York Calvary Volunteers under Captain James R. Chamberlin. Enrolled June 13th, 1861 for 3 years. Discharged July 17th 1864 due to expiration of terms of enlistment. Letter received at Jones Landing, Virginia, July 17th 1864. Stamp upper right "$100 bounty paid, July 28, 1866. D. Robinson, Paymaster." Signed lower right. Inscribed lower left and upper right. 10 1/4" x 8" (with 13 1/2" x 11 1/2"). Toning and creasing to paper.

After Jeremiah Paul, Jr. (American, 1771–1820), mezzotint "The Washington Family". Edward Bell (British, 1794–1847), engraver. Published by Atkins and Nightingale, London and Philadelphia, December 1st 1800. Sight size: 12 1/2" x 16 1/2". Frame size: 22 1/2" x 26 1/4".

After Francis Bicknell Carpenter (American, New York, 1830-1900). Engraving "The First Reading of The Emancipation Proclamation Before the Cabinet". Alexander Hay Ritchie (Scottish, 1822-1895), engraver. Staining to lower left and some pieces missing from lining inside frame. Sight size: 21" x 32". Frame size: 31 1/4" x 41 1/2".

Blanche Ostertag (American, Missouri 1872-1915), Lithograph poster, "Reading of the Declaration of Independence before the Army in New York July 9th 1776". Signed, monogrammed and dated 1898 in the plate lower right. Sight size: 27" x 31 1/2" Frame size: 31" x 35 1/2"

Normal Rockwell (American, New York, 1874-1978), 1942 WWII poster, "Let's Give Him Enough and on Time". Signed in the plate center right. Circa 1942. US Government Printing Office 1942-0-468088. Light creases. Sight size: 28" x 39 3/4". Frame size: 32" x 44".

4 early 20th century cabinet cards. 4 Pach Brothers, New York. Possibly of an actress or opera singer. 1 large mounted print of the actress, titled lower center Grace Romaine. 2 Aime Dupont cabinet cards of an Opera singer. 1 inscribed "To Dear Little Lea from Tristan" signed illegibly, dated 1911. Residue to the bottom of each card, wear to edges, tear to lower left of Grace Romaine board. Creasing to the inscribed cabinet card. From the Estate of Albert Groll. Largest: 16" x 10".

Two letters from Judge Garvin to his daughter Caroline giving her signatures for her "book of signatures of distinguished people". The first letter and envelope has a letter from Herbert Putnam the longest serving Librarian of the Library of Congress to Judge Garvin. The second letter has with it a letter from Fiorello La Guardia to Judge Garvin appointing him to the Brooklyn Library Board. Also included are two letters from Herbert H. Lehman the 45th Governor of New York on New York State letterhead to Judge Garvin. An invitation for the New York State Democratic Delegation and Governor Herbert Lehman to an address on Inauguration day 1937. From the estate of Judge Edwin L. Garvin.

Judge Edwin Louis Garvin's ephemera from the inauguration of Franklin Delano Roosevelt. An envelope marked "Congress of the United States No. 1712 Inaugural Platform A". Written in pen on front of envelope "Mrs. William H. Good" (she delivered the package to Judge Gavin at his hotel). On verso the presidential seal. A small envelope from the Mayflower Hotel in Washington DC. On front in pen "Judge Edwin L Garvin Room 707. From Mrs. Good". On verso time stamped "Jan 19 11:00 PM". Rip to the envelope. Inside a smaller envelope matching the large envelope from Congress. Inside that smaller envelope a ticket to the Inauguration Ceremonies stamped by the Sergeant at Arms of the U.S. Senate Chesley W. Jurney. An invitation with the portraits of President Roosevelt and Vice President Garner. An Inauguration Ceremonies Program with red, white and blue ribbon. From the Estate of Judge Edwin L. Garvin.

Franklin Delano Roosevelt (New York 1882-1945). Three letters to Judge Edwin L. Garvin (New York 1877-1960). Two letters on green White House stationary from 1936. These are 9" x 7" and open up to 14" x 9". They are both on Whiting's woven linen paper and are watermarked with the Whiting's script logo. One letter on New York Executive Mansion letterhead from 1932. This leter is 11" x 8 1/2". Letter has tears and creases with loss around the edges. All three letters have been authenticated by PSA/DNA and come with the Letters of Authenticity. From the estate of Judge Edwin L. Garvin.

John Edgar Hoover (Washington DC, 1895-1972). One letter to Judge Edwin L. Garvin (New York, 1877-1960) and one letter to W. Coverly Fischer (American, 20th Century). Two letters on Federal Bureau of Investigation Letterhead from 1937. One is 9" x 6 1/2" and open up to 9" x 13". The response to this letter is typed onto the letter itself. There is an American eagle watermark on the paper. The second letter is 9 1/2" x 7" and has an American eagle watermark. Both letters have numerous folds and creases on them. Both letters have been authenticated by PSA/DNA and come with the Letters of Authenticity. From the estate of Judge Edwin L. Garvin.

Photos, cabinet cards, letters and CV of Albert Lorey Groll (American, New York, 1866-1952). Photos and cabinet cards. Handwritten letter by Groll. Typed letter titled "Artist's Letter to a Student." Letter from a Mexican prisoner to Albert Groll. Albert Groll's CV addressed to The Desert Magazine. From the Estate of Albert Groll.

Family photos, cabinet cards and photographs circa late 19th century to early 20th century. From the Estate of Albert Groll.

Dinner for Eugene Higgins by Samuel Shaw group photograph, 1933 Salmagundi Club New York. Inscribed "To Albert L Groll from Samuel T Shaw" in pencil lower center. Also included Letter to Albert Groll nominating him as the Chairman of the Art Committee, 2 exhibitions of members' oil paintings invitation cards, 1951 copy of the Salmagundian, and a get well letter to Albert Groll signed by members of the club dated 1936. Crease to center of photo, wear to edges. From the Estate of Albert Groll.

Photos from the collection of Albert Lorey Groll. Includes photos from Groll's New York Grand Central Art Galleries solo exhibition 1948, photos of Native American sites and Hopi and Navajo people. Also included are newspaper clippings of the exhibition and of his drawing "Navajo Squaw".

Travel and source photographs from New Mexico, Arizona, Utah. 3 Cartes de Visite, 1 inscribed by Groll upper left in pencil. From the Estate of Albert Groll.

Postcards, magazine clippings and prints from Italy, Prague, Paris and the American Southwest. Also included The Legend of Superstition Mountain by Hoomothya (Mike Burns). Published 1935 by Arrowhead Studios, Arizona. From the Estate of Albert Groll.

Ephemera from the estate of Albert Groll: 3 folios of press clippings, magazine articles, personal and professional correspondence, "The Stylus" Edited by Sadakichi Hartmann, "Franz Von Stuck " by Otto Julius Bierbaum 1901, Arizona Highways magazine 1948, catalogs from Groll's exhibitions, Academy of Art and Letters books for Alumni 1950-1952. Caricatures, a cartoon by WR Leigh dated 1927.19 Engravings from the Illustrated London News. Circa 1855-1864. Largest newspaper clipping folio: 20 1/2" x 12". Toning to most pages, tears to edges, creasing and loss to paper of some pages. From the estate of Albert Groll.

Albert Lorey Groll (American 1866-1952). Leather portfolio with approximately 58 images of Groll paintings. Some of the images are mounted on board and some have writing on the back indicating the title of the painting. 24 slides of Groll paintings with a receipt for borrowed slides. Sketch of a Southwestern scene attributed to Albert Groll. 1945 newspaper with an image of the painting "Groll" by Robert Philipp. 1859 London News two page spread of The Crystal Palace. A page from the art digest 1931. Photograph of Superstition Mountain by J.R. Willie. A photograph "Home of the Sagebrush" Peter A. Juley & Son. Certificate of Merit to Albert Groll from The Salmagundi Club January 1952. A photograph of an associate's painting to Groll signed illegibly. Image of ships signed lower left "Albert Petersen .35". A photograph of a group of late 19th century men. Portfolio back is separated. All newspaper clippings ripped and folded. Photographs of Groll artwork are in varying degrees of damage with rips, cupping and fading. Photograph of men in poor condition with tears and chips. From the estate of Albert Groll.

20 Albert Lorey Groll (American, New York, 1866-1952) pencil sketches of landscapes, flora and fauna. Most are signed lower left, A.L Groll, Groll. Toning to paper. 1 page is torn. Circa 1st quarter of 20th Century. Largest drawing: 13 1/4" x 10". From the Estate of Albert Groll.

3 Albert Lorey Groll (American, New York, 1866-1952) oil on board landscapes. All signed lower left, 1 signed AL Groll, 2 signed Groll. Each: 3 1/2" x 5 1/2" (with frame: 6" x 8'). From the estate of Albert Groll.

Albert Lorey Groll (American, New York, 1866-1952) oil on board, Arizona Clouds. Signed lower right. Titled and signed on verso in pencil. Loss to paint center left and upper right. Scuff lower right. 8" x 11 1/4" (with frame: 13 1/4" x 16 1/2"). From the estate of Albert Groll.

Albert Lorey Groll (American, New York, 1866-1952) oil on board, Arizona Desert, Rain Shower. Signed lower left. Titled and signed on verso in pen. Loose in frame. Crazing to paint throughout. Restoration to clouds. Toning to paint. Sight: 7 1/4" x 9 1/2" (with frame: 12 1/2" x 14 1/2").

Albert Lorey Groll (American, New York,1866-1952) oil on board, Monument Valley Utah. Signed lower left. Together with two photographs from the collection of the artist. 24 1/2" x 29 1/2" (with frame: 30 1/2" x 35 1/2"). Relined. Re-varnished. Restoration to the sky. From the estate of Albert Groll.

Albert Lorey Groll (American, New York, 1866-1952) oil on canvas, landscape. Signed A.L Groll lower left. Inscribed on verso in paint. Sight: 7 1/4" x 9 1/4" ( with frame: 10 1/4" x 12 1/4").

4 Albert Lorey Groll (American, New York, 1866-1952) etchings. "The Lone Cedar, New Mexico" signed in pencil lower left. Hopi Village signed in the plate. Christmas card signed lower right in pencil. 1 etching unsigned. The Lone Cedar: Sight: 8 1/2" x 10 1/4". Frame: 14 1/4" x 16 1/4". Unsigned etching is torn. Tape residue to 2 prints.

Portrait of Albert Lorey Groll (American, New York,1866-1952) oil on canvas. Unsigned. 11 1/4" x 8 1/4" (with frame: 15 1/2" x 12 1/2").

Emil Carlsen (Danish-American, 1853-1932) oil on board, J. Alden Weir's House. Signed lower right with inscription "To my friend Groll, Emil Carlsen". Signed, titled "J Alden Weir's House" and dated 1907 on verso. Crazing throughout. Framed and behind glass. Sight: 7 1/2" x 9 1/2" (with frame: 11" x 13 1/2"). From the Estate of Albert Groll.

Patricia Groll-Tyler (20th century) oil on canvas. Titled on verso in pencil "Polynesian One". Unsigned. 20" x 10" (with frame: 21" x 11 1/4".) Crazing to the paint upper right, loss to frame lower right and left. Loss to paint lower left. From the Estate of Albert Groll.

Patricia Groll-Tyler (20th century) oil on canvas Seated Man. Signed Groll-Tyler and dated on verso, Feb 1961. 36" x 30". Wear to paint edge of canvas, wear to paint lower center. From the estate of Albert Groll.

Patricia Groll Fischer (20th century) oil on canvas, Clipper Ship. Signed lower right. 25 1/2" x 29 3/4" (with frame: 29 1/2" x 35 1/2"). From the estate of Albert Groll.

Patricia Groll-Tyler (20th century) oil on canvas Jesus. Signed on verso in pencil, Groll-Tyler. 21 1/2" x 18 1/2" (with frame: 29 1/4" x 20 1/4"). Wear to paint upper left and right. From the estate of Albert Groll.

Patricia Groll-Tyler (20th century) oil on canvas. In the style of Francis Bacon. Signed lower right Groll-Tyler and dated 62. Inscribed on verso and dated, P. Groll-Tyler and Groll-Tyler 1962. 29 3/4" x 35 1/2" (with frame: 30 3/4" x 36 3/4"). Chip to frame center right and lower left. From the estate of Albert Groll.

9 pen and ink drawings. Attributed to Albert L. Groll's descendent Bill Groll. Largest drawing: 11" x 8". Toning to paper, tears and water damage throughout. From the Estate of Albert Groll.

15 charcoal and graphite drawings. Circa late19th century to early 20th century. 2 illegibly inscribed lower right. Toning to paper. Charcoal drawings with tears to edges of paper. From the Estate of Albert Groll.

Photogravures, engravings and etchings. After artists Henry Wolf, Eugene Higgins, Oliver Hall, William Shuster, Jack Van Ryder, Karl Lorenz Rettich, Charles Pinet, Wilhelm Frank. 2 prints after Albrecht Durer. 1 print after Arnold Bocklin. Henry Wolf engraving signed in pencil lower left. Jack Van Ryder etching signed in the plate and dated 1929. Oliver Hall dry point engraving signed in the plate and titled Windy Day lower left with The Studio London blind stamp lower right. Man against a wall lithograph signed in the plate L Morow. Photogravure of a landscape with Eastman WD Platinum blind stamp lower left. George Otis Hamlin Christmas card etching signed and dated in the plate John Sloan 1925. Rue Damiette and Fontaine Du Gros Horloge with artist credit lower right, Eau Forte Par Ch. Pinet. Wilhelm Frank self portrait etching signed in pencil lower right. Karl Rettich engraving: Plate: 9 3/4" x 7. Paper: 13 1/2" x 10". Wear to corners, tears to margins. Toning to paper. From the Estate of Albert Groll.

6 paintings: 4 oil on canvas board, 2 watercolors. Watercolor signed in pencil lower right, H.F Temple. 1 landscape on board signed in pen and dated A.L Groll 1946. Watercolor on board monogrammed AG and dated 1885 lower left. Framed oil on canvas signed illegibly lower left and dated 1893. 2 oils on board unsigned. From the Estate of Albert Groll. Largest painting: 9 1/4" x 12". Yellowing of varnish, 1 painting with tears to upper left, bottom right and left. Loss to paint.

Stow Wengenroth (American, New York, 1906-1978) lithograph. Signed in pencil lower right. From an edition of 55, lower left in pencil. 12 1/2" x 17 3/4" (with frame: 18" x 22 1/2"). Foxing to paper. From the Estate of Albert Groll.

Stow Wengenroth (American, New York, 1906-1978) lithograph. Signed in pencil lower right. From an edition of 45, lower left in pencil. 16 3/4" x 12" (with frame:18" x 22 1/2"). From the Estate of Albert Groll. Foxing to paper. Loose in frame. Frame: 23 1/4" x 18 1/2".

Stow Wengenroth (American, New York, 1906-1978) lithograph. Signed in pencil lower right. From an edition of 45, lower left in pencil. 11 3/4" x 16 3/4" (with frame: 18" x 22"). Foxing to paper. From the Estate of Albert Groll.

2 Albrecht Durer (German, 1471-1528) engravings. Portrait of Willibald Pirckheimer, with inscription: "Likeness of Willibald Pirckheimer at age 53. the mind endures, all else is mortal". Monogrammed lower right, on laid paper with figural watermark center right. Coat of arms, monogrammed lower right. Van Gelder Zonen watermark to the right edge. Willibald Pirckheimer: Plate: 8" x 5". Paper: 11 1/4" x 9". Toning to paper and water damage to both pages. From the Estate of Albert Groll.

Sir Hubert Von Herkomer (Bavarian-British, 1849-1914) Study of an Arab Head. Mixed method engraving called Herkomergravure. Created by the artist in collaboration with Norman Hirst (1862-1955). Monotype with hand applied ink to a lithographic stone. Signed and dated 95 in the plate. Plate: 9 1/8" x 7 1/8". Paper: 12" x 9". Tears to the margins. Crease to lower right. From the Estate of Albert Groll.

4 double page lithographs, Bible by Marc Chagall(French, 1887-1985) for Derriere Le Miroir, 1954. Nos. 66-67-68. Edition: Pierre a Feu. Editor: Aime Maeght. Each inscribed in pen "Property of Mrs. Patricia Groll Tyler." and dated "Paris, May, 1958" on verso. 1 print after Chagall, The Lovers by Harvey Hutter & Co, Inc. Stamped on verso. 1 Lithograph: 15" x 11". Tape residue, wear to paper of each lithograph. Wear to paper on verso of The Lovers print. From the estate of Albert Groll.

2 Chinese scrolls, ink on paper. Tiger in a landscape, verse upper left with red stamp underneath. Landscape with verse upper right with red stamps underneath. Inscription to edge of tiger scroll: "Property of Patricia Tyler Groll. Purchased in a Shanghai shop, September 1957." Tiger Scroll: 42 1/4" x 26 1/4". Loss along the edges, water damage to right side of scroll, creasing to the scroll. Water damage to upper right , tears to the edges of landscape scroll. From the estate of Albert Groll.

3 Chinese landscape scrolls, ink on paper. Each with verse upper left and red stamp underneath. Largest scroll: 62 1/4" x 17". Tears to scroll. 1 scroll with loss to paper center left. Toning to paper, wear to edges. From the estate of Albert Groll.

2 Chinese landscape scrolls, ink on paper. Each with verse upper left and red stamp underneath. Largest scroll: 79" x 19". Loss to paper along edges of both scrolls. Water damage to 1 scroll, lower right and left. From the estate of Albert Groll.

2 Chinese landscape scrolls, ink on paper. Both with verse upper left with chop mark underneath. Largest scroll: 69" x 19 1/2". Toning to paper, tears to edges, water damage, tape residue to each scroll. From the estate of Albert Groll.

Persian glazed ceramic vase. Blue and white tin glaze. With paneled and scroll decoration. 14 1/4" H x 6 1/4" top diameter. Firing imperfections, 2 chips to the bottom rim, flake to top rim of vase. Deep crazing to the top of vase. Discoloration to the glaze.

Anna Marie Valentien (German-American, 1862-1947) modeled mat figural vase for Rookwood Pottery circa 1901. Signed and dated on the underside AMV, 14 flame mark with I and 127 Z . With Lillian Nassau invoice dated 1967. 2" H x 2 1/4" top diameter. Line to vase. Marks to face of figure and underside of vase. From the estate of Albert Groll.

Brush McCoy woodland pottery vase. Inscribed Cusick along the rim of the base. Form number 09 on the underside. Circa early 20th century. 12" H x 6" base diameter. From the estate of Albert Groll. Crazing to the glaze throughout. Glaze bubble to the base. 2 chips to rim of the vase

Van Briggle matte blue pottery vase. Inscribed on the underside, "Van Briggle 20". 7" H x 2 " base diameter. Roughness along bottom edge. From the estate of Albert Groll.