Burton Dunbar said it best in his foreword to the book “The Oak Street Mansion” when he says of Roland Sabates: “He tells us something about himself as well – his passion for collecting, his thrill at the discovery of an artwork new to the market, and his intuitive ability to acquire the best examples of an artist’s work. It’s hard not to see these abilities of critical observation as being directly related to the man’s clinical skills as a renowned ophthalmologist.” Roland and his wife Marcia have collected works by Kansas City artists over many years. The quality, condition and variety of works is all top notch. Some of the artists represented include Wilimovsky, Benton, Millet, Lockwood, Kraft, Hamil, Cofran and dozens more. Many of the artists had connections to the Kansas City Art Institute as either students, instructors or both. Roland has authored two books on art titled “The Life and Art of Charles A. Wilimovsky: Forgotten Master” and “The Oak Street Mansion – The History, Art and Sculpture of Kansas City’s Small Art Hotel” (we've abbreviated this to OSM throughout the catalog ) , and we would consider him ahead of his time, with the renovation of an historic property as an Art Hotel as the reason why. Many of the works being sold have been published in one of these books and a copy of that book will be included with the art.

Bidding is pretty simple, particularly if you've bid in an online auction before, but here's a quick rundown on some features that may be unfamiliar: Each lot in the auction is scheduled to close approximately 30 seconds apart. For example, Lot 1 is scheduled to close at 7:00.00 pm central time. Lot 2 is scheduled to close at 7:00:30, Lot 3 is scheduled to close at 7:01:00, Lot 4 is scheduled to close at 7:01:30. Soft Close The auction software has a "soft close" feature so that if a lot is bid on in the final three minutes before that particular lot is scheduled to close, that lot extends for another three minutes. For example, say Lot 10 has one minute left before it closes and a bid is placed on it: Lot 10's time will extend to four minutes. Then if Lot 10 ticks back down to two minutes remaining and another bid is placed, then Lot 10 will extend to five minutes. As long as active bidding is occurring in that final three minute window, it will keep extending that lot's time. This does not affect any other lots in the auction, just that particular lot. High bids and maximum bids: Bidders can place maximum bids which remain secret; the system will only bid up to the competitive bids and show that number as the high bid. For example, if your maximum bid is $100 and the next highest bidder's maximum bid is $40, then you would be the high bidder at $45. If bids go past your maximum, you'll be notified by email that you've been outbid and can then bid again if you choose. If two bidders happen to have the same maximum bid, then the first bidder at that value is shown as the high bidder. Buyer's Premium is 15%.

If you require shipping for your items, please let us know. Many of our non-local bidders have local friends or family pick their items up for them, or travel to Kansas City themselves for pick up, so we never assume a non-local address needs shipping. We work with a local UPS franchise that picks up the items for packing and shipping. They will contact you directly to discuss shipping options and costs, and then you will pay them directly. You can contact them for estimates before the auction closes: 913-722-1146 or email: store2923@theupsstore.com Local pick up dates for this auction are Tuesday December 11th and Wednesday December 12th from 9-4 at our office, 1070 Washington St., KCMO 64105. Please bring your own boxes and packing materials; we have none on hand.

Victor Czerkas (1914-2003) oil on canvas of Brousseau Mansion-Bunker Hill, Los Angeles painted circa 1960. Newer frame that measures 26 1/4" x 32 1/4". Found on page 38 of the OSM book. See Lot 1a for collection information.

Robert B. Green (1909-2007) taught art at the University of Kansas from 1946-79. This abstract is 17 1/2" X 23 1/2". Found on page 54 of the OSM book. See Lot 1a for collection information.

Doug Osa has a long record of shows across the country. He earned a bachelors in Fine Art from Kansas State University, a Masters of Fine Art in drawing and painting from the University of Kansas and studied at the Art Students League in New York City and also at the Kansas City Art Institute. This oil on panel is 12" X 16". Frame measures 17" x 21".

Charles A. Wilimovsky (1885-1974) oil on canvas of a Lake in the Forest is 15 1/2" X 19 1/2". Frame measures 19 1/4" x 23 1/4". This is featured on page 42 of "The Life and Art of Charles A. Wilimovsky: Forgotten Master". Charles was born in Chicago and first studied art at the Art Institute of Chicago. He met Thomas Hart Benton in 1907 and they became lifelong friends. At the Institute Charles studied under John Christen Johansen and William Merritt Chase. Charles then studied at the Julian Academy in Paris and later in Florence, Italy with Chase. He came back to the states in 1913 teaching at the Milwaukee State Normal School for one year. In 1914 he became the Painting Director at the Fine Arts Institute of Kansas City (Kansas City Art Institute). While teaching at the KCAI he taught Walt Disney, John Steuart Curry, Leroy Daniel MacMorris, Walter Bailey, Ralph Goltry and many more. In 1922 Wilimovsky moved back to Chicago and taught at the Art Institute of Chicago and then at the American Academy of Art. He was an "Active Member" of the Prairie Print Makers and of the Chicago Society of Etchers. In 1948 he moved to California and taught at the Art Institute of California in Los Angeles.

Roland "Kickapoo" Logan (1908-1984) oil on artist board in its original frame. Frame measures 18" x 20 1/4".

Richard Dean Turner (1935-2012) oil on canvas of golden daylilies. Richard was an antiques dealer who loved to paint. His art was basically unknown until his estate was sold in 2012. Frame measures 21 1/2" x 23 1/2".

Arthur Kraft (1922-1977) oil on canvas of "Stained Glass Madonna" that is 48" X 24". Found on page 67 of the Oak Street Mansion book. Please see lot 1a for collection information.

Arthur Kraft (1922-1977) abstract oil on canvas that is 24" X 32".

Phillip Roberts (1944- ) seated woman oil on canvas. Frame measures 21 1/4" x 17 1/2". Phillip received a BFA degree in painting from the Kansas City Art Institute, Kansas City, Missouri in 1972. He now works in the upper Northwest.

Phillip Roberts (1944- ) standing woman oil on canvas. Frame measures 23" x 18 3/4". Phillip received a BFA degree in painting from the Kansas City Art Institute, Kansas City, Missouri in 1972. He now works in the upper Northwest.

Jeannine Fallert "Trees Creating Shadow in Forest" acrylic on artist board that measures 20" X 24".

Phillip Roberts (1944- ) Daffodils oil on canvas is 24" X 18". Phillip received a BFA degree in painting from the Kansas City Art Institute, Kansas City, Missouri in 1972. He now works in the upper Northwest. Found on page 90 of the OSM book. See Lot 1a for collection information.

WJ Warwick "English Landscape", oil on panel measures 24" X 30". Found on page 112 of the OSM book. Please see lot 1a for collection information.

Richard Dean Turner (1935-2012) Oil on canvas of a pond in the forest. Richard was an antiques dealer who loved to paint. His art was basically unknown until his estate was sold in 2012. Frame measures 38 1/4" x 43 3/4".

Ernestine Parsons (1884-1967) painting of a Colorado landscape that measures 18" X 22". Not framed.

Richard Dean Turner (1935-2012) oil on canvas of a winter landscape. Richard was an antiques dealer who loved to paint. His art was basically unknown until his estate was sold in 2012. Frame measures 24 1/2" x 28 1/2".

Helen Hodge (1870-1958) untitled seascape oil on canvas that is 12" X 16" in original frame. Great colors.

Charles A. Wilimovsky (1885-1974) oil on canvas of Lake Salisbury. Frame measures 11 1/4" x 12 1/4". Charles was born in Chicago and first studied art at the Art Institute of Chicago. He met Thomas Hart Benton in 1907 and they became lifelong friends. At the Institute Charles studied under John Christen Johansen and William Merritt Chase. Charles then studied at the Julian Academy in Paris and later in Florence, Italy with Chase. He came back to the states in 1913 teaching at the Milwaukee State Normal School for one year. In 1914 he became the Painting Director at the Fine Arts Institute of Kansas City (Kansas City Art Institute). While teaching at the KCAI he taught Walt Disney, John Steuart Curry, Leroy Daniel MacMorris, Walter Bailey, Ralph Goltry and many more. In 1922 Wilimovsky moved back to Chicago and taught at the Art Institute of Chicago and then at the American Academy of Art. He was an "Active Member" of the Prairie Print Makers and of the Chicago Society of Etchers. In 1948 he moved to California and taught at the Art Institute of California in Los Angeles.

George Van Millett (1864-1953) untitled landscape is 5 1/2" X 9 1/2". There are a couple of clipped classified ads for different Millett paintings for sale at the time that this was on the market.

Cher Heller Olson "Winter on the Prairie", oil on canvas, 18" X 24".

Roland "Kickapoo" Logan (1908-1984) untitled Native American scene oil on artist board in its original frame. 15 1/2" X 12".

Roland "Kickapoo" Logan (1908-1984) untitled teepee scene oil on artist board in its original frame. 15 1/2" X 12".

John McMahon (1932-2007) Fish Market, oil on canvas that is 30" X 40". John was Willem de Kooning's main personal/studio assistant for many years. There is a 2" tear in the canvas. Found on page 77 of the OSM book. Please see lot 1a for collection information.

Helen Hodge (1870-1958) Rockbound Coast - The Pacific, oil on canvas that is 12" X 16". In original frame. Titled in pencil on the reverse under the paper. Found on page 57 of the OSM book. Please see lot 1a for collection information.

Walter Whitcomb Thompson (1882-1948) "Along the Massachusetts Coast", oil on board. Frame measures 13" x 15".

George Van Millett (1864-1953) landscape with sheep, oil on canvas, 8" X 10". There is a newspaper clipping on the reverse from a Millett show.

Francis Humphrey Woolrych (1868-1941 St. Louis, MO) forest landscape that is 17 1/2" X 15". Found on Page 115 of the OSM book. See Lot 1a for collection information.

Richard Dean Turner (1935-2012) oil on canvas of a landscape. Richard was an antiques dealer who loved to paint. His art was basically unknown until his estate was sold in 2012. Frame measures 28" x 33 3/4".

Roland "Kickapoo" Logan (1908-1984) Memory of Spring oil on artist board in its original frame. 16" X 24".

Frank Szasz (1926-1995) Native American, oil on canvas is 24" X 20".

Frank Szasz (1926-1995) John the Baptist, oil on canvas is 16" X 12".

John McMahon (1932-2007) untitled abstract oil on panel. Frame measures 37 1/2" 23 1/2". John was Willem de Kooning's main personal/studio assistant for many years. Not signed.

Ralph Goltry (1884-1971) desert landscape, oil on panel is 6" X 8". Ralph graduated from the Fine Arts Institute of Kansas City (pre-cursor to the Kansas City Art Institute) in 1904 and settled in Phoenix in 1922 where he spent the rest of his life. Goltry was a founding member of the Arizona Art Guild in 1928. Hallmark Cards bought rights to his paintings three years in a row.

Jose Maria Mijares (1921 - 2004) Mujer oil on canvas is 40" X 30" and is dated 1991. Found on Page 120 of the OSM book. See Lot 1a for collection information.

Elizabeth G. Kobelt, "The Carousel", oil on canvas. Frame measures 23 1/2" x 29 1/2". Original labels and notes on the reverse.

Elizabeth G. Kobelt, "Alaska", oil on canvas. Frame measures 23" x 29". Original notes on the reverse.

Neith Nevelson (1946- ) untitled, abstract oil on canvas. Frame measures 21 3/4" x 26". Neith is the granddaughter of Louise Nevelson and her studio is in Coconut Grove in Florida. To me, her work is reminiscent of Basquiat..

Walter A. Bailey, "Old Rail Fence", near Julian, California. Oil on canvas is 23" X 31". Editor and Art Director of the Kansas City Times from 1917 to 1927 and then a studio and newspaper artist in California, Walter Bailey was born in Wallula, Kansas. He also became a noted muralist and landscape painter. Two of his murals are at the William Rockhill Nelson Gallery of Art, four murals are in the Municipal Auditorium in Kansas City, and another in East High School, Kansas City. Bailey studied at the Kansas City Art Institute with Thomas Hart Benton, Charles Wilimovsky, and Randall Davey. In the 1940s, he worked as a scenic and motion picture artist in Hollywood, and from 1950 to 1967 was Art Editor of the Los Angeles Herald Examiner. There is a Bailey label on the reverse and a presentation label from 1955 as well.

Walter A. Bailey, "Silver Symphony", oil on canvas is 23" X 30". Painted in California. There is a Bailey label on the reverse. Editor and Art Director of the Kansas City Times from 1917 to 1927 and then a studio and newspaper artist in California, Walter Bailey was born in Wallula, Kansas. He also became a noted muralist and landscape painter. Two of his murals are at the William Rockhill Nelson Gallery of Art, four murals are in the Municipal Auditorium in Kansas City, and another in East High School, Kansas City. Bailey studied at the Kansas City Art Institute with Thomas Hart Benton, Charles Wilimovsky, and Randall Davey. In the 1940s, he worked as a scenic and motion picture artist in Hollywood, and from 1950 to 1967 was Art Editor of the Los Angeles Herald Examiner. Found on page 23 of the OSM book. Please see lot 1a for collection information.

Phillip Roberts (1944- ) Untitled impressionistic landscape with houses is 25" X 29". Oil on canvas. Phillip received a BFA degree in painting from the Kansas City Art Institute, Kansas City, Missouri in 1972. He now works in the upper Northwest.

Robert Sudlow, "Mimulus", oil on canvas is 40" X 30" and is dated 1975. Found on Page 99 of the OSM book. See Lot 1a for collection information.

Robert Emmet Brady (1928-1986), female figure oil on canvas is dated 1948. Frame measures 52 1/2" x 28 3/4". Robert was born in Iowa and studied at the Art Institute of Chicago, the Tyler Arts Center of Temple University and the Barnes Foundation in PA. He was a friend of Peggy Guggenheim and her circle of artist friends. Robert purchased a 16th century convent in Cuernavaca, Mexico in 1959. He left his house as a museum to the city of Cuernavaca and it is still open today.

Robert Emmet Brady (1928-1986), "Camden Waterfront", watercolor on paper is 24" X 30". The original label from the 1949 Iowa Salon show is on the reverse. This painting won First Award in the 1949 Iowa State Fair in the Iowa Art Salon. It still retains the First Award label on the front of the original frame. Robert was born in Iowa and studied at the Art Institute of Chicago, the Tyler Arts Center of Temple University and the Barnes Foundation in PA. He was a friend of Peggy Guggenheim and her circle of artist friends. Robert purchased a 16th century convent in Cuernavaca, Mexico in 1959. He left his house as a museum to the city of Cuernavaca and it is still open today. Found on page 29 of the OSM book. Please see lot 1a for collection information.

Genevieve Humphreys (1923-2012) "Abandoned" watercolor is 19" X 27". Found on page 63 of the OSM book. Please see lot 1a for collection information.

Attributed to James L. Fitzgibbon. "Brush Creek", oil on canvas. Frame measures 17" x 22". Not signed. Titled on the reverse and the original price was $70.00. Found on Page 49 of the OSM book. See lot 1a for collection information.

James L. Fitzgibbon (1864-1929), untitled watercolor is 9" X 12".

Ella B. Cutter mountain landscape. Dated 1922. Frame measures 11 3/4" x 21 1/2".

Pablo Picasso. Henri Deschamps lithographer, Imprimerie Mourlot, Paris, 1962 lithograph of Cote d'Azur. 31" X 25". Frame measures 46" x 32 1/2".

Pablo Picasso, "Mere aux Enfants à l'Orange" lithograph is 15 1/2" X 11". There is a signature below, which we have not seen on other lithographs from this edition. We can make no guarantees as to this signature. The lithograph has not been examined out of the frame. Original hand-colored pochoir lithograph from the 1955 "Venti Pochoirs Originali", after the Picasso painting of 1951. Edition of 200. We're unsure why there is a date of 1949. The original painting was created in 1951 and the folio of prints was published in 1955.

Katey Penner (1973- ) Mixed media on canvas of Count Basie. Measures 36" X 48". Not framed. Dated 2012. Found on Page 88 of the OSM book. Please see lot 1a for collection information.

Katey Penner (1973- ) acrylic on canvas of Charlie Parker is 44" X 36". Not framed.

Katey Penner (1973- ) acrylic on canvas of Angela Hagenbach is 44" X 36". Not framed.

Fred Lapp, watercolor of a jazz scene dated 2002 is 20" X 25".

Lou Zale, jazz composition photograph dated 2002. Frame measures 16 1/4" x 20 1/4".

Jim Ryon (1935-2016) jazz scene acrylic on canvas is 16" X 20".

Charles A. Wilimovsky (1885-1974) market scene woodblock. Frame measures 11" x 13 1/2". Charles was born in Chicago and first studied art at the Art Institute of Chicago. He met Thomas Hart Benton in 1907 and they became lifelong friends. At the Institute Charles studied under John Christen Johansen and William Merritt Chase. Charles then studied at the Julian Academy in Paris and later in Florence, Italy with Chase. He came back to the states in 1913 teaching at the Milwaukee State Normal School for one year. In 1914 he became the Painting Director at the Fine Arts Institute of Kansas City (Kansas City Art Institute). While teaching at the KCAI he taught Walt Disney, John Steuart Curry, Leroy Daniel MacMorris, Walter Bailey, Ralph Goltry and many more. In 1922 Wilimovsky moved back to Chicago and taught at the Art Institute of Chicago and then at the American Academy of Art. He was an "Active Member" of the Prairie Print Makers and of the Chicago Society of Etchers. In 1948 he moved to California and taught at the Art Institute of California in Los Angeles.

Charles A. Wilimovsky (1885-1974) "Palms After Storm, Virgin Islands" woodblock. Print sight size measures 9 1/2" x 8" and frame measures 21" x 18". Charles was born in Chicago and first studied art at the Art Institute of Chicago. He met Thomas Hart Benton in 1907 and they became lifelong friends. At the Institute Charles studied under John Christen Johansen and William Merritt Chase. Charles then studied at the Julian Academy in Paris and later in Florence, Italy with Chase. He came back to the states in 1913 teaching at the Milwaukee State Normal School for one year. In 1914 he became the Painting Director at the Fine Arts Institute of Kansas City (Kansas City Art Institute). While teaching at the KCAI he taught Walt Disney, John Steuart Curry, Leroy Daniel MacMorris, Walter Bailey, Ralph Goltry and many more. In 1922 Wilimovsky moved back to Chicago and taught at the Art Institute of Chicago and then at the American Academy of Art. He was an "Active Member" of the Prairie Print Makers and of the Chicago Society of Etchers. In 1948 he moved to California and taught at the Art Institute of California in Los Angeles.

Charles Merrick (Chili) Capps (1898-1981) "Anderson Hall" lithograph is 9" X 7". Charles was one of the founding members of the Prairie Print Makers. Anderson Hall is on the Kansas State University campus. Found on Page 34 of the OSM book. Please see lot 1a for collection information.

Birger Sandzen (1871-1954) "In The Mountains" lithograph. Frame measures 19 1/4" x 25 1/4". This was Sandzen's third lithograph and was limited to 50 copies. We took the print out of the frame to examine it. It has mat burns and toning along the top and sides, presumably from an earlier frame. The bottom margin is creased, either from the plate or from being folded.

Richard Bergen (1925- ) "Kansas Farm" woodblock print is 9" X 11 1/2". Found on page 12 and page 28 of the OSM book. Please see lot 1a for collection information.

Jackson Lee Nesbitt (1913-2008) "Evening in March" lithograph. Frame measures 20 1/2" x 17 1/4". Jackson was friends with, studied under, and was greatly admired by Thomas Hart Benton.

Charles B. Rodger (1911-1987) "The Great Tree" lithograph is 7" X 10". Found on Page 91 of the OSM book. Please see lot 1a for collection information.

Karl Mattern (1892-1969) drawing of a horse in a hilly landscape dated 1955. Frame measures 20 3/4" x 25". Karl studied under George Bellows at the Chicago Art Institute. Karl taught at the Chicago Academy of Art, the University of Kansas, and Drake University in Des Moines. He worked with the WPA project and in Des Moines he served on the acquisition committee of the Des Moines Art Center.

John S. De Martelly (1903-1979) "Give us this Day", AAA lithograph with the original label attached to a more current back. 13 1/2" X 13 1/2".

William Wind McKim (1916-1995) "Pups in the Pit" lithograph is 16" X 22".

Fletcher Martin (1904-1979) "Lullaby" lithograph. Frame measures 17 1/2" x 21 1/4".

Edmund Daniel Kunzinger (1888-1963) untitled Man at Bar lithograph. Frame measures 20 3/4" x 18 1/2".

Joe Jones (1909-1963) "Reaching for the Sun" lithograph is 12" X 15". Exhibited at the Albrecht-Kemper Museum in 2017 as part of "The Restless Regionalist: The Art of Joe Jones".

Joe Jones (1909-1963), untitled harbor scene lithograph is 9" X 14".

Joe Jones (1909-1963) "Head" lithograph is 10" X 8". Exhibited at the Albrecht-Kemper Museum in 2017 as part of "The Restless Regionalist: The Art of Joe Jones".

Joe Jones (1909-1963) untitled boats in harbor lithograph is 12" X 16". Matted but not framed.

Joe Jones (1909-1963) "Dakota Wheatfields" lithograph is 20 1/2" X 25 1/2". Not framed or signed.

Margaret Evelyn Whittemore (1897-1983) "Quivira Cabin near Junction City" color woodblock. Matted, but not framed. Mat measures 16 3/4" x 17 1/4".

Margaret Evelyn Whittemore (1897-1983) "Waubaunsee Church" color woodblock is 10" X 8". Matted, but not framed.

Margaret Evelyn Whittemore (1897-1983) "Pony Express Station - Marysville" color woodblock. Frame measures 18 1/2" x 19 1/4". Found on page 12 of the OSM book. Please see lot 1a for collection information.

Margaret Evelyn Whittemore (1897-1983) "Planter's House - Leavenworth" color woodblock is 10" X 8". Found on page 114 of the OSM book. Please see lot 1a for collection information.

Margaret Evelyn Whittemore (1897-1983) "Kaw Mission - Council Grove, Kansas" color woodblock is 8" X 10". Found on page 12 and page 113 of the OSM book. Please see lot 1a for collection information.

Frank Szasz (1926-1995) untitled conquistador lithograph. Frame measures 19 1/2" x 15 1/2".

Mary Huntoon (1896-1970). This lot includes two lithographs framed together. "Intermission at Concert Berlin" is 6" X 8" and "Labius Beer Parlor, Edmonton, ALTA Canada" is 11" X 8 1/2". Frame measures 30" x 15 1/2".

Charles A. Wilimovsky (1885-1974) Untitled,oil on canvas. Features boats near the shore and a village behind it. 23 1/2" X 26 1/4". Frame measures 28" x 32". Featured on page 33 of the book "Charles A. Wilimovsky: Forgotten Master." Charles was born in Chicago and first studied art at the Art Institute of Chicago. He met Thomas Hart Benton in 1907 and they became lifelong friends. At the Institute Charles studied under John Christen Johansen and William Merritt Chase. Charles then studied at the Julian Academy in Paris and later in Florence, Italy with Chase. He came back to the states in 1913 teaching at the Milwaukee State Normal School for one year. In 1914 he became the Painting Director at the Fine Arts Institute of Kansas City (Kansas City Art Institute). While teaching at the KCAI he taught Walt Disney, John Steuart Curry, Leroy Daniel MacMorris, Walter Bailey, Ralph Goltry and many more. In 1922 Wilimovsky moved back to Chicago and taught at the Art Institute of Chicago and then at the American Academy of Art. He was an "Active Member" of the Prairie Print Makers and of the Chicago Society of Etchers. In 1948 he moved to California and taught at the Art Institute of California in Los Angeles.

Raymond J. Eastwood (1898-1987) "Big Dune" oil on canvas is 25" X 30". Attached to the reverse is an exhibition label from the Virginia Museum of Fine Arts Second Biennial Exhibition. We believe that this piece was also exhibited at the Nelson-Atkins Museum of Art in 1944 when Eastwood exhibited 12 dune paintings there. Found on Page 42 of the OSM book. Please see lot 1a for collection information.

George Van Millett (1864-1953), "Decorative Landscape", oil on canvas, 30" X 40". Frame measures 35 1/4" x 45 1/2". This is a large Van Millett. Titled in George's hand on the reverse. Acquired by the Sabates' from the estate of Millett's daughter.

George Van Millett (1864-1953) Untitled lake scene is 5" X 7". Oil on board. Lots of notes, history and clippings on the reverse.

George Van Millett (1864-1953) Untitled, oil on board of a Dutch landscape is 14" X 16". Some loss to the original frame.

LeRoy Daniel MacMorris (1893-1981) "Persian Flowers" oil on artist board is 25" X 32".

LeRoy Daniel MacMorris (1893-1981) Untitled landscape, oil on artist board is 10" X 8". Found on Page 74 of the OSM book. Please see lot 1a for collection information

Charles A. Wilimovsky (1885-1974) "Uruapan, Mexico" oil on canvas, 30" X 34'. Reminiscent of Gauguin's work. Featured on page 44 of "Charles A. Wilimovsky: Forgotten Master" and is also visible in a picture of Wilimovsky's studio from 1963 that is also in the Wilimovsky book on page 28. Charles was born in Chicago and first studied art at the Art Institute of Chicago. He met Thomas Hart Benton in 1907 and they became lifelong friends. At the Institute Charles studied under John Christen Johansen and William Merritt Chase. Charles then studied at the Julian Academy in Paris and later in Florence, Italy with Chase. He came back to the states in 1913 teaching at the Milwaukee State Normal School for one year. In 1914 he became the Painting Director at the Fine Arts Institute of Kansas City (Kansas City Art Institute). While teaching at the KCAI he taught Walt Disney, John Steuart Curry, Leroy Daniel MacMorris, Walter Bailey, Ralph Goltry and many more. In 1922 Wilimovsky moved back to Chicago and taught at the Art Institute of Chicago and then at the American Academy of Art. He was an "Active Member" of the Prairie Print Makers and of the Chicago Society of Etchers. In 1948 he moved to California and taught at the Art Institute of California in Los Angeles.

Charles A. Wilimovsky (1885-1974) "Callejon del Toro, Mexico City", oil on artist board, 10 1/2" X 13 1/2". Featured on page 36 of "Charles A. Wilimovsky: Forgotten Master." Charles was born in Chicago and first studied art at the Art Institute of Chicago. He met Thomas Hart Benton in 1907 and they became lifelong friends. At the Institute Charles studied under John Christen Johansen and William Merritt Chase. Charles then studied at the Julian Academy in Paris and later in Florence, Italy with Chase. He came back to the states in 1913 teaching at the Milwaukee State Normal School for one year. In 1914 he became the Painting Director at the Fine Arts Institute of Kansas City (Kansas City Art Institute). While teaching at the KCAI he taught Walt Disney, John Steuart Curry, Leroy Daniel MacMorris, Walter Bailey, Ralph Goltry and many more. In 1922 Wilimovsky moved back to Chicago and taught at the Art Institute of Chicago and then at the American Academy of Art. He was an "Active Member" of the Prairie Print Makers and of the Chicago Society of Etchers. In 1948 he moved to California and taught at the Art Institute of California in Los Angeles.

Charles A. Wilimovsky (1885-1974) "Landing Place of Castello DiRomito, Quercianlella, Italy", oil on canvas board, 10 1/2" X 12" and not signed. Featured on page 43 of "Charles A. Wilimovsky: Forgotten Master." Charles was born in Chicago and first studied art at the Art Institute of Chicago. He met Thomas Hart Benton in 1907 and they became lifelong friends. At the Institute Charles studied under John Christen Johansen and William Merritt Chase. Charles then studied at the Julian Academy in Paris and later in Florence, Italy with Chase. He came back to the states in 1913 teaching at the Milwaukee State Normal School for one year. In 1914 he became the Painting Director at the Fine Arts Institute of Kansas City (Kansas City Art Institute). While teaching at the KCAI he taught Walt Disney, John Steuart Curry, Leroy Daniel MacMorris, Walter Bailey, Ralph Goltry and many more. In 1922 Wilimovsky moved back to Chicago and taught at the Art Institute of Chicago and then at the American Academy of Art. He was an "Active Member" of the Prairie Print Makers and of the Chicago Society of Etchers. In 1948 he moved to California and taught at the Art Institute of California in Los Angeles.

Ward Lockwood (1894-1963) "Autumn" acrylic on canvas is 19" X 24 1/2". Found on Page 71 of the OSM book. Please see lot 1a for collection information.

H. Webb, untitled landscape oil on canvas is 18" X 25".

Ernest Fredericks (Fred Swedlun) (1877-1959) "Road Over the Hill Near Starved Rock, Illinois" oil on canvas is 20" X 40". Found on Page 51 of the OSM book. Please see lot 1a for collection information.

Ivanhoe Whitted (1864- ?) Untitled landscape with horses. Frame measures 11 1/2" x 17 3/4". Ivanhoe was an Iowa artist.

Roland Thomas (1883-1951) "Autumn".Oil on board, landscape featuring a grand old Oak tree measures 19 1/2" X 24". Roland studied art with Dumond, Henri, and Chase in New York City. Found on Page 104 of the OSM book. Please see lot 1a for collection information.

Artist info coming soon. Frame measures 20 1/4" x 24 1/2".

Everett Woodson (1933- ) Untitled landscape with large barn is 24" X 48".

Leonard Woodruff (1880 - 1965 or 1970) Untitled, oil on canvas of pink roses. Frame measures 18 1/2" x 15 1/4". Loss to the frame.

Leonard Woodruff (1880 - 1965 or 1970) Untitled, oil on canvas of three roses. Frame measures 18 1/2" x 15 1/4". Loss to the frame.

Rose Marie Daniels (1925- ) "Abandoned Silver Mine", oil on artist board is 16" X 12".

Roland "Kickapoo" Logan (1908-1984) "Dream Time", oil on artist board is 9" X 12".

George Kitt Sapp (1887-1959) "Steamship", oil on artist board. Frame measures 23" x 24 1/2". Found on page 95 of the OSM book. Please see lot 1a for collection information.

Henry Varnum Poor (1887-1970) Untitled, landscape with horses watercolor is 14" X 19". Found on Page 89 of the OSM book. Please see lot 1a for collection information.

Jack Butler O'Hara (1921-2012) "Big Thompson Canyon", watercolor, 13" X 22". Big Thompson Canyon goes from Estes Park to Loveland along US 34 in Colorado. Found on Page 85 of the OSM book. Please see lot 1a for collection information.

Homer Neville (1900-1991) "In the Alhambra Garden - Granada" watercolor is 18" X 22". Found on Page 83 of the OSM book. Please see lot 1a for collection information.

Mildred Welsh Hammond (1900-1980) Untitled watercolor of two horses is 14 1/2" X 21 1/2".

Janet Turner (1914-1988) Untitled watercolor of two horses. Frame measures 25 1/4" x 32 3/4". Dr. Janet Turner was a professor of fine art and art education at California State University and founded the University’s printmaking program.

James Duard Marshall (1914-2010) "Tess of D'Urbrvills" [sic], mixed media piece is 4 1/2" X 8 1/2". James studied at the Kansas City Art Institute and the Colorado Springs Fine Art Center under Thomas Hart Benton, S. DeMartelly, Rosenbauer, Robinson, and Mildred Hammond.

Robert Hopkin (1832-1909) Untitled ships on stormy seas watercolor is 19" X 14". The Scarab Club of Detroit started out as the Hopkin Club in 1907.

Robert Hopkin (1832-1909) Untitled seascape with boat watercolor is 20" X 16". The Scarab Club of Detroit started out as the Hopkin Club in 1907.

James Russell Hamil (1936- ) Untitled lake scene watercolor is 21" X 28".

James Russell Hamil (1936- ) Untitled Kansas landscape watercolor is 21" X 28". Notice the "Kansas Fence Posts" in the painting. Found on page 55 of the OSM book. Please see lot 1a for collection information.

Robert MacDonald Graham (1919-2000) Untitled oil on board of train tracks is 8 1/2" X 13 1/2".

Paulina Jones Everett (1905-1996) "The Kansas City Museum", watercolor, 24" X 30". Found on Page 45 of the OSM book. See lot 1a for collection information.

Gertude Freyman (1901-1994) Untitled tree with cardinals watercolor. Frame measures 27 3/4" x 22 1/4".

Gertude Freyman (1901-1994) Untitled, secene of a village lane with church steeple. Watercolor. Frame measures 28" x 22".

Philip Hershberger (1933- ) "Never Scene" oil wash drawing on paper is 30" X 36".

Rodney H. Cofran (1924-1994) "Studio Piece" mixed media is 19" X 16". Found on Page 35 of the OSM book. Please see lot 1a for collection information.

Rodney H. Cofran (1924-1994) Untitled, dock on the waterfront watercolor is 20" X 30".

Ernst Ulmer (1922-2009) Untitled, female figure study in pastel. Frame measures 25 3/4" x 31 3/4".

LeRoy Daniel MacMorris (1893-1981) Female figure study in graphite. Frame measures 28 1/4" x 23 1/2".

Lucille McIntyre "Magnolias", egg tempera on paper. Measures 15" X 20".

Lucille McIntyre, untitled still life watercolor is 20" X 24".

Barbara Burnett (1927-2003) "Yellow Iris with Daisies" watercolor is 23" X 16". Barbara was a member of the Kansas Watercolor Society, Greater Kansas City Art Association, National League American Pen Women, Midwest Watercolor Southern (associate), American Watercolor Society (associate), Whiskey Painters American, Greater Kansas City Art Association, Parkville Art Association, Fulton Art League and Images II, Catherine Lorillard Wolfe Art.

Barbara Burnett (1927-2003) "Coral Tulips" watercolor is 23" X 16". Barbara was a member of the Kansas Watercolor Society, Greater Kansas City Art Association, National League American Pen Women, Midwest Watercolor Southern (associate), American Watercolor Society (associate), Whiskey Painters American, Greater Kansas City Art Association, Parkville Art Association, Fulton Art League and Images II, Catherine Lorillard Wolfe Art.

Frederick James (1915-1985) "Ostia Antica" watercolor is 10 1/2" X 14". Found on Page 64 of the OSM book. Please see lot 1a for collection information.

This lot includes three of the 1970s reissued lithographs. Nicely framed. Not signed. Frames are roughly the same dimensions, the largest is 13 1/4" x 16".