SHIPPING AVAILABLE > A convex sheet metal sign measuring 24" in diameter ~ Graphics depicting a Coca-Cola bottle with traditional white script lettering across, reading Coca-Cola ~ An authentic example. CONDITION REPORT ~ Some minor fading to the red paint at the top edge from sun and weather over the years ~ A notably well preserved example, considering the age, materials and application.

SHIPPING AVAILABLE > A group of United State Military insignia, including a gold star, U.S. Navy Sergeant collar chevron, patches and more, as shown. CONDITION REPORT > No overt issues.

SHIPPING AVAILABLE > A pair of authentic cast metal soda bottle cap openers, both featuring stylized script lettering in relief to the hood, one reading Coca-Cola, the other, Pepsi ~ Both produced by the Starr Company and made in the USA. CONDITION REPORT > Expect typical elements relative to age, long use and materials.

LOCAL PICK-UP ONLY > A large carton containing a collection of vintage vinyl records, literally hundreds, including 33 1/3, 45 and 78 RPM examples, varying in genre from Rock & Roll, Country Western, Pop and much more ~ Vast array of labels, with many retaining the original sleeves. CONDITION REPORT > The majority seem well preserved ~ Untested ~ Perhaps typical and minor elements relative to age, play and material.

SHIPPING AVAILABLE > An early example of an advertising thermometer in the manner of a cathedral clock ~ Rather diminutive, standing 3-1/2" tall, measuring 2-1/4 x 1-7/8" overall ~ Relief lettering to a gold patina panel at front, below the dial, reads GOODYEAR TIRES, above black graphics reading GOODYEAR. CONDITION REPORT > Seems functional, indicating an average correct temperature ~ Perhaps typical and minor elements relative to age and materials.

SHIPPING AVAILABLE > A large group of antiques and collectibles, including ~ Shoe horns including at least one example from Vest's Shoes in McComb, MS, Super Bowl XX pinback, leather coin purse, metal hand bell with serpent handle, miniature glass bottles, Star Brand Shoe horn, Bill Penny Oldsmobile Toyota, Huntsville, Alabama key rings, brass miniature shoe, antique mouse trap, snuff can, skeleton key, leather key fobs from car dealership in Effingham, Illinois, Colgate - Palmolive - Peet can opener, The Golden Ox, Kanas City, Missouri, swizzle stick, NRA Gun owner and Proud of It patch. CONDITION REPORT > Varying elements relative to age and materials ~ Please examine the images closely to form your own opinion.

SHIPPING AVAILABLE ~ This lot includes -16- examples, as shown, mostly from the 1960s era ~ From 1954 to 1969 Coca-Cola produced these magazines titled "Pause for Living” measuring 8 x 5.5” overall, featuring perhaps 25 or more pages. These publications covered flower arranging and what was termed "gracious living". The booklets were targeted to female members of garden clubs, sororities, church and school PTA groups, salons and dentist offices to reach women with a reminder that Coke was well suited for entertaining at home ~ In every sense, these served as advertising and promotion of Coca-Cola. CONDITION REPORT > Notably well preserved examples.

SHIPPING AVAILABLE > Measuring a large 6.75 x 5.75" overall, notably with text reading SHAQ'S SHOE SIZE 22 EEE, an adhesive back advertising sign promoting MR. BIG ~ SHAQ'S FAVORITE CANDY BAR ~ SHAQ SNAQ by Nelson, featuring an image of a basketball player on a shoe sole background. The endorsement by Shaquille O'Neal when the Mr. Big bar was first introduced in the United States, in 1995, and ended with the sale of the Nelson firm in 1996. CONDITION REPORT > Never applied ~ Likely a rare, well preserved example. HISTORY of the MR. BIG CANDY BAR by NELSON Mr. Big is the largest sized chocolate bar produced by Cadbury in Canada, hence the name. The standard bar is made of a layered vanilla wafer biscuit coated in caramel, peanuts, and rice crisps and covered in a chocolate coating. The bar is the length of two "standard"-sized bars – around 8 inches long. Additional varieties include Mr. Chew Big, Mr. Big Fudge, and Mr. Big with Maple. The bar was first produced in Canada by Neilson in 1979. The bar is common in Canada, but is also available in Hungary, Poland, and some areas of the United States. A Canadian advertising campaign in the 1970s included the tagline "Mr. Big: so big they call him Mister". The product launched in the U.S. in 1995, and the launch included an advertising campaign with the basketball player Shaquille O'Neal. A miniature Mr. Big chocolate bar is manufactured and marketed for the Halloween season. In 1996, Neilson sold their candy division, including the rights to make the Mr Big bar, to Cadbury. The Mr. Big brand name was originally owned by Nestlé and licensed by William Neilson (now Cadbury). This created a situation where the trademark of one of Neilson's largest brands was owned by its largest competitor. Neilson then bought the rights to the name Mr. Big for confectionery. Mr. Big was the only Cadbury chocolate bar to have an ice cream variant made by Nestlé until 2019. It was discontinued in May 2002 in the UK due to poor sales. An ice cream bar version produced by Nestlé is available in Canada, although other Cadbury ice cream products were previously made by Breyers.

SHIPPING AVAILABLE > A group of -3- miniature tin can coin banks featuring graphics relative to BLUEBIRD ORANGE JUICE ~ Each stands a diminutive 4" tall, measuring 2" in overall diameter ~ One retains what sounds like a coin inside. Bluebird brand citrus juices were manufactured and distributed by Southern Fruit Distributors, Inc., a company founded by Philip Caruso. The Bluebird juice company is currently part of Florida's Natural Food Service. CONDITION REPORT > Perhaps typical and minor elements relative to age and materials ~ Some minor blemishes to graphics.

SHIPPING AVAILABLE > Measuring 2-1/4 x 3-3/4 overall x 1/2" thick, a wood punchboard with a lithographed paper front ~ Colorful graphics read PUT AND TAKE ~ 5c to 10c ~ 5c to $1.00, along with what might be a spinning top, with extended hands hold coins and currency to the top corner ~ United States Government tax stamps and labels remain affixed to the reverse. CONDITION REPORT > Used, as shown ~ Graphic remains vivid and legible ~ Overall, a well preserved example, considering the age, use and materials. About the Punchboard Punchboards were originally used in the 18th century for gambling purposes. A local tavern owner would construct a game board out of wood, drill small holes in it, and fill each hole with a small paper ticket or gamepiece. The holes were then typically covered with paper or foil. After a patron bought a chance at the punchboard, he would puncture one of the hole's paper or foil covers with a nail and retrieve the ticket/gamepiece. If the gamepiece contained a winning number, the patron won the prize. In the nineteenth century, board operators eventually drilled into their own holes ~ they knew where the big money was because they made the board. The punchboard's use started to decline. In the late 1800s, a new type of punchboard was introduced. This one involved putting paper in both the front and back of the hole, to help prevent operators from cheating. These new punchboards became popular purchases at drugstores, and they were sold with a metal stylus. The punchboard soon became increasingly similar to today's lottery tickets. Soon, the punchboard became cheap and easy to assemble, and the industry flourished. Noted gambling author John Scarne estimates that 30 million punchboards were sold in the years between 1910 and 1915. He also estimates that 50 million punchboards were sold in 1939 alone, during the peak of their popularity. Punchboards were often used by the slot-machine machine rackets as a wedge for pushing into communities where slot machines were illegal. Punchboards used for gambling in California in the 1910s were a game "where the player puys for the privilege of inserting a disk in a covered hole on a board and punches out a number, which, if it corresponds to a certain number on the board, a prize is awarded the player." After World War II, use of the punchboard as a gambling tool began to decline because many people frowned at its gambling-like nature, and the punchboard was outlawed in many states. The use of punchboards for advertisement started to gain popularity. Many companies started hiding goods such as bottles of beer and cigarettes inside punchboards. Zippo lighters reportedly sold more than 300,000 lighters through punchboard advertising between 1934 and 1940. People have been cheating on punchboards ever since they were first invented. Many operators know where the big prize holes are; they used to create punchboards with very few holes so they could easily track the big money.

SHIPPING AVAILABLE > A pair of diecast toy trucks, featuring graphics advertising Tom's Toasted Peanuts and Davis Boys Table Supply Stores of Florida, later known as Winn-Dixie Supermarkets ~ Each measures around 3.5" long, standing close to 2.5" tall ~ Tom's truck is marked to the underside, Ledo Promotional Model, Made in England ~ Table Supply is a Days Gone By model by Ledo, also made in England. CONDITION REPORT > Well preserved examples with no overt issues.

SHIPPING AVAILABLE > Standing 3.5" tall, measuring 2" in diameter overall, a tin coin bank in the manner of a standard 12 ounce beer can, featuring PABST BLUE RIBBON graphics ~ A coin slot to the top, with a plug insert to the base. CONDITION REPORT > A notably well preserved example ~ Perhaps typical and minor elements relative to age and materials. History ~ Pabst Blue Ribbon Beer Pabst Blue Ribbon, commonly abbreviated PBR, is an American lager beer sold by Pabst Brewing Company, established in Milwaukee, Wisconsin, in 1844 and currently based in San Antonio. Originally called Best Select, and then Pabst Select, the current name comes from the blue ribbons tied around the bottle’s neck between 1882 and 1916. Gottlieb and Frederika Pabst and their twelve-year-old son Frederick arrived in the United States in 1848 and settled in Chicago where Frederick eventually found work on the ships of Lake Michigan. In 1862, Frederick married Maria Best, daughter of Philip Best, whose father Jacob Best founded the Best Brewing Company, and in 1863 Frederick became a brewer at his father-in-law's brewery. When Philip Best retired to Germany in 1867, Pabst and Emil Schandein – his sister-in-law's husband and the vice-president of Best Brewery – worked to transform the company into one of the nation's largest brewers, capitalizing on, among other things, the Great Chicago Fire of 1871 that destroyed nineteen Chicago breweries and helped position Milwaukee as the leading beer-producing city in the United States. In 1889, Schandein died, leaving Pabst as president and Schandein's widow, Lisette Schandein, as vice-president. In 1890, Pabst changed the "Best" letterhead to "Pabst" and the Pabst Brewing Company officially began.

SHIPPING AVAILABLE > A large collection of older can and bottle openers, with many rare examples included, as shown CONDITION REPORT > Condition varies ~ Expect typical and minor elements relative to age, use and materials. Collecting Can & Bottle Openers In 1892, an American bottle-maker named William Painter invented the crown top for bottles that we now generically call soda bottle style. Such a bottle is blown with a quarter-inch vertical corrugation around the top intended for a tight-fitting metal lids that fits down into the corrugations. Such bottle lids keep liquid in and germs out. Their only problem is that crown tops require a special opener, for which Painter also invented the pry opener. Painter’s crown-top system was such an immediate success that it was rapidly adopted by bottlers everywhere in America and soon around the world. For decades, most soda and beer bottles (and many other products) came with crown tops that necessitated a Painter’s metal lid opener. These openers were cheaply made, so beverage companies, grocery stores, bars and restaurants gave the bottle openers away by the tens of thousands, perhaps millions, to encourage purchase of beers and sodas. Most had some company’s advertising on them. For a couple of decades most bottle openers did only one thing but did it well: They pried crown tops off glass bottles. Starting in the 1930s, however, manufacturers began creating other product containers with tops that opened best with other particular openers and put their names on those openers and gave them away. But eventually multipurpose devices that had several edges for opening different cans as well as bottles were manufacturer. Some multipurpose gadgets included a corkscrew, a small knife, a man’s button hook and cigar cutter. Eventually, some were marketed with rotary can openers, a mainstay of the modern kitchen. Today’s kitchen has at least one crown bottle opener (several if there are soda drinkers) along with other devices to twist off some lids or lever off sunken wax or metal tops. After WWII, household hold product makers were anxious to get their names in front of consumers everywhere, so they gave away millions of bottle openers of varied kinds with their names on them. The earliest bottle openers were small, flat and simple, shaped rather like a key with holes toward each end. One hole had a corrugated edge that would lift a soda bottle cap, while the other end had a smaller hole for a key chain. Before 1920, most openers had a company name stamped in the metal, which is a good clue to dating very old openers. However, in the 1920s, many openers acquired a small square hole at one end: this was for adjusting one’s car’s Prest-o-lite headlights. Nearly every car for a time had these gas-powered headlights, and adjusting them was part of daily driving life. The right tool on a bottle opener proved very handy. Of course, as car equipment changed, the keyhole opening enlarged and became handy for other tasks. Collectors of bottle openers often favor certain subject matter, making their openers conversation pieces. Some seek certain brands of whisky or beer, city names and certain car makers or dealers. Collectors may seek out openers resembling various fish, items like boots or shoes, or brands of cigars. Some collections emphasize particular metals such as cast iron, brass or steel. Some wall openers came with a cap catcher, an attached box for the caps to forestall mess on the floor or countertop and to retrieve metals in wartime when they were valuable). While many openers are figurals (such as having the familiar form of a naked woman or mermaid, others resemble common animals such as a horse, a dog or an eagle. Nowadays, depending on what’s popular, you might see an opener shaped like a pirate’s cutlass or a hot rod or a motorcycle. While very early openers usually retained the vague shape of key, metal scarcity during WWII and post-war times resulted in openers that were just steel outlines. Today, a surprising number of household products require particular openers. Although many soda bottles now have twist off caps, other household products still have tops that require a classic bottle opener. Kitchen drawers get cluttered with various types of openers, but always include at least one of Painter’s crown-top invention.

SHIPPING AVAILABLE > A group of -24- Edison Diamond Disk records ~ Various musical artist, titles and genres ~ Can only be played on Edison Diamond Disk Phonographs. The Edison Diamond Disc Record is a type of phonograph record marketed by Thomas A. Edison, Inc. on their Edison Record label from 1912 to 1929. They were named Diamond Discs because the matching Edison Disc Phonograph was fitted with a permanent conical diamond stylus for playing them. CONDITION REPORT > Unable to test for quality of functionality ~ Seemingly well preserved examples.

SHIPPING AVAILABLE > An extensive collection of antique beer advertising bottle and can openers, some multiple examples ~ Includes one of more designs of the following > Pabst Blue Ribbon - Falstaff - Budweiser - Jax - Griesedieck Brothers - Fall City - Grapette Soda - Hamm's - Stag - Carling - Royal Crown Cola ~ 7Up - Lone Star - Sterling - Goebel and others, plus a large bag of paint can openers, most advertising various brands of paint.

SHIPPING AVAILABLE > Standing 3.5" tall, measuring 2.25 x 1.5 overall, of molded yellow plastic, a coin bank in the manner of a Post Office letter box, with graphics to the front reading ~ New England Mutual Life Insurance Company of Boston ~ No. 36A, below a design of the firms building ~ Cast relief lettering below the coin slot reads SAVE MONEY ~ Perhaps a salesman's sample, with cast relief lettering to the rear reading SQUEEZE SIDES AT CENTER TO OPEN AND CLOSE ~ Made in U.S.A. ~ Beacon. CONDITION REPORT > No overt issues.

SHIPPING AVAILABLE > All wood, standing 4.5" tall, measuring 6.25 x 3.5" overall, in the manner of a mail delivery truck, as a wind-up musical coin bank ~ Graphics to the sides read UNITED STATES POSTAL SERVICE ~ U.S. MAIL, along with details, as we as to the front ~ To the underside, the manufacturer is identified as LOCOMOBILE with a copyright date of 1989 ~ Wheels are functional. CONDITION REPORT > No overt issues.

SHIPPING AVAILABLE > A Vintage Harley Davidson Motorcycle #1 Eagle Wings Enamel Vest Jacket Hat Pin, measuring 1-1/8 x 7/8" overall ~ Post and clutch mount to the rear, for lapel, vest of cap. CONDITION REPORT > No overt issues.

SHIPPING AVAILABLE > An authentic example of an early metal sewing thimble with relief lettering cast round the skirt reading DRINK COCA-COLA IN BOTTLES. CONDITION REPORT > A rather well preserved example ~ Perhaps typical and minor elements, relative to age, use and materials.

SHIPPING AVAILABLE > A laminated paper coaster measuring 3.5" in diameter, with a scalloped border, featuring graphics depicting the Sprite Boy with his Coca-Cola bottle cap hat, alongside a bottle of Coca-Cola, with a message reading ~ Welcome Friend ~ Have a Coke. CONDITION REPORT > Perhaps typical and minor elements relative to age, use and materials.

SHIPPING AVAILABLE > Certainly rare, a 1940s issue, World War II era two page cardstock folder measuring a large 9.75 x 12.5" overall, titled ~ SERVICE MERCHANDISING ~ SEVENTH SERIES ~ A new series of merchandising meetings covering the salesman's job in wartime conditions, along with the traditional Drink Coca-Cola logo. CONDITION REPORT > Typical an minor elements relative to age, handling and material ~ Dog ear to lower right corner.

SHIPPING AVAILABLE > A group of -16- various manuals, all discovered within a single envelope, relative to Coca-Cola merchandising strategy and training for salesmen during the World War II era, as explained on the included Coca-Cola letterhead from the Bottling Sales Division of Wilmington, Delaware on October 4, 1943. CONDITION REPORT > Remarkably well preserved ~ No overt issues.

SHIPPING AVAILABLE > A collection of -17- large size pinback buttons, the largest measuring 3.5" in diameter ~ SuperBowl XX and VII World Champions, Budweiser Beer, US Postal Service, Coca-Cola and more.

SHIPPING AVAILABLE > A group of -6- wooden nickels, each featuring a buffalo to the obverse surrounded by WOODEN NICKEL 5c, with a message to the reverse reading ~ DON'T WORK FOR WOODEN NICKELS ~ SELL GENERAL ELECTRIC FANS with the G.E. stylized logo. CONDITION REPORT > Notable elements relative to age and materials.

SHIPPING AVAILABLE > A group of -3- coin banks of cast metal, each featuring a bronze patina finish, figural in the manner of early automobiles ~ Standing around 3.5" tall, 5.5" long x 2.75 wide, varying slightly relative to the model ~ Each is identified with a paper label to the underside ~ 1915 Chevrolet ~ 1926 Model T Ford ~ 1917 Pierce Arrow ~ Two are marked BANTHRICO ~ CHICAGO, IL to the underside. Each retains the original key, taped to the underside. CONDITION REPORT > Rarely found in such pristine condition ~ No overt issues. History of Banthrico In 1931, Jerome Aronson and Joseph Eisendrath purchased the business and equipment of Banker's Thrift Corportaion, creating a new company with the abbreviated name Ban-thri-co. Both Banker's Thrift and its subsidiary, Stronghart, were well-known makers of coin banks.

SHIPPING AVAILABLE > A pair of miniature, case composite drink cases, offered as advertising by the Coca-Cola Company ~ Each measures 3.5 x 2.5" overall, standing 2" tall to the top of the bottles ~ Most bottles are clear plastic, with six aqua green ~ Enamel filled embossed stylized lettering to the side of each case reads DRINK Coca-Cola IN BOTTLES ~ No often found complete with all -24- bottles. CONDITION REPORT > No overt issues.

SHIPPING AVAILABLE > A one size fits all adjustable strap ball cap, promoting David Duke as a Louisiana gubernatorial election of 1991 ~ Bold, screenprinted lettering to the front reads DUKE - GOVERNOR. CONDITION REPORT > Perhaps some dust ~ Otherwise, seemingly in mint condition, and quite remarkable for some 30+ years. About David Duke David Ernest Duke is an American politician, author, white supremacist, antisemitic conspiracy theorist, and former grand wizard of the Knights of the Ku Klux Klan. From 1989 to 1992, he was a member of the Louisiana House of Representatives for the Republican Party.

SHIPPING AVAILABLE > A group of -3- Christmas tree ornaments ~ Coca-Cola Santa ornament produced by Corning Glass ~ Campbell's Soup 1998 Collector's Edition ornament ~ A Coke Float, Santa in a hot air balloon, Coca-Cola ornament produced in 1993 by Enesco. CONDITION REPORT > No overt issues ~ Appear to have never been used.

SHIPPING AVAILABLE > A group of -4- diminutive oil cans in the manner of coin banks, offered as advertising by various gasoline stations ~ All stand 2.75" tall and measure 2" in diameter ~ One example, as noted, has a removable cover to the underside ~ Includes the following > # 1 > SINCLAIR AIRCRAFT OIL ~ Paper Label Over Tin # 2 > GULFPRIDE H-D SELECT ~ GULF ~ Lithographed Tin # 3 > PHILLIPS 66 TROP-ARCTIC, THE ALL WEATHER MOTOR OIL ~ Lithographed tin ~ Removable cap to underside ~ Lettering and logo indicates production by CANCO # 4 > CITIES SERVICE 5D KOOLMOTOR ~ Lithographed tin / Some wear to graphics CONDITION REPORT > Overall, relatively well preserved condition, other than noted above ~ Perhaps typical and minor elements relative to age, handling and material.

SHIPPING AVAILABLE > A group of -4- diminutive oil cans in the manner of coin banks, offered as advertising by various gasoline stations ~ All stand 2.75" tall and measure 2" in diameter ~ Includes the following > # 1 > SINCLAIR AIRCRAFT OIL ~ Paper Label Over Tin # 2 > GULFPRIDE H-D SELECT ~ GULF ~ Lithographed Tin # 3 > SINCLAIR OPALINE MOTOR OIL ~ Paper Label Over Tin # 4 > CITIES SERVICE 5D KOOLMOTOR ~ Lithographed tin / Some wear to graphics CONDITION REPORT > Overall, relatively well preserved condition, other than noted above ~ Perhaps typical and minor elements relative to age, handling and material.

SHIPPING AVAILABLE > A group of several early examples of Girl Scout regalia, as follows > 2 > Wool Tam o' Shanter style hats with the GS logo patch, one labeled Kangol to the inside ~ Both suffer from small moth holes 1 Pair > Girl Scout socks with the G-S initials woven 1 > Elastic belt with the Girl Scout herald to the metal buckle 1 > Aluminum collapsible drinking cup with the Girl Scout herald to the top cover 1 > Yellow Girl Scout kerchief with the GS four leaf clover embroidered CONDITION REPORT > Other than noted above, expect typical elements relative to age, use and materials.

SHIPPING AVAILABLE > Standing 6" tall, measuring 8" square, a vintage lithographed tin featuring graphics to side panels depicting the jolly Sunshine Baker Man, along with SUNSHINE BISCUITS, FROM THE THOUSAND WINDOW BAKERIES, along with an inset to one panel reading SUNSHINE SODA CRACKERS. CONDITION REPORT > Blemishes, scratches, spots of surface rust and other notable elements relative to age, handling and materials. History of Sunshine Biscuits Sunshine Biscuits, formerly known as The Loose-Wiles Biscuit Company, was an independent American baker of cookies, crackers, and cereals. The company, which became a brand on a few products such as Cheez-It, was purchased by Keebler Company in 1996, which was purchased by Kellogg Company in 2001. Until the late 19th century, the biscuit and cracker industry was made up of small independent local bakeries preparing products and selling them in bulk. The barrels and crates of biscuits were delivered by horse and wagon, set out in the grocery store and sold to the consumer by the measure. In 1890, a group of 33 midwest and western bakers combined to form the American Biscuit & Manufacturing Company. This was to compete with United States Baking Company, another Midwest group and the New York Biscuit Company, an east coast conglomerate. Soon the American Biscuit and New York Biscuit groups were opening bakeries and lowering prices in each other's area in an attempt to eliminate the competition. Finally in February 1898, the competing groups combined 114 factories and formed the National Biscuit Company (Nabisco). Joseph Loose was a member of Nabisco's Board of Directors, and in 1902, he, his brother Jacob Loose, and John H. Wiles, liquidated their holdings in National Biscuit Company and formed the Loose-Wiles Biscuit Company in Kansas City, Missouri. They envisioned a factory filled with sunlight and so they adopted the name Sunshine. Soon they began expanding and opened new plants in Boston and then New York City. In 1912 Loose-Wiles opened its "Thousand Window" bakery in the Long Island City neighborhood of New York City, which remained the largest bakery building in the world until 1955. The plant was closed in 1965 and the production was moved to Sayreville, New Jersey. Loose-Wiles never registered its Sunshine brand name and therefore spent much effort in the first forty years trying to dissuade other companies from using the word "sunshine" or any related word on their product or in their advertising. Since Loose-Wiles claim was not based on a registered mark, they often had to investigate when and where the other company first used the word to determine which company had first claim so as not to lose their right to the name "Sunshine" for their own products. Finally in 1946, the Loose-Wiles Company officially changed its name to Sunshine Biscuit, Inc. The early part of the company's history was dominated by developing new items and acquiring established brands from other smaller companies. Many of the products and their names are similar to those of their largest competitor, the National Biscuit Company. For example, Nabisco's first individually packaged cracker was named Uneeda. Loose-Wile's cracker was "Takhoma". Loose-Wiles made "Trumps Cookies". Nabisco produced "Aces". Sunshine Biscuit had "Animal Crackers" and "Toy Cookies". Nabisco produced "Barnum's Animals". The American Tobacco Company purchased the company in 1966. It was then sold to G. F. Industries, a privately held California company, and finally merged with the Keebler Company in 1996.

SHIPPING AVAILABLE > An outstanding example of Mid-Century Modernism design, this blue glass decorative decanter stands an impressive 22" tall, with a 5" diameter lower body, fitted with a flame stopper ~ Featuring an overall design of hobnails in relief ~ Examples of this type are often attributed to Empoli, or other producers of mid-century Italian glassware. CONDITION REPORT > Dusty, in need of a general cleaning ~ No overt issues. About Mid-Century Modern Design Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was popular in the United States and Europe from roughly 1945 to 1970 during the United States's post-World War II period. MCM-style decor and architecture have seen a major resurgence that began in the late 1990s and continues today. The term was used as early as the mid-1950s, and was defined as a design movement by Cara Greenberg in her 1984 book Mid-Century Modern: Furniture of the 1950s. It is now recognized by scholars and museums worldwide as a significant design movement. The MCM design aesthetic is modern in style and construction, aligned with the Modernist movement of the period. It is typically characterized by clean, simple lines and honest use of materials, and generally does not include decorative embellishments.

SHIPPING AVAILABLE > A striking example of Mid-Century Modernism style and design, this blown amber glass vase stands a monumental 21" tall, measuring 6" in diameter to the base ~ Etched florals and decorations surround the shoulder, with a gold pinstripe to the border of the base, with the tall neck ending in a narrow flared lip mouth ~ A notable pontil mark to the underside of the base. CONDITION REPORT > Dusty, in need of a general cleaning ~ Otherwise, no overt issues. About Mid-Century Modern Design Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was popular in the United States and Europe from roughly 1945 to 1970 during the United States's post-World War II period. MCM-style decor and architecture have seen a major resurgence that began in the late 1990s and continues today. The term was used as early as the mid-1950s, and was defined as a design movement by Cara Greenberg in her 1984 book Mid-Century Modern: Furniture of the 1950s. It is now recognized by scholars and museums worldwide as a significant design movement. The MCM design aesthetic is modern in style and construction, aligned with the Modernist movement of the period. It is typically characterized by clean, simple lines and honest use of materials, and generally does not include decorative embellishments,

SHIPPING AVAILABLE > The common eland, also known as the southern eland or eland antelope, is a large-sized savannah and plains antelope found in East and Southern Africa ~ This hand carved statue is believed to be of African teak wood, also known as Iroko, produced from a single piece, standing a notable 10" tall x 10" overall, quite solid and substantial, weighing 1-3/4 pounds ~ A standing doe, with suckling baby. CONDITION REPORT > Perhaps typical and minor elements relative to age, hard carved manner and material.

SHIPPING AVAILABLE > A group of -3- glass store jars, as follows > 1 > Clear glass, standing 8.5 tall, measuring 5" square ~ Domed finial lid does not fit mouth of jar 2 > Clear glass, standing 8" tall, measuring 5.5" to body, featuring a vertical panel body with dome finial cover ~ An applied, lithographed paper label to one side reads > 1c ~ HERSHEY-ETS ~ HERSHEY MILK CHOCOLATE CANDY COATED 3 > Clear glass, standing 9" tall, measuring 4" square, featuring a scalloped top finial cover ~ An applied, lithographed paper label to one side reads > 1 CENT ~ BLUE BIRD GUM ~ UNIVERSAL PRODUCTS, KANSAS CITY, MO. ~ PATENTED APR. 6, 1915 ~ TRADE MARK CONDITION REPORT > Other than noted above, perhaps typical and minor elements relative to age, handling and materials ~ No overt issues.

SHIPPING AVAILABLE > An authentic 1891 CONFEDERATE STATES of AMERICA $500 Civil War Loan Bond with 29 Coupons ~ Printed by B. Duncan of Columbia, South Carolina ~ At top center, a portrait of Jefferson Davis. Measuring 13.5 x 14.75'" overall, from an old and prominent New Orleans, Louisiana estate collection, referenced as Criswell #72. a Confederate States of America $500 Loan document with coupons remaining attached, each redeemable for $20.00 in interest, every six months, through April, 1879 ~ The last bond redeemed was the first half of 1865, commensurate with history, as the was ended during the Spring, 1865, when Robert E. Lee surrendered the last major Confederate army to Ulysses S. Grant at Appomattox Courthouse on April 9, 1865. The last battle was fought at Palmito Ranch, Texas, on May 13, 1865. To help raise money, the Confederate States of America issued bonds. Early in the Civil War, these bonds seemed a worthwhile, even patriotic, investment to the Southerners who bought them. The war was going well for the Confederacy and the bonds promised a tidy profit in interest. At war's end, Southerners were left holding now worthless Confederate bonds. This example was printed by B. Duncan of Columbia, S.C., and so noted in diminutive text to the lower center margin. CONDITION REPORT > Handwritten details are legible to a degree, including dates, and signatures ~ Otherwise, perhaps typical and minor elements relative to age, handling and material. BRIEF HISTORY OF THE CIVIL WAR The Civil War is the central event in America's historical consciousness. While the Revolution of 1776-1783 created the United States, the Civil War of 1861-1865 determined what kind of nation it would be. The war resolved two fundamental questions left unresolved by the revolution: whether the United States was to be a dissolvable confederation of sovereign states or an indivisible nation with a sovereign national government; and whether this nation, born of a declaration that all men were created with an equal right to liberty, would continue to exist as the largest slaveholding country in the world. Northern victory in the war preserved the United States as one nation and ended the institution of slavery that had divided the country from its beginning. But these achievements came at the cost of 625,000 lives--nearly as many American soldiers as died in all the other wars in which this country has fought combined. The American Civil War was the largest and most destructive conflict in the Western world between the end of the Napoleonic Wars in 1815 and the onset of World War I in 1914. The Civil War began, due to uncompromising differences between the free and slave states over the power of the national government to prohibit slavery in the territories that had not yet become states. When Abraham Lincoln won election in 1860 as the first Republican president on a platform pledging to keep slavery out of the territories, seven slave states in the deep South seceded and formed a new nation, the Confederate States of America. The incoming Lincoln administration and most of the Northern people refused to recognize the legitimacy of secession. They feared that it would discredit democracy and create a fatal precedent that would eventually fragment the no-longer United States into several small, squabbling countries. The event that triggered war came at Fort Sumter in Charleston Bay on April 12, 1861. Claiming this United States fort as their own, the Confederate army on that day opened fire on the federal garrison and forced it to lower the American flag in surrender. Lincoln called out the militia to suppress this "insurrection." Four more slave states seceded and joined the Confederacy. By the end of 1861 nearly a million armed men confronted each other along a line stretching 1200 miles from Virginia to Missouri. Several battles had already taken place--near Manassas Junction in Virginia, in the mountains of western Virginia where Union victories paved the way for creation of the new state of West Virginia, at Wilson's Creek in Missouri, at Cape Hatteras in North Carolina, and at Port Royal in South Carolina where the Union navy established a base for a blockade to shut off the Confederacy's access to the outside world. The real fighting began in 1862. Huge battles like Shiloh in Tennessee, Gaines' Mill, Second Manassas, and Fredericksburg in Virginia, and Antietam in Maryland foreshadowed even bigger campaigns and battles in subsequent years, from Gettysburg in Pennsylvania to Vicksburg on the Mississippi to Chickamauga and Atlanta in Georgia. By 1864 the original Northern goal of a limited war to restore the Union had given way to a new strategy of "total war" to destroy the Old South and its basic institution of slavery and to give the restored Union a "new birth of freedom," as President Lincoln put it in his address at Gettysburg to dedicate a cemetery for Union soldiers killed in the battle there. For three long years, from 1862 to 1865, Robert E. Lee's Army of Northern Virginia staved off invasions and attacks by the Union Army of the Potomac commanded by a series of ineffective generals until Ulysses S. Grant came to Virginia from the Western theater to become general in chief of all Union armies in 1864. After bloody battles at places with names like The Wilderness, Spotsylvania, Cold Harbor, and Petersburg, Grant finally brought Lee to bay at Appomattox in April 1865. In the meantime Union armies and river fleets in the theater of war comprising the slave states west of the Appalachian Mountain chain won a long series of victories over Confederate armies commanded by hapless or unlucky Confederate generals. In 1864-1865 General William Tecumseh Sherman led his army deep into the Confederate heartland of Georgia and South Carolina, destroying their economic infrastructure while General George Thomas virtually destroyed the Confederacy's Army of Tennessee at the battle of Nashville. By the spring of 1865 all the principal Confederate armies surrendered, and when Union cavalry captured the fleeing Confederate President Jefferson Davis in Georgia on May 10, 1865, resistance collapsed and the war ended. The long, painful process of rebuilding a united nation free of slavery began.

SHIPPING AVAILABLE > An authentic 1873 CONFEDERATE STATES of AMERICA $1000 Civil War Loan Bond with 13 Coupons Remaining Intact ~ Printed by B. Duncan of Columbia, South Carolina ~ At top center, a portrait of R.M.T. Hunter. Robert Mercer Taliaferro Hunter was an American lawyer, politician and planter. He was a U.S. representative, speaker of the House, and U.S. senator. During the American Civil War, Hunter became the Confederate States Secretary of State and then a Confederate senator and critic of President Jefferson Davis. Measuring 13 x 14.75'" overall, from an old and prominent New Orleans, Louisiana estate collection, referenced as Criswell #89. a Confederate States of America $1000 Loan document with coupons remaining attached, each redeemable for $40.00 in interest, every six months, through January, 1873 ~ The last bond redeemed was the first half of 1865, commensurate with history, as the was ended during the Spring, 1865, when Robert E. Lee surrendered the last major Confederate army to Ulysses S. Grant at Appomattox Courthouse on April 9, 1865. The last battle was fought at Palmito Ranch, Texas, on May 13, 1865. To help raise money, the Confederate States of America issued bonds. Early in the Civil War, these bonds seemed a worthwhile, even patriotic, investment to the Southerners who bought them. The war was going well for the Confederacy and the bonds promised a tidy profit in interest. At war's end, Southerners were left holding now worthless Confederate bonds. This example was printed by B. Duncan of Columbia, S.C., and so noted in diminutive text to the lower center margin. CONDITION REPORT > Handwritten details quite legible, including dates, and signatures ~ Brown water spotting and degradation to paper at upper right margin ~ Otherwise, perhaps typical and minor elements relative to age, handling and material. BRIEF HISTORY OF THE CIVIL WAR The Civil War is the central event in America's historical consciousness. While the Revolution of 1776-1783 created the United States, the Civil War of 1861-1865 determined what kind of nation it would be. The war resolved two fundamental questions left unresolved by the revolution: whether the United States was to be a dissolvable confederation of sovereign states or an indivisible nation with a sovereign national government; and whether this nation, born of a declaration that all men were created with an equal right to liberty, would continue to exist as the largest slaveholding country in the world. Northern victory in the war preserved the United States as one nation and ended the institution of slavery that had divided the country from its beginning. But these achievements came at the cost of 625,000 lives--nearly as many American soldiers as died in all the other wars in which this country has fought combined. The American Civil War was the largest and most destructive conflict in the Western world between the end of the Napoleonic Wars in 1815 and the onset of World War I in 1914. The Civil War began, due to uncompromising differences between the free and slave states over the power of the national government to prohibit slavery in the territories that had not yet become states. When Abraham Lincoln won election in 1860 as the first Republican president on a platform pledging to keep slavery out of the territories, seven slave states in the deep South seceded and formed a new nation, the Confederate States of America. The incoming Lincoln administration and most of the Northern people refused to recognize the legitimacy of secession. They feared that it would discredit democracy and create a fatal precedent that would eventually fragment the no-longer United States into several small, squabbling countries. The event that triggered war came at Fort Sumter in Charleston Bay on April 12, 1861. Claiming this United States fort as their own, the Confederate army on that day opened fire on the federal garrison and forced it to lower the American flag in surrender. Lincoln called out the militia to suppress this "insurrection." Four more slave states seceded and joined the Confederacy. By the end of 1861 nearly a million armed men confronted each other along a line stretching 1200 miles from Virginia to Missouri. Several battles had already taken place--near Manassas Junction in Virginia, in the mountains of western Virginia where Union victories paved the way for creation of the new state of West Virginia, at Wilson's Creek in Missouri, at Cape Hatteras in North Carolina, and at Port Royal in South Carolina where the Union navy established a base for a blockade to shut off the Confederacy's access to the outside world. The real fighting began in 1862. Huge battles like Shiloh in Tennessee, Gaines' Mill, Second Manassas, and Fredericksburg in Virginia, and Antietam in Maryland foreshadowed even bigger campaigns and battles in subsequent years, from Gettysburg in Pennsylvania to Vicksburg on the Mississippi to Chickamauga and Atlanta in Georgia. By 1864 the original Northern goal of a limited war to restore the Union had given way to a new strategy of "total war" to destroy the Old South and its basic institution of slavery and to give the restored Union a "new birth of freedom," as President Lincoln put it in his address at Gettysburg to dedicate a cemetery for Union soldiers killed in the battle there. For three long years, from 1862 to 1865, Robert E. Lee's Army of Northern Virginia staved off invasions and attacks by the Union Army of the Potomac commanded by a series of ineffective generals until Ulysses S. Grant came to Virginia from the Western theater to become general in chief of all Union armies in 1864. After bloody battles at places with names like The Wilderness, Spotsylvania, Cold Harbor, and Petersburg, Grant finally brought Lee to bay at Appomattox in April 1865. In the meantime Union armies and river fleets in the theater of war comprising the slave states west of the Appalachian Mountain chain won a long series of victories over Confederate armies commanded by hapless or unlucky Confederate generals. In 1864-1865 General William Tecumseh Sherman led his army deep into the Confederate heartland of Georgia and South Carolina, destroying their economic infrastructure while General George Thomas virtually destroyed the Confederacy's Army of Tennessee at the battle of Nashville. By the spring of 1865 all the principal Confederate armies surrendered, and when Union cavalry captured the fleeing Confederate President Jefferson Davis in Georgia on May 10, 1865, resistance collapsed and the war ended. The long, painful process of rebuilding a united nation free of slavery began.

SHIPPING AVAILABLE > An authentic 1863 CONFEDERATE STATES of AMERICA $1000 Civil War Loan Bond with 7 Coupons ~ Printed by Evans * Cogswell of Columbia, South Carolina ~ At top center, a vignette of Confederate President Jefferson Davis and nice view of the Confederate capitol city of Richmond, Virginia, at the upper right. Dejected figure of Liberty at the bottom. Measuring 13.5 x 14.75'" overall, referenced as Criswell #125. a Confederate States of America $1000 Loan document with coupons remaining attached, each redeemable for $40.00 in interest, every six months, through July, 1868 ~ The last bond redeemed was the first half of 1865, commensurate with history, as the was ended during the Spring, 1865, when Robert E. Lee surrendered the last major Confederate army to Ulysses S. Grant at Appomattox Courthouse on April 9, 1865. The last battle was fought at Palmito Ranch, Texas, on May 13, 1865. To help raise money, the Confederate States of America issued bonds. Early in the Civil War, these bonds seemed a worthwhile, even patriotic, investment to the Southerners who bought them. The war was going well for the Confederacy and the bonds promised a tidy profit in interest. At war's end, Southerners were left holding now worthless Confederate bonds. This example was printed by B. Duncan of Columbia, S.C., and so noted in diminutive text to the lower center margin. CONDITION REPORT > Handwritten details quite legible, including dates, and signatures ~ Two brown spots to upper left corner, otherwise, a well-preserved example. BRIEF HISTORY OF THE CIVIL WAR The Civil War is the central event in America's historical consciousness. While the Revolution of 1776-1783 created the United States, the Civil War of 1861-1865 determined what kind of nation it would be. The war resolved two fundamental questions left unresolved by the revolution: whether the United States was to be a dissolvable confederation of sovereign states or an indivisible nation with a sovereign national government; and whether this nation, born of a declaration that all men were created with an equal right to liberty, would continue to exist as the largest slaveholding country in the world. Northern victory in the war preserved the United States as one nation and ended the institution of slavery that had divided the country from its beginning. But these achievements came at the cost of 625,000 lives--nearly as many American soldiers as died in all the other wars in which this country has fought combined. The American Civil War was the largest and most destructive conflict in the Western world between the end of the Napoleonic Wars in 1815 and the onset of World War I in 1914. The Civil War began, due to uncompromising differences between the free and slave states over the power of the national government to prohibit slavery in the territories that had not yet become states. When Abraham Lincoln won election in 1860 as the first Republican president on a platform pledging to keep slavery out of the territories, seven slave states in the deep South seceded and formed a new nation, the Confederate States of America. The incoming Lincoln administration and most of the Northern people refused to recognize the legitimacy of secession. They feared that it would discredit democracy and create a fatal precedent that would eventually fragment the no-longer United States into several small, squabbling countries. The event that triggered war came at Fort Sumter in Charleston Bay on April 12, 1861. Claiming this United States fort as their own, the Confederate army on that day opened fire on the federal garrison and forced it to lower the American flag in surrender. Lincoln called out the militia to suppress this "insurrection." Four more slave states seceded and joined the Confederacy. By the end of 1861 nearly a million armed men confronted each other along a line stretching 1200 miles from Virginia to Missouri. Several battles had already taken place--near Manassas Junction in Virginia, in the mountains of western Virginia where Union victories paved the way for creation of the new state of West Virginia, at Wilson's Creek in Missouri, at Cape Hatteras in North Carolina, and at Port Royal in South Carolina where the Union navy established a base for a blockade to shut off the Confederacy's access to the outside world. The real fighting began in 1862. Huge battles like Shiloh in Tennessee, Gaines' Mill, Second Manassas, and Fredericksburg in Virginia, and Antietam in Maryland foreshadowed even bigger campaigns and battles in subsequent years, from Gettysburg in Pennsylvania to Vicksburg on the Mississippi to Chickamauga and Atlanta in Georgia. By 1864 the original Northern goal of a limited war to restore the Union had given way to a new strategy of "total war" to destroy the Old South and its basic institution of slavery and to give the restored Union a "new birth of freedom," as President Lincoln put it in his address at Gettysburg to dedicate a cemetery for Union soldiers killed in the battle there. For three long years, from 1862 to 1865, Robert E. Lee's Army of Northern Virginia staved off invasions and attacks by the Union Army of the Potomac commanded by a series of ineffective generals until Ulysses S. Grant came to Virginia from the Western theater to become general in chief of all Union armies in 1864. After bloody battles at places with names like The Wilderness, Spotsylvania, Cold Harbor, and Petersburg, Grant finally brought Lee to bay at Appomattox in April 1865. In the meantime Union armies and river fleets in the theater of war comprising the slave states west of the Appalachian Mountain chain won a long series of victories over Confederate armies commanded by hapless or unlucky Confederate generals. In 1864-1865 General William Tecumseh Sherman led his army deep into the Confederate heartland of Georgia and South Carolina, destroying their economic infrastructure while General George Thomas virtually destroyed the Confederacy's Army of Tennessee at the battle of Nashville. By the spring of 1865 all the principal Confederate armies surrendered, and when Union cavalry captured the fleeing Confederate President Jefferson Davis in Georgia on May 10, 1865, resistance collapsed and the war ended. The long, painful process of rebuilding a united nation free of slavery began.

SHIPPING AVAILABLE > An authentic 1891 CONFEDERATE STATES of AMERICA $500 Civil War Loan Bond with 15 Coupons ~ Printed by Wagner & Company, Richmond, Virginia ~ At top center, a portrait of Christopher Gustavus Memminger (German: Christoph Gustav Memminger; January 9, 1803 – March 7, 1888) who was a German-born American politician and a secessionist who participated in the formation of the Confederate States government. He was the principal author of the Provisional Constitution (1861), as well as the founder of the Confederate financial system. As the first Confederate States Secretary of the Treasury, Memminger was the principal author of the economic policies of Jefferson Davis's administration ~ Signed by Register of the Treasury, Tyler. Measuring 13.5 x 11.5'" overall, referenced as Criswell #88. a Confederate States of America $1100 Loan document with coupons remaining attached, each redeemable for $40.00 in interest, every six months, through April, 1879 ~ The last bond redeemed was the first half of 1865, commensurate with history, as the was ended during the Spring, 1865, when Robert E. Lee surrendered the last major Confederate army to Ulysses S. Grant at Appomattox Courthouse on April 9, 1865. The last battle was fought at Palmito Ranch, Texas, on May 13, 1865. To help raise money, the Confederate States of America issued bonds. Early in the Civil War, these bonds seemed a worthwhile, even patriotic, investment to the Southerners who bought them. The war was going well for the Confederacy and the bonds promised a tidy profit in interest. At war's end, Southerners were left holding now worthless Confederate bonds. This example was printed by Wagner & Co, Richmond, Va.., and so noted in diminutive text to the lower center margin. CONDITION REPORT > Handwritten details are legible to a degree, including dates, and signatures ~ Two chips to left edge, otherwise, a well preserved example. BRIEF HISTORY OF THE CIVIL WAR The Civil War is the central event in America's historical consciousness. While the Revolution of 1776-1783 created the United States, the Civil War of 1861-1865 determined what kind of nation it would be. The war resolved two fundamental questions left unresolved by the revolution: whether the United States was to be a dissolvable confederation of sovereign states or an indivisible nation with a sovereign national government; and whether this nation, born of a declaration that all men were created with an equal right to liberty, would continue to exist as the largest slaveholding country in the world. Northern victory in the war preserved the United States as one nation and ended the institution of slavery that had divided the country from its beginning. But these achievements came at the cost of 625,000 lives--nearly as many American soldiers as died in all the other wars in which this country has fought combined. The American Civil War was the largest and most destructive conflict in the Western world between the end of the Napoleonic Wars in 1815 and the onset of World War I in 1914. The Civil War began, due to uncompromising differences between the free and slave states over the power of the national government to prohibit slavery in the territories that had not yet become states. When Abraham Lincoln won election in 1860 as the first Republican president on a platform pledging to keep slavery out of the territories, seven slave states in the deep South seceded and formed a new nation, the Confederate States of America. The incoming Lincoln administration and most of the Northern people refused to recognize the legitimacy of secession. They feared that it would discredit democracy and create a fatal precedent that would eventually fragment the no-longer United States into several small, squabbling countries. The event that triggered war came at Fort Sumter in Charleston Bay on April 12, 1861. Claiming this United States fort as their own, the Confederate army on that day opened fire on the federal garrison and forced it to lower the American flag in surrender. Lincoln called out the militia to suppress this "insurrection." Four more slave states seceded and joined the Confederacy. By the end of 1861 nearly a million armed men confronted each other along a line stretching 1200 miles from Virginia to Missouri. Several battles had already taken place--near Manassas Junction in Virginia, in the mountains of western Virginia where Union victories paved the way for creation of the new state of West Virginia, at Wilson's Creek in Missouri, at Cape Hatteras in North Carolina, and at Port Royal in South Carolina where the Union navy established a base for a blockade to shut off the Confederacy's access to the outside world. The real fighting began in 1862. Huge battles like Shiloh in Tennessee, Gaines' Mill, Second Manassas, and Fredericksburg in Virginia, and Antietam in Maryland foreshadowed even bigger campaigns and battles in subsequent years, from Gettysburg in Pennsylvania to Vicksburg on the Mississippi to Chickamauga and Atlanta in Georgia. By 1864 the original Northern goal of a limited war to restore the Union had given way to a new strategy of "total war" to destroy the Old South and its basic institution of slavery and to give the restored Union a "new birth of freedom," as President Lincoln put it in his address at Gettysburg to dedicate a cemetery for Union soldiers killed in the battle there. For three long years, from 1862 to 1865, Robert E. Lee's Army of Northern Virginia staved off invasions and attacks by the Union Army of the Potomac commanded by a series of ineffective generals until Ulysses S. Grant came to Virginia from the Western theater to become general in chief of all Union armies in 1864. After bloody battles at places with names like The Wilderness, Spotsylvania, Cold Harbor, and Petersburg, Grant finally brought Lee to bay at Appomattox in April 1865. In the meantime Union armies and river fleets in the theater of war comprising the slave states west of the Appalachian Mountain chain won a long series of victories over Confederate armies commanded by hapless or unlucky Confederate generals. In 1864-1865 General William Tecumseh Sherman led his army deep into the Confederate heartland of Georgia and South Carolina, destroying their economic infrastructure while General George Thomas virtually destroyed the Confederacy's Army of Tennessee at the battle of Nashville. By the spring of 1865 all the principal Confederate armies surrendered, and when Union cavalry captured the fleeing Confederate President Jefferson Davis in Georgia on May 10, 1865, resistance collapsed and the war ended. The long, painful process of rebuilding a united nation free of slavery began.

SHIPPING AVAILABLE > An authentic 1863 CONFEDERATE STATES of AMERICA $100 Civil War Loan Bond with 7 Coupons ~ ~ At top center, a vignette of the old Custom House in Richmond ~ To the lower left corner, diminutive lettering reads > Engd by Geo. Dunn & Co., Richmond, Va. Measuring 14 x 14" overall, referenced as Criswell #130a, a Confederate States of America $100 Loan document with coupons remaining attached, each redeemable for 3.00 in interest, every six months, through April, 1868 ~ The last bond redeemed was the first quarter of 1865, commensurate with history, as the was ended during the Spring, 1865, when Robert E. Lee surrendered the last major Confederate army to Ulysses S. Grant at Appomattox Courthouse on April 9, 1865. The last battle was fought at Palmito Ranch, Texas, on May 13, 1865. To help raise money, the Confederate States of America issued bonds. Early in the Civil War, these bonds seemed a worthwhile, even patriotic, investment to the Southerners who bought them. The war was going well for the Confederacy and the bonds promised a tidy profit in interest. At war's end, Southerners were left holding now worthless Confederate bonds. This example was engraved by George Dunn & Company of Richmond, Virginia, and so noted in diminutive text to the lower center margin. CONDITION REPORT > Handwritten details are legible to a degree, including dates, and signatures ~ Otherwise, perhaps typical and minor elements relative to age, handling and material. BRIEF HISTORY OF THE CIVIL WAR The Civil War is the central event in America's historical consciousness. While the Revolution of 1776-1783 created the United States, the Civil War of 1861-1865 determined what kind of nation it would be. The war resolved two fundamental questions left unresolved by the revolution: whether the United States was to be a dissolvable confederation of sovereign states or an indivisible nation with a sovereign national government; and whether this nation, born of a declaration that all men were created with an equal right to liberty, would continue to exist as the largest slaveholding country in the world. Northern victory in the war preserved the United States as one nation and ended the institution of slavery that had divided the country from its beginning. But these achievements came at the cost of 625,000 lives--nearly as many American soldiers as died in all the other wars in which this country has fought combined. The American Civil War was the largest and most destructive conflict in the Western world between the end of the Napoleonic Wars in 1815 and the onset of World War I in 1914. The Civil War began, due to uncompromising differences between the free and slave states over the power of the national government to prohibit slavery in the territories that had not yet become states. When Abraham Lincoln won election in 1860 as the first Republican president on a platform pledging to keep slavery out of the territories, seven slave states in the deep South seceded and formed a new nation, the Confederate States of America. The incoming Lincoln administration and most of the Northern people refused to recognize the legitimacy of secession. They feared that it would discredit democracy and create a fatal precedent that would eventually fragment the no-longer United States into several small, squabbling countries. The event that triggered war came at Fort Sumter in Charleston Bay on April 12, 1861. Claiming this United States fort as their own, the Confederate army on that day opened fire on the federal garrison and forced it to lower the American flag in surrender. Lincoln called out the militia to suppress this "insurrection." Four more slave states seceded and joined the Confederacy. By the end of 1861 nearly a million armed men confronted each other along a line stretching 1200 miles from Virginia to Missouri. Several battles had already taken place--near Manassas Junction in Virginia, in the mountains of western Virginia where Union victories paved the way for creation of the new state of West Virginia, at Wilson's Creek in Missouri, at Cape Hatteras in North Carolina, and at Port Royal in South Carolina where the Union navy established a base for a blockade to shut off the Confederacy's access to the outside world. The real fighting began in 1862. Huge battles like Shiloh in Tennessee, Gaines' Mill, Second Manassas, and Fredericksburg in Virginia, and Antietam in Maryland foreshadowed even bigger campaigns and battles in subsequent years, from Gettysburg in Pennsylvania to Vicksburg on the Mississippi to Chickamauga and Atlanta in Georgia. By 1864 the original Northern goal of a limited war to restore the Union had given way to a new strategy of "total war" to destroy the Old South and its basic institution of slavery and to give the restored Union a "new birth of freedom," as President Lincoln put it in his address at Gettysburg to dedicate a cemetery for Union soldiers killed in the battle there. For three long years, from 1862 to 1865, Robert E. Lee's Army of Northern Virginia staved off invasions and attacks by the Union Army of the Potomac commanded by a series of ineffective generals until Ulysses S. Grant came to Virginia from the Western theater to become general in chief of all Union armies in 1864. After bloody battles at places with names like The Wilderness, Spotsylvania, Cold Harbor, and Petersburg, Grant finally brought Lee to bay at Appomattox in April 1865. In the meantime Union armies and river fleets in the theater of war comprising the slave states west of the Appalachian Mountain chain won a long series of victories over Confederate armies commanded by hapless or unlucky Confederate generals. In 1864-1865 General William Tecumseh Sherman led his army deep into the Confederate heartland of Georgia and South Carolina, destroying their economic infrastructure while General George Thomas virtually destroyed the Confederacy's Army of Tennessee at the battle of Nashville. By the spring of 1865 all the principal Confederate armies surrendered, and when Union cavalry captured the fleeing Confederate President Jefferson Davis in Georgia on May 10, 1865, resistance collapsed and the war ended. The long, painful process of rebuilding a united nation free of slavery began.

SHIPPING AVAILABLE > A large, heavy canvas tent cover or awning, measuring around 60 x 80" overall with 6" vertical extensions to the border, predominately red and white striped with stylized lettering to the long sides reading COKE adds life to ... any get together, flanked by the classic COCA-COLA logo ~ Some strap "tie-downs" to the underside. CONDITION REPORT > Perhaps a small hole(s) ~ Expect typical and minor elements relative to age, use and materials.

NO SHIPPING ~ LOCAL PICKUP ONLY > Featuring an impressive 70" wingspan, measuring 40" from nose to tail, not including the motor and propeller ~ The wing measures 11" wide ~ Standing 14" to the cockpit roof ~ What is believed to be a radio controlled R/C model of a J3 Cub airplane ~ The engine appears to be a 4 stroke type, designed to operate on nitro/glow fuel. CONDITION REPORT > Likely non-functional ~ Displayed, hanging from a ceiling as a decoration for many years ~ Dusty ~ Expect typical elements relative to age, prior use as intended and materials.

SHIPPING AVAILABLE > A rare example, standing 10" tall, measuring 4" in diameter to the base, in the manner of a traditional clear glass seltzer bottle, featuring an etched shield to one side with reverse letters, reading > COLD SPRING BREWING CO. ~ COLD SPRING, MINN. ~ CARBONATED SPRING WATER ~ CONTENTS 34 OZ. CONDITION REPORT > Cloudy to the interior, perhaps in need of a simple cleaning ~ Otherwise, notably well preserved History of Cold Spring Brewery of Minnesota Cold Spring Brewing Company was founded back in 1874 and started off as a small brewery. In order to survive through the Prohibition era, they had to change, and in that change they started producing non-alcoholic beverages, like malt beverages, and club soda for a couple of examples. After Prohibition was over they got back into making beer but stayed in the non-alcoholic business because it was thriving.

SHIPPING AVAILABLE > A cardstock box filled with three colors of poker chips, as shown ~ A label to one end reads > 100 1-1/2 Inch U.S. ANCHOR CHIPS ~ PLAIN ~ ASSORTED ~ The chips were produced by the U.S. Playing Card Company ~ The U.S. Playing Card Co. was founded in 1867 as Russell, Morgan & Co., originally specializing in theatrical and circus posters, broadsides, placards, and labels. Starting in 1881, the company produced playing cards, a line that proved so successful that in 1891 this part of the business was split off under the name of the United States Playing Card Company. CONDITION REPORT > Box suffers from multiple issues ~ Chips are well preserved.

SHIPPING AVAILABLE > Standing around 4.5" tall overall, measuring 8.5" long x 5" wide to the rear tires, a die-cast metal International farm tractor, produced as a toy by the Ertl Company ~ Designed with a hitch for a farm trailer, not included. CONDITION REPORT > Lacking grill decal ~ Otherwise, a notably well preserved example.

SHIPPING AVAILABLE > A pair of vintage battery operated toy train locomotives, both standing around 7-8" tall at the smokestacks, measuring 12-14" long x 3" wide. CONDITION REPORT > Untested for functionality ~ Otherwise, seemingly well preserved, with some dust.

SHIPPING AVAILABLE > Measuring 5 x 4.25 x 2" overall, a Robert Burns Cigarellos cardstock box laminated with lithographed paper, filled with spent gun ammunition and lead ~ Brass cartridges were likely produced by the St. Louis Ordinance Plant in 1954 as 30-'06 ammunition, marked S L 5 4. CONDITION REPORT > Box suffers from varying elements with some taped areas of paper.

SHIPPING AVAILABLE > Measuring 12 x 16", a tray of various small collectibles, including pinback buttons, political memorabilia, Exxon, Illinois Central Railroad, Pepsi, Coca-Cola, advertising, miniatures, crystal prism, lapel pins and jewelry and much more > TRAY NOT INCLUDED.

SHIPPING AVAILABLE > Measuring 11.5 x 19" overall, a cardstock calendar with printed monthly pages from March through December of 1978 ~ A lithographed cardstock backer features a color lithographed photograph of a young lady with a bass violin, and a caption > ME AND MY RC. CONDITION REPORT > Lacking January and February calendar pages ~ Tear at cardstock hanger hole.

SHIPPING AVAILABLE > Measuring 13.25 x 10.25, a reverse embossed tin sign of somewhat recent production featuring 1929 painted graphics, advertising RAMSES ~ STRONG YET SENSITIVE condoms ~ Holes to each corner for tack mounting. Ramses brand rubber prophylactics were manufactured by Julius Schmid, Inc. of New York, New York. The first use of Ramses as a brand name was on March 19, 1926. Schmid received the copyright for this name on October 29, 1928. CONDITION REPORT > Minor scratches to painted finish, noted only on close scrutiny ~ Perhaps typical and minor elements relative to age and materials.

SHIPPING AVAILABLE > Measuring 13 x 10.5" overall, featuring a raised border with turned edges ~ Colorful lithographed heavy gauge metal, with the stylized Coca-Cola script lettering to the lower center border ~ To the reverse, lettering reads > "VILLAGE BLACKSMITH" Actual reproduction of graphics taken from a 1933 Coca-Cola calendar. Inspired by a poem of the same name and painted by one of America's foremost painters, Frederic Stanley. Coca-Cola brand TRAY The Coca-Cola Company ~ AUTHORIZED PRODUCT Produced by the Ohio Art Company under under license from the Coca-Cola Company ~ c 1987, the Coca-Cola Company ~ All Rights Reserved CONDITION REPORT > Perhaps typical and minor elements relative to age and materials.

SHIPPING AVAILABLE > Measuring 13 x 10.5" overall, featuring a raised border with turned edges ~ Colorful lithographed heavy gauge metal, with the stylized Coca-Cola script lettering to the lower center border ~ To the reverse, lettering reads > Coca-Cola brand TRAY "THRIFT MERCANTILE" Jeanne Mack, a self-taught watercolorist, was raised in Atlanta, Georgia. She and her family now choose to live in rural N.E. Georgia, where Jeanne paints the nostalgic scenes that surround her. Old buildings, collectibles, birds and cats are her favorite subjects. The abandoned store on this tray is in Tennessee but Jeanne painted it back to life. "Thrift Mercantile" was the name of her father's business when she was a child. Jeanne Mack Made in the USA Produced under the authority of The Coca-Cola Company, owner of the trademarks "Coca-Cola", "Coke", the Dynamic Ribbon Device and the design of the contour bottle ©1994 The Coca-Cola Company. All rights reserved. Distributed by Trademark Marketing International, Inc. 1-800-241-7758 Tray Issued 1994 Coke brand TRAY The Coca-Cola Company CONDITION REPORT > No overt issues.

SHIPPING AVAILABLE > Measuring 13 x 10.5" overall, featuring a raised border with turned edges ~ Colorful lithographed heavy gauge metal, with the stylized Coca-Cola script lettering to the lower center border ~ A caption below the image reads > ..passing the time o' day at the corner The crossroads with its store, filling station and familiar red cooler is one of America's meeting places. There folks meet up with friends and the happy refreshment of ice-cold Coca-Cola. Have a Coke says a neighbor, and they settle down to a friendly chin-fest about "what's doin'". To the reverse, lettering reads > "WHADDYA KNOW?" This black and white artwork, created by Frank Godwin, was used for newspaper advertisements published by the bottlers of The Coca-Cola Company. Illustration ©1993 The Coca-Cola Company. All rights reserved. Produced under the authority of The Coca-Cola Company, owner of the trademarks "Coca-Cola", "Coke", the Dynamic Ribbon Device and the Design of the Contour Bottle. Tray Issued 1993 Coke brand TRAY The Coca-Cola Company CONDITION REPORT > Some minor blemishes to the underside ~ Otherwise, a well preserved example. AUTHORIZED PRODUCT

SHIPPING AVAILABLE > Standing 14.25" tall, measuring 5" wide overall to the base, designed in a convex three dimensional manner as a figural bottle, resembling an actual Coca-Cola bottle in respects to design and graphics ~ Lettering to the base reads M.C.A. ~ MADE IN U.S.A.. ~ The thermometer scale reflects the temperate in Fahrenheit and Celsius scale. CONDITION REPORT > Glass thermometer intact and appears to function appropriately ~ Perhaps typical and minor elements relative to age and materials ~ Overall, a well preserved example.

SHIPPING AVAILABLE > Measuring 10.5 x 16" overall, a land deed from Copiah County, Mississippi dated 1877 for 240 acres, along with a receipt dated 1980 from the James M. Norman, the Chancery Clerk of Court ~ An indenture between John Burt and Mrs. Burt, his wife, for $300 on the delivery of this deed of conveyance. Copiah County was established on 21 January 1823 from land ceded to the United States by the Choctaw Tribe and takes its name from a Choctaw word meaning “calling panther.” Hazlehurst, Copiah's county seat, was named for local railroad engineer George Hazlehurst. CONDITION REPORT > Folded for filing ~ Quite legible, well preserved and a fine example of early legal ephemra.

SHIPPING AVAILABLE > A smoke glass dish measuring 6" in diameter, featuring a band in the manner of red stained glass to the border with the stylized Coca-Cola script lettering repeated ~ At center, an inset reads > 1900-1975 ~ THE ATLANTA COCA-COLA BOTTLING COMPANY 75th Anniversary. CONDITION REPORT > No overt issues.

SHIPPING AVAILABLE > A molded gray plastic tray and coasters, with cork inserts lettered, Enjoy COKE in red, all in the manner of figural bottle caps ~ The tray measures 11.5" in diameter, with the coasters measuring 3.5" in diameter, all with raised scalloped borders. CONDITION REPORT > No apparent or overt issues.

SHIPPING AVAILABLE > Issued by the Coca-Cola as an advertising promotion, this vintage "new-old stock" t-shirt has never been worn ~ Produced by Hanes, made of 100% cotton, with a screen printed phrase to the front reading ~ Coke Add Life to ... Everything Nice ~ The tag indicates size LARGE 42-44 ~ Offered more as a collectible, than for actual wear. CONDITION REPORT > New, old stock ~ Perhaps typical and minor elements relative to age, storage and material ~ Overall, rather well preserved.

SHIPPING AVAILABLE > Of somewhat recent production, a group of metal tip trays advertising Coca-Cola, featuring vintage style color lithographed designs ~ An oval example measures 4.5 x 6.25" overall ~ Two measures 4.5 x 6.5" rectangular, with the larger featuring a scalloped border, measuring 7.5 x 6" overall ~ All are designed with raised borders and turned edges. CONDITION REPORT > Perhaps typical and minor elements relative to age and materials ~ Overall, well preserved examples.

SHIPPING AVAILABLE > Produced in the 1990s, a Coca-Cola Polar World Freeze Station in the original box standing 10" tall, measuring 8 x 7", designed to make slushies. CONDITION REPORT > Believed to have never been used ~ Not examined or tested for functionality.

SHIPPING AVAILABLE > A white satin like material ball cap and terry cloth towel, both featuring screenprinted graphics reading > COCA-COLA GOLF CLASSIC ~ FULL LINE VENDING. CONDITION REPORT > Stored away for a period of time ~ Perhaps settled dust, or elements relative to age and materials.

SHIPPING AVAILABLE > Coca-Cola brand kitchen linens were produced by Stevens Linens Associates during the 1990s era ~ This full body apron features the classic sign graphics reading ICE COLD COCA-COLA SOLD HERE, flanking a bottle of Coca-Cola, with vertical pinstripes and red hemmed borders ~ The original tag remains intact. CONDITION REPORT > Crisp, never worn or washed ~ Stored away for well over 25 years ~ Perhaps settled dust, or elements relative to age and materials ~ Seemingly a well preserved example.

SHIPPING AVAILABLE > Coca-Cola brand kitchen linens were produced by Stevens Linens Associates during the 1990s era ~ This group of -3- kitchen towels feature the classic advertising sign graphics reading ICE COLD COCA-COLA SOLD HERE, flanking a bottle of Coca-Cola ~ A wash cloth size terry towels, a hand or dish drying terry towel and a towel designed with a loop for perhaps handing on a door handle ~ The original tags remain intact. CONDITION REPORT > Crisp, never worn or washed ~ Stored away for well over 25 years ~ Seemingly well preserved examples.

SHIPPING AVAILABLE > A pair of vinyl bottle or can carriers, one earlier example featuring graphics reading DRINK Coca-Cola, measuring 9.5 x 4" overall, standing 4' tall of white vinyl with red stitched trim handles ~ A later example, clearly large enough for a six-pack of cans, with the later stylized Enjoy COCA-COLA logo to one side, standing 7" tall, measuring 9 x 5" overall ~ Both features zipper closures and designed to keep bottles or cans cold. CONDITION REPORT > Displayed for many years ~ Some settled surface dust and spotting ~ In need of a general cleaning ~ Perhaps typical and minor elements relative to age and materials.

SHIPPING AVAILABLE (ROLLED) > Measuring an impressive 36" Wide x 30" Tall, an Ohman’s New Relief Map of the United States and Adjoining Portions of Canada and Mexico, in the manner of a hanging wall map published for the country’s 450th anniversary and featuring advertisements for Coca-Cola, distributed Compliment of The Coca-Cola Bottling Company, as noted to the herald at top center. This vibrantly colored relief map of the United States was published in Memphis, Tennessee by the Ohman Company in 1942, issued to commemorate the 450th anniversary of Columbus’ ‘discovery’ of the New World, and includes a series of six vignettes across the top of the sheet that chronicle America’s development across the continent. The final illustration is a patriotic reference to the ongoing Second World War. While patriotism is nice, capitalism is king in cartography. An advertisement for Coca-Cola can be seen prominently in the center. The map itself emphasizes the topography of the contiguous United States and uses a variety of colors to highlight different elevations. Transportation routes such as canals, railroads, highways and shipping lanes are also noted. Retains a string hanger attached to grommets at top ~ Metal sleeves extend horizontally at top and bottom ~ CONDITION REPORT > Some short tears at the left and right margins, with some darkened discoloration ~ Otherwise, a remarkably well preserved example.

SHIPPING AVAILABLE > Measuring 14 x 9 x 3.5" overall, a sealed box labeled 1890 FLAIR GLASSES AND A HOLDER FOR COKE, reproduced from rare originals from the archives of the Coca-Cola Company, Atlanta, Georgia, containing four glasses and one genuine pewter holder. Text to the underside panel of the carton reads > This is an authorized reproduction of the original holder and flam glasses for Coca-Cola used in soda fountains from about 1890 to 1920 The line on the flair glass was to indicate the proper amount of Coca-Cola syrup to use. This served even then to insure that the quality of Coca-Cola would always be the same everywhere. The holder was made by skilled craftsmen as is this one today. It is made of genuine pewter and contains no lead. Real pewter is relatively soft and should be handled with the same care as a piece of fine silver. It should not be put on or in a hot stove, but may be placed in a dishwasher. Do not use abrasive cleaners. The Archives The Coca-Cola Company Atlanta, Georgia January, 1974 CONDITION REPORT > No overt issues.

SHIPPING AVAILABLE > Measuring 7" overall, a die-cut lithographed cardstock sign with string cord, perhaps designed as an extension for a light or fan switch pull cord ~ Featuring graphics reading KING SIZE - PUTS YOU AT YOUR BEST, flanking a depiction of a King Size carton of Coca-Cola in bottles ~ Printed the same to each side. CONDITION REPORT > Short tear at one edge point ~ Dusty ~ Expect typical and minor elements relative to age, intended use and materials.

SHIPPING AVAILABLE > A group of -4- early tobacco tins, as follows > # 1 > MIXTURE NO. 79 ~ Manufactured by H. Sutliff ~ Smoking Tobacco ~ Standing 4.5" tall x 4.5" in diameter # 2 > SAIL ~ MILD GOLDEN CAVENDISH by THOEDORUS NIEMEYER, LTD of HOLLAND ~ Standing 5.5" tall x 5" in diameter # 3 > EDGEWORTH EXTRA HIGH GRADE PLUG SLICE SMOKING TOBACCO by LARUS & BRO. CO. of RICHMOND. VA. ~ Standing 1.25" tall, measuring 4.5 x 3.25" overall ~ A notably well preserved example # 4 > EDGEWORTH EXTRA HIGH GRADE READY RUBBED by LARUS & BRO. CO. of RICHMOND. VA. ~ A unique scalloped body tin standing 3" tall, measuring around 4.75" overall CONDITION REPORT > Expect varying elements relative to age and materials.

SHIPPING AVAILABLE > A rare Surburg Tabacco Company, Arcadia Mixture 19th Century tobacco tin canister humidor, standing 4.5" tall, measuring 4.75" in diameter ~ Featuring a vignette scene depicting what appears as an anthropomorphic bird as a man, extended in a seat at a table, in reverse embossed relief ~ A vignette to the opposite side names the manufacturer, along with verse. CONDITION REPORT > Exhibiting notable and extensive wear and elements relative to age and materials.

SHIPPING AVAILABLE > A group of -4- early tobacco tins, as follows > # 1 > PRINCE ALBERT CIRMP TOP LONG BURNING PIPE AND CIGARETTE TOBACCO ~ Dome top tin ~ Standing 5" tall x 5.25" overall ~ Extensive rust and blemishes # 2 > HALF and HALF ~ BURLY AND BRIGHT TOBACCO ~ Standing 5" tall x 5" in diameter ~ Lacking lid # 3 > EDGEWORTH EXTRA HIGH GRADE PLUG SLICE SMOKING TOBACCO by LARUS & BRO. CO. of RICHMOND. VA. ~ Standing 1.25" tall, measuring 4.5 x 3.25" overall ~ A notably well preserved example # 4 > EDGEWORTH EXTRA HIGH GRADE PLUG SLICE by LARUS & BRO. CO. of RICHMOND. VA. ~ A small pocket tin measuring 3 x 2" overall, standing .75" tall. CONDITION REPORT > Expect varying elements relative to age and materials ~ Issues noted to each above.

SHIPPING AVAILABLE > A group of -4- early tobacco tins, as follows > # 1 > PENN'S SPELLS QUALITY ~ Large square tin ~ Standing 2.5" tall x 6.5" overall ~ Scratches and blemishes. # 2 > PENN'S NATURAL LEAF, FOUR PLUG CARDSTOCK BOX ~ Measuring 6.25 x 3.25" overall, around 1" thick # 3 > EDGEWORTH EXTRA HIGH GRADE PLUG SLICED PIPE TOBACCO by LARUS & BRO. CO. of RICHMOND. VA. ~ Small pocket tin measuring around 3 x 2" overall, with some scratches and blemishes # 4 > PHILLIP MORRIS & COMPANY ENGLISH BLEND ~ Standing 3.25" tall, measuring 2.5" in diameter ~ Lacking lid. CONDITION REPORT > Expect varying elements relative to age and materials ~ Issues noted to each above.

SHIPPING AVAILABLE > A pair of pocket cigarette cases, popular during the mid-century period, featuring details relative to Art Deco revival style ~ Each measures 5 x 3" overall, opening on a hinge at one short end, with a spring loaded retainer to the interior, securing a number of short cigarettes ~ The retainers are engraved ELGIN-AMERICAN, relative to the manufacturer ~ The nickel example features a composite ebony black overlay to the panels with a silver patina metal plate engraved with the initials S.G.M ~ The gold patina example features and inset with the single initial A, flanked by angled bands of parallel lines. CONDITION REPORT > Rather well preserved examples ~ Perhaps typical and minor elements relative to age, intended purpose and materials.

SHIPPING AVAILABLE > A group of -3- 1970s era transistor radios, all relative to cartoon characters, in the figural manner of Mickey Mouse, Bugs Bunny and Smurf ~ The Smurf features a belt click, in the style of a Walkman ~ All require batteries. CONDITION REPORT > Not tested for functionality ~ Otherwise, seemingly well preserved.

SHIPPING AVAILABLE > 1970s era printed cotton cloth bell bottom style beach pants ~ Alternating designs feature the Enjoy Coca-Cola stylized red logo and white squares with black graphics reading ~ it's the real thing! Measuring around 36-38" long, with a 15" wide waist, indicating perhaps a men's size 30, fitted with a drawstring. CONDITION REPORT > Stored away for well over 50 years ~ Perhaps some settled dust ~ Perhaps typical and minor elements relative to age and material ~ Likely never worn and not recommended for wear, due to the collectible nature and to ensure continued preservation.

SHIPPING AVAILABLE > A vintage tin measuring 2-5/8" in diameter x 7/8" deep, featuring a screw off cover with lithographed designs illustrating a pellet, along with graphics reading > 250 PELLETS ~ CAL. 22 ~ H C ~ BENJAMIN. The Benjamin Air Rifle Pellets were made by the Benjamin Air Rifle Company, which was founded in 1861 in St. Louis, Missouri. The company is known for its high-quality air rifles and pellets, and its products are used by shooters all over the world. The Benjamin Air Rifle Company was founded by Benjamin Franklin, a gunsmith who invented the first practical air rifle in 1851. The company's first air rifle was the Benjamin Model 1000, which was a lever-action rifle that was capable of firing a .22 caliber pellet up to 1000 feet. The Benjamin Air Rifle Company continued to produce innovative air rifles and pellets throughout the 20th century. In 1931, the company introduced the Benjamin Model 30, which was a bolt-action rifle that was capable of firing a .22 caliber pellet up to 1200 feet. The Model 30 was a popular choice for target shooters and hunters, and it is still considered to be one of the best air rifles ever made. In 1961, the Benjamin Air Rifle Company was acquired by Crosman Corporation, another air gun manufacturer. Crosman continued to produce Benjamin air rifles and pellets, and the Benjamin brand remains one of the most popular in the air gun industry. Today, the Benjamin Air Rifle Company is a subsidiary of Crosman Corporation. The company produces a wide variety of air rifles and pellets, including ?????????????? ????????, ?????????????? ?????????, and ?????????????? ?????????. Benjamin air rifles and pellets are known for their quality, accuracy, and power. They are used by shooters all over the world for target shooting, hunting, and plinking. CONDITION REPORT > Perhaps typical and minor elements relative to age and materials ~ Nicely preserved example.

SHIPPING AVAILABLE > A pair of toy soft drink delivery trucks, partially die-cast metal, both featuring applied PEPSI graphics, as follows > #1 > Standing 3" tall x 6" long x 2" wide, produced by BUDDY-L, lacking the soft drink bottle cases, retained in the original carton # 2 > Standing 3" tall x 5.5" long x 2" wide, produced by STROMBECKER, as lettering to the underside, featuring a working see-through acrylic cover to the bed, with two cases of soft drink bottles inside ~ The acrylic cover exhibits a short fracture. HISTORY of PEPSI COLA Pepsi-Cola was first introduced in 1893 as "Brad's Drink" by Caleb Bradham, a pharmacist from New Bern, North Carolina. He sold the drink at his drugstore soda fountain, and its popularity led him to rename it Pepsi-Cola in 1898. The name was derived from "pepsin," a digestive enzyme, and "cola," referring to the cola flavor. Pepsi-Cola was initially marketed as an aid for digestion and energy boosting. The company experienced both growth and setbacks in its early years. It expanded with bottling franchises but faced financial difficulties, even going bankrupt in 1923. However, it was purchased and revived by Charles Guth, who reformulated the syrup and introduced a successful 12-ounce bottle. The brand gained further momentum through marketing campaigns and celebrity endorsements. Over the years, Pepsi-Cola underwent several changes in ownership and leadership. It competed fiercely with Coca-Cola, engaging in the "Cola Wars." The company expanded its product portfolio beyond Pepsi-Cola, acquiring brands like Frito-Lay and Tropicana. In 1965, Pepsi-Cola merged with Frito-Lay to form PepsiCo, a multinational food and beverage corporation. Today, PepsiCo is one of the largest food and beverage companies globally, with a diverse range of products including Pepsi-Cola, Lay's potato chips, Gatorade, Quaker Oats, and many more. The company continues to innovate and adapt to changing consumer preferences while maintaining its strong brand presence in the market.

SHIPPING AVAILABLE > Likely 1:64 scale, a group of -3- Coca-Cola delivery trucks produced in 1991 by Hartoy, replicating Mack trucks of an early era ~ All feature hard fired enamel lithographed Coca-Cola logos and stylized graphics ~ Each marked HARTOY to the underside with the 1991 date. CONDITION REPORT > Superb, vintage condition ~ No adverse issues noted.

SHIPPING AVAILABLE > A pair of Coca-Cola toy delivery trucks, as follows > # 1 > Corgi Jr. ~ 1973 ~ Made in England ~ 87 Coca-Cola Delivery Truck ~ Original package, now partially open # 2 > Tinplate trailer with opening see-through acrylic cover, designed to hold miniature Coca-Cola soft drink cases, now lacking ~ Incised mark to the underside identifies BUDDY-L as the manufacture. CONDITION REPORT > Other than noted, expected varying elements relative to age and materials.

SHIPPING AVAILABLE > A group of -4- vintage ball caps, advertising Coca-Cola and Dr. Pepper ~ One features seems to be white leather, with a cloth patch to the front reading ENJOY COKE. CONDITION REPORT > The Dr. Pepper example seems near mint ~ The Coca-Cola examples vary in the condition.

SHIPPING AVAILABLE > A group of -4- decks, Coca-Cola playing cards, including one deck specific to the Atlanta, Georgia Coca-Cola Collectors Club meeting in 1992, depicting a railroad locomotive engineer enjoying a Coca-Cola, reading ALL ABOARD The SPRINGTIME EXPRESS ~ Another deck features Santa Claus at Christmas ~ Another, simply repeated stylized lettering and the last, with a design in the manner of a stained glass panel, with the original cellophane open partially ~ Otherwise, all others sealed and well preserved.

SHIPPING AVAILABLE > Measuring 2.75 x 3.75" overall, likely a rare example of a vintage advertising sticker, never applied ~ Die-cut, featuring a NuGrape Soda bottle with a cartoon couple peering from behind, captioned IT'S GEE-LICIOUS! ~ To the reverse, the manufacturer is noted as CHICAGO SHOW PRTG. CO. CHICAGO ~ Made & Printed in U.S.A. ~ P-150 MYSTIK, with what is likely a date code, reading 5-1-51, indicating production in 1951. CONDITION REPORT > Condition best noted by examining the image offered. History of NuGrape Soda NuGrape, a grape-flavored soda, was first created in 1906 and introduced as a bottled beverage in 1921. The National NuGrape Company, established in 1933 in Atlanta, Georgia, oversaw the brand's production and distribution. NuGrape quickly gained popularity, especially in the Southeastern United States, due to its unique flavor and refreshing taste. Over the years, NuGrape changed hands multiple times, with the brand being acquired by The Moxie Company in 1968. In 1999, Big Red, Ltd. purchased NuGrape, further expanding its reach and securing its place as a beloved regional soda. Today, NuGrape continues to be enjoyed by consumers, maintaining its nostalgic appeal and distinct grape flavor that has made it a Southern favorite for generations.

SHIPPING AVAILABLE > Measuring 2 x 3" overall, a pocket size hand mirror featuring artwork replicating that presented on a comparable 1934 issue Coca-Cola serving tray, depicting an image of Maureen O'Sullivan and Johnny Weissmuller, who played Jane and Tarzan in the popular film series ~ This mirror may be a fantasy or reproduction issue. CONDITON REPORT > Browning to the edges of the composite covering ~ Condition best noted by examining the images offered.

SHIPPING AVAILABLE > Measuring 6.25" tall x 2" wide, printed to medium weight cardstock, fitted with a metal grommet to the top, opening to numerous panels in the manner of a fan, each featuring various details relative to the operation, and touring, of a Coca-Cola factory. While there is no explicit date on the brochure itself, these were likely distributed during the 1950s or early 1960s, a time of significant growth and expansion for Coca-Cola, and factory tours were a popular way to showcase the brand and its production processes. This Coca-Cola factory tour souvenir provides a glimpse into the Coca-Cola bottling process, showcasing different stages and machinery involved ~ Each panel of the fan highlights a specific part of the process, such as: Carbo-Cooler & Syruper Filler > This is where the carbonated water is mixed with the Coca-Cola syrup Washed Bottle Inspector > This is where the empty bottles are inspected for cleanliness and quality Washer > This is where the bottles are thoroughly washed and sanitized before being filled Syrup Tanks >These tanks store the Coca-Cola syrup before it is mixed with the carbonated water Water Treating > This is where the water used in Coca-Cola is treated and purified to ensure its quality The brochure also features a warm welcome message and a note thanking visitors for their visit, indicating a focus on customer experience and engagement during factory tours. The overall design and illustrations of the brochure reflect the era's aesthetic, showcasing the technology and processes that went into producing Coca-Cola at the time. It serves as a nostalgic and informative memento of the Coca-Cola bottling experience. CONDITION REPORT > A notably well preserved example ~ No adverse issues noted.

SHIPPING AVAILABLE ~ A group of -3- Coca-Cola advertising mechanical pencils, as follows > # 1 > Drink Coca-Cola in Bottles ~ The McComb Coca-Cola Bottling Co. ~ Complete with the top cap and figural silver patina bottle pocket clip # 2 > Drink Coca-Cola in Bottles ~ The Jackson Coca-Cola Bottling Co. ~ Jackson, Miss. ~ Lacking the top cap ~ Retaining the figural silver patina bottle pocket clip # 3 > Drink Coca-Cola in Bottles ~ Coca-Cola Bottling Co. ~ Fulton, Kentucky ~ Lacking the top cap and pocket clip CONDITION REPORT > Other than noted, expect varying elements relative to age, use and materials ~ Not tested for functionality.

SHIPPING AVAILABLE > Measuring 9.5 x 4" overall, likely a rare example, this lithographed cardstock ink blotter features stylized lettering to the center reading > Refresh Yourself ~ DRINK Coca-Cola ~ Delicious and Refreshing, flanked by graphics depicting Coca-Cola bottles on pedestals. Looking closely at the bottles depicted, we see they are the Nov. 16,1915 patent design bottle. which was utilized from 1918-1928 ~ Along with other information, a conclusion this blotter was published in 1926, would seem a reasonable conclusion. CONDITION REPORT > Notable elements relative to age, handling and material ~ Slight tear at the left margin ~ Even so, remarkably well preserved considering the apparent age.

SHIPPING AVAILABLE > Measuring 7 x 3.75" overall, a colorful lithographed advertising ink blotter, often found atop a desk, featuring an illustration of the Sprite Boy, flanking a bottle of Coca-Cola, captioned GOOD!, also along with the classic DRINK Coca-Cola IN BOTTLES red button logo ~ Diminutive lettering to the lower right margin reads > COPYRIGHT 1953 THE COCA-COLA COMPANY. CONDITION REPORT > A remarkably well preserved example ~ No marks to the reverse, apparently never used ~ No overt issues.

SHIPPING AVAILABLE > Measuring 13" in diameter, featuring a raised flange rim to the border, a heavy clear glass serving tray with caption at center reading ALWAYS, above the classic COCA-COLA button sign design with a bottle. CONDITION REPORT > A well preserved example ~ No overt issues.

SHIPPING AVAILABLE > Measuring a large 3" in diameter, a lithographed metal advertising pinback button, featuring the Enjoy Coca-Cola stylized logo at center, with the years 1776 - 1976 above ~ Lettering around the border reads > HAPPY BIRTHDAY AMERICA, celebrating the 200 year Bicentennial of the United States. CONDITION REPORT > Likely an improved appearance with gentle cleaning ~ Perhaps minor scuffs or blemishes ~ Overall, a rather well preserved example.

SHIPPING AVAILABLE > Standing 3" tall, measuring 3 x 1.25" overall, a cast plastic coin bank in the figural design of a pig, with the Coca-Cola fishtail logo to one side and a depiction of a bottle to the other. CONDITION REPORT > Settled dust, in need of a simple cleaning ~ Perhaps typical and minor elements relative to age and materials ~ Overall, a well preserved example.

SHIPPING AVAILABLE > The Coca-Cola was known to brand most anything they could find, in efforts to advertise their soft drink to the public ~ This lot includes -3- examples of some unique items, as follows > # 1 > An early example of a mans billfold, formed of black textured grain leatherette, featuring the classic stylized lettering in gold, reading DRINK Coca-Cola DELICIOUS REFRESHING to the inside. # 2 > A later produced ladies type clutch purse wallet of red leatherette with black fabric lining, featuring pouches and a bill slot ~ The Enjoy Coca-Cola is displayed to the interior # 3 > A red leatherette eyeglass case featuring the stylized letter phrase > Enjoy Coca-Cola to one side. CONDITION REPORT > All seem to have never been used ~ Well preserved examples, considering the age and materials.

SHIPPING AVAILABLE > On the original card, a pair of gold patina ladies hoop earrings featuring figural Coca-Cola bottle charms, perhaps solid brass ~ Coca-Cola brand earrings are produced for the Coca-Cola Company, noted to the reverse of the card. CONDITION REPORT ~ No overt issues.

SHIPPING AVAILABLE > A set of -28- standard size dominoes in a red vinyl case, lettered in gold, reading DOUBLE SIX DOMINOS ~ Each features the classic stylized script Coca-Cola lettering recessed to a red overlay to one side. CONDITION REPORT > Dominos are sealed in clear plastic overwrap ~ Some minor blemishes to vinyl case.

SHIPPING AVAILABLE > A group of -3- branded Coca-Cola tins, the largest in the manner of a figural 1950s vending machine, still sealed with a label indicating an 8 ounce bag of gourmet caramel popcorn is inside, standing 8" tall, measuring 6 x 3.5" overall ~ Two examples are in the manner of building with peaked roof covers, one lettered COCA-COLA BOTTLING CO. to a sign and the other FELIX'S FILLING STOP, with Crown gasoline pumps featured to the lithographed design. CONDITION REPORT > No overt issues.

SHIPPING AVAILABLE > Measuring 6.5 x 5.5" overall, standing .5 tall atop a surface, a vintage foil backed cast iron trivet in the figural shape of vintage tiffany glass lamp shade ~ The classic stylized script Coca-Cola lettering to the border, backed by a red panel with orange and gold panels to the top, with a hole at top for hanging ~ Four legs to the underside, fitted with rubber caps, one lacking. CONDITION REPORT > The stained glass is replicated with colored foil applied to the underside and covered with some sort of protective backing, now somewhat discolored, as shown in the images offered ~ Other than lacking the one rubber foot cover, a nice example.

SHIPPING AVAILABLE > A cast brass patina metal belt buckle measuring 3 x 2" overall, not including the extended belt slot, designed to accept a 1.75" belt ~ Slightly convex to fit the curve of the waist ~ Fitted with what appears to be a red leather insert with deeply embossed white stylize letters reading > Enjoy Coca-Cola above the registered Trade-mark designation. CONDITION REPORT > No overt issues.

SHIPPING AVAILABLE > A well made leatherette briefcase folio with a spring closure to each end of the top opening, featuring the Enjoy Coca-Cola logo ~ Filled with numerous brochures, and even one envelope marked CONFIDENTIAL ~ Advertising relative to various Coca-Cola vending machines, soda fountain dispensers, and other promotional items and supplies ~ Perhaps the most fascinating, a large cardstock bound booklet, featuring around 25+ pages, filled with amazing photographs, titled MEET THE 70's, all outlining the concept for sales, advertising and what life might expect in the 1970s era. CONDITION REPORT > Remarkably well preserved.

SHIPPING AVAILABLE > A standard size wooden cigar box featuring lithographed paper covers ~ JOHN RUSKIN ~ BEST AND BIGGEST ~ PERFECTO EXTRA ~ 2 for 5c. The John Ruskin cigar was a brand of cigars produced in the early 20th century. Despite being named after the famous English art critic, social thinker, and philanthropist John Ruskin, there is no evidence that he endorsed or even approved of the cigars. In fact, Ruskin was known for his dislike of tobacco. The cigar brand used Ruskin's name and image to market the cigars, playing on the idea that tobacco was a muse for creativity. One advertisement even claimed that the cigars would "recall your thoughtfulness with every delightful puff". Little information is available about the manufacturer of John Ruskin cigars, but it is believed to have been based in Newark, New Jersey, and sourced tobacco from Alabama. The company used the British monarchy's coat of arms in its branding, further adding to the misappropriation of Ruskin's image and the potential for misleading consumers. CONDITION REPORT > Expect varying, typical and minor elements relative to age, handling an materials.

SHIPPING AVAILABLE ~ A standard size wooden cigar box featuring lithographed paper covers ~ To the inside cover, reverse embossed in gold foil relief, a depiction of the cigar atop a carpenters level, along with ON THE LEVEL ~ ALWAYS ON THE LEVEL ~ 2 for 5c ~ A VERY GOOD SMOKE ~ Invencibles to the exterior sides. The brand was indeed manufactured in Florida, specifically in Tampa, which was a major hub for cigar production in the early 20th century. Ybor City, a historic neighborhood in Tampa, was home to numerous cigar factories and was known as the "Cigar Capital of the World." While the exact manufacturer remains unclear, several cigar factories operated in Tampa during that time period, including some well-known names like Sanchez y Haya, Cuesta-Rey, and Hav-A-Tampa. It's possible "On The Level" was produced by one of these companies or a smaller, lesser-known manufacturer. CONDITION REPORT > Expect varying, typical and minor elements relative to age, handling and materials.

SHIPPING AVAILABLE > An early antique cigar box standing 2.5" tall, measuring 9.5 x 5" overall, constructed of metal, seemingly painted grey to the exterior at some point well in the past ~ Beneath the old grey paint, hints of copper color patina are noted ~ To the inside cover, a red border surrounds an oval inset sign logo reading SALOME ~ MILD HAVANA SMOKER. "Salome Mild Havana Smoker" was a popular cigar brand in the early 20th century, primarily known for its distinctive advertising campaigns and its association with the biblical figure Salome. The brand was established in the late 1800s and enjoyed widespread popularity in the early 1900s. The cigars were marketed as a mild and flavorful smoke, using the phrase "Mild Havana Smoker" to emphasize their origin and quality. The brand's advertising often featured images of the biblical Salome, a figure known for her beauty and allure. This imagery was likely intended to appeal to male consumers and create an association between the cigars and luxury and indulgence. The brand also utilized other marketing tactics, such as catchy slogans and collectible cigar bands, to further promote its products. CONDITION REPORT > Notable elements relative to age, handling and materials ~ Grey paint to the exterior as noted ~ Overall blemishes, scratches, bends and dents ~ Hinge at one side damaged.

SHIPPING AVAILABLE > Measuring 15" wide when the arms are opened horizontally, standing 4" tall, made of cast metal ~ Incised lettering to the body reads COMSTOCK BOLTON ~ KANSAS CITY, MO. ~ PATENT PENDING along with a small initial logo. The Comstock-Bolton Bottle Capper was manufactured by the Comstock-Bolton Co. in Kansas City, MO. It is a vintage hand-operated tool used for capping bottles, primarily used during the early 20th century. It features a distinctive design with a patent date of December 21, 1920. These bottle cappers are often sought after by collectors and antique enthusiasts. CONDITION REPORT > A rather well preserved example, likely functional as originally intended ~ Some darkening to the metal patina. About Hand Operated Bottle Capper Tools Hand-operated bottle cappers for beer and soda have a long and fascinating history, evolving alongside the beverage industry itself. Their development was crucial in enabling the widespread distribution and consumption of bottled beverages. In the early days, with the advent of pasteurization and improved bottling techniques in the late 19th century, beer and soda became more readily available in bottles, leading to increased demand for efficient capping methods. The first hand-operated cappers were simple, often made of cast iron or steel, and typically involved a lever mechanism that pressed a crown cap onto the bottle's rim, creating a tight seal. These early cappers were essential for homebrewers and small-scale bottlers who couldn't afford larger, automated machines. As the bottled beverage industry grew in the mid-20th century, so did the demand for more efficient and reliable cappers. Manufacturers introduced new designs featuring improved ergonomics, durability, and ease of use. The resurgence of homebrewing in the mid-20th century further fueled the demand for hand-operated cappers, as hobbyists sought affordable and practical tools for bottling their creations. Hand-operated cappers continued to evolve in the late 20th century and into the present day, with various models designed for different bottle sizes, cap types, and user preferences. Bench cappers, which are mounted to a surface, became popular for their stability and ease of use, particularly among homebrewers and small-scale bottlers. Wing cappers, with their distinctive two-handled design, offered a portable and lightweight option for capping on the go. The use of modern materials like plastic and aluminum made cappers lighter, more durable, and less expensive to produce. Despite the rise of automated bottling lines for large-scale production, hand-operated cappers remain essential tools for homebrewers, craft brewers, and anyone bottling small batches of beer or soda. They are readily available online and at homebrew supply stores, offering a variety of options to suit different needs and budgets. The history of hand-operated bottle cappers is a testament to human ingenuity and the ongoing quest for efficient and practical solutions. These tools have played a crucial role in the development of the beverage industry and continue to be valued by homebrewers and small-scale producers worldwide.

SHIPPING AVAILABLE > A groupd of battery operated transistor radios, considered as novelties, in the figural manner, as follows ~ WALT DISNEY ~ MICKEY MOUSE ~ Produced by RADIO SHACK PEPSI-COLA ~ Replica of vintage soda vending machine CLASSIC 1930s ANTIQUE AUTOMOBILE CONDITION REPORT > Not tested for functionality ~ Expect varying elements relative to age, use and materials. In the heart of the 20th century, a technological marvel emerged that revolutionized how we consumed entertainment: the transistor radio. Compact, portable, and most importantly, powered by batteries, these radios liberated music and information from the confines of living rooms, bringing them to beaches, parks, and even our pockets. Yet, within this realm of innovation, a subgenre blossomed that captured the zeitgeist of the era – the novelty transistor radio. These weren't mere boxes broadcasting soundwaves; they were characters, creatures, and objects brought to life through a marriage of electronics and whimsical design, all made possible by the advent of portable battery power. Picture a miniature Mickey Mouse, his ears serving as tuning knobs, his cheerful grin radiating sound, all without the need for an electrical outlet. Imagine a rocket ship, poised for liftoff, its nose cone emitting the latest pop hits, powered by the same energy source that fueled children's imaginations. These figural radios, untethered from cords and sockets, weren't just utilitarian devices; they were companions, conversation starters, and reflections of the cultural landscape, taken on adventures and shared experiences. Many of these radios were developed and marketed by corporations and offered to the public as advertising promotions. The 1950s and 60s saw a surge in the popularity of these radios, coinciding with the rise of consumerism, pop culture icons, and the freedom that battery power afforded. Manufacturers capitalized on this trend, licensing beloved characters from cartoons, comics, and television shows. The result was a diverse array of radios that mirrored the interests and passions of the time, all brought to life by the magic of portable power. Superheroes, space explorers, animals, and even household objects were transformed into miniature sound machines, each carrying a unique charm and personality, ready to be taken anywhere and everywhere. These figural radios weren't simply playthings for children; they were coveted by collectors and enthusiasts of all ages. Their appeal lay not only in their functionality but also in their ability to evoke nostalgia, spark conversation, and serve as miniature sculptures of popular culture, all while highlighting the freedom and portability that battery power provided. Today, vintage novelty radios are sought-after artifacts, reminders of a time when technology and imagination converged to create objects that were both functional and fun, powered by a simple but transformative energy source. From a cultural perspective, these radios offer a glimpse into the values and aspirations of a society fascinated by space exploration, captivated by animated characters, and enthralled by the possibilities of technology, all amplified by the newfound portability of entertainment. They are tangible manifestations of a time when the future seemed bright and filled with endless possibilities, made all the more exciting by the ability to take your favorite music and stories with you wherever you went. The legacy of the 20th-century novelty transistor radio lives on, not just in the devices themselves, but in the memories they evoke and the stories they tell about a generation that embraced both innovation and whimsy, empowered by the simple but revolutionary concept of battery-powered portability.

SHIPPING AVAILABLE > An unusually shaped brown glass bottle standing 6.5" tall, measuring 4.5 x 2" overall to the round body, featuring a ring handle to the slender neck, topped with a metal threaded cap. A paper label to the front depicts the bottle, along with LITTLE BROWN JUG SYRUP ~ MADE FROM GRANULATED SUGAR AND MAPLE SUGAR ~ LITTLE BROWN JUG PRODUCTS, CO. St. LOUIS ~ COPYRIGHT 1921 BY LITTLE BROWN JUG PRODUCTS CO. To the reverse, cast relief lettering repeats the product name with a design representing the bottle at center ~ To the underside base, cast relief lettering reads DESIGN PATENT NO. 61415. CONDITION REPORT > A notably well preserved example ~ No overt issues.

SHIPPING AVAILABLE > From 1943, a lithographed cardstock wall calendar, measuring 5 x 9" overall, featuring a winter cabin scene captioned ROAD TO HOME above SEASON'S GREETINGS FROM YOUR CARRIER BOY, with paper calendar sheets below. CONDITION REPORT > Lacking months prior to April.

SHIPPING AVAILBLE > Standing 5.25 to the loop finial atop the cover, measuring 7.5" long x 4.25" wide, a unique size tureen designed most likely for gravy ~ The hallmark indicates production by George Jones & Sons pottery, specific to the 1880s period, along with the pattern name, ABERDEEN ~ A dainty deep cobalt blue floral design to a white glaze, or white based pottery. CONDITION REPORT > Surprisingly well preserved, considering the age ~ Likely typical and minor elements relative to age, use and materials. George Jones & Sons, a renowned pottery manufacturer based in Staffordshire, England, boasts a rich history that spans from 1861 to 1951. Founded by George Jones, the company initially focused on producing earthenware but later diversified into china and majolica. Starting at the Trent Pottery works, they quickly moved to the larger Trent Potteries in 1865, where they began producing majolica in 1866 and china in 1872. In 1873, George Jones' sons, Frank Ralph and George Henry, joined the business as partners, and the company was renamed George Jones & Sons. They registered the "Crescent" trademark, which became a symbol of their quality craftsmanship and beautiful designs, often featuring floral patterns. During the late 19th and early 20th centuries, the company flourished, producing a wide range of earthenware, china, and majolica, including dinnerware, tea sets, vases, and decorative items. In 1907, the factory was renamed the Crescent Pottery, further cementing the association with their successful trademark. However, despite their success, the company faced financial difficulties in 1929 and was sold to managing director Walter Bakewell. By 1951, the trade name George Jones & Sons was no longer used, and the factory was eventually demolished in 1959. Despite its closure, George Jones & Sons left a lasting legacy in the world of ceramics. Their products are highly sought after by collectors and are considered valuable antiques. The company's diverse range of patterns, including the popular "Aberdeen," "Moss Rose," and "Daisy," continue to be admired for their beauty and craftsmanship. The history of George Jones & Sons reflects the broader trends and challenges faced by the pottery industry in Staffordshire during the late 19th and early 20th centuries. It's a story of innovation, creativity, and resilience, ultimately culminating in the production of beautiful and enduring works of art.

SHIPPING AVAILABLE > With the tooth pointing upward, standing 3.5" tall, measuring 3.25 x 1.25" overall, what is noted as a SHARK TOOTH IN STONE, DUG FROM QUARY OUT WEST, along with a notation > THIS MUST HAVE BEEN A VERY LARGE SHARK. Clearly a fossilized shark tooth embedded in a piece of rock. The tooth is large and triangular, with a serrated edge. The rock matrix surrounding the tooth appears to be sedimentary, possibly limestone or sandstone. The color of the tooth and rock suggests it may have been found in a dry, arid environment. The size and shape of the tooth are consistent with those of ancient shark species, potentially from the Mesozoic or Cenozoic eras. However, without more information about the specific location and geological context of the find, it's difficult to identify the exact species or age of the fossil. It's important to note that the handwritten note accompanying the fossil should be treated with caution. While it may provide some clues about the fossil's origin, it's not a reliable source of scientific information. Further analysis by a paleontologist or geologist would be needed to accurately identify the fossil and its significance.

SHIPPING AVAILABLE > A large group of rocks and fossils, likely Native American Indian pottery shards, a shark tooth and arrowhead, all as shown. The collection displayed here showcases a captivating cross-section of artifacts, each with its own story to tell about the rich tapestry of history and natural processes. At first glance, the fossilized shark tooth commands attention, a relic of an ancient predator that once roamed the oceans millions of years ago. Its serrated edges and pointed tip speak to a world vastly different from our own, where these apex predators ruled the marine ecosystem. The tooth's preservation within the rock matrix offers a glimpse into the geological processes that have shaped our planet over eons. The arrowhead, a meticulously crafted stone tool, speaks to the ingenuity and resourcefulness of early human civilizations. This pointed projectile, likely used for hunting or warfare, represents a technological leap that allowed our ancestors to adapt and thrive in diverse environments. Its presence in this collection offers a tangible link to the cultures and traditions that have shaped human history. The pottery shards, fragments of ancient vessels, offer a window into the daily lives of past societies. The intricate patterns and designs etched into the clay tell stories of craftsmanship, cultural expression, and the practical needs of everyday life. These shards are like puzzle pieces, each holding a fragment of a larger narrative waiting to be pieced together. Finally, the assortment of rocks, while seemingly mundane, hold their own secrets. Some may be geological specimens, showcasing the Earth's diverse mineral composition and the forces that have sculpted its surface. Others might be remnants of ancient tools or structures, carrying whispers of civilizations long gone. Together, these artifacts form a mosaic of human history and natural evolution. They invite us to ponder the passage of time, the interconnectedness of life, and the remarkable journey that has led us to the present day.

SHIPPING AVAILABLE > A red, lightweight windbreaker, likely a premium or promotional item, licensed by Coca-Cola, featuring the classic Enjoy Coca-Cola stylized lettering screenprinted to the front chest ~ Zippered front, stitched white bands to the sleeves and slash pockets ~ Elastic waist with snap collar ~ Size XL, 100% Nylon as noted to the tag. CONDITION REPORT > Seemingly mint condition with no overt issues. History of Coca-Cola Marketing, Promotional Items, Licensing, and History Coca-Cola's marketing has evolved throughout its long history, yet some core concepts endure: Happiness and Togetherness: Coca-Cola has consistently associated its brand with happiness, refreshment, and shared moments of joy. This is evident in their advertising campaigns, often depicting friends and families enjoying Coca-Cola together. Global Appeal: As a global brand, Coca-Cola's marketing efforts aim to transcend cultural and linguistic boundaries. They frequently use universal themes and imagery to appeal to a wide audience. Adaptability: Coca-Cola is renowned for its ability to adapt its marketing to changing times and trends. They have embraced social media and digital marketing while maintaining their traditional advertising channels. Coca-Cola has a long history of using promotional items to reinforce its brand. These items range from the iconic Coca-Cola contour bottle to clothing, accessories, and collectibles. Some examples include Coca-Cola glasses, often featuring the Coca-Cola logo and classic imagery, which have become collector's items. Coca-Cola clothing, such as t-shirts, hats, and jackets, is popular among fans of the brand. Coca-Cola has produced a wide range of novelty items, including keychains, bottle openers, and even refrigerators. Additionally, Coca-Cola often releases limited edition items to create excitement and drive sales. These items can be highly sought-after by collectors. Coca-Cola actively licenses its logos and trademarks to other companies for use on apparel, accessories, and other products. This generates revenue for Coca-Cola and further extends the reach of its brand. You can find Coca-Cola logos on everything from t-shirts to phone cases to furniture. Coca-Cola's marketing history is as rich as its product history. Key moments include: 1886: Coca-Cola is invented by John Pemberton in Atlanta, Georgia. Early 1900s: Coca-Cola begins using advertising to promote its product, with slogans like "Delicious and Refreshing" and "The Pause That Refreshes." 1931: Coca-Cola introduces Santa Claus in its advertising, creating a lasting association between the brand and Christmas. 1971: Coca-Cola's "Hilltop" commercial, featuring young people from around the world singing "I'd Like to Buy the World a Coke," becomes an iconic symbol of unity and hope. 2000s and beyond: Coca-Cola embraces digital marketing and social media, launching campaigns like "Share a Coke," which personalized bottles with names and phrases. Coca-Cola's enduring success can be attributed in part to its innovative and consistent marketing efforts. By associating its brand with positive emotions, adapting to changing times, and leveraging promotional items and licensing, Coca-Cola has created a global brand that resonates with people of all ages and cultures.

SHIPPING AVAILABLE > Measuring 10.5 x 14" overall, designed with a raised an turned edge border, a metal Coca-Cola serving tray issued in 1991. This Coca-Cola serving tray is indeed a reissue of a World War II era advertisement. While Coca-Cola serving trays have been produced since the late 1800s, the original image was likely created during the war years to evoke feelings of hope and anticipation for the return of loved ones from the front lines. The tray itself, as noted on the inscription, was produced in 1991 as part of a series of collectible trays featuring iconic Coca-Cola advertising images. This particular tray is not only a piece of Coca-Cola memorabilia but also a reminder of the company's historical connection to moments of national unity and celebration. Text to the rear reads > "HE'S COMING HOME" Celebration, groceries, family and "Coca-Cola" are as important now as in 1944 when this indoor poster was used. An original poster is on display at The World of Coca-Cola. © Illustration 1991 The Coca-Cola Company. All rights reserved. Produced under the authority of the Coca-Cola Company, owner of the trademarks "Coca-Cola," "Coke," the Dynamic Ribbon Device and the Design of the Contour Bottle. Tray Issued 1991 Coke brand TRAY The Coca-Cola Company AUTHORIZED PRODUCT CONDITION REPORT > Previously displayed to a wall using double stick adhesive, with remnants remaining to the reverse, removable with minimal time and effort ~ Otherwise, a nicely preserved example.

SHIPPING AVAILABLE > Measuring 10.5 x 13.25" overall, featuring a raised border and turned rim edge, a metal Coca-Cola serving tray featuring a lithographed art. This Coca-Cola tray is known as the "Menu Girl" tray and was produced and distributed between 1953-1956. The artist is not explicitly credited on the tray, but it is believed to be part of a series of trays designed by Haddon Sundblom, a renowned commercial artist who created many iconic Coca-Cola advertising images, including the Santa Claus we know today. The tray features a young woman holding a Coca-Cola bottle and a menu, with the slogans "Thirst Knows No Season" and "Have a Coke." This particular tray is unique because it features a red inner rim instead of the typical sports themes found on other "Menu Girl" trays. Depicted around the border are various seasonal and sports scenes ~ Fisherman: A man in a fishing boat casts his line into a calm lake, with a Coca-Cola bottle resting nearby. This scene evokes the tranquility of a summer fishing trip and the thirst-quenching refreshment Coca-Cola provides. Baseball Game: A batter swings for the fences in a baseball stadium filled with excited fans. This scene captures the energy and excitement of America's pastime, with Coca-Cola as the perfect beverage to enjoy during the game. Halloween: Two children in costumes trick-or-treating at a house with jack-o'-lanterns on the porch. This scene celebrates the fun and spooky spirit of Halloween, with Coca-Cola adding to the festive atmosphere. Football Game: A quarterback throws a pass on a football field in front of a cheering crowd. This scene highlights the thrill of football season and the camaraderie that comes with sharing a Coca-Cola with friends while watching the game. Rodeo: A cowboy riding a bucking bronco in a rodeo arena. This scene captures the excitement and danger of rodeo events, with Coca-Cola as the drink of choice for both participants and spectators. Winter Scene: A couple ice skating on a frozen pond surrounded by snow-covered trees. This scene evokes the cozy and festive spirit of winter, with Coca-Cola as the perfect beverage to warm up with after a day of outdoor activities. These diverse scenes not only showcase Coca-Cola's versatility as a drink for all seasons and occasions but also reflect the company's commitment to being a part of everyday life and celebrations throughout the year. The inclusion of sports and seasonal activities speaks to the brand's appeal to a wide range of consumers, making Coca-Cola a truly universal beverage. CONDITION REPORT > A notably well preserved example ~ Perhaps minor elements relative to age and material ~ Condition is certainly above average.

SHIPPING AVAILABLE > Measuring 10.25 x 13.25" overall, standing 1" tall to the raised rim with a turned edge, an early example of a Coca-Cola metal serving tray featuring lithographed artwork. To the border, stylized lettering reads DRINK COCA-COLA, with diminutive block lettering to the lower green border reading THE COCA-COLA CO. 1938 ~ AMERICAN ART WORKS, INC., COSHOCTON, OHIO ~ MADE IN U.S.A. This example is an original Coca-Cola advertising tray produced by the American Art Works in Coshocton, Ohio in 1938. It is known as the "Girl in the Afternoon" tray and is a sought-after collectible item. The tray features a young woman in a yellow dress and hat, enjoying a Coca-Cola in a leisurely setting. The artwork is attributed to Bradshaw Crandell, a well-known illustrator of the time. This particular design was also used in other Coca-Cola advertising materials, such as magazine ads and calendars. The "Girl in the Afternoon" tray is considered a classic example of Coca-Cola's advertising aesthetic during the 1930s, showcasing idealized images of leisure and refreshment. CONDITION REPORT > Expect some elements relative to age, use and materials ~ Notable marks to the left of the ladies hat ~ Some small paint blemishes to the rolled edge border ~ Even so, considering the age, a rather well preserved example.

SHIPPING AVAILABLE > Measuring 13 x 10.5" overall, standing 1" tall to the raised rim with a turned edge, a metal Coca-Cola serving tray featuring a scene depicting a ladies hand filling a tall glass from a bottle of Coca-Cola, with the glass standing among a garden filled with springtime flowers. To each end, the DRINK COCA-COLA logo is featured, along with block lettering to the side reading COKE REFRESHES YOU BEST ~ HERE'S A COKE FOR YOU. CONDITION REPORT > Varying, minor elements relative to age, use and materials. Reasonably well preserved.

SHIPPING AVAILABLE > Measuring 13 x 10.5" overall, standing 1" tall to the raised rim with a turned edge, a metal Coca-Cola serving tray featuring a scene depicting attributed to calendar art by Norman Rockwell, produced in 1934. DRINK COCA-COLA in stylized lettering to the top border ~ To the lower border, MY OLD KENTUCKY HOME ~ CALENDAR ART ~ 1934 ~ NORMAN ROCKWELL. A reproduction of Norman Rockwell's "My Old Kentucky Home" artwork, which was originally created for a 1934 Coca-Cola calendar. This particular tray was issued in the 1980s as part of a series of collectible trays featuring iconic Coca-Cola advertising images. While it is not an original from the 1930s, it still holds value as a collectible and a tribute to Norman Rockwell's iconic artwork. CONDITION REPORT > Notable dent to rolled edge at top rim, and smaller dimple to right rolled edge ~ Otherwise, paint and graphics are well preserved.

SHIPPING AVAILABLE > Measuring 13.25 x 10.5" overall, standing 1" tall to the raised border with a turned edge ~ Likely a later production, in the manner of the 1937 original tray produced for Coca-Cola by American Art Works of Coshocton, Ohio, depicting a girl in a 1930s era style bathing suit, running along a beach holding two bottles of Coca-Cola ~ The classic DRINK COCA-COLA stylized lettering is featured at the top and bottom border, with diminutive block lettering to the inner green frame band at bottom, reading c THE COCA-COLA CO. 1937 ~ Extremely small letters to the gold painted lower border read MX. CONDITION REPORT > A well preserved example, with remnants of wall mounting tape remaining to the underside, easily removed with simple effort.

SHIPPING AVAILABLE > Measuring 13 x 10.5" overall, standing 1" tall to the raised rim with a turned edge, a metal Coca-Cola serving tray featuring a scene depicting a ladies hand filling a tall glass from a bottle of Coca-Cola, with the glass standing among a garden filled with springtime flowers. Notably, in contrast with a later example, To each end, the DRINK COCA-COLA "fishtail" logo is featured, along with block lettering to the side reading BE REALLY REFRESHED! CONDITION REPORT > Varying, minor elements relative to age, use and materials. Reasonably well preserved.

SHIPPING AVAILABLE > A vintage two-piece flannel fabric jogging suit ~ Pants with an elastic waist and single pocket to the rear ~ A zippered front jacket with slash pockets ~ Both feature stitched white double band stripes along with the Enjoy Coca-Cola stylized lettering screenprinted to the thight of the pants and chest of the jacket ~ Tag to the jacket and pants reads WARM UP ~ XL. CONDITION REPORT > Seemingly never worn ~ Well preserved, considering the age, with no overt issues noted.

SHIPPING AVAILABLE > Apparently old drug store stock, a total of -29- smoking pipes secured with clips in trays ~ Various colors and styles, all produced by Medico, as marked. An impressive collection of Medico smoking pipes, a brand celebrated for its unique filtered system and affordability. These pipes, often crafted from briarwood or durable materials like Brylon, are showcased in their original display trays, highlighting the brand's diverse range of styles and finishes. Medico, founded in 1932 by S.M. Frank & Co., revolutionized the pipe-smoking experience with the introduction of their patented 66-baffle filter. This filter, designed to trap tars and nicotine, appealed to health-conscious smokers and quickly gained popularity. Medico's success was further amplified by their innovative use of Brylon, a synthetic material that offered a cost-effective alternative to briarwood while maintaining a classic aesthetic. The examples present a captivating snapshot of Medico's extensive catalog. The top tray features a variety of classic shapes, such as Billiards, Apples, and Dublins, each distinguished by unique finishes and stem designs. The bottom tray showcases additional shapes, including Bent Billiards and Bulldogs, further emphasizing the brand's commitment to providing smokers with options to suit their preferences. The centerpiece of the group might be the bold red and blue bowl Medico pipes. While Medico pipes may not be as luxurious as some high-end brands, they have earned a dedicated following due to their affordability, functionality, and nostalgic appeal. The filters, a hallmark of the brand, are still available today, a testament to their enduring popularity. Overall, this group offers -29- fascinating examples of vintage Medico pipes, illustrating the brand's ingenuity, diversity, and lasting impact on the pipe-smoking community. A reminder of an era when pipe smoking was more commonplace and serves as a tribute to a brand that continues to hold a special place in the hearts of many pipe enthusiasts. CONDITION REPORT > Never used, old stock ~ Settled surface dust, in need of a simple cleaning.

SHIPPING AVAILABLE > A group of EXXON branded promotional, marketing items including several enameled tie-tacs or lapel emblems, golf tees, key ringswith fobs and a brass key ring fob apparently for employees of ENJAY CHEMICALS ~ Enjay Chemicals was a subsidiary of Standard Oil of New Jersey, otherwise known as Esso, which later became Exxon Corporation ~ Enjay Chemicals and Esso Chemicals were merged into Exxon Chemicals in 1973 when Standard Oil of New Jersey changed its name to Exxon Corporation. So, while Enjay Chemicals did eventually become part of Exxon, it was not initially a subsidiary. CONDITION REPORT > No overt issues ~ Well preserved examples overall.

NO SHIPPING ~ LOCAL PICKUP ONLY > Measuring an extra large 72" x 20" overall, a cafe menu sign board featuring a particle board base covered with a molded plastic cover framed with a black border, having horizontal ridges to accept the included flange back letters and numbers ~ The Enjoy Coca-Cola stylized lettering and wave logo is featured at top center ~ According to a label at the rear, this example was manufactured by Attwood Products of Farmingdale, New York. CONDITION REPORT > A remarkably well preserved example with no overt issues.

SHIPPING AVAILABLE > Measuring a large 18.75 x 13.5" overall, with a scalloped, rolled edge raised flange border, this metal tray features highly detailed lithographed designs. The Coca-Cola "Fall Harvest" tray, as with many other advertising trays from that era, was not typically sold directly to the public. Instead, it was primarily used as a promotional item for Coca-Cola bottlers and distributors. Here are the most common ways this tray was distributed: Given as gifts to retailers: Bottlers and distributors would often give these trays as gifts to retailers (restaurants, diners, soda fountains, etc.) to encourage them to stock and promote Coca-Cola products. Incentives for Coca-Cola employees: The trays were sometimes used as incentives or rewards for Coca-Cola employees who met sales targets or performed exceptionally well. CONDITION REPORT > Some minor blemishes to the edges, however remarkably well preserved to the overall topside finish, which is uncommon for these trays, which typically saw extensive use. Promotional giveaways: Occasionally, the trays might have been offered as part of promotional giveaways or contests to consumers.

SHIPPING AVAILABLE > Measuring around 12 x 14" overall, a red nylon bag with a drawstring top, having an attached zippered pouch to the interior ~ The bag can be compressed/folded and retained in the zippered pouch ~ Bold screenprinted letters read HAVE A COKE AND A SMILE ~ COKE ADDS LIKE ... along wih the ENJOY COCA-COLA logo ~ Appears to be a specialty advertising item. CONDITION REPORT > Clearly unused condition ~ No overt issues and notably well preserved.

SHIPPING AVAILABLE > A group of -3- vintage, novelty transistor radios ~ CROWN RADIO CORP. Wooden Case JEWEL BOX Radio ~ Standing 3.5" tall, measuring 7.25 x 4.25" overall STP OIL TREATMENT ~ Figural Can Radio, produced by General Electric (Speaker Produces Sound) RAID Bug Spray ~ Licensed by S.C. Johnson Wax (Lacking Battery Compartment Cover) CONDITION REPORT ~ Other than noted, not tested, offered as shown ~ Expect varying elements relative to age, use and materials.

SHIPPING AVAILABLE > A tin metal 1940s era handheld flour sifter ~ Unique in design, held to the cup with one hand and the handle "swivels" left to right to dispense flour ~ A fine example for those decorating a period kitchen with utensils, pots, pans, cast iron, etc. CONDITION REPORT > Vintage patina to the metal ~ Condition consistent with normal use, age and materials.

SHIPPING AVAILABLE > An antique Merscheum smoking pipe and case from Scotland, according to a label prepared by the prior owner. The pipe in the image is a classic Calabash Meerschaum pipe from the late 19th or early 20th century, a period when these pipes were quite popular. The bowl is crafted from meerschaum, a porous mineral known for its ability to absorb moisture and provide a cool, dry smoke. The stem is likely made of amber, a fossilized resin valued for its beauty and warmth. The pipe features the distinctive Calabash shape, with a large, rounded chamber and a long, curved stem. This design promotes a smooth and flavorful smoke by allowing the tobacco to cool as it travels through the stem. The pipe appears to be in fair vintage condition, with a well-developed patina on the meerschaum bowl indicating years of use and enjoyment. The amber stem and leather case also show signs of age, adding to the pipe's character and charm. Overall, this pipe is a beautiful and well-preserved example of a classic Calabash Meerschaum pipe. Its historical significance, craftsmanship, and unique design make it a valuable collector's item and a testament to the artistry of pipe making in the late 19th and early 20th centuries. Meerschaum, a soft, porous mineral resembling white clay, has a fascinating history as a medium for crafting exquisite smoking pipes. Its journey began in the early 18th century when Count Andrassy, a Hungarian noble, brought meerschaum blocks from Turkey to Budapest. He commissioned a local cobbler and pipe enthusiast, Karl Kovacs, to carve them into pipes. The resulting meerschaum pipes were an instant hit, prized for their ability to absorb tobacco tar and moisture, delivering a cool, dry, and flavorful smoke. Over the next century, meerschaum pipes became highly sought-after among European pipe smokers, particularly the wealthy who could afford to commission skilled artisans to create intricate carvings on the pipes. Meerschaum's soft texture allowed for detailed and elaborate designs, transforming these pipes into miniature works of art. The peak of meerschaum pipe popularity occurred in the 19th century, coinciding with the rise of the Austro-Hungarian Empire. Vienna became a major hub for meerschaum pipe production, with skilled carvers creating pipes adorned with historical figures, mythological scenes, and other intricate motifs. These pipes were not only functional smoking implements but also status symbols and collector's items. However, meerschaum pipe production faced challenges in the late 19th and early 20th centuries. The rise of briar as a pipe material, which was more affordable and easier to work with, led to a decline in meerschaum's popularity. Additionally, the collapse of the Austro-Hungarian Empire disrupted the established production centers. Despite these challenges, meerschaum pipes have retained a dedicated following of collectors and enthusiasts who appreciate their unique beauty and smoking qualities. Today, meerschaum pipes are still crafted by skilled artisans, often using traditional techniques passed down through generations. While they may not be as ubiquitous as they once were, they remain a testament to the artistry and craftsmanship that have been poured into these delicate and intricate smoking instruments for centuries.

SHIPPING AVAILABLE > A group of -12- shards and pieces of what is identified by the prior owner as Indian Pottery, acquired in 1995 from the Toledo Bens, Lanana Creek and Mud Island areas, as well as Fort Adams on the river side. Mud Island is a small community located along Lanana Creek in Nacogdoches County, Texas ~ The specific location is a bit unclear, as Mud Island doesn't appear on most modern maps. However, historical records and local knowledge suggest that it was situated along the banks of Lanana Creek, likely near the present-day intersection of Highway 21 and FM 225 ~ This area is known for its clay deposits, which were historically used by Native Americans, particularly the Caddo people, for creating pottery. The presence of these clay deposits and the proximity to Lanana Creek would have made Mud Island an ideal location for pottery production. Lanana Creek is a stream in Nacogdoches County, Texas, in the United States. It flows from its source near Cushing, Texas, to its confluence with the Angelina River near Chireno, Texas. Toledo Bend refers to the Toledo Bend Reservoir, a large man-made lake located on the Sabine River between Texas and Louisiana. It is the largest man-made body of water in the South and the fifth largest by surface area in the United States The area around Toledo Bend Reservoir has a rich history of Native American inhabitation. Several tribes resided in this region before European colonization: Caddo: The Caddo people were the most prominent group in the area, known for their agricultural practices, sophisticated pottery, and mound-building traditions. Their territory extended across parts of present-day Texas, Louisiana, Oklahoma, and Arkansas. Adai (Adaes): This indigenous group lived in the lands between the Sabine and Red Rivers, which now encompass the Toledo Bend region. They were known for their unique language and cultural practices. Atakapan: This group inhabited the coastal regions of southwestern Louisiana and southeastern Texas. While not as numerous as the Caddo, they had a significant presence in the area. The area around Fort Adams, Mississippi, was primarily inhabited by the Natchez people before European colonization. The Natchez were a unique and complex society with a hierarchical social structure and a highly developed agricultural system. They were known for their distinctive ceremonial practices, including mound-building and ritualistic human sacrifice.   The Natchez Grand Village, located near Natchez, Mississippi, was a major ceremonial and political center for the Natchez people. It consisted of multiple mounds, including a large temple mound, and served as the residence of the Great Sun, the paramount chief of the Natchez.   The arrival of European settlers, particularly the French, in the early 18th century disrupted the Natchez way of life. Conflicts arose between the Natchez and the French, culminating in the Natchez Revolt of 1729, which led to the dispersal and decline of the Natchez people.   While the Natchez were the primary inhabitants of the area, other Native American groups, such as the Choctaw and Chickasaw, also had a presence in the region. However, their settlements were not as concentrated in the immediate vicinity of Fort Adams. The establishment of Fort Adams itself further displaced the Natchez people and contributed to the erosion of their culture and way of life. Today, the Natchez people are primarily located in Oklahoma, where they were forcibly relocated in the 19th century.

SHIPPING AVAILABLE > A large collection of various seashells, unique fossils, sand dollars, sea urchins and coral, stored away in a plastic tray by the prior owner for many years, most all retrieved by hand from the water, or dug, during travels not only in the United States, but overseas.

SHIPPING AVAILABLE > Two measuring around 3.5 - 4" overall in length, of what are identified by the prior owner as Wild Board Tusk. These examples are believed to be the upper and lower tusks from one side of the boar's mouth. Wild boar tusks are continuously growing teeth that protrude from their mouths. The upper tusks curve upwards and outwards, while the lower tusks are sharper and curve upwards towards the upper tusks. These tusks are used for digging, fighting, and defense. The coloration and wear patterns on these tusks suggest they are from an older boar. The tips are worn down from use, and the coloration indicates they have been exposed to the elements for some time. Boar tusks have been used as tools and ornaments for millennia: Early humans did use boar tusks for various purposes, and there have been archaeological finds of prehistoric tusks used in tools, weapons, and decorations.

SHIPPING AVAILABLE > A pair of early clay pipes with long stems and a distinct elbow bend. This style of pipe is characteristic of Native American smoking pipes, particularly those used by Eastern Woodlands tribes in North America. Measuring 8-9" long overall, with tapered bowls, around 1" in diameter to the top rims. Made of white clay, a common material for Native American pipes due to its availability and ease of shaping ~ The long, elbow-shaped stems are typical of Eastern Woodlands pipes. This design may have helped cool the smoke before it reached the smoker's mouth. The bowls are relatively small, indicating that they were likely used for smoking tobacco or other herbs ~ The pipes lack elaborate decoration, suggesting they were likely utilitarian objects rather than ceremonial pieces. However, the slight variations in shape and the subtle ridge on the stem of one pipe indicate some level of individual craftsmanship. Overall, these pipes are likely examples of everyday smoking pipes used by Native Americans in the Eastern Woodlands region. The specific tribe and time period can be difficult to determine, however their design and material point to a significant cultural artifact. CONDITION REPORT > Notably above average, remarkably well preserved condition.

SHIPPING AVAILABLE > Hundreds of shark teeth, along with diminutive fossils and elements relative to ocean geology, all retained for many years by the prior owner, stored in a plastic container, as shown.

SHIPPING AVAILABLE > A small collection of Civil War artifacts ~ One bag indicates these were found around Fort Adams, on the Mississippi River side. Minie Balls are the most prominent items in the collection. Minie balls were a type of rifle bullet widely used during the Civil War. They were conical in shape and had a hollow base that expanded upon firing, improving accuracy and range. Buck and Ball Rounds consisted of a single large lead ball (the "buck") combined with three smaller lead pellets (the "ball"). They were typically fired from smoothbore muskets and were effective at close range. The smaller, round lead ball is likely a pistol ball. Pistol balls were smaller than musket balls and were used in handguns. The condition of the artifacts indicates they have been buried for a significant period. They show signs of corrosion and wear consistent with being exposed to the elements. Overall, this collection provides a glimpse into the weaponry and ammunition used during the Civil War. The presence of both Minie balls and buck and ball rounds suggests that the collection might be associated with a site where both rifles and muskets were used, such as a battlefield or encampment.

SHIPPING AVAILABLE > Standing a notable 4" tall, measuring 3.5" wide, Introduced in the mid-1940s, Galter's Giant Table Lighters used a very simple semi-automatic sparking mechanism. Produced using a chrome plated metal alloy, Giants were offered in at least two sizes with a variety of finishes, with the example featuring the black synthetic covering. CONDITION REPORT > Not tested for funcitonality ~ Expect varying elements relative to age, use and materials. History of Galter Manufacturing The Galter Manufacturing Company of Chicago, Illinois, was a prominent manufacturer of various products, most notably pocket lighters, in the mid-20th century. Some of their popular lighter models included the Constellation, Fire-Chief, Giant, Pres-A-Lite, Windjammer, and Zephyr. The company was founded by Jack Galter, a successful entrepreneur and manufacturer in Chicago. In addition to lighters, Galter was known for producing simple bakelite cameras, sold under various brands like Spartus, Monarck, and Galter. In the early 1950s, Jack Galter shifted his focus to real estate development, amassing significant property holdings in the Chicago area. He sold his camera business, Spartus, in 1951. While the Galter Manufacturing Company no longer exists, its lighters remain collectible items, sought after by enthusiasts for their vintage appeal and craftsmanship.

SHIPPING AVAILABLE > A fine example of an Tyrolena or Wine Pipe, originating from Germany or Austria ~ To the porcelain bowl, handpainted cherries and associated foliage with LIEBE above, translating from German to English as > Love. CONDITION REPORT > Perhaps typical and minor elements relative to age, handling and materials. Tyrolean pipes, also known as Wine pipes, are a unique type of figural porcelain pipe originating from the Tyrol region of Austria. They are distinguished by their two-part construction, consisting of a detachable porcelain bowl often adorned with figural designs, landscape scenes, or other decorative motifs, and a separate wind cap that fits over the bowl to protect the flame. These pipes typically have long, intricately carved wooden stems and sometimes feature a hollow base, referred to as a "wine bowl," which could be filled with a small amount of liquid to purportedly enhance the flavor of the smoke. The term "Wine pipe" likely derives from this feature, though the actual use of wine for this purpose remains unclear. Tyrolean pipes were popular among the rural population of the Tyrol region, primarily for smoking local tobacco blends. However, they were also valued as collectible items due to their artistic craftsmanship and distinct design. While all Tyrolean pipes fall under the category of figural porcelain pipes, not all figural porcelain pipes are Tyrolean. The unique features of Tyrolean pipes, such as the two-part construction and the optional reservoir base, set them apart from other types of figural porcelain pipes.

SHIPPING AVAILABLE > A fine example of an Tyrolena or Wine Pipe, originating from Germany or Austria ~ To the porcelain bowl, a handpainted scene of a fox. CONDITION REPORT > Perhaps typical and minor elements relative to age, handling and materials. Tyrolean pipes, also known as Wine pipes, are a unique type of figural porcelain pipe originating from the Tyrol region of Austria. They are distinguished by their two-part construction, consisting of a detachable porcelain bowl often adorned with figural designs, landscape scenes, or other decorative motifs, and a separate wind cap that fits over the bowl to protect the flame. These pipes typically have long, intricately carved wooden stems and sometimes feature a hollow base, referred to as a "wine bowl," which could be filled with a small amount of liquid to purportedly enhance the flavor of the smoke. The term "Wine pipe" likely derives from this feature, though the actual use of wine for this purpose remains unclear. Tyrolean pipes were popular among the rural population of the Tyrol region, primarily for smoking local tobacco blends. However, they were also valued as collectible items due to their artistic craftsmanship and distinct design. While all Tyrolean pipes fall under the category of figural porcelain pipes, not all figural porcelain pipes are Tyrolean. The unique features of Tyrolean pipes, such as the two-part construction and the optional reservoir base, set them apart from other types of figural porcelain pipes.

SHIPPING AVAILABLE > A fine example of an Tyrolena or Wine Pipe, in the manner of Dutch, Holland, Delft porcelain ~ To the bowl, a handpainted scene of a windmill and landscape. CONDITION REPORT > Perhaps typical and minor elements relative to age, handling and materials. Tyrolean pipes, also known as Wine pipes, are a unique type of figural porcelain pipe originating from the Tyrol region of Austria. They are distinguished by their two-part construction, consisting of a detachable porcelain bowl often adorned with figural designs, landscape scenes, or other decorative motifs, and a separate wind cap that fits over the bowl to protect the flame. These pipes typically have long, intricately carved wooden stems and sometimes feature a hollow base, referred to as a "wine bowl," which could be filled with a small amount of liquid to purportedly enhance the flavor of the smoke. The term "Wine pipe" likely derives from this feature, though the actual use of wine for this purpose remains unclear. Tyrolean pipes were popular among the rural population of the Tyrol region, primarily for smoking local tobacco blends. However, they were also valued as collectible items due to their artistic craftsmanship and distinct design. While all Tyrolean pipes fall under the category of figural porcelain pipes, not all figural porcelain pipes are Tyrolean. The unique features of Tyrolean pipes, such as the two-part construction and the optional reservoir base, set them apart from other types of figural porcelain pipes.

SHIPPING AVAILABLE > A fine example of an Tyrolena or Wine Pipe featuring a handpainted scene to the bowl depicting a lovely Victorian era lady. CONDITION REPORT > Perhaps typical and minor elements relative to age, handling and materials. Tyrolean pipes, also known as Wine pipes, are a unique type of figural porcelain pipe originating from the Tyrol region of Austria. They are distinguished by their two-part construction, consisting of a detachable porcelain bowl often adorned with figural designs, landscape scenes, or other decorative motifs, and a separate wind cap that fits over the bowl to protect the flame. These pipes typically have long, intricately carved wooden stems and sometimes feature a hollow base, referred to as a "wine bowl," which could be filled with a small amount of liquid to purportedly enhance the flavor of the smoke. The term "Wine pipe" likely derives from this feature, though the actual use of wine for this purpose remains unclear. Tyrolean pipes were popular among the rural population of the Tyrol region, primarily for smoking local tobacco blends. However, they were also valued as collectible items due to their artistic craftsmanship and distinct design. While all Tyrolean pipes fall under the category of figural porcelain pipes, not all figural porcelain pipes are Tyrolean. The unique features of Tyrolean pipes, such as the two-part construction and the optional reservoir base, set them apart from other types of figural porcelain pipes.

SHIPPING AVAILABLE > A fine example of an Tyrolena or Wine Pipe featuring a handpainted polycrhome floral design with gold gilding. CONDITION REPORT > Perhaps typical and minor elements relative to age, handling and materials. Tyrolean pipes, also known as Wine pipes, are a unique type of figural porcelain pipe originating from the Tyrol region of Austria. They are distinguished by their two-part construction, consisting of a detachable porcelain bowl often adorned with figural designs, landscape scenes, or other decorative motifs, and a separate wind cap that fits over the bowl to protect the flame. These pipes typically have long, intricately carved wooden stems and sometimes feature a hollow base, referred to as a "wine bowl," which could be filled with a small amount of liquid to purportedly enhance the flavor of the smoke. The term "Wine pipe" likely derives from this feature, though the actual use of wine for this purpose remains unclear. Tyrolean pipes were popular among the rural population of the Tyrol region, primarily for smoking local tobacco blends. However, they were also valued as collectible items due to their artistic craftsmanship and distinct design. While all Tyrolean pipes fall under the category of figural porcelain pipes, not all figural porcelain pipes are Tyrolean. The unique features of Tyrolean pipes, such as the two-part construction and the optional reservoir base, set them apart from other types of figural porcelain pipes.

SHIPPING AVAILABLE > Measuring around 3-1/8" long, extending to perhaps 4" ~ Measuring around 3/4" in diameter ~ Cast in aluminum. The Nimrod pipe lighter was invented in 1946 by Ashley F. Ward, and the patent was awarded in 1947. It was unique in its design, resembling a nut and bolt, and was unlike any other lighter on the market at the time. There are several theories about the origin of the name "Nimrod": One theory suggests that it is a reference to the biblical figure Nimrod, known as a mighty hunter, and the lighter was meant to be windproof for outdoor use. Another theory suggests that the name was inspired by the British Nimrod fighter plane used in World War II, as Ashley Ward manufactured parts for this aircraft. There is no definitive evidence to support either theory. The lighter was designed with a unique pull-apart mechanism to ignite the flame. It had a stop mechanism to prevent the lighter from coming apart completely. It was primarily designed for pipe smokers but could also be used for cigarettes and other purposes. The Nimrod lighter came in two original versions: Pipe Lighter: The original design intended for pipe smokers. Commander/Admiral: A later version with a slightly different design. Nimrod lighters were very popular in the 1950s and 1960s, and some people still use them today. They are considered vintage collectibles and are sought after by enthusiasts. CONDITION REPORT > Not tested for functionality ~ Perhapst typical elements relative to age, use and materials ~ Patina should improve with a simple cleaning, should one desire.

SHIPPING AVAILABLE > A group of early ammunition, identifed by the prior owner as > (1) CIVIL WAR RIFLE CARTRIDGE ~ .41 CALIBER? ~ UNFIRED (1) RIFLE SHELL ~ 1887 ~ FIRED (1) CIVIL WAR CARTRIDGE FOR .45 CALIBER HENRY RIFLE ~ UNFIRED (1) SHOTGUN SHELL #14 ~ SIDE PIN FIRE ~ EARLY ENGLAND

SHIPPING AVAILABLE > A group of early printing press cuts, used for printing advertising in magazines and newspapers, or perhaps for letterheads ~ Cast in metal with wood block risers ~ Includes an unbranded motorcycle with rider, measuring 1.75 x 2" overall ~ Firestone tires, stylized lettering, measuring 4' long x close to 1" overall, with no wood backer ~ Lions Club, measuring 6.5 x 1.75" overall ~ Both the motorcycle and Lion's Club example are copper metal. CONDITION REPORT > Well preserved examples. Antique printing press cuts, also known as advertising cuts or printer's blocks, are metal or wood blocks with raised images or text used in letterpress printing. These cuts were often used to create advertising logos, illustrations, and decorative elements in vintage advertisements, packaging, and other printed materials. Early cuts were often made from wood, which was easier to carve but less durable. Later cuts were made from various metals like zinc, copper, or lead, offering finer detail and greater longevity. Cuts were extensively used to create eye-catching logos, slogans, and product illustrations in newspapers, magazines, posters, and other advertising media. They decorated product labels, boxes, and packaging materials, adding a touch of elegance and visual appeal. Cuts were used to personalize business cards, letterheads, envelopes, and other stationery items. Cuts came in a wide range of styles, from simple line drawings to intricate illustrations and ornate decorative elements. Many cuts were custom-made for specific businesses or products, featuring unique logos and branding elements. Today, antique printing press cuts are highly sought after by collectors for their historical significance, artistic value, and unique charm.

SHIPPING AVAILABLE > A group of -4- standard size smoking pipes of various styles, along with a wooden pipe rack. Included are the following > ICE AGE - 648 - ITALY > Ice Age is a vintage Italian pipe brand known for its unique and playful designs. They were produced in the 1970s and are now sought after by collectors ~ Ice Age pipes were typically made from briar and featured interesting shapes and finishes. Some of their popular models include the Acorn, Cherrywood, and Volcano Poker. These pipes are known for their quality craftsmanship and distinctive aesthetics. SPARTAN - IMPORTED BRIAR ~ A Spartan Imported Briar pipe was a popular line of pipes produced by the D&P Pipe Company (later Sparta Pipes, Inc.) in the mid-20th century. These pipes were known for their affordability and decent quality, often made from imported briar wood. DR. GRABOW ~ FREE HAND ~ Dr. Grabow Freehand pipes are a popular line of affordable, yet well-crafted, smoking pipes. They are known for their unique, one-of-a-kind shapes and rusticated finishes. No two freehand pipes are exactly alike, making them a favorite among collectors ~ These pipes are typically made from briarwood and feature a push-stem design that uses 6mm Dr. Grabow or Medico filters. They are available in both smooth and rusticated finishes, with various shapes such as the Duke, Omega, and Viscount. DR. GRABOW - WESTBROOK ~ The Dr. Grabow Westbrook pipe is a vintage model that was produced as part of a special offer program by RJR tobacco company. These pipes were not sold in retail stores but were offered through catalogs, where buyers could redeem coupons and cash to receive them in the mail. The Westbrook was one of the earliest of these "coupon pipes" and was available from 1955 to 1985 ~ These pipes were known for their quality and unique design. They featured a threaded "Adjustomatic" style mortise and tenon, allowing the smoker to always keep the orange spade logo facing upwards. The Westbrook pipes came in various shapes and finishes, including smooth and sandblasted ~ Although the Westbrook is no longer in production, it remains a sought-after collector's item among pipe enthusiasts. Their vintage charm, quality craftsmanship, and unique design make them a valuable addition to any collection. CONDITION REPORT > Seemingly well preserved examples.

SHIPPING AVAILABLE > A group of primiitve folk art carved tobacco smoking pipe bowls and two clay pipe bowls, perhaps of Native American Indian origin.

SHIPPING AVAILABLE > Two examples of early antique long stem pipes, one of the corncob type, the other featuring a turned bowl. The largest with a bent cane stem measuring around 18" tall, with a 5.5" tall corncob bowl. The other with with a round hardwood stem and amber mouthpiece, measuring 9" tall, having a 4" tall hardwood bowl. CONDITION REPORT > Perhaps typical and minor elements relative to age and materials, however appearing remarkably well preserved. The corncob, or long stem hillbilly tobacco smoking pipe is a nostalgic item that, despite of its simplicity and material yet has proven its right of existence. Furthermore, it is a product from an industry that has a history of over 130 years. Thanks to smart marketing the corncob gained a worldwide distribution. The corncob pipe is one of the few typical American pipes that makes an ideal combination with the tobacco, also from American origin. Farmers boys in the United States often smoked the silky leaves of the corncob as a surrogate for tobacco and the idea to use the hard cob of the corn to make a pipe is not too farfetched. Nevertheless the name of the man who was the first to produce corncob pipes survived: John Schranke, a farmer from Missouri . Like many other farmers in the U.S. his livelihood was the cultivation of corn. One day in 1872 he brought a bag of corncobs to the wood turner Henry Tibbe who lived in his neighborhood. He asked the craftsman whether he could turn the cobs into pipe bowls and add a wooden or reed stem. Tibbe did what he was asked, he even kept some of the pipe bowls for himself and displayed them in his shop window. To his surprise Tibbe sold them rather quickly.

SHIPPING AVAILABLE > A pair of late 20th century Japanese Kiseru smoking pipes ~ The longest features a round caramel brown bamboo stem measuring close to 30" long to include the cat brass bowl ~ Lightly arved floral and foliate elements to the stem, appearing as a golden color. The other, a darker and larged diameter bamboo stem example measures close to 24" long including the nickel silver bowl and turned mouthpiece. CONDITION REPORT > Both examples appear to be remarkably well preserved. History of the Kiseru Pipe of Japan The design of the kiseru pipe was uniquely suited to the Japanese preference for finely cut tobacco called "kizami." This tobacco produced a delicate flavor and aroma, allowing for a refined smoking experience. Kiseru smoking became deeply ingrained in Japanese culture, with intricate rituals and etiquette surrounding its use. Kiseru pipes were not merely smoking implements; they were symbols of status and fashion. The wealthy adorned their pipes with elaborate engravings, precious metals, and intricate lacquer work. Kiseru smoking was also depicted in various art forms, including woodblock prints (ukiyo-e), paintings, and literature. Moreover, kiseru smoking played a role in social interactions. Offering a pipe to a guest was a sign of hospitality and respect. The act of smoking itself was seen as a way to relax and contemplate, often incorporated into tea ceremonies and other cultural practices. With the introduction of Western cigarettes in the late 19th century, kiseru pipes gradually fell out of favor. However, a renewed interest in traditional Japanese crafts has led to a revival of kiseru pipe making in recent years. Today, artisans continue to create these exquisite pipes, preserving a piece of Japan's rich cultural heritage.

SHIPPING AVAILABLE > A group of -4- Japanese Kiseru smoking pipes ~ The longest measuring 15" featuring a burled wood stem with ornate nickel silver moutpiece and bowl. Another measuring 13" with a dark bamboo stem, long tapered nickel silver moutpiece and bowl An all metal example with a notably worn nickel silver finish, measuring 8" long, perhaps quite old Lastly, measuring 9" long, in the manner of ivory, with elements fitted to a metal metal stem, having an upturned flange top bowl. History of the Kiseru Pipe of Japan The design of the kiseru pipe was uniquely suited to the Japanese preference for finely cut tobacco called "kizami." This tobacco produced a delicate flavor and aroma, allowing for a refined smoking experience. Kiseru smoking became deeply ingrained in Japanese culture, with intricate rituals and etiquette surrounding its use. Kiseru pipes were not merely smoking implements; they were symbols of status and fashion. The wealthy adorned their pipes with elaborate engravings, precious metals, and intricate lacquer work. Kiseru smoking was also depicted in various art forms, including woodblock prints (ukiyo-e), paintings, and literature. Moreover, kiseru smoking played a role in social interactions. Offering a pipe to a guest was a sign of hospitality and respect. The act of smoking itself was seen as a way to relax and contemplate, often incorporated into tea ceremonies and other cultural practices. With the introduction of Western cigarettes in the late 19th century, kiseru pipes gradually fell out of favor. However, a renewed interest in traditional Japanese crafts has led to a revival of kiseru pipe making in recent years. Today, artisans continue to create these exquisite pipes, preserving a piece of Japan's rich cultural heritage.

SHIPPING AVAILABLE > A collection of -6- various tobacco smoking pipes ~ One marked HESSON GUARD ~ Another, JOHN MIDDLETON - AMEROOT ~ G.B. SHELL ~ One in the manner of a toilet ~ One perhaps incomplete with what resembles a tuning key mouthpiece ~ A wooden bowl with metal trim and cover mounted to a curved stem, bamboo upright and composite, round mouthpiece ~ Lastly, seated in a Bachmann Brothers, Varsity Pipes cast composite plastic holder on four feet, a NEW ERA pipe, suffering from settled dust or mold to the bowl, with an advertising matchbook

SHIPPING AVAILABLE > A rather large, hand carved two-part example of a folk art hand carved tobacco smoking pipe, likely of Appalchian origin ~ If not, perhaps attributed to Native American Indians ~ The stem measures 8" long with a tapered end accepted by the 2.75" tall bowl, standing 3" tall ~ The mouthpiece is finely polished in the manner of a nipple, featuring a slender neck and bulbuous head. CONDITION REPORT > Some fractures to the wood of the bowl ~ Otherwise, expect natural elements relative to age, hand carving, use as intended and material.

SHIPPING AVAILABLE > A pair of carved wood figural pipe rests or holders ~ In the manner of a foot with a raised big toe, measuring 6" long X 2.25" wide overall, standing close to 1.5" tall at the heel Another in the manner of a log, measuring 4.5 x 2.35" long, standing close to 1.5" tall ~ Perhaps cast from some sort of wood composite, rather heavy Also included is one smoking pipe, branded VELLO-BOLE ~ HONEY CURED BRIAR Yello-Bole pipes were known for their "Honey Cured Briar." This was a marketing term used by Kaufmann Bros. & Bondy (KBB), the company that produced Yello-Bole pipes. It referred to a process where the briar wood was treated with a mixture containing honey during the curing process.   The honey was believed to enhance the flavor: It was said to give the smoke a slightly sweet and mellow taste ~ The honey was also claimed to aid in the "breaking-in" process of a new pipe, making it easier to smoke. However, there is some debate about the actual effectiveness of the honey curing process. Some pipe smokers believe that it was more of a marketing gimmick than a significant factor in the pipe's quality or smoking experience. Nevertheless, Yello-Bole pipes with the "Honey Cured Briar" stamp are sought after by collectors, and the brand remains popular among pipe enthusiasts today.

SHIPPING AVAILABLE > A primitive clay pipe bowl, perhaps attributed to the Native American Indians of the Caddo Nation, indigenous people of the area around Ringold, Louisiana, their ancestral land. Standing 2.75" tall, measuring 1.25" to the top of the bowl, tapered to a 1" diameter divided base, having a single hole to one side of the neck ~ Incised vertical striations around the body. An index card prepared by the prior owner reads in part > Old Clay Pipe ( Trade Pipe ) Found in creek bed close to Ringold, La. Found close to where some Mexicans on burro's were supposed to have dumped some gold when they were being pursued by bandits. History of the Caddo People The Caddo people have a deep-rooted history in the Ringgold, Louisiana area, particularly around Lake Bistineau. This region served as a significant cultural and economic center for the Caddo, offering abundant resources like fish, game, and fertile soil for agriculture. The Caddo established well-organized villages around Lake Bistineau. These settlements were typically comprised of thatched-roof houses arranged around a central plaza, where communal activities and ceremonies took place. The Caddo were skilled farmers, cultivating crops like corn, beans, squash, and sunflowers. They supplemented their diet with hunting, fishing, and gathering wild plants. Lake Bistineau played a vital role in their sustenance, providing a rich source of fish and waterfowl. The Caddo had a complex spiritual belief system, revering the natural world and its cycles. They held elaborate ceremonies and rituals to honor their ancestors, deities, and the forces of nature. Their pottery, textiles, and other artifacts showcase their artistic talents and cultural expression. The Caddo were active traders, engaging in commerce with other Indigenous groups across the region. They exchanged goods like pottery, tools, and agricultural products, fostering economic and social ties. The arrival of European explorers and settlers in the 16th century brought significant changes to the Caddo way of life. Diseases, conflicts, and forced displacement disrupted their communities. By the 19th century, most Caddo people were removed from their ancestral lands, including the Ringgold area, due to westward expansion. Despite facing numerous challenges, the Caddo Nation has persevered, maintaining their cultural traditions and identity. Their legacy can still be felt in the Ringgold area, through archaeological sites, place names, and the enduring presence of the Caddo people in neighboring communities. The Caddo Nation actively works to preserve their heritage and share their history with the broader public. Their contributions to the region's history, culture, and environment are significant and continue to be recognized and celebrated.

NO SHIPPING ~ LOCAL PICKUP ONLY > An outstanding example of an authentic vintage Chrysler automobile dealership showroom advertising sign featuring a neon light emblem at center ~ Measuring 30" in diameter, extending 4" from the wall, when mounted ~ Overall injection molded hard composite plastic with silver metallic finished details ~ Scalloped yellow neon tubing outlines the logo and forms the CHRYSLER letters at center. This Chrysler logo, featuring a seal-like emblem with a ribbon and wings, was primarily used in the 1950s and 1960s. It is sometimes referred to as the "Forward Look" logo, as it was associated with the company's design philosophy during that era. According to a label affixed to the reverse, this example was manufactured by Everbrite, Inc. of Greenfield, Wisconsin. Fitted with a 110 volt standard plug, designed to be hung, displayed on a wall. CONDITION REPORT > Functional ~ Some blemishes to the silver metallic finish of the border frame ~ Otherwise, a well preserved example. Chrysler, founded by Walter P. Chrysler in 1925, emerged from the Maxwell Motor Company. The first Chrysler car was introduced in 1924, and by 1928 the company began segmenting its offerings with the Plymouth and DeSoto brands. They acquired Dodge Brothers in the same year, expanding into trucks and strengthening their dealer network. Despite the revolutionary but commercially unsuccessful Airflow models in 1934, Chrysler persevered. In 1998, it merged with Daimler-Benz to form DaimlerChrysler, but this partnership ended in 2007. The Great Recession pushed the company to the brink, but it was acquired by Fiat S.p.A. in 2014, eventually merging with PSA Group to form Stellantis in 2021. Throughout its history, Chrysler has remained a significant player in the American automotive industry, known for innovation and iconic brands like Jeep, Dodge, and Ram.

SHIPPING AVAILABLE > A brushed terry cloth full length robe, sutiable for a man or woman, from the AFTER HOURS line produced by DIPLOMAT, noted to the label as ONE SIZE FITS ALL ~ Stylized screenprinted white lettering to the chest reads > Enjoy Coke CONDITION REPORT > An older example, apparently never worn ~ Due to age and material, washing not recommended ~ Preservation as a collectible would perhaps be a more reasonable goal.

SHIPPING AVAILABLE > An older replica of an embossed and lithographed tin metal advertising sign measuring 16 x 12" overall with turned edges, a quality production of Desperate Sign Co., Wadsworth, Ohio and so noted by diminutive lettering to the lower right border. Embossed in a relief, a depiction of the Uncle Remus character holding a can of syrup with embossed relief letters reading UNCLE REMUS BRAND SYRUP and a caption flanking the character reading DIS SHO' AM GOOD. CONDITION REPORT > Some brown spots, blemishes and scratches perhaps ~ Typical and minor elements relative to age and material. The syrup brand known as Uncle Remus was introduced in 1889 by the R.J. Reynolds Tobacco Company and was named after the fictional character in Joel Chandler Harris's Uncle Remus stories. The cane juice syrup was known for its molasses based flavor and was marketed as a wholesome and traditional Southern product. However, the Uncle Remus brand and African American imagery have been criticized for their association with racist stereotypes and romanticized depictions of slavery. Uncle Remus is a fictional character, the narrator and title character of a collection of African American folktales compiled and adapted by Joel Chandler Harris. Harris published these stories in book form in 1881, drawing inspiration from the oral traditions of enslaved people he encountered in the American South.   Uncle Remus was depicted as a kindly old freedman who served as a storyteller, sharing tales about Br'er Rabbit, Br'er Fox, and other animal characters with a young boy. While these stories have been praised for their cultural significance and preservation of folklore, they have also been criticized for perpetuating racial stereotypes and romanticized depictions of forced black slavery.

SHIPPING AVAILABLE > Measuring 9.5 x 15" a decorative panel of leaded, stained and slag glass surrounding a beveled diamond design at center, fitted with a chain for hanging. CONDITION REPORT > Perhaps typical and minor elements relative to age, manner of production and materials ~ No apparent cracks or damage. Leaded stained and slag glass architectural elements have a long and fascinating history, evolving from ancient origins to become a hallmark of artistic expression in architecture. The use of colored glass can be traced back to ancient Egypt and Mesopotamia, where artisans created small glass objects and jewelry. Romans also utilized colored glass in mosaics and windows, although these were not leaded. The development of stained glass windows flourished in medieval Europe, particularly in churches and cathedrals. These windows served as a means of storytelling, depicting religious scenes and figures, while also filtering light and creating a mystical atmosphere. The use of lead came to prominence as a method to join and support the individual pieces of colored glass. The Renaissance saw a shift towards more secular themes in stained glass, with an emphasis on realism and perspective. Stained glass windows began to appear in private homes and public buildings, not just religious structures. The Arts and Crafts movement in the late 19th century revived interest in handcrafted stained glass, with artists like Louis Comfort Tiffany creating stunning works that incorporated both stained and slag glass. Stained and slag glass continued to be used in architectural elements throughout the 20th century, with both traditional and modern designs. The development of new techniques and materials allowed for greater experimentation and innovation in the use of colored glass. Today, leaded stained and slag glass architectural elements continue to be valued for their beauty, craftsmanship, and ability to enhance the aesthetic appeal of buildings. They are used in a wide range of architectural styles, from historic restorations to contemporary designs. Slag glass, a byproduct of metal smelting, adds a unique texture and opacity to designs, often used in conjunction with stained glass to create visually striking compositions. Overall, the history of leaded stained and slag glass architectural elements is a testament to the enduring appeal of this art form, which has evolved and adapted over centuries while retaining its ability to inspire and captivate.

SHIPPING AVAILABLE > Measuring around 24" wide x 20" tall, a double sided heavy sheet metal die-cut flange advertising sign featuring enameled graphics depicting a Coca-Cola bottle below the classic styled letters reading DRINK COCA-COLA. CONDITION REPORT > Perhaps typical and minor elements relative to age and materials.

SHIPPING AVAILABLE > A metal ice chest cooler standing 18" tall, measuring 12.5 x 19" overall, featuring stylized lettering in reverse embossed relief to each long side advertising > DRINK Coca-Cola IN BOTTLES ~ To one short end, the name of the manufacturer reads ACTION MFG. CO. ~ ARKANSAS CITY, KANSAS ~ Galvanized metal to the interior ~ Top handle nickle plated tubular metal. CONDITION REPORT > Expect notable elements relative to age, use and materials ~ Blemishes and scratches ~ Some deterioration to rubber seal around top edge of body ~ Rust and dents to underside body.

SHIPPING AVAILABLE > Within a protective sleeve presentation folio, with an insert to the top panel reading > IRELAND'S INDEPENDENCE COIN Minted in 1966 of gleaming .833 silver, the 10 shilling Ireland's Independence Coin is the first commemorative coin ever issued by the Republic of Ireland. As of 1988, it remained the Republic's only commemorative coin. Significantly, this coin was struck to honor the 50th anniversary of the Easter Monday in 1916 when Patrick Pearse strode to the top of the steps of the Dublin General Post Office and proclaimed Ireland a free state independent of England. Fighting raged for a week before British troops defeated the rebels, and the ensuing execution of fifteen Irish leaders provided the impetus which gave rise to the Republic of Ireland. The obverse of the coin shows the gallant visage of Patrick Pearse, poet and patriot. The reverse depicts the statue of the Irish god Cuchulainn, greatest hero of Irish mythology - placed in the Dublin Post Office to mark the site of the uprising. On the edge of the coin, the words "The Easter Rising 1916," inscribed in Gaelic, record the year of the uprising itself.

SHIPPING AVAILABLE > A 1981 brilliant uncirculated Swiss coin set in a protective case as shown ~ To the insert, caption are offered in Swiss and English ~ Here noted in English > Swiss Coins Struck by Swiss Federal Mint, CH-3003 Bern Available from: SWISS NATIONAL BANK, CH-3003 Bern

SHIPPING AVAILABLE > a presentation card withing a protective clear plastic case containing a set of two British coins: the Penny and the Farthing. The card features an illustration of a man riding a penny-farthing bicycle, which is a type of bicycle with a large front wheel and a small rear wheel. Printed text to the card reads ~ PENNY FARTHING The coins included in this presentation set are the Penny last issued in 1967 and the Farthing last issued in 1956. Both the penny and farthing are no longer in circulation in the United Kingdom. The penny was replaced by a new, smaller version in 1971, and the farthing was withdrawn from circulation entirely in 1960. The image on the penny is of Britannia, the female personification of Britain, while the farthing depicts a wren, a small bird. The dates on the coins indicate the years they were last issued.

SHIPPING AVAILABLE > This is a 1972 Canadian uncirculated coin set issued by the Royal Canadian Mint, to include all six denominations of Canadian coins from that year: 1 dollar: Features a voyageur (French-Canadian fur trader) paddling a canoe. 50 cents: Depicts Canada's coat of arms. 25 cents: Shows a caribou, a large North American deer. 10 cents: Features the Bluenose, a famous Canadian schooner. 5 cents: Depicts a beaver, a national symbol of Canada. 1 cent: Features a maple leaf, another iconic Canadian symbol. The coins are presented in a sealed plastic package within a blue envelope bearing the Royal Canadian Mint's logo and name in both English and French. The envelope indicates the origin of the set as Ottawa, the capital of Canada where the mint is located. This type of uncirculated coin set was produced annually by the Royal Canadian Mint and is popular among coin collectors. The 1972 set is particularly notable for including the voyageur dollar, a popular design that was introduced that year.

SHIPPING AVAILABLE > A commemorative presentation set with a protective clear plastic case, with an inset titled "Farewell to the Half Pence", created to mark the withdrawal of the half pence coin from circulation in the United Kingdom and its dependent territories. The set includes Half Pence coins from ~ Great Britain Jersey Guernsey Isle of Man Eire (Ireland) Falklands Stamps featuring the image of Queen Elizabeth II and a relevant symbol or landmark for each territory ~ Great Britain (2 stamps) Guernsey (2 stamps) Isle of Man (2 stamps) Jersey Eire The half pence coin, worth half of a penny, was withdrawn from circulation in 1984 due to its decreasing value and usage. This set serves as a historical artifact of this currency change and includes a collection of coins and stamps from the various regions where it was used, of appeal not only to coin collectors, but also those interested in numismatic history.

SHIPPING AVAILABLE > Believed to be the copper nickel issue of this commemorative coin, held within a Fleetwood cardstock folio ~ Brilliant uncirculated condition. This is a commemorative printed cardstock folio issued by the Isle of Man to accompany the 1989 Persian Cat Crown Coin. The Isle of Man is a self-governing British Crown dependency located in the Irish Sea. The card provides information about the Isle of Man, its history, and the coin itself.   Printed Text Reads ~ The Isle of Man The beautiful Isle of Man - a 33-mile-long island with a striking coastline of bays, beaches, and rugged cliffs - is situated in the Irish Sea about halfway between Northern Ireland and England. A self-governing dependency of the British Crown under Her Majesty Queen Elizabeth II, the Isle of Man holds the distinction of having the longest continuous sitting Parliament. The Tynwald Court and House of Keys were established by the first Norse ruler in the 9th century and, despite many intervening changes in lordship, still govern the island's domestic affairs today. The earliest inhabitants of Man were Celts, many of whom were Irish missionaries who followed the teachings of St. Patrick. The Manx language - akin to Gaelic - remained in everyday speech until the first half of the 18th century when English prevailed. Now the Isle of Man is a thriving resort center with its own laws, stamps, and coinage.   The Story of the Persian Cat Crown Coin The Isle of Man possesses what amounts to a national passion for cats, in part because of their association with the indigenous Manx cat. Now they have honored the graceful and dignified Persian on the 1989 Persian Cat Crown Coin. The coin was designed by Leslie Lindsay, a leading sculptor of felines, and depicts a statuesque and perfectly groomed Persian. The reverse of the coin features a portrait of Her Majesty Queen Elizabeth II - an image which appears on all Isle of Man coinage - and the 1989 date of issue.   The Isle of Man has been issuing coinage since the 14th century when gold and copper issues bearing the Manx emblem were struck by the ruling Scottish party

SHIPPING AVAILABLE > A lot of vintage international coins from various foreign countries including, but not limited to, Canada, Australia, Netherlands, Great Britain, Germany, Kenya, Greece and likely many others. CONDITION REPORT > Condition Varies ~ Expect elements relative to age, circulation and material.

SHIPPING AVAILABLE > The 1971 United Kingdom 6 Coin Proof Set was officially released by the esteemed Royal Mint. This meticulously curated collection includes the innovative Fifty Pence piece, along with a Ten Pence piece, a Five Pence piece, a Two Pence piece, a One Pence piece, and a Halfpenny, each imprinted with the iconic date 1971. Additionally, a specially designed rectangular Royal Mint medal enhances the set's uniqueness. Notably, February 15th marked a pivotal moment in British currency history as the UK officially transitioned to decimalization. Some of these coins had already entered circulation before Decimal Day, coexisting for a few more years alongside the traditional pre-decimal currency. Capturing a snapshot of this transformative period, the set is a nostalgic gift, particularly for those who experienced the shift. What sets these coins apart is their proof finish, meticulously achieved through hand-polished dies and multiple strikes, resulting in an elevated level of detail. The coins are securely housed in their original clear plastic, double-sided slab, allowing for unobstructed views of both obverse and reverse without compromising their condition. The entire ensemble is elegantly presented in a decorative card envelope featuring eye-catching metallic dot lettering on the exterior. It's worth noting that the coins in these 1971 annual sets may exhibit varying degrees of toning over time, a natural occurrence for sets of this vintage.

SHIPPING AVAILABLE > A lot of -17- vintage international foreign currency bank notes issued as legal tender by various countries including Canada, Mexico, Japan, Brazil, Belgium, France and perhaps others. CONDITION REPORT > Condition Varies ~ Expect elements relative to age, circulation and material.

SHIPPING AVAILABLE > An uncirculated 1971 Canadian dollar coin commemorating the centennial of British Columbia joining Canada is a nickel dollar coin minted by the Royal Canadian Mint. It was released in 1971 as a circulation coin and was also available in a proof-like finish in a blue presentation case. The nickel version features a portrait of Queen Elizabeth II facing right on the obverse, with the text "ELIZABETH II D.G. REGINA" around the edge. The reverse features the British Columbia coat of arms with a Pacific dogwood flower above it, and the text "CANADA DOLLAR" and "1871 1971 BRITISH COLUMBIA" around the edge. It is made of pure nickel, has a diameter of 36.1 mm, and weighs 23.33 g. The edge is plain. The presentation case is blue with a gold-stamped Canadian coat of arms and the word "CANADA" on the front. This presentation case indicates that the coin is the proof-like version, which was designed for collectors and has a higher quality finish than the regular circulation version. The 1971 British Columbia nickel dollar was the first commemorative nickel dollar issued by Canada and is a popular coin among collectors due to its historical significance and attractive design.

SHIPPING AVAILABLE > An uncirculated example of a 1971 Canadian dollar coin, produced by the Royal Canadian Mint, commemorating the centennial of British Columbia joining Canada. This silver coin features a wapiti stag and a bighorn sheep on the reverse, symbolizing the province's wildlife. The obverse showcases a portrait of Queen Elizabeth II, along with the text "ELIZABETH II D.G. REGINA." The coin itself is composed of 80% silver and 20% copper, measuring 36.1 mm in diameter and weighing 23.33 grams. Its serrated edge adds a distinct touch to its overall design. The presentation case is blue with a gold-stamped Canadian coat of arms and the word "CANADA" on the front. This presentation case indicates that the coin is the proof-like version, which was designed for collectors and has a higher quality finish than the regular circulation version. Expect natural toning due to age and relative to silver content.

SHIPPING AVAILABLE > This 1971 Canadian Proof-Like set commemorates the 100th anniversary of British Columbia joining Confederation and includes a dollar coin made of 80% silver and 20% copper, along with 50 cent, 25 cent, 10 cent, 5 cent coins made of nickel and a 1 cent coin of copper. The dollar coin features a design commemorating British Columbia's centennial, while the 50 cent coin displays the Coat of Arms of Canada. The 25 cent coin depicts a caribou, the 10 cent coin showcases a Bluenose schooner, the 5 cent coin features a beaver, and the 1 cent coin displays a maple leaf. The coins have a proof-like finish, giving them a brilliant, mirror-like surface. The set is packaged in a white cardboard box with red printing and the Canadian Coat of Arms, and it comes in a black leatherette case with a red velvet lining.

SHIPPING AVAILABLE > This 1972 Canadian Proof-Like set commemorates the 100th anniversary of British Columbia joining Confederation and includes a dollar coin made of 80% silver and 20% copper, along with 50 cent, 25 cent, 10 cent, 5 cent coins made of nickel and a 1 cent coin of copper. The dollar coin features a design commemorating British Columbia's centennial, while the 50 cent coin displays the Coat of Arms of Canada. The 25 cent coin depicts a caribou, the 10 cent coin showcases a Bluenose schooner, the 5 cent coin features a beaver, and the 1 cent coin displays a maple leaf. The coins have a proof-like finish, giving them a brilliant, mirror-like surface. The set is packaged in a white cardboard box with red printing and the Canadian Coat of Arms, and it comes in a black leatherette case with a red velvet lining.

SHIPPING AVAILABLE > Issued in 1991 by Fleetwood, the Defenders of Freedom folio features a leatherette binder with illustrated panels, along with 12 mint conditon collectable stamps for placement ~ Measuring 14 x 22.5" opened. The illustrator is artist Dennis Lyall ~ Dennis Lyall is a renowned American artist and illustrator with over four decades of experience working with leading advertisers and publishers. Born in Iowa, his artistic journey began in childhood, always with a pencil in hand. After graduating from the University of Kansas in 1968, where he earned a Gold Medal from the Society of Illustrators, he launched his career as a commercial illustrator in Houston, Texas.   In the late 1970s, he relocated his family to Norwalk, Connecticut, to be closer to the vibrant New York City illustration scene. While proficient in various artistic mediums, his preferred form is oil on canvas. His portfolio spans diverse genres, including commercial illustration, portraiture, marine art, and Western-themed paintings.   Lyall's notable accomplishments include portraits of the 39 signers of the U.S. Constitution and the design of over 40 U.S. postage stamps. His work is held in private collections nationwide and by esteemed institutions like the U.S. Air Force, U.S. Coast Guard, Texas Historical Commission, and Northeastern Utilities.

SHIPPING AVAILABLE > This Defenders of Freedom First Day of Issue Collector's folio, issued by Fleetwood in 1991. commemorates the U.S. Armed Forces and the sacrifices made to defend freedom. This panel features artwork by renowned artist Howard Koslow, known for his historically accurate depictions of military subjects. Measuring 14 x 22.5" opened, the leatherette folder features panels and 12 U.S. postage stamps representing various branches of the military and significant events in American history. First day of issue cancellations for each stamp, indicating the first day the stamp was officially used for postage. Descriptive text outlining the historical context and significance of each stamp, further enhancing the collector's understanding and appreciation of the artwork. A mini-print depicting a modern-day soldier holding a rifle, a poignant symbol of the ongoing commitment of the U.S. Armed Forces to defending freedom, created by Koslow. Collectors value this panel not only for its historical significance but also for Koslow's artistic contributions. His dedication to accuracy and detail brings the stories behind each stamp to life, making this a cherished piece for military history enthusiasts and art collectors alike.

SHIPPING AVAILABLE > A Whitman Album featuring MEXICAN FIVE CENTAVOS from 1905 to 1955 ~ A total of -15- circulated coins are included, as shown. The national emblem of Mexico is featured on the obverse of five centavo coins minted between 1905 and 1935. It portrays an eagle on a cactus killing a snake. A modification of this motif, after the design of Jorge Enciso, was introduced to the copper-nickel five centavos in 1936. The legend ESTADOS UNIDOS MEXICANOS means "United States of Mexico." In 1942 a bronze five centavo coin was introduced for the second time. The obverse of this coin bears the date, denomination, mint mark and the portrait of Josefa Ortiz de Dominguez, a leading figure in the Mexican War of Independence from Spain. This is the first Mexican coin to bear the portrait of a woman. The copper-nickel five centavos issued in 1950 are similar to the bronze issues in design but smaller in size. Both the large size bronze and smaller size brass five centavo coins were issued in 1954 and 1955. All coins in this series were struck at the Mexico City Mint. Figures beneath the openings indicate the quantity of coins minted during each year.

SHIPPING AVAILABLE > A Whitman Album featuring GERMANY 10 PFENNIG coins staring from 1875 ~ A total of -50- circulated coins are included, as shown ~ Note, the album is not designed for German coins, and has been repurposed for this use, perhaps not holding all coins securely in the openings. The German Pfennig, including the 10 pfennig coin, has a long and rich history in Germany, dating back over a thousand years. In its earliest days, during the 9th century, the pfennig was a silver coin and the most valuable denomination. Over time, smaller denominations were made by dividing pfennigs, a practice that led to the creation of "hacksilver." As the centuries passed, the pfennig's value gradually declined due to debasement and inflation.   In the late medieval and early modern period, spanning the 16th to 18th centuries, different states within the Holy Roman Empire minted their own pfennigs. These varied in design and silver content, and it was during this time that the 10 pfennig coin became more prevalent. With the unification of Germany in 1871, the currency was standardized, and a new 10 pfennig coin made of copper-nickel was introduced. This coin featured the German eagle on one side and the denomination on the other.   The value of the 10 pfennig coin suffered greatly during the tumultuous years of the Weimar Republic and the Third Reich. Rampant inflation led to the coin being made from less valuable metals like aluminum and zinc, and the Nazi regime introduced new designs incorporating their symbols. Post-war Germany saw both East and West Germany issue their own 10 pfennig coins, each with unique designs reflecting their political differences. West Germany's coins initially used aluminum-bronze, later transitioning to copper-plated steel. Upon reunification in 1990, a new 10 pfennig coin was created, featuring the iconic Brandenburg Gate on one side. This coin circulated until 2002, when Germany adopted the euro. Today, the pfennig, including the 10 pfennig coin, is no longer legal tender in Germany, having been replaced by the euro cent. Nonetheless, these coins hold historical and numismatic significance, serving as tangible reminders of Germany's complex and fascinating past.

SHIPPING AVAILABLE > A Whitman Album featuring CANADA QUARTER coins from 1911 to 1952 ~ A total of -17- circulated coins are included, as shown ~ Canadian quarters minted between 1911 and 1967 were made of 80% silver and 20% copper. All dates represented on this folder were struck at the Royal Canadian Mint in Ottawa, Canada. The 1936 quarters with a tiny dot under the wreath were actually struck in 1937 during the reign of King George V before the new dies were ready. The 1947 quarters with a small maple leaf at the date were struck in 1948. All 1948 coins bear a new obverse inscription which omit ET IND. IMP. as a result of the independence of India. The British sovereign is no longer emperor of India. The figure beneath each date indicates the quantity of coins minted in that year.

SHIPPING AVAILABLE > A Whitman Album featuring CANADA QUARTER coins from 1952 and later ~ A total of -21- circulated coins are included, as shown ~ Canadian quarters minted between 1911 and 1967 were made of 80% silver and 20% copper. All dates represented on this folder were struck at the Royal Canadian Mint in Ottawa, Canada. The 1936 quarters with a tiny dot under the wreath were actually struck in 1937 during the reign of King George V before the new dies were ready. The 1947 quarters with a small maple leaf at the date were struck in 1948. All 1948 coins bear a new obverse inscription which omit ET IND. IMP. as a result of the independence of India. The British sovereign is no longer emperor of India. The figure beneath each date indicates the quantity of coins minted in that year.

SHIPPING AVAILABLE > A Whitman Album featuring CANADA NICKEL coins from 1961 and later ~ A total of -31- circulated coins are included, as shown. All Canadian nickels were struck at the Royal Canadian Mint in Ottawa, Canada. The portrait of Queen Elizabeth on the obverse of these coins was designed by Mrs. Mary Gillick. The design on the reverse, that of a beaver, was adopted in 1937 and is the work of Kruger Gray. The figure beneath each date indicates the quantity of coins minted in that year. Issues of 1961-1962 are 12-sided. Coins from 1963 and later are round.

SHIPPING AVAILABLE > A Whitman Album featuring CANADA NICKEL coins from 1922 to 1960 ~ A total of -32- circulated coins are included, as shown. All Canadian nickels were struck at the Royal Canadian Mint in Ottawa, Canada. There are two varieties in 1926, near 6 and far 6. The distance from the maple leaf is greater on the far 6. Tombac is an alloy of 88 per cent copper and 12 per cent zinc and was used for nickels struck in 1942 and 1943. The nickels of 1944 and 1945 were made of chromium-plated steel. The 1947 nickels, with a small maple leaf after the date, were struck in 1948. All 1948 coins bear a new obverse inscription which omits ET IND. IMP. As a result of the independence of India, George VI is no longer its Emperor. In 1951 the "Refinery Nickel" was struck to commemorate the 200th anniversary of the isolation of the element nickel. The figure beneath each date indicates the quantity of coins minted in that year.

SHIPPING AVAILABLE > A Whitman Album designed to accept CANADA DIME coins from 1858 to 1936 ~ A total of -10- circulated coins are included, as shown ~ Canadian dimes were minted in 80% silver from 1920 to 1967.   Text from the fly page within the album ~ The 10 pieces of 1858 were struck at the London Mint. Canada was a province at the time. Coins bearing the mint mark H. were struck at the Heaton Mint, which was operated by Ralph Heaton & Sons at Birmingham, England. Many British Colonial coins were struck there under contract with the British Govern- ment. Those without mint mark were struck at the London, England Mint from 1870 to 1907 inclusive. From 1908 until the present they have been struck at the Royal Canadian Mint at Ottawa, Canada, also without mint mark. Included in this series are several varieties which are easily distinguished and generally available in circula- tion. The following are provided for: 1886 Large 6 1893 Flat Top 3 1886 Small 6 1909 1908 Style Leaves 1891 21 Reverse Leaves 1909 Broad Leaves 1891 22 Reverse Leaves 1913 Broad Leaves 1893 Round Top 3 1913 1914 Style Leaves Rare dates are 1889 and 1936 with dot. The figure beneath each date indicates the quantity of coins minted in that year.

SHIPPING AVAILABLE > A Whitman Album containing CANADA DIME coins from 1938 to 1968, with some duplicates ~ A total of -29- circulated coins are included, as shown ~ Canadian dimes were minted in 80% silver from 1920 to 1967.   The Canadian dime, a cornerstone of the country's currency, has a rich history that spans over a century. Introduced in 1908, the first dime was composed of 92.5% silver and 7.5% copper, featuring King Edward VII on the obverse and a wheat sheaf symbolizing Canada's agricultural prominence on the reverse. Following Edward VII's death in 1910, his son, King George V, graced the dime from 1911 until 1936. During the interwar years, the dime's design remained consistent, with King George V's portrait and the wheat sheaf motif. In 1937, a new obverse design featuring King George VI was introduced, reflecting the change in monarchy. World War II brought significant changes to the dime. In 1942, to conserve nickel for the war effort, the dime's composition was temporarily altered to 50% silver, 40% copper, and 10% nickel. This composition remained until 1946 when the original 80% silver, 20% copper composition was restored. In 1953, the iconic Bluenose schooner replaced the wheat sheaf on the reverse. The dime's composition changed again in 1968, marking the end of the silver era and the beginning of the nickel era. The obverse continued to feature Queen Elizabeth II, who ascended the throne in 1952, while the reverse retained the Bluenose design. Over the years, the dime has undergone several design modifications, including commemorative editions celebrating special events and anniversaries. For example, in 2017, a special dime was issued to commemorate the 150th anniversary of Canadian Confederation. Despite its small size, the Canadian dime holds a significant place in the country's numismatic history. Its evolving designs and compositions reflect Canada's changing identity and values over time. Today, the dime remains a vital part of everyday transactions, a tangible link to the past, and a symbol of national pride.

SHIPPING AVAILABLE > A Whitman Album containing CANADA CENT coins from 1920 to 1967 ~ A total of -45- circulated coins are included, as shown. The Canadian cent, affectionately known as the penny, holds a unique place in the nation's history and numismatic landscape. Introduced in 1858 as a small copper coin, it quickly became a staple of daily transactions, symbolizing the country's economic development and cultural identity. The early Canadian cent featured Queen Victoria on the obverse and a maple wreath on the reverse, a design that remained largely unchanged for several decades. However, with the ascension of King Edward VII in 1901 and subsequent monarchs, the obverse design was modified to reflect the new ruler. Throughout the 20th century, the penny's composition evolved due to economic pressures and material shortages. During World War II, steel was used as a substitute for copper, and later, the coin was primarily made of bronze. One of the most iconic and enduring designs for the Canadian penny was introduced in 1937, featuring a maple leaf twig on the reverse. This design, created by artist George Kruger Gray, became synonymous with the penny and a symbol of national pride. Over the years, the penny underwent various design modifications, including commemorative editions celebrating special events and anniversaries. However, by the 21st century, the penny's purchasing power had dwindled significantly due to inflation. The cost of producing the coin began to exceed its face value, prompting discussions about its future. After careful consideration and public consultation, the Canadian government decided to phase out the penny in 2012. The last Canadian penny was minted in May 2012, marking the end of an era. While no longer in circulation, the penny holds a special place in the hearts of Canadians, representing a bygone era of simpler times and everyday transactions. Today, the penny remains a popular collectible for numismatists and a cherished reminder of the country's rich history. Its legacy lives on in the memories of generations who grew up using the penny as a fundamental part of their daily lives.

SHIPPING AVAILABLE > A group of -28- Canada dime coins, all believed to be struck between 1920 to 1967 containing 80% silver and 20% copper ~ All circulated ~ Varying years.

SHIPPING AVAILABLE > A group of -28- Canada dime coins, all believed to be struck between 1920 to 1967 containing 80% silver and 20% copper ~ All circulated ~ Varying years.

SHIPPING AVAILABLE > A group of -43- German 5 Pfennig coins, some struck at early as the 1890s ~ All circulated ~ Varying years. The German Pfennig, including the 5 pfennig coin, has a long and rich history in Germany, dating back over a thousand years. In its earliest days, during the 9th century, the pfennig was a silver coin and the most valuable denomination. Over time, smaller denominations were made by dividing pfennigs, a practice that led to the creation of "hacksilver." As the centuries passed, the pfennig's value gradually declined due to debasement and inflation.   In the late medieval and early modern period, spanning the 16th to 18th centuries, different states within the Holy Roman Empire minted their own pfennigs. These varied in design and silver content, and it was during this time that the 5 pfennig coin became more prevalent. With the unification of Germany in 1871, the currency was standardized, and a new 10 pfennig coin made of copper-nickel was introduced. This coin featured the German eagle on one side and the denomination on the other.   The value of the 5 pfennig coin suffered greatly during the tumultuous years of the Weimar Republic and the Third Reich. Rampant inflation led to the coin being made from less valuable metals like aluminum and zinc, and the Nazi regime introduced new designs incorporating their symbols. Post-war Germany saw both East and West Germany issue their own 10 pfennig coins, each with unique designs reflecting their political differences. West Germany's coins initially used aluminum-bronze, later transitioning to copper-plated steel. Upon reunification in 1990, a new 5 pfennig coin was created, featuring the iconic Brandenburg Gate on one side. This coin circulated until 2002, when Germany adopted the euro. Today, the pfennig, including the 5 pfennig coin, is no longer legal tender in Germany, having been replaced by the euro cent. Nonetheless, these coins hold historical and numismatic significance, serving as tangible reminders of Germany's complex and fascinating past.

SHIPPING AVAILABLE > A group of -39- mixed foreign coins with some tokens ~ Countries include France, Germany, Greece, Canada, Great Britain, Italy, Mexico and many more ~ All circulated ~ Various metal composition and dates from quite early to more recent.

SHIPPING AVAILABLE > A group of -51- copper Canadian cents, including the larger, bronze cent dated 1917, and the rest, later examples through the 1960s ~ All circulated, with various dates. The Canadian cent, affectionately known as the penny, holds a unique place in the nation's history and numismatic landscape. Introduced in 1858 as a small copper coin, it quickly became a staple of daily transactions, symbolizing the country's economic development and cultural identity. The early Canadian cent featured Queen Victoria on the obverse and a maple wreath on the reverse, a design that remained largely unchanged for several decades. However, with the ascension of King Edward VII in 1901 and subsequent monarchs, the obverse design was modified to reflect the new ruler. Throughout the 20th century, the penny's composition evolved due to economic pressures and material shortages. During World War II, steel was used as a substitute for copper, and later, the coin was primarily made of bronze. One of the most iconic and enduring designs for the Canadian penny was introduced in 1937, featuring a maple leaf twig on the reverse. This design, created by artist George Kruger Gray, became synonymous with the penny and a symbol of national pride. Over the years, the penny underwent various design modifications, including commemorative editions celebrating special events and anniversaries. However, by the 21st century, the penny's purchasing power had dwindled significantly due to inflation. The cost of producing the coin began to exceed its face value, prompting discussions about its future. After careful consideration and public consultation, the Canadian government decided to phase out the penny in 2012. The last Canadian penny was minted in May 2012, marking the end of an era. While no longer in circulation, the penny holds a special place in the hearts of Canadians, representing a bygone era of simpler times and everyday transactions. Today, the penny remains a popular collectible for numismatists and a cherished reminder of the country's rich history. Its legacy lives on in the memories of generations who grew up using the penny as a fundamental part of their daily lives.

SHIPPING AVAILABLE > A group of -3- identical Mexican 25 Peso coins, issued in 1968 ~ The 1968 Mexico 25 peso silver coin was primarily targeted towards collectors and those interested in the Olympics. The 1968 Mexico silver peso coin with the Aztec ball player is a beautiful and valuable coin. It is made of .925 silver and weighs 22.2 grams. The coin has a diameter of 40 millimeters. The obverse of the coin features the Aztec ball player, which is a symbol of strength and determination. The reverse of the coin features the Mexican coat of arms, which is a symbol of the country's independence and sovereignty. The 1968 Mexico silver peso coin was minted to commemorate the 1968 Summer Olympics, which were held in Mexico City. The coin was designed by Emilio Ortiz, a Mexican artist. CONDITION REPORT > Well preserved examples ~ Some degree of surface tarnish, normal and relative to the silver content.

SHIPPING AVAILABLE > A group of Canadian 25 Cent Coins, up through 1964, all composed of .800 silver ~ Includes -1- of the 1867-1967 Canada Centennial commemorative coins featuring a Lynx ~ The Canadian quarter featuring a lynx was a special commemorative issue in 1967 to celebrate Canada's centennial. It wasn't a regular circulation coin and is now considered a collector's item. This coin was part of a series where each denomination featured a different Canadian animal. The lynx was chosen for the quarter. It's made of 80% silver and is sought after by collectors due to its silver content and commemorative significance. Most are of the Queen Elizabeth variety , with at least one, of the King George variety ~ Varying dates, all circulated. The 25-cent coin, or quarter, is an integral part of Canada's numismatic history and a common feature of daily transactions. Since its introduction in 1870 as a silver coin, shortly after the establishment of the Canadian Confederation, the quarter has undergone numerous changes in composition and design, reflecting shifts in national identity, economic conditions, and artistic trends. Early designs featured Queen Victoria on the obverse and a heraldic wreath on the reverse. The composition changed over the years, notably with the replacement of silver with nickel in 1968 due to rising silver prices. The design evolution of the Canadian quarter is a testament to the country's rich history and cultural diversity. The iconic Caribou design (1935-1967) by Emanuel Hahn, symbolizing Canada's northern wilderness, was a mainstay for over three decades. The Centennial design (1967) by Alex Colville featured a rock dove, representing peace and unity during a pivotal year for the nation. The Provincial Flowers series (1992-2001) showcased the unique floral emblems of each province and territory, highlighting Canada's regional diversity. Additionally, numerous commemorative designs have been issued over the years to celebrate historical events, anniversaries, and notable figures, further enriching the numismatic landscape. The Canadian quarter holds a special place in Canadian culture, serving as a subject of artistic expression, a feature in literature and film, and even a component of games and folklore. The diverse designs of the quarter have made it a popular collectible, with rare varieties and error coins fetching high prices among numismatists. Moreover, the quarter has become a symbol of Canadian identity, often used to represent the country in international contexts. Beyond its cultural significance, the quarter plays a crucial role in the Canadian economy. Produced and distributed by the Royal Canadian Mint, the quarter facilitates daily transactions and serves as a unit of account. While its intrinsic value is low, its nominal value as legal tender is essential for commerce. The Canadian quarter is more than just a piece of currency; it is a reflection of Canada's history, culture, and economy. Its evolving designs and symbolic significance make it a cherished artifact for collectors and a tangible representation of the nation's identity. As Canada continues to evolve, so too will the design of the quarter, ensuring that it remains a relevant and meaningful part of the country's numismatic legacy.

SHIPPING AVAILABLE > A group of Venezuelan .835 silver coins, including -9- One Bolivar coins, -10- One-Half Bolivar coins and -15- One-Quarter Bolivar coins ~ All circulated, with varying dates. The Venezuelan bolívar, the official currency of Venezuela, has a rich history intertwined with the nation's economic and political landscape. Introduced in 1879, following a monetary reform that replaced the short-lived venezolano, the bolívar was initially defined on the silver standard, aligning with the principles of the Latin Monetary Union. This meant that each bolívar was equivalent to 4.5 grams of fine silver.   This adherence to the silver standard contributed to the bolívar's early stability and international acceptance. However, the monetary landscape shifted in 1887 when a new law made the gold bolívar unlimited legal tender. The gold standard was fully implemented in 1910, but Venezuela eventually abandoned it in 1930 amidst global economic turmoil. In 1934, the bolívar's exchange rate was fixed to the US dollar, a peg that lasted for several decades.   During this period of stability, various denominations of the bolívar were minted, including coins with varying silver content. For instance, the 5 bolívares coin, introduced in 1936, contained 25 grams of .900 fine silver. Other coins, such as the 1 bolívar minted between 1879 and 1936, were composed of 0.835 silver, representing a significant amount of precious metal. However, the bolívar's stability was not to last. In 1964, the government decided to abandon the fixed exchange rate and adopt a floating exchange rate. This decision, coupled with economic challenges and political instability, led to a series of devaluations and a decline in the bolívar's value.   As a result, the silver content of Venezuelan coins was gradually reduced and eventually eliminated. Today, Venezuelan coins are primarily made of base metals, reflecting the country's economic difficulties. However, the historical silver coins remain sought-after collectibles, reminding us of a time when the bolívar was a stable and respected currency backed by precious metals. The history of the Venezuelan bolívar and its silver coins is a testament to the intricate relationship between a nation's currency, its economic policies, and its political trajectory. It also serves as a reminder of the intrinsic value that precious metals like silver once held in the global monetary system. While the bolívar may no longer be backed by silver, its historical coins continue to hold value for collectors and numismatists, preserving a tangible link to Venezuela's past.

SHIPPING AVAILABLE > A mylar sleeve filled with -14- Argentina coins, as shown ~ All circulated, of varying dates and composition. Argentine coinage has a rich and varied history, reflecting the country's economic and political transformations. In the colonial era, before 1810, Spanish colonial reales circulated as the primary currency. After the May Revolution, the newly independent Argentina began minting its own coins, called escudos in gold and reales in silver, maintaining the same value and purity as the Spanish originals. During the early independence period, from 1810 to 1880, various provinces issued their own coins in different denominations, leading to a diverse numismatic landscape. The introduction of the peso moneda corriente and peso fuerte in 1826 marked a significant step towards establishing a national currency. Decimalization was gradually adopted, with coins issued in centavos from 1854 onwards. In 1881, the peso moneda nacional unified the national currency and fully implemented the decimal system. This currency, initially backed by gold and silver, experienced fluctuations in value due to economic and political instability. The modern era, starting in 1970, saw the introduction of the peso ley, peso argentino, and austral, each facing challenges with hyperinflation. Finally, in 1992, the peso convertible was established, initially pegged to the US dollar, providing stability for a period. While the peg was later abandoned due to economic crisis, the peso convertible remains Argentina's current currency. Today, the Argentine Republic issues coins in denominations of 1, 2, 5, and 10 pesos, often featuring designs that showcase native trees or important figures from the country's history. The legacy of Argentine coinage continues to evolve, reflecting the ongoing story of this South American nation.

SHIPPING AVAILABLE > A mylar sleeve filled with -20- Belgian coins, as shown ~ All circulated, of varying dates and composition. Belgian coinage began in 1832 with the introduction of the Belgian franc, two years after the country gained independence. The first coins were minted in silver and bronze, with the franc defined in terms of its weight in silver. Gold coins were also produced, but were rare due to the bimetallic system causing various issues. In 1860, Belgium became the first country to issue coins made of cupronickel, which is now a common alloy for coin minting. Initially, inscriptions were in French, but in 1886, the first coins with Dutch inscriptions appeared, followed by bilingual banknotes a year later. The National Bank of Belgium started issuing paper money in 1851, and throughout the 20th century, various denominations of banknotes and coins were introduced. During World War I, the Société Générale de Belgique issued paper money in German-occupied areas. In 1926, the treasury took over the production of certain franc notes, and in 1927, the National Bank introduced notes with denominations in both francs and belgas. The Belgian franc remained the national currency for over 170 years until it was replaced by the euro on January 1, 1999. The euro became the official currency for physical transactions in 2002, marking a new chapter in Belgian coinage history.

SHIPPING AVAILABLE > A mylar sleeve filled with -20- Belgian coins, as shown ~ All circulated, of varying dates and composition ~ One noted as 1868 silver 500 Reis ~ The 1868 Brazil 500 Réis silver coin, a sought-after numismatic treasure from Emperor Dom Pedro II's reign, is composed of .835 fine silver, weighs 6.25 grams, and measures 25 mm in diameter. The obverse features a bearded bust of Dom Pedro II facing left, encircled by the inscription "PETRUS II D.G.C.IMP. ET PERP.BRAS.DEF. C.L. 1868," which translates to "Peter II, by the grace of God, Constitutional Emperor and Perpetual Defender of Brazil." The reverse displays the Imperial coat of arms of Brazil, with the denomination "500 RÉIS" prominently positioned below. Others date from the 1920s through the 1960s, or varying denomination, all circulated. Brazilian coinage has a rich history that dates back to the colonial era. During the early days, Portuguese and Dutch settlers introduced the real, a currency that circulated in Portugal for centuries. In the 17th century, both silver and gold coins were minted, featuring denominations like 75, 150, 300, and 600 réis for silver, and 1000, 2000, 4000, and 6400 réis for gold. Interestingly, the first paper money in Brazil was used to compensate diamond prospectors, with their value marked directly on the note. Throughout the 18th and 19th centuries, the Brazilian monetary system evolved, with various banks and even regional governments issuing their own banknotes. The establishment of the first Brazilian Mint in 1694 marked a significant step towards a more organized system. Copper coins were also introduced, with denominations ranging from 5 to 40 réis. The 20th century brought further changes, with the introduction of the cruzeiro in 1942. However, due to economic instability and hyperinflation, the currency was renamed and redefined several times, leading to the introduction of the cruzeiro novo, cruzado, cruzado novo, and cruzeiro real. Finally, in 1994, the current currency, the real, was introduced, aiming to stabilize the economy and control inflation. Today, the Brazilian real is a widely recognized and stable currency, with coins and banknotes featuring various denominations. The Banco Central do Brasil, established in 1965, is responsible for issuing the currency and managing monetary policy. Brazilian coinage continues to evolve, reflecting the country's economic development and historical journey.

SHIPPING AVAILABLE > A mylar sleeve filled with -13- Cuban coins, as shown ~ Some designated as silver, others bronze and copper - nickel ~ All circulated, of varying dates and composition. Cuban coinage has a fascinating history, mirroring the island's political and economic changes. During the colonial era, under Spanish rule, the Spanish peso was the main currency. This system remained in place even after the Spanish-American War in 1898, with Cuba gaining independence in 1902. However, the new republic quickly established its own monetary system, minting its first coins and banknotes in 1915. These early Cuban coins featured denominations like centavos and pesos, often showcasing national symbols and figures. Many of these early coins, especially those issued before the revolution, were made with silver, adding to their historical and numismatic value. The peso was pegged to the U.S. dollar until 1960, when it switched to the Soviet ruble following the Cuban Revolution. This era saw the introduction of new coin designs reflecting socialist themes and ideals. After the collapse of the Soviet Union in 1991, Cuba faced economic hardship, leading to the introduction of the convertible peso (CUC) in 1994, alongside the existing peso. This dual currency system aimed to attract foreign investment and tourism. However, it also created complexities and inequalities within the Cuban economy. In 2021, the Cuban government unified the currency, eliminating the CUC and leaving the peso as the sole official currency. This move aimed to simplify the monetary system and promote economic stability. Today, Cuban coins continue to circulate, bearing witness to the island's unique history and ongoing evolution.

SHIPPING AVAILABLE > A mylar sleeve filled with -17- Danish coins, as shown, along with a tram token, dating from the 1960 to 1970s era ~ All circulated, of varying dates and composition. Danish coinage has a long and rich history, dating back to the Viking Age. The earliest coins were often crudely made, but they gradually became more sophisticated as the kingdom developed. The "korsmønter" or cross coins, minted by Harald Bluetooth in the late 10th century, are considered the oldest Danish coins. During the Middle Ages, Lund, now in Sweden, was a major minting center, producing coins for the Danish kingdom. Throughout the centuries, Danish kings have issued coins bearing their names, monograms, or portraits. The coins were typically made of silver, and their designs often reflected the artistic styles and political influences of the time. In the 19th century, Denmark joined the Scandinavian Monetary Union, adopting the krone as its currency. The krone remains the official currency of Denmark today, with coins featuring various denominations and designs depicting national symbols and historical figures. Over time, the composition and designs of Danish coins have evolved, reflecting changes in technology, economic conditions, and artistic trends. However, the rich tradition of Danish coinage remains a testament to the country's long and fascinating history.

SHIPPING AVAILABLE > A mylar sleeve filled with -20- Belgian coins, as shown ~ All circulated, of varying dates and composition ~ One noted as German Silver. El Salvador's coinage history is closely intertwined with its economic and political development. In the early 19th century, after gaining independence from Spain, El Salvador initially used the Spanish colonial real as its currency. However, in 1883, the country adopted the silver peso as its official currency. This silver peso was subdivided into 100 centavos, and it remained the main currency until 1934. In 1934, El Salvador replaced the silver peso with the colón, named after Christopher Columbus. The colón was initially pegged to the U.S. dollar at a rate of 2.5 colones per dollar. This fixed exchange rate remained in place until 2001 when El Salvador officially adopted the U.S. dollar as its legal tender. This decision aimed to stabilize the economy and reduce inflation. Despite adopting the U.S. dollar, El Salvador still issues its own coins in denominations of 1, 5, 10, 25, and 50 centavos. These coins are used alongside U.S. coins for everyday transactions. The designs on these coins often feature national symbols like the coat of arms, as well as important figures and historical events. Although El Salvador's coinage history is relatively short compared to other countries, it reflects the nation's journey towards economic stability and integration with the global economy.

SHIPPING AVAILABLE > A mylar sleeve filled with -25- French coins, as shown ~ All circulated, of varying dates and composition. French coinage has a rich history that dates back to the medieval period. In the 14th century, the franc was first introduced as a gold coin under King John II, symbolizing his liberation from English captivity. While it initially served as a unit of account, the franc later evolved into a silver coin and eventually became the national currency in 1795 during the French Revolution. The revolutionary government implemented decimalization, dividing the franc into 100 centimes. The new coins featured allegorical figures like Liberty and Equality, reflecting the values of the Republic. Throughout the 19th century, French coinage underwent changes in design and composition, reflecting the political and economic shifts of the time. The 20th century brought both challenges and innovations. World Wars and economic instability led to fluctuations in the value of the franc, and new materials like nickel and aluminum were used for coin production. However, the franc remained a symbol of French identity and economic stability. In 1999, France adopted the euro as its official currency, marking a new era in European monetary integration. The franc, along with other national currencies, was gradually phased out, becoming a relic of the past. However, its legacy lives on in the history of French coinage, a testament to the nation's resilience and adaptation throughout the centuries.

SHIPPING AVAILABLE > A mylar sleeve filled with -10- Finnish coins, as shown ~ All circulated, of varying dates and composition. Finnish coinage has a rich and varied history, dating back to the medieval period. In the 13th century, Finland, as part of the Kingdom of Sweden, adopted the Swedish markka as its currency. This system remained in place for several centuries, with various rulers issuing their own coins featuring their portraits and symbols. In the 19th century, as Finland gained more autonomy, it started minting its own coins, although they were still denominated in markka. These coins often depicted the Finnish lion, a national symbol, and reflected the changing artistic styles of the time. After Finland gained independence in 1917, the markka became the official currency of the new republic. Throughout the 20th century, Finnish coinage underwent changes in design and composition, reflecting the country's political and economic developments. The markka faced challenges during periods of war and inflation, but it remained a symbol of Finnish identity and stability. In 1999, Finland joined the European Monetary Union and adopted the euro as its official currency. The markka, along with other national currencies, was gradually phased out. However, its legacy lives on in the history of Finnish coinage, a testament to the nation's resilience and progress. Today, Finnish euro coins feature various designs, often showcasing national symbols and cultural themes.

SHIPPING AVAILABLE > A mylar sleeve filled with -25- Guatemalan coins, as shown ~ All circulated, of varying dates and composition. Guatemalan coinage has a rich history that reflects the country's economic and political transformations. In the early 19th century, after gaining independence from Spain, Guatemala initially used the Spanish colonial real as its currency. This was soon replaced by the peso, which was subdivided into 100 centavos. The peso remained the official currency for several decades, with various denominations and designs circulating throughout the country. In 1925, a major change occurred with the introduction of the quetzal, named after the national bird of Guatemala. The quetzal was initially pegged to the U.S. dollar at a fixed exchange rate and quickly became a symbol of national pride and economic stability. However, in 1987, due to economic pressures, the peg was abandoned, and the quetzal's value began to float. Despite the fluctuation in value, the quetzal remained the official currency of Guatemala. The country continued to issue coins in various denominations, often featuring national symbols and historical figures. In 2001, El Salvador adopted the U.S. dollar as its official currency, alongside the colón. This dual currency system allowed for greater economic stability and facilitated trade with the United States. Today, Guatemalan coins continue to circulate alongside the U.S. dollar, serving as a reminder of the country's unique monetary history. The quetzal, with its colorful banknotes and diverse coin designs, remains a symbol of Guatemalan identity and a testament to the nation's economic evolution.

SHIPPING AVAILABLE > A mylar sleeve filled with -11- Honduran coins, as shown ~ Some noted as .900 silver ~ All circulated, of varying dates and composition. Honduran coinage has a fascinating history, reflecting the country's political and economic changes over time. In the early 19th century, after gaining independence from Spain, Honduras initially used the Spanish colonial real as its currency. This was soon replaced by the peso, which was subdivided into 100 centavos. In the late 19th century, Honduras began minting its own coins, including some silver coins. These silver coins often featured the national emblem, the macaw, and various denominations. They were a significant step towards establishing a national identity and economic independence. In 1931, the lempira, named after the indigenous leader Lempira, was introduced as the official currency of Honduras. The lempira was initially pegged to the U.S. dollar at a fixed exchange rate. This system remained in place for several decades, providing stability to the Honduran economy. Throughout the 20th century, Honduran coinage continued to evolve, with new designs and denominations reflecting the country's changing landscape. Silver coins were gradually phased out as new materials and technologies emerged. Today, the lempira remains the official currency of Honduras. The coins and banknotes feature various designs, often showcasing national symbols, historical figures, and natural landscapes. Although silver coins are no longer in circulation, they hold a special place in Honduran numismatic history, representing a time of early independence and economic growth.

SHIPPING AVAILABLE > A mylar sleeve filled with -20- Mexican coins, as shown ~ All circulated, of varying dates and composition ~ Some date back to the 1920s with a number varying in silver composition. Mexican coinage has a rich history that dates back to the colonial era. After the Spanish conquest, the Spanish real became the primary currency, with silver coins playing a significant role in trade and commerce. The first mint in the Americas was established in Mexico City in 1535, producing silver coins in various denominations. These coins, often called "pieces of eight," circulated widely throughout the Americas and even reached Asia through trade routes. During the 19th century, after Mexico gained independence from Spain, the country began issuing its own coins, including silver pesos. These coins often featured the Mexican eagle and other national symbols, reflecting the country's newfound identity. Silver coins continued to be a major part of Mexican coinage throughout the 19th and early 20th centuries, with denominations ranging from centavos to pesos. In the 20th century, Mexico transitioned to a decimal currency system based on the peso. However, silver coins continued to be minted, although their silver content gradually decreased due to economic pressures and rising silver prices. Today, the Mexican peso remains the official currency, and while silver coins are no longer used for everyday transactions, they are still produced as commemorative and collector's items. The history of Mexican coinage is a testament to the country's rich cultural heritage and economic development. From the early Spanish colonial coins to the modern peso, Mexican coinage reflects the nation's resilience and adaptation throughout the centuries. The inclusion of silver coins in its numismatic history serves as a reminder of Mexico's rich mineral resources and its significant role in global trade.

SHIPPING AVAILABLE > A mylar sleeve filled with -20- Japanese coins, as shown ~ All circulated, of varying dates and composition, dating from the 1940 to the 1960s era, noted as Yen and Sen coins, with at least one noted as a silver 100 yen coin from 1957-1958. Japanese coinage has a long and fascinating history, dating back to the 8th century with the introduction of the Wado Kaichin, copper coins based on Chinese models. However, it wasn't until the Edo period (1603-1868) that a more unified monetary system emerged. During this time, various denominations of gold, silver, and copper coins circulated, each with unique designs and inscriptions. The Meiji Restoration in 1868 marked a significant turning point in Japanese coinage. The new government introduced the yen as the national currency, replacing the complex system of previous eras. The yen was initially based on a silver standard, and various denominations of silver coins were minted, including the 1 yen, 50 sen, 20 sen, and 10 sen coins. In the 20th century, Japan experienced significant economic and political changes, which were reflected in its coinage. World War II led to the temporary suspension of silver coin production due to material shortages. However, in the 1950s, silver coins were reintroduced, including the iconic 100 yen coin, which was made of .800 fine silver and featured a phoenix design. Over time, the silver content of Japanese coins decreased due to rising silver prices, and new materials like cupronickel and aluminum were introduced. Despite these changes, Japanese coinage continues to evolve, with new designs and commemorative coins issued regularly. The 100 yen coin, although no longer made of silver, remains a popular symbol of Japan's numismatic heritage.

SHIPPING AVAILABLE > A mylar sleeve filled with -- 25 Mexican coins, as shown ~ All circulated, of varying dates and composition. with at least one 10 Centavos coin minted in 1928 identified as silver. Mexican coinage has a rich history that dates back to the colonial era. After the Spanish conquest, the Spanish real became the primary currency, with silver coins playing a significant role in trade and commerce. The first mint in the Americas was established in Mexico City in 1535, producing silver coins in various denominations. These coins, often called "pieces of eight," circulated widely throughout the Americas and even reached Asia through trade routes. During the 19th century, after Mexico gained independence from Spain, the country began issuing its own coins, including silver pesos. These coins often featured the Mexican eagle and other national symbols, reflecting the country's newfound identity. Silver coins continued to be a major part of Mexican coinage throughout the 19th and early 20th centuries, with denominations ranging from centavos to pesos. In the 20th century, Mexico transitioned to a decimal currency system based on the peso. However, silver coins continued to be minted, although their silver content gradually decreased due to economic pressures and rising silver prices. Today, the Mexican peso remains the official currency, and while silver coins are no longer used for everyday transactions, they are still produced as commemorative and collector's items. The history of Mexican coinage is a testament to the country's rich cultural heritage and economic development. From the early Spanish colonial coins to the modern peso, Mexican coinage reflects the nation's resilience and adaptation throughout the centuries. The inclusion of silver coins in its numismatic history serves as a reminder of Mexico's rich mineral resources and its significant role in global trade.

SHIPPING AVAILABLE > A mylar sleeve filled with -34- coins issued by the Netherlands, as shown ~ All circulated, of varying dates and composition, with at least two examples noted as silver. The history of Netherlands coinage is a fascinating journey through time, reflecting the country's economic and political transformations. In the Middle Ages, various regions within the Netherlands minted their own coins, often featuring local symbols and designs. Silver coins, such as the gulden and the daalder, were widely used for trade and commerce. During the Dutch Golden Age in the 17th century, the Dutch East India Company played a crucial role in expanding trade and establishing colonies. The company issued its own coins, including silver ducatoons and guilders, which circulated not only in the Netherlands but also in its overseas territories. These coins often depicted the company's logo and other symbols of Dutch maritime power. In the 19th century, the Netherlands adopted the guilder (or florin) as its official currency. Silver coins continued to be minted in various denominations, including the rijksdaalder, the 2.5 guilder coin, and the 5 guilder coin. These coins often featured portraits of Dutch monarchs and national symbols like the lion. The 20th century brought significant changes to Dutch coinage. The silver content of coins gradually decreased due to rising silver prices, and new materials like nickel and aluminum were introduced. In 1999, the Netherlands, along with other European countries, adopted the euro as its official currency. The guilder and its silver coins were phased out, becoming a part of the country's numismatic heritage. Today, Dutch euro coins feature various designs, often showcasing national symbols and cultural themes. While silver coins are no longer used for everyday transactions, they remain a valuable part of the Netherlands' numismatic history, reflecting the country's rich past and its place in the world.

SHIPPING AVAILABLE > A mylar sleeve filled with -17- Panamanian coins, as shown ~ All circulated, of varying dates, with some Balboa coins struck in .900 silver, along with bronze, brass and nickel, as well as a somewhat rare Silver 50 Centesimos coin minted in 1904. Panamanian coinage, closely tied to the balboa, has a unique history rooted in its relationship with the United States. Established in 1904 following Panama's independence from Colombia, the balboa replaced the Colombian peso as the national currency. Initially, Panama issued silver coins in denominations of 2 1/2, 5, 10, 25, and 50 centésimos, mirroring the size and composition of U.S. coins.   Over time, the balboa's coinage evolved. The silver content in coins gradually diminished, replaced by copper-nickel and other alloys due to rising silver prices. Throughout the 20th century, various denominations were introduced and discontinued, aligning with changes in the U.S. currency system. Today, the balboa and the U.S. dollar coexist as legal tender in Panama, with the balboa pegged to the dollar at a 1:1 exchange rate. The country continues to mint balboa coins in denominations of 1, 5, 10, 25, and 50 centésimos, while paper money is exclusively in U.S. dollars. These coins, though no longer containing silver, often feature national symbols and commemorative designs, reflecting Panama's rich history and cultural heritage. Although the silver balboa coins are now relics of the past, they serve as a reminder of the early days of Panamanian independence and the nation's unique monetary system. Collectors and numismatists cherish these coins for their historical significance and connection to the balboa, a currency that has played a vital role in Panama's economic development.

SHIPPING AVAILABLE > A mylar sleeve filled with -20- Belgian coins, as shown ~ All circulated, of varying dates, mostly silver composition, including Centimes and Bolivar coins. Venezuelan coinage, like many other nations in the Americas, began with the Spanish colonial real during the 16th to 19th centuries. After gaining independence in 1811, Venezuela initially continued to use the Spanish real, but later minted its own coins. In 1879, the venezolano was introduced as the official currency, featuring silver coins in denominations like 5, 10, 20, 50 centavos, and 1 venezolano. These silver coins played a vital role in the country's economy, facilitating trade and commerce. However, in 1887, the bolívar, named after the Venezuelan independence hero Simón Bolívar, replaced the venezolano. The bolívar also had silver coins, with denominations of 12½, 25, and 50 céntimos (cents) and 1, 2, and 5 bolívares. These coins, especially the 5 bolívares, were highly valued for their silver content. Over time, due to fluctuating silver prices and economic challenges, the silver content in Venezuelan coins decreased. The country moved towards using other metals like nickel and copper-nickel for its coinage. The bolívar, although undergoing several revaluations and reforms throughout the 20th and 21st centuries, remains the official currency of Venezuela. It's important to note that the balboa is the official currency of Panama, not Venezuela. While both countries share a history of Spanish colonization, their monetary systems developed independently. Today, Venezuelan coins are primarily made of base metals and feature various denominations, reflecting the country's ongoing economic and political changes.

SHIPPING AVAILABLE > A group of -20- mixed foreign coins, all circulated, of various dates and composition ~ Please examine images carefully ~ Condition varies ~ Includes, but not limited to, coins minted for the following countries > Lebanon ~ India ~ Siam ~ Libya ~ Pakistan ~ Czechoslovakia ~ Latvia

SHIPPING AVAILABLE > A group of -20- mixed foreign coins, all circulated, of various dates and composition ~ Please examine images carefully ~ Condition varies ~ Includes, but not limited to, coins minted for the following countries > Spain ~ France ~ Uruguay ~ Paraguay ~ Uganda ~

SHIPPING AVAILABLE > A group of -20- mixed foreign coins, all circulated, of various dates and composition ~ Please examine images carefully ~ Condition varies ~ Includes, but not limited to, coins minted for the following countries > France ~ Palestine ~ Iceland ~ Czechoslovakia ~ Nicaragua

SHIPPING AVAILABLE > A group of -20- mixed foreign coins, all circulated, of various dates and composition ~ Please examine images carefully ~ Condition varies ~ Includes, but not limited to, coins minted for the following countries > Italy ~ Greece ~ Costa Rica ~ Philippines

SHIPPING AVAILABLE > A group of -20- mixed foreign coins, all circulated, of various dates and composition ~ Please examine images carefully ~ Condition varies ~ Includes, but not limited to, coins minted for the following countries > Tunisia ~ Mexico ~ Greece ~ China ~ Norway

SHIPPING AVAILABLE > A group of -20- mixed foreign coins, all circulated, of various dates and composition ~ Please examine images carefully ~ Condition varies ~ Includes, but not limited to, coins minted for the following countries > Morocco ~ Libya ~ Kenya ~ Portugal ~ Russia ~ Peru ~ Haiti

SHIPPING AVAILABLE > A group of -20- mixed foreign coins, all circulated, of various dates and composition ~ Please examine images carefully ~ Condition varies ~ Includes, but not limited to, coins minted for the following countries > Angola ~ Israel ~ Egypt ~ Iraq ~ Formosa Nationalist China ~ Egypt ~ Turkey ~ China ~ South Korea ~ Mozambique ~ Costa Rica ~ South Vietnam ~ Ghana ~ Republic of China

SHIPPING AVAILABLE > A group of -20- mixed foreign coins, all circulated, of various dates and composition ~ Please examine images carefully ~ Condition varies ~ Includes, but not limited to, coins minted for the following countries > Mexico ~ Saudi Arabia ~ Ecuador ~ Trinidad & Tobago ~ Reunion Island, a region of France ~ Madagascar ~ Poland ~ Fiji Islands ~ Danish West Indies ~ Dominican Republic.

SHIPPING AVAILABLE > TRAY NOT INCLUDED A group of mixed collectibles ~ Advertising, Coca-Cola, Pepsi Cola, Bottle Caps, Slot Machine Pencil Sharpener, Can & Bottle Openers, Key Rings, Telephone Pioneers, Southwest & Northwestern Airlines and Newport Cigarette Playing Card Decks, Pex Candy Snowman Dispenser, Barclay Cigarettes Desk Calendar, Laundry Safety Pins, Clay Poker Chips and Much More ~ TRAY NOT INCLUDED.

SHIPPING AVAILABLE ~ BOTTLES NOT INCLUDED > A group of -4- early paper sleeves for placing over the neck and covering the body of a cold soda bottle, all advertising Coca-Cola, featuring various images of a woman, man and couple drinking Coca-Cola ~ Graphics read ~ It's the Real Thing ~ Refreshment Right Out of the Bottle ~ Our Sandwiches ... Delicious with Ice Cold Coca-Cola ~ All are produced by the No-Drip Company of Chicago and Mundelein, Illinois as the No-Drip Bottle Protector. CONDITION REPORT > New, old stock, remarkably well preserved.

SHIPPING AVAILABLE > Standing 7.5" tall, a gold lithographed tin advertising thermometer, convex in design featuring embossed details in the manner of a soda bottle. CONDITION REPORT > Some blemishes to lithographed finish, as exhibited in images offered ~ Glass thermometer intact and appears to read correctly.

SHIPPING AVAILABLE > Measuring 3.75 x 7" thick double sleeve card seemingly designed to be inserted in a pocket, with a metal clip to one side ~ Lithographed designs to each side of the single card featuring a bottle and carton of Coca-Cola, apparently utilized by merchants to calculate and figure profits ~ Lettering in part reads > A Quick Look at YOUR PROFIT on Take-home Coke SELLING COKE AT YOUR MARGIN IS TO MAKE MORE PROFIT ON CARTONS... Display them in Good Locations Keep the Displays Well Stocked Keep them Selling with Signs WHEN YOU SELL EACH WEEK ~ YOUR GROSS PROFIT IN A YEAR IS

SHIPPING AVAILABLE > Measuring 6-1/8 x 13-1/2" overall, with turned edges, a lithographed tin advertising sign featuring a reverse embossed relief depiction of a 1923 Christmas patent Coca-Cola bottle with stylized lettering above and below reading DRINK ~ Coca-Cola ~ Diminutive lettering to the lower border reads DAS CO. ~ MADE IN U.S.A. indicating production by the Donaldson Art Sign Company, with TRADE MARK REGISTERED text noted to the tail of the Coca-Cola lettering. CONDITION REPORT > Some scratches and blemishes ~ Typical and minor elements relative to age and materials ~ Overall, an above average example. History of the Donald Sign Company ~ 2125 Donaldson Ave, Covington, KY The Donaldson Art Sign Company located in Cincinnati, Ohio can be traced back to a partnership between William M. Donaldson and Henry Elms. These two entrepreneurs began a small lithography business in Cincinnati on August 10, 1863. By the end of the first year of operation, the firm owned and operated seven hand printing presses. With the death of Mr. Elms in 1872, the business became the sole property of Donaldson. The company was officially incorporated as the Donaldson Lithograph Co. in 1883. The company moved to the City of Newport, Kentucky in 1898, and was housed in the old Duber Watch Case Company facility (6th and Washington Streets). The company flourished in its Newport location. By 1913, plans were underway to expand the firm. William M. Donaldson acquired the old Central Covington Stockyards at 21st and Banklick Streets. Plans called for a 50,000-square-foot building that would eventually employ 200 workers. The cost of construction reached the sum of nearly $100,000. Work on the new plant was begun in August 1914. They manufactured advertising signs made of iron, tin, glass, and other metals for various companies including oil/gas, candy, soda, and breweries just to name a few. They also produced metal “flange” signs. William M. Donaldson died on October 22, 1931, at the age of 91. Despite this loss, both the Art Sign Company and the Lithographic Company continued to operate. Ownership of the company, however, remained in the family until 1981. That year, the company was purchased by Robert McLaughlin, a former company vice president, and James Keller. The Donaldson Art Sign Company made various signs for breweries like Deppen, Adam Scheidt, Neuweiler, Valley Forge, Trainer, Moose, Pittsburgh, Tube City, Brucks, Pearl, Utica, Blatz, Miller, Wiedemanns, Hamm’s, Golden Glow, Centlivre, Weidemann, and Ziegler just to name a few. In 1987, the Donaldson Art Sign Company ceased operation. The owners of the company declared bankruptcy. The bank which held the mortgage on the property also went bankrupt. The building remained, however, and quickly deteriorated. In January 1990, the ramshackle structure was severely damaged by fire. A 15-year-old was later charged for setting the fire which resulted in an estimated loss of $100,000.

SHIPPING AVAILABLE > A group of -2- wooden advertising rulers, one Pepsi Cola, issued by Pepsi-Cola Bottling Co. of Tupelo, Mississippi and one Coca-Cola, along with -5- wooden advertising pencils, including Barq's Root Beer ~ Cotton's Holsum Bread & Cakes ~ Two Different > Pepsi-Cola Bottling Co. of Natchez, Mississippi ~ Cotton's Holsum Bread. CONDITION REPORT > Expect typical and minor elements relative to age, use, purpose and materials ~ Overall, rather well preserved examples. History Relative to Pepsi Cola Pepsi-Cola, originally known as "Brad's Drink," was invented in 1893 by Caleb Bradham, a pharmacist in New Bern, North Carolina. He created the beverage to be sold at his drugstore's soda fountain. In 1898, Bradham renamed the drink Pepsi-Cola, deriving "Pepsi" from the word dyspepsia (indigestion) and "Cola" from the kola nuts used in the recipe. He believed the drink aided digestion and boosted energy. Pepsi-Cola grew in popularity, and in 1902, Bradham incorporated the Pepsi-Cola Company. The company faced financial difficulties in the early years and went bankrupt twice. In 1931, Charles Guth, the president of Loft, Inc., a candy manufacturer, acquired the Pepsi-Cola trademark and assets. He reformulated the drink and introduced a successful 12-ounce bottle for five cents. Pepsi-Cola continued to grow under Guth's leadership and eventually merged with Frito-Lay in 1965 to form PepsiCo, a global food and beverage giant. Today, Pepsi is one of the most recognized and widely consumed brands in the world. It competes fiercely with Coca-Cola in the global beverage market. Here are some key milestones in Pepsi's history: 1893: Brad's Drink invented by Caleb Bradham 1898: Renamed Pepsi-Cola 1902: Pepsi-Cola Company incorporated 1931: Charles Guth acquires Pepsi-Cola 1965: PepsiCo formed by the merger of Pepsi-Cola and Frito-Lay History of Cotton's Holsum Bread Cotton's Holsum Bread was a regional brand primarily popular in the Southern United States, with a strong presence in Louisiana. The brand was part of the Holsum Bakery family, a network of independent bakeries that used the "Holsum" name under a cooperative agreement with the Long Company. The Holsum brand was established in 1928 by William Edgar Long, who pioneered packaging sliced bread. The brand quickly grew due to its quality and innovative packaging. In Baton Rouge, Louisiana, the Cotton family acquired the rights to use the Holsum name and established Cotton Brothers Holsum Bakeries. They became a prominent local bakery, known for their Holsum bread and other baked goods. Cotton's Holsum Bread became a beloved household brand in the region. Their bakery on Choctaw Drive in Baton Rouge was known for the delicious aroma of baking bread that permeated the surrounding area. In 2008, Flowers Foods, a large baking company, acquired the Holsum Bakery brand, including Cotton Brothers Bakeries. This expanded the reach of Holsum bread while retaining its regional identity. While Cotton's Holsum Bread is no longer produced under the original family ownership, the brand continues to be a part of the Flowers Foods portfolio, maintaining its legacy as a Southern favorite.

SHIPPING AVAILABLE > A group of -5- soda bottles, as follows ~ ROYAL CROWN COLA ~ GADSDEN, ALABAMA ~ NEHI BOTTLING CO. COCA-COLA CLASSIC CHRISTMAS BOTTLE ~ FILLED ~ HOLIDAY 2003 COCA-COLA UNITED KINGDOM BOTTLE ~ MADE with VEGETABLE EXTRACTS COCA-COLA CLASSIC ~ NEW ORLEANS SAINTS ~ 30 SEASONS PEPSI-COLA ~ ODD SIZE ~ STANDS 7.75" TALL ORIGINAL CAP & CONTENTS

SHIPPING AVAILABLE > A group of -5- Coca-Cola collectibles, as follows ~ Coca-Cola Volume I Music Cassette Tape ~ Promotional Item Coca-Cola ~ Its' the Real Thing ~ Sealed Advertising Playing Card Deck Coca-Cola Playing Card Deck ~ Red Sealed Box All Aboard the Springtime Express ~ Atlanta, Georgia Coca-Cola Collectors Convention Souvenir Playing Card Deck, Sealed within hard plastic case Vintage Style Coca-Cola Playing Cards in Tin Lithographed Case ~ Double Deckj CONDITION REPORT > Tape not tested for functionality ~ Cards in metal case not counted ~ Overall, examples seem well preserved.

SHIPPING AVAILABLE > A group of -4- advertising collectibles, as follows ~ PEPSI-COLA Figural BOTTLE TRANSISTOR RADIO ~ Stands 9.5" tall ~ Formed of plastic components COCA-COLA Figural BOTTLE FLASHLIGHT ~ Stands 8" tall ~ Formed of plastic components COKE ~ COCA-COLA Figural CAN TRANSISTOR RADIO ~ Stands 4.75" tall ~ Includes original cardstock box COCA-COLA CLASSIC MINIATURE TRANSISTOR RADIO ~ Stands 3.5" tall CONDITION REPORT > None tested for functionality ~ Flashlight exhibits notable corrosion to light bulb area

SHIPPING AVAILABLE > A group of -4- antique printers type die cuts, appearing as copper metal on wood blocks ~ Includes the following > 2 Identical Examples > COCA-COLA ~ Figural Bottle ~ 1 x 1/2" Impression 1 Example > COCA-COLA ~ Stylized Script Lettering ~ 1 x 1/2" Impression 1 Example > LIME SODA ~ Stylized Lettering ~ 1 x 1/4" Impression While soda shops were adding lime to cola drinks as far back as the late 1800’s, the brand itself is first mentioned as being among those tested by President Teddy Roosevelt’s Homes Commission in 1908 where it is listed as being produced by the Alabama Grocery Company of Birmingham, Ala. This company was operated by Sid Lee, and they bottled brands such as Imported French Cola, Lime Cola, and Buffalo Rock Ginger Ale. The popularity of Buffalo Rock Ginger Ale had grown so much since its introduction in 1906 that the company decided to focus just on it when they trademarked it in 1917. Eventually they would change the name of the company to the Buffalo Rock Company. It would appear that wanting to focus on Buffalo Rock the Alabama Grocery Company sold the Lime Cola trademark. This makes sense when you know that Lime Cola became a Montgomery, Alabama product when the Lime Cola Company was incorporated there on July 31st, 1915, and soon started offering franchises. The Lime Cola Company was a closed corporation with no stock for sale outside the officers of the company. These officers were J. A. Adair as President, Mr. William M. Chapman as Vice President, and Mr. D. C. Knox as Secretary and Treasurer, and their syrup producing factory was located at One Hundred and Seven South Court Street. The company started franchising the brand in January of 1916, and in one year boasted having fifty seven franchises located in Alabama, Georgia, and Florida. They even had to open one per the request of the five thousand troops of the 1st, 2nd, and 4th Alabama Volunteer Infantry regiments who were mustered to Nogales, Arizona during their five month deployment to guard the border against Pancho Villa. Villa’s Mexican Revolutionary forces had raided a town in New Mexico in 1916. As of January 1917 there were twelve new franchises under construction, and the franchise requests were still coming. Originally the brand was bottled in a straight side crown top bottle with the typical diamond shaped paper label applied to it which they had trademarked in November 1915; however, by 1920 they had modified the label to resemble the shape of a lime. Things were about to change when on May 24, 1921 Chandler King was granted a patent for a deco bottle for Lime Cola. Chandler King would figure heavily in the story of another cola brand known as Pop Kola, but that is another story. The new bottle was a simple design with what appeared to be petals encircling the shoulder and heel with the Lime Cola trademark diagonally placed in the center. Things appear to still be going well for the brand as they enter the Depression and they even have a new ACL (applied color label) bottle in 7oz or 12oz sizes by 1939. They featured a mascot in their ads to solicit franchise holders named Sir Limey, who of course featured a monocle as we all know all British people do, it was 1939 when stereotypes were commonplace in advertising. In October 1945 the company was taken over by new owners with J. W. Wells as President of the new company. By June 1946 the new owners were boasting franchises in twenty seven states and the Republic of Mexico. In late 1946 I. Berman replaced J. W. Wells after he resigned to focus on his lumber holdings. In February 1947 it was announced that Bing Crosby and Bob Hope had acquired substantial interests in the Lime Cola Company, and the company was building a new home office building. The two actors were quite active in the promotion of the “new” drink. Bing let no grass grow under his feet when he started plugging the drink on his radio show. By this point the logo had been changed to a large LC with Lime Cola written under it. The pair decided that they also had to include Lime Cola in their fifth movie in the “Road to..” series of movies. In a carnival scene in the early part of the movie they had decided to have the entire screen filled with Lime Colas, Y. Frank Freeman then head of Paramount Studios, and also a director of the Coca-Cola Company, heard about it. Freeman rushed out on the set ordering the director to remove the Lime Cola related items. The thing was Bing and Bob owned two thirds of the production to his one third, the Lime Cola advertising remained. The movie was released in December 1947; however, the Lime Cola Company filed for bankruptcy reorganization in March of 1948, and Bob and Bing were left singing a different tune. The company was reorganized as the Lime Cola Company of Tennessee, and the offices were moved to Chattanooga. They did try to re-invent the brand with a new label design, but things were winding down for the company so a new approach had to be taken. They had tried to get a boost from star power; however, ultimately that had fallen through. They decided to negotiate with Walt Disney to license Donald Duck for their new line of beverages, which they had already been working on developing when they changed their name to General Beverages, Inc. in 1952.

SHIPPING AVAILABLE > A group of -5- miniature figural glass soda bottles, all standing 3" tall, except the empty clear example, likely the older of the group, standing 2.5" tall ~ All feature metal bottle caps ~ Typically these were found as souvenirs, promotions or as carnival prizes picked up in dragline machines ~ Three Coca-Cola example are filled, with the substance remaining liquid in one ~ One of the Coca-Cola bottle also is lettered Coke to one side ~ A Crush bottle filled with liquid, and the empty clear, shorter Coca-Cola bottle with cast relief stylized lettering to the shoulder.

SHIPPING AVAILABLE > Measuring 8.5 x 11" a cardstock cover booklet designed to fit in a binder, titled ~ TRUCK TRANSFERS FOR BOTTLERS OF COCA-COLA ~ To the title page,text indicates this was a confidential booklet produced by The Meyercord Co. for Coca-Cola bottlers. It includes the following details: Notice: A prominent notice at the top emphasizes that the booklet's contents are strictly confidential and intended solely for Coca-Cola bottlers. The Meyercord Co.: The company responsible for producing the booklet. The Meyercord Co. was a prominent manufacturer of decals and transfer products in Chicago, Illinois, producing labeling and branding materials for the Coca-Cola Company. Address: The address of The Meyercord Co. is listed as 5323 W. Lake Street, Chicago, Illinois. Designs featured on one page ~ The designs include: Silhouettes of a woman drinking Coca-Cola (Code No. 14 and 15) A six-pack carrier with Coca-Cola branding (Code No. 16 and 17) A single Coca-Cola bottle (Code No. 12 and 12 1/2) A sign with a hand holding a bottle and the text "Drink Coca-Cola" (Code No. 18) Smaller signs with safety messages for Coca-Cola delivery trucks: "Positively No Passengers Allowed" (Code No. 19) and "Please Sound Your Horn This Truck Will Pull Over Thank You!" (Code No. 20) Prices for bottlers to order the various transfers are noted to one page No date discovered, however the graphics indicate perhaps 1950s vintage. The Meyercord Co., founded in 1896 by George R. Meyercord in Chicago, Illinois, was a pioneering company in the decal and transfer industry. They quickly rose to prominence for their high-quality, durable decals that found applications in advertising, product labeling, and decorative purposes. In the early years, the company focused on manufacturing decals for bicycles and other products. Their innovative techniques and commitment to quality quickly garnered attention from diverse industries, leading to rapid expansion. By the early 20th century, The Meyercord Co. had broadened its product line to encompass a wide array of decals and transfers for advertising, branding, and industrial purposes. Their decals graced the products of prominent companies such as Coca-Cola, Ford, and Chevrolet, solidifying their position as a leading player in the industry. During World War II, The Meyercord Co. made significant contributions by producing decals for military vehicles, aircraft, and equipment, aiding in identification and camouflage. In the post-war era, the company continued to flourish, expanding its production capabilities and developing new decal technologies. They became a prominent supplier of decals for the automotive, appliance, and consumer goods industries, further solidifying their reputation as a leader in the field. The Meyercord Co.'s legacy endures as a pioneering force in the decal and transfer industry. Their innovative products and unwavering dedication to quality played a pivotal role in shaping the field and establishing decals as a versatile and effective branding and labeling tool. Today, their products are sought after by collectors and enthusiasts, and their innovative spirit continues to inspire advancements in the industry.

SHIPPING AVAILABLE > A group of -3- older, uncommon styles of wall mounted metal bottle openers, all issued by the Coca-Cola Company. CONDITION REPORT > Expect varying elements relative to age, intended purpose, use and materials ~ Condition best noted by examining the images offered.

SHIPPING AVAILABLE > An 8.5 x 11" lithographed paper foldout featuring truck bodies for soft drink bottlers ~ Based on the design of the trucks in this advertisement, they appear to be from the late 1940s or early 1950s ~ Text to the front cover reads in part > Herman Bottler Bodies ~ First Choice Among Bottlers Everywhere! ~ Designed in Beauty ~ Rolling Billboards ~ Along with notations of various brands utilizing the Herman bodies for delivery trucks > Coca-Cola ~ Sprite ~ Fanta ~ Dasani ~ Minute Maid ~ Powerade ~ Simply ~ Gold Peak ~ Dr Pepper ~ 7 Up ~ Canada Dry ~ Snapple ~ Mott's ~ Crush ~ Schweppes ~ Squirt ~ Sun Drop ~ Pepsi ~ Mountain Dew ~ RC Cola ~ Cheerwine ~ Vernors ~ Moxie ~ Delaware Punch ~ Double Cola ~ Nehi ~ Dad's Root Beer ~ Mission Beverages ~ Vess ~ Cott ~ Sun Crest

SHIPPING AVAILABLE > A group of promotional, adveritising items distributed by the Coca-Cola Company, including a gold patina metal medallion with the logo in red enamel, a figural metal bottle key fob with enamel inlay and ring, a figural plastic Coca-Cola bottle containing a tiny tool kit with key ring and a gold patina metal money clip.

SHIPPING AVAILABLE ~ A laminated attendee badge and -2- souvenir metal lapel pins with enamel inlay, all relative to the 1992 Springtime Express Coca-Cola Collectors convention in Atlanta, Georgia, presented with a railroad theme.

SHIPPING AVAILABLE > A group of perhaps -12- lithographed cardstock foldover Christmas cards ~ Printed text to the inside of each reads > Best Wishes for a Happy Holiday DE RIDDER COCA COLA BOTTLING COMPANY, INC. 134 E. FIRST ST. P.O. BOX 166 DE RIDDER, LOUISIANA 70634 Brief History of DeRidder, Louisiana DeRidder, Louisiana, located in the southwestern part of the state, has a history deeply tied to the railroad industry. The town was named after Ella de Ridder, the sister-in-law of a Dutch railroad financier who was instrumental in bringing the first railroad to the area in the late 1890s. Before that, the settlement was known as Schovall. The arrival of the railroad led to rapid growth, attracting settlers and businesses. Timber became the primary industry, with vast forests of longleaf pine fueling sawmills and other wood-related enterprises. In 1903, DeRidder was officially incorporated as a town. Throughout the early 20th century, it continued to develop, with the establishment of schools, churches, and civic organizations. The timber industry remained the backbone of the local economy for many decades. Today, DeRidder is the parish seat of Beauregard Parish and serves as a regional hub for commerce, education, and healthcare. While the timber industry is still important, the city has diversified its economic base and now includes manufacturing, retail, and tourism. DeRidder also embraces its rich history and cultural heritage. The city hosts an annual Civil War reenactment of the Battle of Hickory Creek and has several historic landmarks and museums. It's a place where the past and present blend together, creating a unique and vibrant community.

SHIPPING AVAILABLE > A group of -5- Coca-Cola lithographed metal bottle coasters of a Christmas theme featuring Santa Claus, along with a single example with graphics reading TAKE HOME A CARTON 25c ~ Also a printed cardboard panel with punch out coasters.

SHIPPING AVAILABLE > The phrase "It's the Real Thing" was adopted by Coca-Cola in 1969 as part of a major advertising campaign. It quickly became one of the most iconic and recognizable slogans in advertising history. ~ This lot includes a cardstock box, along with four dozen (48 Total) wrapped Coca-Cola pencils, featuring graphics reading Coke ... It's the Real Thing and the Enjoy Coca-Cola graphics ~ New, old advertising stock.

SHIPPING AVAILABLE > Coca-Cola gifts including a 2002 calendar and a ceramic cheese board with a rooster design along with a clever knife, presented in the manner of a wooden cheese board with the Coca-Cola enamel inlay logo applied to the top ~ Both items remain in the original box.

SHIPPING AVAILABLE > Measuring 5.5 inches long, standing 3 inches tall x 2.5 inches wide, a 1994 Department 56 brand figural Coca-Cola delivery truck, part of their Snow Village collection. A porcelain miniature replica of a vintage red Coca-Cola truck with white accents. The truck is festively decorated with a green wreath to the rear and loaded with Coca-Cola simulated crates at the sides. Finely detailed with stylized Coca-Cola graphics overall. To the underside, lettering reads 1994 The Coca-Cola Co. Department 56.

SHIPPING AVAILABLE > This impressive mantel clock, weighing over 25 pounds, stands tall at 24 inches, commanding attention with its ornate design. Measuring 12.5 inches wide and 7.5 inches deep at its base, it rests upon four gracefully splayed feet, adding to its elegant stature. Likely crafted in the mid to late 20th century, it exudes a vintage charm. The clock's movement, engraved with ~ La Rose, Two (2) Jewel, Unadjusted, Made in Germany, 130-02 ~ speaks to its quality and craftsmanship. The dial, a stunning display of white porcelain convex insets with black Roman numerals, is framed by a convex glass cover encased in brass, further enhancing its sophistication. Cast metal cherubs, flanking the center staff, add a touch of whimsy and artistry to the clock's overall aesthetic. The intricate detailing, complemented by striking red deep fuchsia enameled metal accents, showcases the meticulous care taken in its creation. Included with the clock is a matching key, designed for winding both the movement and the chime, ensuring its functionality and preserving its timeless appeal. This mantel clock is not only a functional timepiece but also a work of art, ready to grace any home with its vintage elegance. CONDITION REPORT > Not wound or tested ~ Functionality Undetermined ~ Perhaps elements relative to age, use and materials ~ Unknown if all parts are present.

SHIPPING AVAILABLE > An imressive neoclassical style candelabra, standing tall at 24 inches and weighing 13 pounds, commands attention with its intricate design, likely produced during the latter half of the 20th century in the manner of a mantle or table garniture. Measuring 11 inches overall to the arms, resting atop a cast metal base with four splayed feet. Featuring s six gracefully curved arms, each adorned with intricate details in gilt metal and surrounding a fuchsia enameled urn body. with a single raised candle holder at center. Each candle cup is fitted with a brass bobeche, for fitting with a candle and to catch any dripping wax. CONDITION REPORT > A well preserved example ~ Perhaps typical and minor elements relative to age and materials.

NO SHIPPING ~ LOCAL PICKUP ONLY > A classic 1970s era dance club mirrored disco ball, measuring 24" in diameter, suspended from a chain attached to a rotating hard wired motor. The disco ball, an iconic symbol of celebration and revelry, has a rich history that extends far beyond the 1970s disco era. Its origins can be traced back to the early 20th century, where it first appeared in nightclubs and dance halls as a mesmerizing centerpiece. Its reflective surface, composed of hundreds of tiny mirrors, transformed ordinary spaces into dazzling wonderlands of light and movement, captivating audiences and setting the stage for unforgettable nights. The disco ball's popularity soared during the 1970s, becoming synonymous with the era's vibrant energy and carefree spirit. Its hypnotic spinning, scattering fragmented light beams across the dance floor, created an immersive and exhilarating experience for partygoers. This iconic symbol of the disco era transcended mere decoration; it became an integral part of the cultural zeitgeist, embodying the freedom, expression, and exuberance of the time. Beyond its association with disco, the disco ball has proven its versatility, finding a home in various subcultures and settings. From punk rock clubs to goth gatherings, from weddings to private parties, the disco ball's ability to transform any space into a festive atmosphere is undeniable. Its timeless appeal lies in its ability to evoke a sense of joy, celebration, and the simple pleasure of dancing under a canopy of sparkling light. Today, the disco ball stands as a sought-after collector's item and a symbol of cultural significance. Its allure transcends trends and generations, making it a valuable addition to any collection or event space. Vintage disco balls, especially those with original mirrors and well-maintained motors, are prized possessions for enthusiasts and can fetch a premium price. Whether you're a seasoned collector, a nostalgic partygoer, or simply someone who appreciates the beauty of light and movement, a disco ball is a timeless investment that will continue to dazzle and delight for years to come. It's a symbol of celebration, a testament to the enduring power of music and dance, and a reminder of the transformative magic that can happen when light and reflection intertwine.

SHIPPING AVAILABLE ~ Weighing close to -35 pounds, standing close to 17" with the raised cover in place, measuring 11 x 16" overall to the body, not including the extended dispenser spout and handle. Likely manufactured during the 1950s, produced by the Multiplex Faucet Company of St. Louis, Missouri and so noted to the incised lettering to the dispenser cylinder. Overall stainless steel, fitted with HIRES R-J ROOT BEER WITH REAL ROOT JUICES cast metal enamel inlaid plaques mounted to the front and rear ~ DRINK DR. PEPPER adhesive back signs are applied to each of the sides. CONDITION REPORT > Expect varying elements relative to age, apparent long use and materials ~ Functionality as a soda dispenser may not be realistic, certainly not without considerable restoration ~ Rubber gasket around top exhibits notable deterioration ~ Dispenser handle rotates freely on cylinder ~ Not cleaned or altered. The Multiplex Faucet Soda Fountain Dispenser, manufactured in St. Louis, Missouri, revolutionized the soda fountain industry in the early 20th century. Founded in 1896, the Multiplex Faucet Company initially focused on producing faucets and valves. However, soon recognizing the growing popularity of soda fountains, the firm developed a dispenser that would change the way people enjoyed their favorite carbonated beverages. The firm produced a number of dispensers for Hires, as well as other brands, over the years. Before the Multiplex dispenser, soda fountains relied on individual spigots for each flavor, which was inefficient and time-consuming. The Multiplex dispenser introduced a revolutionary design that allowed for multiple flavors to be dispensed from a single unit. This streamlined the process, making it easier and faster for soda jerks to serve customers and increasing the efficiency of soda fountains. The Multiplex dispenser's innovative design quickly gained popularity, and it became a staple in soda fountains across the United States. Its success led to further advancements in soda fountain technology, including the development of dispensers with continuous flow and the ability to dispense multiple flavors simultaneously. The Multiplex Faucet Company continued to innovate and produce high-quality soda fountain equipment throughout the 20th century. Their products were known for their durability, reliability, and ease of use, making them a favorite among soda fountain operators. Today, the Multiplex Faucet Soda Fountain Dispenser is a cherished piece of Americana, representing a bygone era of soda fountains and classic refreshments. Vintage Multiplex dispensers are sought after by collectors and enthusiasts, who appreciate their historical significance and contribution to the evolution of the soda fountain industry. History of Hires Root Beer Hires Root Beer, a beloved American beverage, has a rich history dating back to 1876. It was created by Charles Elmer Hires, a Philadelphia pharmacist, who initially marketed it as "Hires Root Tea" to appeal to the temperance movement. However, he later changed the name to "Hires Root Beer" to attract a wider audience. Hires Root Beer gained popularity at the 1876 Philadelphia Centennial Exposition, where Hires offered free samples to visitors. By 1893, it was being bottled and sold across the United States, becoming one of the first nationally distributed soft drinks. Hires Root Beer was known for its unique blend of natural ingredients, including roots, herbs, and spices. It was marketed as a healthy and refreshing alternative to alcoholic beverages, particularly during the Prohibition era. Over the years, Hires Root Beer underwent various changes in ownership and formulation. In 1960, it was acquired by Consolidated Foods Corporation, which later became Sara Lee Corporation. The brand changed hands several times before being acquired by Keurig Dr Pepper in 2008. Despite the changes in ownership, Hires Root Beer maintained its loyal following. Its distinctive flavor and nostalgic appeal continue to resonate with consumers today. While it is no longer as widely available as it once was, Hires Root Beer remains a beloved classic, evoking memories of simpler times and the sweet taste of Americana.

SHIPPING AVAILABLE > A group of -34- stereoscope cards, also known as stereoviews, which are the pairs of images used in a stereoscope or stereopticon viewer to create the illusion of depth and a 3D effect ~ Various subjects. CONDITION REPORT > Expect varying elements relative to age, handling and materials. History of the Steropticon The parlor stereopticon, a marvel of 19th-century optical technology, opened a window into the world for countless individuals and families. This ingenious device, consisting of a pair of lenses and a holder for stereoscopic cards, offered viewers a glimpse into faraway lands, historical events, and cultural wonders, all from the comfort of their own homes. The stereopticon's rise to prominence in the mid-1800s marked a turning point in visual entertainment. The stereoscopic cards, featuring two nearly identical photographs taken from slightly different angles, created a remarkably realistic illusion of depth and three-dimensionality when viewed through the stereopticon's lenses. This captivating 3D effect transported viewers to distant locations, allowing them to experience the grandeur of European cathedrals, the bustling streets of foreign cities, or the dramatic landscapes of the American West. Beyond its entertainment value, the stereopticon served as a powerful educational tool. Stereoscopic cards depicted a wide range of subjects, from scientific discoveries and historical events to portraits of famous figures and scenes of everyday life. This visual encyclopedia brought knowledge and understanding to people of all ages and backgrounds, fostering a sense of curiosity and wonder about the world. The stereopticon was not just a solitary pastime; it was a social activity that brought families and friends together. Gatherings around the stereopticon became cherished moments, filled with laughter, conversation, and shared experiences. The device fostered a sense of community and connection, as people marveled at the wonders of the world together. As the 20th century dawned, the stereopticon's popularity waned with the advent of motion pictures and other forms of visual media. However, its legacy lives on. Today, stereoscopic cards and viewers are sought-after collectibles, cherished for their historical significance and artistic value. They offer a unique window into the past, allowing us to see the world through the eyes of those who came before us. The parlor stereopticon remains a testament to the enduring power of human ingenuity and curiosity. It reminds us of a time when the world was a vast and mysterious place, waiting to be explored through the lens of a simple yet revolutionary device.

SHIPPING AVAILABLE > A group of military artillery shot, the largest measuring 2.3" in diameter and weighing 1.75 pounds ~ The smallest measuring 1" in diameter, weighing around 4 ounces, perhaps considered grape shot ~ Grapeshot is a type of cannon ammunition that consists of a bundle of small, round balls wrapped in canvas and fired as an antipersonnel weapon. The balls are usually made of iron or lead and are separated from the gunpowder charge by a metal wadding. When fired, the canvas disintegrates and the balls spread out in flight, similar to a shotgun blast, spraying the target area. The name comes from the resemblance of the assembled shot to a cluster of grapes.

SHIPPING AVAILABLE ~ A group of -3- wooden handle Coca-Cola ice picks, along with one original box, one fitted with a bottle cap opener to the handle end ~ Also -3- metal bottle or can openers, each engraved with Coca-Cola incised letters, DRINK COCA-COLA and HAVE A COKE. CONDITION REPORT ~ Condition varies and best noted by examining the images offered.

SHIPPING AVAILABLE > A group of of advertising ephemera, as follows ~ COCA-COLA ~ Factory tour souvenir, die cut cardstock figural carton opening to panels with an overview of production operations ~ The first panel reads > WELCOME TO YOUR COCA-COLA BOTTLING PLANT ~ This souvenir folder will tell you some interesting things about how Coca-Cola is bottled. During your tour of the plant, of course, you may ask your guide about anything in particular interest to you. DELAWARE PUNCH ~ Cardstock shelf promotion and price placard. standing 4" tall, measuring a large 10" wide ~ Vivid lithographed colors featuring the soft drink logo and > Refreshingly Different in ONE-WAY BOTTLES ~ 6 / (PRICE) COCA-COLA ~ Folding cardstock coin savings bank, standing 4" tall, measuring 3.5" wide x 2" overall ~ Thirst Knows No Season ~ Delicious and Refreshing in the Distinctive Bottle ~ The Coca-Cola Co., Atlanta, Ga. ~ Assembly instructions to the underside ~ Made in U.S.A. ~ Slot to the front for coins. COCA-COLA ~ Cardstock ball logo with script lettering and bottle, measuring 5.75" in diameter ~ Perhaps once fitted with a grommet, now lacking, for use as a fan pull

SHIPPING AVAILABLE > An uncommon 10 ounce bottle standing 9.5" tall ~ SPRITE ~ FROM THE SAME COMPANY THAT BOTTLES COCA-COLA ~ Features cast relief lettering to the underside base reading SEQUIA NATIONAL PARK. CONDITION REPORT > No overt issues ~ Perhaps typical and minor elements relative to age, use and materials. Sprite, the popular lemon-lime soft drink, has a history dating back to the late 1950s. It was originally developed in West Germany in 1959 under the name "Fanta Klare Zitrone" (Clear Lemon Fanta). The Coca-Cola Company saw potential in the drink and introduced it to the United States market in 1961 as a competitor to the already established 7 Up. The name "Sprite" itself had been around for a few years prior, having been used for a line of fruit-flavored drinks. Coca-Cola acquired the rights to the name in 1960, and it perfectly captured the refreshing qualities of the new lemon-lime beverage. Sprite's clear, crisp taste and distinctive green bottle quickly resonated with consumers, and it steadily gained popularity throughout the 1960s and 1970s. By the 1980s, Sprite had firmly established itself as a major player in the soft drink market. It continued to evolve with the times, introducing new flavors and variations, and its marketing campaigns often featured prominent celebrities and athletes. Today, Sprite remains a beloved beverage worldwide, enjoyed for its simple yet satisfying flavor and its ability to quench thirst on a hot day.

SHIPPING AVAILABLE > An uncomon 7 ounce soft drink bottle standing 8" tall featuring applied color graphics ~ UPPER 10 ~ PICKS YOU UP ~ LIME LEMON SODA ~ PROPERTY OF ROYAL CROWN BOTTOLING CO., INC. ~ GALVESTON, TEXAS. CONDITION REPORT > Dirty, in need of cleaning ~ Otherwise, no overt issues ~ Perhaps typical and minor elements relative to age, use and materials. UPPER 10, a lemon-lime soft drink, traces its origins back to 1933 as a product of the Nehi Corporation, later known as Royal Crown Cola. It emerged during a time when the soft drink market was rapidly expanding, with new brands and flavors vying for consumer attention. UPPER 10's name aimed to evoke a sense of energy and excitement, distinguishing it in a crowded field. Throughout much of the 20th century, UPPER 10 remained a key player in the RC Cola lineup. It faced fierce competition from other lemon-lime giants like 7 Up and Sprite, but it carved out its own niche with its distinct flavor profile and loyal following. However, the landscape shifted in 2000 when Cadbury Schweppes acquired RC Cola. This led to operational changes and a gradual phasing out of UPPER 10 in many markets, with the company favoring the more widely recognized 7 Up. Though its presence has diminished in recent years, UPPER 10 holds a nostalgic significance for many who remember its refreshing taste and distinctive branding. It remains a testament to the ever-evolving nature of the soft drink industry and the enduring legacy of brands that once captured the hearts and palates of consumers.

SHIPPING AVAILABLE > A clear glass soft drink bottle standing 9.5" tall featuring applied color graphics reading ~ GRAPETTE GRAPE SODA ~ THIRSTY or NOT ~ LICENSED BY THE GRAPETTE COMPANY ~ CAMDEN, ARKANSAS ~ PATENT 1952 CONDITION REPORT > No overt issues ~ Perhaps typical and minor elements relative to age, use and materials. Grapette Grape Soda, a beloved grape-flavored soft drink, has a rich history dating back to its creation in 1939 by Benjamin Tyndle Fooks in Camden, Arkansas. Fooks, a traveling salesman, recognized the popularity of his grape flavoring and sought to develop a grape soda that truly captured the essence of the fruit. After years of experimentation and countless taste tests, Grapette was born. The drink quickly gained popularity, eventually outselling all other grape sodas combined. Its success was attributed to its unique flavor, achieved through a blend of natural and artificial ingredients, and its innovative clear bottle that showcased the vibrant purple hue of the soda. Grapette's iconic status was further solidified by its memorable marketing campaigns and its widespread availability throughout the United States. Throughout the mid-20th century, Grapette enjoyed a period of sustained growth and expansion. However, the landscape shifted in the 1970s when the brand was acquired by a competitor. This led to changes in distribution and marketing strategies, and Grapette's presence gradually diminished in many markets. Despite facing challenges in recent decades, Grapette Grape Soda has maintained a devoted following. Its nostalgic appeal and distinctive flavor continue to resonate with consumers who remember its heyday. Today, Grapette is produced by Grapette International and is available in select markets, offering a taste of history and a reminder of the enduring power of a well-crafted soft drink.

SHIPPING AVAILABLE > An uncommon 12 ounce clear glass soft drink bottle standing 9.75" tall featuring applied color graphics ~ DOUBLE COLA ~ DOUBLE MEASURE ~ DOUBLE PLEASURE ~ FLAVOR FROM SEMINOLE FLAVOR CO. ~ A REAL CARBONATED COLA BEVERAGE CONTAINING THE EXTRACTIVE MATTER OF KOLA NUTS AND COCA LEAVES ~ DECOCAINIZED ~ BLENDED WITH NATURAL FLAVORS ~ DOUBLE - COLA BOTTLING CO. ~ COLUMBIA, MISSISSIPPI. CONDITION REPORT > Dirty, in need of cleaning ~ Otherwise, no overt issues ~ Perhaps typical and minor elements relative to age, use and materials. Double Cola, a classic American cola, boasts a history that stretches back to the early 20th century. Its origins lie in the Good Grape Company, founded in 1922, which later evolved into the Seminole Flavor Company. In 1933, the company introduced Double Cola, a name inspired by its initial 12-ounce bottle size, double the standard at the time. The drink quickly gained popularity, particularly in the Southern United States, thanks to its unique flavor profile and competitive pricing. Throughout the mid-20th century, Double Cola expanded its distribution and product line, introducing new flavors and variations to appeal to a wider audience. However, the company faced challenges in the latter half of the century, with ownership changes and increased competition impacting its market share. Despite these hurdles, Double Cola maintained a loyal following, particularly in its core markets. Today, Double Cola is produced by the Double Cola Company, headquartered in Chattanooga, Tennessee. It continues to be enjoyed by those who appreciate its distinctive taste and nostalgic appeal. Though it may not be as widely available as some other cola brands, Double Cola remains a testament to its enduring legacy and its place in American soft drink history.

SHIPPING AVAILABLE > An uncommon clear glass soft drink bottle standing 9.5" tall featuring applied color graphics depicting a Native American Indian, along with ~ BIG CHIEF ~ A PRODUCT OF THE COCA-COLA BOTTLING CO. ~ SHREVEPORT, LOUISIANA CONDITION REPORT > No overt issues ~ Perhaps typical and minor elements relative to age, use and materials. Big Chief, a once-prominent brand of soft drinks, has a history deeply intertwined with the evolution of the American bottling industry. Emerging in the early 1900s, Big Chief wasn't a single flavor, but rather a diverse brand encompassing various popular sodas like root beer, orange, strawberry, and creme soda. The brand's distinctive bottles often featured embossed or painted images of a Native American chief, making them highly sought-after collectibles today. Big Chief's distribution model was unique, often leveraging existing Coca-Cola bottlers to reach a wider audience. This strategy allowed the brand to flourish, particularly in the southern and western regions of the United States. Throughout much of the 20th century, Big Chief remained a familiar sight on store shelves, offering consumers a variety of flavors and a touch of nostalgia. However, as the soft drink industry consolidated and larger brands gained dominance, Big Chief's presence gradually dwindled. By the 1970s, the brand had largely disappeared from the market, overtaken by the likes of Fanta and other mass-produced sodas. Today, Big Chief lives on primarily through its collectible bottles, which serve as reminders of a bygone era in American soft drink history. Though the brand itself may be gone, its legacy endures, offering a glimpse into the vibrant and diverse landscape of early 20th-century beverages. While Big Chief enjoyed popularity in various regions, particularly the Southern United States, including Louisiana, its origins are not specifically attributed to any single location. The brand emerged during a time when the soft drink industry was rapidly expanding, with numerous independent bottlers across the country producing and distributing their own unique beverages. Big Chief's success stemmed largely from its association with Coca-Cola bottlers, who leveraged their existing distribution networks to reach a broader audience. This decentralized model allowed Big Chief to thrive in different markets, each with its own local variations and flavors. Therefore, while Louisiana undoubtedly played a role in Big Chief's history, the brand's true birthplace remains somewhat elusive, a testament to its grassroots origins and its widespread appeal across the American landscape.

SHIPPING AVAILABLE > An ribbed clear glass soft drink bottle produced by Duraglas. standing 9" tall featuring applied color graphics readiong ~ ORANGE CRUSH to the neck and body. CONDITION REPORT > Somewhat dirty ~ No overt issues ~ Perhaps typical and minor elements relative to age, use and materials. Orange Crush, a beloved citrus-flavored soft drink, boasts a history that traces back to the early 20th century. It was initially conceived in 1911 by beverage chemist Neil C. Ward in California. Recognizing the growing popularity of carbonated beverages, Ward set out to create a truly distinctive orange soda, one that captured the essence of the fruit in a refreshing and invigorating way. Ward's innovation lay in his blending process, which resulted in a "zesty, all-natural orange flavor" that set Orange Crush apart from its competitors. To further distinguish his creation, Ward initially included orange pulp in the bottles, giving the impression of a freshly squeezed drink. The brand's name, "Ward's Orange Crush," reflected both the inventor's name and the process of extracting oils from orange skins to achieve its signature taste. Orange Crush quickly gained popularity, and within two years, it was already being enjoyed in Canada. The brand expanded its offerings with Lemon Crush and Lime Crush in 1919 and 1920, respectively. Throughout the mid-20th century, Orange Crush continued to innovate, evolving its formula and marketing strategies to stay relevant in a dynamic market. In 1980, Orange Crush was acquired by Procter & Gamble, marking a significant turning point in the brand's history. Under new ownership, Orange Crush continued to evolve, adapting to changing consumer preferences and expanding its global reach. Today, it remains a popular choice for those seeking a refreshing and flavorful citrus soda, a testament to its enduring legacy and its ability to capture the essence of the orange in a bottle.

SHIPPING AVAILABLE > An textured clear glass soft drink bottle standing 9.5" tall featuring applied color graphics reading ~ MIL K BOTL ~ CONTAINS VITAMIN B1 ~ REFRESHIING ~ JUST SAY MIL-KAY ~ The VITAMIN B1 DRINK ~ INVIGORATING / FLAVORED WITH CHOICE ORANGES ~ GOULD'S BETTER BEVERAGE CO. ~ McCOMB, MISS. CONDITION REPORT > Somewhat dirty ~ Typical and minor elements relative to age, use and materials. Mil-Kay, a beloved soft drink brand, has a history deeply rooted in the Midwest, particularly St. Louis, Missouri. Its origins trace back to 1927, when it was introduced by the Mil-Kay Bottling Company. The brand's name, a playful combination of "milk" and "chocolate," hinted at its signature flavor, a creamy chocolate soda that quickly captured the hearts and palates of local consumers. Mil-Kay's success stemmed not only from its unique taste but also from its strong community ties. The brand became synonymous with St. Louis, its iconic bottles a familiar sight in corner stores and soda fountains throughout the city. Throughout the mid-20th century, Mil-Kay expanded its reach, becoming a regional favorite across the Midwest. However, the landscape shifted in the 1980s when Mil-Kay faced financial challenges and was ultimately acquired by the Seven-Up Company. While this transition brought new resources and distribution opportunities, it also led to changes in the brand's formula and marketing strategy. Despite these challenges, Mil-Kay maintained a loyal following, particularly in its hometown of St. Louis. Today, the brand is produced by Excel Bottling Company and continues to evoke a sense of nostalgia and community pride. While its distribution may be more limited than in its heyday, Mil-Kay remains a testament to its enduring legacy and its special place in the hearts of Midwesterners. While Mil-Kay is indeed fondly remembered for its signature chocolate soda, it's not entirely surprising to find a bottle labeled as "Flavored with Choice Oranges." The brand's history reveals that it wasn't solely dedicated to chocolate; it actually encompassed a range of flavors, aiming to cater to diverse tastes. During its prime, Mil-Kay offered an assortment of popular sodas, including orange, grape, root beer, and more. This strategy allowed the company to compete in a dynamic market and expand its appeal beyond chocolate enthusiasts. The bottle you possess serves as a tangible reminder of Mil-Kay's diversified product line and its commitment to providing a variety of flavors to its loyal customers. So, while chocolate might be Mil-Kay's most iconic flavor, it's essential to recognize the brand's broader history and its willingness to experiment with different tastes and ingredients. The orange-flavored Mil-Kay you encountered represents an important chapter in the brand's story, showcasing its versatility and its ability to adapt to changing consumer preferences.

SHIPPING AVAILABLE > An 10 ounce clear glass soft drink bottle featuring horizontal ribs to the lower body, standing 9.5" tall featuring applied color graphics reading ~ FANTA ~ KING SIZE ~ NATCHEZ COCA-COLA BOTTLING CO., NATCHEZ, MISS. CONDITION REPORT > No overt issues ~ A well preserved example.. Fanta, the vibrant and globally recognized fruit-flavored soft drink, boasts a history that intertwines with the challenges of World War II. Its origins trace back to Nazi Germany in 1940, when Coca-Cola's German bottling plants faced difficulties importing the necessary syrup due to trade embargoes. In response to this predicament, Max Keith, the head of Coca-Cola Deutschland, ingeniously developed a new beverage using available wartime ingredients like leftover fruit pulp and whey, a byproduct of cheese production. This concoction, initially named "Fanta Klare Zitrone" (Clear Lemon Fanta), marked the birth of the Fanta brand. Despite its unconventional beginnings, Fanta quickly gained popularity in Germany, offering a refreshing and flavorful alternative during a time of scarcity. After the war, Coca-Cola recognized the brand's potential and reintroduced it to the global market in the 1950s. Over the years, Fanta has evolved into a diverse range of fruit flavors, becoming a beloved beverage in over 190 countries. Its playful marketing campaigns and vibrant colors have resonated with consumers of all ages, solidifying its position as a global soft drink icon. From its wartime origins to its present-day popularity, Fanta's journey is a testament to resilience, innovation, and the enduring appeal of a well-crafted fruit soda.

SHIPPING AVAILABLE > An 10 ounce clear glass soft drink bottle featuring horizontal ribs to the body, standing 9.5" tall featuring applied color graphics reading ~ ORANGETTE ~ LEMONETTE ~ CROWN DESIGNATES FLAVOR ~ LICENSED by the GRAPETTE COMPANY, INC. ~ CAMDEN, ARKANSAS ~ Copyright 1952 T.G. Co. CONDITION REPORT > Somewhat dirty, in need of a simple cleaning to improve appearance ~ Typical and minor elements relative to age, use and materials. Orangette and Lemonette, two vibrant citrus-flavored soft drinks, share a common origin story intertwined with the success of their sibling brand, Grapette. Benjamin Tyndle Fooks, the creator of Grapette, acquired the trademarks for Orangette and Lemonette in 1939, recognizing the potential to expand his beverage empire beyond grape soda.   Orangette, the orange-flavored counterpart to Grapette, debuted in 1947, offering consumers a refreshing and tangy citrus experience. Its distinct orange flavor and bright color quickly resonated with soda enthusiasts, establishing Orangette as a worthy addition to the Grapette family.   Lemonette, the lemon-lime variant, followed suit in 1946, providing a zesty and invigorating alternative to its orange and grape siblings. Its crisp flavor and distinctive branding further solidified Grapette International's presence in the competitive soft drink market.   Throughout the mid-20th century, Orangette and Lemonette enjoyed considerable popularity, riding the wave of Grapette's success and expanding their distribution across the United States. However, as the soft drink landscape evolved and larger brands gained dominance, their presence gradually diminished. Today, Orangette and Lemonette, along with Grapette, are produced by Grapette International and maintain a loyal following, particularly among those who cherish their nostalgic appeal and unique flavors. While their availability might be limited compared to their heyday, these citrus sodas continue to evoke a sense of history and offer a refreshing taste of the past.

SHIPPING AVAILABLE > SHIPPING AVAILABLE > An 6 ounce clear glass soft drink bottle standing 7.5" tall featuring applied color graphics reading ~ DRINK ... DIXIE MAID SPARKLING HIGH GRADE BEVERAGES ~ BOTTLED IN OUR SANITARY PLANT ~ EVERY BOTTLE STERLIZED ~ DIXIE MAID ICE CREAM CO., DeRIDDER, LOUISIANA. CONDITION REPORT > Somewhat dirty, in need of a simple cleaning to improve appearance ~ Some blemishes and loss to the ACL graphics ~ Perhaps other ypical and minor elements relative to age, use and materials. Dixie Maid Ice Cream Company, founded in 1935 by Joe B. Bardin in DeRidder, Louisiana, started as a family-owned business focused on bottling and distributing soft drinks. In the 1950s, the company expanded into ice cream production, and the Dixie Maid brand quickly became a beloved staple in DeRidder and neighboring communities. Known for its high-quality ice cream and dedication to customer satisfaction, Dixie Maid actively engaged with the community, sponsoring local events and fostering strong ties with the people of DeRidder. In 1980, the Bardin family sold the bottling aspect of the business, but Dixie Maid Ice Cream continued operating independently until the early 2010s. The family remained involved in the beverage industry through Bardin Vending Service, which they established in 1981. While the exact date of Dixie Maid's closure remains uncertain, its legacy lives on in the memories of those who enjoyed its ice cream and through vintage memorabilia that continues to surface. Dixie Maid Ice Cream Company holds a special place in the hearts of many in DeRidder, representing a time when local businesses thrived and contributed to the fabric of the community. Although the physical presence of Dixie Maid may be gone, its memory and the joy it brought to generations of residents continue to resonate.

SHIPPING AVAILABLE > The 6-ounce Orange Crush bottle, patented in 1920, stands as an iconic piece of soda history, demonstrating both innovative design and the evolution of the Orange Crush brand. Its distinctive textured surface, often described as "krinkly" or "ribbed," sets it apart from the brand's earlier, smoother bottles. This smaller serving size reflects the consumption habits of the time. The bottle's distinct bulbous shape and tapered neck were both visually appealing and functional, providing an easy grip. Furthermore, it proudly displayed the Orange Crush logo and its patent date, "July 20, 1920," showcasing the brand's commitment to innovation and safeguarding its unique design. While initially clear to highlight the soda's color, later variations included amber-colored glass. This specific bottle carries significant weight in Orange Crush's history. The 1920 patent granted the company exclusive rights to this distinctive design, preventing competitors from imitation. The embossed logo and patent date further bolstered brand recognition, contributing to Orange Crush's position as a leader in the soft drink market. It also illustrates a key shift in the brand's approach to packaging, moving towards a design that was not only functional but also visually pleasing, thus enhancing the consumer experience. Today, these 1920 bottles are highly prized by collectors, serving as tangible links to soda history and reminders of Orange Crush's enduring legacy. More than just a vessel for a tasty drink, this bottle embodies innovation, brand identity, and the evolution of the soft drink industry. Its popularity among collectors and enthusiasts underscores its significance as a cultural artifact and a testament to the lasting impact of iconic design.

SHIPPING AVAILABLE > An uncommon example, this clear glass 6 ounce soft drink bottle stand 7" tall, featuring applied painted graphics reading ~ LEMONETTE LEMON SODA ~ GRAPETTTE BOTTLING CO., McCOMB, MISSISSIPPI with a 1940s era patent. Lemonette, a refreshing citrus soda, is part of the Grapette family of beverages, introduced in 1946, a year before its sibling, Orangette. It's a lemon-lime flavored drink that, during its peak, contained a good amount of real citrus juice, giving it a bright, zesty flavor profile.   While Grapette, the grape-flavored soda, remains the most well-known of the group, Lemonette also enjoyed popularity, especially in the mid-20th century. It was distributed widely across the United States, often alongside Grapette and Orangette. Despite its initial success, Lemonette, like its citrus counterpart, faced challenges in maintaining its market share as larger soda brands gained dominance. However, it continues to be produced today by Grapette International, offering a taste of nostalgia to those who remember its tangy sweetness. Though its availability may be more limited than in its heyday, Lemonette remains a reminder of the diverse flavors and enduring legacy of the Grapette brand.

SHIPPING AVAILABLE > An uncommon 1930s example, this aqua glass 12 ounce soft drink bottle stand 9.5" tall, featuring an applied painted label, also known as an ACL bottle, along with stylized graphics reading ~ ROYAL CROWN ~ RC COLA ~ COPYRIGHT 1956 ~ NEHI CORPORATION ~ PROPERTY of NEHI BOTTLING CO., McCOMB, MISSISSIPPI ~ Retaining the original metal crown cap, despite blemishes and rust. RC Cola, during its ownership by Nehi, represented a significant chapter in the brand's history, marked by growth, innovation, and a strong focus on flavor diversity. The Nehi Corporation, originally known as the Chero-Cola / Union Bottle Works, acquired the rights to the Royal Crown brand in 1934. At this point, RC Cola was already in existence, having been introduced a year earlier. Under Nehi's ownership, RC Cola experienced a period of expansion and product diversification. Nehi, known for its range of fruit-flavored sodas, brought its expertise in flavor development to RC Cola. This led to the introduction of new RC Cola variations, including cherry cola and other fruit flavors. The brand also experimented with different packaging formats, launching the first canned soft drinks and the first caffeine-free cola in the 1950s, showcasing its innovative spirit.   Throughout the mid-20th century, RC Cola, under Nehi's guidance, solidified its position as a major player in the soft drink market. It competed fiercely with industry giants like Coca-Cola and Pepsi, utilizing aggressive advertising campaigns and celebrity endorsements to capture consumer attention. In 1955, the Nehi Corporation changed its name to Royal Crown Cola Co., reflecting the growing prominence of the RC Cola brand. This marked a turning point in the company's history, solidifying its focus on the cola market and setting the stage for further expansion and innovation.   The Nehi era of RC Cola was a time of dynamic growth and experimentation, showcasing the brand's commitment to flavor diversity and its ability to adapt to changing consumer preferences. While the company faced challenges in later years, its legacy as a pioneer in the soft drink industry remains intact.

SHIPPING AVAILABLE > An uncommon 1930s example, this aqua glass 12 ounce soft drink bottle stand 9.5" tall, featuring an applied painted label, also known as an ACL bottle, along with stylized graphics reading ~ ROYAL CROWN ~ RC COLA ~ COPYRIGHT 1956 ~ NEHI CORPORATION ~ PROPERTY of NEHI BOTTLING CO., LAFAYETTE, LA. RC Cola, during its ownership by Nehi, represented a significant chapter in the brand's history, marked by growth, innovation, and a strong focus on flavor diversity. The Nehi Corporation, originally known as the Chero-Cola / Union Bottle Works, acquired the rights to the Royal Crown brand in 1934. At this point, RC Cola was already in existence, having been introduced a year earlier. Under Nehi's ownership, RC Cola experienced a period of expansion and product diversification. Nehi, known for its range of fruit-flavored sodas, brought its expertise in flavor development to RC Cola. This led to the introduction of new RC Cola variations, including cherry cola and other fruit flavors. The brand also experimented with different packaging formats, launching the first canned soft drinks and the first caffeine-free cola in the 1950s, showcasing its innovative spirit.   Throughout the mid-20th century, RC Cola, under Nehi's guidance, solidified its position as a major player in the soft drink market. It competed fiercely with industry giants like Coca-Cola and Pepsi, utilizing aggressive advertising campaigns and celebrity endorsements to capture consumer attention. In 1955, the Nehi Corporation changed its name to Royal Crown Cola Co., reflecting the growing prominence of the RC Cola brand. This marked a turning point in the company's history, solidifying its focus on the cola market and setting the stage for further expansion and innovation.   The Nehi era of RC Cola was a time of dynamic growth and experimentation, showcasing the brand's commitment to flavor diversity and its ability to adapt to changing consumer preferences. While the company faced challenges in later years, its legacy as a pioneer in the soft drink industry remains intact.

SHIPPING AVAILABLE > An uncommon 1930s example, this clear glass 12 ounce soft drink bottle stand 9.75" tall, featuring an applied painted label, also known as an ACL bottle, and stylized graphics reading ~ RED ROCK COLA ~ REG. U.S. PAT. OFF. c 1939 ~ ENJOY THE SPARKLING RICH FLAVOR ~ BOTTLED UNDER AUTHORITY OF THE RED ROCK COMPANY ~ ATLANTA, GEORGIA. The Red Rock Company, responsible for bottling Red Rock Cola in Atlanta, Georgia during the 1930s, was founded in 1885 by Lee Hagan and G.T. Dodd in Atlanta, Georgia. Red Rock Cola, bottled under the authority of the Red Rock Company in Atlanta, Georgia during the 1930s, represents a significant chapter in the brand's rich history. Although Red Rock had been established since the late 1800s, primarily known for its ginger ale, the introduction of their cola variant in 1938 marked a pivotal moment in their trajectory. The 1930s saw a burgeoning demand for cola drinks, and Red Rock, with its established reputation and distribution network, was well-positioned to capitalize on this trend. The Red Rock Cola, bottled in Atlanta, was met with immediate enthusiasm, quickly exhausting initial supplies and prompting the formation of Red Rock Bottlers Inc. to expand its reach across the nation. These bottles from the 1930s are not just containers for a bygone beverage; they are tangible pieces of history, embodying the spirit of innovation and entrepreneurship that characterized the era. The bottles themselves, often featuring distinctive embossing and unique shapes, are now sought-after collectibles, reminding us of a time when local bottlers played a vital role in shaping American consumer culture. The Red Rock Cola bottled in Atlanta during the 1930s serves as a testament to the brand's enduring legacy and its ability to adapt and thrive in a competitive market. It symbolizes a time of growth and expansion for Red Rock, laying the foundation for the brand's continued presence in the soft drink industry for decades to come.

SHIPPING AVAILABLE > Likely uncommon, considering this example appears to contain the original contents, along with a well preserved metal crown cap in place ~ Standing 7.75" tall, amber or brown glass as noted to the applied color label, known as an ACL label, along with stylized graphics ~ The orange diamond logo reads ORANGE CRUSH COMPANY BOTTLE ~ THIS SPECIAL BROWN BOTTLE PROTECTS THE DELICATE FLAVOR AND FRESH TASTE. The brown Orange Crush bottle pictured here, with its distinctive ribbed design and amber hue, represents an important chapter in the brand's history and the broader story of American consumer culture. While the exact date of production for this particular bottle isn't discernible from the image alone, it likely hails from the mid-20th century, a period when Orange Crush underwent significant changes in its branding and packaging. The bottle’s most striking feature is its textured, “krinkly” surface, a design patented in 1920 that set Orange Crush apart from competitors. This unique texture not only enhanced grip but also added a visual appeal that resonated with consumers. The amber color, while not the original choice for Orange Crush, was introduced to protect the soda's flavor from light degradation, a testament to the brand's commitment to quality. The prominent diamond-shaped label, bearing the iconic Orange Crush logo and trademark information, serves as a reminder of the company's dedication to brand recognition. It also speaks to a time when embossed glass bottles served as powerful marketing tools, conveying a sense of quality and craftsmanship. These brown Orange Crush bottles are more than just containers; they are tangible relics of an era when soda brands played a pivotal role in shaping American consumer culture. They evoke nostalgia for a time when local bottlers thrived and glass bottles were a common sight on kitchen tables and in corner stores. Today, these bottles are coveted by collectors, their value stemming not only from their rarity but also from the stories they tell about a beloved brand and a bygone era. The brown "krinkly" Orange Crush bottle is a symbol of innovation, brand identity, and the evolution of the soft drink industry. It reflects Orange Crush's journey from its early days to its establishment as a household name. Its enduring appeal among collectors and enthusiasts underscores its significance as a cultural artifact and a testament to the lasting impact of iconic design and marketing.

SHIPPING AVAILABLE ~ Perhaps an uncommon example, considering the original contents remain and the metal crown cap is intact ~ A clear glass soft drink bottle featuring a swirl design to the lower body, standing 7.75" tall, featuring older and later PEPSI-COLA logos to the opposite sides of the neck. CONDITION REPORT ~ The applied color label graphics are well preserved ~ Some fading to the bottle cap. Pepsi-Cola, or Pepsi as it's commonly known, has a rich history dating back to the late 19th century. It was first invented in 1893 by Caleb Bradham, a pharmacist in New Bern, North Carolina. Originally called "Brad's Drink," it was a concoction of carbonated water, sugar, vanilla, rare oils, and kola nuts. The name was changed to Pepsi-Cola in 1898, referencing the digestive enzyme pepsin and the cola flavor. Early on, Pepsi faced financial challenges and even went bankrupt in 1923. However, it was revived by Charles Guth in the 1930s, who reformulated the syrup and introduced the iconic 12-ounce bottle for a nickel. Pepsi's popularity surged, and it became a major competitor to Coca-Cola. Throughout the 20th century, Pepsi engaged in fierce marketing battles with Coke, often referred to as the "Cola Wars." It introduced innovative advertising campaigns and celebrity endorsements, solidifying its position as a global brand. Today, PepsiCo, the parent company of Pepsi, is a multinational food and beverage corporation with a vast portfolio of products. Pepsi remains one of the world's most popular soft drinks, enjoyed by millions around the globe.

SHIPPING AVAILABLE > A clear glass soft drink bottle standing 7" tall featuring applied color graphics reading ~ GRAPETTE GRAPE SODA ~ THIRSTY or NOT ~ LICENSED BY THE GRAPETTE COMPANY ~ CAMDEN, ARKANSAS ~ COPR. 1946 T.G. CO. CONDITION REPORT > No overt issues ~ Perhaps typical and minor elements relative to age, use and materials. Grapette Grape Soda, a beloved grape-flavored soft drink, has a rich history dating back to its creation in 1939 by Benjamin Tyndle Fooks in Camden, Arkansas. Fooks, a traveling salesman, recognized the popularity of his grape flavoring and sought to develop a grape soda that truly captured the essence of the fruit. After years of experimentation and countless taste tests, Grapette was born. The drink quickly gained popularity, eventually outselling all other grape sodas combined. Its success was attributed to its unique flavor, achieved through a blend of natural and artificial ingredients, and its innovative clear bottle that showcased the vibrant purple hue of the soda. Grapette's iconic status was further solidified by its memorable marketing campaigns and its widespread availability throughout the United States. Throughout the mid-20th century, Grapette enjoyed a period of sustained growth and expansion. However, the landscape shifted in the 1970s when the brand was acquired by a competitor. This led to changes in distribution and marketing strategies, and Grapette's presence gradually diminished in many markets. Despite facing challenges in recent decades, Grapette Grape Soda has maintained a devoted following. Its nostalgic appeal and distinctive flavor continue to resonate with consumers who remember its heyday. Today, Grapette is produced by Grapette International and is available in select markets, offering a taste of history and a reminder of the enduring power of a well-crafted soft drink.

SHIPPING AVAILABLE > Issued in 1981 by the Hattiesburg, Mississippi Coca-Cola Bottling Company, commemorating 75 years bottling Coca-Cola, starting in 1906 ~ A replica of an early Coca-Cola bottle standing 7.75" tall, featuring Coca-Cola script lettering cast in relief to the neck, and with painted labels to the body, as shown ~ Cap and contents remain intact ~ Metal cap suffers from rust. The commemorative design of these Coca-Cola bottles prominently features the word "Commemorative" and the years "1901-1976," clearly marking the 75th anniversary celebration. While the central design remained consistent, local bottlers added their own unique touch, often incorporating their name and location on the bottle. This practice not only adds a layer of personalization and collectability but also underscores the vital role individual bottlers played in Coca-Cola's widespread success, distributing the beverage to communities nationwide. These bottles serve as tangible artifacts, preserving a piece of Coca-Cola's rich history and its profound influence on American culture. They highlight the collaborative efforts between the company and its local bottlers, who were essential in bringing Coca-Cola to every corner of the country. Due to their historical significance and limited production, these 75th-anniversary bottles are highly prized by collectors. Their value can fluctuate based on factors such as the specific bottler, the condition of the bottle, and its overall rarity.

SHIPPING AVAILABLE > A group of -5- green glass bottles all labeled 7UP ~ One example bottled by Zetz Seven-Up Bottling Co. of New Orleans, Louisiana ~ Another by Zetz of New Orleans ~ One by 7-UP Bottling Co. of Dallas, Texas ~ One features Egyptian graphics ~ And another retains an original plastic cap cover with the classic 7UP logo ~ A great collection. The Zetz Seven-Up Bottling Co. of New Orleans, founded in 1934 by William G. Zetzmann, Sr., has a rich history intertwined with the growth of 7-Up and the city itself. It was the fifth 7-Up franchise awarded in the United States, starting its journey on N. Rampart Street and initially distributing across 22 Louisiana parishes. The company thrived under Robert E. Zetzmann's leadership, expanding and relocating to a larger facility on Montegut Street in 1954. By the late 1980s, it had become one of the nation's leading 7-Up bottlers. Beyond its business success, Zetz 7-Up was deeply rooted in the New Orleans community. The Zetzmann family, particularly Robert, were active in civic affairs and philanthropy, leaving a lasting impact. Their legacy continues through the Robert E. Zetzmann Family Foundation, supporting education, healthcare, and community development. Although the Zetz 7-Up Bottling Co. might no longer be operational, its memory and contributions resonate in New Orleans, a testament to a company that was more than just a bottler – it was a vital part of the city's fabric. 7 Up, the iconic lemon-lime soda, has a fascinating history that dates back to 1929. It was created by Charles Leiper Grigg, a St. Louis-based entrepreneur who had previously found success with an orange-flavored soda called "Howdy Orange." Grigg's new creation was initially named "Bib-Label Lithiated Lemon-Lime Soda," a rather cumbersome title that reflected the inclusion of lithium citrate, a mood-stabilizing drug, in its original formula.   The name was eventually shortened to "7 Up Lithiated Lemon Soda" and then simply "7 Up" by 1936. While the exact origin of the name remains a mystery, it is believed to be connected to the drink's original 7-ounce bottle size or potentially the atomic mass of lithium, which is approximately 7.   7 Up gained popularity during the Great Depression, partly due to its marketing as a mood booster and its affordable price. However, in 1948, the Food and Drug Administration banned the use of lithium citrate in food and beverages, prompting 7 Up to reformulate its recipe.   Throughout the mid-20th century, 7 Up continued to thrive, becoming a major player in the soft drink market. Its crisp, refreshing flavor and iconic green branding resonated with consumers, solidifying its position as a beloved beverage. In 1969, the brand was acquired by Westinghouse, and subsequently went through several ownership changes, including Philip Morris and Cadbury Schweppes.   Today, 7 Up is owned by Keurig Dr Pepper and remains a popular choice worldwide. Its simple yet satisfying flavor, coupled with its long and storied history, has ensured its enduring appeal for generations of soda drinkers.

SHIPPING AVAILABLE ~ An emerald green glass soft drink bottle standing aorund 8" tall, featuring applied painted label graphics reading > SPRIG ~ NEVER TOO SWEET ~ NEVER TOO SOUR ~ BOTTLED UNDER LICENSE OF SPRIG SALES COMPANY, LOS ANGELES, CALIFORNIA ~ Of note, an old carbonated beverage cap with graphics advertising and depicting MILLER THE KILLER, a long ago New Orleans, Louisiana pest control firm, made popular by their television advertisements. History of MILLER the KILLER "Miller the Killer" is an iconic advertising jingle and mascot associated with a long-standing pest control company in New Orleans. The company was founded by Dennis Miller in the early 1950s and was initially known as Miller Pest Control. The catchy jingle, "Miller the Killer... he kills them all," quickly became ingrained in the minds of New Orleanians, solidifying the company's presence in the local market.   In the 1960s, Dennis Miller sold the company to an Atlanta-based firm, but his legacy lived on through his sons, Denny and Jerry, who opened their own independent pest control businesses. Jerry Miller Pest Control, serving the Northshore area, carries on the tradition of his father's company, prioritizing strong customer relationships and personalized service.   The "Miller the Killer" jingle and bug mascot remain nostalgic symbols for many New Orleanians, evoking memories of the city's unique advertising landscape and the enduring impact of a catchy tune. While the original Miller Pest Control company might no longer exist, its legacy continues through its successor companies and the fond recollections of those who remember the iconic jingle.   It's worth noting that other pest control firms have operated in New Orleans for many years. Companies like Al's Pest Control Service, Inc., established in 1960, and Deluxe Pest Control, in business since 1962, demonstrate the ongoing need for such services in the region and highlight the competition that existed alongside Miller Pest Control during its prime. History of SPRIG Sprig, the "delicious drink and marvelous mixer," was a popular soft drink brand produced and distributed by the Sprig Sales Company of Los Angeles, California, during the mid-20th century. Though not as widely remembered as some other vintage sodas, Sprig holds a unique place in beverage history, particularly in Southern California where it enjoyed a dedicated following. Sprig was first introduced in the 1940s, a time when the American soft drink market was booming with innovation and new flavors. The Sprig Sales Company, based in Los Angeles, California, was responsible for the production and distribution of this distinctive beverage. The exact flavor profile of Sprig is somewhat elusive, but based on available information and vintage advertisements, it appears to have been a lemon-lime soda with a subtle, refreshing taste. Sprig's marketing strategy emphasized its versatility, promoting it as both a standalone drink and a mixer for cocktails. The brand utilized catchy slogans like "A Delicious Drink and Marvelous Mixer" and "For Health and Happy Hours" to appeal to consumers. Sprig's popularity was likely concentrated in Southern California, where the Sprig Sales Company focused its distribution efforts. While Sprig might not have achieved national recognition like some other soda brands, it holds a nostalgic significance for those who remember its unique flavor and vintage advertising. Today, Sprig bottles and memorabilia are sought after by collectors, serving as reminders of a bygone era in American beverage history. Although information about Sprig is limited, its existence as a "delicious drink and marvelous mixer" provides a glimpse into the vibrant and diverse landscape of the American soft drink industry during the mid-20th century. Sprig's story, while relatively obscure, is a testament to the entrepreneurial spirit and the pursuit of creating refreshing and enjoyable beverages that have captivated consumers for generations.

SHIPPING AVAILABLE > A group of -4- antique glass medicine bottles, all with cast relief lettering, as follows > #1 > HENRY K. WAMPOLE & COMPANY ~ 4.5" Tall ~ Clear Glass #2 > DUCTRO A PARIS ~ ELIXIR ALIMENTAIRE ~ 8.25" Tall ~ Sea Green Glass #3 > SCOTT'S EMULSION ~ COD LIVER OIL ~ WITH LIME & SODA ~ 7.5" Tall ~ Sea Green Glass #4 > FURST - McNESS CO. ~ FREEPORT, ILL. ~ 6.25" Tall CONDITION REPORT > Dusty, dirty, some with mineral or chemical deposits to the interior and exterior ~ Improvement is appearance likely with a simple cleaining ~ No overt issues relative to damage ~ Expect typical and minor elements relative to age, manner of production, use and material. Bottles of Time: A Glimpse into the History of Medicine through Antique Pharmacy Artifacts In an era of mass-produced pharmaceuticals and sterile plastic containers, antique medicine bottles stand as captivating relics of a bygone era. These beautifully crafted vessels, often adorned with intricate embossing and colorful labels, are more than mere containers; they are tangible links to a time when medicine was a blend of art, science, and folklore. Each antique medicine bottle tells a story. Their shapes, sizes, and colors reveal the evolution of pharmaceutical practices from the 19th to early 20th centuries. From hand-blown glass bottles with their distinctive pontil marks to machine-molded bottles with embossed lettering, they trace the arc of technological innovation and changing consumer demands. The labels and markings on these bottles are equally fascinating. They offer glimpses into the colorful world of patent medicines, home remedies, and the role of the local pharmacist in communities across the nation. Names like "Dr. Kilmer's Swamp Root" and "Lydia E. Pinkham's Vegetable Compound" evoke a sense of nostalgia and curiosity, inviting us to explore the remedies and beliefs of our ancestors. For collectors, antique medicine bottles are more than just decorative objects. They are pieces of history, each with its unique provenance and story to tell. The thrill of uncovering a rare bottle, deciphering a faded label, or researching the history of a particular medicine adds a layer of excitement and intellectual engagement to the collecting experience. By collecting and preserving these artifacts, we are not just acquiring objects of beauty; we are safeguarding a vital part of our cultural heritage. Antique medicine bottles serve as reminders of the ingenuity and resourcefulness of past generations, as well as the ever-evolving relationship between humans and the quest for health and healing. Beyond their historical and aesthetic value, antique medicine bottles can also be a sound investment. Their rarity and increasing demand among collectors have made them sought-after items in the antiques market. With careful research and selection, a collection of antique medicine bottles can appreciate in value over time, providing both enjoyment and financial reward. Whether you're a seasoned collector or simply intrigued by the allure of antique medicine bottles, we invite you to explore our curated collection. Each piece has been carefully selected for its historical significance, aesthetic appeal, and potential for investment. Discover the stories behind these captivating artifacts and embark on a journey through the fascinating world of medicine's past.

SHIPPING AVAILABLE > A group of -3- antique glass medicine bottles, all with cast relief lettering, as follows > #1 > WHITMER'S ~ Cast in script to one side ~ Standing 8.5" tall ~ Aqua blue green glass ~ The H.C. Whitmer company was based out of Columbus, Indiana, which is also embossed on the bottom. #2 > 14 1/2 OZS. ~ LYDIA E. PINKHAM'S MEDICINE ~ Standing 8.25" tall ~ Aqua blue green glass ~ Rounded shoulders ~ Chip to mouth #3 > WILLIAM WHITELY ~ Scotch whisky liquor bottle ~ Cast in script to one side ~ Standing 6.75" tall CONDITION REPORT > Other than noted above, expect typical and minor elements relative to age, use, early manner of production and material ~ Dusty, dirty, in need of a general cleaning, likely improving appearance. About Lydia Pinkham Lydia Pinkham was a remarkable American entrepreneur and marketer who made a significant impact on the world of medicine in the late 19th century. She is best known for her creation, "Lydia E. Pinkham's Vegetable Compound," a herbal-alcoholic tonic marketed primarily towards women for various "female complaints."   Pinkham's story is one of resilience and business acumen. Faced with financial hardship after the Panic of 1873, she turned a homemade herbal remedy she had been sharing with her neighbors into a commercial success. Her marketing strategy was groundbreaking for its time, focusing on directly addressing women's health concerns and building a personal connection with her customers.   Pinkham's Vegetable Compound became a household name through extensive advertising, often featuring testimonials from "grateful women" and even Lydia's own image on the label. She also personally responded to letters from women seeking advice, further solidifying her brand's reputation for understanding and caring for women's health.   While the effectiveness of Pinkham's Vegetable Compound was questioned by medical professionals and it was eventually labeled a "quack remedy," its popularity highlights the limited options available to women at the time and Pinkham's ability to tap into their unmet needs. She was a pioneer in marketing directly to women and challenging societal norms by openly discussing women's health issues.   Today, Lydia Pinkham is remembered as a complex figure: a savvy businesswoman who built a successful brand, a symbol of women's empowerment in a patriarchal society, and a reminder of the importance of critical thinking and evidence-based medicine. Her legacy lives on not only through the modified version of her Vegetable Compound that is still sold today but also through the countless antique medicine bottles bearing her name, which serve as fascinating historical artifacts and reminders of a pivotal era in women's health and marketing.

SHIPPING AVAILABLE > Pre 1928, a aqua blue green cast glass antique soda bottle standing 7.5" tall ~ Lettering to one side of the body reads > AMERICAN BOTTLING CO. ~ 323 & 325 SARATOGA STR. ~ NEW ORLEANS, U.S.A CONDITION REPORT > Perhaps typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage. History ~ American Bottling Company of New Orleans The American Bottling Company was a prominent player in New Orleans' vibrant soda industry during the early 20th century. Established in 1900, the company initially set up shop at 323-325 South Basin Street. In 1903, that section of Basin Street was renamed Saratoga Street, and the company's address changed accordingly. American Bottling thrived for nearly three decades, quenching the thirst of New Orleanians with a variety of carbonated beverages. The company's bottles, often embossed with their name and address, are now sought-after collectibles, serving as tangible reminders of this bygone era of soda production. While details about their specific products and operations remain somewhat elusive, the existence of these bottles attests to their active presence in the local market. The company ceased operations in 1928, leaving behind a legacy captured in these glass artifacts. Today, antique bottles from the American Bottling Company offer a glimpse into New Orleans' rich history of soda production and consumption. They serve as cherished reminders of a time when local bottlers played a vital role in refreshing the city, one fizzy drink at a time.

SHIPPING AVAILABLE > A pale hue of green cast glass antique soda bottle standing 7.5" tall ~ Lettering to one side of the body reads > THE B. MISTRETTA BOTTLING WORKS ~ DONALDSONVILLE, LA. ~ CONTENTS 7 FLUID OUNCES around the base. CONDITION REPORT > Some patchy cloudiness to the interior ~ Perhaps typical and minor elements relative to age, use, manner of production and materials ~ Possibly chemical or mineral deposits to the interior and exterior ~ No overt issues relative to damage ~ Simple cleaning likely would result in improved appearance. History ~ B. Mistretta Bottling Works of Donaldsonville, Louisiana Specific details about B. Mistretta's Bottling Works in Donaldsonville are quite scarce. However, based on historical records and newspaper advertisements, we can piece together a glimpse into their operations. B. Mistretta's Bottling Works: A Refreshing Piece of Donaldsonville History It appears that B. Mistretta's Bottling Works was a local bottler operating in Donaldsonville, Louisiana, likely during the early decades of the 20th century. While the exact dates of their operation remain uncertain, their presence is documented in a 1921 newspaper advertisement from the Donaldsonville Chief. This advertisement places B. Mistretta's Bottling Works among other local businesses like the Donaldsonville Ice Co. Ltd. and suggests they were involved in the bottling and distribution of various beverages. Though specific products aren't mentioned in the ad, it's safe to assume they bottled popular sodas and perhaps other carbonated drinks of the time. The fact that their name appears in the local newspaper indicates they were an active participant in the community's commercial landscape. Bottling companies like Mistretta's played a crucial role in providing refreshing drinks to residents in an era before widespread refrigeration and mass-produced beverages. Today, bottles bearing the "B. Mistretta's Bottling Works" mark are rare and sought-after collectibles. They represent a tangible connection to Donaldsonville's past, offering a glimpse into the local businesses that once thrived and served the community. For collectors and history enthusiasts, these bottles are more than just glass containers; they are artifacts that encapsulate a piece of Donaldsonville's unique heritage.

SHIPPING AVAILABLE > A clear cast glass antique soda bottle standing 7.5" tall, featuring an Art Deco style panel relief design ~ Lettering to both sides of the body reads > LIME COLA ~ TRADE MARK REGISTERED ~ 6 FLUID OZ. CONDITION REPORT > Perhaps typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage ~ Overall, a well preserved example. History ~ Lime Cola While soda shops were adding lime to cola drinks as far back as the late 1800’s, the brand itself is first mentioned as being among those tested by President Teddy Roosevelt’s Homes Commission in 1908 where it is listed as being produced by the Alabama Grocery Company of Birmingham, Ala. This company was operated by Sid Lee, and they bottled brands such as Imported French Cola, Lime Cola, and Buffalo Rock Ginger Ale. The popularity of Buffalo Rock Ginger Ale had grown so much since its introduction in 1906 that the company decided to focus just on it when they trademarked it in 1917. Eventually they would change the name of the company to the Buffalo Rock Company. It would appear that wanting to focus on Buffalo Rock the Alabama Grocery Company sold the Lime Cola trademark. This makes sense when you know that Lime Cola became a Montgomery, Alabama product when the Lime Cola Company was incorporated there on July 31st, 1915, and soon started offering franchises. The Lime Cola Company was a closed corporation with no stock for sale outside the officers of the company. These officers were J. A. Adair as President, Mr. William M. Chapman as Vice President, and Mr. D. C. Knox as Secretary and Treasurer, and their syrup producing factory was located at One Hundred and Seven South Court Street. The company started franchising the brand in January of 1916, and in one year boasted having fifty seven franchises located in Alabama, Georgia, and Florida. They even had to open one per the request of the five thousand troops of the 1st, 2nd, and 4th Alabama Volunteer Infantry regiments who were mustered to Nogales, Arizona during their five month deployment to guard the border against Pancho Villa. Villa’s Mexican Revolutionary forces had raided a town in New Mexico in 1916. As of January 1917 there were twelve new franchises under construction, and the franchise requests were still coming. Originally the brand was bottled in a straight side crown top bottle with the typical diamond shaped paper label applied to it which they had trademarked in November 1915; however, by 1920 they had modified the label to resemble the shape of a lime. Things were about to change when on May 24, 1921 Chandler King was granted a patent for a deco bottle for Lime Cola. Chandler King would figure heavily in the story of another cola brand known as Pop Kola, but that is another story. The new bottle was a simple design with what appeared to be petals encircling the shoulder and heel with the Lime Cola trademark diagonally placed in the center. Things appear to still be going well for the brand as they enter the Depression and they even have a new ACL (applied color label) bottle in 7oz or 12oz sizes by 1939. They featured a mascot in their ads to solicit franchise holders named Sir Limey, who of course featured a monocle as we all know all British people do, it was 1939 when stereotypes were commonplace in advertising. In October 1945 the company was taken over by new owners with J. W. Wells as President of the new company. By June 1946 the new owners were boasting franchises in twenty seven states and the Republic of Mexico. In late 1946 I. Berman replaced J. W. Wells after he resigned to focus on his lumber holdings. In February 1947 it was announced that Bing Crosby and Bob Hope had acquired substantial interests in the Lime Cola Company, and the company was building a new home office building. The two actors were quite active in the promotion of the “new” drink. Bing let no grass grow under his feet when he started plugging the drink on his radio show. By this point the logo had been changed to a large LC with Lime Cola written under it. The pair decided that they also had to include Lime Cola in their fifth movie in the “Road to..” series of movies. In a carnival scene in the early part of the movie they had decided to have the entire screen filled with Lime Colas, Y. Frank Freeman then head of Paramount Studios, and also a director of the Coca-Cola Company, heard about it. Freeman rushed out on the set ordering the director to remove the Lime Cola related items. The thing was Bing and Bob owned two thirds of the production to his one third, the Lime Cola advertising remained. The movie was released in December 1947; however, the Lime Cola Company filed for bankruptcy reorganization in March of 1948, and Bob and Bing were left singing a different tune. The company was reorganized as the Lime Cola Company of Tennessee, and the offices were moved to Chattanooga. They did try to re-invent the brand with a new label design, but things were winding down for the company so a new approach had to be taken. They had tried to get a boost from star power; however, ultimately that had fallen through. They decided to negotiate with Walt Disney to license Donald Duck for their new line of beverages, which they had already been working on developing when they changed their name to General Beverages, Inc. in 1952.

SHIPPING AVAILABLE > An aqua blue cast glass antique soda bottle standing 7.5" tall ~ Cast ettering to one sides of the body reads > HURLEY BOTTLING WORKS ~ FT. MORGAN, COLO. CONDITION REPORT > Perhaps typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage ~ Overall, a well preserved example. History ~ Fort Morgan, Colorado Fort Morgan, Colorado: From Frontier Outpost to Thriving Community The area's history begins in 1859 with the establishment of Bijou Station, a crucial stop on the Overland Stage Company's route. This station witnessed tens of thousands of travelers during the Pike's Peak Gold Rush. From 1864 to 1868, Fort Morgan military post was established near the stage stop to protect mail routes and wagon trains from Native American attacks. Originally known as Camp Tyler, then Camp Wardwell, it was later named after Colonel Christopher A. Morgan. It served as a significant military presence during a time of conflict and westward expansion. In 1884, Abner S. Baker, a Civil War veteran and entrepreneur, founded the town of Fort Morgan south of the old military fort's ruins. Baker's vision for the town relied on irrigation, crucial for agriculture in the arid climate. Fort Morgan became the county seat of the newly formed Morgan County in 1889. The town experienced growth in the early 20th century, developing infrastructure like City Park, a waterworks, an electric generation plant, an opera house, a courthouse, City Hall, a sewer system, and a Carnegie Library. Sugar beet farming, encouraged by local businessmen, became a significant part of the economy. During World War II, a military school at the Fort Morgan State Armory contributed to the war effort as part of the West Coast Air Corps Training Center. Today, Fort Morgan continues to be a thriving community in northeastern Colorado, preserving its historical roots while embracing modern developments. The town's history reflects the challenges and triumphs of frontier life, the importance of agriculture and irrigation, and the contributions of its residents throughout the years.

SHIPPING AVAILABLE > A pale green tinted antique soda bottle standing 7.5" tall ~ Cast ettering to one sides of the body reads > NET CONTENT 8 FL. OZ ~ THIS BOTTLE IS PROPERTY OF H.E. LLOYD ~ AURORA, ILL. CONDITION REPORT > Perhaps typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage ~ Overall, a well preserved example. H.E. Lloyd Bottling Works was a local bottler in Aurora, Illinois, likely operating in the late 19th and early 20th centuries. Their presence is documented through surviving bottles embossed with "H.E. LLOYD AURORA, ILL." The company's specific products and operational dates aren't extensively documented, but they probably bottled soda, mineral water, and potentially other beverages like ginger ale, fruit-flavored sodas, or even beer. H.E. Lloyd Bottling Works represents a piece of Aurora's history, showcasing the role of small, independent bottlers before large corporations dominated the market. Their bottles are now sought-after collectibles, offering a tangible connection to the community's past.

SHIPPING AVAILABLE > A clear glass antique soda bottle standing 8" tall featuring a clock face to one side of the body ~ Cast Lettering around the dial reads > SODA WATER ~ MIN. CONT. 6 FL. OZ., with lettering around the lower base reading CHER COLA BOTT. CO. ~ BROOKHAVEN, MISS. CONDITION REPORT > Perhaps typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage ~ Overall, a well preserved example. Chero-Cola was a popular cola brand founded in 1905, competing with Coca-Cola and Pepsi-Cola during the early 20th century. It was known for its unique flavor, often described as having hints of cherry and vanilla.   Local Bottling Operations Like many soft drinks at the time, Chero-Cola relied on a network of local bottling companies to manufacture and distribute its product. These independent bottlers played a crucial role in making Chero-Cola available in towns and cities across the country. Chero-Cola in Brookhaven While specific details about the Brookhaven bottling operation are scarce, the existence of Chero-Cola bottles embossed with "Brookhaven, Miss." confirms its presence in the city. It's likely that this bottling company operated during the early to mid-20th century when Chero-Cola was at its peak popularity. The Brookhaven Chero-Cola Bottling Company would have been a local business, employing residents and contributing to the community's economy. It likely bottled not only Chero-Cola but also other popular sodas and perhaps even local flavors.

SHIPPING AVAILABLE > A clear glass antique soda bottle standing 8" tall featuring a clock face to one side of the body ~ Cast Lettering around the dial reads > GRAU BOTTLING WKS. ~ INDIANAPOLIS, INDIANA CONDITION REPORT > Dirty and dusty in need of cleaning ~ Perhaps typical and minor elements relative to age, use, manner of production and materials ~ Some evidence of mineral deposits to the interior and exterior resulting in a degree of cloudiness ~ No overt issues relative to damage.

SHIPPING AVAILABLE > A tinted aqua blue green glass antique soda bottle standing 7.5" tall featuring bold cast reliief lettering to one side of the body reading > CONSUMERS S. & M. W. MFG. CO. LTD. ~ N.O, LA.~ Small lettering around the lower base reads THIS BOTTLE NOT TO BE SOLD. CONDITION REPORT > Seemingly an above average example ~ Perhaps typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage. The Consumers Soda & Mineral Water Manufacturing Company was a prominent fixture in New Orleans' bustling beverage industry from the late 19th to early 20th centuries. Founded in 1892, the company quenched the thirst of New Orleanians for over three decades with its array of carbonated delights. In 1892, Consumers was established at 916-918 Toulouse Street and quickly gained popularity with its soda and mineral water offerings. During the early 1900s, the company embraced the trend of abbreviating city names on bottles, marking their products with "N.O.L.A." instead of "New Orleans." This cost-saving measure also reflected a shift towards a more modern identity for the city. In 1912, William Zetzmann, formerly of Crystal Ice, became president of Consumers, ushering in a period of further growth. The company's product range included soda water, a staple offering enjoyed on its own or mixed with flavored syrups; mineral water sourced from local springs, believed to have health benefits; flavored sodas, likely including popular flavors like root beer, ginger ale, and fruit-based sodas; and Chero-Cola. Consumers held the distinction of being the last bottler of Chero-Cola in New Orleans before the brand disappeared from the city in 1931. In 1931, Consumers Soda & Mineral Water Manufacturing Company was officially replaced by Zetz 7-Up Bottling Company. Today, antique bottles from Consumers remain coveted collectibles, offering a tangible link to New Orleans' rich beverage history. Their embossed lettering, distinctive shapes, and the occasional "N.O.L.A." mark serve as reminders of a time when local bottlers played a vital role in quenching the city's thirst. Collectors appreciate these bottles for their historical significance, representing a piece of New Orleans' vibrant past and its once-thriving soda industry; their rarity, as the company's closure in 1931 makes them increasingly scarce; their aesthetic appeal, with embossed lettering, unique bottle shapes, and colorful labels adding vintage charm; and their connection to Chero-Cola, as some bottles offer a glimpse into the history of this iconic soda brand. Owning a Consumers Soda & Mineral Water bottle is like holding a piece of New Orleans history in your hands, a tangible reminder of the city's enduring spirit and its love for refreshing beverages.

SHIPPING AVAILABLE > A clear glass antique soda bottle standing 7.75" tall featuring bold cast reliief lettering to one side of the body reading > LAHAINA ICE CO. LTD. ~ LAHAINA ~ MAUI, T.H. with smaller lettering below, around the the base, reading NET CONTENTS 8 FLUID OUNCES. CONDITION REPORT > Mineral deposits to the interior and exterior, resulting in a degree of random spot cloudiness ~ Perhaps a general cleaning may improve appearance ~ Expect varying. typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage. History ~ Lahaina Ice Company Maui Soda & Ice Works purchased Lahaina Ice Works in 1947. The exact founding date of Lahaina Ice Co. Ltd. remains elusive, but historical records indicate its active presence in the early 1900s. Like many ice companies of that era, it likely harvested ice from mountain streams or other natural sources, storing it in insulated warehouses and delivering it to homes and businesses. In the days before modern refrigeration, ice was a precious commodity in the tropical climate of Hawaii. Lahaina Ice Co. Ltd., established in the late 19th century, played a crucial role in providing this essential resource to the community of Lahaina, Maui. Beyond providing ice for preservation and cooling, the company also ventured into the production of "aerated waters," or carbonated beverages. This diversification showcased their adaptability and entrepreneurial spirit in catering to the growing demand for refreshing drinks in the warm climate.

SHIPPING AVAILABLE > A aqua green tinted glass antique soda bottle standing 7.75" tall featuring bold cast reliief script lettering to one side of the body reading > WILSON BRAND with smaller lettering below, near the base, reading COCA-COLA BOTTLING CO. ~ VERNON, TEXAS Lettering to the opposite side of the body seems to indicate a patent date for the bottole of 1921. A unique design with stars to the paneled skirt at the shoulder. CONDITION REPORT > Some mineral deposits to the interior and exterior, resulting in a degree of random spot cloudiness ~ Perhaps a general cleaning may improve appearance ~ Expect varying. typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage. History ~ Vernon, Texas Vernon, Texas, traces its roots back to 1858, when the site was known as Eagle Springs by the Tonkawa Indians. After the Civil War, a wave of settlers arrived, leading to the establishment of a town in 1880. Initially, it was named Eagle Flat, but postal authorities objected due to the abundance of "Eagle" towns in Texas. The community then adopted the name "Vernon," inspired by George Washington's Mount Vernon estate. Vernon's strategic location on the Great Western Cattle Trail fueled its early growth. Millions of cattle passed through the town, establishing it as a vital trading and supply center. By 1889, Vernon was incorporated and boasted a population of 3,500, supported by infrastructure like a street railway, fire department, electric lighting, and multiple businesses. The arrival of the Fort Worth and Denver City Railway in 1885 and the St. Louis, San Francisco, and Texas Railway in 1901 solidified Vernon's position as a regional hub. The town continued to prosper throughout the early 20th century, serving as a center for agriculture, oil, and education. Today, Vernon honors its rich heritage while adapting to modern times. Its history as a frontier town, cattle trail stopover, and thriving community is preserved in its architecture, landmarks, and the stories passed down through generations. Vernon stands as a testament to the resilience and entrepreneurial spirit of its founders, and a reminder of the pivotal role it played in shaping the history of Texas.

SHIPPING AVAILABLE > A green tinted glass antique soda bottle standing 7.5" tall featuring bold cast reliief stylized lettering to both sides of the body reading > DRINK GLEE - COLA with smaller lettering to the tail of the letter "A" reading TRADE MARK REGISTERED ~ Small block lettering around the lower base reads ~ PROPERTY OF THE GLEE COLA CO. ~ BIRMINGHAM, ALA. ~ 6 1/2 OZS. Stylized lettering to the underside base reads GLEE COLA. CONDITION REPORT > Some mineral deposits to the interior and exterior, resulting in a degree of random spot cloudiness ~ Perhaps a general cleaning may improve appearance ~ Expect varying. typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage. History of Glee Cola Glee-Cola, while not as enduring as giants like Coca-Cola or Pepsi, holds a curious place in Birmingham's soft drink history. Appearing on the scene in 1910, it aimed to capture the hearts and taste buds of Birmingham residents with its unique flavor and marketing. The company behind Glee-Cola, the Birmingham Celery-Cola Bottling Company, had its headquarters on 2nd Avenue South. Initially named Celery Cola, the company rebranded as Glee-Cola sometime in 1910 or 1911. Interestingly, they also bottled a drink called Gay-Ola, a peculiar marketing choice for the time. Unfortunately, Glee-Cola's lifespan was relatively short. It disappeared from the market around 1911, leaving behind a legacy shrouded in mystery. The reasons behind its demise remain unclear, but it's possible that competition from more established brands and changing consumer preferences played a role. Today, Glee-Cola bottles are rare and highly sought-after by collectors, serving as tangible reminders of Birmingham's vibrant and ever-evolving soft drink industry. Their distinctive embossed lettering and unique shapes offer a glimpse into a bygone era of beverage marketing and local entrepreneurship. While Glee-Cola may have been a short-lived venture, its bottles hold a special place in the hearts of collectors and those fascinated by Birmingham's rich history. They represent a fizzy flash in the pan, a reminder of the countless beverages that once quenched the thirst of Birmingham residents and the entrepreneurial spirit that fueled the city's growth.

SHIPPING AVAILABLE > An aqua blue tinted glass antique soda bottle standing 8" tall featuring bold cast reliief lettering within a crescent moon design to one side of the body reading > C. C. & S. M. Co. ~ 1118 TO 1126 ROYAL ST. ~ N.O. Small block lettering around the lower base reads ~ THIS BOTTLE IS NEVER SOLD. CONDITION REPORT > Some evidence of light mineral deposits to the interior ~ A general cleaning may improve appearance ~ Perhaps typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage. History of The Crescent City Soda & Mineral Water Manufacturing Company The Crescent City Soda & Mineral Water Manufacturing Company, often abbreviated as CCS&M, was a significant player in New Orleans' vibrant beverage industry during the late 19th and early 20th centuries. Founded in 1877, the company's refreshing sodas and mineral waters quenched the thirst of New Orleanians for decades. The CCS&M was formed in 1877 through a merger of several existing soda and mineral water manufacturers, including the well-established S. Pablo, at 270-272 Royal Street. In the late 1800s, the company continued to operate from the Royal Street address, producing a variety of popular beverages. From 1895 to 1925, CCS&M expanded its operations, moving to a larger facility at 1118-1126 Royal Street. In 1925, the company was ultimately acquired by the Louisiana Coca-Cola Bottling Company. Their product range included soda water, a staple offering enjoyed on its own or as a base for mixed drinks; mineral water sourced from local springs, believed to have health benefits; and flavored sodas, likely including popular flavors like ginger ale, root beer, sarsaparilla, and fruit-based sodas. CCS&M bottles are highly sought-after by collectors today. They showcase a variety of embossed markings, including: early bottles with "C.C.S. & MF / NEW ORLEANS," later bottles with "C.C.S. & M. CO. / 1118 TO 1126 ROYAL ST. / NEW ORLEANS," and some bottles even feature a crescent moon embossed on the base. These bottles provide a tangible connection to New Orleans' rich beverage history and the craftsmanship of local bottlers. Although CCS&M eventually merged with a larger company, its legacy lives on through its distinctive bottles. These artifacts serve as reminders of a time when local bottlers were central to the community, providing refreshing drinks and contributing to the local economy; soda and mineral water were not just beverages, but also perceived as having health benefits; and New Orleans had a thriving and competitive soft drink industry. Collecting CCS&M bottles offers a unique way to connect with New Orleans' past, appreciate the artistry of vintage glassware, and preserve a piece of the city's vibrant history.

SHIPPING AVAILABLE > A clear rextured glass antique soda bottle standing 7.5" tall featuring bold cast reliief lettering around the shoulder reading > EUNICE BOTTLING CO. ~ EUNICE, LA. Small block lettering around the lower base reads ~ THIS BOTTLE IS NEVER SOLD. CONDITION REPORT > Chip to the lower base edge ~ Some evidence of light mineral deposits to the interior ~ A general cleaning may improve appearance ~ Perhaps typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage. History of The Eunice Bottling Company ~ From a 1971 Newspaper Article The Eunice Bottling Company was established in 1923 when L.S, "Sam" Uzzo moved to Eunice from New Orleans, Louisiana. Mr. Uzzo was President of the family corporation with his John L. Uzzo, as Vice President and daughter, Aneda Uzzo Smith, as secretary-treasurer. Aneda, who intends to continue the family enterprise in the name of tradition, handles correspondence, production, purchasing and vendor and soda accounts for the corporation. She divided the company's activities into four groups: production and sales of soft drinks, contract bottling, work with distributorships and sale and maintenance or soft drink vendors. Aneda said ~ After several-years of discontinued production of Goodie Chocolate pop, we have resumed production and sale of it as the demand for it has been great. The makes ten other flavors of soft drinks including 7-Up, Orange Crush, In Cola, Top Cola, Double Cola, Dad's Root Beer and U-ZO flavors, including Creme Soda, Grape and Root Beer. The firm produced and sells soft drinks in returnable bottles, no deposit-no return bottles and cans. The company has 16 employees, all residents of Eunice. They maintain and operate five trucks which serve five parishes. The plant is now equipped with all new machinery Including a bottle washer and rinser, a Uni-blend filler which fills 300 bottles per minute, case and carton packers, syrup room equipment, a water treating plant and a boiler and retort for the chocolate pop.

SHIPPING AVAILABLE > A clear glass antique soda bottle standing 7.75" tall featuring bold cast reliief lettering to one side of the body reading > WHISTLE BOTTLING CO. ~ MIN. CONTENTS 8 FLUID OZS. ~ DENVER, COLO. CONDITION REPORT > A notably well preserved example ~ Perhaps typical and minor elements relative to age, use, manner of production and materials ~ No overt issues relative to damage. History of Whistle Soda Whistle, an iconic orange soda, holds a cherished place in the hearts of many soda enthusiasts, particularly in the Midwest. Its history is intertwined with that of Vess Beverages, a company rooted in St. Louis, Missouri. The story begins in 1916 when Sylvester Jones founded the Vess Beverage Company. Initially, the company focused on other soft drinks, but in 1925, they introduced Whistle, a delightful orange soda that quickly gained popularity. Whistle's success wasn't just due to its taste; it was also thanks to its memorable marketing. The brand became synonymous with cheerful elves depicted in advertisements, often busy at work bottling and delivering the soda. This whimsical imagery resonated with consumers, further boosting Whistle's popularity. The Great Depression posed a significant challenge for Vess, leading to bankruptcy. However, Whistle's popularity ensured its survival, and the brand continued to be produced under new ownership. Over the years, Whistle faced competition from other orange sodas and changing consumer tastes, but it managed to maintain a loyal following, particularly in the Midwest. While Whistle might not be as widely available as it once was, it's still produced and enjoyed by many. Its nostalgic appeal and distinct orange flavor continue to evoke fond memories for those who grew up with it. The brand's association with hardworking elves remains a charming part of its identity. Whistle's enduring presence in the soft drink market is a testament to its quality and the effectiveness of its early marketing campaigns. Though it might not be a household name nationwide, its legacy lives on, reminding us of a time when a simple orange soda could bring joy and refreshment to communities across the Midwest.

SHIPPING AVAILABLE > An ornate clear cast glass liquor bottle standing 8.5" tall, designed to accept a cork to the flange mouth ~ Ribs surround the shoulder, with trade mark designs below including a dragon ~ Cast relief lettering above and below reads JOS. A. MAGNUS & CO. ~ MAGNUS ~ CINCINNATI, O. ~ U.S.A. CONDITION REPORT ~ A notably well preserved example with no overt issues. The renowned Joseph A. Magnus & Co. distillery, is a prominent name in Cincinnati's whiskey history. Joseph A. Magnus, a German immigrant, established his distillery in Cincinnati in 1892. The company thrived, producing a range of whiskeys and other spirits, and gaining recognition for their quality. However, like many others, the Magnus distillery was forced to close during Prohibition. In recent years, the Magnus brand has been revived by descendants of the original founder, carrying on the tradition of crafting fine spirits. A bottle with the "John Magnus" name most commonly represents a bottle used to hold whiskey or another spirit produced by the Magnus distillery. These bottles come in various shapes, sizes, and colors, often featuring embossed lettering or labels with the company's name and location. Magnus & Co. also produced other products, such as vinegar or bitters, so the bottle might have held one of these. Antique bottles from Joseph A. Magnus & Co., including those with the "John Magnus" name, are highly sought-after by collectors for their historical significance, representing a piece of Cincinnati's rich distilling heritage and the legacy of a renowned company. Depending on the specific bottle's age, condition, and type, it could be quite rare, adding to its value. Antique bottles often feature unique shapes, embossed lettering, and beautiful colors, making them attractive display pieces. For whiskey enthusiasts, these bottles provide a tangible link to the past and the craftsmanship of early distillers.

SHIPPING AVAILABLE > A clear glass milk or cream bottle standing 7.25" tall, measuring 3" in diamter, featuring an applied color label, also known as an ACL ~ To one side of the body, vivid blue graphics depict a dairy barn with stylized lettering above and below reading ~ LOUISE DAIRY ~ TOCCOA, GA. ~ To the opposite side, a depiction of a candlestick telephone is flanked by PHONE 1281 ~ WE SELL COTTAGE CHEESE, ORANGEADE, BUTTERMILK, CHOCOLATE MILK, CREAM. CONDITION REPORT > A remarkably well preserved example ~ No overt issues. History Relative to Toccoa, Georgia Toccoa, Georgia, nestled in the foothills of the Blue Ridge Mountains, has a history deeply intertwined with agriculture, though perhaps less so with large-scale dairy farming. Founded in 1873 around the area formerly known as "Dry Pond," Toccoa owes its origins to the railroad and a group of forward-thinking investors who anticipated its construction. The town officially chartered in 1874 and became the county seat of the newly formed Stephens County in 1906. Agriculture has always been a cornerstone of the region's economy. Early settlers engaged in subsistence farming, growing crops like corn, wheat, and cotton. Later, the area became known for its apple orchards and poultry production. While dairy wasn't necessarily a dominant industry in Toccoa's history, it likely played a role in the local food system. Small family farms often kept cows for milk and butter production, and there might have been a few dedicated dairy farms in the surrounding areas.

SHIPPING AVAILABLE > Standing 5.5" tall, a clear glass milk bottle featuring applied red graphics and text at two sides reading LOUISIANA CREAMERY ~ LILY PRODUCTS above and below a depiction of the lily flower ~ Cast relief block lettering to the lower body reads HALF PINT SEALED. CONDITON REPORT > A well preserved example ~ No overt issues. Louisiana Creamery / Lily Products, once was located in Baton Rouge. The former Louisiana Creamery, Inc. building was located at Plank Road and Choctaw Drive and had a Monroe Ave street address.

SHIPPING AVAILABLE > Known as the double - barrel whiskey bottle, this clear glass bottle stands an impressive 12.75" talll, featuring extensive cast relief lettering to one side of the body, above and below the depiction of two whiskey barrels ~ Lettering reads > G.O. BLAKE'S RYE & BOUR WHISKY ~ ADAMS, TAYLOR & CO. PROPRIETORS ~ BOSTON & LOUISVILLE ~ To the opposite side > FULL QUART ~ REGISTERED and to the underside base A.T. CO. CONDITION REPORT > Dusty, dirty, in need of a general cleaning to improve appearance ~ No overt issues attributed to damage ~ Perhaps typical and minor elements relative to age, use, early production methods and material. G.O. Blake's Rye & Bour Whiskey is a captivating piece of whiskey history, once a popular choice in the late 19th century. It was produced and distributed by Adams, Taylor & Co., a company with roots in both Boston and Louisville, suggesting a wide reach for the brand in the Eastern and Midwestern US. The brand was trademarked in 1872 and re-registered in 1875, highlighting its early establishment and significance in the market. The exact distilleries responsible for producing this whiskey remain somewhat of a mystery, but it is believed to have been sourced from the heart of Kentucky's bourbon country. Today, while G.O. Blake's whiskey is no longer in production, its legacy lives on through the treasured bottles held by collectors. These bottles serve as a tangible connection to a bygone era, when whiskey was an integral part of American culture. The intricate embossing and unique designs of these bottles make them highly sought-after items, showcasing the artistry and craftsmanship that went into even everyday products of the time. For those passionate about whiskey history or simply captivated by beautiful antiques, G.O. Blake's Rye & Bour Whiskey bottles offer a fascinating window into the past. They provide a glimpse into the whiskey industry of the late 19th century, as well as the marketing and distribution practices of the time. These bottles and the associated advertising materials are now collector's items, adding another layer of intrigue to the story of this historical brand. Whether you're a seasoned collector or simply curious about the history of American whiskey, G.O. Blake's Rye & Bour Whiskey is a brand worth exploring.

SHIPPING AVAILABLE > A striking emerald green glass bottle standing an impressive 11.5" tall, with a ceramic wire held stopper ~ Cast relief lettering to one side of the body reads > A LASSER BEVERAGE, with smaller block lettering around the base reading > JOHN LASSER ~ CHICAGO, ILL. ~ 24 FLU. OZS. CONDITION REPORT > A notably well preserved example ~ No overt issues attributed to damage ~ Perhaps typical and minor elements relative to age, use, early production methods and material. Lasser's Beverages was located at 2452 N. Sheffield Ave., Chicago, Illinois and was a firm in business from 1894 to 1982.

SHIPPING AVAILABLE > A pair of glass soft drink bottles, one PEPSI COLA with a vertical ribbon design and one BARQ'S with the overall dimaond and textured cast relief pattern. CONDITION REPORT > Pepsi example need cleaning ~ Well preserved pair overall.

SHIPPING AVAILABLE > Standing 9.25" tall, a clear glass beer bottle with cast relief, stylized lettering to each side of the shoulder reading PENN ~ To the underside base, cast lettering reads PENN BEVERAGE CO. ~ PHILADELPHIA, PA. CONDITION REPORT > A notably clean and well preserved example from Pensylvania.

SHIPPING AVAILABLE > Standing 10" tall, a tinted green glass bottle featuring cast block lettering to either side of the shoulder reading ~ BEECH-NUT ~ CANAJOHARIE, N.Y. ~ To the underside base, lettering reads B. N. P. Co. CONDITION REPORT > A notably well preserved example ~ No overt issues relative to damage ~ Perhaps typical and minor elements relative to age, early manner of production, use and material. Beech-Nut, a company with a rich history in Canajoharie, New York, was founded in 1891 as the Imperial Packing Co., focusing initially on ham and bacon production. In 1899, it was incorporated as the Beech-Nut Packing Company, marking the start of a legacy that would span over a century. Over the years, the company diversified its product offerings, becoming known for its peanut butter, chewing gum, coffee, and notably, baby food. Beech-Nut's presence in Canajoharie had a significant impact, providing employment opportunities and contributing to the local economy. However, in 2010, a strategic shift led to the opening of a state-of-the-art baby food manufacturing facility in nearby Florida, New York. This move culminated in the closure of the original Canajoharie plant in 2011, leaving a void in the community. Despite the relocation of its manufacturing operations, Beech-Nut's connection to Canajoharie remains strong. The brand continues to be associated with the village, and efforts are underway to redevelop the former factory site for new purposes. Beech-Nut's story highlights the evolving nature of industries and their impact on local communities. While physical presence may shift, the legacy of a company can endure through brand recognition and historical significance.

SHIPPING AVAILABLE > A group of -4- antique glass bottles, all featuring cast relief lettering ~ Included are the following ~ #1 > PLUTO WATER ~ AMERICA'S PHYSIC ~ 8" Tall ~ Aqua Green #2 > PYREX ~ 6.5" Tall ~ Clear Glass Bottle ~ Perhaps a baby feeding bottle #3 > CITRATE of MAGNESIA ~ 8" tall ~ Clear Glass Bottle #4 > BURNETT'S COD LIVER OIL BY METCALF & CO. ~ BOSTON ~ 8.25" tall ~ Clear Glass with a slightly Purple Tint Bottle CONDITION REPORT > Condition varies ~ Please examine images closely ~ Expect elements relative to age, early manner of production, use and materials.

SHIPPING AVAILABLE > An uncommon 10 ounce bottle standing 9.75" tall ~ SPRITE ~ 10 FL. OZ. ~ MONEY BACK BOTTLE ~ RETURN FOR DEPOSIT ~ A PRODUCT OF THE COCA-COLA COMPANY ~ Features cast relief lettering to the underside base reading SEQUIA NATIONAL PARK. CONDITION REPORT > No overt issues ~ Perhaps typical and minor elements relative to age, use and materials. Sprite, the popular lemon-lime soft drink, has a history dating back to the late 1950s. It was originally developed in West Germany in 1959 under the name "Fanta Klare Zitrone" (Clear Lemon Fanta). The Coca-Cola Company saw potential in the drink and introduced it to the United States market in 1961 as a competitor to the already established 7 Up. The name "Sprite" itself had been around for a few years prior, having been used for a line of fruit-flavored drinks. Coca-Cola acquired the rights to the name in 1960, and it perfectly captured the refreshing qualities of the new lemon-lime beverage. Sprite's clear, crisp taste and distinctive green bottle quickly resonated with consumers, and it steadily gained popularity throughout the 1960s and 1970s. By the 1980s, Sprite had firmly established itself as a major player in the soft drink market. It continued to evolve with the times, introducing new flavors and variations, and its marketing campaigns often featured prominent celebrities and athletes. Today, Sprite remains a beloved beverage worldwide, enjoyed for its simple yet satisfying flavor and its ability to quench thirst on a hot day.

SHIPPING AVAILABLE > Standing an impressive 9.5" tall, a slender, aqua blue green glass bottle featuring cast relief lettering to the body reading ~ FLORIDA WATER ~ MURRAY & LANMAN ~ DRUGGISTS ~ NEW YORK ~ Fitted with a stopper, yet loose and perhaps not the original. CONDITION REPORT > Mineral deposist to the interior and exterior ~ No overt issue relative to damage ~ Dirty and dusty, in need of a general cleaning, likely to improve appearance. From Scarlett O’Hara to Solange Knowles, Florida Water has been mystifying and delighting generations since 1808. Florida Water was introduced in New York City and sold in corner pharmacies as an everyday staple. The original formula and label—inspired by the enchanting properties of the famed Fountain of Youth—has remained unchanged for over 200 years. In addition to its clean and refreshing fragrance, Florida Water has been used over the years to tone the skin, freshen the air, calm the nerves, relieve headaches, reduce fevers, prevent infection, and soothe an itching scalp. Florida Water by Murray & Lanman is a time-honored American cologne or toilet water, with a legacy dating back to its creation in 1808 by perfumer Robert I. Murray in New York City. It's characterized by a refreshing and invigorating citrus-based fragrance, intertwined with spicy and floral notes.   The fragrance composition showcases a blend of citrus elements like bergamot and lemon, complemented by spices like clove and cinnamon, and further enriched with floral notes of lavender and rose. This unique blend has contributed to its enduring appeal for over two centuries. Florida Water has traditionally served as a cologne or aftershave, but its versatility extends beyond personal care. It has also found popularity in various household and spiritual practices, including cleansing spaces, refreshing linens, and use in rituals. Although the company name has evolved through the years, Florida Water is currently marketed under the Murray & Lanman brand. It remains a testament to its lasting popularity and the continued demand for its unique aroma and multifaceted uses.

SHIPPING AVAILABLE > Standing 7.25" tall, an aqua blue green glass soft drink bottle featuring cast letters around the lower base reading ~ COCA-COLA BOTTLING CO. OF LA. LTD. ~ RUSTON, LOUISIANA ~ 6 1/2 FLUID OZ. ~ 1639 ROOT, CONDITION REPORT > Fracture spot to lower base, as shown in the images offered ~ Otherwise, a nice example. The Coca-Cola Bottling Co. of Louisiana Ltd. was in business for over 100 years. It wasn't founded as a single entity but through a series of acquisitions and mergers of various local bottling companies throughout Louisiana. Ruston, Louisiana, has a historical connection with Coca-Cola bottling, dating back to the early 1900s. Although Coca-Cola UNITED doesn't currently have a facility in Ruston, the city once had its own local bottling plant, the Ruston Coca-Cola Bottling Company. This bottling plant operated for several decades and played a significant role in the local community. The earliest Coca-Cola bottling operations in Louisiana began in 1906 in Baton Rouge. The first official Coca-Cola bottling plant in Louisiana opened in Lake Charles in 1907. These independent bottlers eventually consolidated and merged, ultimately forming the Coca-Cola Bottling Co. of Louisiana Ltd. In 2017, the Coca-Cola Bottling Co. of Louisiana Ltd. was acquired by Coca-Cola UNITED, marking the end of its independent operations.

SHIPPING AVAILABLE > Standing 7.5" tall, clear glass soft drink bottle featuring cast, stylized letters reading ~ QUALITY repeated to opposite sides of the neck, above ~ QUALITY BRAND 6 FL OZ SODA WATER ~ PROPERTY OF COCA-COLA BOTTLING CO. ~ DERIDDER, LA. CONDITION REPORT > A remarkably well preserved example ~ No overt issues. DeRidder, located in Beauregard Parish, Louisiana, has a history deeply tied to the timber industry and the railroad. Founded in 1897 by A.J. DeRidder, a Dutch lumberman, the town quickly grew as a hub for timber production. The arrival of the Kansas City Southern Railroad further fueled its development, making DeRidder a key point for shipping lumber and other goods. The early 20th century saw DeRidder thrive, with a bustling downtown and a diverse population drawn by economic opportunities. The timber industry remained vital, but the town also diversified its economy, including agriculture and small businesses. In recent decades, DeRidder has faced challenges with the decline of the timber industry. However, it has adapted, focusing on tourism and promoting its natural beauty, including nearby forests and lakes. The town's historic downtown retains its charm, and its strong sense of community persists. Today, DeRidder is a resilient town, balancing its historical legacy with modern challenges, embracing its past while looking towards the future. The Coca-Cola Bottling plant in DeRidder, though its specific historical records are scarce, has left its mark on the town. It was once an active bottling facility, producing Coca-Cola and other beverages like the "Quality Brand" soda water. At one point, a man named Kern managed the plant, offering a glimpse into its internal operations. While the exact address remains somewhat elusive, local knowledge and recent news suggest its location on East First Street. Though it no longer bottles Coca-Cola, the building stands as a testament to its history. Today, it's repurposed by Bardin Vending Service, a local company, signifying its continued importance in the community. While concrete historical details may be limited, the Coca-Cola Bottling plant undoubtedly played a significant role in DeRidder's past. It contributed to the local economy, quenched the thirst of residents, and its building remains a tangible reminder of its legacy.

SHIPPING AVAILABLE > A group of -3- clear glass figural soft drink bottles standing close to 4.75" tall, each in the manner of a PEPSI-COLA bottle and decorated with tapplied color labels, known as ACL, fitted with plastic pierced caps styled as typical bottle caps ~ Lettering to the neck of each reads AN ADVERTISING NOVELTY. CONDITION REPORT > In need of general cleaning ~ Melting to one portion of one cap.

SHIPPING AVAILABLE > An uncommon example of a emerald green glass soft drink bottle standing 8" tall, featuring cast lettering and overall designs ~ Stylized ettering to the body reads LAKE'S CELERY ~ To the underside base, block lettering reads ~ JACKSON BOTT. WKS. ~ CONT. 6 FL. OZ. ~ JACKSON, MISS. ~ Retains the original metal cap, now lacking a painted finish ~ Contains what is likely the original contents. CONDITION REPORT > A notably well preserved example ~ Perhaps typical and minor elements relativeo to age and materials. Lake's Celery Drink was a popular celery-flavored soda produced and sold in Jackson, Mississippi, from around 1915 to 1925. It was created by a Mr. Lake and enjoyed widespread popularity during that time. The drink was known for its unique taste, made from celery, and was often consumed directly at the soda fountain. Although the exact recipe remains unknown, historical accounts and literary references, like those in Eudora Welty's work, paint a picture of a beloved local beverage that was a staple in Jackson for a decade.

SHIPPING AVAILABLE > An uncommon aqua blue green glass bottle featuring a paneled design with cast relief stars to the shoulder ~ Cast block letters repeated to the shoulder read SODA WATER ~ Around the lower base, various lettering relative to design patents ~ To the underside base, large block lettering in relief reads McCOMB, MISS. CONDITION REPORT ~ A notably well preserved example ~ Perhapst typical and minor elements relative to age, early manner of production, use and material ~ No overt issues relative to damage. McComb, Mississippi, traces its roots back to 1872 when Colonel H.S. McComb, president of the New Orleans, Jackson and Great Northern Railroad, sought a location away from the distractions of New Orleans for the railroad's maintenance shops. The chosen site was a stretch of undeveloped land in Pike County, and three nearby communities – Elizabethtown, Burglund, and Harveytown – merged to form the new town. McComb quickly flourished as a railroad town, with the railroad shops becoming a major employer. Main Street emerged as the heart of the community, lined with shops, businesses, and entertainment venues. The town's growth continued into the 20th century, with the timber industry also playing a significant role in its economy. However, McComb's history is also intertwined with the Civil Rights Movement. During the 1960s, the town and surrounding areas witnessed intense racial tensions and violence as activists fought for equality. McComb became a focal point for voter registration drives and protests, facing resistance from segregationists and white supremacist groups. Today, McComb is a town that honors its past while looking toward the future. The railroad remains an important part of its identity, and efforts are underway to revitalize the historic downtown. The town also recognizes its role in the Civil Rights Movement, with memorials and initiatives that promote understanding and reconciliation. McComb stands as a testament to the resilience of its people and their commitment to progress and unity.

SHIPPING AVAILABLE ~ Standing 8" tall, an aqua blue green glass bottle featuring cast relief lettering in a circle to one side of the body reading ~ WORLD BOTTLING CO. LTD. ~ ROYAL & MONTEGUT STS. ~ NEW ORLEANS, LA ~ A large letter W to the underside base. CONDITION REPORT > A notably well preserved example with no overt issues relative to damage. In the first half of the 20th century, New Orleans-based World Bottling Company produced several soft drinks, including Wright Root Beer and a unique beverage called Dr. Nut – a somewhat almond-flavored soda, tasting like Amaretto liqueur. The World Bottling Co. Ltd. was a prominent beverage bottler and distributor based in New Orleans, Louisiana, operating from the late 19th century to the mid-20th century. Their facility was located at the intersection of Royal and Montegut Streets in the city. While precise historical records are scarce, evidence of their presence and products can be found in antique bottles and historical documents. The company likely bottled a variety of beverages, including sodas and possibly other drinks. Their bottles, embossed with "World Bottling Co. Ltd., Royal & Montegut Sts, New Orleans, LA," are now sought-after collectibles, offering a glimpse into the city's rich bottling history. The company's location on Royal and Montegut Streets places it in a historically significant area of New Orleans. Royal Street is known for its antique shops, art galleries, and restaurants, while Montegut Street is a quieter residential street. This location suggests that the World Bottling Co. Ltd. was an integral part of the local history.

SHIPPING AVAILABLE ~ Standing 8" tall, an aqua blue green bottle featuring cast relief, stylized lettering to one side of the body reading ~ LAKE'S CELERY ~ W.W. LAKE ~ JACKSON BOTTLING WORKS ~ JACKSON, MISS. ~ THIS BOTTLE NOT TO BE SOLD ~ A bold capital letter L to the underside base. CONDITION REPORT > Notable blemishes, case wear and horizontal chip to the mouth, all shown ~ Expect elements relative to age, manner of production and material ~ Despite condition, an uncommon bottle, worthy of preservation.

SHIPPING AVAILABLE > Likely from the 1920s era, standing 7.75" tall, a tinted green glass bottle featuring a textured and paneled design with round insets around the neck with letters CCC ~ To the shoulder, bold block letters cast in relief read SODA WARE repeated twice with smaller letters below reading PROPERTY OF COCA-COLA BOTTLING CO. ~ CON. 6 FL. OZ.~ The CCC letters within a circle are repeated around the body within concave panels ~ To the underside base, prominent block letters in relief read LITTLE ROCK, ARK with various small numbers at center. Used by bottlers for flavored soda produced by Coca-Cola, but perhaps not branded, like generic root beer, orange, lemon, lime and others. CONDITION REPORT > Small bump fracture at heel ~ Otherwise, a well preserved example ~ Perhaps typical and minor elements relative to age, manner of production and material. The history of Coca-Cola bottling in Little Rock, Arkansas began as early as 1903, making it one of the earlier cities in the state to have a bottling plant. Over the years, different companies held the bottling rights for Little Rock. The Coca-Cola Bottling Company of Arkansas was a major player for a long time, with their plant located at 7000 Interstate 30. In 2017, Coca-Cola Bottling Co. Consolidated acquired the distribution territory and manufacturing facilities for Little Rock and surrounding areas from Coca-Cola Refreshments USA. This consolidation reflects the broader trend in the Coca-Cola bottling system towards larger, regional bottlers. The history of Coca-Cola bottling in Little Rock reflects the growth and evolution of both the Coca-Cola brand and the bottling industry itself. From its early days in the early 1900s to the present day, Coca-Cola has been a significant part of the city's business and cultural landscape.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. This example stands 6.75" tall, of clear glass with cast block letters reading ~ STANDARD BOTTLING CO. ~ DENVER, COLO. ~ To the underside base, letters read S.B. Co. CONDITION REPORT > An remarkably well preserved example, with some settled dust, in need of a general cleaning ~ Perhaps typical and minor elements relative to age, use, early method of production and material.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. This example stands 6.75" tall, of tinted aqua blue gree glass with cast block letters within an oval recessed panel reading ~ ALGONA BOTTLING WORKS ~ ALGONA, IA. . CONDITION REPORT > Some bumps and blemishes, case wear to relief elements ~ Expect varying elements relative to age, use, early method of production and material ~ No overt issues relative to damage. The Algona Bottling Works has a long and winding history, starting in the early 1900s in Algona, Iowa. It saw several ownership and location changes, mirroring the dynamic landscape of the bottling industry at the time. The company was established early in the 20th century, and in 1912, it was sold to Mark Sarchet and Jesse Staley, who focused on modernization and expansion. They even started producing bluing alongside beverages. In 1916, it was sold again to O.J. Stephenson and L.A. Miner. Under Stephenson and Miner, the Algona Bottling Works was integrated into a new venture - the Algona Candy Kitchen & Bottling Works. This move saw the bottling operations relocated to a newly built structure at 15 East State Street, sharing space with a candy and ice cream parlor. The Algona Bottling Works was known for its wide array of sodas and soft drinks, which were enjoyed by locals for many years. While the company might not exist today, its bottles, especially those embossed with the "ALGONA BOTTLING WORKS" name, remain sought-after collectibles, preserving a piece of the town's vibrant past. The story of the Algona Bottling Works exemplifies the entrepreneurial spirit and adaptability that was characteristic of many small businesses in the early 20th century. Through its evolution and integration, it played a role in shaping the local landscape and community of Algona, Iowa.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. This example stands 7.25" tall, of clear glass with cast block letters within an oval recessed panel reading ~ CAPITAL CITY BOTTLING WORKS ~ BATON ROUGE, LA. ~ Large block letters cast in relief to the underside base read WIECK. . CONDITION REPORT > Notable damage to the mouth and lip ~ Bumps and blemishes, with case wear to relief elements ~ Expect overt elements relative to age, use, early method of production and material. The Capital City Bottling Works in Baton Rouge, Louisiana, holds a significant place in the city's early 20th-century history. Though specific details about its founding are scarce, the company is well-remembered for its production of sodas and soft drinks, bottled primarily in the distinctive Hutchinson bottles, known for their "blob top" shape and internal spring-loaded stopper. These bottles, often embossed with "CAPITAL CITY BOTTLING WORKS / BATON ROUGE/ LA," remain prized collectibles today, serving as tangible reminders of the company's role in quenching the thirst of Baton Rouge residents in the early 1900s. While the exact lifespan and eventual fate of the company remain unclear, its legacy lives on through these vintage bottles, connecting present-day collectors with a piece of the city's past.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. This example stands 7" tall, of clear glass with cast block letters within an round recessed panel reading ~ D. PALLISERS SONS ~ MOBILE ~ ALA ~ Large block letters cast in relief to the underside base read D.P. CONDITION REPORT > Notable damage to the mouth and lip ~ Otherwise, well preserved ~ Expect elements relative to age, use, early method of production and material. D. Palliser's Sons was a prominent bottling works located in Mobile, Alabama, during the late 19th and early 20th centuries. Founded by Diego Palliser, a Spanish immigrant, the company was renowned for its diverse range of bottled sodas and mineral waters. Palliser's entrepreneurial journey began with a grocery store, later expanding into the bottling business. The company gained recognition for utilizing Hutchinson bottles, a unique style with a distinctive "blob top" and an internal spring-loaded stopper, popular at the time. These bottles, embossed with "D. PALLISER'S SONS / MOBILE, ALA," are now highly sought-after collectibles, offering a tangible link to the company's legacy. While precise dates regarding its founding and closure remain somewhat elusive, D. Palliser's Sons undeniably played a significant role in Mobile's bottling industry during its operational years. The enduring popularity of their bottles among collectors serves as a testament to their historical significance and the company's contribution to the local beverage landscape of its time.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. This example stands 7.5" tall, of aqua blue green tinted glass with cast block letters within an round recessed panel reading ~ HAYES BROS. ~ CHICAGO. ILL ~ HB TRADE MARK REGISTERED ~Flat panel design surrounds the base ~ Remnants of the spring loaded stopper remain. CONDITION REPORT > Settled dirt and dust ~ Perhaps some degree of mineral and chemical deposits to the interior and exterior ~ Otherwise, well preserved ~ Expect elements relative to age, use, early method of production and material ~ No overt damage. The Hayes Brothers Bottling Works in Chicago, Illinois, holds a unique place in the city's rich history of soda production. Established in 1871, it was owned and operated by brothers Michael and Patrick Hayes. Initially focusing on a range of beverages, including medicated waters and therapeutic drinks, the company saw significant expansion in 1882 when they acquired the well-established Hutchinson & Sons bottling operations.   This acquisition marked a turning point, shifting their focus towards soda and mineral water production and granting them access to the innovative Hutchinson bottle design, distinguished by its "blob top" and internal spring-loaded stopper. Embossed bottles bearing "HAYES BROS. CHICAGO, ILL." remain coveted collector's items today.   The company operated from the Hutchinson factory until 1886, after which Michael left the business. Patrick briefly continued operations under a new partnership, but the Hayes family ultimately exited the bottling industry in Chicago after 1888.   Despite their relatively short tenure in the field, the Hayes Brothers made a significant impact on Chicago's bottling scene. Their acquisition of Hutchinson & Sons and subsequent utilization of their distinctive bottle design solidified their place in the city's history. The surviving Hayes Brothers bottles serve as tangible reminders of their entrepreneurial spirit and the vibrant soda culture of late 19th-century Chicago.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. This example stands 7.5" tall, of aqua blue green tinted glass with cast block letters reading ~ NEW HOPE MFG. CO. LMTD. ~ 350 BIENVILLE ST. ~ NEW ORLEANS, LA. ~Flat panel design surrounds the base ~ Remnants of the spring loaded stopper remain. CONDITION REPORT > Mineral and chemical deposits to the interior and exterior resulting in overall cloudiness and coarse finish ~ Expect elements relative to age, use, early method of production and material ~ No overt physical damage. The New Hope Seltzer & Mineral Water Manufacturing Co., Limited, was once located at 350 Bienville Street in New Orleans, Louisiana and the City Bottling Company of New Orleans became the sole owner of the brands and bottles around 1900, relative to a legal notice posted in the Times-Picayune.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. This example stands 7.75" tall, of aqua blue green tinted glass with cast block letters reading ~ CHICAGO CONSOLIDATED BOTTLING CO. ~ CHICAGO, ILL.with a logo of stylized intiials C-G to the opposite side of the body ~ Remnants of the spring loaded stopper remain inside. CONDITION REPORT > Mineral and chemical deposits to the interior and exterior resulting in areas of cloudiness ~ Expect elements relative to age, use, early method of production and material ~ No overt physical damage. The Chicago Consolidated Bottling Company (CCBC) was a powerhouse in the late 19th and early 20th century Chicago soda industry. Founded in 1887 by John Alfred Lomax, a pioneer in the soda water bottling business in the West, the company was a consolidation of his own factory and fifteen others.   Lomax's entrepreneurial journey began in 1848 when he arrived in Chicago from England. After facing setbacks like the Great Chicago Fire of 1871, he persevered and built a thriving business. By the late 1870s, his regional sales were increasing, leading to the formation of the CCBC in 1886.   The CCBC boasted impressive production capabilities, able to turn out thousands of dozens of soda bottles per day, along with mineral waters and other beverages. Lomax's focus on quality and efficiency propelled the company's growth.   However, the CCBC faced challenges too. A significant fire in 1891 caused extensive damage, but the company recovered.   Following Lomax's death in 1902, his son George took over the business. Under George's leadership, the company continued to flourish. They were known for utilizing Hutchinson bottles, recognizable by their unique "blob top" and spring-loaded stopper, a popular design at the time.   The CCBC eventually evolved into the Lomax Company in the 1920s. Though the name changed, its legacy as a major player in Chicago's bottling industry endured. Today, bottles embossed with "Chicago Consolidated Bottling Co." are sought-after collectibles, reminding us of the company's significant contribution to the city's vibrant beverage history.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. This example stands 7.75" tall, of aqua blue green tinted glass with cast block letters reading ~ CITY BOTTLING CO. LIMITED ~ 322 to 332 SOUTH LIBERTY ST. ~ NEW ORLEANS, LA. along with THIS BOTTLE NOT TO BE SOLD around the lower body ~ Remnants of the spring loaded stopper remain inside. CONDITION REPORT > Some cloudiness ~ Expect elements relative to age, use, early method of production and material ~ No overt physical damage. The City Bottling Company of New Orleans, Louisiana, located on South Liberty Street, was a significant player in the city's bustling beverage industry during the late 19th and early 20th centuries. It was situated at two distinct addresses on the street: 67-69 & 71 South Liberty St. - This earlier location is associated with bottles embossed with this address, along with the phrase "THIS BOTTLE NOT TO BE SOLD," suggesting they were primarily intended for internal use or distribution within a specific network. 322 to 332 South Liberty St. - The company later moved to this larger address, reflecting possible expansion and growth. Bottles from this period also bear the "THIS BOTTLE NOT TO BE SOLD" inscription. The company operated from this location until around 1907 when it transitioned into the Cosmopolitan Bottling Company. The City Bottling Company was known for its production of sodas and mineral waters, contributing to the vibrant beverage culture of New Orleans during that era. Their bottles, particularly the iconic Hutchinson bottles with the distinctive "blob top" and internal spring-loaded stopper, remain sought-after collectibles today. These bottles offer a glimpse into the company's operations and serve as tangible reminders of its legacy in the city's history.

SHIPPING AVAILABLE > Likely produced between 1905 and 1929, relative to the cast relief letters to the underside base, reading A B Co along with A 32 ~ Standing 9.5" tall, featuring all the elements relative an example that was mouth blown into a mold, with vertical seams at each side, with seam stopping below the neck, indicating the bottle was likely produced from 1880 to 1910 ~ The letters to the underside identify the American Bottle Company as the manfuacturer. CONDITION REPORT > A notably well preserved example with all the typical elements relative to early production methods ~ No overt issues relative to damage. The American Bottle Company (1905-1929), had offices in Chicago, Illinois (1905-1916) and Toledo, Ohio (1916-1929), with glass plants located at Streator, Illinois; Newark, Ohio; Belleville, Illinois; Massillon, Ohio and Wooster, Ohio. The American Bottle Company was purchased by Owens Bottle Machine Company in 1916, with some of the plants being closed soon afterwards, but the Streator and Newark plants continued to operate under the American Bottle Co. name until 1929, when they became part of the merger that resulted in Owens-Illinois Glass Company. For Streator and Newark plant marks from 1916 to 1929. Most, if not all, of the “AB”, “AB CO.” and “A.B.CO.” marked bottles are believed to date between 1905 and 1916. However, it is possible that some bottles with these markings might date between 1916 and 1929, but, if so, could only have been made at either the Streator or Newark plants.

SHIPPING AVAILABLE > Based on the dates of opertion by the manufacturer, produced between 1882 and 1898, standing 9.5" tall, an opaque tinted aqua blue green stain finish export beer bottle standing 9.5" tall ~ A mouth blown example, slightly canted to the neck, featurinng case relief letters to the underside base reading > F H G W over the number 8. CONDITION REPORT > Typical and minor elements relatie to age and early production methods ~ Otherwise, a remarkably well preserved example of a rare bottle. Early St. Louis city business directories reveal the relatively obscure Frederick Heitz Glass Works, which operated in the city for approximately 16 years. Heitz's factory was located on the north side of Dorcas Street, between First and Koskiusco Streets. According to a brief mention in the trade magazine Engineering and Building Record & Sanitary Engineer, the glass factory was built (either having recently finished construction, or still under construction at that time) in 1882 at a cost of $40,800.   The F.H.G.W. mark is most commonly seen on the bottoms of export-style pint and quart-size beer bottles, as well as on “wax sealer” type fruit jars, both of which have a characteristic American “look”. These wax sealers are virtually identical in appearance to typical specimens made by factories in the American Midwest during the 1880s, particularly in St. Louis, Missouri; Louisville, Kentucky; Pittsburgh, Pennsylvania, and at several glass plants in the state of Indiana.   Some sources have attributed the "F.H." and "F.H.G.W." markings to the Federal Hill Glass Works in Baltimore, Maryland. However, there is no evidence to support this claim. Furthermore, Federal Hill Glass Works ceased operations by 1873, which was too early for the manufacture of the type of export beer bottles which carry the FHGW marking. This type of bottle was not manufactured until approximately 1876, after Anheuser-Busch of St. Louis began pasteurizing beer, which permitted it to be bottled and exported in large quantities.   The Frederick Heitz Glass Works played a role in the American glass industry during the late 19th century, particularly in the production of beer bottles and fruit jars. While a relatively obscure company, its products and markings provide valuable insights into the history of glass manufacturing in St. Louis and the Midwest.

SHIPPING AVAILABLE > A pair of blue glass bottles, as follows ~ #1 > THE CHAS. H. PHILLIPS CHEMICAL CO. ~ GLENNBROOK, CONN. ~ PHILLIPS MILK of MAGNESIA ~ 5" Tall #2 > EMERSON DRUG CO. ~ BROMO SELTZER CONDITION REPORT > Well preserved examples ~ No overt issues

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. This example stands 6.5" tall, of aqua blue green tinted glass with cast block letters reading ~ SO. CHICAGO BOTTLING WORKS with a star design to the underside base. South Chicago Bottling Works was once located at 96th Street and Exchange Avenue. CONDITION REPORT > Some cloudiness ~ Blemishes, marks, scratches and other notable elements relative to age, use, early method of production and material ~ No overt physical damage.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. This example stands 7.5" tall, of aqua blue green tinted glass with cast block letters to one side of the body reading ~ SALVO & BERDON ~ NATCHEZ MISS. CONDITION REPORT > Notable chip to the mouth and lip, as shown in the images offered ~ Mineral deposits and reactions resulting in cloudiness ~ Blemishes, marks, scratches and other notable elements relative to age, use, early method of production and material. Salvo & Berdon was a prominent candy and bottling company located in Natchez, Mississippi, during the late 19th and early 20th centuries. The company was founded in 1890. Their large bottling and candy factory was situated on Wall Street, behind what is now the Natchez Museum of African American History. Salvo & Berdon was known for producing a variety of candies and bottled beverages, likely including sodas, mineral waters, and other popular drinks of the time. The company was a significant part of Natchez's local economy and likely employed a number of residents. Their factory was a landmark in the city for many years. Unfortunately, the Salvo & Berdon factory building was demolished in 1965 to make way for a modern office complex on Wall Street. While information on Salvo & Berdon is somewhat limited, their presence in Natchez serves as a reminder of the vibrant local industries and businesses that once thrived in the city. Their story also highlights the changing landscape of urban development and how historical buildings can sometimes give way to modernization.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. Quite a unique shape, this example stands 7.25" tall, of aqua blue green tinted glass with cast block letters to one side of the body reading ~ ST. LOUIS BOTTLING CO. with the letters ST to the underside base. CONDITION REPORT > Mineral deposits and reactions resulting in degree of cloudiness ~ Expect varying elements relative to age, use, early method of production and material ~ No overt damage.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. A rare example, standing 7" tall, of aqua blue green tinted glass with cast block letters to one side of the body reading ~ TRUMBLE & GROSS ~ GLOVERSVILLE, N.Y. ~ A number -2- to the underside base. Remnants of the metal spring loaded stopper remain intact. CONDITION REPORT > A rather well preserved exaple ~ Expect typical and minor elements relative to age, use, early method of production and material ~ No overt damage. Gloversville, New York, holds a unique place in American history as the "Glove Capital of the World." Its story is intertwined with the glove-making industry, which shaped its growth and identity for over a century. The area was initially settled in the 1760s by Sir William Johnson, who brought in Scottish settlers. The region saw the emergence of a cottage industry focused on glove-making, utilizing locally sourced deerskin in the late 18th Century. The first recorded commercial glove transaction took place in 1803. The first tannery was established in 1809, marking a significant step towards industrialization. The settlement was officially named "Gloversville" upon the establishment of its first post office in 1828. The glove industry expanded rapidly in the mid-19th Century, with new factories and tanneries emerging. This growth attracted a large influx of European immigrants, particularly from Italy, who brought their skills and expertise in glove-making. Gloversville experienced a golden age in the late 19th and early 20th centuries, becoming the epicenter of American glove production. At its peak, over 200 glove manufacturers operated in the city, producing nearly all gloves worn in the United States. The thriving industry fueled economic growth and attracted workers from across the country and the world. The city's population swelled, and it became a bustling hub of commerce and manufacturing. New technologies and machinery were introduced, further boosting productivity and efficiency in the industry. The glove industry had a significant cultural impact on Gloversville. It shaped the community's identity, traditions, and social fabric. The glove industry faced challenges due to globalization, changing fashion trends, and the rise of synthetic materials in the mid-20th century. Many factories closed, leading to job losses and economic hardship. In recent years, Gloversville has been striving to revitalize its economy through various redevelopment efforts, including attracting new businesses and promoting tourism. The city's architecture reflects its rich industrial past, with numerous historic factories, tanneries, and mansions still standing. The Gloversville Public Library and the Fulton County Historical Society preserve the city's history and heritage through various collections and exhibits. Despite the challenges, Gloversville retains a strong sense of community pride and resilience. Its residents continue to celebrate their history and work towards a brighter future. Gloversville's history is a testament to the transformative power of industry and the enduring spirit of its people. While the glove-making era might be over, its legacy lives on in the city's architecture, culture, and collective memory.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. A rare example, standing 7.25" tall, of aqua blue green tinted glass with cast block letters to one side of the body reading ~ PURYEAR & DUFEO ~ BOTTLERS ~ MONTGOMERY, ALA. CONDITION REPORT > Extensive mineral deposits resulting in chemical reactions, intrusions and cloudiness ~ Expect notable elements relative to age, use, early method of production and material.

SHIPPING AVAILABLE > The mascot associated with Gordon's Gin is indeed a wild boar ~ This imagery stems from the Gordon clan's history. 1 Legend has it that a member of the clan once saved a Scottish king from a wild boar during a hunt. As a result, the boar's head became a symbol of bravery and has been featured on the Gordon family crest and subsequently on Gordon's Gin bottles ever since. This early bottle stands 8.75" tall, measuring 3" square, tapering down slightly from the shoulder ~ Aqua blue green glass ~ To the underside base, cast in relief, the wild boar head. CONDITION REPORT > Notable mineral deposits resulting in chemical reaction and resulting cloudiness ~ Expect varying elements relative to age, early production methods and material. Gordon's Gin, a cornerstone of the gin world, has a rich history dating back to 1769. It was in this year that Alexander Gordon, a Londoner of Scottish descent, established his distillery in Southwark, London. He was driven by a passion for quality and a desire to create a gin that was truly exceptional. Using the area's pristine water supply and carefully selected botanicals, Gordon perfected his recipe, which remains unchanged to this day. The distinctive clear bottle and yellow Gordon's export guise was first created in 1907. Gordon's quickly gained popularity, particularly with the British Royal Navy, who helped spread its fame across the globe during their voyages. By the late 19th century, it had become the UK's number one gin, a position it still holds today. The brand's success isn't just about its classic London Dry Gin, though. Gordon's has also been a pioneer in innovation, introducing the world to Sloe Gin in 1906 and launching the first cocktail shaker bottle in 1924. Today, Gordon's continues to be a global favorite, enjoyed in countless cocktails and appreciated for its consistent quality and distinctive juniper-forward flavor. Its legacy is a testament to Alexander Gordon's original vision: to craft a gin that would stand the test of time.

SHIPPING AVAILABLE > An uncommon example, standing 8.5" tall, of aqua blue green glass featuring cast relief lettering to one side of teh body reading ~ KOKA NOLA BOTTLING CO. ~ MONTGOMERY, ALA. above and below KOCA NOLA is script, most similar to the same stylized script used by Coca Cola. CONDITION REPORT > Extensive mineral deposits and resulting chemical reactions with intrusion, blemished and cloudiness overall ~ Likely buried at some point in the past. Koca Nola was a soft drink company established in the early 1900s. It was known for being a close competitor to Coca-Cola, both in taste and marketing strategies. However, the company faced legal challenges due to its name's similarity to Coca-Cola, as well as scrutiny over its use of cocaine as an ingredient. Koca-Nola ultimately ceased operations in the early 1910s, marking a notable chapter in the history of soft drinks and the competitive landscape of the early 20th century.

SHIPPING AVAILABLE > A group of -2- examples, antique baby and invalid food jars, each standing 6.25" tall, measuring a large 3" in diameter ~ Cast relief block lettering to each, as follows ~ #1 > MELLIN'S INFANT'S FOOT ~ DOLIBER - GOODALE Co. ~ BOSTON with LARGE SIZE to the reverse # 2 > MELLIN'S FOOD ~ BOSTON, U.S.A. with LARGE SIZE ~ MELLIN'S FOOD to the opposite CONDITON REPORT ~ Notable mineral deposits and resulting chemical reactions with cloudiness ~ No overt damage. Mellin's Food, a once-popular infant formula, has a history deeply intertwined with the pharmaceutical company Doliber-Goodale. Developed in 1866 by English food chemist Gustav Mellin, Mellin's Food aimed to offer a "perfect substitute for Mother's Milk." This powdered formula, made from malted barley and wheat, was intended to be mixed with cow's milk and water, acting more as a milk modifier than a complete nutritional supplement. Doliber-Goodale, founded in Boston, Massachusetts, in 1880 by Thomas Doliber and Thomas T. Goodale, acquired the agency for Mellin's Food around the same year. They became the primary distributor and marketer of this product in the United States, leveraging aggressive advertising campaigns that included endorsements from notable figures and even the sponsorship of the UK's first airship in 1902. Mellin's Food gained significant popularity in the late 19th and early 20th centuries, becoming a household name due to Doliber-Goodale's marketing efforts. However, its claims of being a healthy alternative to breast milk were largely unfounded. The product's reliance on cow's milk and water, often contaminated at the time, posed serious health risks to infants. The decline of Mellin's Food coincided with advances in scientific understanding of infant nutrition and increased awareness of the importance of breastfeeding. By the mid-20th century, safer and more nutritionally complete infant formulas had emerged, leading to the gradual fading of Mellin's Food from the market. Today, Mellin's Food serves as a reminder of the evolving landscape of infant care and the crucial role of evidence-based practices. The legacy of Doliber-Goodale and Mellin's Food underscores the importance of scientific understanding and responsible marketing in the realm of healthcare and nutrition.

SHIPPING AVAILABLE > Standing 7.75" tall, an aqua blue green glass soda bottle featuring cast relief, stylized lettering to both sides of the neck reading CHERO-COLA ~ 6 1/2 FL OZ. ~ Small lettering around the base read ~ MACON, GA ~ THIS BOTTLE NEVER SOLD ~ Also, CHERO-COLA cast in stylized relief letters to the underside base. CONDITION REPORT > Notable mineral deposits resulting in chemical reactions leading to cloudiness ~ Extensive elements relative to age and materials. Chero-Cola, while not as widely known today, has a rich history intertwined with the evolution of the soft drink industry and the rise of its successor, Royal Crown Cola.   The story begins with Claud A. Hatcher, a pharmacist in Columbus, Georgia, who ventured into the beverage business in the early 1900s. Starting with his Union Bottling Works, Hatcher initially created Royal Crown, a ginger ale, along with other flavors.   Witnessing the booming success of Coca-Cola, Hatcher decided to enter the cola market himself. In 1905, he formulated a cherry-flavored cola, aptly naming it Chero-Cola. The drink gained popularity, leading to the renaming of his company to the Chero-Cola Company in 1912.   Chero-Cola thrived for several years, expanding its reach and even facing legal challenges from Coca-Cola over the use of the term "cola." However, by the early 1920s, its market share dwindled. In response, Hatcher pivoted, introducing a line of fruit-flavored sodas under the brand name Nehi. This proved to be a success, and in 1928, the company became the Nehi Corporation.   Following Hatcher's death in 1933, the company further evolved, developing a new cola that ultimately led to another name change: Royal Crown Cola Co. in 1934.   Though Chero-Cola itself faded away, its legacy lives on through its role in paving the way for the iconic Royal Crown Cola. It's a reminder of the dynamic nature of the soft drink industry and the entrepreneurial spirit of Claud Hatcher.

SHIPPING AVAILABLE > Considered a blob top bottle, likely intended for bottling for bottling of root beer, standing 6.5" tall of relatively clear glass, featuring a hexagon shape panel base ~ Cast relief block lettering to one side reads JOHN GRAF above MILWAUKEE, WIS. with lettering to opposite side reading THIS BOTTLE NOT TO BE SOLD ~ Remnants of a the metal spring closure remain inside, indicating perhaps a version of Hutchinson bottle. CONDITION REPORT > Notable mineral deposits, resulting in chemical reactions and a degree of cloudiness overall ~ Spots of rust, inside and out ~ Case or handling wear to lettering, along with blemishes and scratches ~ Even so, no overt damage. John Graf, a German immigrant, arrived in Milwaukee in 1873 and immediately embarked on his journey in the brewing industry. He established his first brewery on South 22nd Street and West Greenfield Avenue, producing both beer and root beer. The John Graf Brewing Company soon gained recognition for its Weiss beer, a traditional German-style wheat beer that was popular with Milwaukee's large German community.   However, it was Graf's foray into the soda world that truly cemented his legacy. "Grandpa Graf's Root Beer," introduced in the early 1900s, became a beloved regional favorite, renowned throughout the Midwest. Graf's shrewd marketing skills played a vital role in this success. He leveraged his own image as a friendly grandfather to promote the root beer, creating a personal connection with consumers. His likeness remains a prominent feature on Grandpa Graf's Root Beer cans even today.   The John Graf Brewing Company flourished until the Prohibition era forced its closure in 1920. Undeterred, Graf adapted his business to solely produce soft drinks, founding the Graf Beverages company. This new venture continued the production of beloved sodas, including the iconic Grandpa Graf's Root Beer.   John Graf passed away in 1930, leaving behind a legacy of quality beverages and entrepreneurial spirit. His daughter, Sylvia Graf, stepped up to lead the company, ensuring that the Graf name and its treasured root beer continued to be enjoyed for generations.   Today, Grandpa Graf's Root Beer remains a cherished regional brand, a testament to John Graf's significant contribution to Milwaukee's brewing and soda scene. Moreover, the company's vintage bottles and advertising materials are highly sought-after collectibles, further solidifying the enduring impact of John Graf's legacy.

SHIPPING AVAILABLE > Likely a mid to late 19th century aqua blue glass bottle, perhaps from the Civil War era ~ A unique style, in the manner of a pocket, vest or jacket flask, featuring notably curved shoulders a tapered, slender neck to a flange lip mouth ~ To the underside, a large pontil or mold mark is noted. CONDITION REPORT > A remarkably well preserved example ~ No overt issues ~ Expect typical and minor elements relative to age, early production methods and material.

SHIPPING AVAILABLE > An early clear glass example standing 4.75" tall, measuring 2" overall featuring a hexagonal shape body, narrow neck and flared mouth ~ A combination of script and block lettering to one panel reads F. MARIA FARINA ~ Maria Cologne ( Not Disambiguation Below )/ CONDITON REPORT > Some mild cloudiness to top ~ Notable bubbles to glass, as well as other typical and minor elements relative to age and early manner of production. Wilhelm Mülhens was a Farina agent selling Eau de Cologne in Cologne’s Glockengasse since 1799. He named his company “Franz Maria Farina, Glockengasse 4711, Cologne” to profit from Farina’s reputation. This was the beginning of lengthy disputes with “Farina gegenüber .”Again and again, Mühlens took persons named Farina (a common name in Italy), who had nothing to do with the “gegenüber” family, as employees or partners on board to give the plagiaristic company name an appearance of justification. The Farina family became one of the pioneers in developing industrial property rights in Germany. Jean Marie Farina (1809-1880) fought for decades for legal trademark protection. In 1836, he made his first corresponding submission to the responsible Prussian ministerial bureaucracy. In November 1874, the first Trademark Protection Act was finally passed in the German Reichstag and came into force on May 1, 1875. Johann Maria Farina gegenüber dem Jülichs-Platz was the first Cologne company to register its labels as trademarks. “Eau de Cologne” is today the generic term for a light perfume with about 3 to 5 percent perfume content and cannot be protected as a trademark in the corresponding class of goods. The family still owns Farina. Today, it is easier for them to defend their intellectual property than three centuries ago.

SHIPPING AVAILABLE > Standing a diminutive 4" tall, measuring 1.5" in diameter, a battery acid bottle featuring a cast relief script replica of the signature of THOMAS A. EDISON along with block lettering that reads ~ EDISON BATTERY OIL ~ MADE IN U.S.A ~ THOMAS A. EDISON CORPORATION ~ BLOOMFIELD, N.J., U.S.A. Often battery oil in these bottles would be utilized with batteries found on the railroad. CONDITION REPORT > A well preserved example ~ No overt issues. Edison Battery Oil was a specialized oil crucial for the maintenance of early alkaline storage batteries, especially those designed by Thomas Edison. Its primary function was to form a protective layer on top of the electrolyte solution within the battery cells. This layer acted as a barrier, preventing the electrolyte from evaporating and minimizing contact with air, which could lead to oxidation and degradation of the battery. Additionally, the oil layer helped reduce corrosion of the battery's metal components caused by exposure to air and moisture. By mitigating evaporation and corrosion, the oil significantly extended the overall lifespan of the battery. Edison batteries, known for their durability and longevity, found extensive use in railroad applications like signals and crossing guards, where reliability was paramount. The oil was instrumental in ensuring these batteries remained operational. Edison batteries were also utilized in various other industrial settings, and the oil was essential for preserving their performance under demanding conditions. Today, Edison's alkaline batteries and their associated oil are largely obsolete due to advancements in battery technology. However, Edison Battery Oil bottles serve as intriguing historical artifacts, providing a glimpse into the innovative spirit of Thomas Edison and the early development of batteries.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. Standing 6" tall, a glass with cast block letters to one side of the body reading ~ HOUPPERT & SMYLY ~ BIRMINGHAM, ALA. ~ THIS BOTTLE MUST BE RETURNED ~ Ornate intertwined letters to the underside base reading H-S. CONDITION REPORT > Notable ineral deposits resulting in chemical reactions, intrusions and cloudiness ~ Expect notable elements relative to age, use, early method of production and material ~ No overt damage. Houppert & Smyly was a bottling company located in Birmingham, Alabama, active primarily in the late 19th and early 20th centuries. They are best known for their use of Hutchinson-style bottles, a popular type of bottle during this era with a distinctive internal spring stopper. Information on Houppert & Smyly is relatively scarce, but based on available resources, we know they bottled various beverages, likely including sodas and mineral waters. Their bottles often feature the embossing "HOUPPERT & SMYLY / BIRMINGHAM / ALA." along with other markings like "D.O.C. 71" and a monogram of "H & S." These bottles are considered collectible items today, particularly those in good condition. The company's precise founding date and closure date remain uncertain, but their bottles suggest they operated during the peak of the Hutchinson bottle era, roughly between the 1880s and 1910s. Further research into local historical records, city directories, and newspaper archives might reveal more details about Houppert & Smyly's operations, products, and impact on Birmingham's bottling industry during this period.

SHIPPING AVAILABLE > An example of a Hutchinson bottle easily recognizable by its distinctive "blob top" shape, named after its inventor, Charles G. Hutchinson, and used primarily during the late 19th and early 20th centuries, notable for its unique internal spring-loaded stopper. The Alabama Bottling Company was located in the 100 block of 23rd Street North, west side, as early as 1909, and 208 23rd Street North around 1922. Standing 7.75 tall, an aqua blue green glass bottle with cast block letters to one side of the body reading ~ ALABAMA BOTTLING CO. ~ BIRMINGHAM ~ ALA. ~ To the reverse, a circular logo depicting an eagle at center, with block lettering below reading ~ THIS BOTTLE PROPERTY OF ALABAMA BOTTLING CO. ~ NOT TO BE SOLD ~ The letter A cast in relief to the underside base. CONDITION REPORT > An overt chip from the edge of the base, as shown in the images offered ~ Some degree ineral deposits to the interior ~ Scratches and blemishes, notable to the relief castings ~ Expect elements relative to age, use, early method of production and material.

NO SHIPPING ~ LOCAL PICKUP ONLY > A wall mounted or window mounted neon advertising sign, measuring a large 25.5" square, having a plexiglass mount with a lighted horizontal bar at center reading SILVER BULLET ~ Stylized neon lettering to the top reads COORS above LIGHT with OPEN to the lower portion ~ Fitted with a standard 110 volt cord and grounded plug ~ On/Off pull chain to the rear controls the OPEN message. CONDITION REPORT > COORS LIGHT lettering not functional ~ OPEN switch working ~ Dusty. Coors beer has a rich history rooted in the American West. It was first brewed in 1873 by German immigrant Adolph Coors in Golden, Colorado. The brewery's location, nestled in the Rocky Mountains, provided access to pure mountain spring water, a key ingredient in Coors' signature taste. For many years, Coors was only available in the western United States. This limited distribution, coupled with its unique brewing process and use of refrigerated trucks for transport, created a mystique around the brand. Coors became known as the "Banquet Beer" due to its popularity at special occasions in the West. In the 1970s and 1980s, Coors expanded its distribution nationwide, fueled in part by its portrayal in the popular movie "Smokey and the Bandit." This expansion made Coors one of the top-selling beers in the country. Today, Coors remains a popular choice for beer drinkers, known for its crisp, refreshing taste and its connection to the American West. The brand continues to innovate, offering a variety of beers to suit different tastes, while still staying true to its roots in Golden, Colorado.

SHIPPING AVAILABLE > A striking free form flower vase standing 8" tall, measuring 4.5" in diameter to the base, featuring a chocolate to coffee brown glaze, along with turned and hand applied designs overall ~ To the underside the artist initials are applied, representing Randy Holbrook. CONDITION REPORT > No overt issues ~ A notably well preserved example. Randy Holbrook is a renowned potter based in Red Bluff, California, known for his exceptional stoneware and communion pottery. Here's what I found about his work: Holbrook Stoneware & Communion Pottery: Randy operates his studio under the name Holbrook Stoneware & Communion Pottery. He has over 43 years of experience and is internationally recognized for his creations, custom handmade glazes, and his unwavering dedication to perfection. Communionware: Randy is particularly passionate about creating communionware pottery. Being a devout Catholic himself, he sees it as a way to contribute to the body of Christ in a lasting manner. Other Works: Aside from communionware, Randy also creates a variety of other stoneware pieces, including platters, serving dishes, growlers, and steins. His pottery can be found in galleries along the Oregon Coast, as well as in his own store, "Village Pottery," in Red Bluff, CA. Artistic Style: Randy's pottery is characterized by his beautiful glazes and high-fired durability. He believes that his pieces will be cherished and passed down through generations.

SHIPPING AVAILABLE > A Norelco Model 15C mens cordless shaver, along with a drawstring pouch, instructions and perhaps most intriguing, a catalog of all Norelco items from the 1950-1960s era. CONDITION REPORT > Not inspected internally or inspected for operational functionality.

SHIPPING AVAILABLE > Standing just over 5.5" tall, a unique art pottery mug featuring a striking drip, brush glaze of green and earthtones ~ Stylized script embossed lettering to the underside base reads HULL U.S.A. No. 26. CONDITION REPORT > No overt issues ~ A well preserved example. Hull Pottery, founded in 1905 by Addis Emmet Hull in Crooksville, Ohio, began its journey crafting utilitarian stoneware and dinnerware. By the 1920s, they expanded into art pottery, gaining recognition for their floral-themed lines and pastel matte glazes. A major setback occurred in 1950 when a flood and fire destroyed their plant, but they rebuilt and reopened in 1952. The mid-century saw continued growth and diversification with new artistic lines like Ebb Tide and Tropicana. Sadly, Hull Pottery ceased operations in 1986, but their legacy lives on through their beautiful and collectible pieces.

SHIPPING AVAILABLE > A captivating art pottery vase stands a notable 10” tall, measuring 4 x 8” overall to the mouth of the fan shape top ~ Produced by Shawnee Pottery during the mid-century modern era, in a vibrant lime green glaze, speckled with subtle details and finished with a high gloss, creates a striking visual effect, featuring clean modernistic lines and a timeless silhouette, perfect for showcasing a bouquet or standing alone as a statement piece. Classic cast relief stylized lettering mark to the underside base reads SHAWNEE USA, along with an embossed number 2014, identifying this example as a genuine Shawnee Pottery creation. This 1950s gem adds a touch of retro charm and artistic flair to any space. CONDITION REPORT > Some settled dust ~ In need of a general cleaning ~ No overt issues or damage.

SHIPPING AVAILABLE > A group of Frankoma art pottery produced in the mid-century modern style Plainsman pattern, as follows ~ (1) BUD VASE #43 ~ 8" Tall ~ Brown Glaze (1) BEVERAGE PITCHER #81 ~ 7.75" Tall ~ Brown Glaze (6) SMALL PLATES #5DE ~ 4.5" in Diamter ~ Brown Glaze (4) SAUCERS #6E ~ 5.75" in Diameter ~ Brown Glaze (1) SALT or PEPPER SHAKER ~ 4" Tall ~ Green Glaze ~ No mark due to size CONDITION REPORT > Well preserved examples ~ No overt issues. The Frankoma Pottery Plainsman pattern is a timeless classic, embodying the spirit of the American Southwest with its elegant simplicity and subtle details. The clean lines and embossed motif of a Native American rider on horseback evoke a connection to the open plains and the heritage of the land. The pattern is available in a range of earthy tones like Prairie Green, Desert Gold, and Adobe Brown, further emphasizing its Southwestern inspiration. Introduced in the mid-20th century, Plainsman enjoyed a long production run, solidifying its place in the hearts of collectors and vintage pottery enthusiasts. Frankoma produced an extensive variety of items in this pattern, from dinnerware and serving pieces to vases and decorative objects, making it possible to curate a complete Plainsman collection. Its enduring popularity stems from a combination of factors: the timeless design, its versatility, and the prestige associated with the Frankoma brand. Whether you're captivated by its Southwestern charm, mid-century aesthetic, or simply appreciate beautifully handcrafted pottery with an American touch, the Plainsman is a perfect choice. Frankoma Pottery, founded in 1933 by John Frank, a ceramics professor at the University of Oklahoma, began as Oklahoma's first commercial pottery. Initially using clay from Ada, they later switched to the iconic red clay from Sapulpa when they relocated there in 1938. Frankoma gained popularity with its unique blend of art deco and Native American-inspired designs. Despite setbacks like fires and bankruptcy, the company persevered, becoming synonymous with Oklahoma's rich artistic heritage. Today, Frankoma pieces, especially vintage ones, are highly sought after by collectors, embodying a blend of artistry, craftsmanship, and regional pride.

SHIPPING AVAILABLE ~ Sometimes known as SOONER glass or ARKLAHOMA glass, this captivating art glass vase, perhaps considered as being produced in the End of the Day manner, stands 9.25" tall with a 5" overall diameter, showcasing a mesmerizing blend of vibrant colors in a free-form design reminiscent of the "Jack in the Pulpit" wildflower. The top is beautifully scalloped into delicate pulled tips, adding a touch of whimsy, while the base is formed by a sturdy circular tube, providing stability and visual balance. This unique piece, born from the spontaneous artistry of glassblowing, is a testament to the beauty of handcrafted art and a striking addition to any collection. CONDITION REPORT > As shown in the images offered, a chip to a scalloped point. Sooner Glass refers to art glass produced by the Sooner Glass Company, which was operational in Oklahoma from the mid-1970s to the early 1980s. It is characterized by its vibrant colors, often featuring swirls, streaks, and bubbles, and its use of the "End of Day" technique, where leftover glass colors are combined to create unique pieces. Sooner Glass is known for its variety of forms, including vases, bowls, paperweights, and sculptures, often featuring organic shapes and playful designs. While the company had a relatively short lifespan, Sooner Glass remains collectible today for its distinctive aesthetic and connection to Oklahoma's glassmaking heritage. "Arklahoma" glass is another term for the same art glass produced by the Sooner Glass Company, which operated in Oklahoma during the 1970s and early 1980s. The name "Arklahoma" is a portmanteau of "Arkansas" and "Oklahoma," referencing the geographical region where the glass was produced and the potential influence of glassmaking traditions from both states. This glassware shares the same characteristics as Sooner Glass: vibrant colors, swirling patterns, use of the "End of Day" technique, and a variety of forms like vases, bowls, and paperweights. "Arklahoma" glass, like Sooner Glass, is a collectible reminder of Oklahoma's artistic heritage and glassmaking history.

SHIPPING AVAILABLE > Standing 9" tall to the dome cover, measuring 6 x 6" overall, an example of a cookie jar or canister produced by the L.E. Smith Glass Company in the Sandscroll pattern, specific to the relief design on two panels of the body and the top of the cover ~ Otherwise, a textured design ~ The cover features a ground flange matching the ground mouth of the base. CONDITION REPORT > Minute flakes to the ground glass of the interior cover flange ~ Overall, a notably well preserved example. The L.E. Smith Glass Company, known for its diverse range of glassware, produced the Sandscroll pattern during the mid-20th century. This pattern is characterized by its raised, swirling scroll-like designs that resemble patterns created by windblown sand. It's often seen on a variety of items, including vases, bowls, candy dishes, and even lamps. Sandscroll pieces typically showcase a combination of textures: the smooth, raised scrolls contrast beautifully with the surrounding areas, which might be textured or frosted. The pattern was produced in various colors, with amber and blue being among the most common and sought-after by collectors today. Sandscroll is admired for its elegant simplicity and tactile appeal. The flowing lines of the scrolls create a sense of movement and visual interest, while the contrasting textures add depth and dimension. The pattern's versatility complements both modern and vintage decor, making it a popular choice for collectors and enthusiasts of mid-century design.

SHIPPING AVAILABLE > Standing a notable 9.75" tall, measuring 4.5" in diamter to the mouth, a pair or scalloped body, paneled design glass vases ~ A hard fired finish of tangerine arm contributes to the mid-century modern design. CONDITION REPORT > No overt issues ~ Well preserved examples.

SHIPPING AVAILABLE > A group of vintage toys, as shown. CONDITION REPORT > Varying condition ~ Expect elements relative to age, handling and materials ~ Perhaps lacking parts ~ Functionality unknown.

SHIPPING AVAILABLE > Measuring 7.5 x 4.63 x 1.5" overall, retained in the original cardstock lithographed box, along with a warranty card, a cast plastic figural radio in the manner of an unclothed boy and girl holding a beach ball, with lettering that reads LOVE IS ... FOR US ~ An artist signature KIM is cast in relief to the lower border front ~ To the carton, text reads c 1973 LOS ANGELES TIMES. CONDITION REPORT > Appears as old stock, in the original box, ever used ~ Not tested for operational functionality. The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 5" tall, measuring 2.5" in diameter, an adverising transistor radio with lithographed designs and text printed to paper stock wrap, applied to the body, reading FIRST CHICAGO BANK ~ THE FIRST NATIONAL BANK of CHICAGO ~ Telescopic antennae to the top ~ Retained in the original box. CONDITION REPORT > Appears as older stock, in the original box, ever used ~ Not tested for operational functionality. First Chicago Bank, a cornerstone of Chicago's financial landscape, traces its roots back to the Civil War era. Established in 1863 under the National Banking Act, it was one of the first national banks in the Midwest. Originally named The First National Bank of Chicago, it played a crucial role in financing the war effort and supporting the city's rapid industrial growth. Throughout the late 19th and early 20th centuries, the bank expanded through strategic mergers and acquisitions, solidifying its position as a major player in the region. It weathered the Great Depression and continued to thrive in the post-war boom, adapting to the changing economic landscape. In 1969, the bank reorganized as a subsidiary of First Chicago Corporation, allowing for broader activities and international expansion. It continued to innovate, introducing new financial products and services, and embraced technological advancements in the banking sector. However, the late 20th century brought a series of mergers and consolidations that reshaped the banking industry. In 1995, First Chicago merged with NBD Bancorp to form First Chicago NBD. Just three years later, in 1998, First Chicago NBD merged with Banc One Corporation, which was eventually acquired by JPMorgan Chase in 2004. Although the First Chicago name no longer exists independently, its legacy lives on as part of JPMorgan Chase, one of the largest financial institutions in the world. The bank's history reflects the dynamic evolution of the American banking industry and its integral role in supporting economic growth and development in Chicago and beyond. The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > A fine example of a vintage SONY FM/AM SPORT WALKMAN, model SRF-8, along with the original SONY DYNAMIC STEREO HEADPHONE - MDR-W15. CONDITION REPORT > Case, wire and headphone seems well preserved, as viewed ~ Not inspected internally or tested for operational functionality. The Sony Sports Walkman SRF-8 is a vintage portable AM/FM radio, part of Sony's iconic Walkman line. Introduced in the 1980s, it catered to active individuals who wanted to enjoy music and broadcasts while on the move. True to the Walkman ethos, the SRF-8 boasts a small and lightweight design, making it easy to carry during workouts, jogs, or outdoor adventures. It was built to withstand active use with its robust plastic body, designed to resist bumps and scratches. The radio features both AM and FM bands, allowing users to access a wide variety of radio stations and content. A standard 3.5mm headphone jack enables private listening with your favorite headphones or earbuds. A convenient carrying strap or clip makes it easy to attach the radio to clothing or bags for hands-free listening. The SRF-8 runs on two AA batteries, offering hours of portable entertainment. The SRF-8 gained popularity due to its combination of portability, durability, and straightforward functionality. It became a staple for athletes, outdoor enthusiasts, and anyone who wanted to enjoy radio on the go. Its bright and sporty color schemes also added to its appeal. Today, the Sony Sports Walkman SRF-8 holds a special place in the hearts of collectors and vintage electronics enthusiasts. It represents a time when portable audio was evolving, and Sony's Walkman brand was synonymous with personal music and entertainment. While newer digital audio players have largely replaced portable radios, the SRF-8 remains a reminder of simpler times and the joy of tuning into your favorite radio stations while out and about. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > A QUALI-TONE Model W56 portable tube radio in a leatherette case, produced by Stantex ~ Earphones are retained in the small pouch to the side of the carrying case cover. Stantex Manufacturing Co., Inc., 453 West 43rd St., Chicago, IL CONDITION REPORT > Lacking round plate to center of dial ~ Lacking name plate strip above speaker panel ~ Not inspected internally or tested for operational functionality. The Quali-Tone Model W56 is a vintage tube radio that likely dates back to the mid-20th century, possibly the 1940s or 1950s. While information on this specific model might be scarce, we can glean some general details based on what's typical of radios from that era. The W56 almost certainly uses vacuum tubes to amplify audio signals, a hallmark of radios from that period. It most likely receives AM (amplitude modulation) broadcasts, the dominant radio standard at the time. The radio is probably housed in a wooden cabinet, adding to its vintage aesthetic and potentially contributing to its warm sound quality. Users would tune into different stations by turning a dial to select the desired frequency. Compared to modern radios, the W56 is likely relatively large and heavy due to the vacuum tubes and cabinet construction. If the W56 is indeed from the 1940s or 50s, it would have been part of the post-World War II consumer boom when radio was a primary source of entertainment and information for families. Radios like the W56 often served as the focal point of living rooms, gathering families together to listen to music, news, and radio dramas. The W56 represents a stage in the evolution of radio technology, showcasing the transition from early crystal sets to more sophisticated tube-based receivers. The Quali-Tone W56's vintage design and historical significance make it appealing to collectors of antique radios. The radio's value depends heavily on its condition. A well-preserved, working model commands a higher price than one in need of repair. If the W56 is a less common model, its rarity could further increase its value among collectors. While details on the specific Quali-Tone Model W56 remain limited, it serves as a reminder of a time when radio played a central role in people's lives and technology was advancing at a rapid pace. For collectors, it represents a tangible piece of history, connecting them to the golden age of radio. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Likely an advertising or promotional novelty, measuring 4.5 x 2 x 1" overall, in the manner of a Walkman style battery operated radio, an unbraded example featuring the PEPSI logo to the radio, fitted with PANASONIC RD-9266 headphones. CONDITION REPORT > Typical and minor elements relative to age, use and materials ~ Not inspected internally or tested for operational functionality. Pepsi-Cola, now known simply as Pepsi, has a rich history dating back to the late 19th century. It was first invented in 1893 by Caleb Bradham, a pharmacist in New Bern, North Carolina. Originally named "Brad's Drink," it was a concoction of carbonated water, sugar, vanilla, rare oils, and kola nuts. The name was changed to Pepsi-Cola in 1898, referencing its supposed digestive benefits and its cola flavor. In its early years, Pepsi struggled financially and went bankrupt twice. However, it was revived in the 1930s by Charles Guth, who reformulated the syrup and introduced a larger bottle for a competitive price. This strategy proved successful, and Pepsi gradually gained market share, challenging its main rival, Coca-Cola. Throughout the mid-20th century, Pepsi continued to grow through innovative marketing campaigns, including the iconic "Pepsi Challenge" taste test. The company also expanded its product line, introducing Diet Pepsi and other variations to cater to different consumer preferences. In the 1960s and 70s, Pepsi further solidified its global presence with strategic acquisitions and international expansion. It became a cultural icon, associating itself with youth culture and popular music. Today, PepsiCo, the parent company of Pepsi, is a global food and beverage giant, with Pepsi remaining one of the most recognized and widely consumed brands in the world. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Meausring 8.5 x 4 x 4" overall, a Monarch Electronics brand Model RE-760 transistor table radio along with the original box ~ Handle raises and lowers, locking in place with screws to the uprights ~ Noted as a 6-Transistor model ~ The guarantee card has a written date of 10/3/64 as date purchased ~ As well, research indicates 1964 was the year this model was developed and first produced. CONDITION REPORT > Appears to be a notably well preserved example, retained in the original box, as shown ~ Not inspected internally or tested for operational functionality. The Monarch RE-760 Transistor Table Radio is a vintage model known for its compact size and AM/FM reception capabilities. Manufactured in Japan likely during the 1960s or 1970s, it reflects a time when transistor radios were becoming increasingly popular for their portability and affordability. The radio can receive both AM and FM radio frequencies, offering access to a wide variety of broadcasts. The RE-760 is designed to be tabletop-friendly, with a small footprint that doesn't take up much space. An extendable antenna helps improve signal reception for both AM and FM stations. The radio features a built-in speaker for listening without headphones. A 3.5mm headphone jack allows for private listening. The RE-760 can operate on either batteries (typically AA or C cells) or AC power, providing flexibility for indoor or outdoor use. The radio's design typically features a classic mid-century aesthetic, with a plastic or metal body and a simple, functional layout. Today, the Monarch RE-760 is considered a collectible item among vintage radio enthusiasts. Its value depends on factors like its condition, rarity, and original packaging. Working models in good condition tend to fetch a higher price. The Monarch RE-760 serves as a reminder of a time when transistor radios were a common household item, providing access to entertainment and information in a compact and convenient form. It reflects the technological advancements that made portable radios accessible to the masses and contributed to the broader popularity of radio during the mid-20th century. If you're looking for a piece of vintage electronics history or a simple and reliable AM/FM radio, the Monarch RE-760 could be a charming addition to your collection or home. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 5.25" tall, measuring 3.5" overall to the simulated woodgrain and chrome body ~ Mounted atop a four arm pedestal, designed to rotate, with a clock face to one side and radio speaker opposite ~ A label to the underside of the body reads MODEL NO. Y-2801 the ARISTOCRAT ~ SERAIL NO. 23862 ~ The classic stylized ZENITH lettered logo is cast to the speaker panel The Zenith Aristocrat Model Y-280A is a vintage clock radio that blends mid-century design with practical functionality. Produced in the 1960s, it exemplifies Zenith's commitment to both style and technological innovation. The most striking feature of the Y-280A is its rotating cabinet, allowing users to switch between the clock face and the radio controls. This model utilized transistors instead of vacuum tubes, making it more compact and energy-efficient than earlier radios. The Y-280A features an AM radio tuner, providing access to a variety of news, music, and entertainment broadcasts. The built-in alarm clock function adds practicality, allowing users to wake up to their favorite radio station. The radio is housed in a sleek, rectangular case, often finished in woodgrain or a contrasting two-tone color scheme, making it an attractive addition to any bedside table or living space. The Y-280A reflects the growing popularity of transistor radios and clock radios in the 1960s. As technology advanced and designs became more compact, these devices became a staple in American households, providing both entertainment and convenience. The Aristocrat's rotating design was particularly innovative for the time, offering a unique and stylish solution for combining a clock and radio in a single unit. Today, the Zenith Aristocrat Y-280A is considered a desirable vintage item for collectors. Its unique design, solid-state technology, and association with a well-respected brand like Zenith contribute to its appeal. Well-preserved and functioning models can command a premium price in the collector's market. The Zenith Aristocrat Y-280A serves as a reminder of a time when radio was a central part of daily life and design played a key role in consumer electronics. It represents a period of technological transition and innovation, when transistor radios were becoming more common and clock radios were gaining popularity. While newer technologies have largely replaced these vintage devices, the Y-280A remains a testament to the enduring appeal of classic design and the nostalgia associated with the golden age of radio. CONDITION REPORT > Expect varying elements relative to age, use and materials ~ Not inspected internally or tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Measuring 4 x 2-3/8 x 1-3/8" overall, a General Electric brand pocket transistor radio noted as model P2750 ~ Includes the original box and earphone, cord and jack. CONDITION REPORT > Expect varying elements relative to age, use and materials ~ Not inspected internally or tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing close to 7" tall, atop a 6.25 x 4.25 molded plastic base, a battery operated novelty radio featuring a somewhat plush dog, perhaps articulated when activated ~ An inset indictes 1986 production by PLAYTIME PRODUCTS, INC. CONDITION REPORT > Expect varying elements relative to age, use and materials ~ Not inspected internally or tested for operational functionality. The Wrinkles Playtime Products Dog Radio is a vintage novelty radio featuring the character Wrinkles, a brown hound dog with a wrinkly muzzle. This radio appears to be from the 1980s, likely released in 1986 based on copyright information. The radio itself is likely AM/FM, using the Wrinkles figure as its casing. It likely has a built-in speaker and a volume control, with the tuning dial possibly incorporated into the design of the dog figure. While technical details may be scarce, its primary appeal lies in its whimsical design and nostalgic value. This radio represents a blend of toy and functional electronics, aimed at children and perhaps fans of the Wrinkles character. It likely evokes a sense of childhood nostalgia for those who grew up in the 1980s. Today, it could be considered a collector's item, especially for those interested in vintage radios, character merchandise, or toys from that era. It's worth noting that Wrinkles was also part of a broader toy franchise, so this radio might have been part of a larger product line. The character's design on the radio could be the same as that used for other Wrinkles toys, further adding to its collectible appeal. While not a high-tech or sophisticated piece of audio equipment, the Wrinkles Playtime Products Dog Radio offers a charming glimpse into the past, combining the joy of listening to the radio with a beloved character design. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 5" tall, measuring 3.25 x 1.75" overall, a molded plastic body radio with stainless steel faceplate reading STUDIO 44 ~ A battery operated radio designed for AM and FM reception, with a telescoping antennae ~ Includes the orignal box and paperwork as shown. The FM-225 was likely a small, portable transistor radio produced during the mid-to-late 20th century, possibly in the 1960s or 70s. As the model name suggests, it would have been capable of receiving both AM and FM radio frequencies, offering a wider selection of stations compared to AM-only models. These pocket radios typically featured a simple design with a plastic body, a tuning dial, volume control, and a built-in speaker. They were often powered by a couple of AA batteries. Studio 44 was likely a budget brand, making the FM-225 an affordable option for consumers seeking a portable radio. While not a high-end or particularly rare model, the FM-225 represents an era when transistor radios were ubiquitous and played a crucial role in how people consumed media and entertainment on the go. CONDITION REPORT > Appearing to be never used, old stock ~ Not inspected internally or tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 4" tall, measuring 3 x 1.5" overall, a pocket transistor radio in the figural manner of a SINCLAIR gasoline pump, complete with the original black leatherette case ~ Features SINCLAIR DINO SUPREME graphics along with the classic logo incorporating a dinosaur. CONDITION REPORT > Perhaps typical and minor elements relative to age, use and materials ~ Not inspected internally or tested for operational functionality. Harry Ford Sinclair, an oil entrepreneur, founded the Sinclair Oil and Refining Corporation in 1916 by merging 11 smaller petroleum companies. Sinclair Oil quickly expanded through acquisitions and infrastructure development, becoming a major player in the U.S. oil industry. It was known for its distinctive green dinosaur logo, symbolizing the belief that oil originated from dinosaur remains. Sinclair continued to grow, owning and operating refineries, pipelines, gas stations, and even a ski resort. The company played a significant role in fueling America's post-World War II economic boom. Sinclair faced challenges like the 1970s oil crisis and increased environmental regulations. The company underwent restructuring and ownership changes. In 2022, Sinclair Oil Corporation merged with HollyFrontier Corporation to form HF Sinclair Corporation. The Sinclair brand and its iconic dinosaur logo remain in use today. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Greyhound Food Management (GFM), a firm operating various corporate cafeterias, renamed its contract food service division to "Restaura". This new name is the same as their subsidiary in Western Europe and shows their increased focus on serving corporate clients. GFM, like most Greyhound divisions, is based in Phoenix, Arizona. Joseph K. Fassler, the president of GFM, explained that they chose this name to better represent their growing emphasis on corporate dining. The "Restaura" name will reflect their focus on providing various dining options to corporate clients, from cafeterias to gourmet dinners. Restaura, Inc., the subsidiary that inspired the new name, operates out of Belgium and serves clients throughout Western Europe. This figural vending machine pocket battery operated radio stands 4-3/8" tall, measuring 3 x 1-3/8" overall, featuring a telescopic antennae, volume and tuning knobs to the top ~ The body is wrapped in lithographed vinyl depicting the elements of a vending machine along with the RESTAURA advertising graphics and logos. CONDITION REPORT > Appears to be new ~ Included is an original, non-descript cardstock box ~ Not inspected internally or tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Likely a promotional adveritising premium for the Westinghouse coin operated vending machine, a figural transistor radio standing 7" tall, measuring 2.5 x 3.5" overall ~ A molded plastic body with lithographed plastic panel insets ~ To the front, graphics read COLD DRINK with ICE, with the WESTINGHOUSE stylized lettering and traditional W logo to the lower left corner ~ Volume and tuning knobs to the side, with a telescoping antennae to the top, now lacking the top section(s) ~ An station indicator panel to the rear with text reading NINE TRANSISTOR ~ AF, typically stand for "Automatic Frequency Control" CONDITION REPORT > As noted, lacking top section(s) of the telescoping antennae ~ Exterior body appears rather well preserved ~ Not inspected internally or tested for operational functionality. Westinghouse Corporation, a renowned American industrial giant, ventured into the realm of vending machines during the mid-20th century, adding another facet to its diverse product portfolio. Their foray into this market was marked by innovation and a focus on quality, mirroring the company's established reputation in other industries. Westinghouse's vending machines were primarily known for their robust construction and distinctive designs. They produced a range of models, including cigarette, beverage, and candy dispensers, catering to the growing demand for convenient, self-service options in various settings. These machines were often characterized by their sleek, chrome-plated exteriors and eye-catching graphics, reflecting the aesthetic sensibilities of the era. While Westinghouse's vending machine production was not as extensive or long-lasting as some of its other ventures, it nonetheless left a mark on the industry. Their machines are now sought-after collectibles, prized for their historical significance and retro appeal. Although the company eventually shifted its focus away from vending machines, their contribution to this field serves as a reminder of their innovative spirit and willingness to explore new markets. Today, Westinghouse remains a respected name in various industries, but their brief foray into the world of vending machines remains an intriguing chapter in their storied history. It exemplifies the company's adaptability and its commitment to providing solutions for the evolving needs of consumers. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING ~ In the original box, measuring 16 x 6.5 x 5.5" overall, produced by SOLIDEX, a figural 1963 Chevrolet Corvette VHS VIDEO CASETTE AUTOWINDER ~ VCR MILEAGE PLUSER, licensed by Chevrolet ~ AC adapter included ~ Model V1963A ~ Black in color ~ Exclusive features noted to the carton. CONDITION REPORT > Appears to have never been used ~ Original box and packing materials.

SHIPPING AVAILABLE > Likely a promotional adveritising premium for Pepsi Cola, produced by General Electric, perhaps during the 1980s, standing 4.75" tall, measuring 2.5" in diameter, figural in the manner of a soft drink can ~ Molded plastic with lithographed vinyl overlay ~ Controls to the side for volume and station ~ Appears to be lacking a cover to the top, likely a grid covering the speaker ~ Perhaps useful for parts or restoration. CONDITION REPORT > As noted, appears to be lacking a speaker cover to the top ~ Likely other elements relative to age, handling, use and materials. ~ Not inspected internally or tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Measuring close to 4" overall, a novety pocket transistor radio in the manner of Garfield, the comic strip character cat ~ Molded plastic body with lettering in relief to the reverse reading > c 1983 KING FEATURES SYNDICATE ~ Includes a small figural charm in the manner of Odie the dog. CONDITION REPORT > As noted, appears to be lacking a speaker cover to the top ~ Likely other elements relative to age, handling, use and materials. ~ Not inspected internally or tested for operational functionality. Garfield, created by Jim Davis, first appeared in 1978. The comic strip follows the life of Garfield, a lazy, lasagna-loving orange tabby cat. Garfield's personality is largely defined by his sarcasm, his love of food and sleep, and his general disdain for exercise and Mondays. Odie, a cheerful and dim-witted yellow beagle, is Garfield's frequent companion and the target of his pranks. Odie was initially owned by Jon Arbuckle's friend Lyman, but was later adopted by Jon. The comic's humor often stems from the interactions between these three characters, highlighting their contrasting personalities. Garfield's cynical observations, his antics with Odie, and Jon's hapless attempts to manage them all contribute to the strip's enduring appeal. Over the years, Garfield has become one of the most widely syndicated comic strips, expanding into animated television shows, movies, and a vast array of merchandise, solidifying its place in pop culture. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 4.25" tall, measuring 3/75" square, a pair of 1960s era clear acrylic photo cube table top radios, designed to manually revolve on a plateau base ~ Volume and tuning knobs to the topside ~ Designed to accept a 9 volt battery ~ Cube separates to allow insertion of photographs on four sides. CONDITION REPORT > Settled dust, in need of a general cleaing ~ Perhaps typical elements relative to age, handling and materials. ~ Not inspected internally or tested for operational functionality. Acrylic photograph display cubes were a popular item in the 1960s and 1970s. They were typically crafted from clear or colored acrylic plastic, chosen for its clarity, durability, and the fact that it offered a modern aesthetic that fit well with the décor trends of the time. These cubes were most commonly designed to showcase multiple photos, often six, and some even featured rotating mechanisms for easy viewing of all the pictures. They were a popular way to display treasured memories, such as family photos or vacation snapshots. These cubes were mass-produced, making them readily available and affordable, further contributing to their popularity. Today, they are considered vintage items, often sought after by collectors and individuals looking to add a retro touch to their home decor. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 6" tall, measuring 3.5 x 1.5" overall, featuring a 24" tall telescoping antennae ~ Molded hard plastic body with stainless steel element, labeled WINDSOR with a logo reading SOUND TV ~ AM FM TV1 / TV2 - WB ~ Volume and tuning knobs at the side ~ Band selection switch to the rear ~ Model No. 2131 to a plate at the rear. CONDITION REPORT > Tested with a fresh 9 volt battery (not included) and found to have a good FM signal ~ Perhaps typical and minor elements relative to age and materials. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 5" tall, measuring close to 3" in diameter ~ The Sony TR-1829 is a vintage transistor radio, initially introduced in 1967. It's recognized for its distinctive cylindrical design, featuring a black and grey body with colorful accents and a unique base with protruding "blades" that act as a stand and allow sound to escape from the bottom-mounted speaker. This model was part of Sony's broader push in the 1960s to produce stylish and portable transistor radios that appealed to a wider consumer base. It followed the success of the earlier TR-1819, often called the "cube radio," which helped popularize the trend of compact, aesthetically pleasing radios. The TR-1829 offered AM reception only and operated on 3 AAA batteries. It was produced in a variety of colors, including yellow, red, white, and green, adding to its visual appeal. Though specific production numbers are not readily available, the TR-1829's continued presence in vintage electronics markets and collections suggests it was a reasonably successful model for Sony. Today, it's sought after by collectors and enthusiasts for its unique design, representing a particular era of Sony's design innovation and the broader trend of transistor radios in the late 1960s. CONDITION REPORT > Settled dust, in need of a general cleaing ~ Perhaps typical elements relative to age, handling and materials. ~ Not inspected internally or tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 5.25" tall, measuring close to 4" square overall, the Panasonic model R-47A was initially introduced in 1968. It's recognized for its distinctive cube design, featuring a molded hard composite plastic body atop a teardrop pedestal, clear acrylic face over a stainless steel finish dial with a "floating" tuning selector indicator ~ Silver painted volume and tuning knobs mounted to one side. The Panasonic R-47A, affectionately known as the "Cube Radio," is a vintage transistor radio introduced to the market in 1968. Manufactured by Matsushita Electric Industrial Company (now Panasonic), it emerged during a time when transistor radios were transitioning from purely functional devices to fashionable accessories. Its iconic design is a standout feature. The R-47A boasts a distinctive cubic shape complemented by a "tulip" pedestal base, a subtle homage to the modernist designs of Eero Saarinen. This base not only elevates the radio, giving it a floating aesthetic but also cleverly houses the speaker, allowing sound to project outwards from underneath. The minimalist philosophy of the era is reflected in its exterior with clean lines, a simple dial face, and unobtrusive controls for volume, tuning, and power. The radio's compact dimensions of approximately 4 inches per side made it easily portable, while the availability in various colors, like white, red, yellow, and green, catered to a broad range of tastes. Technically, the R-47A is an AM-only radio powered by a single 9V battery. It was likely a mass-produced model, though exact production numbers are elusive. Vintage electronics listings suggest its original price was in the range of $20-$30. Users and collectors generally attest to its decent reception for an AM-only radio of that era and size, with sound quality considered adequate, even if the bass response is somewhat limited due to the small speaker. The design inspiration behind the R-47A is multifaceted. While the tulip base clearly references Saarinen's work, the cubic shape might have drawn inspiration from the minimalist art movement or the then-growing popularity of geometric forms in design. Specific advertising campaigns from the time are hard to come by, but it's probable that Panasonic emphasized the R-47A's unique design and portability to appeal to a younger, style-conscious demographic. Today, the R-47A is revered as an iconic piece of mid-century modern and Space Age design. Its innovative form and functional elegance continue to influence designers and captivate collectors. The radio remains a coveted item, particularly those in rarer colors, often commanding premium prices in vintage electronics markets. The Panasonic R-47A serves as a testament to the enduring power of well-thought-out design and a reminder of the golden age of transistor radios. It symbolizes a pivotal moment when technology and aesthetics intertwined, resulting in a product that is both functional and visually captivating. CONDITION REPORT > Perhaps typical elements relative to age, handling and materials. ~ Not inspected internally or tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > A pair of 1970s era pocket transistor radios featuring vivid blue and red molded plastic cases with stainless steel finish metal insets lettered SOLID STATE ~ EXECUTIVE Such examples were produced in Asia, imported to the United States and sold under many different brand names ~ Although inexpensive, today they are considered outstanding examples of early 1970s modernistic styling and representative of the era. These designs and colors symnbolize a pivotal moment when technology and aesthetics intertwined, resulting in a product that was both functional and visually captivating. CONDITION REPORT > Seemingly well preserved to the exterior ~ Perhaps typical elements relative to age, handling and materials. ~ Not inspected internally or tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 5.5" tall, measuring 3.25" x 1.75" overall to the molded black hard plastic case fitted with a stainless steel element surrounding the acrylic dial cover ~ Volume and tuning knobs to the side, with a band switch to the reverse ~ A 15" telescoping antennae ~ Includes the original lithographed cardstock box ~ Lacking a wrist strap. The SANO Portable FM/AM Radio Solid State is a vintage radio that was popular in the mid-20th century. It is a solid-state radio, which means it uses transistors instead of vacuum tubes. This makes it more reliable and durable than older tube radios. The SANO Portable FM/AM Radio is also very compact and lightweight, making it easy to carry around. The radio has a simple design with a few basic controls. It has a tuning dial for selecting the desired station, a volume control, and a power switch. The radio also has a built-in antenna for receiving FM and AM signals. The SANO Portable FM/AM Radio Solid State is a great way to listen to your favorite radio stations on the go. It is a reliable and durable radio that is also very easy to use. If you are looking for a vintage radio that is still in good working condition, the SANO Portable FM/AM Radio Solid State is a great option. CONDITION REPORT > Seemingly well preserved to the exterior ~ Perhaps typical elements relative to age, handling and materials. ~ Not inspected internally or tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Measuring 5.5 x 4 x 1.25" overall ~ Featuring an avocado green molded hard plastic simulated as textured leatherette, with a stitched design to the border ~ The internal component featuring chrome metal grill on a white projected case with horizontal dial inset, and a band switch ~ Volume and tuning control wheels, also silver in color, are inset to the side ~ The ZENITH FM-AM graphics are on inset as a logo both the case and internal radio. CONDITION REPORT > Settled dust, in need of a general cleaning ~ Perhaps typical elements relative to age, handling and materials. ~ Not inspected internally or tested for operational functionality. The Zenith Royal B21 transistor radio, as exemplified by the provided image, embodies several key design elements that place it firmly within the mid-century modern aesthetic. Its sleek, folding design and compact form factor suggest a focus on streamlined functionality and portability, hallmarks of the modernist movement. The radio's muted color palette and understated ornamentation further contribute to its minimalist appeal, emphasizing the purity of its form and function. This rejection of excessive decoration aligns with the mid-century modern ethos, which valued simplicity and clarity. The Royal B21's folding mechanism itself is a testament to modernist ingenuity, allowing the radio to seamlessly transition between a compact, protected state and a fully operational one. This clever design not only enhances the radio's portability but also adds a layer of visual intrigue, hinting at the technological advancements hidden within. While seemingly simple at first glance, the Royal B21's design is a carefully considered exercise in modernist principles. Its form follows function, its materials are honest and unadorned, and its overall aesthetic is one of elegant restraint. This vintage radio serves as a tangible reminder of a design era that continues to inspire and influence to this day. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > A pair of portable pocket transistor radios, near matching,along with one box lettered for a model IC-90 by INTERNATIONAL ~ Black hard molded plastic cases measuring 4 X 2.75 x 1.25" overall ~ Tuning and volume dials to the side ~ AM band ~ Designed to operate on two penlight (AA) batteries. CONDITION REPORT > Exterior cases seem well preserved ~ Box suffers slightly ~ Perhaps typical elements relative to age, handling and materials. ~ Not inspected internally or tested for operational functionality. The Zenith Royal B21 transistor radio, as exemplified by the provided image, embodies several key design elements that place it firmly within the mid-century modern aesthetic. Its sleek, folding design and compact form factor suggest a focus on streamlined functionality and portability, hallmarks of the modernist movement. The radio's muted color palette and understated ornamentation further contribute to its minimalist appeal, emphasizing the purity of its form and function. This rejection of excessive decoration aligns with the mid-century modern ethos, which valued simplicity and clarity. The Royal B21's folding mechanism itself is a testament to modernist ingenuity, allowing the radio to seamlessly transition between a compact, protected state and a fully operational one. This clever design not only enhances the radio's portability but also adds a layer of visual intrigue, hinting at the technological advancements hidden within. While seemingly simple at first glance, the Royal B21's design is a carefully considered exercise in modernist principles. Its form follows function, its materials are honest and unadorned, and its overall aesthetic is one of elegant restraint. This vintage radio serves as a tangible reminder of a design era that continues to inspire and influence to this day. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 5" tall to the body, not including the extended carry handle, measuring 7.5 x 2.5" overall to the black, molded, hard plastic body, featuring chrome metal elements ~ Three bands, including PS, perhaps Public Service, FM and AM, recessed behind an acrylic window to the front ~ Tuning, volume, squelch and band selection buttons to the side ~ The SEARS stylized letter logo to the lower front ~ Featuring a chrome metal telescopic antennae ~ To the rear, relief lettering identifies model numer 564-22720200 ~ Designed to accept four AA batteries ~ Lacking an AC adapter ~ Made in Japan for Sears, Roebuck & Co. CONDITION REPORT > Exterior cases seems rather well preserved ~ Perhaps typical elements relative to age, handling and materials. ~ Not inspected internally or tested for operational functionality. The Sears Model 564 designates a line of consumer electronics produced by Sears, encompassing a range of devices from portable radios to boomboxes and even television sets. Given the broad nature of the model number, it's challenging to pinpoint specific design characteristics without additional context. However, considering Sears' position as a mass-market retailer in the mid-20th century, it's likely that many Model 564 radios embraced elements of popular design trends of their respective eras. We can anticipate influences from mid-century modernism, with its focus on clean lines, functional forms, and the integration of new materials and technologies. Streamlined silhouettes, minimalist control layouts, and the use of materials such as plastic and chrome were likely common features across various Model 564 radios. These design choices reflected a broader societal shift towards modernity, efficiency, and technological progress. The Model 564 line likely evolved over time, adapting to changing consumer preferences and technological advancements. Early models may have showcased a more classic aesthetic, while later iterations may have incorporated elements of 1970s and 1980s design language, such as bolder colors and more angular shapes. Ultimately, the Sears Model 564 radio represents a slice of consumer electronics history, encapsulating the design trends and technological innovations of its time. While individual models may vary in specific features and aesthetics, they collectively reflect Sears' commitment to providing accessible and stylish products to a wide range of consumers. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > An uncommon example of a 1970s era advertising promotional radio, mesuring 5 x 3.75 x 1.5" overall ~ A molded plastic case of green and white, featuring the PRELL stylized letter logo to the front, along with SPORTIE ~ On, off, volume, tuning and AM-FM band switches to the front, flanking the speaker ~ To the reverse a BRITISH REG. NO. 1030180 is cast in relief ~ The two part body is connected by a screw down twist knob to the rear, with a rubber gasket, resulting in a waterproof seal ~ Examining inside, the components seem clean and well preserved ~ Designed to accept two AA size batteries. CONDITION REPORT > Some settled dust to the exterior, which seems well preserved otherwise ~ Not tested for operational functionality. Prell, Prell, Prell, The green shampoo that's swell. It's concentrated, so it goes far, Leaving your hair soft as a star. Prell's story begins in 1947, when Procter & Gamble launched this unique shampoo, packaged distinctively in a tube and boasting a concentrated formula that set it apart from the competition. Its vibrant green color quickly became a hallmark, grabbing attention on store shelves and solidifying its brand identity. Early marketing campaigns emphasized the product's efficiency, highlighting how a little went a long way, and promising hair that was "radiantly alive." This resonated with consumers, and Prell's popularity soared. Throughout the 1950s, Prell rode this wave of success, expanding its reach into international markets and evolving its packaging to include plastic bottles. The brand's growth was further fueled by consistent advertising and clever marketing strategies. The 1960s and 1970s saw Prell continue its reign, introducing new formulas tailored to specific hair needs and experimenting with different scents, showcasing its commitment to innovation and staying in tune with consumer desires. However, the 1980s brought new challenges. The shampoo market became increasingly crowded, and Prell faced stiff competition from emerging brands. In response, the brand underwent various reformulations and packaging updates in an effort to stay relevant and appeal to a changing market. Despite these efforts, the landscape had shifted, and Prell's once-dominant position was challenged. In 1999, Procter & Gamble sold Prell to Prestige Brands International, marking a new chapter in the brand's history. Under new ownership, Prell continued to evolve, adapting its formulas and targeting specific hair types, such as curly and color-treated hair. While its market share may not be what it once was, Prell remains a recognizable name in hair care, its signature green color and promise of soft, manageable hair still resonating with consumers. Prell's journey is a testament to its ability to innovate and adapt in an ever-changing market. Its concentrated formula, iconic color, and memorable advertising campaigns all contributed to its success. While it has faced challenges and ownership changes over the years, Prell continues to endure, demonstrating the power of a brand that is willing to evolve while staying true to its core values. Prell's story serves as an example of how a brand can navigate the dynamic beauty industry, maintaining relevance and capturing the hearts of consumers for generations. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Likely introduced during the late 1970s or early 19802, a portable bicycle radio, measuring 4-5/8 x 6-1/8" overall, around 1.5" to the body, not including the mount ~ Hard molded tangerine orange plastic featuring a dial for AM radio stations and circular speaker ~ White modernistic lettering reads CONCEPT 2000 ~ To the reverse, Model 4472 ~ Made in Hong Kong in relief lettering, along with CONCEPT 2000 ~ Designed to accept a 9 volt battery ~ Wriststrap attached. CONDITION REPORT > Lacking lower mounting clamp ~ Perhaps typical and minor elements relative to age, use and materials. ~ Not tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > The General Electric P-825A shirtpocket transistor radio was produced also in October 1962. The General Electric P-825A came in 2 color sets. This example is molded grey hard plastic, with an ivory colored vinyl overlay to the speaker section, a gold patina metal upper faceplate. Standing 4" tall, measuring 2.5 x 1.25" overall, weighing 6.5 ozs with a small brass "bail" handle, which doubles as a table top support stand.. High impedance speaker with reed suspended between pole pieces, drives paper cone with a stylus, and is directly driven in push-pull by a pair of collectors, without an audio output transformer. One of several contemporary GE transistor radio models to employ this kind of speaker which was originally used in the 1920's because of it's high efficiency and high impedance. CONDITION REPORT > Settled dust, in need of general cleaning ~ Expect typical and minor elements relative to age, use and materials. ~ Not tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Marked under a number of different brand names over the years, produced likely during the 1950-1960s era, a UNIVERSAL branded 6-Transistor shirt pocket radio standing 4.25" tall, measuring 2.75 x 1.25" overall to the hard molded turquoise body, featuring a chromed metal vertically corrugated speaker grill ~ Volume and tuning dials to the top front ~ Ear plug jack ~ Box includes a black leatherette case branded UNIVERSALE, along with earphones and battery plug with lead ~ Also included is a 8x11 color lithographed instruciton and promotional sheet ~ The cardstock box is also branded UNIVERSAL. CONDITION REPORT > Two part case suffers from chips to one long side ~ Settled dust, in need of general cleaning ~ Expect other typical and minor elements relative to age, use and materials. ~ Not tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Measuring 4 x 4.75 x 2" overall ~ The Polaroid 600 Plus radio, a clever promotional item that allowed users to get additional value from their Polaroid 600 film packs. The film packs contained a small battery to power the camera's flash, and once the film was used up, there was still some residual charge left in the battery. Polaroid capitalized on this by creating this portable AM/FM radio that could be powered by either a fresh film pack or 4 AA batteries. This was a great way to reduce waste and give consumers an extra perk for using Polaroid film. The radio itself has a fun, retro design with bright blue and yellow accents, perfectly capturing the spirit of the Polaroid brand in that era. It's a testament to Polaroid's innovative thinking and their desire to enhance the user experience beyond just taking pictures. CONDITION REPORT > Seems rather well preserved ~ Perhaps typical and minor elements relative to age, use and materials. ~ Not tested for operational functionality. Polaroid 600 film itself was first introduced in 1981. However, it's important to distinguish between the film and the Polaroid 600 Plus camera. The Polaroid 600 Plus camera was actually a later model, released in the 1990s. So while it used the same 600 film, the camera itself wasn't marketed until later. Therefore, while Polaroid 600 film was first marketed in 1981, the Polaroid 600 Plus camera and its associated marketing campaigns likely began in the early to mid-1990s. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 4.5" tall, measuring 3 x 1.25" overall, designed to worn on a belt or waistband with a clip to the rear ~ Includes headphones, as shown ~ Noted as a model AF-21 ~ LED Stereo Indicator ~ DC-9 Volts Operated ~ Made in Hong Kong ~ Branded VERIT ~ TRUTH IN SOUND. CONDITION REPORT > Original box, packing ~ Perhaps old stock, never used. ~ Not tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 3.5" tall, measuring 6 x 1.75" overall, designed to worn on a belt or waistband with a clip to the rear ~ The General Electric Model P787A is a battery operated transitorized portable AM Receiver, perhaps first marketed in 1959 ~ Two part hard cast molded plastic, black and cream with acrylic inserts to the front ~ GENERAL ELECTRIC branding and GE logo, along with SEVEN TRANSISTOR ~ Includes a branded brown leather case. CONDITION REPORT > Appear to be lacking the end closure to the case ~ Earphones are lacking and pouch is detached to an extent ~ Expect varying elements relative to age, handling, use and intended and materials ~ Not tested for operational functionality. COLLECTING Vintage TRANSISTOR RADIOS The allure of vintage transistor radios from the 1950s, 60s, and 70s lies in their embodiment of a pivotal moment in technological and cultural history. These compact, battery-powered devices, made possible by the invention of the transistor, transformed how people accessed information and entertainment. They brought music, news, and cultural events directly to individuals, untethering them from the confines of their living rooms and fostering a new era of portable media consumption. Beyond their functional significance, these radios captivate collectors with their distinctive designs. Each era showcases its unique aesthetic, from the sleek, futuristic forms of the 1950s to the bold colors and psychedelic patterns of the 1960s, and finally to the more functional and utilitarian designs of the 1970s. These visual cues offer a tangible connection to the past, reflecting the design sensibilities and cultural zeitgeist of their respective decades. Vintage transistor radios also played a profound role in shaping the cultural landscape of their time. They provided a soundtrack to pivotal moments in history, from the Civil Rights Movement to the Vietnam War and the counterculture revolution. Teenagers tuned in to their favorite rock and roll stations, families gathered around for news broadcasts, and communities connected through shared listening experiences. These radios fostered a sense of collective identity and facilitated cultural exchange, making them far more than just technological marvels. Today, these radios are highly sought-after by collectors who appreciate their historical significance, design aesthetics, and technological ingenuity. The rarity and condition of a radio can significantly impact its value, as can its brand, model, and features. Collectors often focus on specific brands, eras, or design styles, meticulously curating their collections. Some even take on the challenge of restoring and repairing vintage radios, ensuring their continued functionality and preservation for future generations. The collection of vintage transistor radios represents a journey through time, a celebration of technological innovation, and a preservation of cultural heritage. These radios offer a tangible connection to a bygone era, when the world was a little smaller, and the power of sound was at your fingertips. Their enduring appeal serves as a testament to their lasting impact on society and their ability to transcend their original purpose as mere communication devices, evolving into cherished artifacts that evoke nostalgia, spark curiosity, and tell the stories of generations past.

SHIPPING AVAILABLE > Standing 9.5" tall, measuring 2.5" in diameter to the base, and aqua blue green glass beer bottle featuring a blob top above a ring ~ Vertical seams noted from base to below the ring, likely mold blown and produced during the 1890-1920 era ~ To the underside base, prominent initials read A. B. G. M. C. around the number appearing as 1, identifying the manufacturer as the Adolphus Busch Glass Manufacturing Company, perhaps produced at the Bellville, Illinois plant. CONDITION REPORT > Typical elements relative to early production methods, including air bubbles and straws ~ A remarkably well preserved example. The Adolphus Busch Glass Manufacturing Co. was founded by Adolphus Busch, the co-founder of Anheuser-Busch, in the late 19th century to support the growing demand for bottles for his brewing company. Busch, recognizing the importance of vertical integration, sought to control various aspects of the beer production process, including the manufacturing of bottles.   The company incorporated in St. Louis, Missouri, in 1892, and quickly expanded to multiple locations, including Belleville and Streator, Illinois. Busch's glass factories were known for their innovative techniques and large-scale production capabilities, becoming the largest bottle manufacturing firm in the world at the time.   However, the company faced challenges during the economic depression of the 1890s, leading to temporary closures of some of its plants. Despite these setbacks, the Adolphus Busch Glass Manufacturing Co. continued to operate and supply bottles to the Anheuser-Busch breweries for many years. Eventually, the company was integrated into the larger Anheuser-Busch operations, and its individual identity faded. However, its legacy remains as a testament to Adolphus Busch's entrepreneurial spirit and his commitment to controlling all aspects of his business, from brewing beer to manufacturing the bottles that contained it.

NO SHIPPING ~ LOCAL PICKUP ONLY > An outstanding example of a stained glass hanging lamp, featuring a 10” tall, 20” diameter shade, shaped in the manner of an inverted cone, exhibiting a vibrant design with predominantly green and yellow colored stained glass set with lead ~ The lower edge of the shade is adorned with a random scalloped, decorative border of green stylized leaves and flower buds, adding a touch of nature and elegance ~ Fitted with three candle lamps to the interior on a brass downrod, accepting standard base bulbs ~ Currently mounted as a hanging light fixture with a 40” long loop metal chain from a gold patina metal convex ceiling mount ~ A vintage example, not of recent production, but should not be considered as an antique. CONDITION REPORT > Settled dust in need of cleaning ~ No overt issues ~ Functional.

SHIPPING AVAILABLE > A one gallon jug, as noted to the cast relief block letters to the shoulder, of amber glass, standing 12" tall, measuring 6" in diameter, featuring a metal lithographed screw on cap depicting a little boy and girl seated alongside each other with text around the border reading NATIONAL FRUIT FLAVOR CO., INC. ~ NEW ORLEANS, LA CONDITION REPORT > Settled dust ~ Lacking paper label to the side ~ Cap shows some degree of darkening ~ Otherwise, a well preserved example. History of the National ational Fruit Flavor Co. Inc. Founded in 1917 and located in New Orleans, Louisiana, National Fruit Flavor boasts a legacy of over a century of flavor craftsmanship. This family-owned business dedicated itself to producing high-quality syrups and flavors, proudly serving the foodservice industry. All their products were manufactured in the USA. Their extensive catalog catered to a variety of tastes and applications, with notable brands like Zodiac Daiquiris, Snoball Snowball Concentrate and Syrups, Tasty Syrups, National Brand Syrups, and Old Comiskey Bar Mixes. While National Fruit Flavor has recently ceased its independent operations, their commitment to quality and flavor lives on. They have licensed their cherished formulas for several of their popular products to Grapette International, ensuring that these beloved flavors continue to be enjoyed by consumers. National Fruit Flavor Co. Inc. holds a special place in the history of flavor manufacturing, particularly in New Orleans. Their dedication to excellence and their enduring recipes continue to influence the industry through their partnership with Grapette International.

SHIPPING AVAILABLE ~ Standing 8.5" tall x 6.5" square, with rounded corners, a clear glass display jar with a lithographed tin screw top, along with the original cardboard box ~ To the box, a depiction of a squirrel, with text reading DISPLAY JAR ~ SQUIRREL BRAND ~ 36 BAG JUMBO SALTED PEANUTS ~ MANUFACTURED BY SQUIRREL BRAND ~ CAMBRIDGE MASS ~ To the lid, comparable graphics and text, obscured in part by extensive rust. CONDITION REPORT > Extensive surface rust to the lid ~ Cardboard box suffers from panel loss at top and perhaps other elements ~ No overt damage to glass ~ Dusty, in need of a simple cleaning. Squirrel Brand Peanuts boasts a rich history that stretches back to the late 19th century, deeply entwined with the city of Cambridge, Massachusetts. Origins: Although associated with Cambridge, Squirrel Brand's roots trace back to 1888 in Roxbury, Massachusetts, where it began as the Austin T. Merrill Company. Name Change and Growth: In 1899, the company was incorporated as the Squirrel Brand Salted Nut Company, marking the start of its iconic brand identity. Move to Cambridge: As the company expanded, it relocated to Cambridge in 1903, eventually settling into its longtime home on Broadway Street in 1915. Early Distribution: In its early years, Squirrel Brand's mixed nut varieties were sold door-to-door by Perley G. Gerrish, one of the company's owners, using a horse and wagon. Expansion and Legacy: The company thrived in Cambridge for over eight decades, becoming a beloved local institution. Its products even reached notable heights, accompanying Admiral Richard Byrd on his South Pole expedition and being shipped worldwide during World War II. Product Range: Besides peanuts, Squirrel Brand was known for various candies, including the popular "Squirrel Nut Zipper" taffy. Ownership Changes and Closure: The company remained under family ownership until 1997, when it was sold following the death of Hollis Gerrish, the son of the founder. Operations eventually moved to Texas, and the Cambridge factory closed in 1999. Present Day: While the physical presence in Cambridge is gone, the Squirrel Brand continues today under the ownership of Necco, producing its signature Nut Zippers and other candies. In summary, Squirrel Brand Peanuts represents a legacy of quality and tradition, deeply rooted in the history of Cambridge. From humble beginnings to a renowned brand with global reach, Squirrel Brand's story is one of entrepreneurial spirit, resilience, and the enduring appeal of a classic snack.

SHIPPING AVAILABLE ~ A group of several Pepsi-Cola advertising promotional items, as follows > #1 > Extra large Pepsi-Cola applied color graphics clear beverage glass, standing a notable 7" tall x 3.5" in diameter. #2 > Magic PEPSI PARTY PAK by CHILTON GLOBE for AGES 3 & UP ~ Plastic party plates, cups and bottle in original plastic packaging #3 > Magic DIET PEPSI PARTY PAK ~ Same as #2, except different branding #4 > DIET PEPSI ~ YOU GOT THE RIGHT ONE BABY ~ DANCING CAN ~ Battery Operated ~ Not tested for functionality.

SHIPPING AVAILABLE ~ A group of 7UP branded soft drink advertising and promotional items, as follows > A box of -4- clear glasses, inverted in style, featuring the 7UP logo and The Uncola applied color label graphics ~ Glasses stand 5.75 tall on a 3" diameter base ~ Retained in the original highly lithographed carton A plush doll, retaining the original lithographed cardstock backer package reading 7UP on the SPOT ~ See Spot Stick Spot, often referred to as "Cool Spot," was the official mascot for 7UP in the United States from 1987 to the mid-1990s. He was a red dot with sunglasses, gloves, and shoes, directly inspired by the red dot in the 7UP logo.   Spot was known for his energetic personality and his signature catchphrase, "Uncola." He appeared in various television commercials, print advertisements, and merchandise, often engaged in fun activities and promoting the refreshing qualities of 7UP. Beyond traditional advertising, Spot also starred in several video games for various consoles like the Sega Genesis and Super Nintendo. These games further solidified his presence in pop culture, particularly among younger audiences. Spot's popularity peaked in the early 1990s but eventually faded as 7UP shifted its marketing strategy. Despite this, he remains a nostalgic figure for many who grew up during that era, representing a fun and energetic period in 7UP's advertising history. CONDITION REPORT > Vintage, mint condition ~ No overt issues.

SHIPPING AVAILABLE > Measuring a notable 24 x 7" overall, a flexible clear acrylic sign panel featuring applied graphics depicting the DRINK Coca-Cola fishtail logo flanked by horizontal green bands ~ The fishtail design is slightly convex ~ Likely intended for mounting to a light box, or use as a menu board panel or vending machine insert. CONDITION REPORT > A small fracture just to the left of the lower fishtail point ~ Otherwise, settled dust.

SHIPPING AVAILABLE > Measuring close to 5" long, a nickel silver ladies cigarette holder featuring a black hard enameled decoration head, varying from a swirl to a design perhaps in the manner of the traditional Batman logo ~ Quite unique. CONDITION REPORT > Solid and substantial ~ Used, remaining well preserved. Cigarette holders and ladies have a fascinating history intertwined with changing social norms and fashion trends. Early 20th Century: Initially, smoking in public was considered improper for women in America. However, after gaining the right to vote in 1920, women began challenging societal expectations, and smoking became more commonplace among younger generations. Cigarette holders emerged as both a practical and fashionable accessory. Practical Purposes: Cigarette holders served several functions for women. Primarily, they prevented ash from falling onto clothes, especially as women didn't typically wear smoking jackets. They also helped prevent tobacco flakes from being inhaled, as filtered cigarettes hadn't been invented yet. Fashion Statement: Cigarette holders quickly evolved into elegant and often feminine accessories. They came in various sizes, styles, and designs, reflecting different occasions and personal tastes. Some were made from precious metals and adorned with jewels, while others featured intricate carvings or enamel work. Symbol of Sophistication: In the 1920s, '30s, and '40s, cigarette holders became associated with sophistication, glamour, and independence. They were frequently seen in the hands of Hollywood starlets and fashionable women, further cementing their status as a desirable accessory. Decline in Popularity: With the rise of filtered cigarettes and changing attitudes towards smoking, cigarette holders gradually fell out of fashion in the latter half of the 20th century. However, they remain a symbol of a bygone era and continue to be appreciated for their historical and aesthetic value. Today, cigarette holders are primarily collector's items or used for costume purposes. They serve as a reminder of a time when smoking was intertwined with social rituals and fashion trends, and when women used these elegant accessories to express their individuality and challenge societal norms.

SHIPPING AVAILABLE > A group of -4- Coca-Cola branded advertising and collectible items, as follows > #1 > 1993 Vintage ~ Plush Elephant on Original Cardstock Box Display ~ Mint Condition #2 > 1972 Advertising Calendar ~ Complete and Intact #3 > Coca-Cola Design Wallpaper Border Roll ~ 5 Yards x 8.5" Tall ~ Mint in Sealed Package #4 > The Chronicals of Coca-Cola ~ Since 1886 ~ Lithographed Cardstock Covers ~ History of Coca-Cola "The Chronicle of Coca-Cola Since 1886" is a commemorative publication highlighting the history and milestones of the iconic beverage company, Coca-Cola ~ It provides a historical overview, chronicling Coca-Cola's journey from its inception in 1886, showcasing its evolution, growth, and impact on popular culture. There might be special editions, particularly one released in 1986 for the company's 100th anniversary. The content is expected to be a mix of text and images, including historical photographs, advertisements, and possibly stories about the people and events that shaped Coca-Cola's legacy.

SHIPPING AVAILABLE > A group of -3- glass Coca-Cola collectibles, including two large beverage pitchers and a nostalgic glass, as follows > #1 > Vintage 1970s Heavy Glass Coca-Cola Two Quart Ice Lip Pitcher with Repeated Red Diamond Coke Stylized Logo Design ~ Made by Indiana Glass ~ Standing 9" Tall ~ Measures 5" in Diameter #2 > Vintage Glass Coca-Cola Two Quart Pitcher Presented in the Manner of Stained Glass ~ Stand 10" Tall ~ Made by Libbey Glass #3 > Reproduction of a Turn of the Century Flaired Soda Fountain Glass with Advertising ~ Made by Libbey Glass and Sold Exclusively by the Coca-Cola Company Archives. CONDITION REPORT > Appearing as well preserved examples without the common fading of the hard fired applied color label graphics ~ No damage or overt issues.

SHIPPING AVAILABLE > A group of Coca-Cola, Tab and Mountain Dew Glasses, as follows > (1) MOUTAIN DEW Goblet ~ Standing 6" tall, measuring close to 4" in diameter, featuring the Hillbilly characted with graphics reading ~ IT'LL TICKLE YOUR INNARDS! (2) COCA-COLA Tumblers ~ Issued in 1995 ~ Produced by Indiana Glass ~ Each glass holds 16 ounces, measures 6 inches tall x 2 ¾ inches in diameter at the top ~ The "Always Coca-Cola" campaign that ran from 1993 to 1999. While the campaign featured various iconic designs, one of the most memorable was indeed a smiling sun enjoying a Coca-Cola. (1) TAB 7" Tall Hourglass Shape Tumbler ~ Tab, Coca-Cola's first diet soda, was introduced in 1963. It was discontinued in 2020 CONDITION REPORT > No over issues ~ No damage ~ Well Preserved Examples ~ Perhaps some settled dust

SHIPPING AVAILABLE > A group of -3- matching glass tumblers ~ The 75th anniversary glasses from the Houston, Texas Coca-Cola Bottling Company are commemorative glasses produced in 1977 to celebrate the company's 75th anniversary. These glasses are collector's items and feature unique designs related to the anniversary and the Houston Coca-Cola bottling plant.

SHIPPING AVAILABLE > As shown, marketed in 1986, telephone in the manner of a Coca-Cola Cup, retained in the original package. This is a corded telephone, as indicated by the packaging which mentions a FULLY MODULAR PLUG LINE CORD and an EXTRA LONG CORD. It features a push-button keypad, described as an OUTPULSER-PUSH BUTTON KEYBOARD. This phone includes some standard features for the time, including AUTO-LAST NUMBER REDIAL and a MUTE/PRIVATE (MIC-SHUT-OFF) KEY. Additionally, it boasts a built-in lightning protection circuit and was FCC APPROVED and LISTED, which was crucial for telecommunications equipment sold in the US. CONDITION REPORT > Not tested for functionality.

SHIPPING AVAILABLE > Measuring around 6" in diameter, slightly raised with a scalloped border, a clear glass dish in the manner of stained glass, with graphics around a 75th Anniversary design at center, reading > 1903 ~ 75 YEARS OF BOTTLED REFRESHMENT ~ 1978 COCA-COLA BOTTLING COMPANY OF NORTHEAST ARKANSAS CONDITION REPORT > A notably well preserved example ~ No overt issues ~ No damage. The fourth generation of the Meek family ownership runs the Fort Smith company now, and the company itself is one of approximately 50 privately-owned Coca-Cola bottlers still in existence. The Meek family were entrepreneurs in the farming, candy, confection and real estate businesses in the 1800s. James and Robert Meek, brothers, became partners starting a wholesale and jobbing candy company at Sixth and A Streets around 1892, later starting the manufacture of candy. The J.W. & Robert Meek Candy Company dissolved and ceased operation in 1927. In 1895, the brothers expanded their business with the purchase of the D.J. Young Bottling Co. from J.D. Elliott. This business also included the Fort Smith Bottling and Candy Company. A three-story building was constructed in 1899 at South Second Street and Rogers Avenue to be the home of J.W. and Robt. Meek Manufacturing Confectioners and the Fort Smith Steam Bottling Works. It was directly across from Judge Parker's courtroom, which had only been closed for a few years. In 1903, J.W. and Robert Meek acquired the right to bottle Coca-Cola as a sub-bottler from M.W. Fleming of Little Rock. In 1907, they purchased the exclusive right to bottle Coca-Cola from M.W. Fleming for $1,500. Before 1915, deliveries of Coke were made by horsedrawn vehicles. The first trucks were purchased around 1915. The Coca-Cola Company is located now at 3600 Phoenix Ave. in Fort Smith. They moved from their downtown location in 1980.

SHIPPING AVAILABLE > Likely promotional or advertising items, a group of -4- plastic double wall insulated hot beverage mugs, useful for coffee of hot chocolate, but also suited for keeping a beverage cold ~ An overall red and white design featuring DRINK and ENJOY COCA-COLA graphics. CONDITION REPORT > Vintage, however mint condition, retained in the original plastic wraps, as shown ~ Never removed, with some syrup residue to the exterior of the bags at the base, as discovered on a shelf.

SHIPPING AVAILABLE > A hardwood two-tier shelf measuring 28" wide x 14.25" tall, around 6" deep, varying to the scalloped front edges ~ Fitted with a pierced crown and supported by twisted manner upright columns ~ An ideal wall shelf for displaying small decorative objects, curios, statues, photos, or collectibles. CONDITION REPORT > A well preserved example ~ No overt issues or damage.

SHIPPING AVAILABLE > This unique shape pf this store display jar exemplifies the popular Streamline Moderne design aesthetic prevalent in the 1930s and 1940s, emphasizing aerodynamic curves and sleek lines, conveying a sense of modernity and speed ~ Measuring 10" tall x 5" wide x 8" deep overall, made of heavy clear glass with cast relief stylized letters to the front panel reading PLANTERS ~ To the underside, cast relief lettering reads PAT APPLD FOR ~ STREAMLINE JAR ~ MADE IN U.S.A. Note the metal cover or lid shown is not original to this style jar and is slightly larger in diameter than the top opening. CONDITION REPORT > Lacking original metal lid ~ Otherwise, a well preserved example ~ No overt issues or damage.