Height: 72 in x width: 43 in x depth: 37 in. Tom Holland (American, b. 1936). Large steel sculpture titled "Pino" depicting abstracted interlocking vase-like forms painted in bright colors, 1985. Signed, titled, and dated along the edge of one of the forms. There are no bends, breaks, or losses. The sculpture is structurally sound and stable. Very light wear throughout. No major losses or signs of wear to the painted decoration.

26" x 11”, each Matched Pair Murano/Venetian glass mirrors. Early 20th C. Featuring etched images of a Signorina and her Galante Signore. Further decorative etching of scrolls and arabesques at top and bottom. Beautiful hand-formed Murano glass framing with flowers. leaves, twist rods, C and S scrolls, and other decorative elements. The mirrors are complete; no missing parts. Likely assembled by SALIR (Studio Arts Labor Industrie Riunite) Murano. Acquired in France. Glass framing has repaired breaks in five places. One break to the upper left corner of the women mirror. General wear to mirror and frame from age and use.

20.5" x 24.5". Framed and matted watercolor and pencil illustration on paper by Odilon Roche (French, 1868-1947), an artist heavily influenced by the sculptures of his peer Rodin. This artwork depicts a couple lying together in an embrace. Signed O Roche and dated 1934 in the bottom right. Comes with artist biography and certificate of authentication as well as a photograph of the artwork. Some general wear to frame.

25"H x 13"W x 6"D. Austrian Biedermeier portal mantel clock with burlwood veneer, parquet-style inlays, marble columns, a mirrored backdrop, and brass gilt decorations, topped with a brass eagle finial. The clock is built in an architectural style, with miniature stairs flanked by marble columns and inlaid wooden floors wrapped in mirrors to give the appearance of a large room. Wear includes some loose gilt pieces and some spots of discoloration or cracking to the burlwood veneer and the back wood panels, as well as some cracks and discoloration on the clock face. Comes with a key, and the pendulum and other components appear to be attached and in relatively good condition given age. However, this clock has not been tested for functionality and it is possible it would need work in order to function. Sold as is.

38" x 14" dia. Ornate antique Victorian parlor oil lamp with sunflower nouveau-style brass frame design and green-white frosted hobnail glass shade. Internal hurricane shade and oil reservoir with wick. The lamp is in good condition given its age, some minor tarnish and discoloration to the brass and some oxidation to the hook on top. Not converted to electric. Not tested, as is.

41" x 14" x 11". Antique, likely from the 19th century, large saint/santo bulto carved wooden figure of the Madonna/Virgin Mary with dark hair, darker-toned skin, brown glass eyes, standing on a cloud-like form with the faces of angels around the base. She stands with her hands crossed over her chest. This piece is in good condition given age, with wear including discoloration and fading to the paint, residue, and some vertical cracks along the robe and base.No significant loss. Likely carved form a single block of wood.

39” H x 18” W x 8” D. Marble sculpture and stand circa 2001. An aesthetic homage/interpretation of the Aztec statue Coatlicue. Separate marble base. Provenance: Property from a Distinguished Corporate Collection. General wear.

33"H x 10" Dia. Probable depiction of god Caishen. Carved wood, gesso, lacquer, reflectors, and animal hair. Carved from a single piece of wood. Dressed here in his elaborate New Year’s robes with animal hair beard and elaborately colored, Feng Shui mirrored, and robes. Painted polychrome and decorated with mirrors. Large opening in rear for mounting on a shrine. Wear consistent with age throughout including loss of finish in areas.

6 1/4"H x 6 1/4"W x 2"D (curve). Antique tortoise shell hair comb with ornately carved floral decoration throughout the crown. 1 area of the comb is cracked and has been repaired with staples, as well as several small nicks, chips, and losses throughout the teeth and decoration of the comb. Other minor cosmetic imperfections consistent with age and use. Sold as is.

22 1/4"H x 25 3/4"W. Oil painting on canvas depicting a manor in the serene French countryside titled Les Damps, Eure by Andre Bouquet. Signed in lower left and dated 1963. Some discoloration or staining to the upper section of the work. Some small areas of paint cracking. Some discoloration and small chips to the frame.

2"H x 9 1/2"L x 8"W. Footed rectangular dish marked "Davenport Longport Staffordshire" with gilt decoration. Mark indicates England, 1870-1886. General wear including some fading/loss of gilt finish, slight yellowing, and some crazing. Overall quite nice given their age.

9"H x 8" W at handles. Marked with the double L monogram of Louis XVI with a capital letter A. MArks indicate production date of 1753. Blue Lapis ground with exquisite images of cherubs in white and on the reverse a classical amphora, a dish, and laurel branches. Gilt pineapple finial. The painter's initial S underneath the double L monogram is attributed to Meraud, Pierre-Antoine. No incised marks noted. Old repairs including the finial and pedestal base being reattached and painted over. Wear to gilding. A crescent shaped hairline crack shows on the inside of the vase. Two minor edge chips.

3"H x 16 3/4"W x 9 1/2"D. Antique double-lobe majolica tray attributed to George Jones in the 'Chestnut' pattern - a large chestnut leaf with pink and ochre chestnut flowers at the base of the curled handles. Wear consistent with age including a small chip on the foot of the piece and a small glaze crack. Pattern number is smudged.

10.5"H. Antique, likely around 1890 porcelain vase signed Ernst Wahliss. Deep green background with lovely portrait of a Victorian style young woman playing cello. Gold accents around base and below upper rim. Gold on rim and neck opening. Some wear to gold on the rim. Red Vienna EW stamp and marked Made In Austria on foot. Impressed marks 5643 & 23. Blue mark 138. No apparent chips, cracks, or repairs.

135"H x 15"W x 15"D. Large ceramic sculpture by Minnesota artist Russ Vogt, consisting of 19 large handmade and glazed ceramic pieces threaded onto a tall steel pole, including colorful abstract forms and the heads of a wolf and bird. Intended as outdoor installation, with the bottom portion of the pole being staked into the ground. Note: This item will require the buyer to make special shipping arrangements because of the length of the central pole. Please contact us before bidding with any questions or concerns.

9" diameter x 1.5" height. William Adderley, Longton, Staffordshire, England, circa 1880, for the French market. A transfer printed pattern of floral sprays dot an open clam shell, asparagus spears lay across the center of the plate. Hand painted decoration mimics the hinge of the shell. Marked with a stamped Floribella, the name of the pattern, WAA with the Adderley mark of a tall ship in a chain circle. Impressed IVORY and stamped Dépose, for import to France. General wear including mild darkening and crazing.

8.5" x 3.25" dia. Canon EF 70-200mm f/2.8L Ultrasonic Zoom Lens with tripod mount ring. Versatile telephoto zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 112-320mm equivalent focal length range. This lens is also a sport lens and is sealed against dust and water for outdoor use. Lens is in good condition with only some minor wear to the body/exterior.

10" x 3" x 2.5". Ancient terracotta hollow cast Tanagra female Greek classical Hellenistic figure, possibly of a goddess or holy figure. Likely 3rd to 1st century BC. Depicts a woman in classical dress with a veil standing in the typical kore position. The figure has lost detail due to age, and finer features such as the nose and details of the hair and clothes have eroded with time. A crack to the base of the neck has been repaired and concealed with grout or similar. There is some spots of putty residue on the base, likely for mounting the figure to a table.

10 1/2"H x 9 1/2"W x 3"D. Abstract bronze sculpture from Greek artist Evangelos Moustakas, dated 1968. Mounted to a creamy white marble or similar stone base. Signed and dated on back of sculpture near top. General wear, slightly loose on stone base.

5"H x 7.5"W x 5"D. Bronze sculpture in the form of 4 abstracted figures. Initialled and dated on the back, likely 1966. Attached to gray marble or similar stone base. One partial crack forming in stone base. General wear throughout, slightly loose on stone base.

5" x 2.5" diameter. Small green vintage Rookwood pottery amphora style vase with two small handles. Marked XXXI and 6077 alongside the Rookwood mark on the underside. Minor general wear.

Gross weight: 8.3 g. US ring size: 5. (Engagement ring central diamond) height: 5.75 mm x width: 5.7 mm x depth: 3.12 mm; total est. carat weight is .62 carats. (Engagement ring side diamonds) diameter ranges from 1.8 mm to 2.1 mm; total est. carat weight is .36 carats. (Wedding ring diamonds) diameter ranges from 2.4 mm to 3.1 mm; total est. carat weight is .35 carats. Total weight of all diamonds is est. 1.33 carats. Vintage diamond wedding and engagement ring set, soldered together as one ring, likely ca. 1920s to 1940s. The engagement ring is platinum; stamped along the interior. The engagement ring is set with a circular brilliant-cut central diamond set in a square four-prong crown. There are six mixed-cut diamonds along both sides of the central diamond set in four-prong fishtail mountings. The wedding ring is 14k white gold; stamped along the interior. The wedding ring has a row of six round brilliant-cut diamonds, each set in a four-prong fishtail mounting. There is a temporary sizing band affixed near the bottom.

9" x 6" x 4.5". Antique brass and red and blue double dragon cloisonné design with dragon form brass handles and feet. Wear includes tarnish and discoloration to the brass as well as some minor surface wear to the enamel and some interior residue.

22" x 10" dia. Vintage, possibly antique. Beautiful bohemian chartreuse glass globe lantern with painted gold leaves and flowers as well as different colored crystalline medallions. Electrified with bulb, appears to have previously been a kerosene lantern. Minor wear, some dust, discoloration, and minor surface wear. Tested, functional.

13" x 17.5" each. Four antique etchings, unframed. Pierre Salvy Fred. Teyssonnieres after Alexandre-Gabriel Decamps. Etching on laid paper after an 1839 Decamps artwork titled "Samson Destroying the Philistines" depicting a biblical fight, 1883. Signed in plate by Teyssonnieres along the lower right of the image. Decamps signature and date in plate along the lower left of the image. // Claude Faivre after Gerard ter Borch. Etching on laid paper after the ter Borch painting titled "Young Lady at her Toilet" depicting three figures in a bedroom with a small dog, 1883. Signed in plate by Faivre along the lower right. // Adolphe Lalauze after Jean-Louis-Ernest Meissonier. Etching on laid paper after an 1869 Ernest Meissonier painting titled "Playing Bowls at Antibes" depicting an a group of figures playing a ball game outside city walls, 1883. Signed in plate by Lalauze along the lower right. Meissonier signature and date in plate along the lower right of the image. // Eugene-Andre Champollion after Maria Josep Maria Bernat Fortuny i Marsal "Mariano Fortuny" or "Maria Fortuny". Etching on laid paper after a Fortuny artwork titled "Choosing the Model" depicting a group of men in a salon observing a nude female model, 1883. Signed in plate by Champollion along the lower right. Fortuny signature in plate along the lower right of the image. Each etching is numbered in pencil in the corner. Minor wear otherwise.

18"H x 9"W x 6"D (includes base). Zapotec pottery item, likely a funerary urn missing the bottom, mounted on a black wood base. Piece shows signs of age throughout and has evidence of repairs and some old losses.

15 x 9.5". Impressed marks and crown number 3026. 1899-1900. Elaborately decorated with gilt roses and foliage. Riessner, Stellmacher & Kessel. In the style of the Edda line.

4 1/2"H x 2"Dia. Set of four sherry glasses from French maker Baccarat. Each glass marked 'Baccarat France' on the bottom. Minor general wear.

9”Height x 4 3/4”Diameter. Pair of Steuben single candlesticks with a central suspended teardrop bubble in the body, and the signature along the bottom of each. Light wear that is consistent with use, including light surface scratches.

9”H x 8 3/4”W x 5 3/4”D. Steuben Wide-Mouth Pitcher with Flared Handle. Signature along the base. Wear is consistent with use and includes scratches and rubbing.

38" x 12.5" x 9". Saint/santo bulto hand carved and painted wooden folk statue, depicting Mary or possibly another female Catholic saint. Likely of European make from the 18th or 19th century. The figure is somewhat flattened on the back for positioning against a wall, and a hook and notch on the front of the base implies that another figure or component of the sculpture once rested in front of the female figure. Statue was likely used in a church for a period of time. Wear includes some paint chipping and discoloration as well as some minor scuffs and chips, though paint is generally in good condition given age.

12"H x 6"W x 5 1/2 D. One porcelain figurine of a harlequin with a teacup, likely Italian ca. mid-20th century. Unmarked. No major losses, cracks, or repairs. Light wear and dust gathered throughout.

7.5" x 6.5". Byzantine Christian iconographic plaque (of vintage contemporary make in Greece) made of silver 950 and 24 carat gold. The faces of the figures are hand painted. Text on front in Greek. Silver mark on the lower right side for NP. Sitcker on verso from NP states silver 950 and 24k gold used, as well as the icons being hand painted. Minor general wear.

34.5" x 9" x 7". Antique hand carved and painted unique wooden spirit santo bulto sculpture, depicting Christ wearing a crown perched atop a series of other biblical figures including winged angels, a skeleton, a snake, and large eyes on the front and back. There is also a large cross carved on the back. The sculpture was carved from a single log and there are cracks due to age running vertically from the base as well as significant chipping and discoloration to the paint. Unsigned. Likely 19th century.

37" x 11" x 10". Antique Spanish Colonial / Latin folk art santos sculpture hand carved of wood and painted, depicting Mary holding infant Jesus. Carved from a single block of wood. Unsigned. Wear includes vertical cracks in the wood as well as some chips and loss, and fading and chipping of the paint.

72"H x 67"W x 0.75"D. Chinese 4-Panel Coromandel screen with hardstone embellishments, 19th or Early 20th C. Chinoiserie black lacquer on hardwood with gold enamel decorative painting on the verso. Brass wrapped feet. Some hardstone pieces have some chipping and/or cracking. Several pieces have been reattached. Some missing hardstone pieces and other general wear from age and use.

22.5" x 8" x 5". Antique German or possibly other European hand carved wooden saint sculpture depicting Mary and infant Jesus. Probably 19th century. Carved from four slabs of wood glued together, some slight separation between boards due to age. Signed E.F. on bottom. Unpainted. Other wear includes residue, discoloration, and the back corner of the base appears to have broken off.

28" x 94". 18th C. printed Javanese Ikat ceremonial shoulder cloth, or Selendang, hand-stamped and painted on cotton. Mounted on custom stretcher.

11.5" x 13" x 6". Large cast bronze or brass swan planter with a natural patina from oxidation. Planter has heavier oxidation/patina on the inside than on the outside. Some minor surface wear besides.

2 1/2”H x 10 1/2”. Art Deco uranium glass bowl with a foot and a gilt arabesque design around the rim. . Wear includes scratches and is overall consistent with age.

Set of 6 5.25"H wine glasses and a single 4"H glass. Minor general wear throughout. Unmarked.

Tallest: 15"H. Group of 7 pottery items including an 8" Clewell pottery vase and several other signed studio pottery pieces. Clewell vase minor general wear, other pieces have general wear including some small chips.

8”Diameter x 3/4”Depth, each. Hutschenreuther Selb and Pasco of Bavaria, Germany six piece set of dinner plates, each with gold edging and featuring a different fruit in the center. Wear is consistent with use and includes scratches and wear to the gold decoration.

12 1/2”H x 8 1/4”W x 4”D. Black smoothed ceramic Mexican U-shaped vase depicting a mermaid or the sea goddess La Sirena. Wear is consistent with use and includes a break to the neck of the ukulele, a loss under the ukulele, and small chips throughout.

7.5"Height X 5"Diameter. Black clay pitcher featuring a black slip floral motif decoration in a Mexican style. Wear is consistent with use and includes scratches, scuffs, and small chips.

9.5"H X 14"W. Polychrome italian wood carving - possibly a cart axle or architectural piece. Wear throughout consistent with age and use including cracking in wood. One section off wood is detachable from the rest.

16 1/4"H x 13"W. Robert Kilbride (American, 1924-1998). Color woodcut print on paper titled "Sacre Coeur, Paris", a illustrative depiction of The Basilica of the Sacred Heart of Paris. Pencil signed "Kilbride" in lower right. Some buckling to the lower portion of the print. Some staining to the lower edges. Some yellowing to the matting throughout.

16"H x 12"W. Mark Tobey (American, 1890-1976). Lithograph or similar print on paper depicting an illustrative style portrait of a woman. Print signature on the plate and hand signed below. Some yellowing to the paper throughout. One loss to the lower left corner. Some staining to the left edge.

23"H x 20"W. Mixed media collage on paper by Robert Barber. Printed watercolor and acrylic background with adhered geometric paper and ink details. Signed in lower right. Some yellowing to the edges of the mat. Some staining or discoloration to the mat. Some undulation to the upper portion of the page. Some staining from paper tape.

76 grams. 8"H x 6"W. American picture frame made of sterling silver. Black felt backing. Marked on lower edge "Sterling, 6". Some breaks to the glass. Smudging to the silver and glass. Some scratches to the metal. Minor cosmetic wear.

188 grams. 1 1/2"H x 6 3/4"W x 4 1/2"D. Sterling silver porridge bowl from Robert Ensko Inc. made as a reproduction of a Hull and Sanderson porridge bowl circa 1655. Pattern model 1212. Round bowl with pierced circular handle, monogramed WWC. Includes Ensko bag and box. Additionally, a card with possibly further provenance. Marked on underside. Some tarnishing and oxidation throughout. Some scratches throughout. Minor cosmetic wear.

44 grams. 2 1/2"H x 3 1/2"W x 2 1/2"D. Solid sterling silver child's youth cup from Wallace monogramed "ELC" and "7-7-97". Marked on underside "Wallace Sterling" with Wallace mark and "925". Some smudging and small scratches to the metal. Some minor tarnishing to the area between the handle and the upper rim. Minor cosmetic wear.

PENDANT: 1 3/4"H x 1 1/2"W x 1/2"D. OVERALL: 11 1/2"L. Modern orange corded necklace with carved yellow jade smiling Buddha pendant. Some dust residue. Some small cracks, one on the upper lip, possibly one along the edge of the right side. Some natural cracking to the pendant. Some minor fraying to the cord. Wear is consistent with use.

7"L x 3 3/4"W. Neolithic style jade artifact in the shape of an adze or axe head blade. Flat, rectangular shaped with flared end and rounded edges. Circular incision toward the top, most likely to attach it to a handle or stick of sorts. Some natural cracking throughout. Some small areas of residue. Some possible small chips around the edge. Minor cosmetic wear.

EACH: 7"H x 1 1/4"W x 1"D. Group of eleven southeast Asian, most likely Chinese, jade carving statues of women holding objects--possibly instruments. Each women has her hair tied up in a bun and holds an object close to her chest. Some natural cracking to the stone throughout. Some statues have larger chips or scratches especially to the back side. Some possible discoloration or residue throughout.

9"H x 5 1/4"W x 5 1/4"D. Bronze figural sculpture after and in the style of the iconic Salvador Dali. This breathtaking bronze sculpture portrays an abstract representation of a woman seated on bent knee, with her head gently resting on one knee. The focal point of the sculpture is a long stem of leaves that rises gracefully from the center of the piece. The lines on the leaves are in stark contrast to the wavy lines sculpted on the woman's hair, creating a striking visual contrast. Cast bronze sculpture on a marble base. Signed on lower back "Dali". Some small areas of staining through, specifically on the back and sides. Some scratches to the metal and stone. One small chip to the back right corner of the base.

3 1/4"H x 5 3/4"W x 2 3/4"D. Blown, clear glass bulbous fish sculpture by Murano trained glass artist Licio Zanetti. Signed on underside. Some imperfections from the glass blowing process. Some small scratches near the tail fin. Some possible dust residue or smudging throughout. Minor cosmetic wear.

4.5" x 2.5" dia. Lalique Crystal France collectible figurine of Leda and the Swan from Greek mythology. Signed Lalique France along the bottom edge. Some small marks to the glass at the top of her head and along the bottom rim, as well as a few other minor surface marks.

10" x 6" x 5". Female hooded warbler perched on Cherokee rose porcelain figure by Dorothy Doughty for Royal Worcester, made in 1961. Intricate porcelain piece with a wooden base. Marked on underside of porcelain. Minor general wear, no cracks or breaks to the porcelain.

12" x 6" x 6". Male hooded warbler perched on Cherokee rose porcelain figure by Dorothy Doughty for Royal Worcester, made in 1961. Intricate porcelain piece with a wooden base. Marked on underside of porcelain. Minor general wear, no cracks or breaks to the porcelain.

4" x 5" x 2" each. Pair of antique Chinese Qing dynasty soapstone figures, depicting two seated men with expressive faces. One holds a child and the other holds a book and fan. Minor general wear, good condition for age. No major chips or losses that would affect the overall appearance of the items. Both are lightly discolored consistent with age and use. Both show natural lines as shown in the images.

2" x 5.75" dia. and smaller. Two early Chinese Song dynasty style items with celadon glaze, including a foliate rice bowl with kintsugi repair to formerly chipped edge and a Guan ware crackle glaze bowl with a dark purplish brown foot common with these pieces. Minor wear given age, some texture and crazing to glaze of the rice bowl due to handmade quality and some gold filling along the rim as a repair to a chip. Guan piece is unmarked, kintsugi piece may have a faded/illegible marking on the underside.

15" x 3.25" x 1.5". Antique, likely 18th or 19th century, brass toned Paktong alloy etched Chinese smoking water pipe. Beautifully etched with repeating bamboo motifs around the body and neck. Components include long neck for smoke inhalation, bowl and down stem, and storage compartment. Two small pieces have compartments on either side, likely for cleaning or perhaps for extending the mouth piece. Piece is in very good condition given age and wear includes some residue and potential oxidation inside the storage compartment as well as minor surface wear to the exterior.

36 3/4"H x 16 3/4"W. Lucia Gertrude (Trudy) Zastera Morgenstern (American, Jackson, MI, 1929-1991). Oil painting on canvas depicting a young red-headed boy holding a black cat. Marked in lower left. Some areas of paint loss or fading along right edge. Some scuffs, scratches, and staining to the frame.

25 1/2"H x 37 3/4"W. Lucia Gertrude (Trudy) Zastera Morgenstern (American, Jackson, MI, 1929-1991). Oil painting on canvas depicting a young red-headed boy coloring on the floor with his head in his hands. Marked on lower left. Some minor paint loss or chips toward the upper portion of the work. Fading to the finish of the frame as well as scuffs and scratches.

27"H x 27"W. Henry C. Pearson (American, North Carolina, 1914-2006). Silkscreen print on paper circa 1970 depicting a large red circle with black distorted lines filling the circle. Signed in lower left. ed. 48/175. One larger crease to the lower left. Some light creasing or similar to the edges of the paper. Minor cosmetic wear.

38 3/4"H X 29 1/2"W. Henry C. Pearson (American, North Carolina, 1914-2006). Silkscreen print on paper circa 1970 depicting an abstract tree-shaped form in dark green against a bright, light green background. Decorated all over with distorted lines. Signed in lower left. ed. 125/200. One small tear to the right edge. Some heavy creasing on the upper right edge. Some undulation throughout. Some discoloration or staining to the border of the print. Minor cosmetic wear.

31" x 11" x 6". Beautiful Spanish Colonial antique Saint Michael the Archangel carved and painted wooden Catholic folk sculpture/statue with glass eyes. Possibly 18th-19th century though may date to earlier. Figure is depicted wearing a blue tunic and has dark hair with gilt details such as the belt and brooches along the bottom of the tunic. Missing one wing as well as the left arm, which originally would have held a sword, and a finger from the right hand. Part of the bottom edge of the tunic appears to be missing as well. May have once been wearing a crown or head piece based on a line of discoloration around the head. Pieces are no longer with the sculpture. The paint, though still relatively vivid in color, especially the blue, is wrinkled/textured due to heat exposure and age and the gilt paint has faded. The sculpture appears to have been repainted multiple times, as multiple colored layers can be seen and the the piece was likely painted green and yellow prior to the color it is now. Other wear includes discoloration, chipping and scuffing to the paint, and some cracks and holes in the wood, especially to the remaining wing.

29" x 8" x 3.5". Likely antique from 19th century, either Spanish Colonial or possibly European in make. Hand carved and painted wooden folk sculpture of the Virgin Mary, painted in a deep navy, red, and white. Depicted with her arms crossed over her chest and a sorrowful expression. Sculpture once had a halo or spray behind the head based on the wooden disk attached to the back of the head, though the pieces have broken off. Raw wood & flattened backside indicated the piece may have once been attached to an edifice. Some fingers on the left hand are broke, and there is fading, chipping, and discoloration due to age.

29.5" x 8" x 6". Antique carved wooden John the Baptist sculpture from a single block of wood. Likely Latin American Spanish Colonial, though it was purchased in Europe by previous buyer. Likely 18th-19th century though possibly earlier. Finely carved, unpainted piece. Depicts John the Baptist standing in a robe with his head turned to the side. Both arms have been lost at the elbow and are no longer with the piece, and the tip of the nose and some toes appears to be missing or chipped as well. Other wear includes some flaking wood sealant and vertical cracks in the piece due to the age of the wood, though it is still structurally sound.

23" x 9" x 5". Antique Virgin Mary wooden folk sculpture or santo. Figure shows a hooded and robed Mary with hands folded in prayer standing over three hunched figures. Possible depiction of a specific apparition of the Virgin Mary, such as the Virgin of Mercy protecting figures under her cloak or Our Lady of Fátima which is said to have appeared in front of three shepherd children. Likely Spanish Colonial, possibly European (Portuguese or Italian). Wear includes fading and rubbing of the paint, leaving only traces of primarily green and red color. No significant chips or cracks to the wood given age, seems to be made of a solid hardwood. Wood sealant is also flaking from the surface in some places.

15" x 5.25" x 3.5". Antique carved polychrome wooden sculpture of Saint Vincent Ferrer, likely from the 19th century or before. Filipino or Hispano-Philippine in make, sticker on back reads National Museum of the Philippines Registration. Depicts a figure in monk's robes with wings, most likely Saint Vincent Ferrer, standing on a spherical base. Both arms are missing at the wrist, the head is a separate piece that is currently loosely attached with putty, and there is significant cracking, fading, and discoloration to the paint due to age. Likely once had a metal halo attached to the top of the head which is missing as well.

14"H. Bronze scrulpture after the Vendome Column in Pairs. Bronze column on black stone base and gilt finished figure on top. General wear throughout including small scratches and scuffs. Lower fence is loose on base.

5.5"H x 4"W x 5.5"D. Antique inkwell in the form of dolphin or fish with shell. Gilt finished metal, possibly bronze on a reddish brown stone slab base. General wear throughout from age and use including scratches, scuffs, discolorations, and losses from stone base.

Largest: 12"H. Group of Grand Tour or Grand Tour-style metal sculptures including St. Peter and Napoleon. General wear throughout including grime, some cracks on the St. Peter piece as shown, and some damage/loss to the smallest piece.

7.25"H x 4.5" Dia. Metal urn on segmented stone base with figural and cherub imagery in relief. General wear throughout including patina, discoloration, and small scratches and scuffs. Stone base possibly repaired.

15 1/2"H x 17 3/4"W. Tile mosaic replica of Mayan deity or leader. General wear throughout including small scratches and scuffs. Artist's mark and date of 1982 on reverse. Provenance: Private collection, gift from Syracuse Fine Art Dept.

22"H x 7"W x 8"D (inlcudes metal stand). Blown glass decanter marked 'Buchecker & Co. Luzern' with ornate metal stand. Item is untested for functionality. General wear including some minor scratches and scuffs, and patina on the metal pieces. No apparent chips or cracks in the glass.

2.5" x 1.5". Chinese pale jade carved pendant with a bright green vein centered in the the large leaf at the bottom of the design. Depicts a monkey clinging to a leafy vine. Antique, possibly 19th century. Strung on a short beaded cord. Minor general surface wear.

1.25" x 1.5" x 0.5". Carved Chinese hetian jade swan figure, carved to look as though it is holding the stem of a lily pad in its beak. The lily pad is carved entirely out of the brown-toned inclusion of the stone. Likely antique from the 19th century. Minor general wear.

37 3/4"H x 27 1/2"W. Painting on canvas by Leckie Gassman titled "Picking the Right Flower" depicting a two-faced, human-like figure holding a wilting red flower on an abstract background. Signed and titled on verso. Canvas is slightly warped. Some very minor paint loss or fading. Minor cosmetic wear.

6"H x 5"Dia. Vintage 1929 arts & crafts style vase from Rookwood with a matte pink glaze and long stemmed flowers in relief. Marked on underside 2382 and XXIX. Some imperfections in the glaze such as color variances as well as small areas of discoloration. Some scuffs to the inner rim. Minor cosmetic wear.

Tray: 10”Diameter. Richard Ginori Bonwit Teller set of eight pot de creme cups with lids & undertray. The lids feature a rosebud to grasp when opening the lids. Maker marks along the bottom including “G1068” on the cups and “G-1144” on the tray. Wear is consistent with use and include slight loss to the gold decoration and very small scratches.

20" x 20". Framed and matted watercolor and pencil illustration on paper by Odilon Roche (French, 1868-1947), an artist heavily influenced by the sculptures of his peer Rodin. Titled "Nu a la Chaise Lounge," this artwork depicts a nude woman lounging on a chaise with her feet up and her arm covering her eyes. Signed O Roche in the bottom right. Dated 1937. Comes with artist biography, though COA is shared with another artwork in a separate lot. Photo of COA at end. Some general wear to frame and marks/discoloration on the matting.

26" x 29". Original framed oil painting on board by Andre Bouquet (French, 1897-1987), titled "La Maison de Portier" (The Porter's House). The painting depicts a street scene of people dining, biking, and lounging in the lawn in front of a large house. Signed Bouquet in the lower right. Plaque on lower edge of frame. Wear includes some small holes along the top edge of the board as well as some general wear to the frame. Painting comes with a certificate of authenticity as well as an artist biography.

11.5" x 10.5". Framed and matted antique original watercolor painting in a French Regency style, with edges imitating French embroidery floral borders around a circular painting in the center. The painting depicts a woman standing at a headstone while an engraver writes "Vivre au mourir pour elle" (Live to die for her) and the artist's initials (JJ H). The border has details such as pansies, roses, and two flaming hearts pierced by an arrow. Signed JJ Hussard on the lower left and on the verso. Dated 1826. Ecole Guenoise. Artwork is matted and protected with glass on both the front and back so both sides are protected and visible. Wear includes yellowing and foxing typical with age as well as scratches and scuffs to the frame.

13"H x 9.5"Dia. Antique, likely 19th c. stoneware vessel with Albany-slip glaze. Some fading to the finish as well as imperfections to the glaze such as bumps and other blemishes.

20"H x 8"Dia. French ceramic faux-bois umbrella stand or vase. A variety of earthy colors, brown, yellow, brick red, and white have been skillfully applied to create a beautiful woodsy appearance. General wear throughout including a chip on foot.

24" x 30" and smaller. Canadian Dep. of Mines & Resources 1939 map of Sioux Lookout, 1942 map of Quetico Ontario, 1939 map of Kenora Manitoba-Ontario, 1948 map of Ponite-Dubois Manitoba-Ontario, 1940 map of Lac Seul Ontario, 1948 map of Trout Lake and 1938 map of Dryden Ontario. Seven W.A. Fischer 1939 to 1941 maps of the Border Lakes Region of Minnesota, each focusing on different smaller lakes/regions within the MN and Canada border region. Some maps are on paper, some on parchment, one on canvas paper. The MN lakes regions maps on parchment have yellowing, and small creases and tears particularly at edges. All maps have some yellowing/discoloration consistent with age as well as creases.

3/4”Height x 1/2”Diameter. Set of 8 cartoon appetizer plates by Cartoonist Helen E. Hokinson. Each plate has a signature on the plate image and is marked along the bottom with “© Helen E. Hokinson Est. Product of Atlas China Co. New York.” Wear is consistent with use over time and includes scratches, chips to the images, and original brown firing spots.

9.25" x 11". Framed and matted striking glass plate positive photograph of a total solar eclipse, negative photographed on light table. Verso states it was likely taken in the early 20th century. Unsigned.

41"H x 30"W. Unframed signed and numbered lithograph by Leonard Baskin. Signed on bottom right in pencil by the artist. Numbered 10/100. Minor cosmetic wear including some small areas of yellowing or staining to the paper.

35"H x 25"W. Unframed signed/numbered lithograph by Leonard Baskin. Signed on bottom right in pencil by the artist, dated 1972. Numbered 24/160. Unframed on paper. Minor cosmetic wear including some small areas of discoloration or staining to the page as well as one small crease along the edge of the page.

35"H x 25"W. Unframed signed/numbered lithograph "Chief Wets It - Assinnboine" by Leonard Baskin. Signed on bottom right in pencil by the artist, dated 1972. Numbered 123/160. Unframed on paper. Minor cosmetic wear including some discoloration or staining toward the edges of the paper.

23 1/4"H x 20"W. Byron Bradley (American, 1923-2016). Woodcut print on paper depicting an abstracted scene of the Crucifixion of Jesus. Signed in lower right. Titled in lower left and ed. 3/20 in center. Some buckling to the print throughout. Some staining to the mat throughout. Some wear to the edges of the mat.

23 1/4"H x 20"W. Byron Bradley (American, 1923-2016). Woodcut print on paper depicting an abstracted scene of two people's heads. Signed in lower right. Titled in lower left and ed. 5/20 in center. Some buckling to the work throughout. Some yellowing to the edges of the mat. Some light staining or discoloration to the mat.

21" x 24". This framed and matted artwork titled "Brandenburger Tor, Berlin" (Brandenburg Gate) c. 1930-50 is a color etching on paper by Austro-Hungarian artist Luigi Kasimir (1881-1962), who helped to pioneer color etching techniques. It is hand signed in pencil by the artist at the lower center. Some minor general wear to frame. Artist info on verso.

28" x 34". Framed oil painting on canvas by landscape artist Ceslovas Janušas (Lithuanian, 1907 -1993). Depicts a snowy low-light winter landscape with a pond surrounded by frosted trees under a pastel yellow sky. Signed on the lower right, C. Janušas. Stamp on verso of canvas for Würzburg, Team 169, C JANUSAS. This painting would benefit from some restoration, as there is an approximately 1.5" length puncture to the upper left side of the canvas and a second similarly sized puncture in the lower left side. There are also a few places of craquelure in some of the thicker areas of paint. Other wear includes some scuffs, marks, and scratches to the frame.

24.5" x 36.25." Original framed acrylic painting on canvas by artist Alvaro Cardona-Hine (Costa Rican, 1926-2016), titled "The Aggressive Window" on verso and dated to 1982-83. Painting is not signed on front, only verso. Abstract, whimsical style painting loosely depicting a house in a colorful pastel palette. Some minor wear to frame.

20" x 15.75". Anthony Finley's map of Illinois, from this scarce 1830 edition, hand colored by counties. Large unnamed territory still belonging to the Native Americans in the upper part of the state., Fayette County extends from Vandalia to the boundary, and a small area below Chicago is Ottowa land, with an irregular unnamed region west of Fayette County extending south to Clark County. A number of other early oversized counties are shown. The map would again be substantially revised in 1831, adding several new counties and information in the Northwest Corner of the state, making this map interesting in its representation of the specific time in which it was made. Framed and matted. Map description included on reverse. Wear includes some minor marks to frame and glass as well as some discoloration on the map engraving due to age.

16" x 19.5". Framed antique woodcut engraving of a Dutch catchpenny, which was a cheaply produced comic from likely the 19th century. This one is titled "Kinderlijke Speelen" (Childish Play) and has small captions under each of the eight panels. Published by J Noman book printer. As was typical of many older catchpennies, this one is messily colored with blots of red and white ink. Wear to the catchpenny includes typical wear to the paper from age such as small creases and rough edges, some small tears, and some spits of discoloration. There is a mark at the top of the paper that appears to be writing or a signature though it is faded. Other wear includes partial separation at the corners of the frame as well as some small marks on the glass.

17" x 14". Framed and matted signed artist's proof Intaglio print of John Pearson's "Eat and Be Eaten". Signed, titled, and labeled as AP at bottom in pencil. Depicts a large creature's mouth and insect-like exoskeleton forms in a semi abstract way. Wear includes the print being somewhat off center under the matting, as well as marks and scratches to the frame and glass. Information and link to the artist's website provided on back.

15.5" x 20". Framed and matted color intaglio print by Larry Welo titled "Winter Wind." Depicts the outline of a person in a coat bent over and struggling to walk against the snow with light glowing from a house window in the background. Pencil signed and dated '79 in the lower right. Numbered 25/100. Wear some marks, scratches, and discoloration to the frame as well as some loss to the gilt finish.

18.5" x 15.5". Framed and matted original oil on board by Argentinian artist Jorge Luis, signed on the right in red paint. Artist write up taped on the verso. Painting depicts an impressionist man in black with a gold tie dancing with a woman in a white dress on a brown background. Some errors to the matting with over cuts and small tears. Painting itself is a bit loose underneath the matting. Minor wear to frame.

22.5" x 23". Framed and matted original contemporary textured oil painting on canvas by Sriboon Sanong depicting a village on a body of water in a semi abstracted way layered with lines and blotches of thick paint. Signed S. Sriboon and dated 1970 on the bottom right. Wear includes minor marks, scratches, and discoloration to the frame consistent with age and use.

44.5" x 71". Large framed abstract multimedia work on paper, signed T Streia 1985 in the lower right. Depicts abstract geometric forms in primarily red and white. Some minor general wear to frame and glass.

27.5" x 21.5". Large framed and matted antique military portrait photograph of a an Italian General, Francesco Interlandi. There are some blemishes and scratches on the image, characteristic of this type of antique photography when there is bubbles or irregularities in the silver solution. It appears as though the lighter areas of the portrait were overexposed and the photographer or someone else chose to go in with a marker to create some shadow/depth in these lighter areas and fill in some of the blemishes in the darker areas after producing the image. A small plaque names the subject at the bottom of the image. Other wear inlcudes scuffs and scratches to the frame.

13" x 16". Original painting on board by Winifred Lucy Shaffer (American, 1904-1993) depicting a colorful forest path. Appears to be a painting done primarily with thinned oils and glazed/varnished over top. Signed W Shaffer in the lower right and signed Winifred Shaffer and titled on the verso. Wear includes some marks and scratches to tframe as weall as some fading to the gilt finish in places. Small spot of brown residue on the painting in the very upper left corner.

18" x 21.75". Original oil painting on canvas by Marie Charlot (20th century, France). Depicts a street scene, seemingly in a town in southern/mediterranean Europe, in vibrant color and with thick textured paint. Signed in red paint on lower right. Wear includes scratches and scuffs to the frame.

36.5" x 46.5". Large framed oil painting on canvas of children sitting in a vibrant green wooded clearing with a patchwork of farm fields on a hill in the background and a lovely sky. The children appear to be dressed in more traditional style or potentially Amish clothing. The painting is signed on the lower right, signature appears to be CORZD though it is somewhat illegible. Minor general wear, some small marks to frame and tears in backing paper on verso.

LARGEST 14 1/2"H x 9 1/2"W. Group of 4 small vintage and/or antique Spanish Colonial paintings depicting a variety of saints and religious figures including 2 Maria Madre (Mother Mary) depictions. 3 of the 4 artworks are painted on metal, 1 on canvas. 1 of the metal artworks is contained in an alter-style frame, however is missing 1 glass panel. Other wear throughout lot includes tears in canvas, paint loss, and other imperfections consistent with age and use.

44" x 80". Large framed oil paint and pastel multimedia abstract impressionist piece on paper, done primarily in reds, blues, and grays. Signed along right edge, though signature is partially illegible. Appears to be B Gatta, Gattia, or similar. Dated 1985. Minor general wear to frame. Missing picture wire.

14 1/2"H x 11 1/4"W. Framed black and white collaged photograph by autobiographical photographer Bea Nettles entitled "Fog," signed in the lower right. Artwork not inspected outside of frame. Scuffs, scratches, and other general wear throughout the frame.

25 1/4"H x 18 1/4"W. 2 small paintings contained in 1 frame each depicting a geometric form using only yellow, red, blue, and black, both pieces signed Hammond. Artwork not inspected outside of frame. General wear throughout the frame exterior.

21 3/4"H x 19"W. Framed abstract lithograph print on paper pencil signed and numbered by Polish artist Krystyna Smiechowska 99/100. Artwork not inspected outside of frame. Minor cosmetic wear throughout the exterior of frame.

12"H x 18 1/4"W. Frame triptych of 3 small pencil drawing studies of a male nude figure, each is signed in the lower right and attributed to John M. Bradley, written on the verso. Artworks not inspected outside of frame. Some minor general wear to frame.

18 3/4"H x 15 1/2"W. Framed and matted black and white zoological etching of De Seve's "Adult Hippopotamus" depicting a hippopotamus on a riverside, from 1766. Handwritten title on the bottom. Artwork not inspected outside of frame. Age of this etching itself uncertain, though antique. Wear includes some marks and discoloration to the frame an residue on the glass.

19.75" X 20.75" Framed and matted hand tinted litho by Tavik Frantisek Simon 1877-1942, Czech born, active in Paris. Titled First Communion , plate #24. Pencil signed in the bottom right, numbered 24 in the bottom left and stamped with HTZ. Wear includes some small wrinkles to the print as well as some yellowing typical with age. The frame also has some marks and scratches around the edges.

18.75" X 15.75." Ink drawing by Eugene Berman (1899-1972), dated Nov. 3 1948 and signed E.B. in the bottom center. Depicts a street scene in a Mexican city, with people walking the streets in front of a large stone building. Multiple newspaper clippings and letters are attached to the verso, identifying it as a wedding gift to SLC/RPC 1957, as well as a note from Daisy Barr on the back and an obituary for John McAndrew, the founder of Save Venice, and another note stating that he was the prior owner of the artwork as well as some other notes on provenance. Wear includes yellowing to the paper consistent with age a well as some scuffs and scratches to the frame.

22" X 29.5". Framed and matted aquatint by John Friedlander (German, 1912-1992), titled Green Thistle. Friedlander was known for his pioneering use of the aquatint method. This artwork depicts a semi abstract group of linear figures, some suggesting the forms of birds, over a circle. Signed and titled in pencil at the bottom. Text on verso states it was presented as a wedding gift previously. Wear includes some minor typical wear to the frame as well as a large crack in the glass.

22" X 29.25" Original watercolor painting by Jamaican artist Benjamin E. Campbell (born 1935; painting dated 1968). Depicts women carrying water jugs and baskets on their heads on an abstract background. Signed and dated in the lower left. There is a document attached to the verso with an interview with artist as well as some information about him. Wear includes some dust/residue on the matting beneath the glass as well as some general wear to the frame.

22.25" X 15.75." Beautiful framed and matted architectural pencil drawing of St. Stephen's church in Caen, Calvados, France. Titled and dated June '14 on the bottom left. Signature on the bottom right, though illegible. Verso reads "Property of Rhodes Robertson," who is likely the artist and was known for their architectural drawings, paintings, and etchings. Some minor wear to frame.

18.75" X 16.75". Emerson Tuttle (1890-1946) framed and matted drypoint etching of a young raven. inscribed "for Edmund Joseph Phelps; Yale, date of plate creation 1937, though this print may have been done anytime between then and 1944. Signed and with "imp" which means that the artist printed it himself. Attached on the verso are three documents, two obituary documents/in memoriam for the artist, and one signed photograph of the artist at work printing the image (dated 14 March '44). Some minor wear to the frame and some residue on the glass.

23.5" x 29.5". Framed and matted antique woodcut print of Hans Burgkmair's (German, 1473-1531) "Triumphal Procession of Emperor Maximilian." Plate 58 only. Reads "Carynthia Carniola Suabia" along the bottom in handwritten script. Notes on provenance written on verso, print likely made from rediscovered plates in the 18th or 19th century and the faces hand-colored at this time. Some minor wear to frame. Some faint foxing to image.

18" x 23". Framed and matted antique drawing signed Ramón Farías, depicting a proportions study (Dibujo de proporciones) master copy done as a third year student (Primer curso: 3er año) in the Escuela de Artes y Oficios in Columbia. At the bottom is written Barquisimeto 1885 (date and location, a city in Venezuela). Signed in the lower right. Wear includes foxing and yellowing typical with age as well as some minor general wear to the frame.

18" X 18". Framed and matted black and white photograph of Diego Rivera and Frida Kahlo in Coyoacan Mexico, 1941. Inscribed "for Stanton Caplin" and pencil signed Emmy Lou Packard (American, 1914-1998). Packard was a photographer and artist, and had a long friendship and mentorship relationship with Frida Kahlo and Diego Rivera. This photograph depicts Diego Rivera in a chair at the dining table in their home while Kahlo stands next to him and embraces him. Minor general wear.

19.5 X 22.5 Antique map by famous German cartographer Tobias Conrad Lotter of the Turkish empire, Magni Turcus Dominatoris Imperium. Shows regions of Europe, Asia, and Africa. Original publication done in Augsburg in 1750, this map likely created during the 18th century after this date. Published in Latin. Hand colored. Wear to map includes creases, some small tears, discoloration, and a handwritten note or name at the top in pencil. Some minor wear to frame as well.

26.75" x 44.75". Contemporary original oil painting on canvas by the artist Ryk Burgess (American, 1930-2007). The artist categorized his work as abstract impressionism. This painting, titled "Hanging Gardens," is comprised of gestural blue and purple strokes on a field of white. Painting is signed on the lower left, and is signed and titled on verso as well. The painting comes with a frame, though the canvas has fallen out of the frame and would need to be reattached. Wear includes craquelure throughout the painting as well as marks, discoloration, and other wear to the frame.

28.25" x 34.5". Lovely framed original oil painting on canvas by Pat Helberg, depicting Salzburg castle on the hill in Salzburg, Austria as well as some of the city below. Signed on the lower left and dated 1973. Card with artist's name and title of piece on verso. Minor general wear.

35" x 27.5". Framed gouache on paper of a colorful tropical garden by Geraldine Sakall, titled "Garden on Love Lane." Signed Sakall on the bottom. Title card and artist bio attached to verso. Minor general wear.

26.75" x 34.5". Original framed still life oil painting on canvas depicting an arrangement of grapes, bread, and a glass of white wine. Signed Caer 2002 on the lower right. Some wear to frame including chipped corners, and some marks and scratches to the edges.

39" x 49". Framed and matted original multimedia work by Joanne Miller Rafferty, depicting an impressionist seascape using watercolor, acrylic, ink, and pencil. Signed Joanne Miller Rafferty in the lower right. Minor general wear, small scratch to lower center of glass and minor marks and scuffs to frame.

36.25" x 36.25". Framed original acrylic painting on canvas by artist Michael Marcon, titled "September Glow #3." Depicts a landscape of rolling hills with trees glowing in evening light. Signed on the lower right and on the verso, dated 2003. Title card attached to verso as well as additional artist information. Some minor wear to frame.

31.5" x 36". Framed and matted original oil painting on canvas by Ryk Burgess (American, 1930-2007). The artist categorized his work as abstract impressionism. Though this work does not have a visible title (possibly on canvas verso), it depicts a village fronted by a Japanese torii gate in yellows, blues, and browns. Signed on the lower right. Some minor general wear to frame.

40.5" x 30". Framed original oil painting on canvas by Austrian artist Eberhard Althoff, depicting a foggy woodland landscape with a small pond in the foreground. Signed Althoff in the lower left. Copyright stamp on verso. The painting has craquelure throughout as well as some minor general wear to the frame.

28" x 32". Framed original oil painting on canvas by Pat Kennedy, titled "Still Life with Onions." The painting is an impressionistic still life of wine bottles, grapes, and onions. Signed Pat Kennedy 1972 in the lower left as well as on the verso. Title card on verso as well. Some general wear to frame.

36" x 30". Framed original painting on canvas depicting a bouquet of yellow roses in a jar. Signed Exum on lower right. Wear includes some marks and scratches to the frame.

32" x 55". Large framed original vintage painting depicting a woman looking wistfully out towards the sea from a beautiful pastel wildflower-filled beach. Signed L. Keswick in the lower left. Wear includes some spots of craquelure to the paint, some small marks and indentations to the canvas, and some minor general wear to the frame including scuffs and scratches.

48" x 26". Framed original oil painting on canvas by Ryk Burgess (American, 1930-2007). The artist categorized his work as abstract impressionism. The painting itself depicts abstract architectural details in primarily blues and yellows. Titled "View" on the verso and signed both in the lower right and on the verso. Wear includes craquelure throughout due to age as well as minor wear to the frame.

38.5" x 26.25". Framed contemporary oil painting on canvas by Ryk Burgess (American, 1930-2207). The artist categorized his work as abstract impressionism. This painting features a semi abstract village done in mostly warm reds and yellows. Signed on the lower left. Some minor wear to frame. Untitled, unless underneath backing paper on canvas.

36" x 48". Large contemporary oil and acrylic painting on canvas by artist Lanny Ross. Titled "China - The Shanghai Club." The painting depicts the club in an abstract style with thick oil paints in numerous colors, some metallic, on an airbrushed acrylic gray background. Signed Lanny Ross on the lower left. Comes with document of COA, provenance, and artist info on verso. Minor general wear.

8.25" x 8.25" each. Two small framed original oil paintings depicting stormy, raining skies over rocky lake shores. Untitled. Both paintings are signed Dluge. Some minor wear to frames.

14" x 14". Framed original painting on canvas in an Aboriginal art style of placing dots in repeated patterns, typical of the Papunya Tula art movement or the Western Desert art movement pioneered by the indigenous community of Australia. Unsigned on the front, though not removed from frame/backing. General wear to frame including scuffs and marks around the edges.

15" x 12". Framed and matted limited edition linocut by Leslie Shay, pencil signed on the lower right and date '94, numbered 15/16 on the lower left. The print depicts a girl wearing star-patterned pants standing in the lower foreground and pointing upwards at a bright star in a starry night sky in gold ink on pink paper. Minor general wear to frame.

14.75" x 13.75". Framed and matted original watercolor painting by Otto Moilan, depicting a lakeshore landscape scene. Signed in the lower left. Some wear to the gilt finish on the frame and some other small scratches and marks to the frame.

17" x 20". Framed and matted original watercolor painting by Ruth Oseid Johnson, depicting flowering strawberry plants in vibrant green. Signed Ruth Oseid ans sated '76 on the lower right. Title card on verso. Some minor general wear to frame.

40"H x 48"W. Large framed landscape painting on paper depicting cherry blossoms and pagoda in the distance, Yukari Tokiwa Hanko/signature in lower left corner and on the verso. Some paint flaking between frame glass and artwork, some smudges and minor cosmetic imperfections to frame.

18" x 14.25". Framed and matted print after David Roberts' "Petra," depicting the ruins of Petra in Jordan. In the bottom left there is some text that reads March 7 1839 hidden in a rock. Print is in an interesting burl wood frame as well. Minor general wear.

14.75" x 20.75." Framed original landscape oil painting on masonite by Ruth Oseid Johnson, signed on the lower right and dated '87. Titled Blueberry River in Spring on the verso. Depicts a river surrounded by reeds and foilage in a majority pale pink and green color palette. Some chips to corners of the frame as well as other marks and scratches to the edges.

28.5" x 25". Framed and matted print of a painting depicting two loons on a northern lake at sunset, created by Beverly Scalze. Signed in pencil at the bottom right and numbered 271/650. Minor general wear to frame.

27" x 23" each. Pair of lovely framed and matted watercolor paintings of light pink flowers blooming on a background of green and brown branches and leaves. Each is signed "Ljurigkull" on the front, and "Ljurigkull Blackberry/Apple Blossom" has been written on the back as either a title or descriptor. Wear includes minor marks to frame as well as a small mark to the matting on one of them.

17" x 16.6". Framed and matted Graphic T.C. Williams Co. tobacco ad poster from the 1800s, depicting the 'welcome nugget' found in California weighing 2,217 ounces which kicked off a huge portion of people heading west for the Gold Rush. Age of print is not known, may be original poster or modern reproduction. Info attached to the back seems to suggest this poster is from the 19th century, though this isn't certain. Minor general wear to frame.

16.5" x 19.5". A framed reverse painting on glass reading "Ohne Kreuz keine Krone "(‘Without a Cross, No Crown’ in German). This piece, perhaps referring to the writing of Quaker leader William Penn, depicts the first three letters as calligraphic text, the fourth hidden inside of an ornate crown. The piece appears to have silver metallic tinsel detailing and is mounted in a wooden frame with a wire to its verso.Wear includes some possible discoloration and chipping away of the paint in some places due to age as well as some scratches and scuffs to the frame.

24.5" x 18.5". Framed print of a vintage Coca Cola ad featuring operatic singer Lillian Norton Nordica in 1903. Framed in a gilt relief frame. Wear inclides some loss to a corner of the frame and some other marks and scratches.

16”Height x 13 3/4”Width. Framed and matted engraving on paper depicting Philip Syng Physick M.D. engraved by J.B. Longacre that was based on a drawing created by Sully, attributions in type lower center.

24" x 25.5". Framed original painting of an abstract/impressionist style Italian countryside landscape on canvas board. Signed JC '93 on the bottom right for John Constable. Titled "Italian Landscape" and marked with an address label on the back for J & F Constable. Wear to the frame includes some marks and scratches around the frame edges.

22.5" x 18.5". Framed and matted original watercolor by Betty Sievert, depicting a colorful floral bouquet. Signed on the bottom right. Card on back with title and artist's name. Wear includes minor marks and scratches to frame as well as tears to the backing paper and a seemingly loose backing.

17.5" x 21.5". Framed and matted original watercolor painting depicting a busy park scene in an impressionist style. Pencil signed Alziafy in the bottom left. Wear includes some minor marks to frame and glass.

25.5" x 15.75". Original oil post-impressionist style painting on canvas of a woman walking depicted with distorted geometric forms and colors. Signed, though illegibly. Wear includes some marks and scratches to the frame consistent with typical use as well as the canvas being somewhat loose within the frame.

19.75" x 15.75". Framed lithograph of Berchtesgaden, Germany with original watercolor over top. Signed and titled in pencil, though difficult to make out. Artist signature appears to be Thom Dohriest or similar. Title is uncertain as well. Underneath the watercolor the original lithograph can be seen to be attributed to München (Munich) though the rest is concealed under the paint. Wear includes marks and scratchs to the frame, though it is a rustic-style frame and likely intentional in part. There is also a small mark on the glass.

19" x 25". Framed modern reproduction of an antique world map depicting two sides of the globe flatly with colored illustrations around the edges. Minor wear, some marks and scratches to frame consistent with age and use. Picture wire is detached on one side on the verso.

10.5" x 13.5". Framed original vintage oil painting on canvas board of a small house in a mountain landscape. Signed Dortchie 1962. Wear includes loss/chipping to the gilt finish of the frame along with other scratches and scuffs consistent with age and use of a vintage frame.

30" x 24". Framed and matted watercolor painting/illustration of city skyscrapers viewed from a building rooftop. The artist used primarily purples, blues, and reds to create the effect of the glow of a city at night and outlines the forms in black ink. Unsigned, though likely the same artist as lot 169 (Signed Arthur (Illegible last name) 1954). There is some writing on the back of the frame, also illegible. Wear includes some scuffs and scratches to the frame consistent with use.

21" x 25". Framed and matted linocut print of bare winter trees and a dark pathway silhouetted in black against a dark blue night sky. Signature appears Katy L Kohn or Katy C Kohn. Numbered 12/62. Wear includes scuffs, scratches, and other marks around the frame and on the glass, as well as some rippling/distortion to the paper of the print from either age or possibly due to the artist using a low paper weight for the print.

Hand colored engraving of a scene in 18th century Nantes, France. Probable later reproduction of 18th century engraving "The Poissonnerie's Bridge In Nantes," though this engraving is likely vintage at minimum. Actual date of print unknown. Depicts the end of Ile Feydeau as well as one of the branches of the Loire filled today and the bridge of the Fishmonger, no longer in existence. Wear includes some foxing to the engraving, visible in the sky, and scuffs and scratches to the frame.

22" x 18". Framed and matted black & white engraving after William Hogarth's 1730 painting "Before," part of a pair of paintings depicting a man and a woman before and after he seduces a woman into his bed. A small painting on the wall in the image reads "Before" at the bottom and many of the elements in the room serve to represent the deviance of the act. Wear includes loose backing to the frame and some minor marks and scratches to the frame and glass.

22.5" x 18". Framed and matted painting on high-texture intentionally wrinkled paper, depicting a man wearing a sedge hat carrying a yoke with two baskets and pouring out the contents. The painting is signed, though illegible. Some minor wear to frame and residue on glass.

19" x 17". Framed and matted vintage mid century lithograph of "La Tour de Malines" by artist R. Migini. Depicts a street scene of a city in Belgium. Pencil signed on the bottom right and titled on the bottom left. Wear includes foxing and yellowing, especially to the matting, with the discoloration being worst along the right edge of the matting. Other wear includes scratches and scuffs to frame and some residue on the glass.

25.25" x 20.5". Framed and matted original watercolor painting/illustration of a city street at night done in a semi abstract style with watercolor shapes outlined in ink. Signed Arthur (illegible last name) 1954 in the lower right. Wear includes some scuffs and scratches to the frame.

10" x 12.75". Framed lithographic print after "Arrangement in Grey and Black No.1", often titled "Whistler's Mother" or in this case "Mother" in the bottom right. Also printed is "Whistler" in the lower left. Wear includes scuffs and scratches to the frame, a loose right edge on the frame, residue on the glass, and a dead insect inside the glass. Print itself appears in good condition with minor wear, some yellowing typical with age.

16.5" x 19". Framed and matted original watercolor landscape painting done in vibrant, dream-like color, depicting a tree-lined path leading towards a lake. Wear includes scuffs, scratches, and some loss to the gilt finish of the frame. Unsigned.

19" x 17.25". Framed and matted vintage mid century print after "Corniche D'Or" by Lef Redron, depicting a street of a town on the French Riviera. Title and artist are printed on the bottom edge. Wear includes discoloration, residue, and fading to the gilt finish of the frame, residue and marks to the glass, and yellowing, foxing, and possible mold to the matting especially on the left edge. Some yellowing to the print as well.

23"H x 18"W. Framed black and white digital print of Vincent Van Gogh's original charcoal/black crayon drawing "Spittende Boer / Digging Peasant," printed signature in the lower right. Artwork not inspected outside of frame. Discoloration, residue, tears in the paper backing, and other wear consistent with age and use.

30 1/4"H x 24 1/2"W. Framed soft ground etching & aquatint entitled "London, Fleet Street," pencil signed in the lower right by Luigi Kasimir. Artwork is glued to the matting. Artwork appears in good condition. General wear throughout frame includes nicks, fraying, scuffs, and other imperfections consistent with age and use.

30 1/4"H x 37"W. Large framed black and white printed artwork on paper of a newborn baby held in hands, printed signature in the lower right: "Mendiola, 3/ 17/00." Artwork not inspected outside of frame. Wear throughout the exterior includes residue, scuffs, scratches, and other imperfections associated with age and use.

36"H x 34 1/4"W. Abstract and colorful painterly mixed media artwork entitled AB213 by Starlie Sokol-Holne (American, 1958-), pencil signed in the lower right. Artwork not inspected outside of frame. 1 thin and long loss at the top of the frame as well as some residue, scuffs, scratches, and other imperfections associated with age and use.

44"H x 33"W. Large framed gouache or similar painting of a large bouquet with pink and white flowers, next to the bouquet is an open book and a small portrait of a young girl, no signature identified. Artwork not inspected outside of frame. General wear includes scuffs, scratches, discoloration, residue, and other imperfections throughout the frame consistent with age and use.

30"H x 40 1/4"W. Framed painting on canvas of a bull standing next to a river, unsigned. Canvas is punctured in one area, paint has chipped/flaked particularly around the lower portion of the artwork. Other wear includes nicks, scuffs, scratches, detached backing, and other imperfections throughout the frame.

22 1/2"H x 31 1/2"W. Framed watercolor painting entitled "Season of the New Grass," depicting a field of tipis and birchbark trees with mountains in the distance, printed signature in the lower right Robert Mac Ginnis, marked 1996 on the verso. Artwork not inspected outside of frame. General wear includes residue, scuffs, and scratches throughout the frame.

24"H x 30"W. Unframed cool toned likely varnished painting on canvas of a landscape, unsigned. Wear consistent with exposure includes residue, crazing, chipped paint, discoloration, and other imperfections consistent with age and use.

23"H x 29"W. Framed monochrome watercolor landscape on paper entitled "Everglades," signed Marcia Holm 1962. Artwork not inspected outside of frame. Backing of the frame is torn, residue, scuffs, scratches, nicks, and other wear associated with age and use.

30 1/2"H x 24 1/2"W. Framed graphite drawing entitled "On Benedict's Solemnity Eve" depicting the face of a man, signed G. '86 in the lower right. Artwork not inspected outside of frame. General wear includes some residue, scuffs, scratches, and imperfections consistent with age and use.

25 1/4"H x 33"W. Framed gouache or similar painting on paper of a moonlit cottage, signed in the lower left corner Oswald Keith. Artwork not inspected outside of frame. Some residue, scuffs, scratches, and other imperfections throughout the exterior consistent with age and use.

24" x 20" framed still life on canvas depicting wine, bread, and fruit. Painting signed Mary Jane. General wear to the painting includes some worn spots in the paint on the canvas and chips and scratches to the black finish of the frame.

LARGEST: 20 1/4"H x 23"W. Group of three signed matted artworks. One paper collage titled "Collage" by John Anderson signed in lower right corner. One serigraph print titled "Bathers" by Tom Mikkelson signed "T.M." in lower right corner. One pen and ink drawing by Ivan Majdrakoff signed in lower right and date 1954. Some yellowing to mats throughout. Some discoloration or staining to the papers. One puncture to the Majdrakoff drawing and one puncture to the Anderson collage. Some wear to the edges and corners of the mats.

17”Height x 21”Width. Framed print that is signed lower right depicting a smug cat with legs tucked below. Wear is consistent with age and includes toning and mat burn to the sheet, undulation to the sheet, and scuffs along the frame. Artwork not examined outside of frame.

36 1/4”Height x 24 3/4”Width. Framed painting on board depicting tall sunflowers, signed and dated in paint lower right. Wear is consistent with age, including a significant warping to the painted board and frame, loss to the paint as flaking, chips, soiling, and scuffs and losses to the frame. Artwork not examined outside of frame.

20 1/2”Height x 24 1/2”Width. Oil painting on board signed lower left and framed, depicting American pioneers traveling by covered wagon. Wear is consistent with age and includes craquelure, soiling, soiling, wear to the wood grain, and scratches along the frame. Artwork not examined outside of frame.

22"H x 27"W. Framed digital print on paper after Grant Wood's original painting entitled "Stone City, Iowa," depicting a hilly landscape with homes and farmland throughout, title and author printed below the artwork. Artwork not inspected outside of frame. Soiling, water damage, and/or buckling is apparent in the lower area of the artwork. Other wear includes discoloration, scuffs, scratches, and other imperfections consistent with age and use throughout the frame.

14.5" x 18.5". Framed original textured oil painting on canvas depicting a European city street scene, possibly Paris. Signed Raymond on the lower right. Wear includes some minor scuffs and scratches to the frame as well as some discoloration to the gilt finish.

16" x 20". Unsigned original framed oil painting on board depicting a pond in a valley surrounded by mountains in the distance. Minor wear to painting, some chips, scuffs, and scratches to the silver finish of the frame.

58.5" x 48". Large framed and matted print of Joan Miro's 1935 Abstract. Minor general wear, small scratch to upper central part of glass and lower left of glass. Some minor wear to frame.

31" x 39". Framed original oil painting on canvas signed Antoine Blanchard (French, 1910-1988). Depicts a bustling Parisian street, most likely the Boulevard Saint-Martin with the Porte Saint-Martin in the background. Minor wear to painting, some small marks to canvas. Some loss, cracks, and wear to gilt finish on the frame.

20" x 16". Framed original oil painting on board by CeCeile Hartleib, titled "Admiring the Roses." Depicts a young girl standing at the edge of a yard viewing the rose bushes that border it. Signed CeCeile on the lower right. Minor general wear, some fading of gilt finish to frame and other minor marks to frame. Title card and artist info on verso.

29" x 21". Framed original oil painting on paper signed Marilyn Tiggle, depicting an abstract landscape dominated by a large tree. Titled "The Village View #1" on the verso. Wear includes a small crack at the top of the glass as well as some residue along the top of the frame and some other small marks and scratches to the frame.

22" x 25.75". Framed and matted original watercolor painting of a road leading to an Italian hillside village, pencil signed either Caer or Coer 2007 in the lower right. Titled in the lower left, partially illegible but appears to read Chianti as the first word. Some minor general wear to frame.

30.75" x 20.75". Contemporary framed original oil painting on canvas by the artist Ryk Burgess (American, 1930-2007). The artist categorized his work as abstract impressionism. This painting, titled "Forum III " is comprised of gestural white and green, and black strokes on a field of orange and depicts various abstract architectural details of a town. Painting is signed on the lower right, and is signed and titled on verso as well. Some minor wear to frame.

38.25" x 20". Framed original acrylic painting on canvas signed David Wartman on the lower right and on verso. Dated 1993, titled Our Town - St. Paul. Depicts a collection of colorful buildings and a bridge on a heavily textured, dimensional canvas. Some wear to the raw timber frame.

61" x 10" diameter, shade 20" diameter. Oiled bronze finish modern style column floor lamp. Comes with shade and one of two bulbs. Functioned during brief test. Minor general wear.

24.5" x 12" diameter, shade is 18" diameter. Modern style table lamp made of twisted metal rods with an oiled bronze finish. Turned on when tested. Comes with both bulbs. Minor general wear, some slight discoloration to the shade.

EACH 25"H x 6 3/4"W x 6 1/2"D (base). Pair of matching Maitland Smith wood base lamps featuring seated figural monkeys holding 2 urn form torches with beaded lampshades. Both lamps were functional at the time of brief test, sold as is. General wear consistent with age and use.

28 1/4"H x 14 3/4"Dia (shade). Light blue tinted glass table lamp with 3-tier hourglass bulb base, gilt flecks throughout, and circular white lampshade. Functional at the time of brief test. Wear includes an internal crack in the center bulb (base), several chips in the glass base, dust accumulation, residue, and other imperfections consistent with age and use.

40" high without glass shade. Made from a large antique wooden roller used for printing wallpaper. The imprinting elements are brass and when printed depict floral decor and swirling leaf forms. Mounted on a circular wood base. Tested and all light turn on in brief test. General wear with one small wear spot on the wooden roller and one small, missing brass element. Includes a period style reflector shade.

Height to top of harp 37”. Large Chinese archaic-style lamps, circa 1950. Gu form bodies with wide flared trumpet rims and large side handles. Has a center belt of well cast Taotie-style masks (ogre mask) on a thunderbolt design background. Lacquer-on-wood bases with some minor loss of lacquer. Handles are added. Some age marks and two small surface blemishes. Wiring has been updated from original.

16.5"H without shade. Old labels designate these lamps as the “Property of the Short Course Dorm, University of Wisconsin-Madison.” Numbered 453 & 217. Shades do not appear original. One has no wiring and the other needs rewiring. Other general wear.

Incandescent and florescent light. Circa 1940's. White milk glass shade. Wiring appears original.

13 1/2"H x 6"Dia (base). Old frayed cord, of the period. 1910 patent date, Bryant Socket. Chromed brass gooseneck and heavy, iron weighted base. Good cosmetic condition but likely needs rewiriing for safety. Much like the gooseneck lamps manufactured by the Adjustable Light Fixture Co, Milwaukee, WI and also those used on Helene Curtis Chrome manicure stations circa 1930. Lamp may be product of Helene Curtis Chrome.

78 1/2"H x 40"W x 20"D. Scrubbed pine or similar yellow toned large rustic hutch/linen press cabinet with brass or similar hardware featuring an upper double cupboard door containing 2 interior shelves, 5 pull handle drawers in the lower section. Upper compartment has a lock, however no key is included (cupboard is unlocked). Several large cracks throughout the wood, as well as some splintering wood, discoloration, nicks, chips, and other wear consistent with age, use, and storage. Sold as is.

11" x 18.5" dia. Large Tiffany-style slag glass lampshade with a multicolored floral design. Minor general wear, no glass panels appear loose, cracked, or repaired.

Height: 67 in x width: 59 3/4 in x depth: 1 in. Art Deco three-panel painted wood room divider or screen decorated with a forest scene with large autumnal leaves peeping between the trees. Signed and dated along the lower right. Date appears to be from 1930's. Wear throughout including loss of paint. One panel is not attached to the other two but appears to be easily reattachable with some small screws (hinges are still present).Other general wear.

39" x 58". Likely 1920-1950. Ganado style hand-spun wool rug. Excellent condition, some wear stains.

62" x 41". Vintage hand knotted Persian rug with a warm red, purple, yellow, and orange design. The rug is worn on the surface due to age and use. It has a patch near one edge in which a square of a different colored rug was used to repair the area. The rug is also slightly misshapen, with one side being slightly distorted on one end and wider than the other.

60" x 33.5". Hand knotted flat weave Turkish Kilim rug with a colorful geometric pattern in blue, red, pink, green, black, and white. The rug has color/dye bleeding, especially to the lighter colored areas. There is also a relatively sizeable patch near one end where the weft has frayed and the warp shows through, and another smaller frayed patch on the rug as well.

6'2" x 4". Hand knotted Persian rug with a blue, pink, and cream floral medallion design. Wear includes some spots of discoloration and some fraying to the edges. The fringe appears to have been shortened as well.

68" x 37.5". Vintage hand knotted Persian rug with primarily red, pink and blue design. Wear includes color and fiber wear from foot traffic and significant fraying around the edges.

46" x 30". Vintage hand knotted Persian rug with a primarily blue, pink, and red design. Wear includes fraying around the edges, wear to the color/fibers from foot traffic, and discoloration and fading.

55" x 28". Vintage hand knotted Persian rug with a primarily blue and red design. Wear includes quite a bit of fraying around the edges, fading to color and wear from foot traffic.

52" x 31". Vintage hand knotted Persian rug with red, black, green, and yellow details. Wear includes fraying to the edges and fading on the surface as well as fiber wear and discoloration from foot traffic and use. Some dirt or residue in the center.

47" x 32". Vintage hand knotted Persian rug with a primarily blue and pink design. Wear includes some fraying to either end and an approximately 3" long frayed whole in the center of the rug, as well as color fading and wear from foot traffic.

17" x 8" x 8". West German Black Forest style carved wooden cuckoo clock. Design features animals and leaves around the clock face and a plaque at the top with crossed rifles and a mounted deer with golden antlers. Internal components appear to be in good condition, though the clock counterweights are detached and some work would likely need to be put in in order to have it running. Small cracked piece on deer antler. Missing clock hands. Currently not functional, as is. Marked W. Germany on the back.

6'2" x 3'8". Flat weave hand woven Persian Kurdish Kilim rug with traditional "Jaff" tribal patterns. The geometric designs on the rug are blue, beige, pink, purple, green, and white on a gray field with red bands on either side and a fringe. On the reverse is loose yarn due to the weave style. This rug appears to have once had more vibrant colors and a black background but is faded due to age and use, which is noticeable from the much brighter colors on the back side.

30"H x 30"W x &"D. Antique crock shelf with 3 shelves. Wooden peg construction. Item shows wear from age and use including scratches, scuffs, discoloration and/or water exposure, especially on the top shelf. Some small cracks in wood. Shelf feels sturdy.

32"H x 26"W x 28"D, each. Four Charles Pollock for Knoll Furniture rolling executive chairs. Black shells with deep navy upholstery. General wear throughout from use including scratches and scuffs. Other wear includes missing tufting buttons, loose arm rests, loss of finish, and one chair missing the height adjustment lever.

14"H x 7"W x 7"D. Lite Brite style lamp with colorful plastic pegs protruding from the sides of the blue base. General wear throughout including some scratches, scuffs, and sticker residue. Tested, works, bulb not included.

18" x 15.75" x 9.75". Small wooden curio cabinet with glass walls and two glass shelves. Comes with lock and key. Wear includes the bottom trim on the front missing, flea bites/micro chips around the shelf edges, some scratches and residue to the glass windows, and inconsistencies in the sealant and wood stain from a refinishing job.

25.5" x 15" diameter each. Pair of table lamps with a hammered brushed nickel body. Comes with bulbs and shades. Wear includes scratches and scuffs along with other surface wear and residue. Both turned on when tested. As is.

19.5" x 8" x 8". Japanese style ivory crazed ceramic jar-shaped lamp on a four legged metal stand with a metal dish shade. The ceramic portion has natural crazing as well as what appears to be a intentional patterned design in black lines to represent crazing or exaggerate it. Wear includes some tarnish and discoloration to the metal and some other general surface marks and wear. Lamp is intended for two small low watt light bulbs, not included. Not tested, as is.

20" x 7" dia. Table lamp by Fine Arts Lamps in Hialeah, FL, with a design of a tripod base formed by three powder horns. Comes with a metal dish shade in a matching textured finish. Bulbs included. Intended for low watt small bulbs. Dimmable, two light settings. Light turned on when tested. Wear includes one loose cap on one of the powder horns, which seemingly are meant to be sealed shut. Other surface wear including some scuffs, scratches, and small chips to finish.

44.5" x 11" dia. Large crazed ivory vase table lamp on a metal four legged base with a shade and bulb. Wear includes some discoloration and oxidation to the metal components as well as minor surface wear. Tested, functions when plugged in.

33" x 8" diameter each. Pair of matte black ceramic and brass table lamps. Comes with bulbs and shades. Turns on when tested. Wear includes some surface scuffs and scratches to the ceramic surface and some tarnish and discoloration to the brass.

37"H x 22"W x 16"D. Circa 1910. Partial label on seat bottom. Back splat painting depicts a man and woman dancing. Rosemaling on seat and arms. Joints slightly loose. General wear throughout from age including fading of paint.

20"H. Circa 1960. Italian painted metal flower bouquet in a metal dish with four legs. Mounted on a tiered wooden base. Wear consistent with age and use. The swirl green and white slag glass top is added.

20 x 24". Oval wall mirror in gold and brown adorned with faceted clear glass accents (several missing). All original with two areas of rim damage and cracks and splits to back panel. Other general wear.

50 x 17”. Contemporary piece with antique design of arched pediment with turned finials and urns. Select hardwood construction; oak and Burl. Antiqued glass mirror. General wear.

66 x 21 x 23”. Custom designed with fine hardwoods and quality brass fittings. Fully adjustable and lighted. Minor general wear.

12.5" x 6.5" dia. Shanghai Union Arts romantic metal lamp with a frosted glass lampshade that has a floral bouquet design which shows through from the inside. Turns on/functions when tested. Lovely small decor/lighting piece. Comes with a bulb. Wear includes some minor marks and scuffs on the shade and residue from use or storage.

11" x 3.25" dia. Two small copper-toned metal lamps that look like candlesticks. Two flame-shaped bulbs come with, though they are somewhat ill-fitting for the lamps and don't quite fit underneath the shade rest/finials. No shades are included. Both lamps have been plugged in and function when tested. One appears to have broken apart at the base and has been previously reattached/repaired with glue, though it is still a little wobbly. Other wear includes some tarnishing and residue.

17 3/4"H x 37"W x 17 1/2"D. Antique wooden blanket or storage chest possibly of Dutch or European origin. Some of the exterior wood is circa 18th century. Possibly restored in several areas of interior. Compass-work designs line the exterior front and side panels. Beautifully cut floral motif throughout the chest. Large possibly Dutch lock with etched filigree decoration. Lock does not function. Key is included on interior. Unmarked. Some fading to the finish of the wood. Scratches, scuffs, and small chips to the wood throughout. Wear is consistent with age and use.

EACH: 12 3/4"H x 6 1/4"Dia. Pair of vintage kerosene oil lamps from Mantle Lamp Co. in the model Aladdin Model B. Jade green glass bases with quilted, diamond shaped raised design and a fluted neck. Each are marked. Not tested for functionality. Some dust residue and possible staining. Some fading to the finish of the metal. Some small scratches to the metal. Minor cosmetic wear.

23 1/2"H x 6 1/4"Dia. Tall table lamp with brass toned hardware and an ornately gilt decorated lamp base. Chinoiserie style floral and filigree decoration all over. Possibly of eastern Europe origin. Not tested for functionality. One crack or repair on the upper portion of the porcelain lamp base. Some fading to the finish on the metal throughout. Some fading to the gilding and other finishes on the porcelain. Some possible other chips or cracks.

Height: 44 1/2 in x width: 69 3/4 in x depth: 19 1/4 in. Antique Chinese rectangular wooden altar table with a carved skirt along the front. The table is structurally sound and stable. Heavy wear throughout, especially along the top. There are numerous scuffs, scratches, areas of discoloration and moisture exposure, losses to the lacquer, several small splits, and separation along the joints.

55 1/2"H x 16 1/4"W x 13 3/4"D. Vintage 1973 mid-century modern style statement side chair designed by Charles Rennie Mackintosh for Cassina. Black stained ash wood frame with vertically oversized back and solid beech crisscrossed elastic webbed seat. Seat is covered in a beautiful petroleum green velvet. Marked on underside. Some small scuffs to the wood on back. Some slight imperfections to the stain. Some possible imperfections or blemishes to the velvet seat. Minor cosmetic wear.

31 1/2”Height x 14 1/2”Diameter. Large bulbous ceramic table lamp in blue and brown dripped design glaze, attached to a wooden base. Wear is consistent with age and includes crazing, original pinholes to the glaze, adhesive remnants, moisture contact to the base, and a slightly unstable attachment between the lamp to the base that may need tightening. Not tested for use.

74”Length x 49”Width. Shah Karastan pure 100% worsted wool pile with tassels on two sides. On the bottom it states this area rug was woven in Belgium, in the pattern: ivory serapi, is permanently mothproof, RN 14837, design number 500-1119. Wear is consistent with use, including yellowing over time, debris, and wear to the perimeter edging.

20.5" x 14" x 14". Marble or similar stone pedestal on a metal frame, for use as a display or plant stand. Stone pedestal is likely carved to look like an ancient architectural remnant or as though it has been partially carved, with only the top portion being fully smoothed and formed. Metal pedestal has simple leaf design. Pedestal is hollow and the piece is not exceptionally heavy, though sturdy. Wear includes some surface scuffs and scratches as well as some oxidation and discoloration to the stand.

24" x 5.75" x 5.75". Vintage brass mid century modern table lamp with spiral handles and a square base. Bulb and shade not included. Wear includes tarnish, oxidation, and other minor surface wear due to age and use. Felt on underside is partially detached. Not tested, as is.

33 1/2"H x 24 1/2"W x 19"D, each. Set of 4 postmodern style wood chairs from Antonio Sibau. Black finished wood frame with black faux-leather upholstery. General wear throughout from use including scratches, scuffs, a wear to finish.

31"H x 18"W x 18"D, each. Two black finished bentwood stackable chairs designed by Arne Jacobsen for Fritz Hansen. General wear throughout including scratches, scuffs, and minor discoloration in small areas.

31"H x 18"W x 20"D, each. Set of 6 black bentwood stackable chairs labeled Cape Furniture, Toronto, Ontario, Canada. General wear throughout including scratches, scuffs, and fading or loss of finish, especially around the edge of the seats.

Henriot Quimper ceramic ware: serving bowl and plate in a soleil yellow glaze with scalloped rims, and two white platters. Each piece features a center image of figures among fauna, all are hand painted and signed along the bottom. Wear is consistent with age and includes scratches, pinholes, and significant wear to the overglaze in some areas.

4 1/4”H x 7 1/2”W x 5 1/2”D. Pre-Columbian style 20th century ritual pottery vessel in the form of a frog or turtle. Wear includes some loss of the finish and a few minor chips around the top opening.

Framed (11"H x 10"W) Greek medal. Plaque reads "Cross of the Commander. The Order of the Phoenix Medal presented on behalf of King Paul II of Greece, June 12, 1956". Greek language certificate attached to back of frame. Medal appears to be in good vintage condition, some wear on frame.

1 3/4"H x 11 1/2"W x 9 1/4"D. Bronze serving bowl with grapes on branches with leaves in relief around the rim. "Handcrafted in India" on underside. Some staining, discoloration, and possibly oxidation throughout. Some scratches and scuffs. Possible small dents.

EACH 10 1/4"H x 3 1/2"Dia (base). Pair of heavy polished marble or similar stone specimen orbs mounted on black stone or similar bases, each marked "Meiselman Imports Made in Portugal," on the underside. General wear.

7.5" x 5.5" x 4" each. Two ceramic balloon wall decor/wall art pieces, one glazed pink and the other blue. Both have flattened backs with holes for hanging from. Minor general wear to each including minor marks to surface.

3" x 11.5" dia. Circular metal relief display stand with a velvet top in a deep brown color for displaying sculptures or similar. Wear includes some small dents and spots of slight discoloration and residue from age and use.

6 1/2"H x 9"W x 5"D. Cast bronze sculpture mounted on a wood and white marble or similar base depicting 2 figures, 1 is in a reclined position, sprawled across the lap of the other figure, who is leaning forward over the other. Signed "SB 64." Some dust accumulation, scuffs and scratches throughout the wood base, chips in the white marble, and other wear consistent with age and use.

14 1/2"H x 10 1/4"W x 7 1/2"D (base). Cast bronze sculpture mounted on a black marble or similar base depicting a figure seated on a tall pedestal, gaze cast downward and hands clasped in their lap. Signed "SB 68." Some dust accumulation and other general wear throughout.

13 3/4"H x 8 3/4"W x 7 1/2"D. Cast bronze sculpture mounted on a matte black metal base depicting 1 figure holding another limp figure in the air. Signed "SB 63." Some dust accumulation and other general wear throughout.

6 1/4"H x 19"W x 17"D. Likely painted white bull/steer skull with horns and several intact teeth, ideal for home decor. Wear consistent with nature and age.

4"H x 15 1/2"Dia (base). Polished solid grey marble or similar stone basin with lower edge cut out, unmarked. General wear includes some residue throughout the interior.

29 1/2"H x 10"W. Rectangular painting on bark made with natural earth pigments depicting several totemic animals, attributed to Mick Magani however artwork is not signed/marked. Large crack through the center of the piece. General wear.

13 3/4"H x 3 1/2"W x 3"D. Possibly vintage carved wood decorative tribal mask, attributed to Papa New Guinea and closely resembles Sepik masks from the East Sepik province, however mask is not marked and has not been professionally evaluated.

4"H x 15 3/4"W x 2 3/4"D. Rectangular brass toned metal relief plaque/sign for the Dayton Company, which is now known as Target. General wear throughout.

EACH 8"H x 5"W x 6 1/2"D. 2 matching gilt finished bronze or similar wall candle sconces in the shape of swans, each marked "F.R.E.S.S. 2497," on the verso. Some residue, tarnishing, and other wear consistent with age and use.

LARGEST 4 1/4"H x 10 1/4"H x 7 1/2"D. Lot includes 1 large wooden hinge lid box with a cherry finish, 1 red-orange painted wood box with 2 drawers and slide side door, and 1 footed lacquered wood stand with floral decoration throughout. Wear consistent with age and use.

EACH 16 1/2"H x 12"W x 6 1/2"D. Pair of corresponding deep cherry stained wooden wall mount shelves/sconces featuring the bust of an angelic figure as the base. Wear mainly consists of scuffs, scratches, and some residue accumulation.

EACH 10 3/4"H x 5"W x 4 1/2"D. 2 matching gilt toned metal candlesticks with claw feet and floral embellishments throughout. Wear includes tarnishing, residue, discoloration, and other imperfections consistent with age and use.

LARGEST 7 3/4"H x 8 1/4"Dia (rim). Lot includes 1 kylix cup with a figure bearing a basket, 1 ram head shaped cup with a handle, and 1 double handled krater urn with figural decorations throughout. Wear throughout lot includes loss of paint, discoloration, scuffs, scratches, small nicks, and other imperfections consistent with age and use.

17"H x 3 3/4"Dia. Antique egg beater or mixer from Borden's circa 1915. Tall hand crank mechanisms with wooden handle, metal lid, possibly one quart clear glass jar marked Borden's with mixer mechanism inside. Some scratches to the glass. Some discoloration or tarnishing to the metal. Some imperfections to the glass. Wear is consistent with age and use.

8”H x 6 1/2’’W x 2 3/4”D. Horse “Ancestor” Figurine by Kitty Cantrell. Ancestor, Primal Visions, stamped on bottom. Mixed media; made from a unique material called Porcelon©, a mixture of the finest cold-cast porcelain and resin, hand painted symbols and glazed in vibrant colors. “Ancestor” is a horse symbolizing that nothing dies and life is continuous and in constant motion, with symbols reminiscent of cave paintings and rock art. Award-winning artist and environmentalist Kitty Cantrell is known for her striking sculptures of North American wildlife. Light wear, with no major scratches or losses.

5 3/4”H x 11 1/2”W x 2 1/4”D. Solid brass figurine of a galloping horse with touching feet. Wear consistent with age including patina, water marks, and light wear with a few small scratches.

2”H x 13 3/4”W x 19 1/4”D. Le Creuset green enameled double spouted cast iron skillet. It has a long handle with a hole for hanging as well as a helper handle on the opposite side. Wear includes original brown firing spots, scratches, staining, and signs of extensive use.

6.5”H x 3 1/4”Diameter. Pair of two Indian candlesticks with etched floral designs. Both candlesticks are stamped on the underside “India 2692”. Wear includes patina, scuffs, and small dents. Wax from previous candles is present.

Case dimensions: 3”H x 6”W x 4 1/2”D. Antique Dr. Rogers Tycos Sphygmomanometer in original leather case. Manufactured by Taylor Instrument Companies c. 1917-35. This medical tool was used to measure blood pressure and includes: a rubber inflating bulb, brass-plated gauge with needle, rubber tubes, rubber pressure bag within a silk pennant-shaped arm sleeve. Heavy wear to fabrics throughout the item, including a detached front metal latch.

Framed: 6 1/4”H x 18 1/2”W x 3/4”D. Unframed: 5 1/2”H x 18”W x 1/8”D. Set of two novelty mirrors. Wear to the frames include scratches, soiling, and a loosened frame; wear consistent with age.

3 3/4”H x 9 1/4”Diameter. Lalique “Pinsons” Frosted Crystal Bowl, c. 1930s. “Pinsons” is the French term translated into English as Finches. The bowl is covered with relief decorations of birds and angular relief designs. Signature etched on bottom. One very small, shallow crack or scratch along the rim. Other general wear.

3 1/2”H x 10”Diameter. Lalique crystal “Mesanges” bowl of frosted and polished crystal with the rim decorated with birds in relief. Mark etched along bottom. Wear consistent with age, including small scuffs along the bottom.

EACH: 6 1/2"H 2 1/2"Dia. Set of twelve clear, cut crystal white wine glasses by Cristal D'Arques in the pattern Longchamp. Features an elegant diamond pattern around the bottom of the cup that leads to fluted details on the top. All glasses are unmarked. Some small imperfection and blemishes throughout. Possible small chips or cracks.

3 ¾”H x 7 3/4“W x 6 1/4“D. Lalique “Chene” Crystal Bowl depicting frosted leaf motifs in relief with leaf-shaped edges. Signature on bottom. There are no major chips or cracks, although wear is present along the bottom in the form of scratches, and minor wear that is consistent with age.

7"H x 7"W x 7"D. Signed Peter Bramhall glass sphere vase c. 1979 with internal glass tendrils emanating from the base of the piece to points across the interior walls. Signature etched on bottom, and numbers including 1979. No apparent chips or cracks. General wear consistent with use.

2 3/4”H x 4 1/4”Diameter. Set of 4 Kosta Boda Bowls for ice with frosted glass tops. The top portion is removable and may be used to serve food in the upper bowl, the bottom reserved for ice to keep food cold. Sticker attached to the body: “Handmade Boda Sweden”. Wear includes some scuffs on the underside of the top unit consistent with age and use.

10.5" x 7.5" x 4". Antique Seth Thomas cast metal long alarm wind up mantel clock, c. 1900. Clock appears to be made of multiple metals, perhaps copper and bronze. Wear includes patination, discoloration, marks and yellowing to the face, and other surface wear consistent with age and use. One arm is detached. Does not appear to wind properly and is not currently functioning. As is.

6”H x 8 3/4”W x 7 1/2”D. Copper tea kettle or coffee pot with a lid containing wood, and a wooden ribbed top handle that pivots upwards. Exhibiting very ornate metalwork along the handle and spout. Wear coincides with use and includes dents, existing adhesive, polish reside, and small corrosion spots. Wear is also present on one end of the handle with a loose screw.

Plates range in diameter from 7" to 7.5". Group of 8 matching plates with a blue hue, eached marked "RF 83" on the bottom. Due to handmade nature of the items, the plates vary slightly in shape and size. Also includes blue finished bowl signed "Slettehaugh '61" on the bottom. General wear throughout including areas of discoloration.

6"H x 5"W x 6"D. Grand tour bronze or other metal grand tour rhyton cup in the form of a ram's head. Possibly Italian. General wear throughout including patina, and small scuffs. Two felt pads attached to bottom/handle so the piece sits upright on a shelf.

Tallest: 12 1/2"H. Group includes 3 figural metal sculptures - 2 different sized Faun of Pompeii sculptures and 1 Fuente de Neptuno sculpture. The Neptune sculpture is likely missing its trident. Smaller faun sculpture has repaired break in one arm as shown (arm is loosely attached). Other general wear throughout the items from age and use.

10 3/4"H x 5 3/4"W X 4 1/2"D. Adorable martini glass featuring a bear balancing on one foot, holding a large olive that acts as the stem for the glass. Illegibly signed on lower edge of glass. Some dust residue. Some possible imperfections from the glass blowing process. Minor cosmetic wear.

1 1/2"H x 5"W x 4 1/2"D. Natural crystal, gemstone, mineral cluster of the stunning dark yellow-orange Citrine. Freeform rectangular shape with irregular pattern of the crystals. Some discoloration throughout. Some possible chips, cracks, or scratches. Minor cosmetic wear.

16"H x 11"W x 4"D. Erte Porcelain Collectors “Stardust” Doll with beaded gown on a detachable stand. Depicting an elongated female figure dressed in an Erte gown with an elaborately decorated train spotlighting 7,000 hand-sewn beads and a zipper along the back. The train has a spiderweb design flanked by gold stars along the edge of the garment. Stamped along the bottom “© 1993 Mattel, Inc. Malaysia”. The hair band is deteriorated and does not include crown. There are no major rips or losses, wear includes brown firing spots, minor grime throughout.

29" x 25". Framed original oil painting by Jean Claude Werdier, signed Werdier in the upper right. Depicts an autumnal landscape with a leafless tree in the foreground and a small house in the background. The canvas is somewhat loose in the frame. Other wear includes some scuffs and scratches to the frame.

29.75" x 33.5". Framed and matted original watercolor painting of an autumnal landscape by Wilson G. Dietrich. Signed on the lower right. Titled "Partridge Country," title card on verso. Wear includes partially loose backing and some scratches, marks, and small chips to the frame.

28.5" x 33.5". Framed and matted antique hand colored mezzotint engraving after William Redmore Bigg (English, 1755-1828) by John Johns (English, 1745-1797), titled "Dulce Domum, or The Return from School" along the bottom. Some discoloration and yellowing to print due to age, as well as some wear to the frame including scratches and other marks.

24" x 19.5". Dark abstract original portrait painting of a woman on canvas board. Unsigned, unframed. Depicts a shadowed, angular portrait of a woman in primarily oranges on a primarily deep green and black background. Wear includes some small, likely unintentional white paint splatters on the left edge, and some warping to the canvas board from age and possible water damage.

22.5" x 26.5". Framed and matted lithograph with hand coloration by Sharon Ader, titled "Victorian Houses." Pencil signed on the lower right. Title card on verso. Wear includes scuffs, scratches, and marks to the frame.

20.75" x 20.75". Framed and matted beautiful silk embroidery landscape scene with cranes in a pond in the foreground yellow trees in front of hazy mountains in the background. Verso is signed Bob Edmonds, likely the artist. Some loose threads under the glass. Some scuffs and scratches to the frame.

21.75" 37.75". Antique 1868 German etching "Aus Vergangenen Zeiten" (From Past Times/Bygone Times) signed in the plate "F. Hiddemann 68" at the lower right, engraved by F. Dinger and printed by Schwan and Steifansand in Dusseldorf. Framed and matted so that only the title is visible underneath the image. Wear includes some yellowing and discoloration to the image and matting as well as some scuffs and scratches to the frame, and torn backing with loose boards.

25" x 21" oval-shaped framed and matted oil painting on board of a girl in a blue dress wearing a pearl necklace. Unsigned. Wear includes some slight discoloration as well as some small spots of craquelure. Some scuffs and scratches to the frame as well.

18.5" x 28.5". Framed original painting on canvas of a colorful winter landscape depicting a stream running through a forest at sunset. Unsigned. Wear includes a small indent with some missing paint in the lower right side of the painting as well as scuffs, scratches, and discoloration to the frame.

3 3/4"H x 3 1/4" D. One Wedgewood black jasperware spill vasse with white figures along the side. Stamped "Wedgewood" and "Made in England" along the underside. No losses or chips. Light wear to the underside.

2 1/4"H x 9 3/4"W x 7 3/4"D. White oblong porcelain dish with 22 karat floral decoration throughout and a French garden scene depicted in the center, by Atlas China, marked on the underside. Scuffs, discoloration, residue, fading in the decoration, and other cosmetic wear throughout consistent with age and use.

8 1/2”H x 4”Diameter, and 8 13/4”H x 4”Diameter. Pair of Nippon Toki Kaisha Noritake bone China vases with hand painted pink roses. No major chips or scratches, wear consistent with age.

Two with lids: 4 1/4”Height x 2 1/4”Diameter. Taller one: 6”Height x 3”Width x 2 3/4”Length. Set of three EDME Samson hand painted and embossed French porcelain bottles after 18th century Chinese style, likely vanity perfume bottles or similar. Red mark and “made in France” on bottom. Wear consistent with use.

5”H x 3.5”W x 5”D Lladro “All Tuckered Out” porcelain figurine in a matte finish, c.1995-2001. Depicting a sleepy child seated on a rocking chair beside a toy horse. Stamped on bottom. There are no major losses or scratches, wear includes minor discoloration with age.

8 3/4”Diameter, 1 1/4”Depth. Pair of Japonisme English transferware plates by BURGESS & LEIGH. Featuring a pagoda scene surrounded by rust & cobalt colored flowers and a scalloped edge. Glazed, and hand decorated. Stamp on bottom “Tonquin B & L England”. Wear includes crazing throughout, original pinhole glazing flaws, and wear to the gilt edging.

10” Diameter. Set of seven James Kent “Old Foley” dinner plates with a pink design depicting a landscape scene across the entire top and a scalloped edge. Stamped along bottom “Genuine Hand Engraving “Old Foley” James Kent Staffordshire England. General wear throughout from age/use.

7"H x 13 1/2”W x 9”D. Porcelain Lidded Tureen with Cherry Blossoms and Spoon Rest Cut-Out. Porcelain soup tureen in rectangular form with wavy rim. Marked on Underside. Wear includes firing spots, soiling, significant crazing throughout, wear to gold decoration particularly along the side handles.

5 1/2”H x 5 3/4”W x 3 1/2”D. Signed on bottom, a Wendy Hook of Douglas Creek Studio stone carving of an inuit figure with a raised hand, the face made of inlaid bone. Wear includes a partially missing thumb on the figure and normal wear with age.

Case: 2 1/4”H x 6”W x 4”D. Tool: 2 1/2”H x 1 1/4”W x 4 3/4”D. One gemological Refractometer tool for gemstone identification, housed in a case with a working snap fastener. Moderate wear consistent with use. Untested.

5 3/4”H x 3 1/4”W x 3”D. Solid bronze sculpture depicting the bust of an African figure. Wear includes small losses near the shoulders and wear consistent with age/use.

2”H x 23”W x 8 1/2”D. Burl wood board for playing cribbage. Does not include pegs. Wear includes some minor scuff marks and crazing to the veneer.

7 1/2”H x 3 1/4”W x 3”D. Small sculpture of a stacked marble obelisk. Wear is consistent with use, including losses to corner edges and visible glue that is likely original to the piece.

9 1/2”H x 5 3/4”W x 6 1/4”D. Antique brass kerosine lantern that was used on a carriage or automobile, possibly for a Model A Ford or a horse-drawn buggy. This model 1132 lantern includes two glass beveled windows, one that opens with a clasp and a red jewel centered on one side. Inscription on base suggests it was patented in 1909. Wear is consistent with age and includes tarnishing of the brass, dents, and some scratches on the glass.

11 1/4”Height x 6 1/2”Diameter. Raku vase with splatter, line, and glaze decoration, signed along the bottom. Decorated with the cracked glaze technique, and black lines of carbon trails that were created from burning horse hair strands laid on the surface. Wear includes small losses near the rim, losses to the carbon decoration, and wear consistent with use.

8 3/4”H x 5 1/2”W x 9”D. Figural pottery by Susan Davis of a Seagull in stoneware, glaze, and wood sticks. Signed along underside of body. Wear includes spots of original glaze transfer, soiling such as dust, and general wear due to age.

19 1/2”H x 6”W x 6”D including base. One Sepik Papua New Guinea Carved Wooden Sculpture, hand carved and painted wood with fiber adornments and a wire stand. The figure stands with tied ankles and feet within a mound, wearing an elongated mask with a bird-like figure on the back. Wear includes a loss to the wood at the very bottom of back side and to the back side of the anthropomorphic mask, along with general wear due to age.

22”H x 5 1/2”W x 8”D. A bronze sculpture of abstract planes attached to a marble base, possibly by Mike Chumbly. In the Brutalist style of art as a raw, jagged form with the resulting visual effect of distortion. Wear includes patina, dust soiling, and wear over time consistent with age.

2 Pitchers: 7 1/2”H x 8”W x 5 1/2”D. 4 Bowls: 2 1/2”Height x 6 1/2”Diameter. 8 Cups: 4 1/2”Height x 2 3/4”Diameter. A fourteen piece set of aluminum kitchenware designed to keep food and beverage cold for longer. The pitchers were manufactured by Regal Supreme, and the drinking cups were made by Bascal. Wear reflects use over time and includes scratches, scuffs, losses, dents and dust.

LARGEST: 13 1/2"L x 10 1/2"W. SMALLEST: 5 1/2"Dia. 31 piece porcelain set from Eggshell Nautilus in the pattern Nantucket. Each piece is decorated with pink & blue flowers and gold accents around the rim. Includes 2 oval serving platters, 4 soup bowls, 3 dessert plates, 4 bread plates, and 18 saucers. All marked on underside. Most pieces have stickers adhered on underside. Some fading to the gold accents. Small chips and scratches throughout.

8 1/4”H x 6 1/2”W x 4 1/2”D (teapot). Tea service with floral motifs and gold decoration of 23 pieces includes: 1 teapot, 1 creamer, 1 bowl, 9 teacups, and 11 saucers. Each piece stamped along the bottom. Wear is consistent with normal use and includes original firing spots, wear to the gold decoration, and a loss to the inside of the teapot lid.

Each measure: 7 3/4”Diameter x 3/4”Depth. Grosvenor Bone China "Emerald" dessert or salad plates, England. Decorated with gold and green floral motifs, gold, wavy upper rims, and each plate is stamped on the bottom. Wear is consistent with age and includes scratches and minor pinholes.

2 1/2”H x 4 1/4”W x 3 1/4”D (cup). Barr, Flight & Barr Porcelain teacups and saucer, Neoclassic with gilt decoration representing classical deities, possibly c. 1820. Maker mark BFB located on the bottom of each. Wear is consistent with use and primarily consists of wear to the gold decoration, as well as instances of original blistering.

Cups: 2.5"H. Saucers: 5"Dia. Includes 12 saucers and 11 cups. Match the cup designs to the saucer or mix and match for a colorful display. General wear, one cup with hairline crack.

5.75" Dia. Set of 6 porcelain canape plates, each with a unique French storefront scene and lattice design. Minor general wear.

8.25"L x 5.25"W. Set of 8 vintage glass plates in a crescent or demilune shape. Minor general wear, a few small imperfections during manufacturing.

Each: 3 3/4”H x 3 1/2”W x 2 3/4”D. Set of five white ceramic pot de creme cups with seed decoration that mimics the surface of a strawberry, each lid topped with a strawberry-shaped knob, twig-like handles on each, and includes two spare lids, should any accidents occur. “ITALY” is stamped along the bottom of each cup. Wear consistent with use and includes chips to handle tops and lid knobs, scratches and line breaks.

14” x 10.5”. Antique Flow Blue Oval Platter in the Oxford Pattern. Backstamp mark Oxford Johnson Bros England. Circa 1913. Impressed registration marks. Minor wear to gilding. No chips, cracks, nicks, or scratches.

13" x 13" x 24". Large antique copper and galvanized iron basin/boiler used for heating water to wash clothes. Has wooden handles on either side. Does not have lid. Wear includes denting and surface marks as well as some oxidation to the interior, consistent with age and use.

13" x 13" x 24". Large antique Atlantic brand galvanized iron basin/boiler used for heating water to wash clothes. Has wooden handles on either side and lid. Wear includes denting and surface marks as well as oxidation and discoloration consistent with age.

1.5" x 4.25" dia. Lalique France crystal Saint Nicholas dish or ashtray with a design of a ring of faces in relief around the central dish. Signed Lalique France on the underside. Minor general wear, some small scratches to the underside.

LARGEST: 4" x 4" dia. SMALLEST: 2.5" x 2" dia. Four Lalique France crystal figures and dishes, including: the Singing Sparrow dish, Nightingale paperweight, Tourterelle figure, and American Eagle dish. Each is signed Lalique France on the bottom edge or on the underside. Minor general wear to each.

12"H x 6"W x 5"D. Vintage 1960s Horikawa Japan tin Fighting Space Man robot toy. This toy is battery operated and if it were in working condition would walk, swing its arms, have a flashing light on its head, and "fire" the gun in its chest. However, the internal battery compartment has pretty heavy oxidation/rust and will no longer function. Other wear includes a crack to the plastic compartment on its chest as well as some minor oxidation to the exterior and some other small surface marks.

21" x 5" dia. Mid century brass Kudu sculpture with twisted horns. Similar to brass sculptures by Karl Springer and Roberto Estevez, though this one is marked only Made in Korea. Wear includes some surface marking, discoloration, and minor tarnishing as well as a slightly curved or distorted base that causes the piece to wobble.

5"H x 4"W x 3"D (largest). Eight art glass paperweights including an amber glass bud vase paperweight from Sharon Fujimoto, two unmarked blue with bubbles paperweights in the form of a pear and an apple, one Glass Eye Studio '96 iridescent and purple flower paperweight, a Leo Hamon abstract red paperweight, an unmarked metallic abstract design paperweight, a white with bubbles paperweight marked The Alchemist 91, and a teapot shaped paperweight with pink flowers marked Joe St. Clair. Minor general wear to all including small surface marks and sticker residue to surface.

6"H x 13"L x 11"W. Size L. Yakkay brand bicycle helmey with fashion cover. Certified safe for use as a bicycle helmet in the US and EU. Consists of standard helmet with helmet cover in the shape of a hat, with bright pink yarn on a black base, mixed with a rainbow of color gradations and with a ribbon hat band. Brim is two inches wide. Still in box, gently used/like-new.

10" x 7" x 4". Italian Guinea hen ceramic sculpture. Marked on bottom, though mark is faded. Would have said Italy, 1496/526. Hand painted. Wear includes a chip to the top of the head as well as some spots of fading or discoloration and some sticker residue to the back.

6" x 4" x 2.5" and smaller. Five vintage Steiff Germany mohair stuffed animals from around the 1960s. All have tags, either the button tag or the paper tag. Includes Robby Sea Lion (4310), Lea Lion, Leo Lion, a skunk, and a miniature chicken (1508) with moveable wire legs. Wear is consistent with age and use, including tape around the sea lion's ball, some worn spots on the mohair to some of them, and minor discoloration.

13.25" height or less, 8" diameter or less. 8 glass items, including three goblets of various sizes, one of which is blue and oversized, three olive glass vases including a pair of the same ridged style and one fluted, one olive glass circus tent pedestal apothecary jar, and one olive spherical bowl or candy dish. None appear to be marked, though all are in the style of Empoli if not Empoli. Some minor surface wear and sticker residue.

5.5" x 4.45" dia. Thomas Forester & Sons majolica ceramic glazed grotesque pitcher/jug with a dual tone pink and brown glaze. Marked on underside. Wear includes crazing, some residue, and typical table wear on the bottom.

6.75" x 6" dia. Dark red gradient ceramic vase with ridged detail. Signed Van Briggle on underside as well as marked CoLo.SPGS. Repaired chip on the rim and some small white marks or spots. Minor wear otherwise.

8" x 8" dia. Studio pottery pot with a hand painted leaping horse design glazed on the side as well as a horse head shaped handle on the lid. Signed Hultquist on the bottom, from Quist pottery studios. Minor general wear, one small chip to the horse's ear on the handle.

6" x 13.5" dia. Large covered studio pottery dish made with red clay and brown glaze with some blue speckle. Useful as either a casserole dish or tortillero. Signed on underside, though illegible. Minor general wear.

7"H (steins), 10"W (largest plates) Lot includes two tall vintage Princess House black glass steins with copper bases, two Belleek Ireland porcelian plates with flower designs printed in the center and Christmas 1885/86 in relief on each, five floral etched design glass dishes, and one black stoneware Project 62 teapot. Minor general wear to all, some residue and minor surface marks to the steins and the exterior of the teapot as well as one of the Belleek plates. Teapot appears never to have been used.

VASE: 7.75" x 4.75" dia. BOWL: 2" x 4" dia. Handmade and hand painted pottery Moroccan Safi vase and Tunisian pottery bowl, each with traditional colorful motifs on white. Vase is marked Safi on bottom, bowl is marked Sidi Bousaid Fakhar. Minor general wear to each, some small spots of discoloration. Most small irregularities come from handmade quality.

8" x 3.25" dia. Small vintage Chinese cloisonne-style vase with vibrant enamel depicting flowering branches and birds. Unmarked. Minor general wear.

9"H x 3.5"W x 3.5"D (bottle). Lot includes a yellow porcelain spill vase with gold overglaze edges and a grape design painted on the front. The vase is very similar in style to Robert Hanke Austria, but only has number markings on the bottom. Also included is a brown stoneware beer bottle with a stopper, and a green and black stoneware ginger jar shaped vase. Some residue and discoloration to the yellow porcelain vase and around the ceramic stopper on the beer bottle. Some minor general wear otherwise.

2" x 13.5". Large stoneware platter with textured blue, purple, and pink striped pastel glaze design. Signed on underside, though difficult to make out. Minor general wear.

7" x 15" x 5". Three Will George Pasadena porcelain pheasant figures, two with the same pose and warm-toned coloration and one other pheasant with cooler-toned glaze and its head up. Each is hand painted. All marked Will George Pasadena on the underside. Minor general wear.

Dinner plate: 10.5"Dia. Includes 2 serving platters, 2 small platters, 24 tea cups, 1 sauce/gravy boat, 1 creamer, 2 sugar bowls, 2 small serving bowls, 1 large serving bowl, 24 dinner plates, 22 saucers, 23 sauce bowls, 24 dessert plates, and 1 coffee/tea pot. Minor general wear throughout most pieces. Some small areas of discoloration and a few small chips on a few of the pieces.

EACH: 5"L x 2 1/4"W. Group of three antique autochrome positive color transparency on glass each dated 1909. One depicting a wooded path, one depicting the exterior of a church with a cherry blossom tree, and one depicting two lush, enormous willow trees. Each plate features two color positive images used for printing. Some smudging to the glass. Some possible scratches or other such blemishes to the glass. Minor cosmetic wear.

24 1/2"H x 36 1/2"W. Painting on board depicting a Haitian folk art style scene of turkeys in lush greenery and colorful vegetation. Signed along lower left possibly "Blacharb". Possibly in the style of or after prominent Haitian folk artist Sisson Blanchard. Some scratches and scuffs to the frame. One stain on verso indicating a small amount of water damage. Minor cosmetic wear.

30"H x 40"W. Painting on board depicting a Haitian folk art scene of a bustling village with many people tending to crops. Unsigned. Some scuffs and scratches as well as some residue to the metal frame.

25 1/4"H x 21 1/2"W. Oil painting on canvas depicting a group of villagers at the local waterfront market. Signed in lower center most likely by Fritz Bernier. Some scuffs and scratches to the frame. Minor cosmetic wear.

25 1/4"H x 21 1/4"W. Painting on canvas depicting a cubist scene of four workers tending to a field. Signed in lower right, most likely Lothair Fuerilus. Some signs of water damage to the upper section of the work. Some staining or possible water damage to the lower edge of the painting. Some small areas of paint loss. Some scuffs and scratches to the frame.

17 1/4"H x 13 1/4"W. Painting on canvas depicting a Haitian folk art style abstract scene of a tree growing stunning flowers and vegetation to resemble The Tree of Life. Signed Carlo in lower right. One large chip to the frame in the upper right corner. Some scuffs to the frame.

EACH: 9 1/4"H x 11"W. Set of three paintings on canvas depicting a Haitian folk art scene of two birds in lush greenery. Each signed in lower right Elie Woosevelt. Some small areas of residue and scuffs to the frame. Minor cosmetic wear.

9"H x 11"W. Painting on canvas depicting a Haitian folk art village scene of a group of villagers surrounded by lush greenery. Signed "Ronald [illegible]" in lower left. Some possible discoloration or staining to the upper section of the painting. Some minor scuffs to the frame.

29 1/4"H x 24 1/2"W. Oil painting on canvas depicting the self portrait of Italian painter Alessandro Monsagrati. He looks ahead as he holds a paint brush. Signed in upper left. Some paint loss along lower edge as well as toward the right side of the work. Some large chips to the frame throughout.

24"H x 18"W. Oil pastel drawing on board depicting the portrait of a woman wearing a red dress and looking out a window. Signed in lower left White and dated presumably 1960. Some color loss along the edges of the work from possible past framing. Some small areas of discoloration or staining toward the upper and lower edges of the work.

10 1/4"Height x 10 1/2“Diameter. Globular ceramic raku horsehair vase or pot by Mary Witkop, signature along the bottom. Inscription on bottom “El Salto, NM” indicative of the El Salto waterfall and cave in New Mexico, was perhaps the artist’s inspiration for the artwork. There is wear consistent with age, including some wearing away of the carbon design lines.

3 3/4”Height x 10 1/2”Diameter. Vintage Nordic Ware bundt cake pan cast aluminum with teflon coating in a gradient avocado green outside finish and in the original box with an original recipe book. Manufactured by Northland Aluminum Products, Inc. Also called a fluted tube pan. Wear is consistent with use and age and includes scratches along the interior, scuff marks along the bottom, and water damage to the box.

Bird: 4 1/4”H x 2 1/2”W x 2”D. Vessel: 3 3/4”H x 2 1/2”W x 2”D. Vintage miniature, non-hollow wood vessel spotlighting natural bark, with a felted base, and hand carved bird or eagle figurine with smoothed and relief planes perched above a planar base. Wear includes losses to the bird base that may or may not be original. Wear to the vessel includes original hairline scratches from the carving process and water spots.

8 1/2”H x 11 1/2”W x 1/2”D. Brand New Dell Latitude 5285 Travel Keyboard Dock, intended for use with a device. Specifics: Keyboard Dock 9XWXW, K16M, 5 voltage, 350 mA rated current, CN-09xwxw-dfs00-85t-009u-a00. Not tested for use. Wear is consistent with use, including minor scratches and scuffs.

14”Diameter, 1 3/4”Depth. One large metal enameled plate with two fish motifs. Wear is consistent with age and includes pinholes and blistering along the bottom and surface debris. Felt feet are attached to the bottom.

8 1/4”Height x 7”Diameter. Vintage Andrea by Sadek Chopsticks lidded ginger jar in celadon from the Celadon Collection. Sticker on bottom: “Chopsticks Andrea by Sadek Made in China.” Wear is consistent with age and includes a pinhole near the rim, brown firing spots original to the piece, and adhesive tape remnants.

29"H x 21 1/2"W. Lithographic print on paper depicting a New York City street scene by French artist Bernard Buffet. Signed in lower right. ed. 3/150. Some possible staining all over the white border of the page. Some creasing to the lower left corner. One rips along the lower edge.

14"H x 17"W. Vintage silver gelatin photograph print depicting a roaring dam. Most likely circa early 20th century. Some evidence of water damage on the mat. Some buckling throughout. Some yellowing to the mat. Some discoloration or staining to the print and the mat.

16"H x 20"W. Watercolor painting on paper depicting a section of the Truckee River by Helen Shepard James. Signed in lower right. Marked on verso. Some yellowing the paper near the inner edges of the mat. Some blemishes to the mat.

16 1/2"H x 9 3/4"W. Unframed fiber artwork depicting a flowering plant in an ornate Chinese vase. Possibly made with thin strips of reeds or wood. Marked on verso "People's Republic of China". Covered in original plastic wrapping. Some imperfections to the material includes creases, scratches, and peeling. Minor cosmetic wear.

24”H x 7”W x 7”D. Metal sculpture representing Napoleon’s 1810 Colonne Vendôme in Paris decorated with frieze of bas-reliefs and a door on the facade. The column is securely screwed into the base. Wear includes tarnishing and wear consistent with time.

14 1/2”H x 3”W x 3”D. Red marble sculpture with bronze figure that represents the Column of Marcus Aurelius, a Roman victory column in Piazza Colonna, Rome, Italy. Inscribed “Colonna Antonina” on front and features a Marcus Aurelius figure on the top. Wear is consistent with age and includes losses and dents on corners.

18 1/4”H x 5 1/2”W x 5 1/2”D. Metal sculpture representing Napoleon’s 1810 Colonne Vendôme in Paris decorated with frieze of bas-reliefs, a door on the facade, topped with a Napoleon figurine. The column is securely screwed into the base. Wear includes tiny losses along the column, scratches along the base, and wear consistent with time.

11" x 20" x 12". Large vintage aluminum WagnerWare Sidney-O-Magnalite Turkey roaster/dutch oven 4269-M with trivet/braising rack. Wear includes some minor turnish, surface scuffs and scratches, residue, and tape residue on the side. Consistent with age and use. Marked on underside.

9.75" x 13". Vintage folk art carved wooden plaque depicting a man in traditional clothing leading a rearing horse. There is a mark of some form on the back though it is unclear if it is a signature. The plaque appears to have cracked in half and been glued back together, some glue residue remains.

LARGEST: 5.75" x 6" x 4.5". SMALLEST: 2" x 3.75" x 4.75". Three antique decorative wooden boxes from the 19th century. The largest one has a wood veneer, ball feet, striped paper lining, an a key but no lock. One has a bronze relief band design around the top and bottom edges as well as a solid bronze boar figure attached to the lid. The last appears to have a burl wood veneer and has a black velvet interior, it also has a lock but no key. Wear includes surface marks and scratches from age, missing locks or keys, the boar figure is somewhat loosely attached to the lid, and the paper lining is worn in the larger box, and there is a crack along one side of the lid of the boar box. No maker's marks on the boxes.

18" x 13.25". Vintage hand carved wooden tray with floral motifs and black, white, and gold Spanish tile inlay. Wear includes some scuffs and scratches to the wood as well as some residue on the tile and other minor wear consistent with age and use. Unmarked/unsigned.

11" x 4" diameter and smaller. Two small bronze busts on pedestals, one of Plato (plaque reads Platone) and one of Heraclitus. The Plato bust is on a marble pedestal, while the Heraclitus bust is on a wood or composite pedestal. Both are unmarked and unsigned and are likely small replicas of works of antiquity. Wear includes two chips to the marble pedestal and minor general surface wear to each.

12" x 13" x 4.5". Teal Smith-Corona Corsair mid century portable typewriter. This manual portable typewriter with case is in very good condition for age, with some residue and surface wear to the outside of the case and some slight residue on the typewriter keys but otherwise very little wear to the typewriter itself, no apparent broken or missing components, no tarnish or rust. Appears functioning, though not tested with paper.

12" x 7" x 1.5". Antique embossed leather Russian KKA Priv. Navy travel folio and inkwell. Small lap desk with leather wrapped box containing small storage compartment and inkwell as well as a leather folio attached to the lapdesk that folds open and contains pockets for storing letters and other papers. Currently contains ephemera such as a test sheet for ink and some antique photographs and business cards. The embossed leather covers all components including the inkwell, and features varied pastoral scenes, landscapes, and animals. Wear to the piece includes creases and tears to the leather, some separation of the leather from the piece especially at the corners, some oxidation to the interior of the inkwell lid, and some residue in the inkwell. Compartment would have originally had a lid which is now missing/detached as well.

6" x 4.75" and smaller. Two Victorian miniature painted pocket portraits, one in a small bone or similar inlay frame with etched designs and one in a beautifully detailed gilt carved wooden leaf design frame. Some wear to the bone inlay frame including small surface marks and chips as well a small spot on the bottom edge repaired with white putty. Wear to the other includes marks and spots of discoloration to the frame as well as the painting being loose in the frame and off center. The inlay frame portrait has a signature on the lower right, though illegible.

10" x 8.5" and 5.5" x 8". One antique unframed vintage print attached to board of Johannisberg castle in Germany, from the publishing house of Victor .v Zabern, Mainz. The print has hand-painted gloss over the foreground details in the painting in order to create depth to the image. One small antique framed and matted artwork depicting a family in the yard of a large home. Inscribed on the back, location is Örenäs Skåne Sweden and some of the people in the image are named.

9" x 6.75" and smaller. Antique photographic print of the blessed Saint Eustace headshot detail from the Paumgartner Altar by Albrecht Dürer in Nuremberg, Germany, for the Pinakothek (Picture house) in München; and antique framed portrait painted on glass by Bàuslaugh, Riber St. Paris, marked on card. Some small creases to the print (unframed) and wear consistent with age to the frame of the painted glass portrait.

3" x 3" x 5.75". Small bronze replica figure of the Horses of Saint Mark in Saint Mark's Basilica in Venice. Signed Fonderia Art Bortoletti Venezia M.D. on the underside. Wear includes patina, minor surface marks, and a small chip to one horse's ear.

6" x 3" x 2.75". Antique bronze Egyptian Revival gryphon candlestick with a screw top candleholder, made of a different gray-toned metal. Wear includes tarnish and residue consistent with age and use.

2.5" x 7" x 8". Antique photo album full of 20th century family portraits along with a stack of photographs from circa 1950, mostly taken of men on a fishing trip in what is most likely northern Minnesota. Contained in a vintage Corina Viva wooden cigar box. Minor wear given age and use, some wear to leather binding of album and some of the photos within. Handwritten notes above many of the photos as to name and relation.

6.5" x 9" and smaller. Two photo albums titled Snap Shots with antique and vintage family photographs, with dated photographs from as early as 1850 and as late as 1959 though some may be from earlier or later. Includes family photographs and individual portraits from mostly early 20th century, with very few color photographs from the late 50s. Some wear to the binding of the album, some photos have come detached and are simply tucked between the pages, some minor creases to some of the photographs. Many photographs have handwritten notes, names, or dates on them.

13"H x 15"W. Vintage matted hand colored photograph of a man standing in front of a railing with a scenic vista behind him. "Capri 1951" (Italy) is written on the lower right, and a sticker for Kunstatelier (Art Atelier) Carl Hedanek is on the lower left. There is some handwriting on the verso, though illegible. Wear includes creased corners on the matting and some surface marks and scratches to the photograph itself.

4.75" x 11" x 10" Vintage wooden jewelry box with a hinged lid and a drawer compartment below, both lined with blue velvet. Wear includes scratches, scuffs, and other marks to surface of wood as well as some marks and discoloration to the velvet interior. Some of the velvet is loose in places as well.

Roughly 3" x 3" x 1.5" or smaller each. Four silver plated Dansk Japan modern animal sculptures or paperweights. Includes a falcon (without a box), a donkey, a seahorse, and an antelope (all with original boxes). Wear includes minor surface wear and some tarnish.

30 3/4"H x 26 3/4"W. Framed oil painting or similar of a American Plains Indian with the sun in his face wearing earrings and a necklace, signed S. in the lower left corner. Minor cosmetic wear througout the frame.

Height: 24 1/4 in x width: 20 1/4 in. Elizabeth Grant (American, 20th century). Oil on board painting depicting a female nude bust with an angel sculpture set on a table amongst fruit and flowers.

Measurements, unframed, paper only: 11 3/4"H x 8 3/4"W. Birney Quick (American, 1912-1981). Lithograph on paper titled "The Old News Vender" depicting a figure reading a copy of the Duluth Herald, 1934. Written in plate along the lower right is "The Old News Vender by Birney Quick 34." General wear throughout from age including some toning. Some tape attached to top of paper.

26" x 32". Framed and matted original oil painting on canvas board depicting an early-American style winter scene with a farmhouse and horse-drawn sleighs. Signed Faith Miller in the lower right. Wear includes some scuffs and scratches to the frame as well as some small marks on the glass.

32" x 26". Oil on canvas female nude portrait study of a woman with short hair posed in a chair on a green background. Signed Allin on verso, along with a small value study/practice for a different work. Wear includes some spots of craquelure and fading of the paint, especially where the canvas is stretched across the frame.

20" x 24". Original oil painting on canvas of a sole gondolier on a Venetian waterway, done in thick textured paint. Unsigned, unframed. Minor general wear.

17.25" x 16.25". Framed and matted original oil pastel drawing on paper depicting oft-painted St. Geronimo de Taos mission in Pueblo, New Mexico, titled "Deep Cold" on the verso. The mission is depicted in cool-colored blue and purple pastels. Signed in the lower right, though illegible. Wear includes sharpie on the glass, some minor marks to frame and glass.

28.75" x 20.75". Framed original Chinese gouache painting/illustration on paper depicting a group of children gazing into a pig pen to see recently born baby piglets. Titled in the lower right, similar to "Another Litter Was Born." Some scratches and discoloration to frame, some sharpie marks in the upper right on the glass.