Horace Pippin, no coa, private collection, medium: oil, measurements: 30"WX25"H framed, good condition Biography: Horace Pippin was an American painter who painted a range of themes, including scenes inspired by his service in World War I, landscapes, portraits, and biblical subjects. Some of his best-known works address the U.S.'s history of slavery and racial segregation. Immediately after the war, Pippin moved to Bellville, New Jersey, with his brother and worked as a truck driver. The following year, 1920, he married Jennie Fetherstone Wade Giles, who had been widowed twice and had a six-year-old-son, Richard Wade. Pippin moved to his wife's home in West Chester, Pa, where city directories from the mid-1920s list him as a laborer.[6] The 1930 census lists him as a junk dealer, and he also reportedly made deliveries for his wife's laundry business.
Self-Portrait II, 1944, at The Metropolitan Museum of Art
Pippin took up art in the 1920s and began painting on stretched fabric in 1930 with The Ending of the War: Starting Home. While he later explained his creative process: "The pictures which I have already painted come to me in my mind, and if to me it is a worth while picture, I paint it," he revised his compositions extensively.He addressed a range of themes, from landscapes and still lifes to biblical subjects and political statements. Some draw on his personal experience of the war or turn-of-the-century domestic life. All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Condition
It is the buyer's responsibility to inspect each lot and deem their own opinions on condition, description, provenance, and validity BEFORE purchasing.
All descriptions are visual opinions based on the auction house's experience and do not warrant as a guarantee.
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