SIZE 8

ROSE GOLD PLATE. STERLING SILVER

STERLING SILVER

SIZE 7/GOLD PLATE STERLING SILVER

STERLING SILVER 16,17"

STERLING SILVER

GOLD PLATE STERLING SILVER SIZE 8

STERLING SILVER SIZE 7

STERLING SILVER

STERLING SILVER GOLD PLATE SIZE 7

STERLING SILVER

GOLD PLATE STERLING SILVER SIZE 7.5

6" STERLING SILVER

SIZE 8 STERLING SILVER

SIZE 7

STERLING SILVER

SIZE 7

SIZE 7

SILVERTONE

SIZE 7.5

STERLING SILVER NECKLACE 17" AND EARRINGS

SIZE 7

ADJUSTBALE SIZE

SIZE 6

SILVER TONE

SIZE 7

STERLING SILVER GOLD TONE

SIZE 7

STERLING SILVER

SIZE 7

STERLING SILVER SIZE 7

5" OR 6" STERLING SILVER

STERLING SILVER SIZE 7

STERLING SILVER SIZE 8

GOOD CONDITION

12" H GOOD CONDITION, 7"W GOOD CONDITION

Attributed to John Marin, no coa, private collection, medium: watercolor measurements:19"HX23" Biography: John Marin was an early American modernist artist. He is known for his abstract landscapes and watercolors. John Marin was among the first American artists to make abstract paintings.Marin is often credited with influencing the Abstract Expressionists. His treatment of paint—handling oils almost like watercolors—his forays into abstraction, and his use of evocative stretches of bare canvas caught the eye of younger painters. His experience with architecture might have contributed to the role played by architectural themes in his paintings and watercolors.

PINK ONE IS SIGNED, GOOD CONDITION, GREEN ONE IS CHIPPED SEE PIC

"FROM START TO FINISH" HIGHLY COLLECTIBLE ANRI ITALIAN WOOD CARVED SET

FABRIC LINER BASKET IS SIGNED AND DATED, GOOD CONDITION

Attributed to Arthur Dove, no coa, private collection, medium: watercolor, measurements:17"WX21"H framed, ok condition Biography: Arthur Garfield Dove was an American artist. An early American modernist, he is often considered the first American abstract painter. Dove used a wide range of media, sometimes in unconventional combinations, to produce his abstractions and his abstract landscapes. In 1907, Dove and his first wife, Florence, traveled to France and moved to Paris, then the world's art capital. They made short trips to both Italy and Spain. While there, Dove joined a group of experimental artists from the United States, which included Alfred Henry Maurer. Dove and Maurer remained friends until Maurer's suicide in 1932. While in Europe, Dove was introduced to new painting styles, in particular the Fauvist works of Henri Matisse, and he exhibited at the annual Autumn Salon in 1908 and 1909. Feeling a clearer sense as an artist, he returned to New York.His return to commercial illustration was unsatisfying, so Dove moved out of New York to make a living off farming and fishing while devoting the rest of his time to painting. His son, William C. Dove, was born on July 4, 1909.

ALL SIGNED GOOD CONDITION

Attributed to Fremont Ellis, no coa, private collection, medium: oil, measurements: 23"hx27"w framed, good condition Biography: Fremont Ellis was the youngest member of Los Cinco Pintores, a group of early 20th century artists who lived in Santa Fe, New Mexico. Ellis was born and raised in Virginia City, Montana. He was primarily self-taught, and was not formally educated beyond the first grade of elementary school.

BOTH SIGNED, GOOD CONDITION

Attributed to Franz Kline, no coa, private collection, medium: oil, measurements: 16"wx20"h no frame, good condition Biography: Franz Kline was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s. Franz Kline (May 23, 1910 – May 13, 1962) was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s. Kline, along with other action painters like Jackson Pollock, Willem de Kooning, Robert Motherwell, John Ferren, and Lee Krasner, as well as local poets, dancers, and musicians came to be known as the informal group, the New York School. Although he explored the same innovations to painting as the other artists in this group, Kline's work is distinct in itself and has been revered since the 1950s.

Vintage Fostoria “American” Double Flat Foot Candlestick

10" GOOD CONDITION

Attributed to Jim Dine, no coa, private collection, medium: measurements: 24"WX30"H no frame, good condition Biography: Jim Dine is an American artist. Dine's work includes painting, drawing, printmaking, sculpture and photography; his early works encompassed assemblage and happenings, while in recent years his poetry output, both in publications and readings, has increased.Dine has been associated with many art movements including Neo-Dada (use of collage and found objects), Abstract Expressionism (the gestural nature of his painting), and Pop Art (affixing everyday objects including tools, rope, articles of clothing and even a bathroom sink) to his canvases,[3] yet he has avoided such classifications. At the core of his art, regardless of the medium of the specific work, lies an intense autobiographical reflection, a relentless exploration and criticism of self through a number of personal motifs including: the heart, the bathrobe, tools, antique sculpture, and the character of Pinocchio (among flora, skulls, birds and figurative self-portraits).

GOOD CONDITION, ONE LONG DISH IS CHIPPED

GOOD CONDITION

Attributed to Sam Francis, no coa, private collection, medium: measurements: 16"WX20"H no frame, good condition Biography:Samuel Lewis Francis was an American painter and printmaker. Francis was initially influenced by the work of abstract expressionists such as Mark Rothko, Arshile Gorky and Clyfford Still. His loose style was most influenced by the work of Jackson Pollock. He later became loosely associated with the second generation of abstract expressionists, including Joan Mitchell and Helen Frankenthaler, who were increasingly interested in the expressive use of color. But Francis never fit neatly into any school of art. He charted his own trajectory as one of the first global artists working around the world.

9 PIECES, GOOD CONDITION

Attributed to Max Lieberman, no coa, private collection, medium: oil, measurements: 27"HX31"W framed, good condition, Biography: Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.

6,9" EACH GOOD CONDITION

Attributed to Gerhard Richter, no coa, private collection, medium: oil, measurements: 16"HX20"W no frame, good condition Biography: Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.

GOOD CONDITION

Attributed to Le Corbusier, no coa, private collection, medium: oil measurements: 27"HX34"W good condition Biography: Charles-Édouard Jeanneret, known as Le Corbusier, was a Swiss-French architect, designer, painter, urban planner and writer, who was one of the pioneers of what is now regarded as modern architecture. He was born in Switzerland and acquired French nationality by naturalization on 19 September 1930.

GOOD CONDITION

Attributed to Cy Twombly, no coa, private collection, medium: oil, measurements: 24"HX36"W no frame, good condition Biography: Edwin Parker "Cy" Twombly Jr. was an American painter, sculptor and photographer. Twombly influenced artists such as Anselm Kiefer, Francesco Clemente, Julian Schnabel and Jean-Michel Basquiat. In 1957, Twombly moved to Rome and made it his primary city, where he met the Italian artist Tatiana Franchetti – sister of his patron Baron Giorgio Franchetti. They were married at New York City Hall in 1959[10] and then bought a palazzo on the Via di Monserrato in Rome. In addition, they had a 17th-century palace in Bassano in Teverina, near Viterbo. In 2023, the palace was restored and reopened to the public as an artists residence and an exhibition center. The first artist being hosted is American painter Robert Nava.

13"H GOOD CONDITION

Attributed to Hans Hoffman, no coa, private collection, medium: oil, measurements: 21"WX23"H framed, ok/good condition Biography: Hans Hofmann was a German-born American painter, renowned as both an artist and teacher. His career spanned two generations and two continents, and is considered to have both preceded and influenced Abstract Expressionism. After relocating to the United States, he reopened the school in both New York City and Provincetown, Massachusetts until he retired from teaching in 1958 to paint full-time.[6] His presence in New York teaching had a significant influence on post-war American avant-garde artists—including Joseph Glasco, Helen Frankenthaler, Nell Blaine, Lee Krasner, Joan Mitchell, Louise Nevelson, and Larry Rivers, among many—as well as on the theories of Greenberg, in his emphasis on the medium, picture plane, and unity of the work.

6,9" GOOD CONDITION

Attributed to Chaim Soutine, no coa, private collection, medium: oil measurements:30"WX36"H framed, ok/good condition Biography: Chaïm Soutine was a French painter of Belarusian-Jewish origin of the School of Paris, who made a major contribution to the expressionist movement while living and working in Paris. Soutine was born Chaim-Iche Solomonovich Sutin, in Smilavicy (Yiddish: ??????????, romanized: Smilovitz) in the Minsk Governorate of the Russian Empire (present-day Belarus). He was Jewish and the tenth of eleven children born to parents Zalman (also reported as Solomon and Salomon) Moiseevich Sutin (1858–1932) and Sarah Sutina (née Khlamovna) (died in 1938). From 1910 to 1913 he studied in Vilnius at a small art Academy. In 1913, with his friends Pinchus Kremegne and Michel Kikoine, he emigrated to Paris, where he studied at the École des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique.

10"H GOOD CONDITION

Attributed to Maurits Cornelis Escher, no coa, private collection, medium: ink, measurements: 30"WX37"H framed, good condition Biography: Maurits Cornelis Escher was a Dutch graphic artist who made woodcuts, lithographs, and mezzotints, many of which were inspired by mathematics. Despite wide popular interest, for most of his life Escher was neglected in the art world, even in his native Netherlands. He was 70 before a retrospective exhibition was held.

6" EACH GOOD CONDITION

Attributed to Herman Max Pechstein, no coa, private collection, medium: oil, measurements: 16"WX20"H no frame, good condition Biography: Hermann Max Pechstein was a German expressionist painter and printmaker and a member of the Die Brücke group. He fought on the Western Front during World War I and his art was classified as Degenerate Art by the Nazis. More than 300 paintings were removed from German Museums during the Nazi era.

Attributed to Jackson Pollock, no coa, private collection, medium: oil, measurements:30"HX40"Wno frame good condition Biography: Paul Jackson Pollock was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles.Paul Jackson Pollock was born in Cody, Wyoming, in January, 28, 1912,[3] the youngest of five brothers. His parents, Stella May (née McClure) and LeRoy Pollock, were born and grew up in Tingley, Iowa, and were educated at Tingley High School. Pollock's mother is interred at Tingley Cemetery, Ringgold County, Iowa. His father had been born with the surname McCoy, but took the surname of his adoptive parents, neighbors who adopted him after his own parents had died within a year of each other. Stella and LeRoy Pollock were Presbyterian; they were of Irish and Scots-Irish descent, respectively. LeRoy Pollock was a farmer and later a land surveyor for the government, moving for different jobs.[3] Stella, proud of her family's heritage as weavers, made and sold dresses as a teenager. In November 1912, Stella took her sons to San Diego; Jackson was just 10 months old and would never return to Cody. He subsequently grew up in Arizona and Chico, California.

11"H MINT CONDITION

Attributed to William Henry Johnson, no coa, private collection, medium: oil, measurements: 19"WX24"H good condition, Biography:Johnson's earliest works in Paris and Corsica were impressionistic landscapes and cityscapes.

8" EACH GOOD CONDITION

Attributed to Enrique Grau, no coa, private collection, medium: charcoal, measurements: 25"HX34"W framed, good condition Biography: Enrique Grau was a Colombian artist best known for his depictions of Amerindian and Afro-Colombian figures. He was a member of the triumvirate of key Colombian artists of the 20th century which included Fernando Botero and Alejandro Obregón.

13"H GOOD CONDITION

Attributed to William George Gillies, no coa, private collection, medium: oil, measurements: 24"wx29"h framed, good condition Biography: Sir William George Gillies CBE RA was a renowned Scottish landscape and still life painter. He is often referred to simply as W. G. Gillies. n 1934 Gillies attended an exhibition of Paul Klee's work and was impressed by the childlike qualities and imaginative use of colour that he saw. Klee's influence is clear in Gillies' 1934 work, The Harbour, which depicts the harbour at Anstruther. Gillies has created a grid-like composition, using bold blocks of contrasting colour emphasising the vertical lines of the buildings and the ships masts. This is balanced by the use of rippling horizontal brushstrokes.

13"H GOOD CONDITION

Attributed to Giorgio Morandi, no coa, private collection, medium: oil, measurements: 20"HX24"W no frame, good condition Biography: Giorgio Morandi was an Italian painter and printmaker who specialized in still lifes. His paintings are noted for their tonal subtlety in depicting simple subjects, mainly vases, bottles, bowls, flowers, and landscapes. Morandi practiced metaphysical painting (Italian: pittura metafisica) from 1918 to 1922. This was his last major stylistic shift; thereafter, he focused increasingly on subtle gradations of hue, tone, and objects arranged in a unifying atmospheric haze, establishing the direction his art was to take for the rest of his life. Morandi showed in the Novecento Italiano exhibitions of 1926 and 1929, but was more specifically associated with the regional Strapaese group by the end of the decade, a fascist-influenced group emphasizing local cultural traditions. He was sympathetic to the Fascist party in the 1920s,[6] although his friendships with anti-Fascist figures led authorities to arrest him briefly in 1943.

Attributed to William Theophilus Brown, no coa, private collection, medium: watercolor, measurements: 19"HX24"W framed, good condition Biography:William Theophilus Brown was an American artist. He became prominent as a member of the Bay Area Figurative Movement. A descendant of early-American intellectuals, Brown was born in Moline, Illinois. His great-grandfather was friends with Ralph Waldo Emerson and Henry David Thoreau. Brown's father was an inventor and chief designer, at the John Deere Company in Moline, Illinois. While attending Yale University in the late-1930s, Brown met composer Paul Hindemith and poet May Sarton, with whom he would share lifetime friendships. After graduating in 1941, Brown was drafted in World War II. Following his discharge, he began to study painting, moving between New York City and Paris, meeting an impressive range of artists that included Pablo Picasso, Braque, Giacometti, Balthus, and de Kooning, among others. Brown, who studied piano at Yale, was also close to a number of composers, including John Cage, Poulenc, Samuel Barber, and Igor Stravinsky.